#and is bucking the vulcan establishment
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#in a mirror darkly#enterprise things#t'pol#soval#i kind of love mirror t'pol#because our t'pol becomes rather fond of humanity#and gets all curious about and loyal to them#and is bucking the vulcan establishment#and this t'pol is living in a world where vulcans are second class citizens#her vulcanness is being suppressed#it's an act of rebellion to use a simple vulcan gesture#she's got a moral rebellious underbelly in both#just going different ways
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I watched Season 3 of Star Trek: Discovery, after putting it off for a while bc I didn’t love the first two seasons. My god. Season 3 is when the show finally, finally finds itself.
I had a litany of issues with the first two seasons, which have certainly been hashed out by fans before but which I will divide into two relevant categories for the sake of discussion:
Being a prequel, the show leaned on, altered, and got bogged down with preexisting Star Trek lore. They changed the Klingons’ iconic looks and made them the villains again. They brought in Section 31 in a role that was far too front facing for what that organization is supposed to be. They burdened Michael’s character with the baggage of being part of Spock’s family, and made the family even more dysfunctional and traumatic than it was in TOS to drive the plot forward. Now, there are plenty of things they did well. The integration of the mirror universe was clever. The uniforms, IMO, were a better pre-TOS imagining than those in Enterprise or AOS. Original content, like the Kelpiens, was beautifully done. Overall, however, the show felt stuck. They couldn’t cover new ground without altering pre-established ground, and those alterations were frustrating.
The show didn’t allow us to get to know and care for the crew. This was especially a problem in the first season, when we spent all of a few minutes with the Shenzhou crew before everything went to hell, and then the rest of the season on Discovery was war and trauma. How were the characters before the trauma? What changed, what was lost? We sure don’t know! And who are these characters now? Yes, we know Michael, Saru, Tilly, Stamets, Culber - they get individual moments, or moments with each other. But everyone else? The rest of the bridge crew? What are their names, what are they like, how do they interact with and feel about each other? We don’t know. It’s all a swirl of faces and bad situations. We don’t know these characters, but we’re expected to feel their pain as they’re pushed into the most extreme, traumatic situations possible. I didn’t even understand that Airiam was human until the episode in which she dies. Suddenly, then, we get a handful of sweet, everyday interactions between her and the rest of the crew. And boom! She’s gone.
But Season 3… what a breath of fresh air. Finally, the show is in the future and free to cover new ground. The Burn, a differently configured Federation, the couriers, the Emerald Chain, new planets, new peoples… finally, finally, finally. Yes, there is still the familiar here. We see the Trill, the Vulcans, the Romulans, the Orions, the Andorians. But the show can do new and interesting things with them in the far future, WITHOUT bucking the familiar lore of Star Trek’s past.
And now that Discovery made a journey alone and together, as just their crew? We KNOW them. There are still characters who get more focus, certainly. Michael, Saru, Tilly, Stamets, and Culber, still. But now I would count Owo and Detmer among them - we see more of their personalities, their relationship with each other and with others, and they become crucial support to the character dynamics and plot. Now Bryce, Rhys, and Nilsson are more to me than just faces in the background - they are finally familiar as fixtures on the bridge.
Characters who are more occasional, like Jett Reno, Lt. Linus, or Dr. Pollard, fall into a different category for me - they were always distinct presences, and I did know who they were. Even so, I feel that they get to stand out more now that the main cast feels solidified, as opposed to before, when we had a blur of the Enterprise crew and other rotating characters cycling in and out.
(Don’t think I’ve forgotten Nhan or Emperor Georgiou, who are both impactful, distinct characters. It’s just that Nhan always felt like Enterprise crew to me, even after her transfer to Discovery, and leaves early in Season 3. Georgiou, meanwhile, is both a not-quite-crew character and plentifully developed from her initial appearance. She was never a mystery to me.)
Also! Book? I ADORE him. I adore his relationship with Michael (FUCK Ash Tyler, this is the romance she deserves). I adore Grudge (she’s a queen!!) (just stop taking her on deadly missions ok it stresses me out).
Oh, and Adira? A treasure! A delight! Ready to join the Star Trek category of “local teen collectively parented by starship or space station crew.”
Anyway. After two whole seasons didn’t resonate with me, I’m so glad to finally be able to say that I like the show. It feels like Star Trek now.
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i rewatched the entire ice age series and i have opinions
after rewatching some of the madagascar movies, me and @calocybe decided to embark on a quest to watch more animated series from our childhood. an obvious choice was ice age! so, i present to you: finn’s comprehensive ice age opinions masterpost.
read on for an in-depth review of each movie, my opinions on what the series does well (good animation, really fun chase scenes) and what it does not so well (manny is an awful protagonist), and some other things too (like my analysis of queerness in ice age)
first of all, a ranking of the five movies from best to worst:
ice age
dawn of the dinosaurs
collision course
the meltdown
continental drift
first movie
definitely the best
accidental baby acquisition…
it’s just a really good premise. three bros with completely different personalities are forced to work together towards a common goal that doesn’t even benefit any of them personally!
it’s silly and charming and well-written
diego’s arc is especially well-done and it’s easy to follow the way his personality and opinions change
my theory is that they made this movie because they wanted to show off how good they were at animating ice. most of the models and stuff are not very realistically rendered but the ice is honestly pretty impressive
honestly hilarious, has really good visual gags
one of my favorite parts is where they go into the ice cave and find like the ufo and stuff
also the baby does the vulcan hand sign at the ufo which was so subtle and REALLY funny
the ice slide scene. incredible
and then it transitions to the cave painting part with a fantastic depiction of manny’s backstory in a way that’s honestly heart-wrenching??
i wonder if the death of his own family is the cause of his annoying clinginess in later movies, especially with regards to peaches. unfortunately this never comes up again
there are some genuinely emotionally affecting moments in this movie, especially with the humans (when the human woman gives away her baby, when they return the baby to the group) - plus, kudos for conveying all that emotion with no dialogue
this is the only movie where manny’s emotional stuntedness is actually somewhat endearing rather than aggravating
this is also the movie with the most interesting villains - they feel like an especially relevant threat to the protags, and putting diego in with manny and sid creates both good tension and good humor
i wonder why the humans never came back. i think subsequent movies could have benefited from their presence, though i have no idea in what ways. not sure how they would’ve pulled it off but having the baby they rescued in the first movie appear as an adult in a later movie is a plot point that i think would have had the potential to be really powerful
second movie (the meltdown)
pretty underwhelming after the first movie
plot feels disjointed and the climax is weak
i feel like they were trying to go for this sort of found family vs nuclear family / reproductive futurism bent but didn’t entirely succeed and instead made the themes feel muddled. especially after the first movie which was all about rejecting heteronormative standards of family, having manny suddenly go “oop i’m the last mammoth better Reproduce��� was a bit jarring
even if he isn’t actually the last mammoth, it feels like the wrong way to start a romance
in general the romance between ellie and manny isn’t very well-done in my opinion.
manny should’ve apologized for getting so offended when ellie freaked out about the pressure to save their species, but instead ellie apologized for “overreacting” for some reason???
number of biblical parallels: a surprising amount??
you’ve got. sid as a jesus figure to the sloth tribe, the ark saving them from the flood, scrat as moses??
the villains in this one were super boring they were just like… evil fish…
ok i’ve said too many mean things about this movie. to atone let me present this opinion: the scene where the vultures sing a parody of “food, glorious food” from oliver completely unprompted is one of the best moments in the series
also the possum brothers are wonderful
third movie (dawn of the dinosaurs)
this was my favorite as a kid!!
it’s still really good
it doesn’t take itself seriously and that’s wonderful. like… dinosaurs? in the ice age? objectively stupid plot. who cares
buck is the best character ever he’s so much fun
buck’s entire thing is also being a VERY cliche kooky adventurer but the way that they play with it and are self-aware about it makes it good
also i legitimately get chills at the scene where he explains his tragic backstory with rudy
god the romance with the female scrat is SO stupid but at least they’re clearly making fun of romantic tropes here
good team-building shenanigans, like the laughing gas sequence
there’s probably something to be said about the ways that family is portrayed in this movie but sorry i’m too busy looking at the scene where they get swallowed by a giant plant and buck has to like cut its veins like he’s diffusing a bomb
also i do need to mention that the scene where they find the carnage of sid’s attempt at feeding vegetables to the dino babies and buck goes off on his whole silly detective-shtick about what must’ve happened (“leaving broccoli… a vegetable!!!”) was my favorite scene in the series as a kid. it’s so wonderfully absurd!
there are a surprising amount of dick jokes in this movie? and by that i mean like 2 but. it’s really funny rewatching this and going “holy shit”
there’s also a joke about a butterfly dude that i’m pretty sure is a trans joke (“i knew that guy as a caterpillar! yknow, before he came out”) so that was also pretty funny
this movie parallels the first 2 by 1. having sid take care of kids and 2. having a group of creatures who copy all of sid’s wacky movements. i don’t have anything more to say i just think that’s funny
buck and rudy are kismeses send tweet
fourth movie (continental drift)
yeah okay this one’s the worst
it takes itself too seriously and that is its downfall
feels tonally off from the other ones
i saw this movie during the height of my hyperfixation on plate tectonics and i remember being very offended at the fact that they made such a mockery of the way it actually worked… :pensive:
(granted, poorly-done science is a cornerstone of ice age, so i can’t really say shit)
anyway this one really felt like a jumble of cliches. the enemies-to-lovers thing with diego! peaches’ teenager problems! manny’s troubles of raising a teenager! all the mean girls! evil pirates! sirens! woooo!
it just didn’t feel all that original and it didn’t play with the tropes like 3 did
what is it in this series with guys not apologizing for their sexism and then getting the girl anyway
also wow. damsels in distress much
sheera’s design is also such a generic “female animal” look
the ape dude was a boring villain and too much of the movie focused on the pirates
okay BUT the sea shanty scene slapped. had some good rhythm and clever lyrics
lewis was good and i’m glad he stayed friends with peaches
the water was well-animated! maybe they made this movie so they could show off how good they were at rendering water
the chipmunk creatures on the island are like knockoff minions/ewoks
in general this movie felt way less funny than the others. less punchy dialogue
fifth movie (collision course)
solidly in the middle of my movie ranking. not as good as 1 or 3, better than 2 and 4
this was my first time seeing this movie! which means that my view of it isn’t colored by nostalgia, and also that i have a lot more to say about it i guess
first of all it’s wild to see how much the animation has progressed… this one was so well-rendered wow
i liked this one a lot more than i expected to! it was a good time, and, like 3, didn’t take itself seriously, which is always great
the whole thing is built off a lot of bullshit science which offends my inner scifi nerd BUT i think they pulled it off quite well
the fact that they got neil degrasse tyson to do voiceovers is just so funny
they’ve firmly established by now that the ice age universe can fully ignore the laws of science when it wants to, especially with regards to scrat and his butterfly-effect influence on the world
okay buckle up because i have a lot to say about scrat actually.
scrat’s ability to influence the universe has been steadily increasing as the series goes on, so it made sense that he would be the catalyst for the apocalypse in this one
and also the catalyst for the creation of the solar system i guess?? which was very stupid. i say that in an endearing way. that beginning scene was super fun & wacky
absolutely brilliant way to bring the ufo from movie 1 back btw
ok so the prophecy tablet thing that buck brings back? he finds it by pressing a button with the outline of an acorn on it and that’s very interesting to me
at that point in the movie i was really invested because i thought that scrat and the protagonists were finally going to be forced to confront each other on the same level. the idea that ice age might finally break its unwritten rule of “the protags can never know scrat as the force of global change that he really is” was legitimately exciting to me, and it seemed appropriate for the last movie in the franchise
unfortunately this did not happen. scrat just keeps doing his silly scrat shenanigans
um anyway let’s talk about some of the other characters!
manny continues to suck. more on this in the “low points as a franchise” section
peaches was actually really good in this one! she’s grown out of her “teenage stereotype” phase and into a character with a believable narrative about growing up and moving out.
her boyfriend is adorable and i was surprised to discover i actually liked their relationship!
sid did not need to be paired off though. neither did diego. what is up with kids’ movies and their shallow heterosexual romances
buck is back and he is fruitier than ever
man i really like buck. he’s so silly and irreverent and flamboyant and it’s like kind of embarrassing to watch sometimes but it’s ok he’s just doing his own thing
the villains were pretty good in this one. i liked how the female dino didn’t have a stereotypically feminine design
on an entirely different topic: let’s talk about the aesthetic direction!
the scifi thing was super fun. like, absolutely wild for a series about the ice age, but whatever. i like scifi
like the whole superpower magnetism shit, especially the scene in the forest? great! especially reminiscent of the climax of the guardians of ga’hoole movie
however the whole dive into the crystal cave environment was a lil tonally dissonant and i think it should have been cut (introduced an entire new world/characters way too late in the plot and didn’t have time to develop them enough, went too far down the rabbit hole of magic healing crystals jokes and all that stuff which didn’t seem to relate to the rest of the story at all, introduced a fun but unnecessary girlfriend for sid, the time could have been better spent making fun of more scifi tropes and developing the villains)
brooke the sloth girl is just miranda from the tempest change my mind also that climax is on a similar level of stupid as that one episode from hoshi no kaabii where they deflect an an entire asteroid using uhhhh cannons i think
but it’s like. whatever. they’ve fucked around with science enough that they deserve this
also i just realized there were no chase scenes in this movie which is so sad??
so there are my thoughts on the individual movies. let’s talk about it as a whole!
high points as a franchise
this series consistently has VERY good chase scenes
just top-tier chase scenes with excellent comedic timing and general pacing
3 is so good because it has a chase as the climax, and that’s what ice age is good at
4 is bad because it doesn’t have a proper chase anywhere!
the animation is really good. by that i mean less like the models are realistic and more that they’re great at conveying emotion and body language through animation
like this is especially true in 1 if you look at the difference between the sort of smooth, not very realistic animation of the humans vs… scrat
like they’ve got the way scrat moves down so well it’s delightful
the movies are, generally, funny
there are good messages about found family, especially in the first couple
low points as a franchise
alright i had a bunch of these written out as universal truths about the series and then 5 actually improved on many of them! so here are some criticisms that apply to the first four movies only:
just… every single female character? they deserve better
too many damsels in distress
all the fat jokes about manny are so unnecessary
the romances are really boring and not very well-written or believable
okay with those out of the way here’s the real biggest issue with the series: manny is an awful protagonist
heterosexual “no fun allowed” man
they keep him sucky so he can have a fresh new character flaw to be worked on in the next movie but that seems like a bad formula for character development, especially how many of his character flaws seem to be related to mistreating the women in his life
the man’s got a major possessiveness issue
he is just the archetypical slightly shitty husband/dad who forgets the anniversary and doesn’t let his daughter see boys and calls women hysterical and yes he does get better at each of the individual problems and he does love his family but that development feels so shallow!
manny is absolutely making AITA posts and getting labeled the asshole
it also feels like he never truly learns from his mistakes. he needs to be learning to apologize properly and most importantly to communicate properly! there’s so little emotional reality to his development and the script always seems to give him the benefit of the doubt when he doesn’t deserve it.
plus, this series is meant for kids and i just don’t think manny is an appropriate or relatable protagonist for that audience?
on a mostly unrelated note, yes i do like the found family themes but when it starts pairing up every single character and implying that all of them are gonna be monogamous het couples and have kids and conform to the nuclear family model. that’s pretty sad
some more random thoughts
my dad once said that ice age fails as a franchise because the premise of the first movie was not strong enough to support sequels. i think i kind of agree - you can see in 2 they’re trying to worldbuild off what little they established in the first movie, and also set up a bigger cast of characters, while still keeping up the “man vs nature” theme that’s such a cornerstone of the series.
i’m not sure they completely succeed. the worldbuilding of ice age isn’t necessarily weak but i do think they could have done more to round out the world and make it feel less like just a prehistoric clone of ours
there’s something about the first movie that makes it feel like a moment suspended in time. we don’t learn very much about the pasts of the characters and they get enough development in one movie that we (or at least i) don’t feel any desperate need to know their futures. it feels complete!
so in all the other movies are working with a set of characters who have ostensibly completed their development. so in each new movie, they need to give the characters more problems. usually this comes from external factors, like new characters. a couple times they do a pretty good job introducing new internal problems for the characters - diego’s quest to get over his fear of water was a pretty good one i thought.
but after a while the main trio just stagnates. diego, once the most compelling character, becomes pretty boring. he doesn’t have anything to do anymore. i’ve already talked about manny - each movie he reverts back into an asshole and it gets old so fast. sid’s a little better; he’s got issues with his family and a desire for a family of his own and all that, but more often than not the conclusions to his arcs are unsatisfying
sid plays the role of the character who’s doomed to never get exactly what he wants, except, like, in a way that’s supposed to be funny. we pity him!
i think he has some archetype parallels with escargon from hoshi no kaabii (why do i keep mentioning hoshi no kaabii) but i am not going into that here oh boy
i feel like i’m juggling a lot in my head right now, but sid’s position as the comedic scapegoat is interesting. i’m sure there’s more to unpack here but i’ve already gone way too deep into this series
there’s also more to unpack when you consider his queercoding hmm
anyway, on that note…
additional thesis: sid the sloth is queer-coded
complicated relationship with family (they hate him and think he’s useless)
lispy voice
cares about “fem” things like children. takes care of kids in both movies 1 and 3. calls himself “mama”
gets pushed into the role of caring for the kid in 1
makes vaguely gay comments at his male friends, like “you have beautiful eyes” to manny
there are literally so many jokes in the first movie like. diego’s “you guys are an odd couple” to manny and sid
that whole part in 4 where he’s trying to kiss the sirens and kisses diego instead and is like “wow romantic”
not interested in the idea of a nuclear/traditional family. see his shenanigans with the dino babies
he is interested in women throughout the series though (bi rights)
5 especially tunes down the queercoding and tunes up the “awkward guy who can’t get girls” angle
so. ice age. is it fun? yes! i definitely enjoyed rewatching the series with my friend. and kids will probably get a kick out of the slapstick and silly dialogue. but if you’re not a kid and looking to (re)watch any of them, i’d probably just stick to the first one.
#ice age#movies#analysis#my post#long post#please clap this is 3k words#i sure do love overanalyzing media that isn't that deep LMAO
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3 Historic East Coast Wedding Venues to Consider for Your Big Day
BY SARAH DAWSON February 20, 2020
The Duke Mansion. Photography by Lauren Roseneau Photography.
Many factors come into play when choosing a wedding day, from location to size to style to sentimentality. And while some couples gravitate toward sleek, modern venues, others may be more drawn to a locale with a bit of history. For those who are considering making their wedding location their “something old,” we’ve rounded up three historic wedding venues on the East Coast that will serve as the ideal backdrop for the special occasion.
THE DUKE MANSION // CHARLOTTE, NORTH CAROLINA
The Duke Mansion. Photography by Kristin Byrum Photography.
The background: The Duke Mansion is listed on the National Register of Historic Places, and is operated as a nonprofit with all proceeds being used to preserve and protect this community treasure. Built in 1915, North Carolina entrepreneur James B. “Buck” Duke purchased the home in 1919, later founding Duke Energy and Duke University. Upon his death in 1926, the home passed from family member to family member and eventually landed in the hands of some of the Charlotte community’s most prominent philanthropic families. The Mansion currently operates as a four diamond inn, meeting, and event space.
Fun historical facts: The Cannons, a wealthy textile family, lived in the house in the 1950s. Their daughter, a true southern belle, fell in love with a Yankee Catholic, and the strong Baptist family just couldn’t stand for the partnership, so they sent her away on a cruise hoping she’d fall in love with someone else. Indeed, she did fall in love with John Hershey, and when she later married him at her family home, she invited that ex-boyfriend to attend. To this day, her ex, John Fitzgerald Kennedy, is one of the most famous guests to have attended a wedding there.
What makes it an ideal wedding locale: The Duke Mansion is a sought-after venue not only for its history, but for the lovely indoor/outdoor aspect of the property. With four and a half acres of stunning gardens, and 27 garden rooms, it’s truly an urban oasis. When couples rent the property for the wedding, they gain possession of all 20 guest rooms on Friday and Saturday nights, and it truly feels as if you are hosting the wedding at your personal home. An on-site executive chef and culinary team that includes a horticulturist customize the hyper-local southern menu for guests, with an organic garden full of heirloom tomatoes, beans, kale, and cabbages adding to the offerings.
GLEN GORDON MANOR // HUNTLY, VIRGINIA
Glen Gordon Manor. Photography by Jumping Rocks.
The background: Glen Gordon Manor traces its hospitality roots back to the 1860s when it was a Wells Fargo stagecoach stop. The main house brims with nostalgic spaces, including a fire-lit entrance hall, baronial oak hunt room, stone wine cellar, and a charming country kitchen. Located just one hour from Washington, D.C., and major airports, the Manor feels a world away in its gorgeous hunt country setting.
Fun historical facts: Fans of The Crown will appreciate that the Manor has housed British Royalty. King Edward VIII and Wallis Simpson, infamously known for their scandalous romance, once visited when the historic estate served as a hunting retreat for the royal family. Their stay allowed their romance to blossom, and they became the namesake for the Manor’s luxurious suites. Earlier in its history, during the Civil War, Union troops marched right in front of the Manor, and guests can tour many historic Civil War sights in the area during their stay.
What makes it an ideal wedding locale: With breathtaking views of the Shenandoah mountains and surrounding valleys, this intimate yet spacious manor home is the perfect spot for a hunt country wedding. Prior to the big event, the wedding party can enjoy the on-site spa, and wedding couples have the run of the entire property for their wedding, with the ability to host guests for an intimate gathering fireside in the Hunt Room or outdoors for a larger, tented reception. The meal is sure to be memorable as well, as award-winning chef/owner Dayn Smith customizes the reception menu to the bride and groom’s specifications.
FOXFIRE // MONKTON, MARYLAND
Foxfire. Photograph courtesy of Foxfire.
The background: A luxurious private estate, Foxfire is situated in a historic area of Monkton, Maryland, known as My Lady’s Manor, which was established more than 300 years ago when Lord Baltimore gave the land to his wife as a gift. Foxfire itself was built in 1932, and has since been regarded as a renowned horse racing and breeding farm. With its close proximity to Washington D.C., and New York City, it’s also served as a retreat for tastemakers and high society over the years.
Fun historical facts: The original 1930 Vulcan stove was built to last—it still has pride of place in the kitchen, and works like a dream. In addition, the estate is home to a long line of renowned racehorses that were bred and raised on the grounds.
What makes it an ideal wedding locale: Foxfire limits large events to four times a year, so if you’re seeking an exclusive venue, it fits the bill. Every detail on the grounds, as well as indoors, had been thoughtfully designed to enhance the guest’s experience and surround them in a luxurious yet approachable setting. The property impresses from get-go—ancient maples line the quarter-mile driveway, along which visitors will pass a duck pond, a quarry, barns, paddocks, and pastures with grazing horses as they make their way to the main house. During the winter, the quarries on the property can freeze and have long provided opportunities for outdoor ice skating. The pristine countryside and crisp exterior of the Manor House offers the perfect backdrop to endless design palettes, whether you wish to highlight the historic estate or focus your event concept on a different source of inspiration. Couples can also opt to rent the property for the entire weekend and host up to 21 guests onsite (events can accommodate up to 300 people), along with a full range of events beyond their wedding, including a welcome reception, rehearsal dinner, or a Sunday brunch.
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ESFJ: Quark,��“Star Trek: Deep Space Nine”
ESFJ – the Provider, the Facilitator, the Caretaker
DS9 enjoys making its characters outcasts from their home cultures. As the self-professed keeper of Ferengi tradition, Quark has the farthest to fall when he loses everything and becomes a failure in his people’s eyes. It’s then that he discovers that he’s made friends among the misfits on the station—the hew-mons and other non-Ferengi he’s disdained, but still served as their faithful bartender.
Dominant Function: (Fe) Extraverted Feeling, “The Garden Fountain”
Quark could also be called, “the Host, the Negotiator, the Party-Planner.” His bar is the hub of DS9’s civilian population, arguably as important as Ops itself. When Sisko convinces/blackmails him to stay and keep the place open after the Occupation, the community on the station comes back to life.
Despite their ongoing combative relationship, Quark feels actual affection for Odo, and always tries to goad the constable into admitting the same. He likes messing with Odo’s composure using Fe in the same way Odo likes to frustrate his life using Te. They have it out one day while stranded on a mountain together, and Quark assures Odo he meant every hateful word—and the feeling is mutual.
Quark’s materialism isn’t driven just by personal desire, but by the need to be seen as a successful Ferengi. His culture says that acquiring profit by any means necessary is the goal of life, and Quark aspires to this standard. When he fails, he’s embarrassed. When his family fails him, or bucks the values they were raised with, Quark tries to shame and bully them back into line.
Quark endures a moral dilemma when he’s forced to break a contract with another Ferengi—something the Rules of Acquisition expressly forbids. He’s willing to kill himself to fulfill the deal and avoid violating his society’s customs. After a vision from the Nagus who wrote the Rules (an Ne-experience that encourages him to see the Rules in a new light), he stands his ground and saves his own life. He pays the price by getting cut off from doing business with all other law-abiding Ferengi—basically exile.
Quark’s horrified to find himself acclimating over time to Federation culture, picking up on their equality, generosity, and taste for root beer. But as an Fe-dom, Quark can’t help this process. It’s the reason he’s a bartender in the first place. He complains to Garak that he could have gone into any line of more lucrative business—like weapons sales, for instance, which earned his cousin Gaila his own moon.
The reason he didn’t? “I’m a people-person.”
Weapons sales are too cold and technical, and Quark likes showing people a good time. He likes talking to them, entertaining them, tending to their needs and desires with food, drinks, games, and holosuite programs. He often feels used and underappreciated when the Starfleet officers he serves faithfully insult him, when his brother leaves the bar for a new job, or when his customers get distracted by another establishment. He’d be bored anywhere else but at his bar, the center of attention, telling stories of his financial exploits—or exaggerating his fight with a Klingon to pull in more eager customers.
Of course, Quark’s happy to exploit and manipulate said customers. That’s Quark’s genius. He always wants something from you, but he knows how to get you what you want in return. His strategy when facing any antagonist, whether a grumpy security officer or a stubborn business partner, is appeasement, mutual compromise, and negotiation. He always searches for a solution that will be profitable for both parties—because that’s good business.
He persuades a cold-blooded Vulcan terrorist that making peace is the most logical—and cost-effective—thing to do. He convinces the Prophets to restore Grand Nagus Zek’s personality by preaching the positives of greed and ambition. He takes charge of a motley band of Ferengi and leads them in the rescue of his mother from the Dominion, which he negotiates with one of the notoriously slippery Vorta. There is virtually no situation Quark can’t work to his advantage with some smooth talking.
It’s this gift that his cousin Gaila makes use of when he needs someone to host his clients for weapons sales. And Quark’s great at it. The cousins make money hand-over-fist, with Gaila and his boss handling the goods, and Quark handling the hospitality. Unfortunately, Quark’s conscience gets the better of him, and he ends his weapons career by skillfully manipulating deadly enemies against each other rather than helping them to kill millions.
For all his greed, deceit, pettiness, and misogyny, Quark holds a high moral opinion of himself and his people. He gives almost as many righteous speeches throughout the course of the series as Sisko does, defending Ferengi ways against the patronizing humans who look down on him. In one of his best, he points out that as distrusted as the Ferengi are, they have nothing like the wars, genocide, and other barbarity found in human history.
“We’re nothing like hew-mons,” he concludes. “We’re better.”
Auxiliary Function: (Si) Introverted Sensing, “The Study”
Quark has memorized his people’s guiding principles, all 285 Rules of Acquisition, and can recite them at will for guidance in virtually any situation he encounters. Quark cherishes Ferengi tradition and culture, and wants to hold on to the form of it he remembers. When his family, and eventually his Nagus, start upending the old customs, Quark resists. His last big scene in the show is a fiery speech in which he declares Quark’s Bar to be the last stronghold of true Ferengi culture.
Quark’s fashion sense looks garish to the non-Ferengi eye, but it’s perfectly in keeping with expected Ferengi standards for a man of his status. He’s detail-oriented about his bar—there’s always a chore to give his workers to keep the place spotless. He has a good memory for his customers—he knows their likes, dislikes, and vices.
Of course, his hearing is ultra-sensitive, and he can determine the exact decibel level needed in the bar to make sure it’s a lively, profit-producing place. At the end of the night, he enjoys the routine of counting out the profits, and has a fond appreciation for the feel and weight of latinum. He’s run his bar for years before the show even begins, and though he has to be blackmailed into staying on, he’s largely happy to keep working there despite his protestations of greater ambition.
He also has the last line in the show: “The more things change, the more they stay the same.”
Tertiary Function: (Ne) Extraverted Intuition, “The Hiking Trails”
Quark’s willing to try anything to make a profit, and his creativity knows no bounds. He has to move quickly to stay ahead of a certain stubborn constable, and tries many an idea to beat his adversary. Though frequently frustrated, he’s always able to put aside a failure and move on to the next scheme.
When he’s trapped on the Defiant with an undetonated torpedo and an uncooperative business client, Quark demonstrates that taking a risk on life’s possibilities is often the best way to live. In any given negotiation, Quark can turn on a dime and adjust his strategy to meet the changing situation. While other Ferengi like his mother and the Nagus are more long-term strategists (Ni-users, both of them), Quark tends to play it by ear, if you will.
On the other hand, Quark refuses to consider changes to Ferengi culture. Though his brother Rom explains the benefits of the many reforms begun by their mother and the Nagus, Quark can only see what they’re losing. He grows more cynical and suspicious the further they depart from tradition.
Inferior Function: (Ti) Introverted Thinking, “The Laboratory”
Quark’s cloying, Feeler approach doesn’t tend to fly with Odo, so he has to get wily. His infamous Ferengi deviousness gets to work to save his hide from many a predicament. He dazzles the Klingons with numbers and financial analytics in order to save the house of his temporary bride Grilka. He watches his profits on an hourly basis to determine the success of his business. Rom complains that when Quark has a problem to solve, he stays up all night noisily grinding his teeth.
Quark grows pessimistic and critical in dark times when his profits and opportunities are threatened. He’s ready to give up and get out after the Occupation, and years later, he doubts the Federation’s ability to save them all from the Dominion. When his brother, family, or employees disappoint him, he insults and criticizes them, finding fault with everything they do.
After being cut off from his Ferengi business connections, Quark sees his profits disappear and can’t determine a way to fix his situation. He falls into a deep depression and must return home to his Moogie to figure out what to do. Once there, he’s offered a chance at Ferengi redemption by plotting the breakup of Ishka’s secret relationship with Grand Nagus Zek.
That Ishka and her forbidden romance are about to change the course of Quark’s life and his culture is a development he’d never see coming.
#MBTI#Star Trek: Deep Space Nine#Quark#Armin Shimerman#ESFJ#cognitive functions#Fe-dom#Fe#Extraverted Feeling#Si-aux#Si#Introverted Sensing#Ne#Extraverted Intuition#Ti#Introverted Thinking
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DS9 season 3 liveblog & notes
[Season index: 1 2 3 4 5 6 7 PS]
The Search 1
Um... so what about that treaty about no cloaking on Federation starships, that was such a big deal in The Pegasus?
What's going on with Jadzia's hair...
"We're going to take our only warship into the territory of people who think of us as intruders to convince them we represent no threat" Logic???? What kind of plan is this?
Loaned? Ah, ok.
"When did I start thinking of this Cardassian monstrosity as home?"
If this is "one of the finest collections of ancient African art you'll ever see", what is it doing in their luggage instead of a museum? This is almost as bad as Picard and that priceless artifact in The Chase...
"Maybe it is. Maybe I'm your friend, and maybe I want you to see that you are still needed here no matter what some idiot Starfleet admiral might think." ;_;
Why dim the lights when you cloak? Just to give a visual shorthand to the viewers?
Wow Odo... I don't understand why everyone is so hard on Quark in this episode -- Sisko bullies him, Bashir insults him for no reason, now Odo is yelling at him with more aggression than he's ever shown in two seasons...
Seriously?! Cloaked ships leave a trace, and nobody in all decades of conflict ever noticed that?! I mean, even if somehow only the Romulans know, that means they can detect cloaked Klingon ships, which would mean they could as well have been uncloaked -- that'd be a massive retcon that doesn't work with anything we've seen before.
I still don't understand how replicators can produce foul tasting food... They make exact copies on a molecular level...
Poor Bashir -- it's as if Sisko picked his best friends to leave behind on purpose...
another literal redshirt dead
Class M planet with no star? What?
Why do these changelings all look like Odo -- imperfect imitations of humanoids? I thought Odo's appearance was the result of trying to fit in Bajoran society + lack of skill to make face more detailed. These changelings live by themselves so they can pick any shape they like, and I'd expect them to have more control over details, so just repeating Odo's design looks like a lazy shorthand to indicate they're the same species -- as if their liquid state weren't enough. They even have the same hairstyle -- which he copied from a Bajoran! If the writers are trying to say "they're just copying Odo" then they should all be played by the same actor.
The Search 2
Oh come on, Kira, there's absolutely nothing wrong with having a lot of questions in this situation!!!
Me: well this story is pretty bad so far, I don't have any expectations for it anymore Screen: Andrew Robinson as Garak Me: interest instantly restored
(I'm certain every person liveblogging this show made or reblogged a post in this vein...)
Alright, Sisko's plotline is definitely some kind of hallucination
Or is it? I thought it was all too good to be true, but maybe the Dominion is just tricking them
Wait, that subcommander is alive and on DS9?
Okay, I didn't like that "Starfleet security officer" and now he's more suspicious. Maybe he's a part of the Dominion. Maybe the changelings are a part of the Dominion. Maybe all these people acting strangely are changelings in disguise. Maybe everything is a conspiracy. I dunno, this entire episode feels incredibly fake.
"It seems our leaders have simply gone insane" Garak stop reinforcing my impression that you and Sisko are somehow the only real people in this story... Well Dax and Bashir also seem to be alright, but they're a bit too passive.
Oh, Garak didn't look behind himself and got shot, guess he's not real either
FUCKING FINALLY
This is so unsurprising that I can't tell if the writing is to obvious or if I've seen this spoiler before and half-forgot. Probably both.
And they just let them all go. Sure. I wonder how they managed to gain so much power, if they're prone to dumb decisions like this..
What a shitty story. Jfc. The only amusing part was that according to the main characters, the Starfleet admirals are stupid and untrustworthy (what a surprise...), and Garak is smart enough to not only take action when needed, but seem to almost realize the world around him is wrong (but he still somehow fails a spot check in a firefight...). Bashir clearly wants him to join the team and run around having adventures (not a surprise either...). It's funny that the character who comes closest to becoming self-aware is actually one of the simulated ones.
The fakeness of the plot is obvious enough to make me unable to take it seriously, but not clear or fun enough to just relax and enjoy the ride. I don't hate simulations on principle, but I need them to be good simulations. The Federation is too stupid -- it might have worked with some new admiral, since they're often assholes, but we know Nechayev and she was obviously OOC. The editing is pretty telling: there are weird timeskips (worst offender: Sisko gets into a fight and then without a change of pace others come to break him out from the brig), plus I don't think there were establishing outside shots of DS9. And anyway, the very first scene with Sisko where he's in a shuttle even though at the end of the previous episode he was about to be captured, and then Dax and O'Brien show up and we've never seen them escape is a dead giveaway that everything about this group of characters from here on is somehow wrong. And that's 8 minutes into the episode. I thought "Well, maybe it's an editing experiment, and it'll be a how-we-got-here flashback episode" but nope. What a waste of time.
Lmao I just read this in a comment to a review of this episode: "When I first saw the The Search, Pt II I found it unusual that Bashir is in a shuttlecraft with someone and for the first time manages not to annoy his travelling companion. And then the ending reveals why – it was all a dream!" That's right! I actually thought that too! :D
I can say one good thing about this episode: Odo's love of order has always had dark undertones, and I like that it's explored and discussed here as a racial trait which made his brethren into a galactic evil force.
But otherwise I'm not very impressed with his storyline? In the first part his anger and compulsive homing instinct look offputting instead of sympathetic. At one point he makes an expression that is probably supposed to be soft and makes the viewers go "aww", but ends up just looking forced and creepy. And the tender moment with Kira at the end just didn't work for me.
The House of Quark
OUCH
I was pretty scared for Quark, since he's not a big fan of violence, nice to see he's taking this so well
A new pretty outfit for Quark! A beautiful Klingon woman!
Another beautiful Klingon with a great grey mane. Yes, my commentary is very deep today.
I just continue to be amazed by Quark's luck with the ladies. Cultural exchange with a Vulcan in the previous season, now with a Klingon.
Aw, O'Brien actually wants Bashir's opinion now. And Bashir gives good relationship advice to a married man -- compare to their conversation in Armageddon Game!
Doesn't this solve their problem? If Kozak died dishonorably, that means D'Ghor gets nothing. Which is what should have happened in the first place. So now that D'Ghor challenged Quark, Quark's inability to fight will be shown to everybody (as if it weren't obvious enough...), so D'Ghor's lie will be exposed. And then he'd not only have no right of ineritance, but presumably also become a criminal for lying to the coucil.
Quark is awesome
What a good episode. Quark acts cool and noble! Klingon vs Ferengi value clash & working together! A-story and B-story work together well because despite no direct connection, they're both uplifting and thematically linked!
Equilibrium
Oh, of course when Jadzia gets screentime, it's for her to act OOC
Aw, a J&J friendship scene
Time for the annual comment on how much Bashir grew up! I've already talked about his scene in the previous episode, and now there's this lovely, purely platonic scene with Jadzia
How can these Federation weirdos sleep without blankets?
This was okay. But can we have a Jadzia episode not about her almost dying? So far this season is disappointing -- only one good episode out of four.
Second Skin
O k a y. You got me, I really didn't expect this
This is the kind of episode I watch this show for
How do you disguise someone as a member of species for years? I can understand cosmetic surgery like in Face of the Enemy, but to change their entire body so it would show as target species during any medical examination... This concerns the episode Tribunal, too. How are agents so deep undercover supposed to work? She spent all these years helping the Resistance. How does that benefit Cardassia? 10 years ago they wouldn't have known the Federation would become involved and their sleeper agent would work with them
Niiiiice
"Just something I overheard while I was hemming someone's trousers" lmao his excuses are getting more and more ridiculous
Cardassian!Kira *is* more attractive than the real Kira
the real Garak demonstrates how much his reflexes are quicker than his simulation's :D
Honestly, by this point I'm just curious for how many seasons can the writers stretch the mystery surrounding Garak. :D They're having too much fun giving out pieces of the puzzle one by one.
The Abandoned
This beautiful woman with a really impressive chest is Jake's gf? Wow!
Why are they just taking away the wreckage instead of buying it from Quark?
Sisko holding the baby and Jadzia and Julian watching him with smiles on their faces :'))
oh my god Odo used his old bucked as a cache-pot for Kira's plant... :O
wait, weren't the Jem'Hadar much more reptilian?
"It's amazing how some people would judge you based on nothing more than your job" haha
If this boy has so much aggression, why is it only expressed as need for physical combat, and not angry verbal outbursts etc? Another genetically engineered quality -- he needs to be a brutal soldier that doesn't talk back?
I find it curious that this episode answers the question "Is it okay for a 20 year old to date a 16 year old?" with such a definite yes. That's pretty questionable territory, and it's unclear why exactly Sisko changed his mind: his opinion about the girl's job or Jake's interests doesn't negate the age difference.
I like that the show takes Odo's backstory as a lab specimen so seriously. I used to expect exploration of this theme with Data, since he must have spent a lot of time in some Federation research centers before entering the Academy.
Civil Defense
Garak AND Dukat? I like this episode already.
Why are they not asking Garak for help? I know they'd prefer other options, but is kind of an emergency! I know they'll have to, eventually, since he's in the opening titles.
"I never knew how much this man's voice annoyed me" :D I'd actually be curious to hear the announcement in full, personally!
This is such a good excuse for a Disaster-like episode?? Perfect synergy between the setting and the needs of the plot
haha of course Odo and Quark are trapped together
"The only place in the galaxy that still recognizes my access code is a Bajoran space station" So what about that code in Second Skin?
bwahaha it just gets worse and worse
I think this is a good episode to show new viewers who want a taste of the show before starting to watch it properly from the beginning: it gives a good idea of the setting and involves all major characters to some degree, but so far it has very few continuity references
"What? That you'd spend your final hours in jail?"
"Tell me, Doctor, what is it exactly about this situation that's making you smile?" "You, Garak." oh my god...
holy shit this station is something else...
Dukat shows up in person! It's strange they didn't even discuss the possibility of calling him earlier. Of course, he immediately turned this into a hostage situation, so...
Oh my god he's making himself tea in the middle of this... amazing
"If you had been on the station when I designed this programme, I would have made an exception in your case."
HAHAHAHAHA
When Odo and Quark walk out, why are so many people just chilling on the Promenade?! They were about to die seconds ago!
What a beautiful episode :D Probably not as suited for beginners as I initially thought, thanks to Garak&Dukat. But I really appreciate the dark comedy side of it
Meridian
I think I've seen this episode in TNG... maybe multiple times... Jadzia is even worse suited for this role than Deanna.
welp this was really bad on literally every possible level. i could complain for a long time but i'd rather save my breath
the only good thing about this episode: it's so irrelevant you can easily skip it.
Defiant
I think she needs sleep, not a night out in the bar
THAT VOICE
I think I'm spoiled about this one...
Second Chances did such a good job not villainizing Tom and then this episode comes and ruins it
ah yes tell all your military secrets to the Cardassians, including cloaked ship detection...
why the random kiss
aaand Riker spends possibly the rest of his life in a Cardassian camp? great. just great. why did someone hate him so much they deemed this necessary? they managed to make me so salty about this I didn't even care about the Cardassian stuff, that's an achievement. Will gets to continue his career and marry his imzadi while Tom, who already spent 8 years marooned alone and didn't even get a promotion afterwards, now rots in prison forever. "You always had the better hand," indeed.
it's hilarious how quickly Dukat can make Sisko sympathise with him just by mentioning fatherhood. worked even better than the last time. if he got half a brain he's doing it on purpose.
I hope Riker at least got to spend some time with Ro while they were both in the Maquis. now that's something I'd like to see
Fascination
"I'm a poor substitute for your wife" "I could have told you that 60 games ago"
do we really need the Odo/Kira/Bareil love triangle?
"I usually make it a point to drop by Quark's three or four times a day at random intervals, just to let him know that I'm thinking about him"
"Jadzia, of course. I've never understood how the two of you could be such good friends. [...] It's just that she gets to spend so much more time with you than I do." "Jadzia and I have been doing this for the past two years." ( ͡° ͜ʖ ͡°)
oh O'Briens, pls don't fight over nothing :(
so where is Bashir during all this? because I'm pretty sure he and Garak are not immune to this romance confusion nonsense, and that sounds like a much more intriguing story than what I'm watching
ah, he's with Kira, well at least this one's mutual and not sexual harassment
I understand Odo, but why is Sisko unaffected too?
A question that concerns not only to this episode: why is Kira always the object of everyone's attraction? She's dating Bareil (which I completely forgot about; when she mentioned having a boyfriend in the previous episode I was very confused), Odo has a crush on her, in this episode Jake and Bashir do too, an episode before Riker kisses her, an episode before some creep wants a blow-up doll of her, an episode before Dukat leers at her...
Well... I guess this was less gross than The Naked Now.
Past Tense
I like how Dax adjusts to this time period instantly. was she already born by then?
"Some of these people are mentally ill." *braces myself for some horrible comment* "...They need proper medical treatment." oh thank god
Jadzia looks absolutely gorgeous
surely it's not a coincidence that the only white character among the time-travellers ends up with a millionaire, while the others are locked up in the sanctuary
Sisko and Bashir's discussions are very heavy handed, it's like watching some old moralizing play
I like how Jadzia retrieved her combadge by telling the truth
there was nothing particularly wrong with this story, and it was well-made, but for some reason it didn’t really impress me
Life Support
so. Winn was behind the sabotage, right?
this is like "Ethics" in reverse
haha they want Terok Nor back
"She talks a lot for a female" Nog you used to be better than that...
"Listen to me. I don't care about your negotiations, and I don't care about your treaty. All I care about is my patient, and at the moment he needs more medical care and less politics. Now, you can either leave here willingly or I'll call security and have you thrown out."
now it's more like "The Host". (I can't stop comparing everything to TNG haha)
don't try to make this into a "grey morality" situation. Nog is objectively in the wrong here, the human culture is objectively better than the Ferengi culture in this respect. TNG intentionally wrote Ferengi values to be abhorrent, and DS9 didn't change them but somehow tries to justify them and it just. doesn't. work. Just admit you wrote yourself into a corner, and either retcon the Ferengi to be more tolerable, or set aside your "all cultures are valid" agenda for a minute and admit some things are just bad. this glorification of moral relativism is DS9's version of TNG's worst misapplications of the Prime Directive
wow, are they actually going to kill him off?
"Positronic implants"?! Um. UM. They have working positronic brain now? Since when? Last time I heard, nobody managed to make stable ones since Dr. Soong... Or are implants easier to make than a full brain? Anyway, the possibility of a mixed organic-positronic brain has never even been discussed before, this is kind of a big deal. Dammit, just putting some human skin on Data was something only the Borg managed to do! This sounds 1000 times more complex!
"Major" ah, so that's how they break up, he’s incapable of romance now
ahh, his voice, head movemens and facial expressions are just like Data's
uggh the Jake-Nog storyline went as I expected
wow I didn't expect the treaty to actually get signed!
"I won't remove the last shred of humanity Bareil has left" rude... and that's from the man who befriended Data... I'm disappointed
oh btw if he just casually talks about the possibility of fully replacing Bareil's brain, that means it is possible to create stable positronic brains at will now! this is enormous! Data doesn’t have to be the only one of his kind anymore! Lal can be rebuilt! oh wait, let me guess, this will never be addressed again ever.
Welp. You know, right before I started this episode, I was mentally complaining about Bareil, like "kill him off already". Whoops! I feel bad now. This episode didn't go as I expected, and was more important than I expected too, which is good.
Jake and Nog's storyline and the positronic stuff -- less good. Honestly, the more I think about these two points, the angrier I become and the less I like this episode.
I thought that A and B plots were annoyingly unrelated, but actually... I think they share the theme of "peace above all", on a very different scale. Because the Bajoran-Cardassian treaty doesn't sound very fair to me either. "There's even the possibility that the Cardassians will issue a formal apology"?! Is that really enough? "Even the possibility"? Meanwhile, people like Dukat not only walk free but remain at their high posts. Cardassia|Nog was the offending side, Bajor|Jake did nothing wrong, and yet rather than declare that and demand justice and apologies, the latter can only hope to achive mutual tolerance -- even that is hard enough. Well, let's just hope the show isn't going to try and justify the occupation, like it did with Nog's misogyny...
btw, since we're talking about international politics and status quo: what about the Dominion threat? everyone was really scared for a couple of episodes, and then things went back to normal. we went to the Gamma Quadrant once for no reason (nothing about the plot required that!). the Defiant, a unique warship sent here for defend DS9 and the wormhole against Dominion attacks, is regularly used as a shuttle/runabout for random trips. way to disperse all sense of danger, change and excitement.
I certainly like Bashir in this episode more than I liked Crusher in Ethics (or in The Host, lol). He can get pretty intense when it comes to saving his patient's life. Not "fly to Cardassia to face a former head of secret service" intense, but still.
It's nice to see Winn humanized a bit. The writers have spent a lot of time making Dukat likeable, she deserves the same treatment. I'm so used to mistrusting her, I spent the entire episode being confused whether she actually wants the treaty to succeed or is plotting to make it fail for some reason, whether she wants Bareil alive or dead. But I guess I was supposed to take everything she was saying at face value for once?
I don't know what the hell is this season doing with these Ferengi B-plots that, I guess, are supposed to be humorous (???) but are wildly offensive instead. Are we supposed to just calmly accept Quark and Nog's extreme misogyny? It was played for drama pretty well in Rules of Acquisition; this is a noticeable step back.
Heart of Stone
I love Sisko and Bashir's casual conversation about a male ensign's pregnancy! Sure, he's an alien, but it's still progress for this show.
Odo and Kira's storyline is so cliched... I don't even make an effort to listen to their technobabble
As viewers we all know Kira will be saved somehow at the last minute, but in her and Odo's place I'd already start discussing a mercy kill. Phaser blast from a friend >>> asphyxiation
"I'm in love with you too" ???????????????????? YOUR BOYFRIEND LITERALLY DIED IN THE PREVIOUS EPISODE
Sisko, he's just a kid. I know you're testing him, but there's no need to go that far.
Okay, I'm going to sound like a broken record, but: what about misogyny? The previous episode made a point of showing that Nog upholds Ferengi values regarding women. And that's completely incompatible with Starfleet. Isn't anyone going to mention that?
heh... there was a thought at the back of my mind that a changeling might be involved
aww, good, stand up to Quark, you two! :)
Well, most of this episode is very boring, contrived and derivative, but it does give Odo some character development (even if it includes the dreaded romance, ugh) and has a good excuse for this plot device at the end.
Destiny
"I also had Chief O'Brien reprogram the replicators to provide Cardassian food" Um, why wouldn't it already be on the menu? I assumed the replicators weren't replaced by Federation ones, and in season 2 Keiko gave a Cardassian dish to Rugal. I went back to check, and she literally said "I found some Cardassian recipes in the memory bank of our food replicator"!
It makes sense that the Bajorans don't want the Cardassians in their Temple
let me guess, there'll be an unexpected third Cardassian and suddenly the prophecy will sound much more believable
"Now those are about the two friendliest vipers I've ever met" Hey, maybe don't make jokes like this immediately after someone walks out of the door...
Told you so
Damn, the third "viper" seems to actually deserve that name! Will she be the "bad" one, or, in subversion, the only trustworthy one?
"Men just don't seem to have a head for this sort of thing. That's why women dominate the sciences." ah yes hello reverse sexism trope
Cardassians flirt by bickering? Never heard that before... I thought this was more like Klingons.
Okay, they played it straight with Dejar
That's lovely! But "vipers will return to their nest in the sky" doesn't make sense -- how did the comet fragments return to their nest?
The Prophets don't "want" anything! They just can tell you the future because they don't exist in linear time!
Well, this was a lovely episode, if not the most engaging. But the subplot with O'Brien and the scientist was completely unnecessary.
Prophet Motive
Was! This! Necessary?! I don't need to see sex on screen! And yes that includes oo-mox!
Aw Bashir
I can't believe we're getting a story where Bashir is the one who suffers because his friends won't shut up. Karma is real...
nice job breaking it, Quark
The story is pretty shallow by itself, but makes me ask some interesting questions. Would it be ok to nonconsensually transform a bad person into a good one? Especially a person in a position of power? I know I'd be tempted to do this to some politicians... But even if we assume the ends justify the means, who would define good or bad? Sadly, this episode doesn't take these issues seriously.
After 2.5 season of Bajoran religion, it's actually nice to meet the "Prophets" in person again in all their creepy, clueless glory.
Visionary
Time to torture poor Miles with more unreality!
why are both sides being so dumb? just say "Odo was separated from the rest of his people as a baby, grew up with no knowledge of them, and only met them 1.5 times"?
"I'm always diplomatic" *cut* "THAT WAS THE MOST RIDICULOUS THING I'VE EVER HEARD AND I RESENT THE IMPLICATION!"
my first thought: the transporter genuis who beamed in the device was O'Brien
this one doesn't make sense... the sleeping Miles should know about the disaster and the radiation device too...
As usual with time travel episodes, it's very fun to watch, but the mechanics break down at the end and spoil the impression. I like that, as in Civil Defense, every time you solve a problem it gets worse.
It's only season 3, and "O'Brien suffers" as a type of episode is already getting old.
Distant Voices
There's a Cardassian writer named Shoggoth? :D
"Still the man of mystery?" "Oh, you wouldn't have me any other way"
Melting Odo is a genuinely disturbing sight...
"There's hope for you yet, Doctor"
Very predictable story, but it has some character development and lovely scenes with Garak.
Through the Looking Glass
when Mirror!Garak looks in indignation at Sisko kissing Kira: honestly same
Mirror universe Terok Nor is less riot-proof than our universe's was...
Episode: boring and pointless as I feared
Mirror Kira: somehow even worse than the last time, at least watching her hit on herself was mildly entertaining
Mirror Garak: still a giant waste of Andrew Robinson -- seriously, he appears rarely enough, and for the third time in this season he's not playing his real character
Sleeping with alternate versions of friends/subordinates: incredibly gross
Well at least Bashir and Dax looked really hot with these haircuts lol
Improbable Cause / The Die is Cast
Ahh, so many of my favourite things. Odo investigates! Garak confronts his past and justifies his reputation for once! International conflict! Dominion is dangerous again!
The cliffhanger where Garak joins Tain is the most thrilling thing that happened on the show recently! But I'd be severely disappointed if he didn't do that.
The torture scene is very impressive, but there are some things I don't understand about it:
What, "They're still my people and I want to go home" is the big secret that's worth all that torture? Seriously? Anyone could have told you that. How is this information new or relevant?!
Nevertheless, "he never broke" is a lie, right? Odo did break and confess, even if I think his revelation was completely useless. Don't the intelligence agencies of the two biggest police states in the galaxy have security cameras in their interrogation chambers?!
I could understand if Odo forgave Garak eventually, but not so soon and easily! He tortures you horribly, then you never even mention it and invite him to hang out only several hours after! Sorry, what?!
It's becoming a trend to start Garak-centric episodes with something bad happening to him. :D Oh shit, Garak's hand got bitten! Oh shit, Garak has a migraine! Oh shit, Garak's shop blew up!
Explorers
Come on, O'Brien, is this really more ridiculous than building ships in bottles? :D You of all people should understand!
"For a moment there I thought that you had been put in charge of the Cardassian Ministry for the Refutation of Bajoran Fairy Tales"
Miles, just say the word! :D
Fireworks in space! :D I don't know what I love more -- the beautiful and uplifting moment itself, or Cardassians going "Shit :))) We gotta be really nice today :))))) Congratulations :)))))))"
After the epic intense two-parter -- 45 minutes of pure fluff :D It has so many things that are specific to DS9: Sisko and Jake's family bond, Bajoran culture and Cardassians being jerks about it, Sisko and Dukat's passive-aggressive skyping, Bashir and O'Brien's slowly developing friendship -- all leading to the celebration of the “boldly go where no one has gone before” spirit, and everything, for once, ends well.
Family Business
"If I were Curzon, I'd have stolen her from you by now" *facepalm* let's just pretend this stupid heteronormative line doesn't exist
this house looks like a Hobbit hole
Quark and Rom's mom is awesome. get rekt you misogynists!
omg Miles & Julian, how old are you? :D
Rom is so nice in this episode
I like Kasidy
Ishka is 10 times more awesome than it seemed
Rom really rocks in this episode
aaaand the ship sails :D
I wish Ishka could make a public statement, and Quark would
Good episode: interesting family dynamics, amazing Ferengi feminist, cute new ship
Quark and women is a fascinating topic. He's a traditionalist when it comes to Ferengi women, but in daily life among other species usually manages to come off no worse than any 20th century misogynist, and finds strong and outspoken women attractive rather than repulsive. Apparently it boils can be traced back to mommy issues: Quark isn't just a "good Ferengi", he's being reactionary towards Ishka, but at the same time she clearly is a positive influence on him, even if he won’t admit it. Too bad in this episode he refused to take even one step forward as he did in "Rules of Acquisition"...
Shakaar
Shit, things are really going downhill on Bajor... separation of church and state, what's that?
"We spent so many years fighting the Cardassians. We spent so much time hoping and praying for a Bajor that was free. Now that we won, how can people just hand their freedom over to someone like Winn?" "It has been my observation that one of the prices of giving people freedom of choice is that sometimes they make the wrong choice."
Why can't those reclamators be replicated?
"I wasn't aware that our relationship needed solidifying"
Great episode! (If I set aside the question of replication... Seriously, what's the law here? The Bajorans on DS9 can use the replimat, but Bajor can't ask the Federation to replicate some farm equipment? I don't think it would be physically impossible, surely it's not made of something like dilithium or latinum.) Winn hasn't reminded me of our sad reality so much since her first appearance. The B-plot was completely irrelevant, but I always enjoy seeing this sort of thing.
Facets
Quark... are you trying to convince the station commander's 16 year old son to write porn for you? seriously?
Ah yes, people closest to Jadzia, aka all of the main characters... and a dabo girl who appeared once for 45 seconds
don't do this... especially in front of all of ur friends...
Dax has a multi-Doctor episode! :D
CurzOdo and Quark's reaction to him are beautiful :D But how can he drink?
Poor Jadzia :(
Go Rom! Quark is too much of an asshole this season...
This is messed up...
Typical man: he's attracted to a woman, so he takes out his frustration and her and nearly ruins her life
How do Trill memories work? Why is this ritual needed when all memories are already in Dax's head? Are some of them in a .zip and need to be decompressed to be appreciated fully? How did Jadzia not know of Curzon's crush? Is it possible to hide some of your memories from the next host(s) on purpose? You know what, nevermind. Rene Auberjonois (whose name I had to copy-paste, I must admit...) clearly had fun with this episode, and so did I.
The Adversary
yes finally! :)
When they introduced the word "changeling" I was like "that's dumb, that's not what the word means" but now I understand. tbh I love them as enemy -- this story is so beautifully paranoid
why are they all assuming there's only one changeling on board
Well, they certainly know how to end the season on a dramatic line...
This season, my honeymoon phase of "oh my god, serialized Trek" finally ended, and I started thinking about whether or not I like these serialized stories. So I felt compelled to write longer notes after each episode, and don’t have any general remarks this time.
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Brabham BT62 First Look: For Serious Track-Rats Only
Big-money track-day cars are a big deal. From Ferrari’s FXX models to Aston Martin’s Vulcan to Pagani’s Zonda R, these stripped-down, amped-up, slick-tired hypercars are doing land office business despite their seven-figure price tags. The $1.4 million McLaren Senna GTR is already sold out, as is the track-only version of the $3 million-plus Adrian Newey–designed Aston Martin Valkyrie, and both cars have yet to even turn a wheel. No wonder David Brabham has spotted an opportunity.
Brabham. If you’re a motorsport enthusiast of a certain age, you’ll recognize the name. David’s father, Sir Jack Brabham, was a three-time Formula 1 World Champion, winning back-to-back titles in 1959 and ’60 and his third title in 1966, at the grand old age of 40. David’s older brother, Geoff, finished fourth in the 1983 Indy 500 and won the 1993 24 Hours of Le Mans. David himself started 24 F1 grands prix in 1990 and 1994 and also won the 24 Hours of Le Mans in 2007.
Jack Brabham’s third world championship was remarkable not just because it came at an age that today is considered well past retirement for an F1 driver but also because it is the only time a driver has won racing’s ultimate title in a car of his own construction, carrying his own name. That history is the inspiration for the Brabham BT62, a track-day hypercar designed and engineered under the direction of David Brabham.
The BT62 is a mid-engine sports car, powered by a 5.4-liter naturally aspirated V-8. It’s based on an engine from a mainstream automaker—Brabham won’t say which—but has been extensively modified to develop 700 hp and 492 lb-ft of torque. The engine drives the rear wheels through a six-speed Hollinger sequential-shift racing transmission. Brakes are carbon-to-carbon items, with carbon pads actuated by six pistons acting on carbon rotors, a technology first introduced to F1 by Brabham in 1976. Tires are Michelin slicks.
Wrapped in carbon-fiber panels, the BT62 weighs 2,142 pounds, according to Brabham, giving it a power-to-weight ratio of 653 hp per ton. A full-race aero package that includes an aggressive front splitter, a rear diffuser, and a giant rear wing is capable of delivering a monstrous 2,654 pounds of downforce at track speed.
Just 70 cars will be built, to celebrate the 70th anniversary of Jack Brabham’s racing debut (in a dirt-track midget; he won at his third event). Each will be priced at about $1.4 million, plus local taxes. The first 35 cars will be finished in paint schemes recalling the Brabham racers that won 35 grand prix between 1966 and 1985.
Where the Brabham BT62 differs from the other mega-buck track rats is the price will include personalized driver coaching sessions to help owners make the most of their cars on the track. With a chassis setup personally developed by David Brabham, the BT62 has no driver aids other than traction control. “The BT62 is a car that demands total engagement and commitment from its driver,” says Brabham Automotive’s director of technology and engineering, Paul Birch.
The BT62 will be built in a new 162,000-square-foot factory in Adelaide, South Australia, with the first customer deliveries expected later this year.
The BT62 is the first step in an ambitious plan to bring the Brabham name back to racing. Sir Jack Brabham retired from F1 in 1970, and the Brabham team was acquired in 1971 by former F1 supremo Bernie Ecclestone. Nelson Piquet then won world championships in 1981 and 1983 with Brabham racers designed by Gordon Murray before Ecclestone sold the team at the end of 1988. After a succession of owners, the team collapsed in a bankruptcy scandal in 1992.
In 2013, the Brabham family won a three-year court battle over the right to use their name. “I set out 12 years ago to re-establish the iconic Brabham name,” David Brabham says, “determined to see it return to global competition.” Brabham won’t be coming back to Formula 1, however, as the costs are simply prohibitive. Instead, the target is Le Mans, where if all goes to plan, a Brabham car could be on the grid within the next five years.
The post Brabham BT62 First Look: For Serious Track-Rats Only appeared first on Motor Trend.
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