#and in interviews he often says

[cerealmonster15]

shoutout to the like 2 people that ive seen post leoidikei it wormed its way into my brain and now im just SITTING HERE with it stewing in my mind forever

[sunshineandlyrics]

I so relate to Hugh Grant (14 November 2024).

[thatratz]

Before everything went wrong Kozlowski asked Arthur "Arthur, do you have enough patience packed for if we need to escape in different directions?" And Arthur was doing the chubby bunny challenge with Maltesers and went "hmfdgdfuuhu"

[nashvillethotchicken]

how much abuse from lestat's siblings do you think was compounded by the fact that lestat was very clearly Gabrielle's favorite

[the-woman-upstairs]

It’s just…so painful to watch Armand readily submit in order to obtain the love he so desperately craves. And while it’s most assuredly a manipulative tactic, it’s still one borne out of fear and desperation. He cannot lose this person he’s come to love and so will become whatever they want, do whatever they want just so they’ll stay with him. But it won’t be enough. No matter how much he acquiesces or seeks to control (himself, others, the environment), he won’t be able to make Louis stay with him in the perfect life, perfect self he built in the hopes of finally being loved. It will all crumble with Armand left alone in the rubble of what he created, the author of his own abandonment.

[skitskatdacat63]

2023 Las Vegas Grand Prix - Qualifiying - Fernando Alonso

[jaggedjot]

Thinking about the implications of the shift from season one having each episode structured around a single interview session, to the premiere episode of the second season containing two partial sessions and reference to another that happened off screen. Previously, almost every scene in the show occurred between the moments Daniel prepared to conduct the interview and the conversation immediately following the end of a recording. Each of these sessions focused on an identifiable chapter of Louis’ life, the delineation between which was further emphasised by the subtle changes to Louis’ framing and approach. As Louis begins to question his recollection and interpretation of events however, so those neat boundaries have started to erode. Now, recollections of his and Claudia’s search for old world vampires spill over three sessions, one of which the audience is only aware of due to Daniel making an impatient remark about how meandering it was (“And I want to thank you, Louis, for yesterday’s eight hours on how to avoid the sun and torpedoes while cruising the Mediterranean war theatre.”). The effect of the conversations and passages of time between sessions meanwhile has been brought to the forefront, positioning it as, if not more, important than what is being discussed during the interview itself. This more organic and uncurated structure seems to be a tentative promise that Louis may be able to find something in his recollections that will allow him to grow, but also serves as an ominous warning of the danger that these memories pose for Louis.

[rickybaby]

Back On The Formula 1 Grid, Daniel Ricciardo Wants To Prove He Can Win

[teamfortresstwo]

To be honest I think a lot of the horror of Elias comes from just how unlikely it is for someone to notice he’s missing

[bleue-flora]

Why I think c!Dream is Autistic - Part 3

[Part 1] - [Part 2] - [Part 3]

Alright, you’re gonna want to probably go read part 1 and 2 first, promise they aren’t too long.

Done? Long time no see buddy. :) Good deal. Now finally, the last reason(s) I think Dream is autistic is because of how it fits narratively.

Who better to frame as the villain than someone who is already on the outside, who is already different, weird, a little off, not like everyone else, obsessive, abrasive, and already setting off subconscious red flags of not fitting the norm. There’s a quote that most have probably heard by Andrew Smith that says, “People fear what they don't understand and hate what they can't conquer.” And does that not say it all? Talk about history repeating itself, real history. This truth is the basis of many real wars. And if communicating and thinking differently weren’t enough to garner dislike, sucess and intelligence are another foundation of hate and as I said in part 1, while not true across the board, high IQ is one way they identify people with ASD (Autism Spectrum Disorder). So who better to frame as the villain than an autistic admin infamous for being one of the best Minecraft players.

Of course, I hear you ask - couldn’t you make the same argument for sociopaths/people with ASPD (Antisocial Personality Disorder) are they not also different than most people to garner inherent fear? The answer is: No, not really. Contrary to popular belief, people with ASPD are not the odd balls out but are more likely to be popular and well liked as they lie and manipulate others to get what they want. In other words, there is a more calculated persona/masking in both ASD and ASPD, but while ASD is just trying to fit in, people with ASPD often have an inherent entitlement to the things they want and are trying to gain power and stand above the crowd not in it. In addition, autistic people tend to be honest, to the point of inappropriate or rude because they are straight forward. In the dsmp, Dream’s default isn’t to lie in fact he tells a lot of truth before often being forced to change his answer [clip]. Unlike people with ASPD who lie because they enjoy the power it gives them and to get what they want.

There is of course empathy to be considered when comparing ASD and ASPD as perhaps the main difference between the two and I think there is a lot of evidence that Dream does have empathy. In fact, I think his moral compass is originally one of the strongest before the dsmp slowly wore away the edges. He returns items after wars, fixes creeper holes and destroyed property, helps people mine or gather materials, fights for the side of who was wronged first, constantly gives out food to feed people… etc. He does a lot of caring things he doesn’t have too. That give him no real advantage, but often even end up putting him in a sticky situation. I mean what better example do we need to prove he has empathy than him rebuilding Tubbo’s house [post]. There was no reason or manipulation or obligation to do that, he did it because he saw that Tubbo was upset. I mean I’ve said it before that we can’t truly prove whether someone does or doesn’t has empathy, but we can look at behavior and I’d argue that his less empathetic acts come much later on his arc and are not consistent across the board like they would be if he truly were a sociopath. Leaving us with the most obvious conclusion then that his logical mind that makes him look like he’s unempathetic and his masking must be because he’s autistic instead, which again aligns well with his high intelligence and obsessive development of skill.

Finally, and perhaps most notably, while a lot of times masking is associated with ADHD it is much more notable and important for an autistic person. Because we are not masking just to cover up our stimming or hyperactivity we are putting on a different face to blend in and be accepted and loved. We are shifting the very parts of ourselves to fit in a circle shaped hole when we’re squares. Which is a skill and habit I don’t find it hard to believe that Dream would use for his villain persona, especially since our (my) masks tend to change too based on environment, whether needing to fit into the family dynamic, student culture or professional world where the social rules change. Which is exactly what we see from Dream as his mask changes depending on who he’s with whether that be Tommy, a large audience, Wilbur, his friends, The Warden, Quackity, Badboyhalo, Techno… etc.

In other words, how fitting would it be if a character with the disorder infamous for masking had a literal mask. One that he literally had to take off to discovery who he was all along. What better example of the dsmp main theme of seeing things from other peoples point of view to gain understanding, than the extreme case of that. What better picture of communication issues than a disorder infamous for social struggle. Like not only does it fit so very well with Dream’s character, not only does it make sense with the symbolism of his mask, and the narrative, but it fits the overall arching dsmp story too, because by being autistic Dream is kind of like the ultimate version of the theme and for him to be a main front runner of the story just truly drives the point home in a beautiful and important manner.

[pleasantlyinsincere]

McCartney on McCartney last random bits

1 - Paul saying John, George and Ringo being the most honest and sincere people he ever met, while not sounding very sincere.

2- Yoko sending congratulatory telegrams after Hi Hi Hi got banned.

3 - For some reason I love this bit on songwriting on guitar of piano.

"A guitar is nice because you are kind of hugging it. [...] It' like dancing with a woman. You're kinda holding the song to you. Whereas with the piano you are kind of pushing the song away from you, like physically almost. So you get different songs with the different instruments, I find."

4 - On John walking out of musicals. [I just imagine this happened multiple times with Paul choosing awful musicals on purpose to see how long John could take it and being amused.]

McCartney on McCartney all audios: Paul's iron bar // McCartney on McCartney dump One // Paul on his Japanese prison experience // McCartney on McCartney dump Two

[naivety]

very weird to frame your abuse apologia as being aware that the writers intended to illustrate a mutually harmful dynamic and not an abusive one. when the writers in question also wrote the line 'once you put it out there, they [the audience] decide what it is' because nothing you ever create has any innate definition. when the writers in question decided to racebend major characters and then showcase them being harmed by white or nonblack characters in a repeatedly racialized pattern when they Did Not Have To Do That and then genuinely or disingenuously decide to dialogue about their directly or indirectly illustrated racialized dynamic of intimate partner violence within and outside the narrative. like to be quite honest it does not matter what they intended because this is what they made and this is how it Looks to a notably large amount of people. who just happen to be interpreting it wrong? according to what metric? the very metric they say Doesn't Work in their own fictional creation? ok

[commsroom]

eiffel's problem is that he sees every injustice as an interpersonal issue. he doesn't understand how his flippancy or apparent leniency towards hilbert might look to hera; in his mind, it doesn't contradict his support for her. to eiffel, it seems obvious - he is also one of hilbert's victims, hera is his friend, of course he's completely on her side - but he fails to fully grasp how the stakes are different for her.

ep 19: "you need to stop treating this like a joke, officer eiffel." / "hey, i'm the person for whom the joke tolls." / "i get you're scared he put something inside you. but i hope you haven't forgotten emergency code alpha victor. he put that in me." and ep 51: "they're just jokes! they don't really mean anything." / "see, eiffel, you get to have that. they can be 'just jokes' for you because you're... well, you. but we don't get that."

the issue in shut up and listen is eiffel's repeated, if unintentional, microaggressions, but it's also his general use of dark humor as a coping mechanism - jokes he feels justified in making because of how the subjects of those jokes have impacted him. eiffel sincerely believes in treating people equally, but his idea of 'equal treatment' can be idealistic and naive. he has an awareness of interpersonal harm, but he's lived most of his life without ever being confronted with the reality of structural harm - being pre-judged and othered and having his life devalued on the basis of outside categorization.

but the thing about that is that it has happened to him, too. eiffel is an addict, and a convict, and marked as from a lower socioeconomic class than minkowski or lovelace, and those things are the reasons goddard futuristics was able to buy him as prison labor and - without his consent - consider him expendable for medical experimentation. none of that is a coincidence, but he doesn't see the systems at work, only his own actions and regrets. which he then equivocates to the worst actions of people who don't share his sense of morality or guilt.

eiffel's ability to recognize and bring out the humanity in the people around him is one of his best qualities, but... on the basis of his identity, he's been able to live a life where he conceptualizes himself as the default person, and that's been reinforced by the pop culture he loves so much. that's a massive blind spot. he assumes everyone navigates the world in a similar way, and so, on some level, he sees everyone around him as an extension of or a reflection of himself. if evil is always personal, then it can always be reasoned with.

[nashvillethotchicken]

Lestat the type of white person to expect you to know everything about france/white culture but ask him who Tom Joyner or Lynn Whitfield is and it's crickets

[carcarrot]

nothing better than opening up instagram to see what those two silly guys are up to now

[player1064]

carraville core beliefs (aka things I am Always keeping in mind when writing them)

Gary:

always busy. always talking. genuinely one of the most annoying people alive. his friends often mute him on whatsapp

easily bribed with chocolate

too rich to have any concept of what things should cost or how anything works

has a Type and that type is tall muscular men

related to his type: likes to be Held. (make of that what you will)

was in love with becks when they were young and everyone who knows him knows this

Jamie:

very much a lads lad and so probably a bit of a bastard but unconsciously acts soft around Gary

loud and over the top especially when he's joking around. VERY touchy-feely but only with people he's comfortable with

does not like sweets. does not like coffee.

loves a paycheck

doesn't have a type he's just insane about Gary. so insane about him that he doesnt necessarily have to actually like men at all to like HIM

completely utterly whipped

as a pair:

always the most insane people in any room they're in and always the most intense

bullying is their love language and they're suspicious if they're being nice to each other

genuinely stupidly fond of each other. what was it I said the other day they just delight each other so much

the reason they delight each other/click so well is BECAUSE they're always the two most insane people in any room they're in

everything is a competition and once they're together they STAY together bc they are both determined to Win at their relationship