#and im getting sick of it

[sag-dab-sar]

Greek erasure is increasing massively in Hellenic Polytheist/Pagan community (on Tumblr) right now. And that is not okay.

[musashi]

i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman

the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.

cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.

personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.

these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.

so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.

[perrieedwards]

i feel like people are skimming over the uk riots in a way that makes me want to tear my hair out. muslims in the uk are in active danger. immigrants in the uk are in active danger. refugees in the uk are in active danger. people of colour in the uk are in active danger. asian communities in the uk are in active danger. black communities in the uk are in active danger.

there are massive far right riots throughout the country right now and people like fucking elon musk and nigel farage are inciting it and still have a platform to speak. people have used three young girls deaths, people's genuine grief in southport, to try and gain traction for their own racist bullshit and it's working.

a lot of refugee charities have been forced to close leaving many people without support, homes, funding, food, etc. if you aren't able to donate please consider sending a message via the conversation over borders campaign! it will send a hopeful, welcoming letter to a refugee in the uk. there is also a guide to staying safe here.

please do your own research and donate to refugee charities, anti-islamophobia charities, mosques who are trying to rebuild after being destroyed, counter protesters, here are some i've heard positive things about but the list is extensive; southport strong together (support for the southport victims and their families), southport mosque rebuilding, riot repair fund, middlesbrough vulnerable residents, nasir mosque rebuilding, hull help for refugees, bristol welcomes migrants,

[yet-another-clown]

[stealingpotatoes]

the illness post is still getting notes (???!! <3) and that means people are still telling me to get better soon, which is really nice but im gonna be too powerful if i get any better

[arr-jim-lad]

i cant even properly explain how it emotionally affects me when my cat comes up to me for cuddles. small creature walks up to me, a giant, in search of a gentle touch, because he trusts me completely. that is what love is. that is what the universe is built for. i want to cry

[warmfuzzyanimal]

fat dog 4 fat dog !!

[painfully-yearning]

"my red flag is i can be possessive" like i give a fuck??? if we're out in public hold me by my waist and don't let go. make me sit in your lap if somebody tries to flirt with me. i absolutely want you to be just as obsessive over me because the moment i see a femme check you out, im giving her dirty looks with my arms around you

[februarys-wednesday]

starkid fans when they see Normal Man and his Barista Crush onscreen for 0.5 seconds:

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[tav4ko]

They look so boyfriends here.

The gentleness, the intimacy, … im gonna be sick for months

[floralfemmes]

white ppl have no concept of the pain of finding a community that you belong to and then discovering the deeply entrenched racism in said community

[datcravat]

It seems there's a new lawyer in town!!!

[dinoserious]

recent gira skpg+some slightly older doodles of baby gira

[sillyghostnerd]

do you think jayce still would’ve resurrected him if viktor had died due to his illness instead of the bomb. do you think the pure shock and horror of seeing viktor alive next to him one minute and then lifeless in the rubble the next was the reason he brought him back without considering viktor’s wishes. or do you think jayce would’ve done it no matter what. because he couldn’t imagine a life without viktor. do you think-

[arcanegifs]

ARCANE LEAGUE OF LEGENDS S1 EP7 ↔ S2 EP6 (2021-2024)