#and if it does. is it really in character

[zoe-oneesama]

The Kwamis! Some of these came easier than others, but since Angelic Layer has no magic involved, all the kwamis became human~ They won't be very prevalent, they're mostly here to fill in background character roles - shop clerks, MCs Tournament Directors, fans - so they won't have a whole lot of speaking roles (aside from, you know, the MCs who're there to commentate on the fights lol). But I thought I'd give them all a nice nod in the story somewhere.

As expected, Tikki and Plagg are the main MCs. Marinette and Adrien's fights will be going on concurrently so Tikki will be commentating Marinette's fights while Plagg commentates on Adrien's. They'll have the most dialogue of the kwamis, so I do want them to have unique ways of discussing what they're seeing.

Pollen will be working directly for the Bourgeois'. As a VIP with a direct relationship with the international director of Angelic Layer, Chloe has her own private practice layer in her home and Pollen is in charge of it's upkeep and maintenance. She matches Armand the Bulter's levels of competence.

Trixx is a Rena Rouge mega fan. They've been following Alya's blog for as long as they can remember and are mega stoked that Alya moved to their city. When Alya starts to doubt herself, it's Trixx's voice that can be heard cheering her on to not give up.

Nooroo and Duusu are servants in the Agreste Estate. Unknown to Adrien, they are fully aware of his sneaking around to play and the two do what they can to make excuses and deflect Nathalie when Adrien isn't where he's supposed to be. They're rooting him on from the shadows!

Wayzz is the adult son of Marianne and Fu. He brings them to Angelic Layer fights against his will because the two really enjoy them. The two seem to be really invested in Ladybug and Chat Noir's career (and the behind the scenes shenanigans that they secretly spy on).

Longg is Kagami's bodyguard. Like Nooroo and Duusu, they are fully aware of what Kagami is doing behind her mother's back and feigns ignorance when Kagami pulls something..."sneaky" to get to a fight secretly.

Here's where we get into some existing jobs from the show:

Orikko and Kaalki are the "Layer Hot Girls (and boy)". lol I just thought it was funny that Angelic Layer even has them.

Mullo is the sales clerk at the Princess Piffle store (the store where you can buy your Angel and all the accessories). All of them lol. Mullo and her many many sisters who look just like her.

Barkk and Fluff take similar but still different roles (the uniforms are ALMOST the same but there are some tiny differences). So Barkk is the receptionist at the Practice Ring (literally you pay to reserve a mini-layer to practice on) while Fluff is the waitress/cashier at the cafeteria at the Tournament Center.

(and back to making shit up lol)

Daizzi is a nurse where Rose goes to the hospital and she has segmental localized vitiligo. Rose is particularly close to Daizzi since she helps Rose make her donations to the hospital.

Sass is the backstage directory, aka, the guy who makes things run. He has an earpiece that has the same diamond pattern as his pants on it! The anime does show one person who helps backstage, but I wanted to have a little fun with Sass's look and tie in to him being "in charge" of the kwamis.

Ziggy works at Socqueline's family art supply shop, which is frequented by Angelic Layer players who are on a bit of a budget. They love talking with the customers about their angels, though mostly the design part.

Stompp is Ivan's foster mother and Roarr his foster sister (Stompp's bio-daughter). I actually didn't think of what kind of job this outfit would be good for, but I think she'd make a good security guard - usually working at rock concerts, which she bonds with Ivan over, but she's also been hired for Angelic Layer tournaments. Sometimes sore losers get a little...violent.

Roarr falls in love with Juleka's Angel Purple Tigress immediately thanks to her pre-existing love of tigers in general. She's even bold enough to proclaim her love to Juleka herself!

Xuppu is Ondine's sibling and a fan of King Monkey, though they'll go out of their way to make fun of Kim himself. Secretly, they're very invested in Kim's career and get very upset on his behalf when he loses.

[wojtekaneko]

John design, based on this post. He's a worm, he's a bird, he's a tree, he's whoever he wants to be. But most importantly he is a kitchen faucet! Love drawing him! Closeups under the cut c:

[prael]

An Oral Agreement

QWER Magenta x male reader

Masterlist word count: 3,008 Kofi(donations/commissions)

She's equal parts infuriating and fascinating.

Magenta.

No last name. Or maybe that is her last name. Either way, that's all it said on the rental agreement and her bedroom door when you first moved in: Magenta. The letters were all lowercase like she was too cool for proper grammar. You know Magenta, in the Biblical sense (and it didn’t take long).

She's always in her room streaming or recording or...doing whatever it is social media influencers do when they aren't online. But she likes candles, fried rice and catcore aesthetics. She thinks pumpkin spice season starts September 1st and she loves reality TV. Not exactly the makings of a deep and spiritual connection.

Now, living with Magenta, well, it has its ups and downs.

There are some things that never get done around here without you doing them; she rarely cooks, which wouldn't bother you so much if she at least did dishes once in a while. It doesn't help that she takes long hot showers. In a house with only one bathroom, this can really put a cramp in your morning routine.

Magenta doesn't clean the place very often either. At first, you just let it go because everybody has their own ways of doing things, right? But after a few weeks of living together, you realised that she's just...not going to do it. Like ever. So then there's nothing for it but to either live in a constant state of messiness or bite the bullet yourself.

Sometimes you feel like you're not living with a roommate so much as providing lodging for some kind of freeloading spirit that passes through periodically.

When you first moved in, you were worried about what your roommate might think of you: would they be weirded out by your habits? Would they judge your taste in decorations? Would you get along? Would you have enough space for both of you?

Those fears melted away pretty quickly once you met her. You could tell from the moment she opened the door that day (and didn't even look up from her phone) that she didn’t care.

You soon learned that Magenta is messy but friendly. She stays up all night and sleeps during the day. She's everywhere online: Instagrammer, Tiktokker (is that what they call it?), live streamer or these days she’s even on the radio and TV. She doing something for one of those things right now, with her bedroom door closed and music playing faintly behind it.

You're standing in the kitchen, staring down her latest infringement. Now, these empty take-out boxes were here this morning when you left. They were also here last night, and yesterday afternoon, and...you get where this is going.

"Hey, you awake in there?!" you shout towards her bedroom but get no response.

With a sigh, you walk over to her door and knock. Twice. Then again, louder when you still get no response. Finally, you resort to pounding on it repeatedly until it suddenly swings open to reveal your roommate shouting, "What!?" You step back, slightly taken aback by how loudly she said that single word. Her eyes soften instantly, though when they land on you.

She looks good. Not even just in a 'good for someone who hasn't slept yet today' kind of way. Just straight-up hot. Magenta wears a faded pink crop top emblazoned with an anime character and little cut-off cotton shorts covered in cookie prints. The low waistband of the shorts hangs off her hips, exposing the start of a light purple thong that cuts diagonally across her hip bones.

"I think our apartment might get condemned if you don't clean sometime soon."

Your roommate leans against the door frame. She pushes some dark brown hair behind her ear as she says, "Can't you do it for me? Just this once?"

"Just this once?" you repeat, crossing your arms. Your lips curl into a smile as you ask back to her, "Can't you do it just this once?"

"What's that supposed to mean?"

"I'm always reminding you to clean, and you never do it. So guess who does it? It's not the magical cleaning fairy—it's me."

Her eyes roll skyward so forcefully you imagine you can hear them squeaking in their sockets.

"Why are you giving me such a hard time about this?" she says. "This seems really petty."

"It's not petty," you protest. "I have stuff to do and I shouldn't have to keep picking up after my adult roommate." You say the word 'adult' laden with implications. She gets your meaning immediately. Her lips twist.

"oh, I get it," she says with a smirk. "I guess it's been a while since I gave you a little thank you. Well, I need to get this video finished, so could you maybe clean it up and come back here after?"

So there's the perks. Two of them actually, as she pulls up her pink crop top and flashes you what's beneath. A pair of purple lace bra cups strain to contain your roommate's ample endowment. Pale skin pours out from beneath them, flesh squeezing together into a deep cleavage that entices you closer even as you shake your head.

"You can't keep pulling tricks like this, Magenta," you say, trying desperately to hold onto your train of thought while also enjoying the view. It helps that you know those breasts intimately. Hell, you've worshipped those breasts. They've spilt around your hands, smothered your face and laid upon your thighs. You know what the soft warmth inside each cup feels like. And, God, they feel really fucking good.

"I really appreciate your help and everything," she says, her bottom lip suddenly pushing out into a cute pout that goes well beyond suggestive. "And I'd like to show you just how much I appreciate it..."

Your resolve lasts right up until Magenta runs a finger down one of her tits to tease along the edge of the lacy purple material. That's when you give up. There's no point in fighting anymore—she has won this battle (just like all others).

"Just go finish your work already," you finally say, letting out a sigh.

Magenta smiles and giggles, lowering her shirt. "Thanks. Love ya!"

With a wink, she slips back into her room. You stand alone for several seconds before shaking your head. Back to cleaning, then.

-

It's not exactly easy to focus on sorting the recycling into the correct bins when your roommate has just reminded you how nice her tits are. They're on your mind a lot, to be honest. More than they should be probably. Sometimes they're on your cock, though not as often as they should be. Probably.

You're counting your blessings that none of the neighbours are doing late-night recycling because then you'd have to explain why your face is red and your pants are bulging.

That doesn't stop the occasional glance towards your neighbour's house, where Mrs Kim likes to smoke on her front porch some nights. You think she smokes more than she should, but that's really none of your business. Her watching you from across the street, however, is very much your business, so you peek over your shoulder once in a while to check if she's spying. Again. Or still. Whatever.

One last box. The light outside is fading rapidly, but you can just barely make out that it comes from...the Greek place you love?

Oh. Oh no. Did she eat gyros and not bring you any? Damn, that girl knows how to be cruel!

When the recycling is finally squared away you dust off your hands. It's a symbolic gesture since all you've done is shove cardboard and glass into the right bins, but it makes you feel accomplished nonetheless.

Back in the apartment and lock the door behind you.

"There you are. Where have you been?"

"The bins, have you ever seen them before?" You mock while still fiddling with the lock chain.

"That was quick," comes her response. Your eyes follow the sound of her voice. Magenta is lying upside-down on the couch. She swings her feet lazily in the air while looking at something on her phone. Her dark hair cascades nearly to the floor. Those short shorts mean you can see most of her long legs. Then there's the curve of her hip, the crease of her thigh... "Get over here."

It's a rare occasion that Magenta voluntarily puts her phone down, yet she does just that as you walk over. The closer you get, the more enticing her position becomes: laying across the couch, head tipped backwards off the cushions to watch you approach her.

"So," she says. Her fingertips brush over the exposed skin of her belly. The fingers trace lines up and across her abdomen, moving between the edge of her shorts and her top. The motion catches your eye—and she knows it. "I owe you, don't I?" Her eyelids flutter innocently. Or rather, far less than innocently.

"For today? Yeah. Definitely." You clear your throat and try again, "For quite a few days, actually."

"Quite a few," she echoes in agreement. Her hand continues to crawl upward until it reaches the peak of her breasts rising beneath her faded pink crop top. The movement presses the supple skin together in a way that has you standing right in front of her before you even realize you've walked over.

She pushes them hard together before letting them settle back to normal. Gravity spreads them apart, flesh pouring across her chest from the tightly gathered fabric keeping them barely contained. She reaches out over her head, to you, and grabs you by the belt buckle. Pulls you forward until you are stood over her. Even though she's upside down, she makes such effortless work of unbuckling the leather strap that you barely notice. One second it's on; the next it's flapping loose.

It takes only two sharp tugs to force your pants and boxers down past your knees. Magenta doesn't waste any time reaching out to touch your cock, gently running her hands over it until she can wrap her entire hand around the warm shaft and pull you until you fall to your knees. Her head hangs right in front your your length, and you see the teasing sparkle in her eye even upside down.

Her hot breath hits the skin of your bare cock. Lips press a series of soft, wet kisses down from your tip towards your balls. Then back up again, trailing even more tiny pecks that leave your skin tingling. You let your cock nudge against her cheek, feeling it slide along the smooth skin.

With both hands wrapped around your cock, Magenta holds your tip right in front of her mouth. Her tongue sticks out from between her lips, slowly, methodically lapping circles around the crown of your cock.

"Oh, God," you mutter, and you need to hold onto something, anything. First, it's the couch, then it's her tits.

Your hand lands heavily atop the nearest swell of flesh and squeezes tight, pushing it further out of her crop top. She hums approvingly at the groping and wraps her lips around your cockhead. Suckles sweetly. Slurps noisily until spit pools at the corner of her stretched lips.

She lets gravity help guide your cock into her waiting mouth. The further you slip inside, the more she relaxes her jaw to accept you. But then she reaches up and pulls on your hips. You glide up against her grateful tongue. Until her nose meets your stomach. She gags. It's so fucking lewd.

The whole thing makes you squeeze her chest harder. So big in your palm and yet somehow always bigger than you remember. You forget sometimes just how incredible these tits are. When they bounce in a video she's recorded, you remember—but never quite how heavy they are when you hold them; the way they give to your grasp in exactly the right amount; or the way her nipple puckers just slightly as it stiffens beneath your kneading grip.

"You're so sexy like this," you say.

The compliment elicits an appreciative groan from Magenta. Her head moves with your hips now, bobbing to meet each thrust, spit dripping down her cheeks. The messiness of the sloppy blowjob matches her other personality traits frighteningly well.

With her head pinned and her arms on you, you're free to pull up her shirt and expose her. The dirty minx has taken off her bra, so the expanse of her milky skin greets you. You cup them in each palm, feeling the heft of them, squeezing them greedily. They push back, moulding into the shape of your desire, and she moans, a low guttural note vibrating right through your length.

Her body writhes beneath your attention. Her thighs spread outwards, feet rolling at the ankle in time with each gently guided thrust into her throat. Fingers squeeze you, scratching lightly at the skin above your ass to encourage you deeper inside her hungry maw. Deeper into her throat until she chokes—

You let up, panting, admiring the sight of her stretched out for your viewing pleasure. Her eyes flutter open, looking up at you from her upside-down position. The intensity in them draws you in again.

"Oh shit," you groan as you drive into her, plunging your cock balls deep until her purple-painted nails dig into the small of your back. You pump faster, lost in the warm embrace of her greedy sucking.

Magenta squirms beneath you, whining and groaning and bucking, begging you for more. Her cunt must be throbbing with anticipation. Poor thing wants your cum. You can tell.

You want her tits.

She gasps when you fully withdraw from her mouth. Her face is a fucking mess of saliva and smudged makeup. Before she can question you, you reposition yourself in front of her, straddling her beautiful face as you lower your rigid length between her breasts.

She's quick to pick up what you're putting down. With both hands pressing the creamy flesh of her boobs inward, she creates a tunnel for you to slide your dick into.

It feels as good as it looks. Soft pressure envelops your slick length, wrapping around the sensitive skin and creating a delightful sleeve for you to hump into. You can't get enough.

As soon as you hit a good pace, fucking your roommate's chest hard and fast, she starts giggling.

"What?" you ask.

"It tickles." Her laugh is breathy but not as loud as it usually is. "Keep going."

So you do. Thrust after thrust you plunge deeper, drawing more and more of yourself into the valley between her perfect tits. The more you use her, the further she parts her legs that run up the back of the sofa. Soft thighs splayed for nothing but display. Then, just as you start to admire them, she clenches them together. Your eyes trace down the pale skin until they arrive at her crotch where the bottoms of her cookie-patterned shorts have ridden up against her wet slit. She's gyrating her hips in all sorts of directions and rubbing herself against the material in some attempt to satiate her growing needs.

The soft flesh of her midriff jiggles between the thrusting into her tits and the twisting of her hips below. You can't stop staring. Fuck. How does this girl have every single curve?

At first, you try holding back—you want this to last longer. But after a few seconds, you realize you can't fight this feeling. Not when you've got such a good view. And certainly not with her nipples so hard under the press of your thumbs. She arches up when you pinch them, and you know you're done for.

And then, as if she can feel it by the way you're thrusting, she begins to coo and beg under you. She knows she's getting you close, and she wants it. Bad.

"Cum on me," she coaxes sweetly, the words barely audible over the slapping sounds. "I've been so bad, baby. You deserve to paint my body."

That's all it takes. That final little plea. Your eyes roll back, your hips snap forward and your cock explodes. Thick ropes over her body, the first reaching her thighs before you adjust your aim and finish across the plane of her belly. Soft curves take your load while she encourages you through soft, little pleasured mewls. You may have got some on her shorts, but you paint her stomach white before pulling up and jerking the final drops onto her chest.

"Mmmm, messy boy," Magenta laughs breathlessly as your cum drips down her curves. She lays there beneath you, her smile wide and wickedly innocent, one hand slowly running circles over the sticky mess on her tummy, smearing it across her skin.

After a few seconds of panting and trying to gather yourself, you climb off of her and sit back against the couch. She turns so her head rests in your lap, facing your spent and dripping length. Magenta teases you still by using her own fingertip to collect your seed and place it across her lips, then licking them clean while making sure you're watching. And fuck are you ever.

"So, about my room," she purrs, eyes twinkling mischievously up at you.

"What about it?"

"Well... It needs cleaning, and I was thinking—"

"No," you feign protest, knowing you've already agreed. "Just clean it yourself." Her negotiation will come next. You can see it on her lips. "I'm not doing it."

Magenta leans up and whispers, "But you might change your mind if you find out what's waiting for you beneath my shorts."

That damn purple thong, still visible at her waistband, calls you toward her like a beacon. "What's beneath your shorts?"

Her laugh is playful. A little shrug as her fingers toy at the hem of the garment in question. "Agree to clean my room and you’ll find out."

[msunitedstatesjames]

I've touched on this in a couple of other semi-related posts before, but I find it hilarious and I appreciate how much Johanna Hezenkoss thinks Emmrich is the protagonist of Veilguard. Like, this woman could not give less of a fuck about Rook. She almost always refers to Rook only by their relationship to Emmrich. She refers to Rook as "one of Volkarin's hangers-on," "that impudent whelp following [Emmrich] around," "Volkarin's companion," and as Emmrich's "paramour." None of these imply that she thinks Rook has much agency. Instead, she acts like Rook is just helplessly following Emmrich around like a puppy, helping him complete tasks (which I guess is partly true).

If Rook romances Emmrich, Hezenkoss assumes that Emmrich seduced Rook and not the other way around, even though Emmrich is noticeably older than Rook and has hardly left the Necropolis in years. She's seemingly amazed by it, and yet it never once crosses her mind that Rook might have initiated the relationship (which is actually the case).

She also refers to Emmrich as the one who destroyed her construct, which is technically true, but she ignores the major assistance he had from Rook, another companion, and most notably Manfred. He couldn't have pulled it off without their help, and had in fact given up, but Hezenkoss acts like Emmrich was her sole opponent in that battle.

I've said before that part of the reason for this is that Hezenkoss seems to think of herself as the main villain of the story, so Emmrich must be the main hero. Hezenkoss says that some of the other big bads of Dragon Age, the Venatori, were nothing more to her than slightly useful and genuinely annoying. She clearly thinks herself above an entire organization of some of the most powerful mages in the world. And she sees Emmrich as pretty close to her in terms of raw power, since she almost invited him to her Vengeance Party but ultimately decided he was too much of a danger to her plans. She also states that she tried to get him to join her in the past, which I don't think she would do for anyone she considered to be less than her equal. Emmrich is genuinely the only person in the game she shows any respect for. Though she mocks his age and finds him to be too sentimental, too moral, and too fearful, she shows signs of agreeing with him on some topics, and she obviously respects his abilities if nothing else. No one else in the game acknowledges his frankly ridiculous knowledge and skill level (except Solas in the end) as much as Hezenkoss does.

And really, Emmrich does have main character energy. Though he does have some age and mortality related fears, dude is overflowing with confidence. When you first meet him, looking for a Fade expert, he has absolutely no problem telling you he's the best possible person for the job. Though he apparently hasn't left the Necropolis in years, he's totally down to join the team and go anywhere you want him to go. If you romance him, he is initially surprised, but he quickly turns into the smoothest dude around, and throughout the game you can hear him comment on some of his many relationships through the years. He's well-dressed, well-spoken, charismatic, highly educated, unfailingly kind, extremely powerful, and he's done so well for himself that Harding mistakes the son of a butcher and a cook for a member of the Nevarran nobility. No wonder Hezenkoss thinks he's the protagonist. The real protagonist is just out here winging it on guts and good luck alone.

[retquits]

Im sorry if this is a dumb question but what does skeb style mean? ;n;

not dumb at all, it's a relatively new phenomenon that got its name from the japanese commission website, skeb!

the general concept of skeb is that you send an artist the character(s) you'd like drawn, and then let them have artistic liberty on how they illustrate that character (so no WIPs or revisions unless there's a mistake)!

the idea was really widely liked, so artists outside of japan also started adopting it with their own variations!

here's an illustrated crash-course:

[purple-plum-petals]

Hello! I saw your homicipher requests were open, and I wanted to request some general mr scarletella fluff if possible! :D

⊱ General Fluffy Headcanons ⊰ || Mr. Scarletella Headcanons

╭─━━━━━━━━━━━━─╮ Character(s): Mr. Scarletella (Homicipher/文字化化) Reader Type: Human (Gender-Neutral Pronouns) Warning(s): Canon-typical Mentions of Violence (and horror-elements), Unhealthy Obsession/Possessiveness, Cultural Barriers (Mr. Scarletella Doesn’t Fully Comprehend Certain Emotions/Expresses Them Differently Than a Human Would). Genre: Headcanons, Fluff, Romantic or Platonic Relationship (It’s Complicated, honestly). Word Count: ~900 words Request: “Hello! I saw your homicipher requests were open, and I wanted to request some general mr scarletella fluff if possible! :D” Author’s Note: I’ll be honest with y’all, writing straight-up fluff for these characters is really hard to do lmao. I try to stay as canon-compliant as possible (it’s low-key a curse, but it’s such a great way to practice writing 😔), so I hope these are fluffy enough for you given, well… the source material as a whole haha. Mr. Scarletella wasn’t originally one of my favorite characters from the game, but he’s honestly starting to grow on me at a concerning speed – shout-out to all the artists on Twitter who have added to my enjoyment of this man. ✌️

→ If you enjoyed my work, please reblog it if you can! Exposure on Tumblr is based on reblogging content rather than liking it, so your support would be much appreciated!  ♡

╰─━━━━━━━━━━━━─╯

🩸: Whenever it rains, Mr. Scarletella is always standing right there next to you, holding his red umbrella over your form so you do not become drenched because of the dreary weather. He takes his job very seriously, too, not minding how cold water causes his clothing to cling to his already deathly cold skin. He does it with an ever-present smile, too, watching you with unblinking eyes while he happily follows you around. Mr. Scarletella doesn’t get cold, he typically doesn’t feel any physical sensation in the first place, so getting a little wet while being able to keep you dry is something he doesn’t mind doing for you. If you invite him to join you under the umbrella, he falters for a bit before eventually standing next to you, shielding both of you from the rain (he loves being able to stand that close to you – he can almost feel the warmth radiating from you, and he finds himself craving it even after the two of you have found somewhere to take shelter). 

🩸: If there’s something you express an interest in, whether or not Mr. Scarletella is around when you make the off-handed comment, you’ll wake up to it lying right in front of your door. It’s honestly a bit creepy sometimes, just waking up to the article of clothing you looked at for longer than three seconds or the book whose title you briefly mentioned sitting at your feet when you open the door. In the past, any gift he left used to just be haphazardly placed in front of the door, and it reminded you of when a cat would catch a mouse and bring it to their owner (you’re not going to talk about the time you woke up to a literal human heart waiting for you, though…). However, Mr. Scarletella noticed that humans who exchanged gifts typically had them wrapped in paper, so he started to mimic their behavior, too, in the hopes you would like them more. Sure, his wrap-jobs were bad, almost hilariously so, but it was the thought that mattered. 

🩸: Whenever he looks at you, his pupils further dilate (even more than they usually are – it’s almost to the point where his entire eye is purely black, the red of his irises lost in the dark void of his gaze). Mr. Scarletella loves being able to just look at you, needing nothing more in life. He’ll watch you with an unblinking stare while you do literally anything. Whether it be cleaning your home or making yourself a meal, he will observe you as if you were the most interesting thing to have ever existed. As stated before, Mr. Scarletella is very good at mimicking human behaviors so, sometimes, he’ll ask if he can join you in whatever task you’re doing. He’ll copy the way you clean the floors or perfectly execute chopping the vegetables for the dish you were making after showing him what to do a single time. He’s very pleasant to be with during moments like these since he’s very good at acting like a human most of the time (other times, though – say if you need something from the top shelf – his body will twist and morph in very unsettling ways... It just emphasizes that, even if he’s good at pretending, he still isn’t human at the end of the day).   

🩸: Being with Mr. Scarletella means that you cannot have an unserious relationship, it’s just not in his vocabulary (because he’s obsessive, especially regarding you). He’s devoted to you entirely – body, mind, and soul – gladly letting you have the red umbrella to do with it whatever you wish. He’ll shiver slightly whenever you hold it in your hands, your touch is so strangely gentle as you softly run your fingers along the handle or press a kiss to the unassuming object. It hurts but in a different way. A part of him wishes you would just throw the umbrella to the ground, dig your heel into it, and have him experience a pain that was easier for him to understand… but you don’t. He loves your sweet touches, even if it’s painful and causes his chest to ache. He finds himself wishing he could touch you in that way, too, his ghost-like caresses causing your skin to tingle with static whenever his feather-light hands graze over your flesh (he loves cuddles and loving touches, even if he can’t experience them with you in a conventional sense). 

🩸: If you ever find yourself being bothered by someone who won’t leave you alone or someone who won’t take no for an answer, well… they may or may not end up missing. If you don’t want Mr. Scarletella to take care of anyone who is bothering you for you, you’ll definitely have to explain that it’s not appropriate because of the differences in your cultures – death and murder are common in the other world, after all (I’d also explain to him that he cannot harm or threaten people you care about, either, since he honestly wants you all to himself). This does mean, though, that you know that you’re safe no matter where you are. Mr. Scarletella is always watching you so, if you find yourself in a situation where your safety is at risk, you honestly have nothing to fear. He’ll keep you safe – you’re his love, his world, his reason for living, and he won’t let someone else take that from him.

[thedreadvampy]

The (133k 💀) notes on this post are FULL of people referencing 1984. Like I would guess about every third reblog with tags/comments mentions 1984.

And I'm not saying 1984 doesn't have relevance but I'm actually genuinely interested that in like 60k reblogs, I'm not sure anyone's made the literary comparison I would make, which is Farenheit 451.

See, cause 1984 is about state suppression of information. But Farenheit 451 is about the idea that, as the state of the world gets more distressing, people become increasingly hostile to the idea of discomfort, and refuse to acknowledge or speak about things that affect them. The first event of the story is the main character's wife attempting suicide, but when he tries to talk to her about what's wrong, she reacts as if the only problem is that he's talking about something negative.

So I kinda wonder why so many reblogs agree that 1984 is the reference point for this

maybe some of it is the role 1984 plays in the cultural canon and some of it is that, while it's a good book, a non-zero amount of F451 is also based on 'political correctness gone mad! shakespeare is cancelled because of Woke!'

but also

I think it speaks to the difference between what I was thinking of when I made this post (that people tend to a) confuse discomfort with harm and b) treat the word for a subject as the source of discomfort about the subject) to how the majority of people seem to read the post (social media censorship is stealing our language)

cause 1984 is about imposed censorship. and the majority of discussions mentioning 1984 on this post are referencing social media companies and occasionally governments legislating against certain language or topics. language is Taken From You by others, with the deliberate purpose of silencing dissent.

but Farenheit 451, while it includes very similar types of state suppression and manufactured consent, doesn't really frame the problem as originating from a dictatorial state but from our own communities' fear, looking for a target and for ways to feel comfortably innocent. That's not necessarily a more complete read than the 1984 one but it's closer to what I was originally thinking of.

Not talking about rape doesn't protect people from the effects of rape, just like not taking about depression or war or pain doesn't stop the characters in F451 trying to kill themselves to the degree there's a special emergency service devoted to undoing suicides. But people react as if it does.

And there's a whole lot I could also get into about how I think both this problem and the literary comparison connects to things like cosy fandom culture, and the proliferation of blockbuster franchises, and the fact that people are more up in arms about ship wars than actual genocide, and the Sex Scenes In Media discourse, and the discomfort around public expressions of 'deviant' sexualities or gender, and how we discuss discomfort as if it was harm, but those are different posts and this post is about language.

and 1984 is a perfectly apt (or doubleplus good) comparison, I just think it has the potential for fully externalising something which we need to also take some direct community responsibility for. It isn't just about what you're Allowed to say or what people say to you, it's about what role discomfort plays in our own minds and whether we feel it's an inherent evil to be uncomfortable.

you gotta be able to say "die"

you gotta be able to say "suicide"

you gotta be able to talk about "sex"

they're uncomfortable topics, YEAH for SURE

because LIFE is uncomfortable. Death and suicide and sex and pain are straight up going to happen. not having words for the way it discomforts you doesn't make it more comfortable, it just makes you less able to reach out about it.

even more vital, you gotta be able to say words like "rape", "abuse", "queer" or "racist". cause we fought fucking hard to name those experiences. to identify "rape" as distinct from "sex" and "racism" as distinct from "acceptable behaviour" and "queer" as distinct from "invert"

like the function of communication is not to minimise immediate discomfort. we gotta be able to talk about stuff that's hard or sucks or causes difficult conversations.

[hamletthedane]

I know I’m joking about how Wicked Part 2 is going to be insane compared to Part 1, but it actually is so interesting when viewed as separate second part of the story -

Because hear me out - imo, the end of Act 1 sets up where the lines in the sand are for the three key characters:

Elphaba chooses to follow her morals and reject the system, even to her own isolation and destruction. Her line is her dedication to “making good.”

Glinda, her foil, openly admits that she cannot turn down the allure of the system’s power and stability, even at the sacrifice of her morals and her closest friendship. Her line is her power and popularity.

Fiyero, further foiling Glinda, is the person who would have blindly said yes to Elphaba’s offer. He is completely, unquestioningly devoted to Elphaba - even to a fault - believing that she will always be good and choose the right thing (as she “doesn’t care what others think”).* His line is his unwavering loyalty to Elphaba.

*admittedly, this is less evident at the end of Act 1, but it’s made VERY clear within the first 5min of Act 2 so I’m counting it as an Act 1 arc

But then Act 2 forces them to respect the line they’ve decided to draw in increasingly devastating ways, and eventually forces them to violate their lines or have the lines destroy them:

Elphaba’s sacrifices turn her into a complete pariah, forcing her to lose everything she had and worked for in an instant. She fights every day for what she believes in, even though she sees it’s fruitless and only leading to the destruction of everything she loves. But Elphaba stands strong even against the Wizard’s temptation of leaving behind her failing cause. However, she’s finally pushed over her edge when one of the two people who still believed in her “goodness” dies for that belief. And it drives her to throw away every good intention and dive head-first into a pursuit of power and control. She must ultimately be influenced by Glinda to once again choose self-sacrifice for the greater good, giving up her power and dreams of normality in Oz. “Now it’s up to you, for both of us”

Glinda builds great political capital and becomes one of the most important, beloved characters in the nation. But nothing is real: she’s engaged to a man who clearly doesn’t love her, she’s openly decrying a woman who she clearly still loves herself, and the system she operates in troubles her even as she benefits from it. Elphaba again tempts her to leave, and Fiyero’s clear willingness to jump ship should be an even greater temptation, but she can’t leave it behind. Not until the very end of the story does she finally recreate the Ozdust dance: acting against her own self-interest to save Elphaba and take up the fire of her cause

Fiyero, to his credit, is the only person who cannot be pushed from his line. The very first chance he gets, he follows Elphaba blindly, despite hearing all these terrible things about her. Then he willingly sacrifices himself for her and her cause, and they torture him to (a fate worse than) death for it. And even when Elphaba really does go evil, he still believes that she will ultimately choose good. His loyalty to her is not well rewarded (see: fate worse than death), but he makes his sacrifice willingly. His belief destroyed him.

What I really like about the play’s story is that from all these different starting goals and motivations, every character is forced to give up everything that is dear to them - including their fundamental selves - by the end of the story. Yet, they all three still continue to overlap and influence each other in ways that lead them all to a choice of “making good” in the end. SO excited to see that played out on screen.

[thydungeongal]

That encounter joke Anon is wrong. Every 5e GM I've ever met went the route of "one fight per day oh my boss is already dead accutally he has 50 more hitpoints and now here's 2 more minions now the fight is properly exciting and dramatic" and the lack of a poker face meant we all knew.

How do you feel about that kind of rewriting, anyway?

For context, none of the GMs ever admitted to this on the LFG posts, or the pitches, etc.

I'm not opposed to it on principle. Ultimately I do think it's a bit like "oh so you're shifting the goalposts when it seems like the party is winning the encounter more easily than you think they should have," but ultimately that's just a maladaptive response to a different issue. Which is, once again, people trying to run D&D as a game it very much is not.

D&D isn't a game of epic bossfights where characters snatch victory from the jaws of defeat after an extended combat encounter. It can produce such encounters but they will usually emerge incidentally, not naturally. D&D is ultimately a game of attrition, of managing character resources through the course of an extended period, and even though D&D 5e's actual expectations of what an adventuring day is supposed to look like are whack D&D 5e does support a type of gameplay that relies on managing resources over an adventuring day much better than it does "a single epic setpiece encounter per day."

Because ultimately D&D is at its best when it's about weaponized player agency and system mastery, and in modern D&D this sometimes manifests as "the party knew they were going up against a lich so utilizing everything they know about liches they kicked that guy's ass in two turns." Now that would be really anticlimactic if the GM had set that encounter up as narrative culmination of a campaign that had been leading up to this moment for two years. But if you take it as "just one more encounter in the story of a bunch of assholes trying to grow stronger and more epic" then it's just a moment of those characters getting to flex for a moment.

Now of course adjusting the stats of a monster on the fly is sort of a problem in that it goes against the game and thus undermines player expression within the game. When the group pulls off a cool trick that immediately deals a million points of damage to the dragon's dick and you say "oh actually the dragon had two million hit points" then you're ultimately undermining player expression. I don't think this makes someone a bad GM because the motivation behind it is usually to provide a more entertaining experience for the group, but it is a sign of a GM fighting against the system and not knowing what it does, and they and their group would probably be better served by another game. And given that players won't necessarily know that happened it maintains the illusion that the game does produce that type of encounter.

My advice? As a GM, be honest: "hey, I didn't think you all would one-shot that boss. Are you okay if we add a bit more HP to that thang?" And if this is a consistent issue of the game not producing the type of experience the group wants they should ultimately look for a different game.

[fairsweetlonging]

new idea: shen yuan transmigrates into a pidw version with abo dynamics, but he doesn't know about it.

he knows what abo is, but it's so far removed from his expectations that it simply doesn't cross his mind at all. with that, cang qiong is a respectable, upstanding sect, so there is no growling, claiming, scent pushing or primal instinct stuff going on. people also don't mention it, as it's simply not relevant most of the time, and is considered rude to discuss unprompted.

shen qingqiu, of course, is an omega (the characters who make the best omegas are the ones who would hate it the most), but he has suppressed it with his qi for most of his life because he doesn't want to be seen as weak. the other peak lords assume he's a beta.

now, i'm not a traditional abo dynamic fan, but, there is something very appealing to me about the nesting and scenting aspect of it.

it starts out slow and painfully oblivious, with shen yuan assuming cultivators must have a really good sense of smell, and it's simply book logic that every character seems to have a signature scent. all those romance novels always mention characters smelling of pine and flowers and scotch and leather, so this isn't a foreign concept. liu qingge, for instance, is the bai zhan war god, girls fall for him left and right, it's only natural he smells of musk and deep woodsy notes, like the earth after it rains. right?

besides that, shen yuan has always been a homebody who loves his creature comforts, so him getting extra blankets and pillows and soft fabrics for his bed to curl up in isn't odd at all. or him collecting soft pretty things. shen qingqiu already has fans and night pearls and hair ribbons and silky clothes, so nothing changes.

then without-a-cure hits.

the poison breaks down the suppressors that the original shen qingqiu put in place, and his body starts restoring the balance. this worsens the cravings, and sets off his omega instincts.

he gathers more blankets, but it doesn't fill the need, like there's something missing. then liu qingge forgets his outer robe in his house after a meridian cleansing to deal with an emergency, and that robe ends up in his bed. he tries to reason it's a comfort thing—he wore his dad's sweater when he was young and had nightmares, and liu qingge does smell very nice, so is it really that strange that he holds it at night and presses his face against the collar where the scent is the strongest to soothe himself?

his own scent starts to develop as well, much stronger than the mild, watery green tea flavor from before, and people notice.

thing is, though, that there are many formalities and rules of conduct around omegas, one of which is not to bring up their status in any improper or unbidden way. so even though the alpha lords now notice a very distinct omega scent coming off their shixiong, they can't mention it out of societal pressure. so, they don't.

shen yuan still doesn't notice a thing.

the first time liu qingge smells it is during their bi-weekly cleansing session, when shen qingqiu leans in and liu qingge gets a mouthful of green tea, bamboo and honeyed jasmine, soft and sweet and pleased and so very content it sets off his alpha brain and he has to rein himself in before he starts releasing his own pheromones like some inexperienced teenager—

he's only just grown used to their amity and their habit of sharing tea and cakes after the cleansing, but now shen qingqiu is sitting there smiling at him and smelling like—like liu qingge is spoiling him and, making him feel safe...

he doesn't bring it up, downs his tea, and leaves.

meanwhile shen qingqiu keeps happily nesting away, filling his bed with all kinds of soft fabrics, some clothes of other people that he's trying really hard not to think about. everything is going well, binghe just turned sixteen and the girls are calling him an 'alpha', so his little bun is growing well into his protagonist charms! yue qingyuan comes by more often, acting a little strange but shen qingqiu is used to that by now. he looks very bashful offering him a ribbon of his, a pretty silver one that smells of incense and ozone, and shen qingqiu happily accepts it.

one time binghe comes back bruised and scuffed from a fight with bai zhan disciples, and shen qingqiu tsks at the strange smells on him, do those brutes ever bathe?? he rubs his hands over binghe's sleeves to try and get some of it off, and his poor bun must still be in shock because he stares wide-eyed at his shizun. he must also be getting forgetful because shen qingqiu finds that same robe still unwashed a week later in binghe's bedroom.

he also loves it when people brush or play with his hair, it's his favorite part of the evening when binghe helps him take down his hair for the night. the combs feel so nice on his scalp, if he could purr he would! (binghe's heart sobs quietly behind him, in complete disbelief his master is purring at him).

his icy, lofty demeanor has all but shattered, because now every time he tries to act aloof, like when yue qingyuan gives him a present or liu qingge shows up on his doorstep, his sweet, pleased scent betrays him.

the opposite is true, as well, when without-a-cure flares up and he's in pain and his scent goes sour and distressed, even when he's waving everyone off saying he's fine. the entire house smells of burnt tea leaves and ash after a nightmare, and shen qingqiu is very confused when liu qingge comes to pick him up for a meeting but then refuses to leave.

anyway he doesn't find out until after the conference when airplane tells him to keep his acrid scent under control, his house is starting to stink.

[innerfare]

Apologizing To You 

Summary: How do they apologize to you? (Similar to Fighting and Making Up but oh well.)

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, Kid

Genre: Fluff

CW: None // SFW

——— 

Luffy: 

You thought it would be more difficult to get Luffy to apologize considering he’s not above bickering and arguing and can be so freaking stubborn. But the thing is, Luffy’s emotional intelligence is through the roof and he always senses when you’re really hurting. That being said, he thinks it’s important for you to say so, so he won’t just do it. If you ask, though, he won’t hesitate. He might even grin and ask you why you took so long. 

Zoro: 

For the most part, he’s not one to apologize. He’s incredibly stubborn and doesn’t let those words leave his lips easily, to the point you’ve had several arguments that were far bigger than they should have been. He’s a stubborn bastard, and he’s very proud. He’s also opposed to giving gifts as an apology as he thinks that cheapens it. When he does feel the need to apologize, he’ll do so verbally and quite simply (and privately, for his pride); he would really never do anything to you that would require anything beyond that. 

Sanji: 

You need only ask. Sanji would do anything for you, even swallow his pride. In fact, he’s so quick to apologize, he sometimes tries to speed run the process and might even get his feelings a little hurt if he’s ready to apologize but you’re not ready to accept it yet, but he’s mature enough not to let that turn into another fight. He’s also one to show up outside your window with a bouquet of flowers or another gift to sweeten the deal. He’ll apologize even if you were in the wrong just to jumpstart the making up process. 

Ace: 

Arguing is tough for him, but so is apologizing- not necessarily because he’s too proud to admit when he’s wrong, but because he’s too scared. He fears admitting that he was wrong will cause you to leave him, and this insecurity can be difficult to navigate. He usually ends up shutting you out rather than rushing over to you to apologize, but once you do approach him, usually offering something to eat as a peace offering, he’ll quickly accept fault and apologize for anything and everything. 

Sabo: 

Such a sweetheart but also competitive. You’re the only one (except his brothers, maybe) who knows just how attentive and caring Sabo can be, a far cry from the reckless young man who never seems to listen to a word anyone says, and you’re most likely to experience it after a fight. The two of you have a chosen spot- a pink peach tree on Momoiro Island- and it’s usually Sabo who finds himself waiting there (let’s face it, he’s more likely to say something insensitive than you are). He usually apologizes with a sheepish grin and a peach he plucked from the tree. 

Law: 

Attempting to wring an apology out of him is no good. He has to do it in his own time, and he will, usually no more than two or three days. He prefers to do it under the cover of darkness, without any eyes watching or ears listening except yours, climbing into bed beside you and muttering an apology into your ear, pressing warm kisses into your hand until you melt and are receptive enough to forgive him. Also not opposed to writing an apology on a scrap of paper and slipping it into the book you’ve been reading because he communicates much better that way.

Kid: 

Really not one for heartfelt apologies. Also not one to notice he did something wrong. Eventually he’ll notice you’re upset, but only because you haven’t been sitting in his workshop as much, and kicked him when he rolled on top of you in his sleep. But he’s at a complete loss as to why and ends up snapping at you over it. When you tell him what’s wrong, he’ll grunt out an apology and probably propose you work out your frustration on him in a way that’s enjoyable for you both. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[br1ghtestlight]

“A charming name that children would give. A for Alliteration. Big smiles, little life experience. Don’t quite know what a frown looks like. Or a tree. Or, well… grass. Dreams of magic portals. Haunted mansions. Pranks that’ll knock you clear to another planet! Smart kids. Real smart kids. Some shameful mistakes along the way, though. Immature, tasteless errors. [...] But they’ve been getting better and better…”

[gorandomshesaid]

#it always used to bug me when people quoted this because the source is lowkey a hypocrite who'd break his own ethics by the end of the show#if not the end of this conversation!!#but i can appreciate adama had some bangers and what is bsg but a conflict of what people hope their society to be and what it is

You're right about him breaking his ethics, but so does literally every single character on this show at some point, that's the whole point. It's hard to call it that but this is an idealistic Adama way before everything, even before he started putting "bodyguards" on people for the quorum elections.

I think he did some low-level policing (the mutiny aboard Astral Queen comes to miind) in s1, but it really ramps up after martial law is declared – and that's when he was shot.

By that time Roslin started taking drugs, Kara commited her own treason, Boomer kept secret what she pretty much knew the entire time, and Lee negotiated with terrorists. The only person who didn't break their own ethics was Baltar and that's only because he never had any in the first place.

I think it's a good quote and it's coming from an honest place at that point in the show. But then you add a few years of travelling, patrolling, and fighting, and the guy will try to commit suicide by Cylon while he's shacking up with the other leading party in the fleet. "Are we worthy of survival" indeed.

[o-wild-west-wind]

The more I think about it, I actually REALLY like the choice in the Wicked movie to alter Elphaba and Fiyero’s introduction and to switch Avaric (I think?) from a human to a sentient Horse—because it adds the tiiiiniest bit of insight and foreshadowing into Fiyero’s character and his subsequent relationship with Elphaba.

Not only does it soften their introduction, but it also establishes him as someone who—while clearly seeing himself as superior in terms of rank—still views Animals as fellow people. He and the Horse have banter and camaraderie, and Fiyero explicitly uses “we” instead of “I.” He makes it clear that they’re both fully present with Elphaba in the scene.

That helps fill in the arguable plot hole of why Elphaba spares him (and not also Glinda) in the lion cub scene—he’s already established as someone who respects Animal autonomy in at least some capacity, and who she can reasonably trust to “get” the problem with Animal subjugation (something that Glinda, while just having proven her empathy for Elphaba specifically, hasn’t genuinely shown herself to understand yet). IMO, it subtly helps establish Elphaba and Fiyero’s relationship as one borne of political allyship (something that was really only subtextual in the stage show)—which is also part of why Glinda’s relationships with the both of them are tragically and inextricably doomed by the narrative.

anyway. we stan one (1) woke bisexual winkie prince

[ghcstao3]

AU where ghost is a relatively famous voice actor—by name, anyway. he’s never shown his face in those ‘behind-the-scenes’ videos, doesn’t do red carpets for the bigger productions, always leaves the press junkets to his colleagues. he loves his job, don’t get him wrong, it’s fun and creative and he’s met some really great people, he just… has never wanted to be in the limelight. that’s not for him.

and it’s easy to get away with, because all of the voices he uses are not really his. there’s elements of him, sure, but nothing someone in person could necessarily place, unless they really listened close and were some kind of super fan. in real life, ghost is soft spoken, and maybe his voice is a little rough from the years before he learned how to properly take care of his vocal cords, but it’s still completely separate from all his characters. that was a rule he stuck with throughout his career—no using his real voice.

soap likes to consider himself a fan of simon riley.

(of his work, obviously. just his work. he definitely isn’t intrigued or anything by the mystery that is the voice actor. nuh uh. not at all.)

he’s seen just about every film and show that features one of the actor’s many voices, knows what little trivia is known of him, and, ultimately, he really respects the guy. his younger sister had finally landed herself a sizeable role in voice acting pretty recently after years of odds and ends, and soap knows how difficult it is to make it in the industry. so what if he may also have a little bit of a crush on the unknown man’s talent?

and so what if that little crush has presently brought him to a bookstore, because soap had heard simon would be voicing a character in some adaptation and soap wanted to get himself caught up? it’s fine. it’s normal. totally normal.

it’s in search of the book when soap accidentally stumbles into an absolute brick-wall of a man as he rounds the corner. soap mutters out apologies, goes to move past him, but then looks up and melts, just a little. because it’s then that soap discovers the prettiest set of brown eyes he thinks he’s ever seen. and when his gaze briefly flicks down—he sees that the man is holding the book he’d been looking for.

soap grins, does his best to look charming in spite of the fact that he’d just run into this poor, beautiful bastard. “was lookin’ for that one, too.”

the man’s brow furrows in confusion before he realizes what soap had been referring to. his eyes fall almost self-consciously to the book.

“oh, yeah. it’s a good book. gave my nephew my other copy, so i’m just…” the man lifts the book in some helpless gesture.

“hm.” soap nods. he can’t help but notice how soothing the man’s voice is, low and rough around the edges, but completely soft in the middle. “y’hear they’re making a movie?”

the man perks up, and for a moment soap wonders if that’s panic he sees flash in his eyes. he clears his throat. “yes, that’s actually why i’m, well. i owned it before, but because i’m doing the—because of the movie, i had to…” the man sighs, shoulders slumping. it’s endearing, the way he’s gotten so easily flustered, like he isn’t used to small talk. “never mind. i’ll let you… i hope you enjoy it. the book. and movie too, i guess.”

soap laughs, not unkindly. “the book, we’ll see. favourite actor’s in the movie, so i’ll probably like it either way.”

“yeah?” the man cocks his head, curious. “who’s that?”

unashamedly, soap replies, “simon riley.”

it’s not unnoticeable, the way the man’s face blossoms a faint pink before he coughs and ducks his head. “he’s, uh. heard he’s good,” he says. “so others say.”

for a moment, it looks like the man is preparing to bolt, so soap sticks out his hand as a last-minute resort to keep him around just a little longer. “i’m john. friends call me soap. long story, but if you maybe let me take you out for some coffee, i could tell you?”

apprehension lines the man’s posture, but he eventually tucks the book under one arm and shakes soap’s hand. “friends call me ghost. and i’d like that.”

ghost’s hand is warm, his grip firm. soap tries not to let himself linger in the touch.

“sounds like a date.” soap smiles up at ghost. “did you want to do that today, or…?”

ghost shakes his head. “can’t today. but i can give you my number?”

soap agrees, but as he reaches for his phone he’s met with an empty pocket and the realization that he’d left it on the counter at home. he sighs, feeling disheartened, readying an excuse when he gets an idea. “d’you have a pen?”

ghost does, in fact, have a pen, though soap supposes he could’ve just gone and bought one from the bookstore just as well. soap tells him to stay put a minute, goes to retrieve his own copy of the book, and comes back with it opened to the first page.

“i’m buying it, anyway,” soap says. and it’s commemorative, he doesn’t add, of the day and reason we met. because he’s hopeful this may actually go somewhere.

ghost writes his phone number inside, deliberately hands the book back to soap with the cover pressed closed by his thumb, and they head to the register together.

it’s only when soap gets home and finally goes to type ghost’s number into his phone that he sees, above the digits, a small simon :) inscribed on the paper.

[narnian-neverlander]

What Could’ve Been [Viktor x GN!Reader]

Plot Summary: In which you find yourself in a world so similar yet so different to your own and are simply too tired of life knocking you down again and again to still play the selfless hero.

Word Count: 3,9k

Warnings: spoilers for Arcane Season 2, talk about character death and illness, suicidal thoughts, slightly suggestive at the end

A/N: I saw that alternate timeline and went ‘Ekko’s a stronger man than I am’ and went with that; actually wanted to write sth fluffy and happy, and this is wholesome-ish, but with some very bleak undertones so I might have to write some actual fluff to compensate. Also, the religious imagery wasn’t planned from the get go but it kinda happened and it is on brand for this man, I just decided to turn it on its head a little 🤷

“Interesting. When I told you about this last, you advised the exact opposite.”

You freeze mid movement, plate hovering an inch or so over the table you were setting. “Well I… I suppose I’ve changed my mind.”

The soft tap of a cane against the floor alerts you to him crossing the room, appearing in your peripheral as you put down the porcelain with shaky fingers. “A rather… hm, siginificant change in such a short time, wouldn’t you agree? Not to mention you acted like I was telling you for the first time.” He doesn’t receive an answer, so he keeps going. “I’ve had a theory for a while. I don’t believe I’ve told you about it, because really, it’s only a pipe dream at this point, but entertaining for the duller moments nonetheless: alternate timelines. The possibility of several different realities, all co-existing with each other simultaneously. Some would call the mere idea preposterous, I’m fully aware, but then again, how would we know for certain? How could we know? Unless one or more of said timelines happened to… overlap.” The silence that follows is deafening and heavy; a precursor of what’s to come. “You’re not originally from this world, are you?”

While he knows this is a conversation that needs to be had, the way you curl into yourself and seem to wither and grow small before his eyes makes him wish he could take it all back. He tries to catch your gaze, but you purposely avoid his as you drag yourself over to the couch. Body heavy and tired, you all but slump down into worn cushions, blankly staring into space as you weakly reply with “No. I’m not.”

He doesn’t move, nor does he speak, cause while he’d been expecting your answer to a degree, now that it’s out in the open he’s… unsure what to even do with it. It isn’t a worry for long, though, as you continue speaking, slow and weary. Like you had been expecting, dreading, this moment just as much as him.

“It wasn’t a… conscious choice. To come here, I mean. It was an accident really, I didn’t even know what had happened at first.” A weak chuckle. “This was a shock to me as much as it must’ve been for you.”

And what a shock it had been for you. To have been standing with your friends in the bowels of the Hexgates one minute and to wake up in an unfamiliar bed the next. Dizzily traipsing through a space that had felt familiar yet foreign all at once; pictures and mementos from times you couldn’t remember staring at you from every surface. And to have had Viktor come through the door, bag of baked goods under one arm, to find you in the living room of what should’ve been your home, looking every bit as lost as you felt. It had been a miracle you’d stayed standing then and there, with the way he’d looked: same lanky figure supported by a cane, same messy chestnut locks, same two beauty marks against the pale skin of his sharp face, same concern in his honey colored irises when he took in your state. But no dark circles borderlining bruises under his eyes, no hollowed, sunken in cheeks, no blood on his lips to betray another attack. And no Hexcore devouring him whole. Your downfall had come in the form of slender fingers gingerly wrapping around your forearm to try and steady you; a silent question and a gentle offer of help. One of those fingers wearing the very same ring you usually kept on a chain around your neck, because you’d always been too busy or too in your own head to just ask him. To offer him your heart, your life, your everything, if only he wanted it. Always too terrified of rejection, of losing him to his illness; too scared of fucking something until it was too late. And when your hand had come up in search for said necklace, a nervous habit that had developed at some point, and you’d found a matching ring on your own finger instead, you’d finally dissolved into a wailing, sobbing mess against his chest, never wanting to let go again.

And what a shock it had been for him. To have talked to you, not twenty minutes prior, an exchange of sleepy, lazy kisses and quiet murmurs, telling you he’d go get breakfast and be right back, watching as you’d curled back up under the blankets with a content sigh. To come through the door, expecting you still in bed and instead finding you in the middle of your living room, looking utterly lost and misplaced in your own home, an almost manic look in your eyes, staring at him like you’d seen a ghost. He’d approached you, carefully, like one would a wild caged animal, and then a simple touch of his had sent you into a meltdown. And at an absolute loss, he’d simply held you. Let you cry yourself to utter exhaustion in his arms, the both of you a heap on the floor, propped up against the back of the sofa. When you had finally, finally calmed down, you’d played it off as the aftershocks of a nightmare. The kind that makes you believe they’re real and keeps you trapped in them for what could feel like a lifetime. And Gods you’d looked like you had aged a lifetime while he was gone. And ever since that night you’d been… different. Getting lost in your own head more often than not. Suffering from nightmares almost every night. Migraines and something akin to epileptic seizures every once in a good while. He had let it go on, assuring you that if you needed anything he would be there for you, and in the following months, you’d seemed to settle and things had gone back to normal. Relatively. But it had been the memory loss that had made him suspicious. Or more so the fact that while some things remained, others seemed to have happened differently for you and some had never happened at all. Never having been able to leave well enough alone, he’d started digging for explanations. And now, at the end of his research, his most impossible theory proven right - he’s yet again at a loss of what to do. How to help you.

“I didn’t know how I got here, much less how to get back. From what I do understand about all of this, and it ain’t much, the thing that sent me to this world doesn’t even exist here. So at first I didn’t have much of a choice but to just… live. To pretend like everything was normal and I belonged here. But eventually I realized that even if I got the chance to go back, I didn’t want to. I wanted to be selfish, I wanted—“ Your voice cracks, thick with emotion and he watches your head drop forward like a doll’s whose strings have been cut, eyes downcast at your trembling hands. “I wanted to be happy again. And for once in my damn life I wanted it to last. It just never fucking lasts…”

Stride over to you and hold you tight, kiss you and tell you that everything would be alright, that you would figure this out together, like always. That’s what he should be doing. Every bone in his body tells him to, but just like so many other times in the past, his oh so brilliant mind prevents him. Tells him that there is no ‘together, like always’ because the person in front of him isn’t the person he’s known his whole life. Isn’t the person he married. Everything’s an ugly mess and he doesn’t mean for his next words to come across as cruel, doesn’t perceive them that way; blissfully unaware of the implications, he’s simply, truly curious.

“What would you do if you were to go back home?”

An inelegant snort leaves you and you wipe the back of your hand over your eyes in a desperate and vain attempt to stop the tears from flowing.

23 seconds.

You were counting, just to give you something to occupy your spiraling mind with, really.

23 seconds.

That’s how long it had taken him to no longer refer to this world, this apartment, him as your home. To prioritize whatever might be going in your other life. And you know it’s not fair, to be this upset with him, this version of him that you’ve been deceiving from the start; even though he has never wronged you. But you can’t help it. Guilt and regret would soon be all you’d have left again, so might as well leave him with some, too.

“Well… if I hadn’t gotten sucked into this mess, I would’ve killed myself by now. I guess I’d be getting back to that.”

The breath that escapes him sounds like you actually just sucker punched him in the gut and immediately makes you feel terrible about how casual and bitter you’d made it sound, but he’d wanted the truth and that was it. Limbs heavy und unsteady, you rise from your position on the couch and make your way over to the front door. “I’ll go take a walk or… you know, go do… whatever. Give you some space, time to think.” Your hand’s already on the door handle, but you pause and somehow find it in yourself to turn around and at least give him the courtesy of looking at him for what you’re about to say. “For what it’s worth, I never meant to let it go this far. It just became so… easy to pretend like things had always been like this. You made it easy. And while I’m sorry that I lied to you, tricked you, intentional or not, I got the chance to fall in love with you all over again. And I could never be sorry about that.”

You’re fairly certain you’ve never seen him move as fast as he does now and before you know it, you’re wrapped in a hug almost too tight, his cane landing on the carpeted floor next to you with a dull thump. “You cannot say things like that and expect me to just let you walk out of that door, I-“

Readjusting his hold on you, he cradles your head against his shoulder and loops his other arm around your middle, continuing in a hushed, gentle tone. “I can’t bear the thought of harm befalling you. Even worse, you harming yourself. In any timeline. Please, just stay. No matter what might happen in the future, just… stay with me. Right here.”

He means for it to be reassuring, comforting, loving, you know that. It’s not his fault that it has the exact opposite effect.

Wincing, a new wave of tears springs to your eyes and you remove yourself from his hold, but can’t bring yourself to let go completely; hands now linked between the two of you. “Viktor, I stole the body and life of a person you actually love. I don’t want you to force yourself to try and love me out of pity.”

“And why are you so certain that’s what this is?!” It surprises you, how genuinely upset he sounds, and a gasp is forced out of your throat when he wrenches his hands out of your grasp and his palms find your face, to force your gaze onto him and keep it there, wether you want to or not. The expression he’s wearing almost scares you; thick brows furrowed in anger and lips curled back in what could nearly be a snarl, but as soon as gold eyes find yours, red and puffy and so very desperate and grieving, whatever fire seemed to have been burning him up inside goes out all at once.

His shoulders drop and he rests his forehead against yours with a sigh, warm breath fanning over your face. “I’m sorry, moje láska, please forgive me. I’m not angry with you, I just… I can not comprehend why you are so ready and willing to accept rejection, but will not even entertain the possibility that loving you comes as easy to me as your affections for me do to you. Why can you love every version of me, but I’m not allowed the same with every version of you?” He watches you blink owlishly, your mouth opening and closing several times and he’s not sure wether it’s endearing or heartbreaking, how clear it is that this possibility never even crossed your mind. “You act like this entire situation only penalizes me, when in reality, I’m not actually your Viktor, either, am I?”

He expects this to help, to give you a new perspective. To make it clear to you that you are both the same; you are not a villain in his story. And there is a smile on your lips, but it’s so small and sad that his stomach drops at the sight. “No, you’re not. You couldn’t be. My Viktor is gone.”

And all of a sudden, it makes so much sense. How sometimes you’d stare at him with the most haunted look in your eyes, like he was a dead man walking, ready to collapse at any given moment. How you’d grow frantic when he came back late from the academy. How you’d insisted on tagging along on the most mundane of tasks, always under the guise of wanting to spend more time with him, but really just keeping a close eye on him at all times. Though he suspects the former to be true; the chance to spend even a few more precious hours with a loved one you’d thought lost, who wouldn’t jump at that chance?

His world would simply seize spinning if you were no longer in it, he can’t even begin to imagine how you feel. How tormenting it must’ve been to see him everyday, a second chance dangling right in front of you, but never certain if you were to wake up back in a world where he was gone.

You’re in his arms again in a heartbeat, one hand carding through your hair, the other rubbing soothing patterns into your back; whispering sweet little nothings into your ear as you bury your face into the crook of his neck and sob. All so much like the day you arrived and saw him for the first time, and yet… softer. More intimate.

You stay like this until your bawling dies down to whimpers and sniffles at which point he gingerly coaxes you to look at him.

“Miláček, listen to me. As it stands now, you have no way of going back to your original world.” He doesn’t call it your home anymore, you notice. “You did not ask for this, you did not choose this; you had it thrust upon you while going through enough pain and grief you considered taking your own life. For the love of everything, you needn’t feel guilty for wanting to use this chance to find happiness again. And you shouldn’t feel guilty if you continue to do so.” Still sniffling you gently caress his face, thumbs running over his chiseled cheekbones and heart stuttering when he leans into your touch. But then you catch sight of the ring on your finger again.

“I’m not… I’m not the person you married, Vik.” Unknowingly, you parrot his own thoughts back to him, but surprisingly enough, he finds he doesn’t much care anymore. He’s flabbergasted how he could ever even doubt for a second that it would matter which timeline you were originally from. Because it’s still you. Damn it all, it’s still you. “Maybe so. But I’ve seen the same kindness in you in those past few months that I’ve always known. The same wit. The same ambition and passion. All the things that made me love you in the first place. You said this gave you the chance to fall in love with me again; would you allow me the chance to do the same?”

The truth is, while you want to try and build a life here, you feel guilty. Guilty about the friends you left fighting a war. Guilty about taking over the life and joy of someone else, even if they are a different version of you. Guilty about forcing the man you love into a relationship with a person he technically doesn’t even know. All these months, you’d only ever reciprocated his affections, never initiated them, had barely let him touch you at all, because you’d always felt like somehow you were coercing him into cheating on someone he actually loved. But here he is now, telling you that he wants you, this version of you, all of you. Could you really do it? Leave behind everything and everyone you’ve ever known, for a chance at happiness, a fresh start? You had no guarantee that things would go smoothly in this universe either, after all. Wouldn’t you just be playing pretend for the rest of your life?

“So what, we’ll just… pretend like it’s the first time then?” you ask, a quiet breathless laugh accompanying your question. He shrugs and smiles at you. “Something like that. Falling in love with you again and again and again? I could imagine a worse fate.”

So could you. Much, much worse, in fact.

Your expression shifts somewhat without you even realizing and he immediately recognizes that he must’ve triggered some form of painful memory. He places tiny little kisses all over your face, murmuring apologies all the while and when you sigh in contentment it finally dawns on him that this is very much the first time you’ve let yourself enjoy being close with him since you got here. He doesn’t blame you; the moral dilemma that was forced on you would put anyone on edge and make them anxious about what they could allow themselves to experience without some form of consequences. He would prove to you that there would be none, he’d make sure of that; singlehandedly destroy them if they did decide to raise their ugly heads. That you didn’t always need to give and give and ask for nothing in return. That you could take what you wanted and not be punished for it. You’d taught him that after all.

“Moje světlo…?”

Gods have mercy on your soul, you never could say no to him when he used those damn pet names on you.

You crash your lips to his, desperate and practically starved; in direct contrast to all the sweet promises and gentle reassurances you just shared, there’s nothing romantic about it. It’s all tongues and teeth and absolutely filthy and it’s exactly what you need right now. Your back makes contact with the door you’d been oh so insistent on walking out of not even fifteen minutes ago, that thought now the furthest thing from your mind as his hands are already under your shirt, leaving goosebumps in their wake.

Your head falls back against the worn wood with a thump as his lips find your neck, leaving marks and bruises for everyone to see and maybe the moan that escapes your throat with a broken version of his name coupled with how weak your knees already feel could’ve been embarrassing, but you don’t have it in yourself to care; it feels like it’s been years since he last kissed you like this. Touched you like this. The whine of protest as he pulls back is cut short when he drops to his knees in front of you, hands on your hips to keep you in place and placing on last kiss on your stomach before he puts some distance between you both, not more than a few inches really, but still too much for your liking. One hand goes to cover his own, while the other cups his face, trying to tug him closer again, but he refuses. Brows knitting together in confusion and frustration, you’re about to ask him what he thinks he’s doing, but he beats you to it.

“I won’t go further unless you tell me you want this.” You almost laugh, because he can not be serious. How much more obvious could you be? Your own body is doing half the talking for you, really. But of course that’s not exactly what he means. “I want you to admit to me, and more importantly to yourself, that you want this life. I want you to realize that it is perfectly alright for you to be selfish every now and again.”

His words trigger a memory from long ago, when you’d found him passed out on the desk in the lab one too many times. After you’d been done yelling at him, you’d told him that he couldn’t just always give and give and give until there was barely anything left of himself. That it was okay to be a little selfish and take things for himself every once in a while.

Take your own advice, liar.

A voice somewhere in the back of your head purrs bewitchingly and it’s right. You are still lying. Not to him though - to yourself. Telling yourself that you feel guilty for wanting to stay here, when in reality that’s how you should be feeling. But the truth, the real truth, is that you’re scared.

Scared of how little you actually care. About the friends you left fighting a war. About taking over the life and joy of someone else, even if they are a different version of you. About forcing the man you love into a relationship with a person he technically doesn’t even know. You haven’t truly cared about any of it from the get go; always too self righteous to admit it to yourself, though.

Practiced fingers slip from his cheek to the hair at the nape his neck and pull; he goes along willingly this time, head forced back and his eyes lock onto yours, right as fresh, hot tears start to travel down your face. But you’re done grieving; you are livid, plain and simple. “I want this…” you breathe out, so quiet he almost misses it. You don’t stay quiet, though, you can’t anymore, and your voice rises in volume with every sentence spoken. “I want to stay. I want a life with you. All blissful boredom and domesticity. It’s all I ever wanted. Why…? Why was even that too much to ask?!”

He doesn’t have the answer, but he does have the solution, delivered with a slight turn of his head and a kiss to your wrist.

“It wasn’t. It isn’t.”

Breaths heavy and irregular, you simply take in the sight of him: all disheveled hair and kiss swollen lips, pretty blush all the way down to his neck, eyes dark and pupils blown wide, only a thin ring of gold left, looking at you so longingly, on his knees for you and you alone; like a worshipper ready to commit any atrocity for the sake and love of their god.

“You can take what you want, anděl. No one will punish you for it. I won’t let them.”

Angel. Oh, the irony. Irony turned certainty. Certainty turned reality.

So take you would. And you wouldn’t bother looking back at the things you’d left behind.