every miracle (fanmade minecraft story mode remake) has a price (minecraft movie trailer)
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listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.
yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?
maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".
get a better joke
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I love how much Lucullus can't stand Pompey, and also this
Pompey the Great: A Political Biography, Robin Seager
with something from this thrown in for extra flavor
Crassus and Pompey, on the other hand, ridiculed Lucullus for giving himself up to pleasure and extravagance, as if a luxurious life were not even more unsuitable to men of his years than political and military activities.
Plutarch, Lucullus
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!
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I wanna get these TMAGP 8 thoughts written down before the public drops so here's your spoiler warning!
SPOILERS AHEAD
So this "Gifted Kids Program" that the Magnus Institute had is very intriguing. I'm going to throw a thought out there that's kind of a gut feeling, with only OTHER gut feelings to back it up
What if they were trying to make Avatars? I can't help but feel HEAVY Stranger vibes coming from Gerry Keay in this episode. Something was so off about him, and I don't think it's just because he was a much more normal person (apparently, at least) than in TMA. And Sam certainly has tendencies that lean towards The Eye.
I've been trying really REALLY hard not to drag The Fears into this, but this was my gut feeling and I wanted to share. Maybe the new entities (if there are some) parallel The Stranger and The Eye which is why I'm getting those vibes from Gerry and Sam, respectively.
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i have a love/hate relationship with jack drake in the sense that yes I will defend him from fanon allegations but he's also stupid as fuck and doesn't know how to parent
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nice try dan but i don’t believe phil bottoms with any frequency. who said that.
i'm actually so thrilled dan and phil brought back top/bottom discourse in 2023. this is so stupid. why would they do this.
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How do I get others to understand I'm not trans because I enjoy extensive femininity. I'm not trans because I absolutely abhor masculinity (I mean, don't get me wrong, not a fan of it, but its just a part of life, know what I mean?). I'm not trans because I need to feel special or have special treatment. I'm not trans because I think I'll look better as a girl. I'm not trans because I'm bi.
I'm trans... because when I look deep inside and I think of myself as a man I feel like dying, and when I think of myself as a woman I feel like life is worth living. I'm trans because I'm more comfortable thinking of myself and being seen as a girl. I'm trans because I feel more at home in the "roles" women exist in on this world. I'm trans because I do prefer femininity to masculinity, even if I'm not extreme in that preference. I'm trans because I feel at home when I can be a woman. I'm trans because I want to live a life worth living, and for me, that means being who I want to be; and who I want to be is Madison.
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Point Break (1991) dir. Kathryn Bigelow
If desire is the differential between need and demand, desire always exists outside of the corporeal wants and wishes that have a pressing agenda all their own--desire becomes its own project, indeed yanking at the sometimes wayward, resistant body to which it's tethered in the effort to fulfill its unfulfillable, limitless agenda... Desire floats and fluctuates above, below, beyond us, always goading us, never revealing, satisfying, or fulfilling us.
-David Greven, Contemporary Hollywood Masculinity and the Double-Protagonist Film (2009)
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