#and if i suffer she suffers

[ennabear]

gas station!ellie crying on your shoulder after she’s had a terrible day. she was anxiously awaiting your arrival like it was her saving grace, sitting on the cold marble floor with her head in her hands and rocking back and forth.

as soon as she looked up at you with a frown on her face and dripping eyeliner, you couldn’t help but coo at her. taking her face in your warm, gentle hands and kissing her tears away, not asking her to talk in case she’s not ready.

her nuzzling her head into your neck and letting the tears flow, hands clawing at your back and waist in an attempt to bring you closer. voice muffled but crying out about how she didn’t sleep last night, got yelled at by angry truckers, boss threatened to terminate her, the usual.

walking her back to her car once her shift is over, wrapping your arms tight around her and placing a firm kiss on each of her temples. taking your jacket off and slinging it around her shoulders, followed with a “goodnight, i love you, drive safe, see you tomorrow.”

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[mugentakeda]

I feel like modern au zuko can drive, is very good at it, has his license, and will get you where you need to go but like. with very dangerous efficiency. he drives like Evel Knievel. he drives like a bat out of hell. he whips the wheel hard as fuck and you will see Jesus even if the drive is from your house to the corner store. his car is used and like 10 years old but she is strong and loyal just like her master and wont break down for anything. she'll tear over anything in her path. zuko has given iroh so many mini heart attacks while driving him around (<- because iroh does NOT have his license). worst of all is that zuko does NOT talk or road rage ever when he drives he's DEAD SILENT and simply blasts the radio. and its always either terrifying Chinese opera or crazy shit like Free Bird by Lynyrd Skynyrd

[zipsunz]

being persona is suffering

(based on this)

[eskildit]

In a better kinder world. Gideon nav would have been at the club.

[jq37]

It's super funny to me that, in Suffering, the Siren answers Odysseus's question about how to avoid Poseidon completely truthfully even though she was planning on killing him at first opportunity. It didn't even ping her radar as a suspicious question to ask. It's like her day job is drowning mortal men but her nerdy hobby is nautical navigation and she couldn't help herself. She did NOT have to give him any info but she was like, Ooh fascinating hypothetical question! Here's my analysis on the best way to survive. Anyway, get in the water silly :)

[huachengsromcom]

People call Heaven Official’s Blessing / TGCF a slow burn but Hua Cheng is literally courting Xie Lian like they are DATING. Slow burn who??? They’re sleeping next to each other on straw mats and Xie Lian’s offering to cook him dinner and they’re bantering across THE HOME THEY SHARE like a bunch of desperate hussys

San Lang LEAVES XL WITH A KEEPSAKE OF THEIR TIME TOGETHER SLOW BURN WHOMST

They have A DATE in HC’s armoury where they HOLD HANDS and XL pets San Lang’s quivering sword I-

Hua Cheng basically throws himself at this man he’s like you want a sword?? All of them ?? You want ALL THE SWORDS?? Fuck it take the whole room THE WHOLE ROOM JUST COME VISIT I WILL CLEAN THEM FOR YOU

Like he isn’t the king of a whole realm with shit to do

And this is just the first half of the first book—again I ask the world SLOW BURN WHOMST

[sillysiluriforme]

everyone is in love with marinette for her selflessness and her ability to get smooshed like a bug literally whenever

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bluegiragi]

limitations (part 1)

early access + nsfw on patreon

[nenayaquisieras]

Simon has always been confused on why you gift him toys. Sure, most of the gifts you gave him were some of the things he liked. Bourbon, masks, gloves, make up for him to smudge his eyes with, some daggers and knives. Things that we're useful for him, just him. But later, you gifted him a toy airplane. He makes a comment about it, saying he is not a child anymore and you were better off giving it to Johnny instead.

"No, this is specifically for you, take it."

When he gets to him room, he walks toward his trash can, opening it with the tip of his boot. He gives one more look at the toy, his mood souring before throwing it into the trash. He goes on about his day, training, signing paper work, drills. Doing anything to ignore the pain stinging memories that the toy brought back. Emotions that were buried thousands of feet deep it could reach hell itself. Later, he lies awake in bed, staring at the ceiling, avoiding looking at the cylinder shape that's calling for him in his peripheral.

Fuck.

He pulls the covers off vigorously and stomps over to the trash can. He is standing over it like he's trying to intimidate it, as if it was an enemy he's trying to get rid of in battle. To anyone else, the scene would look comical.

He sighs to himself and reaches down to take out the toy he so cruelly threw away. He sets it on his desk and quickly walks toward his bed, facing away from his desk.

The next day, he wakes up feeling different. He swears he sees his room more vibrant, more lively. That energy follows him through out the day, having his other teammates notice his rather bright mood.

You catch him in the hallway. Pulling him aside to ask him about the paper work you left at his desk this morning. Of course, he notices the way you smile brightly, more so than usual. But he notices that you're not looking at him. More like looking at something next to him.

"What's got you so cheery?"

You turn to look up at him, feeling a bit embarrassed.

"I just..." You take a quick glance at the spot next to him, before bringing your eyes back upon his.

"I just hope you liked your gift." The same bright smile appearing on your face.

He stares at you, examining your words. Your expression.

You think you see his eyes crinkle a bit.

"Yea,"

"I liked it."

[vriskan8or]

let her go

[opens-up-4-nobody]

:-P

[lethal-effect]

Me after episode two of MisMag2: wow that sure got crazy and intense and hilarious. But surely it will be quickly resolved in the next episode and Evan will be alright. They wouldn’t let anything TOO terrible happen to him right now because that would be a CRAZY tone shift

Me at the beginning of episode 3:

[uhcasual]

"This place is called the Burial Mounds. The hatred is intense, isn't it? And the resentment too? When a living person enters this place, there's no coming back-- for the body or the soul. They can forget about ever escaping. Wei Wuxian, you, too, can forget about ever escaping."

(full resolution here)

[letsplaythermalnuclearwar]

Homer!Odysseus and Epic!Odysseus would try to kill each other if they ever met