#and idk. this is just my personal opinion of him

[mariasont]

hi!!!!

I'm soooo in love your work. bimbo!assistantreader wil always have a special place in my heart!!!

Now i have this of idea that i think can work for either aaron or spencer, but basically bau!reader who kind of always wears the same type of outfit in the field that's always really modest. Buttttt when they kind of like "know" it's just going to be a paperwork day she likes to were skirts... short skirts and Aaron/Spencer are just feral for them...

Can either be fluff of smut... I trust you indefinitely xxx

Short Skirt, Long Day - A.H

a/n: hi hi hi hiiiiiii!!! ugh thank u sm i kinda took this an interesting route so let me know what you think!!!! im also heavily thinking about writing a smutty pt 2 for this but id love to hear everyone’s opinions

masterlist

pairings: perv!aaronhotchner x bau!reader

warnings: 18+ MDNI, suggestive content, aaron being a straight PERV!!! (im into idk man), aaron imagining scenarios he didn’t shouldn’t at work, idk this is quite different from my usual postings but i kinda fuck with it

wc: 1.4k

Aaron Hotchner loved paperwork day.

Days like these meant the frenetic energy of ringing phones and rapid footsteps is replaced by the soft drone of air conditioning and the occasional rustle of files being shifted. It’s the kind of morning he appreciated—time to breath, to recalibrate without the air of an active case breathing down his neck.

But that's not why his pulse is thrumming more than steadily beneath his skin.

Hotch glances at the clock on his desk. It's early—too early for most of the team to be here yet, save for a couple agents whose faces barely register in his peripheral vision. His focus is elsewhere, fixed on a singular thought. Or, rather, on a singular person.

You.

Hotch leans back in his chair, exhaling slowly as a shameful type of heat rises to his face. It's a little pathic, he thinks, how predictable he's become—it's not the work that makes these mornings bearable anymore. It's the anticipation.

The knowledge that, any minute now, the elevator doors will part, and you'll step out, wearing something that will completely dismantle his carefully constructed composure.

Hotch had noticed a pattern (of course he did, that was his instinct honed to a razor's edge). In the field, your outfits are a study in practicality: slacks, fitted jackets, muted tones--professional to a T. Nothing flashy, nothing that would draw undue attention. 

But in the office, when the cases are shelved, and the team is left to wade through stacks of paperwork... it's different.

And it drives him insane.

The image takes root before he can stop it: the curve of your thighs, tantalizingly framed by a skirt that seemed designed to test his limits. The way the fabric molds to you when you move, clinging in places that his eyes are all too quick to follow.

Hotch exhales sharply, clearing his throat as if that could somehow clear his mind. It's unprofessional--he knows this, knows better than to let his thoughts stray so far from where they belong but yet…

The ding of the elevator pulls his attention like a magnet, and there you are. His grip on the pen tightens instinctively, the knuckles blanching as his gaze locks on you.

You're wearing that skirt today--black, fitted, and infuriatingly short, hugging your hips in a way that leaves nothing to the imagination.

He tells himself to look away, and for a second, he manages it--his eyes dropping back to his desk, his breath coming out slow and measured. But that reprieve is fleeting. His gaze flicks back before he can stop it, drawn helplessly to the curve of your waist as you laugh at something one of the other agents say.

You're too good. Too sweet. Too damn oblivious to realize what you're doing to him.

And he knows it's wrong—knows he's toeing a line he has no business approaching. But the way his body reacts to you, the pull you have on him, is beyond reason. It's instinctual, raw, and completely out of his control.

He calls out your name. "Could you come in here for a moment?"

You turn, blinking at him with wide, curious eyes. "Yes, sir?"

"I need you to grab something for me," he replies, his voice level, though every syllable felt like a tightly coiled spring. He motions towards the cabinet near the corner of the room. "The Marcus file. Bottom shelf."

He was a terrible terrible man.

Without hesitation, you step toward the cabinet, crouching slightly as you begin to sift through the lower shelf. The moment your body lowers, his eyes start trailing down where the hem of your skirt lifts, just barely revealing the soft curve of where your thighs meet your ass. Then, as you bend further, shifting your weight slightly to reach deeper on the shelf, the fabric stretches taut, clinging to your ass in a way that sends a jolt straight through him.

Hotch's throat feels tight, his breathing shallow as he drinks in the sight before him. You're so close, just feet away, and the angle offers him an unobstructed view. The shape of you, the smooth expanse of skin that's always just out of reach in the field, is right there--so achingly close he feels like his chest might explode.

He knows if you dipped any further, your panties would be on display and he couldn’t help but wonder what color you had on.

You’ve always had a meticulous attention to detail, choices leaning towards deliberate but understated at the same time. In the field, you favored muted tones—greys, blacks, navies. But here in the relative safety of the office you allow a little more personality, more femininity.

His mind turns to your preferences—pink, maybe.

Hotch swallows hard, pulse roaring in his ears. The thought gnaws at him, insistent and unrelenting—he needs to know.

“Careful,” he says, feigning concern. “You might need to check further back on the shelf. Sometimes the files get pushed out of sight.”

You glance over your shoulder at him and he swears he could combust. “Further back?”

He nods, leaning back in his chair to appear casual, though his grip on the armrests were anything but. “Yes.”

You turn back to the cabinet, shifting your weight again as you crouch lower, leaning further to search the back of the shelf. The motion sends the bottom of your skirt riding higher, and for a brief, heart stopping moment, the lace of your panties is on full display.

It was a pink barely there strip of fabric.

His mind betrays him, conjuring images he knows he shouldn't entertain. He imagines his hands on you, running over the curve of his hips, gripping your thighs, sliding that damn skirt higher until there's nothing left to hide. The thought of you like this, pliant and completely unaware of the effect you're having on him, makes his pulse pound in his ears. He wonders what you would do if he were to push those panties to the side and slide a finger in you.

You shift again, leaning deeper into the cabinet as your voice drifts back to him, murmuring something about not seeing it. His jaw locks, teeth pressing together as he fights to maintain control. His fingers dig into the armrests of his chair, the leather creaking faintly beneath the strain. It's a futile effort, though; the pressure building in his chest, his body, is relentless.

The heat pools low in his abdomen, simmering and insistent, a sharp pulse of arousal tightening every muscle in his body. He's painfully hard now, the evidence uncomfortably against his slacks, but he doesn't dare move. His mind a blur of want--what he wants to do to you, what he knows he shouldn't do, and the precarious line he's treading just watching you like this.

The tension in his body seems unbearable, and for a fleeting second, he considers how easy it would be to walk over, to let his hand graze your hip, to tilt your chin up so you'd look at him and see the wreckage you've left in your wake. 

But he doesn't. He can't.

Instead, he forces himself to remain still, staying rooted, the self-restraint biting and bitter. 

"Are you sure it's under here? I still don't see it."

Hotch's lips twitch, the smallest shadow of a smirk threatening to break free on his face. He leans forward, feigning surprise as he picks up the file from the corner of his desk.

"Ah," he says, waving the file. "Looks like it's been right here the whole time."

You straighten abruptly, brushing your hands down your skirt and turning towards him with a soft laugh. "Hotch! So I was practically upside down in that cabinet for nothing!"

He shakes his head, giving a small chuckle to match yours. Not for nothing. The satisfaction still simmers low in his chest, a private indulgence he knows you'll never suspect--the movement was far from wasted.

"My mistake."

"Well, I guess we all have our moments. Let me know if there's anything else you need, okay?"

When the door finally closes behind you, he exhales shakily, the breath spilling out like a confession. Leaning back in his chair, he presses his fingers to his temples, his entire body tense with the effort of restraint. He feels unmoored, like a man balancing on the edge of a precipice, one misstep away from losing everything he’s worked so hard to keep under control.

But for now, he’ll settle for watching, for imagining, for wishing—knowing full well that nothing could ever come of it. And yet, as he glances at the door where you’d just been, a part of him wonders how much longer he can hold out.

It’s going to be an impossibly long day—but the most troubling part of all is how much he’s starting to enjoy the torment.

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join my taglist here!

[pickinglilahs]

Okay, let's unpack this response here

TL;DR: 'weak and surface' level is exactly how I would describe prevs "obliteration". I'm not convinced THEY read the books. Or maybe they're just another TERF, considering that's how it reads. I completely disagree with Harry naming his kid after Snape. The ONLY explanation I can think for it is that JKR has no idea what love is (which is also cannon, as far as I'm concerned)

First: idk what book this person read, but Snape's obsession with Lily was creepy to the extreme. That their friendship started by him all but stalking her and Petunia should have been red flag #1. I mean, sure, he was a traumatized kid without friends, but that doesn't absolve him of his continued obsession. He literally stood outside the Gryffindor common room, refusing to leave, until she came out to talk.

And yeah, he did switch sides out of guilt. But he canonically didn't give a damn about Harry. If he was actually trying to protect the kid, he would have done more than bully and abuse (occlumency lessons anyone?) the kid. Teaching at Hogwarts was never about redemption. It was about staying out of Azkaban. (And Dumbledore's manipulation, but he's a whole 'nother can of worms)

Second: the books actually say that Snape was 'up to his nose in the dark arts'. He was an active participant. He didn't just 'hang out' with to-be-DE, he WAS one. He joined up of his own free will. He became Voldemort's RIGHT HAND. He didn't regret calling someone a mudbl***. He regretted that it was Lily.

And Snape CANONICALLY attacked the marauders just as much as they went after him. Just because they went after him first in that ONE memory, doesn't mean he didn't instigate too.

And let's talk about the werewolf incident for a minute because i am sick and tired of Snape Apologists using this as an excuse. That was NOT planned. That was a lapse of judgement on Sirius' part alone (yeah, fucked to hell and he is fully responsible for that). At the same time though, NO ONE MADE HIM GO. Snape was given a vague instruction and he was so focused on 'getting back' at the marauders that he put HIMSELF in danger. That is just as much on him as it is on Sirius.

Then the sexual assault? This is another common thing I see and it took me forever to figure out what it was even referring to. The pantsing? You cannot tell me he was the only one that happened to. If the levitating spell was really as popular as it's stated, this incident wasn't special. I'm willing to bet Snape did it to others too.

Third: Lupin not taking the wolfsbane. Yes, serious lapse in judgement. He also just saw Peter and Sirius on the map. The argument of it being criminal and a ticking time bomb is honestly werewolf prejudice and exactly why Remus has such a hard time finding a job in the first place. Way to go. You've discovered discrimination.

Fourth: Get McGonagall's name out of your fucking mouth. She is CANONICALLY shown NOT showing prejudice and treating EVERYONE by the same standards. And, did you forget that 'Moody' here was actually a death eater in disguise? No duh he's using cruel and unusual punishments??? Full of abusive teachers my ass.

Fifth: What do you mean the kids weren't scared for life? I do believe those CHILDREN will carry that trauma with them for the rest of their lives. Saying that it didn't break them is cruel and completely dismisses the VERY REAL pain and suffering that they went through. They are real heroes because they OVERCAME their trials. Not all of us out here in the real world are so lucky.

Lastly: yes, comparing CHILDREN who DID see the error of their ways to an ADULT who had to be CONNED into doing the right thing is laughable.

And saying Regulus accomplished nothing? Disgraceful. Of course it took a catalyst for him to change his ways thats how redemption arcs work.

If you made it this far, I hope you have a good day. Believe whatever you want, obvy I'm not going to change anyone's opinion. You can't MAKE a person understand. Still, it's nice to rant and remind myself how nice it is that I live in my own little corner of the fandom where I don't have to see this bullshit on my dash

okay, hold my drink *hands u cursed ancient goblet full of mead* i gotta talk my shit for a second.

ive been seeing a lot of severus snape love recently. and this is fine, obviously, y'all can love whomever you want. but. i need to rant or i will explode. if we're talking about canon. severus snape spends his adult years, seven books of it in fact, abusing children. and his excuse for this is the girl he loved (tho not enough not to join a group actively trying to exterminate her) fell for the hot jock instead of him (a tragedy indeed, i weep 4 him, i really do). and also she died, which, admittedly is very sad.

it is simply crazy 2 me 2 look at that and think *romance* or *genuine care and affection*. LIKE. fo real. snape calls her a slur in public, apologizes in private, hangs out with dudes who commit hate crimes against her friends (CANONICALLY, she says "you've been hanging out with that douchebag Mulciber, how could you do that after what he did to Mary???" this is not a direct quote but like, it's close enough). lame. loser behaviour.

"Oh but what about regulus" i can hear you say "he loves James potter but snape doesn't love lily???" well. idk. maybe. bit different tho, innit? due to james not being the demographic regulus is attacking (which doesn't make regulus a better person but does make the dynamic between him and james different). ALSO. Regulus chooses to turn against voldemort without hope for anything in return. snape doesn't seem to give a shit about voldemort, he's just sad he's not gonna get to bang lily evans. he switches sides for that reason alone. also doesn't care about what happens to her husband or her son which like. considering lily would be pretty fucking destroyed if they died. once again points to my whole, he doesn't really give a shit about her, theory. lame. loser. behaviour.

also. im sorry. I"M SORRY. but what snape does to neville? to hermione? to harry? gross. a grown ass man out here telling an eleven year old neville he's worthless or hermione she's ugly and annoying. or spilling harry's potion and refusing to grade him for it???????????????

reg and draco are children when we see them at peak suckage and therefore they feel like they can be redeemed much more compellingly (CAN be, not SHOULD be, not HAVE to be, just narratively i think they are easier to turn into interesting, sympathetic characters). but snape? snape grows up into a garbage adult. like he doesn't get better. and again, the only real excuse we're given is his obsession with lily. not very demure. not very cutesy.

ALSO. yall remember that time he got a destitute, struggling Remus Lupin fired from the best job he ever had just because he felt like it? remember that time snape weaponized Remus's lycanthropy and people's prejudice against him just cause. like. literally just cause??? his ego was bruised after the shrieking shack incident so he was like "get wrecked Lupin I'm going to tell everyone your secret so you will be forced back out onto the streets" DO YALL REMEMBER THAT BITCH ASS MOVE????????? THAT HE DID AS A FULL ADULT.

IN CONCLUSION, this is silly and, of course, like i said at the start, everyone can have their own thoughts and feelings about characters, but i simply needed to interject here on behalf of snape haters everywhere because i feel like so much of snape's shitty behaviour as an adult during a time when he was really under no duress and was very safe and cozy, is ignored. and my hater heart just cannot let that stand.

[thedisc0spider]

Hi I have a Spencer request🙏 maybe either reader meeting his family or Spencer meeting reader's family and they're all giving them like knowing glances and talking about how cute they are and their family think they're just like the coolest❤️❤️

Seasons Greetings

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Summary: the request BUT in honor of the holiday season I have made it Christmas

Warnings: fem!reader, Christmas?, reader has the perfect family of our dreams so… sorry..😢

Genre: fluffy Christmas :)

Point of view: 2nd person

A/n: I have decided to reappear for the holidays… I’ve missed you guys AH! Finally doing requests like I promised to a month ago…😅 lmk if I should do a part two of the next day? Could be cute idk

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Working at Smosh is great, so is working with your boyfriend, you essentially get to hang out and play games with the person you care for the absolute most.

Being an actor was always your dream, so having a steady acting job that also allows time for auditions on the side is perfect.

However, the one downside of working at smosh with your boyfriend is that your family already has… an idea of Spencer.

Would you say that you’re embarrassed? Absolutely not, you’ve always loved his humor, it was one of your favorite things about Spencer since the moment you met. In fact, it made you fall in love with him.

This isn’t the first impression you had hoped for though, neither you nor Spencer had control over their idea of him thus far due to the fact that you both weren’t even in the room when the first impression occurred.

countless nights you had spent awake at ungodly hours watching every video with you or Spencer from the point of view of your family.

Maybe this was obsessive and absolutely insane, but you couldn’t help it. Spencer had no idea about this, and you had no intention of telling him either.

Now, Spencer was coming to meet your family properly this Christmas, which was so wonderful and exciting yet terrifying and nerve wracking.

Your mother had promised you over the phone that they hadn’t all formed an opinion on him already, but you knew better than that.

Knock, knock.

You make your way towards the door, opening it to a smiling Spencer with takeout in hand. You smile back at him, anxiety seemingly dissipating out of your being at the sight.

Later into the night, you and Spencer were curled up on the couch, eating Chinese food, which is now placed on the coffee table, and watching “Family Guy” (his choice). His hand gently ran up and down against your arm while his head nuzzled against your neck.

“Only two days until Christmas.” Spencer stated, moving to look over at you. He studied your expression, it was hard to tell what you were feeling.

You nod, “I know, are you excited to finally meet my family?” You say this in a joking tone, but a part of you is searching for a real answer.

He adjusts his glasses slightly before speaking, “well, if they’re anything like you, then no.” This lightened your mood, while also getting an eye roll out of you.

Both of your laughs echo through your apartment, you push him off of you playfully. “No- okay, okay. I’m sorry.” He laughs, pulling you back towards him.

“You’re an idiot.”

“Okay, you want my serious answer?”

You nod.

“Yes, I am excited, if not a little frightened to be completely honest.” He admits.

You shake your head, running your fingers gently through his curls. “Spence, you don’t have to be scared. My mom loves everyone and my dad pretty much thinks you’re the funniest guy alive already.”

Spencer tilts his head, “he does?“

“Yeah.”

“Has he, like… watched our videos?” You could tell this freaked Spencer out a little, one could only imagine which insane jokes he was beginning to regret.

You didn’t want to bring it up or say anything, this was supposed to be something you exclusively stressed about. You knew the second Spencer heard this he would start overthinking.

“Hey, I know that look. Stop it. Yes, they all watch the channels. They really do seem to love it, though.” You scoot closer to him, tucking your legs under you so you can face him. “You will see, my brother is just like me, they’re used to the humor.”

He still looks stunned, despite your reassurance. “Yeah, okay.”

You let out a sympathetic laugh, “aw, buddy, I promise it’s gonna go fine.” You pull his head into your chest, rubbing his back to comfort him, the last thing you wanted was for him to get into his own head.

“Why do I have to make so many misogynistic jokes?” He sigh, laughing at his own immaturity.

“They know it isn’t real, it’s very obvious. Besides, we can worry about that in a few days. For now let’s just relax.”

-time skip, Christmas Eve-

You arrived at your parents house in the evening, the chill breeze hitting your cheeks as you stepped out of your car. Your scarf was assisting in keeping your face warm, although it did not quite suffice.

Spencer, ever the gentleman, closed the car door behind you just as he had opened it before to let you out. As you made your way up the door, Spencer’s grip tightened around your hand.

You knock, this is it.

Your mother pulls the both of you in for a tight hug, something Spencer hadn’t expected by the look of his eyes widening.

“Oh, you must be Spencer! It’s so good to see you both!” She holds on for a bit too long, “don’t be shy, come in! Oh, (y/n), I have so much to tell you about your aunt Carol! Her hair is bright purple.” She looked at you like it was the most serious news she’d ever relayed.

You chuckle, looking back at Spencer. “It’s nice to see you too, mom.” You guide Spencer into the warm house.

“Thank you so much for having me, you have a lovely home.” Spencer says with a nervous smile.

“Oh, don’t be so formal! Spencer, why don’t you go into the living room, I need (y/n)’s help in the kitchen.” She begins pulling you away as you shoot your boyfriend an apologetic yet reassuring look.

Spencer was now stranded, he sat on your parent’s couch hesitantly. He didn’t want to see like he was making himself too at home. For a few minutes alone, Spencer pondered his next interactions with your family.

He was interrupted when a large man entered the room, “my boy!” Spencer looked around as to say ‘who, me?’ And once he realized he was the only one in the room he stood. “Well, I assume you’re the famous Spencer Agnew? The one dating my daughter?”

Spencer immediately swallowed, now realizing that he was meeting your father for the first time. “Oh- yes, that’s me. It’s nice to meet you.” He nodded.

Your father approached Spencer, towering over him, as most do. Spencer looked up at the man, he reached out his hand to shake. Spencer immediately reciprocated.

“Nice to meet you too, although I feel like I already have. I’ve seen the videos, you’re a funny kid.” He plops onto the couch, putting his feet up on the ottoman.

“Thank you, that means a lot.” Spencer smiles, gently sitting down on the sofa as well.

An awkward silence.

Spencer searches for something to say, anything. He hates when his mind goes blank during conversation, which never happens when he’s comfortable and with people he knows well, he is not used to this.

“So, the weather-“

“Okay, dinner is ready.”

Saved by the bell, you and your boyfriend sit around the table with your family. Your younger brother now joins you for the meal, steak and potatoes.

“This is really good, mom.” You compliment her before taking a sip of your wine. You ask your brother, “how’s school?”

“Pretty good, Jeremy finally traded me that Pokémon card I wanted.” Before you know it, him and Spencer are engaged in a thrilling conversation, ending in him promising to look at your brother’s card collection after dinner.

You can see in your father’s eyes how much he admires the fact that Spencer is entertaining this, your brother was hard to get along with so when he likes someone it’s meaningful. Not many people are willing to accommodate his special interests and demanding attitude, but Spencer had always been very patient with children… and with you.

“So, you two met through work? That’s how your grandparents met, you know. They always said ‘if you can work together without killing each other, you’re ready for marriage.’ Oh, I can just picture you walking down the aisle in that dress you cut out in that little scrap book of yours. I know, I said I wouldn’t snoop anymore but I can’t help it! Besides, it would look beautiful on you. Speaking of weddings, did you get the invitation for your cousin Linda’s engagement party? Guess who she didn’t invite? Aunt Jane! Oh, I still just have so much to tell you, but I digress. Honey, could you pass me the salt?”

The other four of you at the table exchanged glances for a moment, holding in your laughs. Your mother had always been a rambler, it was nice to get Spencer in on that family inside-joke now.

After dinner, and the Pokémon card museum, you both unloaded your luggage with the help of your father and headed upstairs toward your childhood room.

As you said goodnight to your parents, You felt a weight lift off. It’s over, and it went amazingly.

You and Spencer were alone now, you looked at each other and both sighed. “See? That wasn’t so bad.”

“No, you’re right,” he brings you in for an embrace, “that went super well. Thanks for bringing me.”

“Of course, Spence. I feel closer to you now that I’ve shown you a big part of my life.” You pull away, placing a soft kiss on his lips.

“Me too, that was fun.” His gaze shifts to the room around you. “It might be hard for the both of us to fit in that twin bed though.”

You grimace, “yeah, I didn’t think about that…”

Spencer makes his way through the room, studying each surface. “What’s this? Ooo, the famous wedding scrapbook!” He smirks at you, giggling to himself.

“Spencer, put that down! I’m serious.”

[walmartbrandwhatever]

;Marbit Soulmate au

Okay so I have two soulmate aus in mind! One written within the Canon universe and one written in modern times because both are so interesting to me ngl.

";Each day on your arm is a particular event your soulmate will face today."

This one would be interesting within the canon universe like imagine both two-bit and marcia have the words "jumping." On their arms and just having this dreaded feeling. Or neither of them see it coming, both too busy trying to make sense of everything happening to even think about the words resting on their wrist. Marcia seeing it on two-bits wrist while trying to get him to some place somewhere safe. She doesn't think much of it until she is washing two-bits blood off of her hands after patching him up and freezing seeing the same words that had been on his wrist on her own.

Her heart sinking as the realization hits her. She feels sick at the thought because maybe if she had looked down, maybe, just maybe, she could've stopped it, but deep down, she knows she couldn't have done much. Not one against four guys - five if you counted bev. Anyways, following canon events blah blah blah. It clicks in two-bits head the day he gets "break-up" on his wrist and witnesses marcia break things off with trip. Unfortunately things turn south so fast neither of them really interact until the rodeo where two watches marcia barrel racing.

That's just the first thoughts I have surroundings that soulmate prompt. Things might change regarding that yk? Anyways if yall have ideas please feel free to add because I want yalls opinions on these💖.

";whatever you write on your skin appears on your soulmates skin" / ";soulmates initials on your wrist."

I can't decide which one I like better yk? I feel like it would be cute in both a Canon universe and a modern universe. It's a very basic one but I think if done right it could be cute. Modern times the initial would be cute, have it mixed with like a college au or smth. I haven't thought this one much through if I'm so honest but like picture it.

The two of them attending nearby colleges, not even the same one, and somehow always bumping into eachother. Two-bit who never really gaf when it came to soulmates seeing how easily they could fail a person because his mother was the sweetest person he knew and was left without a simple goodbye (the idea of his father having the right initials but was just the wrong person is such an idea and idk if that makes sense LMAO). Marcia believing in them so much as a kid due to her parents but her focus shifting on surviving in the real world.

Anyways I literally can't think of much more but feel free to add onto this or ask questions about my ideas that I might turn into fics who knows. If there's soulmate connections you would love to see Def lmk because these 3 are only like some that I thought of. Anyways much love Kath🫶.

[stereo-slime4]

Idk who else would agree with this but my personal headcanon on (s1/early s2) maljayvik is as follows:

Viktor: has a massive crush on Jayce, is convinced that he and Mel are fighting for Jayce's affections, and thinks that Mel's attempts to get closer to him are some kind of weird reverse psychology tactic to get him to give up on Jayce via bro code or smth

Mel: thinks they're in a poly chain (both dating Jayce). She has no idea why Viktor is so cold towards her, but he's Jayce's boyfriend not hers so whatever ig. As long as he's not trying to screw with her dynamic with Jayce, she couldn't care less about his opinion of her (although she thinks he's kind of cute too so it would be nicer if they could just get along... oh well).

Jayce: as far as he knows, Mel is his girlfriend, Viktor is his lab partner, and that is where it ends. Yes, he and Viktor may be especially close, but it's hard not to be when you spend like 70% of your time together! And yes, Viktor is pretty, like, really pretty, but that's just an objective fact and has absolutely nothing to do with any incoming awakenings whatsoever (sarcasm). He loves Mel, Mel loves him, and Viktor is completely irrelevant to that dynamic. (He'll realize later how wrong he is dw. Just let him have his denial for now)

[pouletaulait]

I don’t mind the conversation either. I always enjoy having a discussion with people who have a different point of view and who are open to having a discussion, like you are, so I appreciate your reaction. My reblogg wasn’t intended as criticism, not at all. I just wanted to point out that personally I can’t quite see why this story would be distorted into something it’s not intended to be if we approach it under a romantic lens. Like I said, personally I think it’s intended to be a romance, albeit not a banal or a „simple“ one but you’re absolutely free to disagree. I understand realism as a fictional portrayal that’s intended to be realistic, in the sense that it attempts to portray a situation in a fashion that stays as close to a possible reality as possible and in which the author seeks to represent this portrayal in an objective manner. A romance, in this context, I understand to be an unrealistic, idealised portrayal of love/a relationship. (Do our understandings differ on this?) But like you pointed out in your original post (if I understand you correctly) what we deem realistic or unrealistic is ultimately influenced by our subjective perception of reality, which might explain why our opinions on this differ. It seems like I didn’t explain my view very clearly; There are many aspects of the manga that I do find realistic in it’s portrayal, such as the CSA, what I don’t find realistic, however, is the portrayal of love, the romance. I find it very idealised and romanticised for the most part (i.e the falling in love at first sight (I’ll get to that), Doumeki being Yashiro’s exact type, Doumeki happens to be impotent which allows Yashiro to develop feelings for him, the fact that Doumeki is completely accepting of everything Yashiro does regardless of how Yashiro treats him, the fact that Doumeki is still in love with Yashiro after he shot him the leg, maybe he even stayed in the Yakuza world just to be near him (although who knows why exactly he did that?) Idk maybe it’s just me but I find it very unrealistic. It’s this romantic idea of „there is this perfect person out there who accepts you just the way you are and you don’t have to do anything to keep them happy, you can even shoot them in the leg and they’ll still love you, they’ll stick around no matter what it takes to be with you“. Idk, to me personally this doesn’t seem like the author seeks to portray a realistic relationship here and to me that’s what it boils down to when I’m saying that to me it reads like a romance (of course this is just my opinion, I don’t know anything about Sensei’s actual intentions)

What I meant by „she’s toying with the idea of idealized romance“ is the fact that most, but not everything ,about the romantic aspect is idealised, hence my example that Doumeki’s love doesn’t cure Yashiro’s trauma. Maybe „toying“ is not the most accurate expression to use in English in this case… but what I mean is that Sensei is ,like I said, employing many aspects of an idealised love, imo, but that she doesn’t fully „commit“ to it if you know what I mean; the way I see it she’s building it up to be this fantasy, this ideal of almighty love, but then she defies our expectation by creating a climax (Chapters 23-25) that’s the opposite of what you’d expect from a romance; instead of Doumeki’s love being the answer to all of Yashiro’s problems and them ending up together, it ends in a disaster (in the sense that Doumeki ends up hurting Yashiro deeply and that they part ways). So, I think she’s taking a more realistic approach in that sense but I think the story remains anchored in the idea of the ideal romance, because that seems to be its point of reference imo. If there was no idealised romance at the core of it (which to me seems evident in the exposition) there’d be no expectation to defy in the first place if you get what I’m saying. I hope I explained this in a somewhat understandable way… but maybe this is not making any sense to you since you seem to have a very different opinion on Yashiro’s feelings. Just to clarify: You don’t think he’s in love with Doumeki? Or do you think he doesn’t want to be in a committed relationship with him, or something else entirely? The way I see it, there certainly was an instant attraction to Doumeki on Yashiro’s side. I guess you could argue that it wasn’t „love“ but just sexual attraction, that’s certainly debatable, but the way I see it, he at least started developing feelings for Doumeki very quickly, hence his interference with Doumeki’s sister, his jealousy, etc. so, yes, the „falling in love at first sight“ part comes down to interpretation but personally I find it likely and my assumption is that he wants to be in a committed relationship with Doumeki (that’s purely my assumption based on my interpretation which obviously heavily influenced by the fact that I understand this to be a romance) Anyways, what I meant by problematic: If I’d look at this story as a entirely realistic portrayal of a relationship or love, I’d find a lot of aspects of it very problematic (how Doumeki is completely devoting himself to Yashiro, how he’s basically stalking him, how he keeps going after Yashiro despite him shooting him in the leg, etc.) That’s what I meant by I wouldn’t root for them to end up together if I’d look at this as a realistic portrayal. It wouldn’t be an irredeemable situation for me either but it’s just nothing that I’d be interested in reading, that’s my personal preference. I’m not opposed to realism in general but, like I said, in this specific case, it doesn’t make sense to me personally. Honestly, I don’t think our opinions on this are entirely different because I agree that Kou Yoneda sensei appears to be taking a quite realistic approach in many respects. I think where our opinions differ seems to me to be the point that you seem to regard this as a work of realism, while I think of it as a romance that challenges romantic ideals in some ways but that ultimately stays anchored in an idealised romanticism. But like I said I think I’ll only know for sure once the story’s been told in its entirety.

An example of novel that follows the literary realism tradition but is sometimes approached under romantic lens, and therefore distorted into something else entirely - maybe because of the (bad) movies adaptations? because of the marketing and the covers? I don’t know but I will link this no longer rebloggable post for you to check - is Lolita by Vladimir Nabokov.

I read Lolita when I was seventeen, felt deeply discomforted but I liked the book, understood what it was doing with its narrator, but I have to add, before reading Lolita, I had already read Flaubert (Sentimental Education, didn’t finish Madame Bovary) and Émile Zola to name a few. I think that growing up I have read more books in this genre than others? I don’t know considering that back then I had to read a lot classics for school.

But long story short, I think something similar maybe it’s occurring with Saezuru. To be clear, I am not saying that you have to read it in a certain way, please I don’t really want to even imply that. Read it for yourself and your pleasure first. What I am saying is that, like Lolita, to me Saezuru makes total sense if we assume that it is written with a realistic intention and therefore not exactly bound by the rules of romantic novels that tend to present more positive and idealized views. After all manga are divided into demographics more than their genre, so authors draw very different stories. I still want these characters to find happiness! But I also want to be able to buy the eventual resolution and therefore I appreciate that the development of the story feels organic.

Anyway just a thought. Nakobov himself wrote (in Strong Opinions):

Reality is a very subjective affair. I can only define it as a kind of gradual accumulation of information; and as specialization. If we take a lily, for instance, or any other kind of natural object, a lily is more real to a naturalist than it is to an ordinary person. But it is still more real to a botanist. And yet another stage of reality is reached with that botanist who is a specialist in lilies. You can get nearer and nearer, so to speak, to reality; but you never get near enough because reality is an infinite succession of steps, levels of perception, false bottoms, and hence unquenchable, unattainable. You can know more and more about one thing but you can never know everything about one thing: it’s hopeless. So that we live surrounded by more or less ghostly objects— that machine, there, for instance. It’s a complete ghost to me— I don’t understand a thing about it and, well, it’s a mystery to me, as much of a mystery as it would be to Lord Byron.

As for marketing, if you check the link and think about Saezuru: the covers and merchandise vs the content of the chapters, vs the story as it’s told, the parallel with Lolita makes sense to me. The cover only has one imperative: to sell. But once you are alone with the story, you see that stylistic choices, tone, everything suggest that you read it in a critical way.

The way Yoneda Kou draws is also quite sober, discarding decorative details and paying attention more to frame and pov. The way she presents what happens is objective and detached, neutral I’d say, making us impartial observers most of the time, letting the actions speak without commentary being made. The dialogue is hard for our translators because it recreates the speech patterns of the various characters faithfully. And these characters are common yakuza that live harsh realities, the gritty social aspect of it is visible and part of the story, as well as social injustices and personal trauma, and keen and realistic attention to human behavior.

I guess all this clued me in to reading the story the way I do, and probably also why I chose it in the first place. Realism is the genre of fiction I am more read in, although I am expanding my horizons more and more.

[perilegs]

“you’d like so . las if he were attractive” he has like the most sculpted face of any companion the series has had ever and he’s very pretty. i’d be all over him IF i didn’t find him annoying

[allthepandasintheworld]

tonight's mood is listening to disease by lady gaga on repeat (i probably wont finish this sketch but like. guys)

[roscoehamiltons]

having some insomniac thoughts about how the public perception of the george vs max fight is affected by their PR personas, how much people value authenticity (or the appearance of being authentic) now in celeb culture, and how max uses that to his advantage….

[sanasanakun]

People try too hard to make Curly an active participant in Jimmy's abuse. Isn't the whole point that he's passive in everything Jimmy does? Abuse occurs because he actively doesn't do anything? Not to call someone out or be mean, but I saw a post saying Anya's ID being in Curly's locker at the beginning shows that he intended to prevent Anya from filing an HR report and I disagree. I get where that interpretation is coming from, but I think it's a little uncharitable. I don't like being too kind to Curly because he's like...a morally mid dude at best lol But if we're going by the HR report interpretation, I would say it's more likely he requested Anya's ID in order to file an HR report on her behalf. After all, the only way to contact Pony (that we see) is in the cockpit, he's the Captain, and Pony Express sucks bad so I wouldn't put it past them to only allow the Captain to use the communication device thing. As we see before, Curly is the only one able to use tools around the ship that you would think other employees could use (ex. Swansea should be able to use the axe if he's the repair guy. Idk why they'd need an ax but that falls under manual labor which Swansea is designated for as the mechanic/fixer dude. But it has to go through Curly). I never got the vibe that Curly moved to actively protect Jimmy. He just lets things happen without say a word; Jimmy walks all over him, and by extension, the whole crew. I get why people would think that because he gives the whole "Hey Jimmy, we can get through this together, bud" spiel right before the crash. This part interests me a lot because there's so many ways to interpret Curly's intentions there. My interpretation is that Curly is on autopilot mode. The responses seem so stilted in comparison to Jimmy's. Like it's the kind of thing Curly's said before again and again and again when Jimmy's gotten in trouble. However, as others previously pointed out, I don't think Curly ever dealt with Jimmy doing something this irredeemable. He doesn't know how to respond, so he just goes for the default "You've gotten through tough situations before. Work through it one step at a time." Like the response is lame af lol I think he was in shock; he was scared (and just so I can say it one more time: he's super lame).

Anyway, this is way longer than I intended and I've said things a billion people have already stated. But uhhh tldr the whole point of Curly's character is he's passive; he never acts. He just watches. Making him an active participant in the abuse by taking actions to cover for Jimmy (like preventing Anya from filing an HR report) defeats the purpose of his character. He's a bystander.

[dreadfuldevotee]

I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?

I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.

I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).

I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.

Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.

I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is

[thelilylav]

I’ve gotta admit as much as I know Darabella is a flawed ship (and some of the ppl who are anti for it have legit criticisms I love y’all for pointing it out cause it frustrates the hell out of me too trust) they’ll always just kind of be it for me.

Because as much as it was an “I can fix him” trope, as much as Rosabella could be selfish and Daring’s flaws got cranked up to 1000, she was also the first person to look at him after his destiny, the thing he dedicated his life to, failed, when people were questioning him as a prince and putting pressure on his and Apple’s relationship and tell him that, like, maybe it would be alright? Maybe this wasn’t his destiny, and maybe that was okay.

And the part that really gets me? She’s the first person after this happens to tell him that it doesn’t matter what’s on the outside, which as much as you can like other Daring ships or him whatever he desperately needed to hear. Not even cause he was selfish, that’s not what I’m saying, but bc he placed his whole identity on this image that people concocted for him based on him appearing the perfect prince. He was handsome, he was talented, and he was handsome! So who cares about him as a person?

Idk man. You spend four seasons (I watch the specials on Netflix so that’s why four idk if it’s three to some ppl or whatever tho) watching him be praised for his looks, watching girls fawn over him, and of course he enjoys it so nobody really questions how much he enjoys it. And then you get this girl, this girl who owes him nothing, this girl who (contrary to popular belief apparently) has a life of her own and people she cares about outside of him, and she’s nice to him. And she’s the first person after everything happens to just be nice to him, for the sake of being nice. Something about that will always hit different for me

[buckyscap]

you know when you experienced something so traumatizing or grieved too hard your brain sort of temporarily locked that memory to protect you from the pain? i think that's what's been happening to me after deadpool 2 bc tell me why every time i rewatch that movie, i always forget how painful these scenes are?

they always leave me sobbing and totally wrecked but with each rewatch i'd just... forget they would eventually happen and i'd eventually get hurt??

[maespri]

oh my i never really saw myself making a post like this, but i really wanna talk about morgana! more specifically… why i don’t really understand the hate he receives.

for starters, i know a lot of people dislike mona because he gets on ryuji’s case often. his squabbling with ryuji can get hurtful at times too, i know, but i feel like so many people conveniently leave out the fact that… ryuji returns fire? it’s not as though mona is constantly attacking poor ryuji who can’t defend himself; it’s a two-sided fight throughout most of the game. both of them are constantly fueling the fire. not to mention, it’s a fight that eventually ends. both individuals have great character development (i could talk about it for /ages/, but i digress) that ends with their fighting essentially ceasing entirely. they’re both dumb teenage boys, they both said dumb stuff to each other, and they both hurt each other, and all of that is recognized and left in the past.

the hatred toward mona in general is something i struggle to understand entirely. you hate this cat because he tells you to go to bed? the game would have told you to do that one way or another, because it’s a game. there have to be constraints, or you’d get terribly overpowered incredibly fast. i wholeheartedly agree that mona’s lacking in comparison to the other characters in many ways- but i’ve never hated him, and was surprised to see a lot of people did.

maybe i’m just weirdly empathetic toward fictional characters, but i really liked his storyline. mona’s been with the protagonist since day one, helping him out, staying with him, encouraging and supporting him in everything he does, navigating them through mementos and palaces and battles… and he’s never really appreciated for any of it. obviously, the other phantom thieves do the same and don’t require any extra praise, but morgana already has a complex stemming from the fact that he’s not human. inherently, he believes he’s not nearly as good as any of the others, and subsequently, that he isn’t good enough in general- and he’s so ashamed of that that he can’t even voice the concern to the protagonist pre-okumura’s palace. it made sense to me when he snapped and ran away; if you were constantly the black sheep of a group, unable to engage with anyone unless the guy you live with is always there as well, wouldn’t you yearn for autonomy too? (don’t even get me started on the haru parallels there; there’s a reason morgana snapped during the okumura arc.) if you felt expendable and there wasn’t ever an effort made to prove otherwise, purposeful or not, wouldn’t you also want to leave? to spare both yourself, and the people you’re leaving? i really liked his arc because it led to two realizations- that he was pivotal to the group, and it was fine if he ended up not being a human. (and honestly, he was pivotal to my group… who else would i use to heal everyone outside of battle…!)

anyway, his objectification of women was weird. didn’t like that. but this is a JRPG, and he’s not the only one who does strange things like that at times (why was ryuji looking at ann’s chest in the mona bus outside futaba’s palace man…). honestly, his flirting was also weird at times, but as long as it never got strangely sexual, i didn’t really mind? it’s not like it ever genuinely bothers ann either as far as i remember. it’s more just a stupid thing he does.

anyway… i dunno. i like the kitty. he’s silly, he kept me company, and he made my playthrough fun. life is so much more beautiful when you carry love in your heart rather than resentment

[twinstxrs]

the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.

being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.

it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.

so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different