#and idk what to fucking do about that

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[dreamyluigi]

something something luigi doesn't remember the final events of spm or dimentio at all after he's defeated (but mario remembers everything)

[ciderjacks]

She’s the most like me

[nova-rpv]

a redraw of the first drawing i posted here to celebrate the fact that ive been in tumblr for more than a whole year posting my shit and havent deleted my blog in panic yippee \:D/ (mushy rant in tags)

[greenglowinspooks]

Hey. Shakes you by the shoulders. DCxDP where Eobard Thawne is Danny’s cool distant “uncle” that he never sees but always sends in the coolest gifts for the holidays.

~

Danny had grown used to seeing people injured at a surprisingly young age.

He wasn’t injured on the regular, or witness to some sort of extraordinary amount of violence; his parents’ lab was just… very volatile, and they were unprofessionally lax on safety measures on the best of days.

As such, when he saw an unconscious, incredibly injured man wearing some sort of superhero suit in their backyard in the early hours of the morning (he had gotten up to get a glass of water when he heard a thump outside), he didn’t panic, as any young child should have in his situation.

No. Instead, Danny dragged the man inside (with considerable difficulty; despite how thin he was, he was heavy), treated his wounds as best he could (it’s difficult for a child younger than 10 to do stitches, you understand), put a blanket over the man, and went back to bed.

After losing a fight to the Flash and passing out in a random suburban lawn, the last thing Eobard was expecting to wake up to was a small child sitting on the floor in front of him, noisily eating a bowl of cereal.

(He had thought, maybe he would have been found by the Flash and brought to some Justice League holding cell. Or, found by a civilian, and brought to the police. Perhaps, in his feverish state, he had remembered the prison he ended up in from his time, with their brands and chemicals and torturous therapies.)

For some unknown reason, this child had found him, not recognized him as the monster he is (perhaps due to the boy’s age), and helped him—even if his healing factor would have fixed him eventually, having all his parts in the right order certainly sped up the process.

Usually he wouldn’t care for civilians. He’d killed enough that he’d lost count what felt like an eternity ago—and yet, somehow, he felt indebted to this boy. This boy, who had helped him so selflessly, who was so entirely clueless to the evil right in front of him.

This boy, who was all alone in an empty house, whose sister was away, whose parents had gone on a trip and left him behind.

(It didn’t matter the explanation the boy gave for it, Eobard’s mind whispered to itself regardless. Kin. Like calling to like.)

And so, he worked hard to free himself from this debt he had incurred.

He traveled through time, working his way into the family whilst posing as a distant relative. It was remarkably easy; the Fentons didn’t have an incredible memory of their relatives; all he had to do was forge a few papers and mention a few people and he was now “Uncle Eo”.

It was, however, taxing on the mind. These people were absurdly friendly, not to mention talkative. The effort had become a multi-year operation, popping in every now and then for large family gatherings and home visits.

It felt… nice, to be wanted for once. To be noticed in his absence for more than just his status.

To be liked.

He made sure to send the boy a gift on the right holidays, as well as on his birthdays. With his skillset, it wasn’t too difficult to follow him around and see what he liked and wanted. It also wasn’t difficult to spy in when he opened them, to ensure that he had done an acceptable job.

Of course, he couldn’t let this sort of thing cut into his time spent fighting the Flash, so he wasn’t too present. The last thing he wanted was to drag trouble into the boy’s life from his presence.

But then, it happened.

He found out that this boy, and the one known in his time as Phantom, were one and the same.

It was, as a historian, thrilling.

It was, as a villain, horrifying.

In all his travels, he had never intended to involve himself with that mysterious being which shadowed the Justice League. That ghost with the power, in some timelines, to bring about the end of all things.

Of course, he was also capable of doing that, but it isn’t exactly fun to meet someone who’s powers are a match for your own.

Especially if you couldn’t find it in yourself to end him, should he make himself your enemy.

Still, he had a debt to repay, and a boy to look after.

He delivered things to the boy’s room to help him; tactical gloves, a lightweight protective suit, weapons and equipment. All uncredited, since the boy seemed to value the idea of a secret identity.

He took it upon himself to shift the odds in his favor a few times, even; making faster-than-light adjustments to the boy and his combatants during fights to shift the odds in his favor.

Somewhere along the years, he had formed some sort of odd affection for the boy, if he was capable of doing so at all.

And so, when that ghost-boy sought his Uncle Eo out all the way in Central City, carved open and scarred, a distant look in his eyes, he took him in without a second thought.

He would protect this boy, who once had protected him.

[ankles-be-bitten]

idk, i just feel like if your primary argument against transandrophobia/antitransmasculinity theory is that you think it's transmisogynistic you're not being intellectually honest. who does it hurt when trans men and mascs coin a term to describe the intersection of transphobia and sexism as it most frequently affects them? because it does hurt trans men when they're told that they're not entitled to speak on the discrimination they themselves face.

what I'm hearing from people who oppose the antitransmasculinity movement is that transmisogyny is when trans men talk about their problems 👍, but obviously that's not true. i know that's not true. you know that's not true. so then what is the issue? genuinely, enlighten me. you want trans men to shut up and listen? I'm listening.

[puppppppppy]

good morning sifloop nation

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[mamawasatesttube]

the whole "jason rules crime alley and none of the other bats are allowed there!!1!" thing is so funny like. tim LITERALLY lives in the theater where bruce's parents died,

[a-scary-lack-of-common-sense]

I was lied to. I thought that the cup bros were twins but it turns out they AREN’T, so the entire reason I even drew these sketches in the first place has now been rendered SUPERFLUOUS.

[solarpunkani]

Listen I’m not saying that *I* have the balls to buy a reflective vest and go off on a roadside or retention pond somewhere and start fucking around guerrilla gardening

But I am saying that the past week I’ve driven past many MANY people in reflective vests either doing roadwork or maintaining roadside shrubbery or whatever and the amount of times I considered questioning what the fuck they were doing is zero and the amount of times I would’ve even had the TIME to question what the fuck they were doing is zero

I saw groups of people I saw someone solo I didn’t question it I just figured ‘eh they’re doing SOMETHING and carried on. Depending on the location you pick, anyone who WOULD Karen up and interrogate you won’t even have the time space or ability to

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[dykedvonte]

Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.

We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.

Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.

He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?

I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?

[coquelicoq]

kitamoto does make me so emotional. natsume says some embarrassingly earnest shit that reveals how undersocialized he is and kitamoto's reaction is to spend more time with him and introduce him to friendship. when someone who appears to be a girl his age tells him she's never read a book before, he's like oh okay, and then the next day he gives her a book with easy-to-read stories in a genre she said sounded interesting. he not only doesn't judge people but he also actively meets them where they're at...i love this sweet teenager so much i could cry.