#and i'm unsatisfied with the characterization

[streetlizard]

i find it so hard to write merlin fanfictions, and i've wrote tons of fics when i was younger, but everytime i start to write a merlin one i just blank

it's like i can never quite grasp the characters eventhough i've seen the show 100 times

[lettersiarrange]

Hi kanthony friends,

My current beta for my kanthony fic has had to take a break from betaing bc of life stuff. So I'm looking for a new beta for my fic Kate Sharma and the Vexing Ordeal of Being Betrothed

The next chapter is all written, just needs to be edited and then it's ready to post! It's 9k words.

Would really appreciate anyone willing to help 😊

A bit about me and my writing/editing process:

I'm a pretty slow writer so chapters come out every few months and tend to be 7-10k. I had a pretty aggressive grammar education in school so there doesn't tend to be a lot of grammar edits to fix, generally just stuff like phrasing, consistent tense usage, some commas, etc. I'm a bit intense with the editing process; I tend to edit the chapter myself 2-3 times and have a beta edit once or twice, alternating. I'm very open to having the chapter ripped apart and put back together again in the editing process; it's really important to me to get it right and really hit the beats I'm trying to hit and nail the characterization.

If that's your jam, let me know!

[baby-tini]

I really like imagining Chuuya to be just. Such a gentleman. To the point of it almost being cheesy and old fashioned, but it's not because it's him doing it. He tries not to curse around you because "you're a lady" but then spews absolute filth when you're fucking. Also doesn't mind if you speak crassly, he can't, he's the man here, he should show restraint. Early on, he uses honorifics with you until you explicitly state that he can drop them, always takes his hat off in your presence if you two are alone, always pays for everything (he's got a thing for that one in particular) etc.

I'm also really into the whole him basically being your bodyguard when ya'll are out thing, but it's subtle (Of course, he has a gun in his waistband, but that's to be expected) I'm talking the sidewalk rule, always the sidewalk rule, I'm talking opening doors, I'm talking constantly surveying his surroundings for potential threats or exits, giving death glares to guys who stare just a bit too long and then turning back to you with a smile as you continue to ramble on whatever it is you're talking about (he loves it, it's so cute), When he has the time and if you two aren't living together, he's coming over to fix shit. Kitchen cabinet closes weirdly? Car needs repearing? Heavy furniture needs to be moved? He's on it. Why would you pay some dickhead who's probably gonna fuck it up anyway to do it when he can?

It's the same in the bedroom. A giver through and through. Just wants to make you feel good, wants to get you cockdrunk and limp, to overwhelm you with pleasure, to bruise your cervix, you feel so good to him, it strokes his ego to see you fall apart all because of him, because of his mouth and fingers and dick.

I was very tempted too keep this to myself, too think about it constantly- cause that's all I've been doing with this post. I don't think I've seen a better characterization of Chuuya, this is literally perfect. Also the "you're a lady" thing made me think of this.

Chuuya is a gentleman at heart, he was taught too treat women like royalty, seeing as though, he was basically raised by a woman, Kouyou. Chuuya, I agree, is pretty old-fashioned, he definitely comes off as that old-fashioned mobster that you see in movies. But when it comes too how he acts, he is literally the inspiration for the cheesy male role in rom-coms. As for his curing.. we all know that he does that a lot, it's a pretty nasty habit of his that he won't break anytime soon, but he tries, especially for you, because you're too pretty too hear the utter filth coming out of his mouth, but you don't mind and he knows you don't mind especially when his cock is fucking into you. Leaving you breathless, unable too speak from just how good he feels inside of you. His gruff voice in your ear, telling you how good you feel- how good you make him feel. He's so soft with you though, careful not too be too harsh because even if you do like it rough, he's never left bruises on you; ever. Sure, he never leaves you unsatisfied, never- not once. Because bruises are for him too deal with, they're for him too come home with. They shouldn't even be spotted on your soft skin, the thought of it makes him upset. But, yes, he'll pull out your chair at the restaurant, open the door for you. Also the paying for you is such a him thing, because he makes more then enough money for you too spend he just has so much, why would you spend your hard earned money when he has loads for you too spend on whatever the fuck it is that you want.

He knows that his job in the mafia is dangerous, and you could be hurt just by association and he can't have that, and as much as he'd like too just relax and have a good time with you, he knows that's not the most achievable especially given his high ranking position of being an executive. His eyes are constantly shooting left and right, checking for any suspicious behavior coming from anyone, or anything that just looks a little too out of place. Now, Chuuya doesn't really need a gun, sure he keeps one in the drawer next to the side of your guys shared bed, but a gun would poke out a little too much for his liking, so that's where his ability comes in, he also, canonly, has a knife on him, at basically all times, so you can rest assured that you are very safe. Now I do like the sidewalk rule. Because he would!!! He doesn't even let you think about walking close to the road, you stay near the wall, and if you're someone that tends too drift as you walk, maybe can't walk in straight line, that's fine because he'll just move your you to the side by your hips- or even better, he'll hold your hand so you don't stray too far. He also lays on the side of the bed that's closest to the door, so if there is a problem he can just quickly jump up and deal with it, also you'd be behind him, so if they did shoot, he has his ability and if you're small enough, they might not even see you; which is what he's betting on. I also think that he guards the door while you use the bathroom, he doesn't care if it's a big, multiple stall womans restroom, no is allowed in while you're in there. He, in his own right, is your own personal little handy man. Like you said, fixing up the things around the house, he also is the type too fix your things before you notice there's something wrong with them. Like if something of yours had fallen, a vase of roses perhaps, had broken he'd buy you a new one and replace the same flowers so that it looks like nothing ever happened, or if you had a stuffed animal that you treasured he'd attempt too sew it for you- he doesn't wanna buy a new one right away cause it's special and he knows something like that can't just easily be replaced, so he tries his best. But, he wouldn't pay a man too do something that he could do- and Chuuya would do it better, best believe.

Chuuya has always been a giver, anting too make you feel good in anyway he can. He makes it his job too learn your body fully. He wants too know your body better then you do, he doesn't ever want you too be one of those women that feel like they have too get themselves off because they're partners don't care enough too make them cum. Chuuya does care and this is one of the little ways he shows that. I also hc Chuuya too be the type of person that doesn't do... sex. He makes love. Sure he'll fuck you, especially if he's pent up from work, but he makes it his mission too make love to you at some point in the night. Whether that be the soft kisses in between bites to your neck or rubbing and caressing the area that he had just spanked. He never wants the thought of sex for you too be mentally or physically exhausting, like you're just doing it too please him. But, he does also get a kick when he watches you push at his chest and then tug and pull at the sheets because you just don't know what too do with yourself. Your so overwhelmed with how good it is that you just lay there and take it or you just can't hold still. That's what he enjoys though, when you just can't hold still so he has too hold you down with his ability so that you physically can't move, but the aftermath is his favorite. You calling for him so that he can carry you to the shower because you can't move or him coming down the stairs shirtless, with his grey sweats low on his hips, seeing the love bites on your neck and on your thighs as you cook him breakfast.

[bonefall]

Do you think the clan cats having less kits per litter/less litters in general (they already have less kits than real cats) would fix the bloated cast issue? Because I look at Ginga and the cast is also bloated and only a few characters have offspring but the author keeps making other dogs join Ohu and refuses to kill the old as fuck dogs

I don't think there's any one particular "solution" for stopping bloat in series that manage large casts through generations like Ginga or WC, it's actually a few things

The #1 MOST important thing I think about bloat, though, is that it's about a ratio of quality to quantity. NOT raw size.

A long while back I made a couple of allegiance lists for certain eras. In spite of my Clans having the same (or even higher!) population as canon, I NEVER struggled with those lists being bloated. If anything, sometimes if a Clan's below 30, they look too small.

(I'm sure you can find those lists if you look, they're probably tagged BB!Allegiance, but they might be a bit out of date)

That's because in BB, there's dozens of HUGE cultural additions to Clan life. In "administration," alone, there's 3 new major divisions of skills (hunting, cooking, construction) ALL with their own "head" of that patrol, plus canon's leader, deputy, and Cleric. Not to mention subtitles like the Educator and maybe a Chaperone/Permaqueen!

So to bring it back to that "Ratio Theory," If our Clan is 30 cats, those 8 major roles immediately give at least a slight amount of character to a little over 25% of our group, with each role being something that the other 75% of cats can desire and compete for.

Canon's measly 3 is 10%, and you can ONLY vy for deputyship if you want any power. There's nothing else to BE ambitious about.

You can make the ratio higher by having hobbies, drama, skills, arts, etc. Basically; characterize background characters! Which should be obvious!! Give them traits that are useful and interesting and show the community being valuable.

It won't feel like "bloat," it has the sense of communities living their lives. Even if they go quiet for a while, when they return (just look at how much people like seeing Sedgecreek or Hallowflight mentioned lmao) it feels like meeting an old friend again.

WAYS TO MAKE BLOAT FEEL WORSE;

Giving too many "opportunities" to old characters.

Think of every relevant role a cat gets as a meal, and the bigger the role the more they've eaten. If you're only giving value to your old fanfavs, you're not doing much for them because they're already full while the rest of your cast starves.

Haphazardly killing off characters.

I actually strongly resent the "trend" where people conflate good storytelling with an author's willingness to suddenly kill characters off. I think it comes from the same place as needing to "outsmart" your audience.

If you kill off a character with VALUE, an unfinished arc, interesting connections, it's just unsatisfying. The Erins have this problem of killing background characters with some established lore or value (like Harelight and Briarlight) while leaving uninteresting background nobodies behind that they never build back up.

Before killing a character, ask yourself what their role in the cast is, and their dynamic with others. Try not to axe them without a plan to fill that "role" and/or comment on their absence. Replace what you take.

EASY REPLACABILITY

This one is HUGE, this is why Ginga is so bad with this. If a bunch of dogs die, 100 random soldiers can replace them from somewhere. That is REALLY bad, because all the random influxes of new characters do not have a chance to replace what was lost.

It also makes death feel cheaper. Oh no! Background dog 7446 got eaten by the newest type of bear. This won't make battles harder to win or cause us to lose any valuable skills though. Also a new dog just walked in from offscreen.

Population Growth outpaces Death Rate

AKA your cast is growing too fast and you're not getting rid of old characters. This is what anon was asking about-- and it CAN help to make births less frequent and litters smaller. Make sure to pair with preventing lots of new, adult characters to casually wander in, too.

ALL of these tips have exceptions and places where they can (and should) be subverted and broken. But these are just things I think about

[hopeymchope]

The utter brilliance of Castlevania: Nocturne S1 (and the fucking pox of right-wing YouTubers)

I just rewatched Castelvania: Nocturne's first season, and it's so fucking excellent. Upon first viewing, I already thought it was probably the second-best season of animated Castlevania, but now? I think it's probably the best one.

The character relationships offer so much drama and emotion. The dialogue is both clever/witty AND moving. The directing of the action sequences has always been top-tier on this show, but the vocal performances make them even more engaging and involving. The way they've infused historical context into the story is absolutely brilliant.

Some of the weird story decisions RE: Dracula at the end of the first series' fourth season (not unsatisfying decisions, mind you, but still just... bizarre, if you're adapting this franchise) really stuck the writers in a weird position as far as how to move forward. I could think of maybe three solid possibilities: one which would undermine the ending of S4 completely, one which would require a HUGE leap forward into the modern day, and the third? Is basically what they did.

Bringing in Erzebet Bathory, the primary antagonist of Castlevania: Bloodlines, was certainly a valid approach for how to deal with the Dracula situation. Applying her to the Rondo of Blood/Symphony of the Night era is surprising, but not terribly so; it's not like her historical counterpart didn't already exist. I have some qualms with HOW they did this (why is she Russian now instead of Hungarian.... ?), but there's no denying that she serves as an effective antagonist.

Look at that; that's literally Maria's design in "Nocturne" right there.

As a fan of the games, this is obviously a different world but still an extremely familiar one. Seasons 3 and 4 of the first series felt like we were drifting farther and farther away from our roots in the games, but Nocturne brings us closer to that inspiration again. Richter and Maria look like they stepped right out of the PSP's "Dracula X Chronicles," with their costumes nearly identical... though of course, Richter eventually adds and embraces the headband from his original "Rondo" design. Maria is just a handful of years older than she is in Rondo/Dracula X Chronicles, allowing her to be far less of the out-of-place childish cartoon character that she comes off as in Rondo (or Castlevania Judgment, for that matter). I realize that was the POINT of her character in Rondo — to feel like she invaded from a totally different series — but the writers do a great job bringing her in line with the tone and characters of the animated series and overall franchise in Nocturne. The characters' powers and abilities are very much based in the games; we even get an (incredibly rousing!) rendition of "Divine Bloodlines" when Richter pulls off a "Grand Cross"-style magical attack for the first time in his life. It's exhilarating. And that's even without me getting into how Richter uses his triple-knife throw, or how we get the lore of the woefully underrated "Harmony of Dissonance" rolled into this show when a certain character makes a surprise appearance (to my immense delight).

Regarding the original four seasons... "I'm going to eat your soul, shit it out and and use it to smother your fucking girlfriend" was not the kind of dialogue I expected to hear from DEATH, of all people.

There are times in the original four-season run when it feels like it's trying a little too hard to be edgy and grimdark—times when the excessive gore and the insane use of profanity feels like it's screaming "I AM AN ADULT ANIMATED SERIES" in a way that's undermining its best qualities. But Castlevania: Nocturne is too confident to fall into such traps. The gore is there, the profanity is present, but it's only in service of exciting action, consistent characterization, and powerful storytelling; no lingering still shots of blood-spattered cribs for shock value are necessary. It's just a smash from start to finish, and after each episode, I find myself pondering the implications of certain lines and stories — thinking about the goddamn philosophical underpinnings of this animated show based on video games.

Nocturne is a prime example of how and why we're in a golden age of video game adaptions right now. This thing is BEGGING for a deep dive into its world, its lore, and its characters' worldviews. It's the kind of thing that would make for killer YouTube essays exploring all of its facets, because there is just SO MUCH here.

So when I go onto YouTube, and I only find one video that even says "It's not that bad" amidst a goddamned SEA of "This show's writing is shit and this series is fucking woke trash"??? That's when I know WE HAVE FAILED AS A FUCKING SPECIES.

These fucking right-wing YouTube dudebros are ruining our ability to think logically, they are MURDERING our media literacy. They are an absolute cancer. The fact that we don't have strong counterpoints out there against them is a crime; the right-wing grifters have totally conquered the algorithm.

I wish I had the skill or knowledge or even TIME to make videos of my own.

Fucking ugh.

[lurkingshan]

Japanese QL Corner

In which I cling to the last vestiges of two of my favorite shows of the year, write a eulogy for one of the most disappointing, and rejoice over the entry of a new fav. These shows are available for weekly streaming on Gaga unless otherwise noted.

Mr. Mitsuya's Planned Feeding

Farewell to a wonderful show. @isaksbestpillow has posted all seven episodes as of last week, so if you've been waiting for a binge, now is your chance. I already said a lot about why I loved this one, so I'll just use this space to urge you again to watch! This show is a goddamn delight.

Takara's Treasure

The main narrative ended last week, but this week we got a sweet little epilogue and one more visit with Takara and Taishin. I enjoyed the brief glimpse into their near future and getting to see Taishin turn 20 with his very first fuzzy navel, though I was a bit sad we got a repeat of the finale's themes rather than treading new ground for their relationship (I could not have cared less about the fujoshi writing RPF). This was a lovely show and I will miss these characters.

Happy of the End

CWs: Assault, child abandonment, child molestation, childhood sexual slavery, dubcon (including between the main characters), human trafficking, rape, sexual coercion and exploitation, suicidal ideation/possible attempt, unsafe S&M practices, violence

A very rough week for this show in terms of the content--please mind the triggers above because these are explicit depictions and it can be hard to stomach. I am waiting to see where this show is going with its themes before I make a final judgment, but watching the fourth episode in particular, some parts felt like crossing the line into gratuitous trauma porn that provided little additional illumination. We'll see how it shakes out in the end, but please take care with this one. I continue to find the characters and relationship dynamics compelling, and I am invested in Haoren and Chihiro's attempt to have a relationship despite the metric ton of baggage they are shouldering between them. Neither is equipped to even have any idea what a healthy relationship looks like, but they see something in each other and they want to try. That tiny bit of hopeful but likely doomed thinking may be all we have to cling to in this story.

I Hear the Sunspot

Sigh. I am sad about what this show could have been. For me, the finale definitely did not succeed at sticking the landing and making the last six weeks of wheel spinning feel worth it, and this show is going down as one of the big disappointments of the year for me. As you know if you've been keeping up with this weekly post, I loved the first half of this show, and Taichi's original characterization, so much. And I don't understand what happened here. The second half has felt like a completely different, confused, demonstrably worse show. Taichi hasn't felt like himself in weeks, the plots with Maya and the job at Sign were poorly grounded, inconsistently executed, and offered little pay off either thematically or in terms of character development, and the romance writing was a complete failure. It was actually painful to see Kohei run after Taichi and confess to him again, and the directing and editing of that sequence was so muddled that I had no idea what I was supposed to understand about Taichi's emotional journey or why this was the moment he was suddenly able to reciprocate. After all that brooding and his big speech about communication, he did not communicate much of anything to Kohei in the end. And I'm supposed to be content with leaving them here? Deeply unsatisfying on just about every level.

I understand from @twig-tea that while the story followed the beats of the manga's first two volumes at a high level, this production chose to remove many of the contextual details that actually made sense of the characters' behavior. It also seems they didn't understand they were setting up character arcs that did not get resolved until a later volume the show will not cover, thus ensuring the story would end at the wrong place. Just a baffling set of adaptation choices, and so much wasted potential. It's a shame.

Love is Like a Poison

But at least we have a new favorite coming in hot a week sooner than expected! I absolutely loved this first episode, in which we meet Shiba, our cold-hearted lawyer with delusions of grandeur and a sexually charged fixation on his house plants, and Haruto, our flirty scammer who has his number. This show is really well written and packed a ton of story, comedy, and deep characterization into its first episode. It's a promising start! For now it’s only available grey outside of Japan; I am hoping it will get picked up for proper international distribution soon.

Tagging @bengiyo to add this week's anime update.

[zhuoyichenpretty]

aww yeah ep 20 GOOD

I guess I do (very casual, broadstroke) episode commentaries now, halfway through the show lmao. Spoilers below!!

Bai Jiu BETRAYAL?

Wen Xiao WANTED?

Zhuo Yichen DETECTIVE-ING?

Ying Lei BACK?

*crowd cheers*

The dots are connecting like crazy with the big bad's whole inner core crusade and also with the simultaneous demon case like I did not recognize Ao Yin as the demon Li Lun first released eight years ago but oooh do I enjoy that minor payoff.

Love the repeated use of the demonic-spell-restraining sigils now that we've been introduced to them though I wonder why the Bureau doesn't ever seem to make use of them. Maybe they don't deal with enough powerful demons to need to paint those in their own (very empty) dungeon? Or perhaps just plot convenience. (edit: someone has pointed out the Bureau indeed uses them!! I'm just blind <3)

Anyway I kind of wish in the Chongwu Camp dungeon PSJ fought a little bc she's so cool in action and their bailing was a little abrupt, but it makes sense that they'd have an immediate getaway plan. Also this is an ep 19 comment but that line Mr. 3-Face Mask delivered about PSJ being fated to always be betrayed by her little brother(s) HURT. So good.

Back to the Bureau, I do love me a good framing, and I'm also happy to get a tiny bit of the episodic demon-murder-case style back. WX was v clever to hide out in Situ Mansion, and (small detail but) I appreciate that the others catch her up on the Bai Jiu thing onscreen. As an aside, I also like that the actress for WX got to be double-casted even just briefly. Seeing some of the actors get to play around with portraying various extremes in characterization and costuming is a ton of fun.

And then yay Bai Jiu backstory at last~! It's crazy how much that blood moon fucked up everyone's lives eight years ago huh.

Everything ZYC says to him is on point (and honestly, ZYC is really quite adept at comforting others, he just sucks utter ass at it when it's his fault and he has to apologize lmaooo) but of course my favorite scene in the whole episode is as follows:

The very slight shine in the waterline, the bittersweet smile/grimace as, deliberately or not, ZYC's words indirectly echo everything about the circumstances between the two of them right now??? Whew. They did that for me specifically.

Anyway, this was a good one to chew on for me, packed with plot movement enough that I didn't feel unsatisfied with just one episode. I'm glad that so far it seems like the release schedule bears in mind what episodes should be watched in pairs for maximum effect (eps 16/17, 18/19 specifically) and which ones are okay to stand alone for the day, but I also don't want to speak too soon haha. We'll see how ep 21 fares.

Also since this is a ZYC stan account (lmao) I have some obligatory ZYC thoughts that I haven't managed to fit anywhere else. I've been meaning to comment on this for a while now and was reminded by this episode: I love the fact that ZYC actually smiles quite often. I think it's a bit surprising every time he does because he so easily fits the archetype of stoic broody action hero, but it really is just an archetype he's fit himself into, and it's never clearer than when they flash back to smiley baby!ZYC (how freely and purely he used to give those smiles away...).

On the other side of this is also how caustic and biting he can be with his words, whether sarcastically or otherwise, and how clearly his face telegraphs his emotions in general. I love that he actually emotes quite a lot and isn't cold and unaffected in the least, just pouty frowny and awkward.

The last piece to this for me is probably his age (which I very much appreciated being established super early on) and how convincingly TJR portrays him as young and inexperienced and extremely earnest. He's so sincere in everything he does that it really doesn't take much to move him, which also (imo) makes his arc less overdone.

We all know from the start what direction his development will likely go, how he'll learn he's mistaken about ZYZ and how he'll grow to have a more nuanced view of the world as he creates more bonds with others. But he's so emotional and emotionally aware that it doesn't really take much push and pull to get him there. And actually, it's not untread ground to him—he is moreso thawing, in part returning to the open-hearted nature that he had to very abruptly shutter away rather than fundamentally changing as a person. I think to me, that makes his character more compelling to watch because his cynicism about the world is perhaps the least sincere thing about him. It's entirely learned, and not by choice. Relatable.

[min0uet]

#1 thing i'm most afraid abt in the revival is the candace characterization actually bc we are in a paradox here

fact: candace's endless torment was part of the backbone of the show, one of the constants that kept the plot structure going. phineas and ferb must always do something new. candace and doofenshmirtz must always lose. any exceptions to these rules can't be permanent. status quo must be upheld.

fact: candace against the universe's character development seemed to finally be breaking this cycle. candace isn't alone anymore, she's letting go of her obsession to see the support that was always there for her and thus she's escaped her sisyphean cycle. to go back to the old status quo after this would be massively unsatisfying.

fact: the reboot is supposed to take place AFTER candace against the universe.

so what do we do now

[piratecaptainscaptainpirates]

I've been thinking lately about one of the things season 2 of OFMD says, which is - sometimes, life is fucking messy, and you're not always going to get closure in the way you want.

Ed is absolutely haunted by guilt and horror with himself. He was hurting so badly that he hurt people who care for him terribly. "You move on, or you blow your brains out," Hornigold tells him, two deeply unsatisfying choices.

Archie describes Ed being back on the ship as him having "gotten away with it." This line never sat well with me, because it's so fucking harsh, and we as the audience know that Ed deserves sympathy and compassion, not punishment, but from Archie's perspective? Sometimes, people do shitty things to you, and you never get closure, and that's how life is. Her strategy is to just get over and it and move on, and honestly? It's working out pretty fucking well for her.

"Not moving on is worse," Izzy tells Lucius. Pushing Ed overboard wasn't the closure Lucius thought he needed, and both Ed and Lucius are left unsatisfied. Now, this plotline feels unfinished because it is unfinished, I'm sure there's no way there wouldn't have been something in s3 to wrap it up, but we're left with both of them just having to do their best to move on after they tried to make things right in an imperfect way. Now, Izzy has all the self-awareness of a wet paper bag, but he's just had to learn that even though he so strongly characterized himself on understanding and being understood by Ed, that wasn't true at all, and he just has to move the fuck on about it.

And we get something quite important out of all of this, which is to say: sometimes, you will hurt other people, and other people will hurt you. They will often be hurting and misunderstood and lashing out, and you can have the best intentions in the fucking world but it doesn't really matter. If they're cool, they'll apologize, like Ed does, and they'll accept your apologies, like the crew does for him, but you might never get the full story, and you might never get closure in the way you dream of.

But if you don't try to move on, if you obsess over the things you've done wrong and the wrongs that have been done to you, it will turn you cruel. You might hurt others worse, you might get so caught up in it that you stop being able to really live. It's hard to move on, but not moving on is worse.

[crime-scene-psychic]

As I continue my Titans rewatch, I feel as though I've been unfairly harsh towards it. No, it's not perfect by any means. The writing goes from standing out, to half-way decent, and then to CW-levels of awful all in the span of a single episode. The special effects leave much to be desired for an HBO production. Sometimes the characters would simply Not Do That. It's literally impossible to see anything due to the lighting choices. Timeline? What's a timeline?

But it also gave me live-action versions of a lot of characters we haven't ever gotten the chance to see in that particular format. It gave me a pretty complex Dick Grayson character, something that, until that show, hadn't existed in a live-action sense either. The only other characterizations of that character that existed before Titans that were that complex were animated (namely the original Teen Titans and Young Justice, though they also didn't get a chance to truly develop the character as fully, in my opinion, because they were A. shows geared towards kids, and B. looking to focus on the entire team as a whole, which Titans sometimes had a hard time doing).

A lot of critique towards the end of the show came from people (rightfully so) complaining that the show focused too much on the Batfamily and that they should've just made a Batfamily show if that's what they wanted to focus on, which I agree. Don't get me wrong, I think a big reason why I can see so much potential in the show and why I enjoyed it so much is that it focused on the characters I loved so much. However, I realize that the show is called Titans, not Batfamily, so I totally understand why a lot of people were pissed. They signed up to watch the Titans, not whatever problems Bruce Wayne and his gaggle of children were dealing with.

I'm just biased and I recognize that.

Like, yeah, the show is far from perfect, but even with it sometimes focusing a bit more of Dick than other characters, I still feel like there are well-rounded story lines for the rest of the characters, at least the main cast, especially as it finds its footing a bit in the later seasons.

I hope in the near-decent future we do get a Batfamily show (or, heaven forbid, because I would NEVER shut up about it) a Dick Grayson show, because just from New 52 and DC Rebirth there is SO MUCH MATERIAL and that's not even scratching the current runs. There's so much to do with these characters, especially Dick, and I can't help but with Titans getting canceled (I'm surprised it made it 4 seasons, in all honestly) feel unsatisfied. Even with what was able to do, I was still disappointed when it came to how they handled certain story lines (mainly Slade and Dick, because I really feel like they had a missed opportunity not including the Apprentice story line. Like, they could've made it the big secret Dick was keeping from the rest of the Titans in season 2, that during his time with the first Titans group he was forced to work with Slade, but they did the Jericho thing, which is fine, but I think if they'd stuck a bit more to the source material they would've been better for it, especially since the Apprentice arch is such a fan favorite).

I've been rereading some of the New 52 pre and post Forever Evil, mainly the Court of Owls run and the Grayson run, and there's so much untapped potential there! Just as I was revisiting Grayson, I couldn't help but think about how badass some of the panels would look in a live action show. We've barely gotten Court of Owls content, and when we do, they make it all about Bruce, which is fine, I guess, but Dick Grayson in the current Prime Earth lore was LITERALLY BORN to be a Court of Owl Talon and it's such a missed opportunity not to explore that further (which is probably one of the few grievances I had with Gotham Knights because if they were able to show Jason going through the Lazarus Pit again then GODDAMMIT they could've at least HINTED at Dick's ancestry!).

Side note, Court of Owls wouldn't have made much sense in Titans, but then again, they didn't seem too bothered playing fast and loose with the timelines, so why should I? It would've been a really interesting Dick Grayson arch, especially in comparison to Gar and Conner's time with CADMUS in season 2. Like I would love to see the Court sink their Talons into Dick and fuck him up a bit, but again, I'M BIASED!!!!

I hope with more and more people getting into the Batfamily that it'll lead to more content, especially live-action, but it just seems like studios aren't interested, which is insane because it seems everyone else is? I don't get why they're so hesitant. I talked about this in another recently long ass post, but I don't really get why studios are afraid to put Robin/Dick Grayson into the DCEU. He's such a cool character if done right and his fighting style is super sick to see live-action, as demonstrated in TItans. I love that they incorporate acrobats into his style, it's fucking awesome to see.

I dunno. Just back on my DC bullshit and thinking things. That's it.

[mouseonamoose]

I absolutely loved Demonology. It was an extremely generous gift to the fandom and to the GO mythology as a whole. I loved how you fleshed out Aubrey as a real character and the story being told through her perspective was so effective and clever. I was amazed at how true to the character of Crowley you were so that you were able to write him so authentically into new scenarios. Each chapter was such a surprising and original adventure but with a beloved friend. I loved the humor and pain in this story and so glad it wasn't any shorter than it was. Also, I was reading it at the Denver airport when Crowley made that quip about Aubrey's smell so I felt very connected to the story at that time, very funny private moment. I think this was the most enjoyable story I have ever read and also, got me to see why I personally related so strongly to Crowley. I have found validation as well as escapism from the perennial grief I feel at this time of year. So thank you thank you thank you.

I also read the Aziraphale story, which I felt had some very funny, LOL moments and was heartbreaking. I do wish that you had felt the freedom to write a healing journey before you saw season 2 and the stuckness that Aziraphale was still in. I think it can be really cathartic and beautiful to imagine what it would take for them to become healed. That was the magic of the Crowley story because you actually delivered the answers you promised which is so rare in any book. You showed us the magic that it took with trust and time and expression for Crowley to restore his heart.

I'm going to go back and read the story all over again.

The imagery that stuck with me the most was Crowley wedged up in the corner of the ceiling, and also the most glorious chapter where he shared his poetry with Aziraphale. Also I am a plant lover so all that stuff with the tree and Bud was just phenomenal.

You are an extremely gifted writer and I hope you continue to write and publish and I really, really hope you write some more stories from this universe. If there are any others please please let me know!

Oh, thank you. I'm blushing! I am so grateful that you found both valuable, and shared this with me.

I think, having done both Demonology and Angel-Centered now, I have come to this conclusion: anything but a satisfying resolution for Crowley would have been a disservice to his character; anything but unsatisfying heartbreak for Aziraphale would have been a disservice to his character. I don't mean this at all in a harsh way, regarding Aziraphale, and I have no doubts that he and Crowley both will have a well-deserved Happily Ever After. But, in therapy? And especially within the confines of the sort of fanfic I was writing (e.g., as much as possible, avoid adding to canon; as much as possible, only extrapolate and comment upon canon)? What other sort of option could there be, for Aziraphale?

I don't know.

Or maybe I'm just experiencing the same bittersweet frustration about Good Omens, right now, as everyone else, and that's clouding my thoughts.

You sent a follow-up message, clarifying you'd appreciate recommendations for other Good Omens fic. I am terrible at providing recommendations, unfortunately, but I hope others will be happy to offer some. There is one I can think of, though! Factory Settings is superb. I'm blown away by the clear confidence in the plotting and characterizing. I wouldn't mind it being our S3.

[torpedopickle]

I finally watched Transformers Earthspark Season 2 today. I have a lot of thoughts and I wrote some paragraphs for every episode. As you can see I wrote a LOT, enjoy my way too long cartoon analysis:

Episode 1: the cracks are showing but it hasn't crumbled yet

The animation feels less alive than in season 1 even if strong storyboarding still carries some scenes, as I know several of the season 1 storyboarders did work on this episode. It has a couple good sequences, a couple incredibly stilted ones. The overreliance on slowmo feels weird, and the animation struggles to properly convey things, like how we're supposed to take Hashtag's injury very seriously, but it just looked like she got bumped lightly.

the Decepticons are butchered and watered down into "evil because they're Decepticons". Chaos Terrans is an interesting concept and the way they're executing Aftermath would provide a foundation for exploring topics such as delinquent youth, but knowing how the series will go on to treat them in later episodes, I'm not hopeful.

the Maltos feel like they're sleepwalking. They have a lot of screentime but for some reason they don't feel present at all, it's like I'm watching their shadows move around on screen without the things that made them feel alive shining through.

If I didn't know beforehand what this season would eventually stagnate into, I could see myself being fooled into thinking the gripes I have with this episode are just growing pains, however i'm not so hopeful.

Episode 2: Improved in some ways but not in others. The episode premise is decent, and the narrower focus compared to episode 1 does help make the focus characters feel a bit more like themselves again. Unfortunately i just don't think the premise was utilized well at all. Introducing quintessons to the conflict is kind of a big development, but it doesn't flesh them out well IMO. They treat them like wild animals with no characterization for a majority of it, and then hint at some deeper conflicts at the very 3nd before promptly disposingof them. So ultimately it feels unsatisfying (although we do get some expositon in episode 9, but it doesn't add up to much).

And once again i must comment on the character acting on the humans especially being severely lacking.

Robbie and Mo having helmets for like half their screentime definitely feels like a cut corner not to animate their faces

Episode 3 review: some well animated sequences this time around, i'd seen the storyboards for them on twitter and they're really well done, but then there's some others that really werent as decent, so big ups and down in animation quality. Most of the episode did feel like a slight return to formula for Earthspark tho, with how it felt like it was actually making a point about something for once, which so far has been rare in season 2, although the conclusion wasn't the most satisfying with the whole "you can't have everything" message but then hashtag kinda gets most of what she wanted anyway.

Episode 4 is like.... baffling.

Like the fact that they swapped to a wholly different and much cheaper animation studio was so far just somewhat shining through, but now it's impossible to unsee. The animation here feels BEYOND stilted, in every way. Like not even the 2D FX animation looked convincing this time. That clip of Robbie dropping a cake is the weirdest animated thing i've ever seen. It's like it gets sucked out of his hands by a magnet.

The Faire Maestro is a type of character I feel like would have been handled really well in Transformers Animated but was just kinda nothing here, super ugly design too and very odd voice direction. Lots of just bizarre and mindboggling things in this episode, like them seeing faire maestro having an emberstone shard, and then deciding to steal it right in front of his face for absolutely no reason even though they think he's a normal guy and not a villain. And tiny inconsistencies like Mo knowing his name even though he never said it. Bizarre episode all around, Weird Al cameo is cute but then he's gone.

Episode 5 review: Finally Jawbreaker gets to be in it. Except now he feels like a baby. Just a big stomping juvenile baby.

And speaking of big stomping babies, Aftermath is one too. He feels like he's supposed to be a representation of troubled/delinquent youth who don't get along with their peers and who don't have positive role models or a support network, but he really comes off as being just... chaotic, no real sense of interiority to him other than "I'm mean and I enjoy being mean and I can't help it". He's entertaining on a surface level vibes basis, but it doesn't feel like any attempts are being made at making a point. He's barely been in the show so pretty much anything that could make his character interesting is completely missing. Like there's no development of how the decepticons are raising him other than the basic assumption of "bad role models", and the decepticons barely get to be characters this season either. Aftermath feels like an Afterthought, as Chaos Terrans have basically been less than a footnote, and the series has attempted to do no form of storytelling with them beyond surface level observations that honestly feel insulting to the other characters like how the decepticons are just evil now, and the autobots/terrans have lost all nuanced expressions of empathy and solidarity in favor of just "they're generally friendly"

oh and also the evil mushrooms are boring.

Episode 6 review: Man this episode just *feels* wrong, like viscerally.

The show's handling of the chaos terrans just keeps getting worse. There's absolutely NOTHING about spitfire that compels any form of empathy. Like there's not even a mote of her being a troubled and misguided youth, she's just straight up ontologically cruel, like nothing about the conflict in this episode regards a failure to understand, communicate, or empathise with each other, it's just a straight up rejection of those things on both sides. For this chaos terran delinquent analogy thing to work you NEED there to be a sense of humanity or waywardness to them. You NEED to be able to conceive of them as being capable of more than just anger. This just feels meanspirited, especially the way the Maltos have no desire for Spitfire to be better. They just wholeheartedly accept that she's ontologically evil, and honestly, the way she's presented in this episode you'd think they were right, but they're not SUPPOSED to be right.

It sucks too cuz chaos terrans are a great idea

season 1's terrans were all representations of good natured minority kids, particularly third culture kids, who despite their best intentions and kindness end up having to fight for acceptance.

The chaos terrans are a natural progression of that, with depicting kids who end up on the fringe of society because they're inherently different from others and have a harder time being understood, and who don't have a support network to set them straight.

So it starts out in a place where they'd easily be able to build on it, but it's squandered imo. And for several reasons:

1. the Decepticons are 1 dimensional bad guys this season so they fail to capitalize on any potential storytelling they could have done with how their generational resentment might be passed down to the younger generation. They also fail to build any sort of relationship between the Chaos Terrans and the decepticons, so any obligation to stay or debt of gratitude that they might feel is just not there. You get no sense of why they'd want to be decepticons other than wanting to be enabled and encouraged for cruel behavior. They could have given breakdown an actual father son dynamic with aftermath but instead undercut it and play it for laughs.

2. Because the malto's solidarity have been completely watered down into just being "good guys", and never really get to articulate any sort of deeper point in their attempt to appeal to the chaos terrans, so you don't get a sense of how they might help them if they were allowed.

and 3. because the chaos terrans themselves don't really feel like they have much of an inner struggle, interiority, or conflict, it doesn't really feel like there's much of a foothold for

Anyone to latch onto to get through to them. Which makes them feel unredeemable.

so to reiterate and summarize these 3 points; 1. there's no sense of how the chaos terrans are being given negative reinforcement, 2. there's no sense of how the Maltos might help undo this, and 3. there's no sense of how the chaos terrans might want to be helped or not helped.

I understand that like part of the point is that they don't understand the chaos terrans, which supposedly makes them feel more alienated and further pushed towards anger, but there's no nuance or attempt at solidarity to the way these misunderstandings occur. Like there's no hint of Twitch and the Maltos trying their best to reach out to spitfire in meaningful ways. There's no sense of there being some fundamental difference in perspective or circumstance that make them able to understand eachother's point of view, it's just straight up "i tried to be nice but you were mean so now i won't be nice anymore" and it never goes beyond that. It's insulting how easily the Maltos give up on them.

Episode 7: serving as a direct followup to the last, it continues a lot of the same flaws. It squanders any chance of giving Spitfire some depth, like they could have spun her obsessive competitiveness into a deep-seated need for approval or validation or something, but no, she's as one dimensional as her behavior would suggest. Her behavior just becomes more and more destructive to a cartoonish degree where it no longer becomes possible to feel empathy for her.

the whole freaky friday misunderstanding thing too also feels super forced, which isn't helped by the animation failing to convey a lot of ideas.

Comparing this season to season 1 so far, man it just really sucks at juggling the characters. We've had practically 0 focus or development for any of the autobots and decepticons, and the maltos for that matter, despite their overwhelming screentime.

This is likely a casting budget thing. Which is why bumblebee has been demoted from main cast member to a guy who maybe says 2 lines every 3 episodes.

The quality of season 1's writing would go up and down quite drastically between episodes, but so far season 2 has consistently been on par with some of season 1's worse entries. It's juvenile and it has next to nothing to say about anything. Barely even any basic surface level messages, just mostly meaningless antics with next to no focus on exploring characters.

Episode 8 review: it's fine. No notes. It's a competent comedy episode. Fun premise with the whole "thing getting continuously stolen by different people" trope. Basing an episode around optimus's trailer is funny. Animation isn't stellar. Overall it's just an ok episode. I have nothing to say about it other than it's well executed even if it's not very ambitious.

Episode 9/10: okay! End of the season. The finale's mixed for me. In a different universe, this would have been an OK finale for the most part, but the fact that the season has tarnished every single character and plotline from season 1 and made no successful attempt at building anything new of value makes it lack any impact it could have had.

Interesting angle to flip the quintesson creator race narrative that transformers fans are used to. Although they too were an afterthought for this season. Aftermath and Spitfire getting killed really was the rotten cherry on top of their miserable cake. First they're treated like dirt by the story and handled as poorly as they could possibly be, squandering the excellent potential they had, but then they just kill them. Just so starscream's heelturn is even more evil. It honestly feels sad to me that they even bothered to acknowledge the fact that starscream was redeemble in season 1. Just makes it feel even more annoying that they conciously gave up trying to make him nuanced. Some of the animation was good. The shots of terratronus rising were very well composited and communicated the scale extremely well. As for the actual climax, it felt pretty lacking.

Overall a dissapointing season. A shadow of what earthspark was. Most of the characters are completely sidelined (likely for lack of a casting budget), and the few who aren't don't get a single story that feels reminiscent of that immensely strong sense of confident identity that season 1 had.

Hasbro cannot help themselves can they

[wingsdippedingold]

Ch 1: "Please String your Bow"

New Series: Read ACOTAR with me!

Hello! I’ve decided to start a new series of me going back and rereading the ACOTAR series, as it's been years since I last actively did so, and posting it here on tumblr!

I plan to do my best to observe the story as though I’m reading it for the first time and don’t have prior knowledge, trying to build my opinions back up from a blank slate. Some of my annotations will try to reflect that, asking questions that I or you may already know the answer to. However, I’m including many of my old comments as well.

I may start a tag list if people are interested, but with that: Chapter 1!

wc : 859 - Index

This is the line that pulled me into the chapter.

So she's shooting a recurve, which in this case, is basically the standard medieval bow you'd imagine. Unstringing is done to keep the wooden limbs from straining and getting bent out of shape from the tension.

Alright, so this is our first bit of human lore regarding faeries beyond just the "they're dangerous". Humans believe that faeries eat people.

Okay, okay, very Cinderella-esque. Now, is the expression she's thinking of sad, disappointed, or angry- at this point it seems more pitiable.

I am familiar with this pose.

Seemingly, both her family and her town rely on Feyre. I know it's to emphasize her role as the only one working, but it's weird imagining an entire town asking a single 17 year old girl to provide for them. They're asking her to be the main character at this point. The world is cruel to Feyre.

The artist in her 😭

I think its interesting that she includes bother her father and her current cottage (quote below) in this dream.

On another note, I know some people interpret the last bit to be "oh she hates her sisters and wants them gone", but I think she knows they'd be unsatisfied with the simple life that she would be, wanting to go back to their prior life of luxury. (But, she basically becomes her sisters in this dream later in the series anyway)

Feyre and painting on fucking walls

Pretty words

Feyre, baby… you gotta string your bow again…

I think I know why y'all are starving.

Our first outright characterization of Nesta from Feyre:

I mean a regular arrow would still do more damage than a bee sting. Regardless, her weapons are important for later.

👍

This confused me. Because, either way, unless you kill the wolf, you starve, unless the wolf flat out leaves, but considering it's going for the deer, it won't. If he eats the doe or scares it, you have to kill him. SJM didn't give Feyre the mindset of a poor woman in dire need of food. Is eating the wolf not even an option?

I would imagine hunting the bigger game, even if less tasty and more dry, during a time of animal scarcity when she regularly comes back empty handed, would be a starving woman's first choice. Your shot would have to be a good one regardless of whichever you choose, and if its because of disease, eating any wild animal carries risks.

Maybe I'm just being stupid, but like... if they really were that poor and in need of food, how is the wolf not even an option?

8 years of experience, assuming she had consistent practice between hunts

Wrong, this happens even after death. How much research did SJM do before making an entire chapter around hunting and a character who's been doing it for 8 years?

Personally, I would try putting the poor thing out of its misery if I was unsure about pain, instead of sitting and waiting. Feyre has a hunting knife which she uses to skin the wolf later. Even with her appropriate level of caution, this animal couldn't jump up and kill you. I don't know, reading this made Feyre feel like a relatively amateur hunter, rather than the experienced one she's meant to be.

I imagine she waited for it to die in case it had faerie magic or something, but she decides that it's not one after its death, which doesn't make sense to me, because I imagine she had never seen a faerie die (or shapeshift)? How would its death have any different markers- beyond the ones Feyre couldn't previously identify- than a normal wolf?

Well no. It didn't. Earlier she said animal wouldn't live with the ash arrow in it's side, but it was her normal arrow in the eye that proved lethal (see below)

Mr. Wolf was still standing after the ash arrow, he only collapsed after the normal one in the eye.

Realistically, the better option would be to dress both animals, get rid of organs (especially the wolf's), guts, heads, genitals, and any other dead weight; this'll reduce the load by at least a third, if not a half, considering that she's only hunting for sustenance and not keeping any parts for trophies. Drag the wolf and carry the deer.

The wolf's size could be an issue- but she considers a small deer to be a struggle, so I'm not sure what's up with that. I imagine she isn't an experienced hunter and/or doesn't field dress, despite her 8 years, considering that she usually comes back empty-handed.

Alright, so dressing both animals would take upwards of an hour for someone with the amount of experience I would assume Feyre has. Regardless, for a wolf of that size and weight, with half of it against the ground, it'll take way longer than minutes to skin. You're gonna spend a while there, even if you don't dress the animal.

Back on track with Feyre being the cool protagonist that she's set up as.

Thank you for reading these! Overall, this was more nitpicky than any serious notetaking as its just the opening chapter- there's a lot more substance in the coming ones!

[ddejavvu]

omg sorry im totally gonna yap too much about your hangman series rn !! because not only does it contain THE utmost perfect combination of all my favorite tropes, but they are reflected, written, and PACED sososososo dang well ?? like the tension is there but i loveee how you validate the perspective of why the reader is hesitant to give in WHILE still maintaining the sense of pinning coming from Jake AND the cutesy sometimes snappy back and forth they got going on ANND it all unraveling at such a nice tempo — I’ll be honest, I didn’t even watch that airplane ass movie cause Tom cruise annoys the hell out of me, and now I’m even more torn cause there’s no way in hell some Hollywood execs wrote jakes characterization as good as you have, so obviously I’ll be disappointed off the bat but at the same time you make him sound HOT like I need to see the source material with my own two eyes yk? UGH anyway yeah all over the place so sorry I just wanted to give u some love cause re reading chapter 5 this morning quite literally got me out of bed to my morning lecture ~ my academic thank you, muah!!! <3

hi sweet thing!! I want you to know that this got ME out of bed this morning with a smile on my face! I really, really appreciate feedback and messages like this, more than I could probably ever truly articulate.

first off, i love talking about my writing with other people who are engaged with it!! it's one thing for me to explain every grueling plot point to my best friend who is politely interested for my sake, but wouldn't read it if it wasn't mine. It's another thing entirely to have fans of my writing talk to me about what they like about it and what they think of the plot, characters, pacing, etc!!!

one thing that I'm really appreciative of you praising is the timing. I know that uploads have been slow on my part, and that's because I'm full time with both work and school, but even when I was uploading every week, people were so unsatisfied with the timing!! and i know that I've advertised smut for the story, and you haven't gotten any yet, but I was very proud of the plot that I had constructed, as well as the backstories and reservations that I gave to each character, which required more than just an, 'oh well, let's fuck!', and like. 95% of the comments that I was getting for a long time were 'omg she needs to give in already' or 'i would have just caved!' like 😭😭😭 like did i not do it right? did i not create a compelling argument for why they should NOT fuck at this moment in time?? that's why i'm immensely grateful to hear that you like it, even if slow burns aren't everyone's thing! i love a good slow burn and I worked really hard to make this story realistic instead of just some utopia where nothing matters and actions don't have consequences.

second - you haven't even seen the movie!!! i'm always flattered when people admit that they haven't even seen the source material before indulging in my fics because i usually have little to no interest in reading fan content if i haven't at least seen the characters for myself first! i'm insanely flattered and i do recommend watching the airplane ass movie because it's one of my favorite movies but perhaps it's only my favorite because the men have so much potential and are so fun to write about !!! i definitely warn you that he's an ass through most of the movie but it gets better anon, i promise! he has a great ending <3

i love that you reread chapter five and i love that it got you out of bed and i love that you were kind and complementary with your message instead of something less motivating! these are the kinds of messages that make me motivated to write more, these are the kinds of messages that get my inspiration flowing when i've got the time to work on it!! i love you very much and all future chapters are dedicated to you actually <3

[alarici]

specific non-pacing gripes w arcane s2

(to me arcane went from 11/10 to 7/10 so i'm not complaining complaining ok)

Mel's tun to magical physicality & violence didn't feel deserved or in character. (you are the wolf....bitch really??? all it took was one meeting with leblanc and we're in it now???) She's built up for all of season 1 as the bitch who gets shit done by talking and then she's given deus ex machina magical powers in season 2...because? I mean don't get me wrong it's fun to see a character like that go nutty with it (start killing) but that journey should have taken more than a grand total of 5 minutes of screen time imo.

Dog dad should have stayed dead...especially in light of Isha.

Viktor (up to interpretation) wasn't full machine herald so much as...I See the Light possessed by the Arcane. For a character whose whole thing was loss of personal agency and a personal descent into Hex-fuelled ill-advised self experimentation all of that narrative work is completely steamrolled by "teehee he's just fucked up now." Was the Arcane possessing hi or did he just See God and Come Back Wrong in an unsatisfying way? And the road back to "you're my partner" was...too short? Didn't make sense? Because Jesus!Viktor's motives never /really/ made sense beyond "oh he's just like that now ig...the Void does funny things" which at least to me...not neat and tidy as S1 was. Maybe I just really wanted Machine Herald!Viktor to feel more like a clash of equals than...talking to the void until the void wakes up because of the power of friendship and homoerotic whatever.

Caitlyns un-heel turn....no.

....im sorry guys but Ekko/Powder felt very hallmark. I mean that's par for the course when you plop a guy in an AU for a bit but without full characterization of AU!Powder it feels saccharine & a...odd use of time with Ekko's character. (Like it would have felt more earned if we actually saw them interact as kids but alas.) I love them but it felt forced. I wanted to see more of them before even their bridge fight in S1.

Jinx's second season arc was...to predictable? Maybe that's just me. Season 1 built to beautifully to "I chose Jinx"...she immediately un-Jinxes with a child in the mix, is all over the place, has some fun, has Big Tragedy, goes kaput at the first chance....big fat hero :?

[whythegaymangos]

when i first heard the s3 news i was FURIOUS. i feel like i have waited so long for the conclusion to this story. i either wanted s3 to be fully cancelled (bc fuck neil gaiman) or committed to with chest (bc the fans and the story that's shaped so many lives deserve it!).

BUT i've had a little wallow and reflected on my love for this story. and i've decided that this is ok. it might even be a good thing!

good omens, in its different forms, has woven itself throughout my life. there are parts that i love, parts that i dislike: different adaptations, different takes in the fandom, different bits of the story itself. i like good omens in its totality, ugliness and all - whether it's 1990 and making fun of the gay connotations, or 2023 and smushing tennant and sheen's faces together. i like the book's characterizations and scathing humour the best, i love s1's pacing and flashbacks, i'm obsessed with s2's off-the-charts chemistry.

at first, i felt very unsatisfied: s3 was going to be so rushed and cobbled together. where will our beloved flashbacks fit? how is the second coming going to be sufficiently built up? what about all the unexplored details from s2? and can we really fit in all the resolution we need between the ineffable idiots?

but then i remembered: every piece of good omens media has been different, and i have things to appreciate in all of it.

whether i end up happy overall with this last 90 minutes or not, there is something clear to appreciate already: i am so fucking grateful for the chance at an ending. maybe even an actual cottage (a laughable concept for most of my life!) if we're lucky! and of course, absolute minimum necessary gaiman involvement, woop!

plus there are things that i personally disliked in my previous good omens consumption, particularly s2's odd pacing and lack of narration, which has every chance at being switched up again in this new format. so who knows? maybe i'll be amazed.

and a final point. the good omens universe is pretty huge - from the many different adaptations, to the thousands of amazing fics and pieces of fanart, to the hundreds of talented people involved in it all. if s3 is a disappointing addition to this universe, i know i can retreat to my tried and true loves - canon or not. isn't that amazing?

all of this to say - stay hopeful and stay thankful!