#and i'm not even involved

[vanmarkus]

tbh I am trying so hard to not let this shit get to me... but the fact that people are now doing things that could be classified as a felony (yes, really) over some fictional men dating... and then trying to ride the moral high ground while actively being queerphobic and sending inadvertent death threats to real people and dogpiling poc on twitter over liking a fictional man... idk fam it doesn't just make me wanna not engage with that side or fandom, but also the ship itself.

and if I feel like this, just imagine how the actual creators of the show must feel like... I know no one who is actually stupid enough to do all that will see or understand what I'm saying here, but it sure makes being in fandom feel like crap sometimes

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[beif0ngs]

C'mon heart, beat loudly again! 💓

[risibledeer]

Ahh i don't know if it's okay to req more than one thing 👉👈 but i love your art so- consider this a req for if you're not getting enough other req asks!!! I also don't know what all you want to draw for these or if they have to involve Joel but!!

I would love to see an Impulse of the SV variety in your style :0 i particularly love Last Life Impulse (the wither duo my beloved) but any Impulse would do!!

If you want to involve Joel, well, they're neighbours with a similar theme on HC of course, and in Last Life they both at different points were Grian's closest murderbuddies <3 so maybe that could serve as inspo

SORRY FOR THE LONG ASK your art style is awesome remember to hydrate aaa-

they're gossiping at the soup shop about Grian lol

no it's really fine :) sorry i took a long time! and ty ofr the rq and the compliments!!! also ty for letting me add joel lol

(i hope my impulse design looks alright!)

ps feel free to send me reqs! i'm always happy to get em

[vaguely-concerned]

purple hawke who, at malcolm's death, lost not only a father, a mentor, the single most stable and safe point in their world up until this moment. but also the only person in their life who would consistently, gleefully 'yes, and — ' them. the loss, in one fell swoop, of both a beloved parent and your sole willing — no, not only willing, enthusiastic — improv partner. truly, the most unkindest cut of all that the maker could have seen fit to deal. (there's always so much less laughter in the house, after malcolm's gone.)

and then after all the horrors of the blight and trying to make a new life in the shithole turned shithome of kirkwall....... they meet varric. and something that's been slumbering deep within their soul dries a tear of relief and joy and whispers 'oh we are so back'. and they are so right

[starcurtain]

Hear me out. I know it's unlikely that Ratio would ever have been foolish enough to directly get taken in by a scam, but considering that we know:

One of the groups specifically tricked by Kakavasha before he joined the IPC was the Intelligentsia Guild

What he tricked them about was Tayzzyronth's Swarm remnants, the exact same thing we see Ratio investigating in his very first appearance in the game, and

The researchers were described as "extremely cautious"

I am surprised that "Ratio was at least somehow connected to the Intelligentsia Guild team fooled by Kakavasha before he was ever even a Stoneheart" isn't more popular with the Ratio and Aventurine fandom.

Like imagine being Dr. Ratio. You tell your colleagues, "This seems like a scam. Are you sure you should trust this 'local guide' you've made contact with? Tell me about him. A picture? Does this even look like an Egyhazan native to you? I won't save you fools from making idiotic decisions." (You end up having to clean up the aftermath of their idiotic decisions anyway. There is sand in places on your body you didn't even know existed before this. How mortifying for the Guild. For you, by association.)

Then, next thing you know, you get a mission briefing slid across your desk from your IPC connections. They want you to work with their new Stoneheart. You open the packet to see... that little bastard with the enthralling eyes who had your moronic colleagues scrambling in the dirt on a backwater planet for months. Apparently he's made a career out of fooling you your supposedly competent guildmates.

You run off to confront him. You never met him personally back then, but you deserve compensation for the idiocy you were subjected to nonetheless. He deserves to know how much of a pain in the ass he's been in your life already without ever having met your eyes--

He proceeds to shove a gun into your hands and tries to make you an accomplice to a suicide. Apparently, this is normal behavior for the man now called Aventurine. Somehow, it's supposed to prove to you that he is a sane and reliable individual.

Absolutely nothing in your life has been normal since Egyhazo.

You would like to have mundane problems, sometimes.

How do you keep ending up in this beautiful manic clever conman's orbit, and why, like binary stars, can you not escape the gravitational pull?

[toomanywordsnllines]

Sometimes... the world can be a little too much.

[lucyllawless]

Okay so I was re-watching (for the 100th time) and noticed a few details that could point to Rio being connected to Nicholas in some way. I'm gonna put on my clown nose for minute, so follow me for a second

First we have this shot of Rio.

Followed immediately by the shot of this clock. The mama bear and cub represent Agatha and Nicholas. But then we have the baby bear holding a flower.

And we all know who is connected to flowers/plants.

There's even the little flower/plant motif details on their 70's costumes. And the specific placement on Agatha’s oufit 🧐

And then there's this quick shot of a blanket with a flower print next to the Ouiji board which is spelling out Nicholas' name.

Quick last thing. I googled the meaning of Vidal and this is what came up. It can’t be a coincidence that they chose that name.

We're all 99.9% certain that Rio is death. But wonder if she can also affect life somehow? Life and death do go hand-in-hand as we know. And flowers are synonymous with spring/new life.

This might be a reach, but the writer's/show runners are masters of layered storytelling and don't do things on accident. I mean Rio being Nicholas's other parent isn't that crazy considering Wanda literally had her kids using her magic and sheer will.

[fangsandfeels]

I've seen the "Non-ascended Astarion ending is bad for him because you have to persuade him to reject the ritual" opinion...

..implying that he never really wanted not to ascend, it's you the player who selfishly forces him to give up on his goal. To prove their point, they state that you can get a good ending out of all other companion's quests without using Persuasion at all, except for Astarion.

And boy did I want to talk about this...

(In fact, everything I wanted to say has already been told in this amazing meta post, but I still gotta ramble)

First of all, Astarion was going through an intense PTSD. The game gave him a debuff to show how badly going back to the place of his torment was affecting him. Larian couldn't make it more obvious that he wasn't thinking clearly.

Second, there is one thing all abusers have in common: they destroy their victim's feelings of self-worth to the point, the victim no longer wants or knows how to ask for help or have relationships outside their abusive circle.

Who would want you like this? Look at yourself, you think you're better than me? You're nothing. Who would want to waste their time on you? You think somebody else would treat you better?

Since entering the Cazador's palace, Astarion is reliving his worst moments. Initially, he takes it in stride, hiding his discomfort underneath performative and emotional expressiveness. He talks about how he spent time in the bedrooms where he never did any sleeping, about the kennels where he was tortured, about the barracks where he was sent to when he "deserved neither carrot nor stick". Bad memories, but he shares them with Tav because he trusts them with his scars already. They might as well know the rest.

But after descending into the dungeon, Astarion starts spiraling into self-loathing at a break-neck speed. He used to think that all Cazador victims he ever brought to him were long gone, drained, and discarded. A horrible, undeserved death, yet the thought of them not having to suffer for too long was a small consolation, one of the threads holding his sanity together.

But then it turns out that they weren't dead. They were turned. Locked away deep underground, alone with their new selves, with the hunger and isolation. They did suffer. All these years, they suffered, buried in this tomb - because of him. Cazador may have turned them, but it was Astarion who brought them to him. And they remembered it. They recognized him. The monster who stole them from their home. The monster who ruined their life. Monster. Just like Cazador.

So, as if his PTSD wasn't enough, this revelation was another blow to his grip on himself, his perception of himself. His confident facade was shattering - and in his head, he was starting to think that Tav's idea of him, of who he is, was shattering as well. He tried to warn them before. He said he couldn't be what they saw in him. Whatever person they believed him to be had never existed - and Tav was finally coming to realize that as they walked through the gallery of his sins, looking his victims in the eyes and hearing out what they had to say. Of course, Tav hated him now. They had to. How could they not?

So, at the end, he is scared. Terrified. He bit off more than he could chew by walking into the manor and thinking he had only six fellow spawns to deal with. He saw their lives as a small price to pay because Cazador made sure to erase any solidarity between them. He made them torture each other and compete with each other. He twisted the very meaning of family bonds to his perverted liking, and he knew that by doing so, he would make sure every single one of them would get a whiplash from anyone trying to mention family in a positive connotation. Astarion takes no issue with getting rid of his "brothers" and "sisters" because he is fully aware that had the roles been reversed, they would have sacrificed him without a second thought. And he was certain that Tav would change their mind once they learned more about his brethren.

But the spawns in the dungeon...All the faces he remembered. All the lovers he lured. They did nothing wrong. They never hurt him. They never tortured him. Their only mistake was to trust him.

The revelation horrifies him. His first response is to be shocked, overwhelmed with emotion - and then he has to remind himself that sacrifices must be made. He feigns indifference. He tries to cover his internal conflict with gallows humor. But his flippant mask keeps slipping as he lapses from indifference to anger, to guilt, to begging Tav not to hate him as his greatest crimes glare back at him and claw at him, shouting out threats and seething with hatred.

He can't bear the thought of dealing with all the people whose lives he helped to destroy. He can't do anything for them. Just killing Cazador won't undo what he did to them. He will never be anything but a monster in their eyes. And this is what he deserves to be. He will always be reminded of what he is.

He has no choice but to do the Ritual.

He has no idea what will happen to him after he is done - he isn't a planner. He has never been. But at this point, he doesn't see his soul as something worthy of preserving - and by association, he extends that to other spawns. He knows it all too well because he remembers how it felt. He dissociates, projecting everything he hated about himself onto Cazador's victims, trying to rationalize why he should live and why they must die while he actively avoids the truth.

Completing the ritual is no longer about being free. Or protecting himself and his lover. It's about running away. Even when Astarion has Cazador at his mercy, he still thinks of running away. Getting lost forever. So nobody could ever hurt him.

A part of him even realizes that it means running away from Tav too. But Tav can leave, he naively thinks, not knowing the full consequences of the ritual. Tav will leave to find someone else, someone better, and he will start everything anew, a king of his castle.

So, of course, Tav has to reach out to him through that thick haze of fear, anger, and self-hatred. Persuasion isn't about strongarming someone into doing what you want. It's not subjugation or emotional blackmail. It's reasoning with someone. And that is exactly what Tav does - reasons with Astarion after watching him mentally struggle, after seeing his genuine shock and fear, after understanding that he isn't fully on board with the idea.

It's true, vampire spawns tend to gravitate toward power, especially if nothing is pulling them back. A vampire spawn is a feared and scorned creature - it no longer matters whether they were an unwilling victim, forcefully taken and turned. They are seen not as an individual but as the extension of their master - and the only natural transition for them is to get on the top of the food chain. The only way to make a name and become treated as something more.

Astarion saw power as the mean to safety and freedom, first and foremost. Ironically, he never planned beyond securing these two priorities. He never saw himself after accomplishing his goals, and it's kinda amazing how people can make conclusions about his hedonism because he misses petty vanities, wants to drink blood from a goblet, and sleep on silken sheets. The man who was held and tortured in the kennels, fed rats, and had to stitch and fix his only set of clothes over and over to keep it presentable, the man who has never felt happy for most of his conscious non-life is called hedonistic for wanting nice things. For still wanting to take care of himself for once.

He wasn't harboring any grand plans, conquests, or schemes. Even his idea of taking control of the Absolute was abstract and shapeless because he didn't care about getting control over the most influential people as much as he was afraid of breaking whatever protected him from Cazador's domination. He never really knew what to do with power aside from keeping Cazador and the likes of him at bay.

The way Astarion behaves in a relationship also speaks tons of how controlling he really is...or how he isn't controlling at all. When his romance with Tav transforms into something real, and he enters a new territory, Astarion is empowered to make decisions and think about what he wants instead of pleasuring others. It's clear that he and Tav don't have sex after they come clear about their feelings. Tav respects his comfort and boundaries, gives him all the time he needs, and lets him take the lead. Whether they will have sex again or not is entirely up to Astarion. Whatever he decides, it won't change Tav's feelings for him. He doesn't have to do anything he doesn't want to do.

Astarion enjoys this new autonomy. He is playful, affectionate, outspoken...and afraid of messing everything up. If Tav mentions breaking up, Astarion thinks he is the problem. If there is another potential love interest showing they have eyes for Tav, Astarion encourages Tav to be with them because he believes they can give Tav everything he can't. When Tav says "I choose you," Astarion is taken aback, needing a moment to hide his genuine confusion at Tav actually wanting to be with him rather than Gale, Karlach, or Halsin.

For all his talks of control and dominating others, once Astarion finds himself with a lover who values his autonomy more than getting power at the cost of his dignity, who makes it safe for him to be honest, and who listens to him, he almost stops mentioning control. He merely lives in the moment, happy not to know, not to pretend, not to manipulate. Just to be.

What Astarion truly craves - not wants on a superficial level, not conditioned to want - is not to be a vampire lord. He wants the freedom to be anything. Anything he wants. Little does he know that true vampires rarely get to be anything they want, even if they gain the ability to walk in the sun -- we see it in his Ascended path as, instead of acting up on his supposed freedom to be anything, Astarion repeats Cazador's rules step by step. Just like Cazador did. Just like Verlioth did. He isn't anything he wants. He is the replica of his former master.

Astarion never had the luxury to explore who he wanted to be outside what Cazador made him. He only makes his first steps once he is free. We see glimpses of that deep-seated aspiration to be seen as a person. Treated like a person. Loved like a person. To be reflected in someone's eyes. He wants to know if there is someone beneath his usual mask, something his, not tainted by Cazador. Someone real. And at the same time, he dreads to know the answer. Because that part of him knows regret. Knows shame. Knows guilt. Confronting it posed the risk of realizing he didn't deserve love, kindness, or a future. What if real him truly doesn't amount to anything? What else for him to do?

So, he tells himself that he has no choice, and he expects Tav to affirm it -- not because he wants them to, but because he believes that Tav has seen enough to make the same conclusion. However, Tav objects, trying to be louder than all the inner demons hissing into his ears. Tav speaks to the Astarion, who asked them what they saw when they looked at him. The Astarion, who thanked them for standing by his side when he said "No" to Araj. The Astarion one who stood frozen in their hug before returning it tentatively. The Astarion who diligently, dedicatedly, caringly kept pulling himself together instead of letting himself unravel completely.

Tav reminds him that this Astarion, right here, right now, is worth fighting for. That he didn't survive all these years of torture, pain, humiliation, and dehumanization to give himself up now. He already has the power to avenge himself, avenge all Cazador's victims. He can end everything right here, right now - and this is the only power to free him. He has the power (and responsibility) of having a choice.

Tav empathizes with other spawns as victims not because they're more "innocent" than Astarion, but because associating with them doesn't brand Astarion as weak or broken. These spawns aren't horrible wretches, and neither is he. They don't deserve this, and neither did he.

The only one who deserves to die today is Cazador - the vampire, the monster, the pathetic piece of shit.

Astarion Ancunin deserves to live.

[spacedace]

Continuation/blurb/snippet from this writing prompt.

It took less than a week to get custody of the Fenton children.

Oswald expected that it wouldn’t take long with his connections, but even that turn around is faster than what he expected. He'd anticipated pulling strings, greasing palms, maybe making some threats, but before he can even think of getting things moving to do so the paperwork is signed and a social worker is calling him to sort out the travel arrangements for the kids.

It's all done local, the judge, CPS, the witnesses and lawyers, each and every one calling the town home. Each and every one pushing the case through at a speed that Oswald didn't think was possible even in the most crooked of situations. He smelled conspiracy, but not - surprisingly - a malicious one.

Amity wasn't the smallest place in the world, but it was small enough. And the Fentons were public figures, though not in the way that Jack and Maddie Fenton obviously thought they were. How long had the people of Amity been watching things go wrong for the kids? How long had they been trying - in their own, limited ability - to help? Long enough to get desperate, seemed to be the answer.

The only resistance Oswald can find as he reviewed all the information he could get ahold of, was from the Mayor - Jazz and Danny's godfather, somehow more crooked than even Gotham's elected officials as far as Oswald could tell - and the Dr's. Fenton themselves.

The Mayor was summarily denied any influence of the case by the judge on the grounds of the long standing and publicly recorded ugliness of Master's relationship with Danny - which was something else Oswald was going to have to figure out. Along with all the…ghost stuff.

Oswald wasn't sure what to make of the ghost stuff.

Honestly he was leaving it for his people to figure out and wrangle into a reasonable explanation to report to him later. It was…something, a big something, and not - as he'd originally suspected upon initial cursory research into the town - a tourist gimmick or an overly high meta population. A later problem, provided he had to co tend with it at all once the children were officially in his custody in Gotham.

The biggest issue had been the kid's parents. Or really, the biggest issue had been the shady government agency backing the kids' parents.

The Fentons were the Ghost Investigation Ward's pet mad scientists. Creating weapons and genocidal plans - against ghosts - and generally tormenting the towns' living inhabitants just as much as the undead ones. The GIW had been protecting Jack and Maddie from any repercussions of their recklessness, and were willing to butt in on an unexpected custody battle in order to keep their maniacal golden geese happily working away.

From what Oswald had heard, a representative of the GIW had shown up to convince the judge to dismiss the case, but the judge had been faster. By the time the men in all white appeared - garish and tacky in their ill fitted, bulky suits - it had been too late of course. The judge had apparently anticipated their impending appearance and had made their ruling and had everything filed tidily late the night before. Courts did not typically stay running til three in the morning, but apparently an exception had been made.

There were a great many things wrong with Amity Park - wrong in a lot of ways they were in Gotham, wrong in ways they weren't - but the people that called the place home seemed to have come to a decision on one thing: the Fenton children were not safe, and unknown or not they were trusting Oswald to get them out of there.

It was strange and a little overwhelming, for an entire population that did not know him to see him as some kind of hope. Some kind of hero.

There were many, many things wrong in Amity Park.

He tried to assure himself when everything was said and done and the kids were packed and on their way that it wasn't his problem. He was officially Jazz and Danny's guardian, in a city half a country away that even with his - nominally- cleaned up act he held a great deal of power over. He was nearly untouchable within Gotham's shadow, and no one from some half-mad town was going to be able to do anything to change that.

He made preparations though, just in case. He hadn’t gotten where he was by being stupid. The Bat could use something to chew on that wasn't one of Oswald's entirely legitimate business ventures anyway. An ethically suspect government agency that was likely to come sticking their noses in Gotham's business sooner than later would do just nicely for that, and might even earn him some kind of grace from Gotham's brooding knight without getting him in hot water with any of the city's criminal element.

All that was left at that point was actually meeting the kids in person.

His kids.

He ignored the strange, bittersweet ache that touched his heart at that. It was, after all, entirely a means of improving his reputation in the city. The kids mean an end. He'd take care of him the same he did all his people, but not any more than that.

It was just business.

If he reminded himself enough, it might even be true one day.

He suspected though, as he laid eyes on them for the first time - shadow eyed and leery, haunted in a way that ghosts couldn't manage and looking not much at all like Oswald outside the fear and the pain he did his best to forget from his own upbringing - that the point of not caring had been passed the minute he'd gotten that first call.

*

Apologies if Penguin is out of character, all I know about him is what I vaguely remember from TAS, what I’ve absorbed from fandom and what I tried to put together from a wiki lol.

I did this instead of sleeping last night because I couldn’t get the initial idea out of my head (which slightly defeats the purpose of making it a writing prompt so that I could just read everyone else’s wonderful thoughts and writings on the idea instead of getting side tracked from my other writing projects - again lol - but oh well).

I don’t know if I’ll write anymore, and as with everything else I post this is open for anyone who is interested to run with.

Tag time!

@phoenixdemonqueen @justgray15777 @gin2212 @blankliferain @meira-3919 @lexdamo @hallowsden @derpygirl64 @thewondersoflebanon @amercurio @vythika96 @my-perfect-storybook-love @apointlessbox

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[simaraknows]

i see your "'does he want to lick my boots or chop off my hands' is a Nicki reference" and raise you "what if Armand's relationship with sex is so fucked that his two modi are total submission and 'don't touch me or I'll chop off your hands' and Louis is still clowning on his trauma" in this essay I will

[buubonita]

I generally have no problem if a writer wants to write Nightmare as someone who cares about others. Its okay. You should write for yourself, and its up to others if they like it or not.

But I'd rather see Nightmare struggle with his own nature in the process. Learning to be better must be a difficult path for him, and I've said before that his "wanting" would not be healthy because of what Nightmare embodies. He can't help but hurt others in his loving ways. And that's much more entertaining to read. How the others react to this attempt and how this could change their dynamic? Would this draw them all closer to each other? I'd dying to see it!

My problem with canon Nightmare is that while the concept is amazing, the execution is not of my liking, the creator said Nightmare is not a person like Dream, he is a THING that acts by nature.

And i have this in mind all the time because you can yet make him move and act conditioned by his nature and do a lot of more of the character by just being "oooh ohh he is so mean!!" Give him an identity to start with maybe? Give him motivations besides his survive? Yeah.

[gummi-ships]

Kingdom Hearts 3 - Le Grand Bristot

[iwritenarrativesandstuff]

Suddenly remembered something I wanted to say re:Akechi, because I think it's really core to his character (at least the way I interpreted him?) and I feel like it explains a lot of his contradictions. Essentially, he is incapable of seeing himself as just a person - he's either the greatest hero/detective ever, or he's some violent monster, and it's like there's no in-between. It's very in keeping with his obvious superiority-inferiority complex, but it goes deeper than that too; when he's in a role, it seems like his self-perception kind of changes too depending on how he is perceived by others. He really does get a confidence boost from being the Detective Prince. He really does shut down emotionally as the Black Mask.

They're masks that he's made, and it's not that aspects of them aren't based in truth to some extent, but I think it goes to show why he's not actually that fantastic a liar (imo, I found the outright lies pretty obvious), but he is a very good actor. He's either an angel or a demon, and never a person, but there are conditions to that. He is an angel when he is perfect - to society. He is a demon when he is vengeful - again, to society. He is never a person, because he never was seen as one - to society. He was disregarded. To be anything of value or notoriety, whether that's hero or villain, he has to be wildly more or less than who he actually is, and he's been building these masks up for so long that I really think he lost sight of the actual person behind it all. And I don't think he wanted to see that person anyways, because that person "wasn't good enough" and I do think he'd rather be anything other than himself. That trickery, that deflection from the person within, in itself brings him pride and satisfaction. He wants to be loved and needed instead of being cast aside, but I also think that if he can't have that then he'd much rather be hated than never have mattered at all. He weaponizes his own loneliness - if he can't ever be accepted then he'll build his own pedestal apart from everyone else.

It's so fascinating too, because I just wonder how much of this he was consciously aware of pre, during, and post engine room. There's this recurring thing with him where he goes "I can only be myself" etc but I just want to shake him because, well, who is that, Akechi??? Or, who do you think that is? Do you actually have an answer? Is it predicated on your actual feelings or solely on your success at fooling everyone around you? Is there any part of you that you actually like that isn't based on a painstakingly constructed mask? Isn't it all mostly lies to deflect from the truth? Isn't it all founded mostly on truth, nonetheless?

It drives me insane. And I think this is a big reason why he breaks so hard in the engine room, because so much of his mask requires his "audience" to perform in a particular way. And here he is, and the Thieves have beaten him, so there goes the first mask, because he's no longer "perfect". He swings wildly into the ugliest sides of him, but this mask is broken too, amidst him vehemently and desperately denying that he has any other emotions than hatred and rage, or any other needs or desires than vengeance. And after that, it's just him. And they should reject him, right? That's what happens. He's not useful, he's not needed or perfect, his hands are stained with blood. But the Thieves, again, don't play the role he expects them to. They, despite everything, relate to him - because he is in fact very similar in a lot of ways and they acknowledge him as a person - not a hero, or idol, or villain, or tool, or unwanted child - but as a damaged teen like the rest of them. And he does not know what to do with that. His identity is intrinsically dependent on getting the right reactions from other people as a form of ingratiating himself - if he does not get that reciprocal reaction he's looking for, his act falters, and, I really do believe that so does his self-perception. That's why you see different aspects of him seep out when he's spending time with Joker, because Joker does not react the way he expects, and Akechi both does and does not like this, because it leaves him feeling both intrigued and vulnerable.

I do think this particular aspect of his character is something a lot of the Thieves don't fully grasp - certainly, I think Joker "I need the mask" Persona 5 understands to a degree, but the sheer degree of reliance and the level of pride attached to it is something that confuses him a little, I think, especially in Mementos Mission. I think the thief that comes closest is actually Morgana, who has a similar superiority-inferiority complex and a desperate need to be seen as competent and useful lest he be discarded. (This is a big part of why the rather lackluster writing with Morgana's arc frustrates me so much because I really do feel it was meant to be contrasted with Akechi's, but I digress.) Morgana is the one to make that emotional appeal to Akechi, which makes a degree of sense - Morgana struggled all along with finding a place in the world. His form leads others to underestimate him; he visually doesn't fit in. He's acting out the role of a chivalrous and cool phantom thief but is more pragmatic with how he views relationships, at least at first. He wants a place to belong where he is appreciated more than anything but his pride won't let him spit it out. Accepting that he belongs and that he is loved even if he really did have nothing of value to provide is a big part of the resolution of his arc. He tries to offer that learned lesson to Akechi in turn ("Follow your true feelings. Even if you think people hate you, or don't want you around-"), but Akechi just wasn't in the right space to listen. There's also an important distinction between the two - Morgana envies humans and looks up to them. Akechi envies humans and looks down on them. Morgana is perfectly happy once he is assured a place amongst the group, but Akechi see-saws wildly between wanting to belong and wanting to be a step above the rest and separating himself further. So while Morgana actually really did cut to the core of the issue, his appeal would never have worked at this point because a) Akechi's pride is dependent on him maintaining his solo act, and b) he just got outed as not actually hating Joker in front of seven other people including Joker himself lmao.

So, uh, sorry, Morgana. Points for trying.

[starcurtain]

I think Alhaitham's views on gods and his dynamic with Nahida in particular is probably one of the most underrated comedic elements to come out of Sumeru.

This guy put together an entire crack squad and master plan to rescue a god while being the Genshin equivalent of an atheist. "Yes, obviously archons exist. But so do sharks. Both of those beings have their place in the ecosystem, and if I had to pick one to piss off--"

Like, does he believe in the dendro archon? Yes. But is he going to listen if she denies his paid vacation request? Absolutely not.

Bro is selected by name to come discuss important matters with his nation's deity in her sanctuary, and he's just like, "Oh, I ran into Nilou there once. That was cool."

Raised to the highest possible position available in his nation's government by the deliberate selection of his god? Resigns.

We know that Nahida still calls on Alhaitham when Sumeru is in need of defending from nefarious parties, and sends him out with Wanderer to kick ass and take names. Now that they've forgotten Rukkhadevata and the Akademiya's ploy to imprison Nahida has been foiled, most of the people of Sumeru would be floored by the honor of being called upon personally to aid the great dendro archon. Staggered by the fact that the lord of wisdom herself finds them worthy! But Alhaitham? He just goes home. Kaveh asks him what he was up to all day. "Hm. Nothing of note."

Everyone else, upon receiving the recognition of a god: My life has been changed forever. I will be telling my great grandchildren of the day I received such a blessing!

But for Alhaitham? It was Tuesday.

Criminally underrated comedic potential. CRIMINAL.