#and i'm like no i actually don't care for anyone perceiving or being perceived in this context

[mossbabie]

⏰

[0alix0]

Rook's backgrounds make no sense or gatekeeping is good, actually

It's didn't sit well with me ever since bioware admitted that all 6 background for Rook can be played by any race you choose

Looking back at Origins it's clear why most of the backgrounds were race-specific. Not only it provided a better understanding of the separate cultures (you wouldn't really understand what dwarfs are about if you were able to play as a surface dwarf commoner) it also established the rules of the world (elves are opressed, you can't become a queen/king cuz the nobles will riot, humans colonize them and inforce their religion and rules on everyone, dwarfs are considered weird)

Now, looking at the veilguard, I can't help but ask:

How can a fully grown dalish with vallaslin be a crow? They buy slaves as a way to get more assassins, usually elves, children, so they could easier ruin their psyche. why the hell would a dalish stand for it?

How can a qunari be a Gray Warden? Wardens don't discriminate, sure, but this far, we haven't even heard of a qunari warden. Rook should be a legend, Rook should be questioned at actually being a warden by NPCs, OR sit in some Warden outpost and being studied by their mages, because no one actually knows how Blight and joining might work with Kossith body instead of running around with Varric.

Veiljumpers were organized by dalish, right? Then why in the world would a human be allowed to join? How and why did they change their minds to accept literally anyone, even if it's a potential threat/thief(Morrigan)/zealot/etc..?

How can a dwarf, someone who isn't even connected to the fade be a Veiljumper?

How can a dwarf be a part of the Mourn Watch? A Mortalitasi, an exclusively MAGE order? What can they even do?? Preform a non magical mummifications with herbs and salts like Egyptians did? Sweep the mausoleum? Be some sort of a funeral organizer/lawyer/genealogist? That could've been really interesting if only the game actually bothered to say anything about it. It did not

"Well it's up to your headcanons!" then why make the backgrounds in the first place??? They don't matter anyway!

I mean, obviously it was just a way to promote the game to older fans. Look, the backstories! The thing you've been craving for is back in game! Only they forgot what actually made them so great. The most important part. They mattered, they created a basis for my character. They gave them families, connections. They changed the way my character is perceived (elves in general) and what they can do plotwise (become a monarch/paragon).

I don't fucking care if 3-5 NPCs might have some additional dialogues for me, cuz they don't matter anyway. I don't even know these people, i never met them before, my character did, but I didn't. And now I don't care enough to know. like, i'm playing as a mourn watcher, but before going to Nevarra i barely knew anything about them, and what i know now is still rather surface level shit

Let alone the fact that all the backgrounds are practically the same. You pissed off some influencial people by doing good and was send away. Bravo.

........if this post gets one like I'm writing my own ideas for DA4 protagonist's backgrounds

[lenalvthor]

hey i have a fucking bone to pick with sapphic fandoms

like, i get it okay. i've been on tumblr since 2011, i was in the trenches during the bury your gays nightmare, i grew up on buffy, i watched the 100, i've been through the furious and devastating queerbaits, and i've watched helplessly as the boom of proper progress with sapphic rep has burned and disappeared with the faults of the industry as it is rn and the resurgence of bury your gays in the form of tv cancellations

i even did a fucking guest lecture for a film & tv university course a couple years ago on all of this

we joke about the fact that queer (specifically sapphic) fans flock to any show with the barest hint of rep in it because we're so starved for it, and we talk about the fact that if nothing else, that proves that there's a market and an audience and it usually creates a huge wave of viewership and attention for the show

but i need to fucking point out: acting as though a show exists for the sole purpose of the sapphic relationship you've started watching it for is fucking detrimental to how you'll perceive the show, how it'll get talked about in fandom spaces and then beyond that (bc the line between fandom spaces and wider online discussion of media is a lot thinner than it was ten years ago) and isn't actually going to do any good for sapphic rep! like, at all! because guess what! unless you're watching a show where the entire storyline revolves around romance, this couple you're watching for ISN'T going to be the centre of the story! it's a part of it! and there's such a weird fucking entitled toxicity to how fans act around brilliant storytelling and worldbuilding and writing and characters throwing tantrums about not getting more screentime for the relationship they like because they don't actually care about any other part of the story. and the thing about people who watch something solely for a ship rather than the wider story it exists in, is that a lot of the time, you'll fundamentally misinterpret the characters and their dynamic because you're not taking any of the wider context of the world and story into account at all.

and yes, of course i'm talking about agatha all along in the immediacy. because we knew a long, long time ago that billy maximoff was gonna be an integral part of this story, long before we knew anything about what the vibe of this show was gonna be, long before anyone even had the tiniest whisper of rio's existence. the same way wandavision was monica rambeau's origin story even though the show was wanda's, we suspected that agatha all along would be billy's/wiccan's origin story even if the show focused on agatha. and you know fucking what. that's good fucking storytelling. this show is smart, it's funny, it's curious, it's campy, it's queer, and it's ensemble. that's always been the point. agatha and rio were a delightfully unexpected part of it that added such delicious tension and phenomenal sapphic rep, but you know what else! the point of that dynamic is to flesh out agatha's character! this show isn't about agatha and rio! it's about agatha and billy, who they are, how their pasts and their magic are connected, their traumas and their power and how the road shapes their futures! rio is a part of exploring agatha's past, and it's phenomenal, but i am so fucking bewildered by the ridiculousness of people's reactions to billy now having a bigger part in the story and there being less focus on agatha and rio. you do know that you write scenes and characters and stories in a way that makes sense right? that because of the nature of this show, even if we don't get more than a handful agatha and rio scenes for the rest of the episodes, they're both still sapphic characters, this is still wonderful sapphic rep, and this show is still very, very queer?

like, it's obviously not fair that we have to beg for scraps to have queer shows to watch. but that doesn't mean that any of us get to do such a fucking disservice to the people who make amazing shows and fight to put sapphic rep in them within the contexts of the stories they're telling by whining that it's not enough. what we're getting with agatha all along, what kathryn han and aubrey plaza and jac schaeffer have said with such grace and nuance and intrigue and depth about agatha and rio's relationship, is so fucking rare! and it's nestled within a story that's got so much other intricate storytelling that makes agatha and rio richer characters when you actually pay some fucking attention and care about who they are outside of their sexual tension!

and i'm saying this because this is an issue i see with So many other shows, where the worth of a show gets boiled down to fandoms wanting content of their ship and nothing else and then poisoning the conversation and reception around what else it is that show is doing with its story. idk get some fucking media literacy, grow up and respect artists and creatives.

[psychoticallytrans]

There's this idea, fairly common in society, that mental illness is for teens and up. Children are happy little creatures, generally, right? Sometimes they're abused and the trauma can make them mentally ill, but that's not common.

There are two fundamental problems with this attitude. One, it's incorrect to assume that trauma is the only reason a young kid can be mentally ill. Two, trauma is more common than people think. I'll be covering the first problem in this post through the lens of my particular experience.

Where I live, you can be diagnosed with bipolar disorder at 18 years old. You cannot be diagnosed with bipolar disorder as a minor. This poses a problem because my age of onset was in first grade, roughly six years old. Because of the fact that I was very young and new to the world, this was also the age of my first suicide attempt. Thinking I wouldn't be able to pass a spelling test genuinely felt like something worth trying to die over. So, I ate some hemlock, since I'd read about Socrates being killed with it. Luckily, I ate western hemlock, an unrelated species, and just felt kind of sick.

I'm not recounting that for fun or pity. I'm recounting it because children with mental illness are in genuine danger because they have little to no experience with managing their emotions, have little to no concept of the idea that their life can change and improve, and are dismissed by adults. I told a teacher that the test made me want to die, though not that I'd attempted to, and it was brushed off as little kid hyperbole. If I had used a method that was effective rather than one I thought would be, I would have been dead at six years old.

I would not receive medication that worked even a bit for another two years. I would not receive treatment for bipolar disorder specifically for ten years, and that required my PCP fudging the reason for the medication because she was afraid I would die if she didn't, and diagnosis was still two years off at minimum. I received a formal diagnosis at age 19, thirteen years after onset.

But surely that's uncommon, right? This story is a huge edge case, right? I actually have no idea, because age of onset and age of diagnosis are massively conflated for most disabilities. Policies like the one in my area that restricted bipolar diagnoses by age can artificially raise the age of "onset", in my case by thirteen years. The general idea that children are somehow immune to mental illness can also delay diagnosis by several years, perpetuating the idea that young children can't be mentally ill. The data on when people start experiencing mental illness is inherently skewed upwards, and I frankly don't have a good estimate on how bad that skew is. If anyone does have that data, please chime in.

Listen to children. If they're saying they're sad all the time, that they don't care about anything, that they don't see a future for themselves, those are signs of depressive symptoms. If they say that tests make them feel sick, that they can't do anything because they're scared, that they can't breathe and freeze up, those are signs of anxious symptoms. Many children talk about imaginary things, and that's just fine, but slip in a question or two about them to make sure that the kid is just playing, and not experiencing psychosis.

Children are new to the world and vulnerable, and they don't know what's normal and what isn't. They need people who are more experienced watching out for problems they might be having, and listening when they talk about having problems. If you can, try to be the person who perceives them, and tells them that things can be better.

[chuluoyi]

✎ protect

- gojo satoru x reader

the word “protect” now means so much more to him

genre: soft and playful gojo, sugary dump fluff, pregnant!reader

note: anyone craving some soft gojo? :3 based on a suggestion by an anon who needs a soft gojo a while back, thank you!

a part of gojo's love entries

general masterlist

When he was 16, Gojo Satoru thought that protecting other people was a pain, and didn't take it seriously.

Later, when he realized that even non-sorcerers deserve to live their lives in peace, he dedicated himself to becoming stronger so that he would be capable to protect them more. However, even then, he didn't perceive their worth as significant.

But when you entered the picture, that measly, glorified word suddenly became so much more.

Usually people would only care about whether he had succeeded his mission or not. His formidable reputation as the epitome of strength means no one is genuinely interested in his wellbeing—no one after Suguru, to be exact—until you did.

After a whirlwind romance of attraction and banters, Satoru reached the conclusion that he wanted you, the only person left who actually made him feel like a human, to stay happy and safe. He would do it with his own hands, even if it meant reshaping this cruel world to be kinder for you with him as your shield.

And the word “protect” gained an entirely new meaning years later, when he rested his head on your swollen belly—the place where his new cherished treasure was growing.

“When will he come out~?” he asked in a whiny tone and a blissful smile, even though he clearly knew the answer.

You shook your head with playful resignation, unable to conceal your smile. "In three weeks. Now help me get comfortable, you dork."

He helped you turn over and fetched a pillow to place under your aching spine. Then, with a mischievous grin, he lightly poked your belly with two fingers, eliciting a yelp from you.

"Don't poke me! You're poking your child!"

To that, Satoru merely threw his head back and snickered like the dumbass he was. He then tenderly rested his hand on the taut skin of your belly, gently massaging it, smiling with ardent happiness.

"Can't really believe it," he sighed, brimming with the purest sense of contentment. "A mini Gojo, huh... You're really doing a honorable work."

A child of his and yours. He had always wondered how he would be after seeing him firsthand—would he laugh just like he had been doing now, or will it be the first instance that move him to the point of shedding tears? One of the reasons he eagerly anticipated his son's birth was just to discover how he would react.

Seeing the weight of his baby growing within you, making you rounder and fuller, stirred a deep well of warm emotions in him with each passing day though.

"I am," you retorted cheekily, rolling your eyes. "In fact, you should be revering and worshipping me for carrying your spawn."

He merely hummed in a childlike manner, feeling his baby move around under his touch. You were about to roast him again with something funny when he leaned down and planted a kiss on your tummy, whispering to it.

"Please come out already~ Papa wants to meet you!"

Your heart swelled with warmth at that moment. Gojo Satoru was many things, but he wasn't typically known for his softness—he was often seen as this all-perfect being, and so witnessing him acting purely on his human emotions brought you a sense of happiness.

“Who do you think he’ll take after?” you mused.

“Hmmm. Me, obviously. He'll be hot just like me!” he quipped proudly, and you playfully smacked him on the arm.

Satoru caught your hand and kissed it tenderly amidst his grin. "But I want him to have your personality. I'd hate to see him be a show-off."

"So you do realize that you're actually a menace."

He laughed out loud, patting the generous swell of your belly again with a smug look on his face.

"I know, but I'm your menace, and that's all that matters."

And when his adorable son was born less than three weeks later and you passed out due to sheer exhaustion, Satoru vowed by everything in the heavens and the earth that he wouldn't spare anything to protect you and his child from this curse-filled world.

Epilogue - on the night of the birth -

“Satoru—” you panted, grimacing, head jerking back as your womb throbbed and pulsed in order to bring forth your child into the world. “I… feel like I’m going to faint…”

Worry etched his face as you leaned on him. “Hey, hey… Calm down sweetheart, relax and catch up on your breath, okay? Don’t worry, he’ll come out soon.”

Somehow his words rubbed you the wrong way.

“Hahh—this… is because of you! This happened because you shoved your stick into me! You horny bas—aahh!”

“Well, hey! Last I remembered, you begged me to put it into you! And I'm not—pfft—”

“Then what are you?!”

“Hmmm, nothing but a man who got you pregnant, sweetheart~”

“If I bleed out and die, it’s going to be your fault, you evil, wretched sorcerer!”

[moonreader1010]

Pac- what are you known for/famous for 💋

Note- 1. The pictures used do not belong to me. All rights go to the owner. (2) This is a general reading for entertainment purposes so take what resonates.

Pile 1. Pile 2

Pile 3^

Pile 1- He said, "You bad, Nicki, " I said, "Thanks, sir" (thanks, sir)

Stay in some fresh prints, Ashley Banks, sir (banks, sir)

Call me A.I., sir, I'm The Answer (Answer)

I'm in the playoffs, sir, I advance, sir (advance, sir)

okay so I feel like there is soo much masculine energy (not to be confused with being a male) . It’s more like your energy is veryy dominant and assertive. This is how people perceive you. You are this untouchable personality to other’s. You are perceived like a perfect leader who can deal with literally anything that’s thrown at them. You are also known as someone who is very stable. And people know you as someone who can control anything. Due to this, there could be many people who come to you for support. You might have a rags to riches story (or might have this in the future) and this will influence greatly what you are known for. This will be your trademark like you will be known as someone who went ahead and built their own empire. You will be also known for you financial success. You are also known as someone who is very wise and compassionate.

Channeled/above mentioned song- sir by Nicki Minaj ft. Future

Pile 2: "Ayo, just last week I told 'em to pick a side (side)

I bust shots, don't duck if it don't apply ('ply)

Bae out in Paris, he told me to pick a ride (ride)

Sike, made you look, I still didn't pick a guy

I'm the trophy of the game, everybody tryna win me (win me)"

What’s with so much earth energy?? Lol. Anyway, before I even started shuffling the Cards I felt like you have a lot of jealousy surrounding you. Especially by women. Like you just get hated for no reason at all. So yeah. You could be known for being praised or being awarded a lot. Like it’s not even necessary that you actually get praised or awarded. There could be someone else getting the same things as you but no one would bat an eye but when you get those exact same things than everybody is protesting and being all jealous and bitter. And you know, when it comes to you then people only notice your success and achievements but they literally refuse to acknowledge the actual efforts that you were putting behind the scenes to get all that. They are almost blind when it comes to your efforts. Due to this, they could see you as someone who just gets stuff and gets a lot of opportunities. They might start rumours to ruin your reputation too. Despite this I can tell that you are known as someone who is fun. Like you know how to enjoy yourself. This makes these haters sooo mad omg keep it up. You could also be someone who speaks the absolute truth. You don’t really care who you are speaking against because for you if something is wrong then it’s f*cking wrong. You could also be known for your financial decisions like investments and stuff. And also the way you notice every detail.

Channeled/above mentioned song- hard white by Nicki Minaj

Pile 3- I don't want no drama

I just wanna be your diamond, babe

Guaranteed to be a problem

Every time I get around you, babe

I just want you to need me

You are known as someone who has been through a big event and that event has totally changed you. You could be someone who USED to compromise or let anyone walk over you but now you know your worth and won’t let anyone play with you or you heart. You are known as someone who is very difficult to approach as you keep your heart safe and hidden. Karma could have a lot of significance for you. You are known as a very balanced person. You are also known as someone who can’t tolerate injustice. You are known as someone who is dangerous and people shouldn’t message with you. People see you as someone who is very very brave. And they might see you as someone who is still looking for the right people to let in. You might have been overkind at some point in your life and people took advantage of that. I just wanna give you a hug so bad. But now you people think thrice before even considering using you or your kindness. You are also known as someone who is very independent.

Channeled/above mentioned song- favourite by Nicki Minaj

[juicedaloe]

Mithrun and brain damage

I'm not sure if anyone is interested in this, but I wanted to make a post talking about why I think that Mithrun has brain damage from a traumatic brain injury instead of him being a representation of other neurological disorders or mental illness. I'm not that involved in the dunmesh fandom so I don't know how common this headcanon is, though I've seen a few people mention it here and there.

This is just my own opinion so if you disagree then that's fine. Some of this is just speculation and I can't say what Kui's intentions were. This post isn't meant to be that serious. I just wanted to talk about it and hopefully inform about how brain damage can affect some people in a way that I hope is interesting and relevant.

This will be kind of long because I like to talk so it will be under the cut. Apologies for the length and how much I ramble. Feel free to give input especially if I got anything wrong or if this is too confusing.

Okay let's go

Traumatic brain injury (TBI) is incredibly complex. The long-term effects of a TBI include a wide array of symptoms. Each injury is different, and some people can completely recover rather quickly while others can become permanently disabled, even for seemingly "minor" injuries. What I'll cover here isn't a definitive representation of the experiences of all those who have long-term effects from TBI, nor do I speak for everyone with brain damage.

Here are some long term symptoms relevant to this post:

Alexithymia (inability to process and name emotions)

Inability to process and name physical perceptions

Mood swings and emotional regulation difficulties

Communication difficulties

Social impairment

Apathy about caring for oneself

Lack of motivation

Alexithymia and inability to process physical perceptions

This one is rather obvious. While Mithrun is shown to feel emotions and have physical sensations (for instance, describing his location when he gets lost in the dungeon as "a cold place"), he is also apathetic to how this affects him. This means that his physical and emotional perceptions are reduced in some way. He says that becoming lord of the dungeon will leave someone "empty", showing he is aware of his dulled emotional state.

A good example of this is can be seen here in a bonus comic where he doesn't give much of a reaction to burning his mouth on hot food.

(I love these two a lot, by the way. Pattadol is really under appreciated.)

He is also not able to recognize bodily signals, such as hunger or when he is tired. Despite collapsing from exhaustion and not eating for long periods of time, he still insists he is not tired or hungry.

Mood swings

Mood swings in combination with alexithymia can be an especially disorientating experience. Those who struggle to perceive their own emotions can still feel them even if they don't know how to recognize it.

Individuals with brain injuries often experience drastic mood swings, particularly anger. To those around them, they can appear to go from 0 to 100 in an instant.

This is more speculation/headcanon on my part, as the strongest emotion Mithrun has for most of his appearances is anger. However one could interpret this as being unrelated as he is seeking revenge for a traumatic experience.

Communication difficulties and social impairment

Not only can naming personal experiences be incredibly difficult with a brain injury, but other areas of communication are often affected as well.

Mithrun is not able to set boundaries for himself even if someone is doing something he would not actually want them to do, which can leave him in a vulnerable position.

People with brain injuries can sometimes have a paradoxical experience when it comes to communicating with others. They can go from being very quiet to speaking at length about one topic, seemingly without regard for the importance of each bit of information. (I see it like Newton's first law of motion. It is hard to start speaking and it can be just as hard to stop.)

I really like this aspect of Mithrun's characterization. Usually, he is very quiet because he has no reason to speak. However, once he starts talking he is shown to be overly specific and goes on for long periods of time. Kabru has to spend multiple days figuring out his story.

In a side comic, Kabru tells Mithrun he should condense some of the personal details that Kabru finds irrelevant to the topic of the dungeon.

Mithrun shares many details about himself because his desire not to do so is gone. This mirrors the experience of many people who have brain damage to overshare and not understand how their words will come across to others. Sometimes they say or do things that are insensitive or inappropriate for the situation.

Caring for oneself and motivation

In the dungeon, Mithrun becomes reliant on others for self care. He also seems especially incapable of motivating himself to take care of his body when he is particularly focused on his goals.

In these panels, thus far he had been fairly receptive of Kabru trying to take care of him. However, he could sense that the demon was close and was too focused on that to care to eat.

Refusal of care and treatment is often an effect of traumatic brain injury. This can be for seemingly no reason, even if the person knows that this will help them. Sometimes people will lie about receiving treatment or doing things to take care of themselves, either so they can avoid it or avoid having someone take care of them.

He knows that eating regularly and not pushing himself too much will help him - he's been told multiple times on-screen - but he still has to be continuously told by others to give him that motivation to take care of himself. He's very apathetic to his physical state, even if it seems his only desire is for revenge and he should be doing anything he can to achieve that.

Other things of note

I wasn't sure where to put this, but while Mithrun's sense of direction is speculated by Kabru to be left over from his time as lord of an ever-changing, confusing dungeon, having poor sense of direction in the way he does could also be indicative of brain injury as well.

While the dungeon is confusing and illogical, he is known to have a poor sense of direction and to get frequently lost by those around him, even trying to exit an entrance he just came through. He is shown to be very intelligent, but memory is greatly impacted by brain injuries which affects a person's sense of direction and location.

Something that really stands out to me about Mithrun is how much the things that help him are particularly helpful to those with brain damage. He is physically capable of performing tasks, but he needs an outside source to remind him and get him started. He relies entirely on routine, and when that regularity is taken away he shows extreme difficulty taking care of himself.

Sometimes, the care that some people need is simply someone else to encourage them or to tell them when to do things. The care that he needs is pretty consistent with a person with a brain injury who does not need a full time caretaker and would prefer to have some independence.

Also, healing magic is specified to not work with brain injury unless the person is killed and revived. Mithrun had not been revived after his injuries, so it is entirely possible for him to have sustained a TBI. I don't think this matters that much because one is still allowed to have headcanons even if there is a magical explanation or isn't really possible in canon, but I thought it was an interesting detail.

In conclusion

Because of all this I don't believe that his lack of self care is due solely to mental illness. While mental illnesses like depression or PTSD can cause a decline in self care, the reasons why the affected individual is avoidant of these tasks differs. These disorders can also cause cognitive difficulties and emotional regulation issues, but not to the same extent or in the same way that brain damage would. I think that he does have both depression and PTSD (both are common after a TBI) but those are not his only disabilities.

And on a personal note, I just think that having a character with brain damage is really cool. Most of the time I've seen it the characters are not given very much respect and they are treated as comic relief and a joke. Regardless of whether you agree with this post or not, it is still nice to see a character with a disability like this.

Thank you if you read all of this. I hope it was easy to understand and I did not ramble too much. I don't have anything else to say but I've been wanting to write this out for a while.

Okay bye

[as-if-and-only-if]

the thing that I've got to say is that it really is ethically straightforward that you should vote Harris.

it's not even a trolley problem, it's a trolley triviality. I don't want to use the meme because it seems disrespectful to use those specific images of MS paint people when these are real lives we're talking about.

The analogy itself is serious, though. it looks like this:

the track diverges at the lever; many people are on lower track, while no one is on the upper track. then: the tracks re-converge and continue, and there are people on the track after that convergence.

The point is that the lever—the vote—can be used to prevent those lives on the lower track from being lost, but cannot save the lives lost after the re-convergence.

it differs from the classic trolley problem in an extremely important way: there isn't anyone on the upper track. as such, it's not a question of "who do we save?"—it's only a question of "do we save the people we can?"

(I need to emphasize, because many on this site have long shed the shackles of reading comprehension, that this does not mean that no one dies as a consequence of U.S. or presidential policy choices in a vacuum. It means that your vote cannot prevent that, but your vote can prevent strictly more people from dying, with no trolley-problem type tradeoff of "who do we choose to die".)

~~~~~

you might think that this is abstracting away too much of the real situation—but it turns out it's ironclad.

to see that it is, and reconcile it with reality, we have to ask: what is not modeled by this analogy? where might it fail?

this amounts to asking the question: is there a benefit to killing the people on the lower track that makes doing so "worth it"?

that is: what justification might you have for saying "yes, we actually need to let those lives on the lower track, the ones we could save with the lever, be lost"?

and the answer—as you might have guessed—is that there is no such justification. no peculiar fact about voting means that you should let those people die.

~~~~~

so why do some people—very passionately—insist that not voting is right? I'll survey a few of the most common attempted justifications I've seen, such as:

"I'm not going to vote for less genocide." This is obviously equivalent to "I am totally fine with more genocide!", a truly horrific stance, and yet I have seen it nearly verbatim from so-called "leftists" a few times. My guess is that this usually stems from a kind of perceived moral contamination: a feeling that a "vote for" a candidate is a moral alignment. This is artificial; not real; not consequential. A vote only makes you responsible for the difference between the two tracks while they diverge. Touching the lever doesn't make you responsible for the track. Choosing between these two outcomes is all voting can do—and because voting for most is easy, and doesn't stop you from doing anything else, there are no trade-offs. No "I'm not at the lever, because I had to work on another way." (If your vote is suppressed, that's another story—but this doesn't imply a general anti-voting stance.)

Ironically, some who aren't voting feel they are "keeping their hands clean", when they are in fact actively increasing the chance of more death and suffering. This is kind of the definition of getting your hands "dirty"; it just doesn't feel like it because they're not touching a voting machine, which is kind of just magical thinking. it's not a point not made frequently enough, I think: what some think of as "doing the right thing" here is very much doing the wrong thing, with respect to their own underlying values of right and wrong, and with respect to what they say they care about. those who claim to have the moral high ground by not voting do not actually have it at all.

On that note, some people (fewer, though) seem to think that touching the lever does make you responsible for the track in a real outcome-based way. That somehow, voting lends "legitimacy" to the track, and that by not voting, we are maybe creating a future with no people on tracks. This is just not true; a dangerous fantasy that asks you to sit back and wait for a utopia that's not coming. There are enough voters in this upcoming election that that institution is not going anywhere anytime soon; you'd need a coordinated movement of not voting plus plans for what to do after the state has lost legitimacy, and that is just...obviously not here. To think otherwise is to live in that fantasy, and so to abandon ethical thinking at all, as ethics comes first from a confrontation with reality. you cannot act ethically without acting practically. However: the margins are thin enough that a few people deciding to vote (who wouldn't otherwise) could actually change the outcome. You can actually save the people on the lower track.

Some people think that the tracks never separate at all, or that the same people are on each, or that one way or another, Harris and Trump are "the same". If you think this, please look beyond tumblr "leftists" for facts here. You've been bombarded with all and only all the bad stuff about Harris (not arguing with most of that—though there are misconceptions, e.g. that Biden/Harris provided no protections for trans people); but you haven't seen how much worse Trump is on every single one of those cases, issue for issue, including Gaza. If you think Gaza can't get any worse, you've essentially written everyone still alive there off for dead. Likewise for any group who would suffer more under Trump. Needless to say—don't do that. The comparison—the difference between the diverging tracks—is all that ethically matters when deciding whether to flip the lever or leave it alone.

Some people think voting is primarily "speech", a means to communicate (or worse, merely express), and probably do not realize that this means they think the outcome of "sending a message" (which would do nearly nothing in real terms) is worth killing the people on the lower track.

Similarly, some people think that it's meaningful to "punish" Harris or the dems. (Truly, putting punishment over the cost in lives and suffering is the most horribly american thing to do here.) Some people just want the feeling of punishment, of blame; some people try to excuse their actions in advance ("well, if the dems lose, it will be their fault"), conveniently omitting their own agency in voting, and thus excusing them from the practice of acting ethically at all. Some people think that punishing the dems will actually push them left in the future, to which I say: you don't have a good reason to think this at all, based on history. Parties go where the winning is. And if you do still have a hunch to the contrary, I am sure you don't have a good reason to be reasonably certain of it. This means that you are paying for a gamble, a mere chance, one unsupported by fact, with the lives on the lower track. You can find another way.

~~~~~

Let's be concrete for a moment.

Since this is about difference, let me gesture to a few obvious differences between Trump and Harris: LGBTQ+ rights, Gaza, climate change, mass deportation of illegal immigrants, education, voting rights (and, yes, democracy), the economy, housing, the long-term future success of leftist movements and activism (much more difficult under Trump, who, no joke, has said neatly verbatim he wants to use the national guard and military to handle the leftist "enemy from within", and who can now do so thanks to the supreme court's ruling on presidential powers), everything Lina Khan and Deb Haaland are doing, etc.

And before you respond with something bad the dems or Harris are doing with respect to one of these—I know. Now compare it to Trump on the same issue. That is the only thing relevant to acting ethically in this brutal, tightly-constrained situation.

For example: Harris doesn't want to ban fracking or reduce oil consumption (bad), but wants to fund renewables, stay in the Paris agreement, strengthen climate initiatives in general.

Trump wants to completely gut funding for renewable energy, withdraw from the Paris accords, dramatically increase oil consumption, commercialize NOAA, weaken the EPA, and so on.

We don't get neither. A vote for none is a vote for "worse is fine by me". We are handed the terrible task of making one of these work, and any person actually, practically concerned with that would choose to try to make the Harris version work then spend precious resources fighting the overwhelming tide of the Trump version.

Only someone who does not actually care about these issues is okay with letting Trump in.

Unless you are capable only of black-and-white thinking, unless you can write off the lives in the difference and convince yourself this is ethical, you can see that letting Trump in only lets more lives be lost, and does not reduce anyone's suffering. No trolley "problem". No trade-off.

Voting Harris is not moral alignment. It's not unconditional support. It is maybe the most conditional action you can take: there are only two real outcomes. One not only has more people, as in a trolley problem, but also results in the death and suffering that would result otherwise.

~~~~~

So there it is, spelled out in the most painstaking detail I'm willing to give to a tumblr post: a few of the failure modes of reasoning that lead to not voting. Often simplicity is too simple, a meaningful departure from reality, but in this case the opposite is true: the simple argument

There are two possible outcomes: one of them eases no one's suffering and creates a great deal more. Therefore choose the other, instead of allowing the worse one to come to pass.

—stands up ethically in this case to every sublimation of righteous anger into misguided action.

And I am not using "righteous" sarcastically: it is right to denounce the Biden/Harris admin on Gaza, it is right to denounce the dems on not doing enough for climate change, etc. But that is not the question being asked by your vote. Do not give the right answer to the wrong question.

The question is only: Harris or Trump? Which outcome should happen, now, in the real world, when it's one of exactly two, when "neither" really, truly isn't an option?

If you do not vote, what will your answer be to the people on the lower track? I am sorry; I dreamt nobly, of no track, no lashings at all. No, I was not kept from the lever. It did not even compromise my dream to push it. Still, I just couldn't bear to touch it; still, you had to die, to save me this discomfort.

acting ethically does not always feel righteous. it is not always a release valve for righteous anger. it does not always feel like progress; sometimes it is only the prevention of catastrophe. it is still ethical. it is still necessary. vote Harris. vote to save the people you can.

[cheeseceli]

Sides of SKZ they only show around their s/o

Pairing: ot8!skz × gn!reader (individually)

Genre: fluff and maybe a little bit of angst

A/n: idk if that makes sense and I'm sorry if it happens to be repetitive but ! I liked to write it so yeah. As always, not proofread

Bang Chan - He's Reckless

Being the eldest sibling, eldest member and the leader of stray kids, Chan became pretty much a parental figure for many. He's always looking out for everybody, making sure everything is okay and dealing with any problem. Don't get him wrong, he loves his job and the people in his life, but sometimes it's exhausting to take care of everything. When he met you though, everything changed. He feels that he can let go. He can be reckless and ask for attention some times. Because, for once, there's someone taking care of him.

Lee Know - He's scared

Usually, he is a confident and even cocky guy. With you though, he is scared. Scared that he might lose you. Scared that his job or personality might scare you. Scared that someone out there is better than him and you'd soon find out. He can't bear to lose you, he doesn't want to imagine a life without you in it. So he'll fight each one of his fears if that means you'll be with him till the very end.

Changbin - He doesn't care

I feel like he always wants to give people the right impression. He wants to say the right thing, behave the right way and hope people will be always satisfied. But suddenly he doesn't care that much anymore. Because he already managed to impress you and you're more than satisfied. Above all of that, you love him. People's opinions are not that important after all.

Hyunjin - He's aware

Always an artist, he knew how to appreciate the beauty in the world since a young age. But since he fell for you every moment seems like an epiphany. The autumn leaves are beautiful, falling with grace. The old lady talking to a kid brings tears to his eyes for an unknown reason. He realises how the breeze is refreshing and how he loves you dearly. He thinks for a second that maybe you're the one who brought life to this world, and he is so happy that he can see all this beauty when he's with you.

Han - He doesn't think

Most of the time, he's too self conscious about his actions and his words, like he needs to be super cautious with everything. Self doubt and overthinking is part of his routine at this point, except when you're with him. You're his safe place. Whenever you're with him, he just does or says whatever he thinks and is never scared you'll judge him, because he knows you never would.

Felix - He's protective

He has a kind nature. He usually doesn't look up for confrontation and is always gentle. But then you came to his life as the most precious treasure he ever saw and now he wants to protect it. Because you're the light of his life and he'll fight anything and anyone if that means you'll be safe. He would happily be your knight in a shining armour if you asked him.

Seungmin - He's vulnerable

Most people only see his "mean" personality or how he doesn't show a lot of affection towards others. We all know he actually is really caring but when it comes to you he's also vulnerable. He doesn't care if one can perceive him as "weak", and he's not scared of oversharing by accident. When he's with you, he's made of glass, but he doesn't mind as he knows you'd never break him.

I.N - He's perfeccionist

You're the best thing to ever happen to him and he is aware of that. He wants to give his all to you and he wants you to be treated like royalty. So he is always trying his best to make sure you're treated like one. He always wants everything to be perfect, because he believes that perfect is still so little compared to what you truly deserve.

Feedbacks and reblogs are always appreciated!

Dividers by @cafekitsune

[flightyalrighty]

…I find it lowkey weird when someone says Sonic is bit of bully or mean in your comic.

I know you have him take after Archie and Fleetway, but he feels normal to me?

Or is it because I grew up with Sonic media that had him being abrasive that I got used to it..?

This image of being this -perfectly nice- hedgehog that people get from him kinda makes me wonder constantly, do you know how he was back then?

Would you perceive him the same way if you gotten to known him a bit later excluding the older comics?

SEGA has kept a few things consistent with Sonic and one of them being he was always this dude with an attitude. for better or for worse. That didn't mean he didn't care for anyone, it's just part of who he is. Once you can see past that, you know that despite his meanness, he's a solid guy that means well.

(I got a few asks in a short span of time so I hope I'm lining up the correct follow-up with the original here)

So! Okay. So, here's the thing about Sonic and his whole "attitude" thing. These days, canonically, it's kinda non-existent? Sonic's personality got sandpapered (in the games) until it was nice and smooth for the past, uhhh, like deca -- No, not even. I think he's actually been like this since 2005.

Like sure, he'll make a few lame jokes at Eggman's expense in the Meta Era but like. He's a ray of sunshine to everyone else (besides that one thing they got rid of in the Sonic Gens "remaster" with Amy). He's not even GENUINELY mean to Knuckles the way he used to be. There is no actual beef there, it's really just friendly banter he's having with his friends.

Even more about this below cut vvv

The main sources of Sonic Attitude™ I ever experienced growing up was that little itty bit left within Sonic Heroes and MOSTLY just Archie Sonic (and some STC Online reading I did as a kid) and Sonic X. Make no mistake, Sonic definitely had a range of "Attitude" to "Asshole" in those works. It just wasn't present in the games. So if you were a kid growing up and only knew Sonic FROM the games, that so-called attitude was gonna be minimal if you're age 30 or under.

And any attitude he gave would be only to people he perceived to be enemies (or Jet the Hawk).

Jump forward in time to the end of the Meta era, and we've come to a point in which Sonic is very nice. He's everyone's cool big brother. He's a "friend to all children." The perfect role model. He's very nice in Sonic Prime. In IDW, some fans would even argue he's TOO nice. TOO forgiving. To this I say, it is what it is. I just don't believe Sonic's mean-ness level is all that consistent. Perhaps someday we'll see that attitude again. Perhaps.

Now, to finally address your initial comment: I am the one who says this. I am the one who says he is mean in Infested. And! That's because he's written that way.

This isn't modern nice Sonic, but this also isn't Attitude Guy from the 90s/early 2000s. This is a secret third thing. And by that I mean he's an amalgamation of STC Sonic and Archie Sonic. He's done a lot of learning and growing and he doesn't want to hurt his friends, but his first instinct is harsh, snippy commentary or outright lashing out. He has learned and has to bury that horrible little monster inside him. For Tails's sake.

[pokemonshelterstories]

"impact of socioeconomic status on how people’s pokemon care is perceived," can we hear more about that actually? i'm very curious to hear what you mean and your thoughts on it! if you've talked about it before, can i get a link to the posts?

sure! i don't want to give too much away since i may publish this later, but i spent a lot of time looking at how a trainer's socioeconomic status correlated to the amounts/kinds of welfare issues they were reported for.

unfortunately, pokemon care is something that is widely influenced by the wealth and perceived status of the trainer. obviously the wealthier a trainer is, the more access they have to pokemon with more intensive care needs and to owning more pokemon in general- and in many ways, this is a barrier to lower class trainers toward being able to compete at a high level in different forms of pokemon-oriented competition.

this isn't necessarily an issue in terms of whether or not anyone is entitled to be able to raise a certain pokemon (i still believe the vast majority of people should not try to raise the vast majority of pokemon, just in terms of how difficult it is to properly care for them), but it does cause problems when we talk about who's setting the standards of care for pokemon. a champion-ranked trainer or master contest coordinator is far less likely to have their care or training questioned than someone in low-level competitions. and because of this perception, we see an over-reporting of welfare concerns for less wealthy trainers (this is frequently compounded by factors like race as well), while welfare concerns are rare when it comes to the upper class. the types of reports are different, too, as are the consequences: a lower class trainer might be indefinitely banned from competing because their pokemon's body condition is below average (an issue that can often be remedied with education and access to higher-quality food), while an upper class trainer might get a slap on the wrist and a temporary hold on competition for overuse of pain medications to keep their pokemon battling through injuries.

one of the case studies i presented that really got me interested in this is of a wild absol named kui. kui lived in orre before cipher's invasion, but she disappeared along with all the other wild pokemon. she's recently reappeared and has been spotted throughout the region. she's actually started alerting a friend of mine who does ranger work out there to potential disasters. kui was never a captured pokemon. instead, she was befriended by a member of a native tribe, and while she was allowed to wander freely, she chose to stay among the tribe for the majority of her time. as a pokemon educator, i've been trained to see that as poor pokemon care. absol are powerful and dangerous pokemon, and habituating a wild pokemon like that without catching it is normally something i'd warn against. but that's the way this tribe has been raising pokemon for generations! and the bond they formed with kui has resulted in a positive outcome for both her and the tribe.

i've had to really reflect on my own personal biases in how i view people's interactions with pokemon as a result of researching this. i do still hold to a lot of the beliefs i have about the way people and pokemon should interact with each other, and i still think it's important to educate people on how to care for pokemon in a safe and respectful manner. it's just a good reminder that we need to care for pokemon welfare at all levels without making assumptions based on things like socioeconomic status!

[vxperorchist]

Can I request, s/o ask for Intimidation act/ tips, (Cyno, Xiao, Tartaglia) they want to learn how to make a stone cold face/or a glare to scare of mens that won't leave them alone, but s/o failed miserably end up looking cute instead of intimidating.

Intimidation Act! (Cyno, Xiao, Tartaglia X Gn! Reader)

Genre: Fluff

Warnings: Mentions of being harassed?

I love this request so much bro it's so cute

I saw it and I was like "oh absolutely"

AND I am so sorry this took forever to upload. I was kind of in a slump BUT I'm back!

Cyno

Cyno was quite literally known for his expression, he seemed so intimidating to those who didn't know him. Luckily for you, you knew him better than anyone, and you knew how easy it was to get past his stone cold expression.

"Hey Cyno, you're always told how intimidating you look. How do I look intimidating as well?" You asked, hovering around him in your shared house.

You slung your arms over his shoulders from behind, wrapping them around his chest.

He turned his head to you, he had never thought of how he actually managed to look intimidating, as it wasn't his intention. His eyes were blank with thought.

"I'm not sure, it comes naturally for me I suppose."

He admitted blandly, no help to you whatsoever. "My demeanor probably isn't desirable; people have deemed me unapproachable." He frowned, recalling his multiple instances of people being scared of him.

"Well General Mahamatra, I think people just need to get past that demeanor of yours to see how sweet you truly are, however, I want that intimidating demeanor."

He scoffed at the name you called him and your stubbornness for something so dumb, like being intimidating. "Just frown more." He suggested, but just doing that wouldn't make you scary, just mean looking.

"Oh! I'll lock eye contact too, it makes people nervous." You added, trying the method onto your boyfriend. You ended up keeping a straight face and staring at him in the eyes. It ended up making you more nervous then anything.

"Your eyes are too pretty to be scary." He commented, smiling at you as he was maintaining eye contact with you so easily, almost as if he was reading your every thought.

He stood there with his arms crosses, shoulders pulled back and head angled. You had made many observations on him, but it was hard to copy him without looking stupid.

He seemed so effortlessly good at it as the two of you stood there for a solid few seconds, staring each other down. You came out the loser in the silent intimidation battle, your cheeks warming as he watched your every move.

"Is there a reason as to why you're trying to copy me?" He asked genuinely, readjusting his posture to be much less intimidating.

"I don't know, the merchants around Caravan Ribat make me uncomfortable sometimes, I wish they were scared of me so they wouldn't talk to me." You looked up at him, knowing most people in the desert would avoid his gaze and presence.

"Do you have names? I can make sure they're taken care of and never look at you again." His demeanor shifted to that of your gentle boyfriend, to that of his duty as Mahamatra.

"I'll be okay." You laughed at his protectiveness. Dehya already had everything covered, and always had a protective eye over you.

"I'll make sure I go with you next time, if you can't scare them off, I most certainly will." He placed a light kiss to your forehead, ending off your night.

Xiao

Xiao in many ways, was utterly terrifying. Even you were admittedly scared of him when the two of you had first met. He knew how he acted, and he paid no mind to how people perceived him. The only opinion that really mattered to him was yours.

He noticed you had been acting different as of recently. He knew your every mannerism, he was amazingly observant, and could tell when something was off.

"You're underestimating Adepti if you think I can't tell when something is different about you. What is it?"

He was onto you. You weren't acting entirely different, but a slight shift into anything revolving around you would go noticed by your adeptus.

"Your interactions are changing. Why is that?" He asked blandly. You knew how he acted and how he felt were two different things. You could understand his concern, but he would never show it.

You were scared to mention what was actually troubling you as of recently. He waited patiently for a response as you hesitated to tell him what was going on.

"I've just been bothered by a few locals. They keep harassing me in a way and I tried to take after you, I asked myself what would you do, but you don't even get harassed! People are scared of you, so I tried to copy your mannerisms."

He wanted to smile at your confession, but he couldn't put aside the part you mentioned being harassed. He was naturally protective over you, and this had really sent him over the edge.

"Where are they?" He asked, keeping everything straight to the point. He didn't need to know anything more, and even if you didn't tell him, he would find out himself.

"Xiao, it's really fine." You tried arguing with him, but it was no use. You brushed his hand lightly, it didn't go unnoticed, but he had a goal.

The next morning, he returned to you, with acts of service being his love language, he came back with a new set of flowers set on your desk.

You were upset he disappeared last night, but he was a free spirit you couldn't control.

"What happened last night?" You asked him, scared of the answer you would receive.

"I dealt with the worthless individuals." He replied blunt as ever, standing in your doorframe.

"If you ever run into trouble like that, you're supposed to call my name." You sighed, you knew you should have, but didn't want to trouble him with something like that.

"Can you teach me how to be less approachable?"

"I'm not a teacher."

You had your answer, and he was stubborn.

If he wouldn't be your teacher, you would teach yourself. You kept copying his mannerisms, and he'd roll his eyes every time he caught you doing it.

He thought it was cute, but would never admit that to you, a mortal.

At the end of the day when the two of you came back to each other and you could let your guard down, he loved seeing your smile more than anything. It brought him light to the dark life he lived.

Childe

Tartaglia was both one of the least intimidating people you knew, and most. He had his moments he could turn up the heat, making his subordinates weak in the knees, but you also knew him as the sweet, gentle, boy he could also be.

He tried his best to hide his harbinger side from you, as that wasn't your burden to deal with, but it was a part of him you couldn't ignore.

You couldn't ignore the way some of his subordinates looked at you when you were around him while he was working. Their stares made you uncomfortable, and you could hear them whispering disturbing things under their breath.

They should have known much better then to talk about a harbingers partner, as they had worked out for absolutely no one.

Tartaglia was observant, but a little oblivious to the situation, and you had tried your best to ignore it as well. You tried the tactic of an RBF, which only worked a little bit.

"It's like you're taking after me, I see the way you look at my subordinates, I've never seen you look so intimidating!" He was just a little dense.

"They make me uncomfortable." You admitted finally, and he stopped dead in his tracks as the two of you were talking while sparring.

"What do you mean? Have they done something?" He put his bow away quickly and walked over to you, caught off guard by the new information.

"Its's nothing I can't handle; they've just been staring and what not."

"Who?" He asked, almost sounding like a demand. He caught himself before he got snappy, taking a deep inhale.

You giggled at his reaction, running a hand through his hair. "Like I said, nothing I couldn't handle."

"They're still alive, so they weren't handled." He removed your hand from his hair, kissing it as he released it.

"Point them out to me, and I'll keep them after training next time."

You knew he wouldn't hesitate to harm, or even kill someone for you, but would he do it to his own subordinate?

Long story short, the group that had made you uncomfortable were never seen again under Tartaglia's supervision.

A few weeks later, he had started subtly advising you on ways to intimidate someone. Between eye contact, posture, and manipulation, intimidation was one of the many things he had been trained on as a harbinger.

He'd watch as you had started to copy him, standing by his side standing as tall as you could, (even if you weren't very tall.)

He was proud of himself for teaching you so well, and proud of you for learning. You weren't very scary, but he knew he was, so regardless, people would be scared if they saw him by your side.

You'd exclaim to him excitedly when his subordinates would avoid your eye contact, but in reality, he had threatened them. He loved the way you'd light up, and if all he had to do was threatened his snotty subordinates, he'd do it a million times over.

[furiousgoldfish]

Does anyone else feel like their perception of love is wrapped and unrealistic?

For instance, I don't believe that I can feel true love towards anyone, because I won't ever truly feel relaxed or safe next to anyone; I won't fully trust them, I will struggle all I possibly can against getting attached to them, I won't count on them or expect anything out of them, I won't make plans, I won't imagine a future, I will insist on staying an independent entity. So I don't believe I can achieve true closeness or love, I think I'm fundamentally lacking in trust and relying on others, and I also won't believe another person if they say they love me, I won't trust that they can perceive me correctly, I will always project some kind of negative image of myself onto them and then believe this is what they truly think of me.

But on the other hand, I will also do anything in my power to not cause any harm to this person; I will not make false promises, I will not betray them, I am unlikely to say or do anything that even risks bringing harm onto them. I will look into and do research about anything they're struggling with and try my best to help, I will talk them trough anything they need to talk trough. I won't judge them unless they've done something evil, I won't allow my prejudice to form my opinions of them, I will look at their life trough their eyes before I look trough my own. I will hear them out about anything that has ever happened to them and care for them trough it. I won't be able to stay still if they need help, I won't reject or ignore their bids for attention and communication, I won't rest until I know they're okay, and I'll make it my business to make another person happy.

I feel like for some people love is a level of care and stability that doesn't even need to be that high, just as long as it's there, and I do that naturally, I care for every person in my surroundings to a high level, but I don't consider it real because I have no trust, I have no expectations, and I never imagine anyone to stick around.

So what I'm saying is, why is trust being propped as the most important part? Just because I don't trust someone doesn't mean I don't care for them, do people only care for others if they trust others will be there forever to potentially return that favour of care? Is this where I'm fundamentally different from normal people, that I can't function in that way? Do people love only if there's a sense of a shared future which they can keep as an idealized goal in their mind, and then the love and attention they give is supposed to bring them there? Is that actually a more natural progression of love, believing in the other no matter what so that the urge to keep giving love to them keeps being strong, because it has a purpose, a goal and a future to build? Is that just how normal people live, is it natural to expect to build a life that you want based on foundation of love? Is it messed up of me to care while expecting to be left and betrayed at any moment? Is it self hatred that I do that? Or is it self-protective, based on learned experience?

What are other people's definitions of what love is? Is it instinctual or on purpose? Does it need all human instincts and natures to function seamlessly, or once trust and expectations are written out, it can no longer be achieved? Does it require that endless trust and blind faith in the forever future? Does it tolerate a certain level of betrayal and lack of attention or interest? Do these things not even matter if the other person believes this is just a part of love? How would you describe what love is? Do you feel capable of it?

[tanadrin]

"Zero-sum game" anon returning. I am surprisingly capable of maintaining optimism of the will, but ONLY as long as I stay away from the news or even other people liable to be upset by it. This unfortunately includes not only everyone I care about personally, but quite a few of the larger communities committed to organizing against those who would harm them. Advice to "try to change the subject or else walk away" works mainly for the former, and in any case is much harder to do when it's your own life at stake too.

Last month, you covered a related phenomenon in an excellent musing about the dangers of conflating identity with suffering. "Everyone secretly hates me and is out to destroy me" is terrible enough as a self-concept, but as a rallying point has even more potential for harm. This is where I think an element of peer pressure comes into doomerism: If catastrophizing is part of what holds a group together, then non-participation becomes a perceived threat to unity no matter what the rationale. Never mind that I want to avoid a mental breakdown from dwelling on all the reasons bigots want me dead; plenty of loud doomer activists from multiple demographics would still declare me as evil as a bigot myself for this "crime" of wanting to turn away from our shared pain.

In theory, balanced ways must exist between obliviousness and burnout. In practice, I feel disloyal to anyone I share even the remotest crumb of kinship with for even daring to consider such a thing. And yes, I do realize now how that might be actually be part of the problem.

yeah i'm sympathetic to the whole "sometimes binging news coverage is a huge fucking bummer that drags me down" thing; and there's not actually any inherent virtue to Bearing Witness to the Horrors, especially if you find that shit demotivational. and if people want to make Bearing Witness to the Horrors, or even worse, Being Victim to the Horrors, the non-negotiable determinative element of a shared group identity, the thing you must do to prove your trust and virtue to others, run the fuck away!

people who demand you make misery central to your identity or your worldview aren't just wrong, they are dangerous. they are emotional vampires. they are interpersonal varelse. many people acquire social antibodies against that sort of thing as they mature, but not everybody, and sometimes these kinds of people will try to leverage the mechanisms of shared identity or in-group language to sink their metaphorical fangs into your metaphorical jugular. so for those people that need it, i am giving you explicit permission to tell people like that to Fuck Off. you don't need to give them the benefit of the doubt--it doesn't matter whether they do it on purpose or not. you don't need to feel sorry for them--they will feel plenty sorry for themselves. you don't need to try to help them--they do not want your help. just tell them to fuck off. then ignore them forever. you're allowed!

[thesophistiicate]

What did you do to glow up?

so for context i'm 31 and i had a baby 2 years ago - answer below but bear with me - i feel the need to preface as i feel the focus on external beauty and glowing up on here is often super problematic. i sort of go in waves with my appearance, where i'll focus specifically on one area, then just go on living my life. then when i'm in the mood again, another area. i don't obsess over it, i think it can get toxic really fast. i enjoy the energy and benefits of looking my best but i don't feel that i need to necessarily look perfect or like a supermodel. i've had times of my life when i looked terrible and nothing bad happened lol. in general i have a very normal (but happy) life and my main goals are intellectual pursuits. but as a lover of beauty, in general i've spent the last 10-15 years thinking about how to look my best for the pleasure of it so it's hard to summarise everything.

i'm in the middle of a focused glow up at the moment and here's what i'm doing:

regular exercise (pilates 5x week, spin cycle when i can) and cleaning up my diet (mostly seasonal-ish whole foods, i love food and i'm not strict at all, i don't need to look like a model or celeb so i enjoy myself)

figuring out my hair care and styling. i like sleek shiny princess hair. i paid to see the most senior stylist possible at my salon and she also gave me a lot of tips and better understood how to cut my hair to suit me. worth it.

strict AM + PM skincare routine + medispa occasionally for the super intense facial treatment that gives me celebrity skin.

upgrading my personal style. especially paying more attention to my seasonal colours + silhouettes that actually flatter me. being brutally honest with what looks good or bad, which i think takes a really healthy mindset about your body. makes a ridiculous amount of difference to have attention to detail though.

learning how to do my make up to suit me. the clean girl look makes me look dead. i'm a dark winter in seasonal colour so i need more make up + more saturated colours. instant glow up.

working on my mindset, mental health, relationships, etc. honestly makes a major difference. no use prettifying the outside if you feel like shit inside (though also, care and attention to oneself = improved mental health, so it comes from both ends). life is a lot easier now that i'm happier and i feel i'm generally average-ish looking but i am perceived and treated as more attractive than i am (in terms of beauty standards) because i have a grounded and confident energy. really it's the energy that matters, not what you actually look like. that's what i believe most.

anyway, if there's any areas or ideas specifically anyone would like me to explore more, i'm happy to do so. just let me know.

[rei-ismyname]

Exceptional X-Men #4 REVIEW

I've been singing the praises of Eve L Ewing and Carmen Carnero's Exceptional X-Men, so let's see what they manage to do now that the premise is established and they've got 5 main characters we're invested in. A benefit of establishing your characters early is that you get to focus on introducing plot elements, special guests, and complications - like serialised storytelling does. Uncanny is a good example of how a lack of focus early on weakens everything you try to do. It's hard to care about The Outliers or Nightcrawler when they feel like wallpaper, and now they're running around an event without knowing who they are. The stakes lay primarily with Rogue. Trista/Bronze is a fantastic example of this done right, and as you'll see we can explore plot developments that wouldn't make sense elsewhere. Spoilers ahoy, caveat emptor.

Trista gets a lot of focus which works because we know who she is and what she wants.

Due to Kate pushing back against taking these kids somewhere isolated for training, we get to see them try to live normal lives. Trista has friends outside the tiny mutant peer group, a crush, and an interest in theatre. She declared last issue that her goal is to not hurt anyone, and she's struggling with what people tell her to be and what she wants. She's a sweet kid, and I'd say there's a racial component to this dichotomy - how black kids are perceived and how they need to act to get by in a white supremacist world. That's outside my experience but I'm invested in how Trista deals navigates the issue. After all, being strong, kind, gentle and lovely aren't mutually exclusive

I hesitate to compare to Uncanny again, but they both have high school scenes and the difference is stark. Westinghouse College Prep is a real life school in Chicago (that Biggie, Jay Z, Busta Rhymes and DMX all went to) and it is ranked pretty highly nationally. According to its website it has 98% minority enrollment. Importantly, it feels like a real school in 2024 with real people attending it, and not just because it actually is one IRL. There's no need to reach for played out generic high school tropes when the characters feel like real people with real problems already - verisimilitude.

After a smash cut to Trista with a sentinel looming over her, we learn that Emma does a pretty damn good Danger Room analogue. Trista seems determined and in control at first, using her different powers in concert effectively. She does manage to Empire Strikes Back trip the Sentinel up, but wigs out when it falls on top of her, understandably. Emma calls it, and we see more proof of why she's considered good at training young mutants.

Bobby's entrance at the end of last issue felt like a cliffhanger by virtue of being on the final page, but I'm glad his presence doesn't derail the plot entirely. It's implied that some time has passed, maybe a week - enough time for Bobby and Trista to get to know each other and enough time for Bobby to feel Kitty is avoiding him. Trista picks up on his odd behaviour and asks Emma about psychic ethics, heh. Her answer is funny and sardonic while still getting the point across. Emma and Trista having one on one time tells us a lot about Emma's sincerity and the trust she's earned through good works.

The subtext of Trista's distraction is made text - she's preoccupied with the audition, her crush, and the fear of exposure/social rejection. While we know this already, or could guess, it's effective to have newer characters tell their story. What they say is as important as what they don't say or how they say it. She responds well to being listened to and positive reinforcement, accepting the reframing of the audition as an opportunity.

Bobby is definitely up to something and acting weird. His persona feels performative. He's explicitly faking bathroom usage to text privately, and while his texting is worded vaguely enough to not give much away, it does seem sinister. At minimum he is lying about why he's there. Kitty picks up on the same weirdness Trista did and she's really not having it. He doesn't have the vibes of a friend seeking or offering support, though Kitty isn't interested in either and tells him to leave. Idk if Bobby even has a home right now - he was living in Antarctica because ORCHIS poisoned him and he couldn't hold a solid form for long. He was back with Romeo last time we saw him but also didn't have a physical body. I can't blame the creators for not explaining that, I have to assume they're under the same editorial direction everyone else is.

Trista's warmup scene has excellent layout, with the other kids' faces in circles next to their supportive texts. It's a clever way of showing their faces in an issue they're mostly absent from, and it's a solid method of variety in an issue with more texting than most. Showtime!

Trista meekly introduces herself to the casting guy/director and he suggests that the lead might not be right for her. He's polite, though she's about to disagree when her mutant life and school life clash in an unexpected way. One of those yellow beasts from X-Force appears from a portal and grabs her crush. You don't need to have been reading X-Force, it's a big monster (that were confirmed to be appearing globally in that book) and it's here. Trista rallies and uses her training to bronze up and get her head in the game.

It's a dangerous situation but has a simple solution suited to Trista's skillset. She grabs it with her tentacle things, ties it up and yeets it through the portal. Her overcoming it with pure force or martial skill would be a bit silly, but by linking her training and the progress she's made with Emma to a simple solution, it feels like an appropriate and believable triumph. Strong yet gentle. Neutralizing the beast and protecting herself and others without using overwhelming violence. It's a very effective character beat and the support/adulation from the theatre people is earned. She nailed the audition, and gets offered her choice of parts, though interestingly she turns it down in favour of her training. The theatre folks show solidarity and swear to keep her mutanthood a secret.

Trista shows up to training and seems more confident, her posture showing strength and positivity. It looks like Bronze, Axo and Melee are all benefiting and even Kate manages a smile. Then she overhears Bobby on the phone while grabbing some equipment. It's not a good look.

What Bobby is saying is so weird that she's not even sure it's him. Kate phases her hand next to his heart and straight up threatens him. He explains that everyone is worried about her and she says she's choosing this life. He tries to bring up ORCHIS and she shuts it down, saying out loud that she killed people. A little too loud, it turns out.

The kids overhear and are horrified, understandably. They're really young and don't have the kind of life experiences that come with being an X-Man - of course they are! Tom Brevoort has made a lot of noise about the X-Men killing people in Fall of X, an argument that has ignored the nuance of being at war with genocidal fascists. The issue hasn't made it to the page in a meaningful way until now, and I couldn't be more impressed. Rooting the issue in Kate's trauma and shame - as something that terrifies the students she's trying to help and likely damaging the trust she's built - approaches it on a believable character level.

This is a big part of what caused Kate to hang up her Spandex and it's something she's going to have to reckon with. Add the kids' emotional and ethical reaction and you've got a fantastic cliffhanger with the promise of explosive drama.

Kate grabs Bobby's phone and it's Rogue on the other end. She doesn't look like she's at Haven or in uniform, so who knows what's going on there? They're clearly ahead of Raid on Graymalkin as Iceman is in league with them, as if that book needs more characters. Kate doesn't care and hangs up on her. I wasn't going to compare to Uncanny a third time, but if the two are crossing over it invites comparison. Kurt's glib comment about thinking he was a murderer felt trite and silly, next to the dramatic execution of Shadowkat's actions being confronted it looks downright amateur. Kate is clearly having a PTSD flashback or intrusive thought during this conversation - whereas it wouldn't work for Bobby or Emma to announce that she has PTSD, for example.

I do enough shitting on Uncanny's writing in my reviews of that book, my point is how well similar beats are executed in this book. Eve L Ewing and Carmen Carnero's Exceptional X-Men is aptly named and frankly, if you're not reading it you're missing out. We know all these characters well enough that we care about their reaction to this revelation. Kate looks like she's about to break down, and Bronze and Axo's body language is heartbreaking. Emma knows shit is about to hit the fan and she's surely aware she killed people in Fall of X too. That's how you do a cliffhanger. Issue #4 managed to do a Trista focus issue, some slice of life, excellent character work, and lit a fuse to explode next issue all in 20 pages.

Exceptional X-Men is fantastic and you should be reading it.