#and i wrote like 10 pages

[enpassants]

fellas how we feeling abt that a level english revolution test bc i am feeling GOOD

[shannonsketches]

he's so important to me

[whatudottu]

"You said you can read minds, yes?" The question was emphasised by the tilt of a head, neutral expression flat on crystalline face. "You've mentioned it's pretty overwhelming, you can't control what you hear?" "Yes, yes, and no... not really..." Came Ra'ad's reply, his attention diverted to focus on the corner where wall meets ceiling. Reviewing the biopsychology notes Chio had on amperi, a frown shifts his jaw just enough to be noticed. "If it's not too much to ask," Chio shifts, eyes flicking over his own handwriting to focus in Ra'ad's general direction; he's met by a brief flick of eye contact, "Could you tell me what I'm thinking of now?"

Haha magics and mutants au Ra'ad gets diagnosed as a psychic :P let's hope this neurodivergent old man gets the ability to stop having unwanted voices broadcasting in his head :)c

and a coloured Chio my beautiful therapist 😌

[rose-void-789]

When you immediately fall inlove with a pairing but the show is from 10 years ago and you don't wanna get spoil so you gotta start from the oldest fanfics and work your way up cause you you can't risk it and it is an experience. Just like all the little choices people made and how the fandom evolve its like seeing an ant colony building up there fandom from above all these little experiences it's so fun.

[tequiilasunriise]

Annabel Lee & Fears: A Short Essay Based On Ep70

Here it is, folks, the truest crux of Annabel’s character, her deepest fears is not going mad or even people discovering she’s not as put together as she tries to appear, but rather:

Was that gambit of constant scheming and using others worth it, Annabel? Was always trying to think ten steps ahead and always keep yourself in a position of power and control truly worth it, because how can you ever be trusted when all you do is play 5D chess with everyone?

There is is, folks!!! Just like her greatest strength- her cunning willpower- is centered around a certain bright moon, Annabel’s greatest fear is rooted in Lenore. The deepest, darkest trenches of her soul, the one thing that would shatter her heart and send her lungs choking fer breath? The killing blow that would end her and make all these charades worthless? It’s Lenore seeing her constant conniving and asking Annabel, “Why would I be any different? You already have no problem using everyone else as a pawn, how could I ever possibly trust you, Annabel Lee?”

The way Annabel is SUCH a great morally grey character, y’all tell me you love hot villains yet many a time I’ve seen people calling Annabel too heartless. She’s the opposite! She cares!! SO MUCH!!! She would burn the world down if it meant kissing Lenore one last time, to the point where her deepest fear is losing Lenore in the process of trying to protect her. All Annabel knows is using manipulation to gain the upper hand because simply being born a woman in the Victorian era she was so throughly disadvantaged by such a horribly misogynistic society that girlypop had to scrape together any form of control she could. Annabel wants so badly to protect Lenore but all she knows are her own methods of protecting herself, which involves plausibility deniability and facades and sometimes sheer cruelty, and that’s where the conflict arises. From the start Annabel assumed Lenore and her had the same understanding of this ‘fake enemies’ ploy going on but surprise surprise babygirl, not everyone is overthinking four parallel universes ahead like you do. This boils over into her lover having doubts on what’s real and what’s not, which then culminates into Lenore asking if Annabel is using her affections as empty currency to get what she wants, and Annabel’s first move to tell Lenore to fucken kill her????

“To you alone, I have left myself completely defenseless.”

The drama of it all!! The shattered facade leading to exploding vulnerability of it all!! The dim sun sparking out into a heat death just to prove her sincerity of it all!!! The exposed innermost organs ripping out my heart with my bare hands and begging you, “Do you see it now? Do you see the way it beats for you and only you? Tell me you see it, tell me you see me…” of it all!!

Oh baby the way Annabel still retains this deep fear of Lenore not truly believing in the “only thing that’s real” to her, the way her lover’s ghost still lingers and haunts her and is then ripped up from her innermost psyche like a desecrated grave and given form by Ada’s power. The way, after all this time- and I mean all this time from Lenore’s constructed resurrection, to their relationship blossoming into a wedding, all the fucking way up to that bell tower scene, the fucken way Annabel still never truly let go of her fear that Lenore doesn’t see her, doesn’t see how she alone bashed through all of Annabel’s walls and made a home where her heart laid. I’m sure during their living relationship all the way until the wedding Annabel’s fears were greatly settled, but it’s the fucken way these panels implied that this wretched heartache never completely left Annabel’s guilt-wracked soul.

I just know, okay I just KNOW, that even up until she was putting her wedding dress on Annabel still questioned if she even deserved this happy ending because she still feel phantoms of guilt fer this betrayal. This comic only furthers this implication of unabsolved guilt when it’s made clear as day that Annabel’s biggest fear is Lenore not believing in her love. And before anyone argues how Annabel can currently feel guilt fer betraying Lenore when she hasn’t recovered the memory yet, I’ll argue back that from the very beginning of the comic these two were inexplicably drawn to each other even when they had NO memories. Therefore, even if she doesn’t have the explicit memory, I highly doubt Annabel’s subconscious would ever let go of something as huge as deeply hurting the one person she truly cared about in such a wretched way.

Fuck, dude, I mean Annabel’s greatest fear wasn’t even Lenore dying- which was already a huge thing if y’all remember her tearstreaked, panicked, “What is left? If she’s not here, what’s the point?”- no her greatest is Lenore!!! Not!!! Believing!! Her!!! Like yeah losing Lenore physically definitely would’ve cut so deep even her bones would bear the scars, but losing Lenore in the form of the other woman walking the same ground as her but choosing to stay away?? Call her fucking selfish because some people would rather have their other half still be alive even if they’re not by their side, but Annabel ain’t one of them that’s fer sure. Babygirl has spent a lifetime perfecting the craft of deceiving others fer her own gain, but the ONE TIME she’s genuine her heart is to be called nothing more but empty??? Oh babbyyy that’s gotta fucken hurt.

The thing is, I don’t think Annabel really loves herself all that much. I really don’t. A huge focus on self-preservation doesn’t necessarily mean one really loves themselves, and when we add the aforementioned guilt she carries? Plus, the fact that Annabel being forced to swallow down her anxiety attacks from a young age could easily lead to her having a rather sour view of her 'not normal' self? Yeah no yeah, I truly don’t think Annabel loves herself that much, if at all. So really, this line is adding immense insult to already grievous injury. Not only does Annabel deeply fear Lenore not believing her affections to be true, she also fears the New Yorker misconstruing her as nothing more but a shallow as hell, prissy, little pampered damsel, a role pretty much everyone else regulates her into whether she wants it or not (right from the beginning, before she even set her schemes in full effect, Annabel was already explaining, “Ada wanted a queen, so I gave her one”). Lenore, the only one Annabel had believed to ever really see her fer her, is now discrediting Annabel’s vulnerable affections AND seeing her as that unloving ice queen like everyone else?? Horrible terrible horrible!!! She may have a ribbon threatening to strangle her right now, but it’s clear that ghost!Lenore’s words are what truly cut her down to size. Y’all seeing that fucken pain in Annabel’s eyes? Her worst fear is just so… personal.

Which actually leads me to my next point, which is how just before Annabel’s worst fear is revealed in stark, horrifying detail, we see Prospero’s. Lemme just preface this by saying what Prospero went through is n o t any less terrible and is a super fucken mega valid fear/trauma, but let me cook y’all just hear me out. Prospero’s fear seems to be about medical malpractice and/or being conscious during a painful operation that likely went south (aka ‘oh shiiitttt he fucken DEAD-‘), and that’s fucking tragic as all hell. Yet, okay let me cook here, it’s more… I don’t want to say general, because that does NOT mean his fear is any less significant but it’s like. Way back when, death via medical bullshit was more or less fairly common, especially during wartimes (which is the era I headcanon Prospero to be from); meanwhile, Annabel’s fear is so uniquely hers, it’s borne of a culmination of specific experiences tied together by her relationship with Lenore.

By contrast of a more common fear vs something so deeply personal and specific to this one person- because it’s not just unrequited love, it’s being so vehemently denied and misunderstood by the ONE (1!) person who you wholeheartedly trusted in your entire life who also oops mega died on you- this distinction gives way to an almost more raw, more visceral feeling to Annabel’s fear sequence. Again!!! I am not undermining Prospero’s own trauma, I promise!!! But you have to admit that there’s something, from a narrative standpoint, that hits so much harder with how deeply personal Annabel’s fear is. The contrast is even more great when you look at how Prospero’s involved a buncha bloodied hands not really tied to any faces or even any indication of personhood like accessories, scars, etc etc. It could’ve been a group of anyone holding him down hurting him; on the flipside, Annabel is being restrained by one very specific person we see in full view. The faceless crowd who could’ve been anyone at anytime vs the lone perpetrator whose history you know like a second name. It’s just!!! So personal!!!

In conclusion, on the surface level, one would think a character so deeply ingrained in using deceptions and manipulation would have her greatest fear tie into having her true nature revealed to everyone she’d fooled, but then it turns out it’s the complete fucking opposite. What homegirl fears the most is her truest, innermost self not being believed and accepted by just one (1!) person. The way it’s framed is just so heartstabbingly personal, especially when you parallel it to a previous fear sequence just a few panels preceding it. This is it, your honor, this is Annabel’s deepest driving force broken down to its bare essentials. To hell with whatever reputation she’s carefully crafted! Who cares what anyone else thinks of her if she doesn’t believe her, if she doesn’t SEE her. Really, truly see her. Lenore is the defining point that Annabel has revolves around so wholeheartedly, and there’s no point to anything anymore if Annabel loses her. This crux of her character, OHHH BBAAABBYY it’s just so well done because we, as the audience, have been given clear evidence to build up this narrative of Annabel’s characterization fer so long now and to finally see it come together in a fiery explosion of lesbian angst with this latest chapter??? Gods, the writing of Nevermore will never not drive me absolutely insane in the membrane.

[kameyyy]

idk abt you guys but I just got my english exam back and that’s obvs a clear and easy to read „are“ 😔

[raiiny-bay]

:-)

[just-spacetrash]

😁

[musings-of-miss-j]

'how to write a good character arc' 'follow this act structure for your plot' 'best checklist for worldbuilding' 'the correct way to design a magic system' 'you're boring your readers with long descriptions' 'the correct amount of exposition' i don't know man. what if i do whatever the hell i want.

[kraniumet]

sjdgdj I'm still bitter about an exam (essay answers. 16 questions, average 250 words required per question (150-350), you lost TWO POINTS for writing even one word less than designated, even if answering everything specified correctly, time: 08:00-14:00, allowed to use the reading material and googling as reference) with a question about the specific mechanisms of an obscure camera model used by pre-hollywood victor sjöström. now the thing is. that information is nowhere on the internet. the closest info is a sourceless pdf about another 1920s camera they also used. mechanism not described. the real answer was probably described in a scanned handout of a book that wasn't part of our course material. THAT OUR PROFESSOR MUST HAVE FORGOTTEN HE NEVER GIVE US

[spoonietimelordy]

10 pages to write in 1 and 1/2 week 🫠 it would be manageable if I wasn't a ball of anxiety going through flare-up like one goes through a jar of cookies

[kindred-spirit-93]

I imagine the story that follows Hera during her self care retreat away from Olympus takes place within the modern day.

The main conflict are - Hera figuring her shit out, Zeus looking for his wife, Athena freaking out about the sudden spike and rise of monsters... Which isn't a lot now that I really think about it lol. I have an idea for a "plot" some scraps and blobs but I've realised when developing a project on my own it feels like an echo chamber of my own thoughts with ideas and tropes that are all from my little box of limited ideas and experiences.

I feel like a lot of retellings are also just repeating the same thing over and over, and Im scared that I'll make a story that'll drown within all of em. Which is why I'm going with more niche traditions and regional variations of the myths.

But I really suck at making a nice long fully thought out plot especially when it focuses on multiple storylines happening at once.

ASTRAL TRAIN MY BELOVED!! rotating hera in my mind like a rotisserie chicken omg >_<

--

i hear ya. well my friend theres a first time for everything, and as with everything in life theres much to be done and learned down the road, especially through trial and error. worry not ill bring snacks and well figure it out lol ^-^

WHOOP!!!!!! i havent read much to be honest but it seems to me retellings and stuff tend to use figures from the mythos as vessels for tropes (since theyre typically established already) to appease the masses, instead of fleshing them out and giving them conflicts and stuff, which is fine whatever, but astral train has so much potential it literally deserves to shine through

so yes having nicher (?) and more diverse material to work with is really brilliant i liek it and youre doing insanely well! curating myths and sources cant be an easy task much less weave them together :D

--

hera doodle (attempt!)

dont focus on the anatomy too hard please and thank u

reference (also i got tired shoosh)

credits to sara faber on x :)

[too-many-paper-cranes]

oh hey the video is public now so i can post on tumblr about this without sounding insane! anyway everyone should go watch me and a few other speedrunners hunt fire for sport (randomizer edition)

[viktere]

IT'S FINALLY DONE, god. bios that were added (bolded are the ones i have lots of muse for):

cassiopeia claremont. (tw for mentions of self harm, abuse)

christian byrne.

eris floresca.

fern roque.

julieta cardenas.

mi-cha yeong.

mikhail floresca.

naizak.

opal undergrove.

severina.

canon characters that have been added:

esme cullen.

connor.

adjustments have been made in general, along with some already existing bios being fleshed out. if you have a moment, please give it a gander, thank you! 🤍

[warriorend-2]

ok ok since i can't be stupid and gay all the time (<- college student)

putting this shit under a cut bc while it's mostly just me rambling it's. spoiler heavy. & also wound up being 1600 words. sorry

1: possibly the most glaring thing, which makes me doubt the Phantom being a lot of otherwise-possible candidates, is that they would have to be very good at infiltration

-I presume Roxana didn't put the medal in her computer herself, which means whoever did put it there had to get in after she left, get into the computer without waking up Robutler, modify it to put it there, & put everything back (mostly) the way it was & leave a combination. granted maybe they just gave the medal to Roxana to put in there, but like. why

-getting it into that spot in the mines wouldn't have been too hard i don't think, just. knowing where the mine is and then sneaking in during off-duty hours (...assuming those happen)

-tbh the one in blind spot is probably the easiest to place given that it's just behind a license plate, & cars do have to stop sometimes even if it's not often

-i'm. not sure how they got the medal into hot water though. i'm guessing they snuck it in among the materials? (the other option here is that Zor had a hand in getting it there, which opens up a whole other can of worms so i'm not gonna. think about that one too hard)

-the one in cold shoulder is also not too hard to see it getting there. i would laugh if they had to make a mold of that little compartment & then make a block of ice for it though.

-the one in kboom is where i'm like. OK this facility is presumably not super new but it's also not super old given its current purpose. it may have been repurposed but still. how did they get the medal where it is and then also tag the bucket. the volcano doesn't look like it's horribly far away from shore (in the ending credits) but (also i'm aware the medal shouldn't even be able to be where it is but. yknow.)

and odds are that it doesn't matter that much, i'm just. they had a little safe set up in the control point already, they had access to the pneumatic tubes, etc. if the locations have any bearing and aren't just "here's somewhere to stick this puzzle that would be hard to figure out", then that implies some Shit about the phantom (& possibly also their allies. if they have any. if they do I highly doubt they're Agency-related.). given where the phantom gets to i am somewhat leaning towards the idea it may be V. Vitti (also the. insignia), given that we've seen the sort of places Agent Phoenix gets into (...seat of power) & so

2: Zor's goals feel a lot more on a personal bent this game, not just irt destroying the Agency but also. destroying the kinesium & anything that uses it. so whatever their reason, it seems to be a lot more personal (+ they actively Address the player more often, which could be Phoenix's infamy but also in the other games they were barely present, both in terms of voicelines & actual like. Story Push. they were a very passive supervillain in the other games, is what i'm saying)

which leads me up to like. we all know characters can lie, & in this series it's kinda expected, but. idk. i keep circling back to the shield generator. & the lava generators being accessible from Phoenix's cabin, but not the one Roxana was in. & Phoenix's cabin seemingly having all this shit that the others didn't have, & it could have been a tactical choice on Phoenix's part, but.

i mean. Zor does definitely say they want you dead, but they don't say it directly a whole lot (iirc they say "kill you and Prism" but otherwise they don't directly address the player in death threats, it's usually just. agents, plural. or "whatever end you meet" which is also a threat but is vague)

which just. why is Agent Phoenix still alive? Game design aside, of course. It wouldn't be much of a game if the villain kills you in the first level, after all.

But it feels, to me, like the weaknesses are far too glaring to be just missed over, especially in 3, because. if they want you dead that badly, why. why leave things so safe?

Hot Water is one i wind up on a lot, because you could chalk things up to being deathtraps, but Ollie knew about the gas and the grenade trap, & seemed completely unfazed by them (& kinda implied that's just How It Is for new folks), so they're not necessarily targeted, it's just standard practice. Putting aside the fact that even if they were intended to be deathtraps, they're so. Mild. to put it bluntly. Zor knows Phoenix by this point, knows the shit they've pulled & survived, a gas trap & a grenade in a vending machine feel very. yknow. that's like throwing a rock at the back of someone's head, comparatively

and then the KBOOM demo & the shield generator, both explicitly left for you to see. & it's a pretty 1-to-1 comparison for how the actual KBOOM mission goes, except for the telekinesis save at the end. the squid gets involved, but for the most part, considering it's a lab Zor loosely implies they were at, the security is very. lax. & everything is accessible to the "new hire", popsicle-ID necessity aside. (also apparently Ollie has been down there a while, given he doesn't seem to. know about the whole "world domination" thing. which is Eerie because if that's the case then how long exactly has the whole Kinesium thing been a plan?)

to me. & it has felt like this since the end of the second game. When Zor says they want you dead, there's a whole host of unstated conditions to that, which they would be good at given the whole CEO thing.

"I want you dead if you aren't good enough at your job to survive" sort of deal. which also lines in nicely with how they seem to be as an Actual Boss. of course, they never say the second part out loud, but. short of them just being Really Smart in a lot of cases (failsafe in Juniper's mask, leading Roxana along long enough to get her research & then trying to kill her, etc) but Really Dumb in others (leaving the shield generator, making the squid the only real danger to Phoenix down there, not having any failsafes to make sure the missiles launch at the end of 2 even if the briefcase is compromised (or just not using them), etc), it's like. the ways their plans get foiled at the end of 2 & 3 feels intentional.

plus you could make the argument that Roxana was also being used to lead Phoenix along until they were where Zor wanted them, at which point both of what they were using her for (Kinesium research, kite Phoenix around until they're in position, even if that second one wasn't in the deal) was done & they could get rid of her without feeling bad.

would stopping KBOOM have been possible without Roxana's help? Dunno. Not the way it's presented in-game, because in-game she was also instrumental to stopping it.

i'm also going to briefly play semantics for a second. i'm not sure i consider "even the great Agent Phoenix will eventually burn out" to be a threat because. that's what phoenixes do. They burn, and then they come back. Sometimes it takes a while, but. if i'm not just thinking about semantics Way Too Hard, the wording of "burn out" suggests something far different than "die". combining that with Zor talking about the Agency like That, & the Phantom (at least vaguely) implying prior experience with the Agency, & realizing that their involvement would cost them their life, makes me think. maybe "burn out" isn't a threat of death, but a threat of something about Phoenix changing soon. Maybe as a result of almost dying. "burn out" is also used for like. becoming exhausted, stopping trying, & maybe that too. who knows. i don't, i'm not on the dev team, i'm just some 21 year old chewing on semantics.

at the end of the day, my current standing on Theories is. hard to sum up but i will do my best. o7

-The phantom is probably one of a very small handful of candidates, & I'm leaning towards it being V. Vitti or maybe possibly Zor in a funny hat.

-Zor is trying to kill Phoenix, but not inescapably. maybe they're testing Phoenix, maybe they're just trying to almost-kill Phoenix enough times they get tired of the Agency and fuck off so Zor can do the whole "world domination" thing (which i am not. wholly convinced they actually are after.)

-summing those two up made me think of something else. perhaps the Phantom was also testing Phoenix in a roundabout way, by seeing if they could survive everything else, because they only show up in the third game. Their note opening with "it seems you're as good as they say" indicates they are at least familiar with Phoenix & their reputation, albeit maybe not directly (if it is Vitti, i doubt she would have access to Agency knowledge, but post-Rising Phoenix, once the rumors started getting out...)

-this is a silly theory i like to throw around in my head, but i'm very fond of it, so: the "death room" you go to after dying in a mission may not necessarily always indicate Actual Death. in some cases, yes, but in other cases. idk. i've always gotten more the vibe of having been captured as opposed to outright killed (although being able to respawn does throw a wrench in there, but oh well. game has to be a game & all)

[whumpshaped]

Hello! I just wanted to let you know that I really enjoyed glitching. It’s a bit embarrassing to say, but I barely interacted with it in any way that you could see because the format made me feel guilty about reading whump in a way that I hadn’t felt in a long time. That’s a compliment to your writing! Glitching was about being an accomplice and moral choices and I got caught up in it that I stopped participating in the polls after a few posts. I really liked it though.

Since you couldn’t see the likes that I very much wanted to give the series, I’m sending my thanks directly. You are really good at writing, and your specific style is one of my favorites on this site. Your writing is just brutal in a way that a lot of whump writing isn’t, and your characters are extremely compelling/whumpable. I can’t describe exactly what I love about it, but I do love it. You also made glitching really quickly, which is impressive. I’m still in awe of how you made all the different endings for the finale. That must have taken forever.

Was Glitching always going to end the way it did? If the audience had voted to kill Seth at the earliest opportunity, would that have happened? Are there any other pathways that you had planned out that we didn’t get to see? Basically, I loved Glitching and I want to hear all the behind the scenes details that you are willing to share.

Thanks again!

aaaaaaaaaa thank u SO much for this. long ass response under the cut !

this is honestly.... mostly all i wanted to achieve w glitching. (my first objective was to create a whump cyoa story where the options were all bad, bc in all the other ones ppl kept picking the good ones and i was like :| but my whump..? no whump..?) several times i felt like maybe the second person pov is too much and its too real and itll turn everyone off... but then i thought. thats. kind of what i want. i want it to feel a little gross even if its fiction. i wanted to make ppl feel conflicted.

so please dont feel bad about not interacting! i understand how it could feel rly bad and guilt-inducing. im glad u made the decision to stop interacting when u did, its NOT embarrassing in the slightest. this message means a whole lot either way.

hehehehehe im GLAD theyre brutal! thats very much the style i wanna be known for lol and the style i enjoy! i want stuff to be gruesome and disgusting! i want it to be brutal and unforgiving! i want violence! i want gore! and also thank u, im glad my characters r whumpable. especially w glitching, i saw that when other ppl put their cute ocs in situations no one wanted to hurt them, so i was like ok whos my most vile most hated most disgusting oc whom everyone would Love to see be punched in the face- in general i love making my ocs whumpable and pitiful. i love a pitiful little guy

i stopped writing glitching when my exams started at college, and iced it after maybe chapter 8 or 9. then i picked it back up again after i got a 20th message in my inbox abt how ppl miss it, and it successfully forced my hand to finally sit down and just Write. (i do have to be forced to write a lot of the times. it doesnt work for everyone, but it does for me. obviously i can never get in the zone if i dont even open the document yknow. thats why i write a lot of shitty drabbles! it keeps up momentum!) and then i just kept writing. and writing. and writing. trying to get a chapter out every day because i knew what i wanted to do and i wanted to finish it. when it comes to the finale, iiiii decided i wanted to do that whole thing literally 2 days beforehand. my friend told me "wow these options r all good" and i said "i know i kinda wanna see all of them too". and the idea was born. the seed was planted. the bug was in my fucken ear.

so the next morning i checked the poll on chapter 13, and saw that of course the option to keep seth alive was winning by far. so i wrote that in advance. then i started writing out the endings for the finale. i managed to get maybe 3 of them done. then the next day i finished the other 6, tweaked the earlier ones, all that. i uploaded them all, posted everything privately, fiddled forever w the links (which i knew were likely gonna break anyway-) and THEN WHEN THE TIME CAME I WANTED TO MAKE ONE LAST EDIT AND ACCIDENTALLY POSTED IT. so i had to unprivate everything in a fucking frenzy like OH MY GOD PPL WONT UNDERSTAND I RUINED IT I RUINED EVERYTHING. but anyway yes it took me like 2 days of writing and editing but the response was soooooo worth it. ppl were so so so kind to me. it was honestly amazing.

one thing abt me, i started planning my stories At All in the last few months. before that, Nothing. and especially w smth like glitching, where the audience's decision influences the next chapter and i cant plan ahead, i didnt even bother. whatever the audience chose was always gonna happen. if they chose to exit the stream on the very first poll, i wouldve ended it. im serious. i thought abt pulling "you try to exit but it doesnt work" but then i was like. no. ppl can have one (1) chance to turn their heads away if they want, as a treat. i wouldve written a chapter about the debilitating guilt and lifelong "what if" feeling, and that wouldve been it. as for the earlier murder options, yes! i wouldve gone thru w it at any time. starting from maybe the 6th chapter (or whenever i brought in the murder option) the audience held the power to end the stream and seth's suffering. they chose not to. but they couldve.

one option that i wanted that never got chosen was the baseball bat. im obsessed w beating someone to the point of broken bones w a baseball bat. so when the ending was getting nearer and nearer, i thought about simply disregarding the last poll and writing a single chapter where the host goes "i respected the choices u made up until now, but this time, im making the decision". but i was like. no fuck that. this is an interactive story all about being able to choose ur own decisions. i just asked the audience to supply me w puppy seth commands, citing how it was interactive. i couldnt just go and ignore that two chapters later, yknow? plus as u said it kind of all hinged on the feeling of "i did this. im responsible". so if i took that responsibility away in the last second IN THE MOST IMPORTANT DECISION OF ALL it wouldnt have been good enough

most of the time i just kept giving the options i really wanted to write, and eventually, ppl picked them. it was a good story in the sense that the order didnt matter too much. i could give the same options, and the host was still able to carry them all out.

some more behind the scenes- i thought about revealing the host's identity multiple times. i thought about making them someone the audience already knew (like ren, my friend's oc who greatly inspired the character from the very first chapter), or someone who couldve been vaguely familiar but unknown (a former friend of pumpkin?), but in the end i just settled on the mystery. especially since i decided to give it a paranormal twist. i couldve NEVER made a better reveal than the mystery itself. never ever. some things dont have to be revealed.

but yeah! thats that. i rly enjoyed glitching, i loved the response i got (it was by far the most popular story ive ever posted on here w the most tags and comments and asks), and i loved how i managed to do the finale. it was concise, i can say i finished another story, and its just all around a great time. thank u so much for ur message !!!