#and i used her in battle and thus know her connection to Sam
Explore tagged Tumblr posts
killjoy-prince · 2 months ago
Text
Tumblr media
This was really really cute!!!!
3 notes · View notes
starry-bi-sky · 7 months ago
Text
Danyal Al Ghul: Incorrect Quotes and Miscellaneous Thoughts
Incorrect quotes-style snippets specifically for my danyal al ghul au here (which i really need to come up with a unique au name for atp). Because I thought it'd be funny. And also some miscellaneous headcanons thrown into the mix. Some context for the au: - Danyal is 5 years older than Damian (so 10 and 15) - Danny faked his death when he was 10. Talia knows and helped him with it. - Jazz, Sam, and Tucker do not know he's an ex-assassin.
-------- Snippet 1
Danny, dryly tapping his temple: I have, as the Americans say, irreparable psychological damage, right here.
Jazz, an older sibling first and foremost: well, it's good that you're self-aware.
-------- Snippet 2
Danny, aged 10, in the American foster planning to just age out of the system: *emanating Bad Vibes. Pure, Little Orphan Tom Riddle Energy*
Jazz, aged 12, coming in to adopt a new sibling with her parents: Him. This is my brother now :)
Danny: ...what
--------
Lilo and Stitch is Danny's favorite Disney movie. He watched it when he was 11 with Jazz when she was attempting to connect with him, and by this point Danny was becoming receptive to her efforts. They had a movie marathon in the living room one night.
Safe to say? It resonated with his little 11 year old heart strongly, and he related very strongly with both Nani and Stitch. He got unexpectedly emotional and hid in his room for the rest of the night. Jazz felt really bad, but it had the intended (but kinda unexpected) effect of him trying to be nicer to her afterwards.
-------- Snippet 3
Dash, aged 12, causing trouble again and getting intercepted by Danny: *scaling up a desk* AHHHHH! GET YOUR LITTLE FREAK, FOLEY!
Tucker: Hey! Danny is not a freak!
Dash: GET HIM TO BACK OFF
Tucker, was the kid Dash was messing with: ....whats in it for me
-------- Snippet 4
Danny, saying some questionably immoral shit: What. Why are you looking at me like that.
Tucker: Bro. I mean this as kindly as possible; what the fuck?
Sam: yeah, I'm with Tuck on this one.
-------- Snippet 5
Danny, ranting about Vlad: if it weren't for the laws of this land, I would have slaughtered him
Sam, painting his nails black: I'm pretty sure you'd slaughter him regardless of the laws of the land -- and quit moving, you're gonna mess me up.
Tucker: we've literally seen you debate yourself about this, Dan
Danny: ...you are correct, but it is the principle of things.
-------- Snippet 6
Vlad: I have experience my child, and the money and power attained through using those powers for personal gain, you say. I could train you, teach you everything I know! And all you have to do is renounce that idiot adoptive father of yours.
Danny, was already contemplating committing a Violence: ....
Danny, internally: I'm going to stab him *turns into Phantom*
--------
Funny contrast I realized between Danyal and Vlad that iirc I haven't pointed out yet is that imo, Danyal doesn't rely on his powers nearly half as much as canon Danny does. He falls back instinctually on his League training, and thus sometimes forgets to use his powers in battle. This was prevalent especially early on when he was still getting used to the whole 'halfa' thing.
He incorporates them more often after a year, but still for the most part relies on his own physical hand-to-hand combat. He trusts those skills much more than he does his powers. I'm not sure where he is on a technical level compared to canon, but just to stay safe I'll say he's similar in power skill as canon Danny. Perhaps a little more finessed than him because his League training would probably have him trying to figure out his powers as soon as possible.
But in summary? Danny is strong in hand-to-hand combat, weak in powerset.
Meanwhile Vlad is the opposite. I can't recall if he even knows hand-to-hand in canon, but it makes total sense to me that Vlad Masters wouldn't because he's so confident in his monetary influence and ghost abilities that he sees no need for it.
And he's kinda got some merit behind it. He's very powerful and has 20 years of experience to experiment and fine tune his powers. He's got bite to follow up his bark. He's perfected long-range combat and his ability to phase through walls makes it impossible to corner him, but if you can manage it, then one good hit could probably knock him on his ass.
So in summary, Vlad is strong in powerset, weak in hand-to-hand combat.
And it casts a good contrast between the two of them in that regard. Danny, as a fellow halfa, can follow Vlad when he phases through walls and is fast enough to land a hit on him. His league training as an assassin, albeit rusty, is still deep ingrained enough in him that he can hold up as a rather veritable threat against Vlad without needing his powers.
But Vlad can force Danny to use his powers more often through use of his own. The duplication is the first thing to come to mind: Danny's fast enough to dispel them on his own without powers, and smart enough that he could figure out who the real one is if given a few minute. But that's not always efficient enough.
Good foils for each other that way. Also Vlad's Plasmius design mimics Ra's juuust enough that he looks like Ra's knockoff loser second cousin no one talks about, which only fuels Danny's hatred.
-------- Snippet 7
Danny, ranting about Vlad for the first time: --and it's only made worse by the fact that the little ingrate resembles a cheap knock-off of my grandfather!--
Sam, choking on her water: he what--
Tucker, doing a spittake: HE DOES?
626 notes · View notes
ao3wasntenough · 2 months ago
Text
I’m thinking of like a human fantasy idea where the allspark was like some kind of magical empress who died and who’s magic soul was preserved in an artifact, and when the wizard Sam was discovered to have a innate connection to it Sentinel tried to combine Sam and the soul of the empress and it kind of worked, Sam could enter this meditative state which physically morphed him into something akin to a sphinx (the allsparks magical form) that allowed her magic and her semi conscious to flow through him, and Sentinel got it in his head that if they could keep Sam in that state then they could once again have the glory of the empress with them at all times
So sentinel staged a gathering with Optimus present (Sam and Optimus having met years before and discovered Sam’s connection to the allspark through their own quest to battle Megatron, which after Optimus then brought Sam to sentinel to show his mentor) and Sentinel stabs Sam through with his sword,
Sam so afraid of death triggers the allspark transformation trying to save his life with the magic invokes the ire of the allspark and they curse sentinel and the primes present for they must have conspired to try amd control the allspark and sacrificing Sam together! And thus reawaken an ancient horror Unicron to curse the lands and kingdom for its greed may they know what it feels like to be devoured.
Everyone kinda got caught up in the whole Unicron has come to destroy all to forget the betrayal that brought him to life again
And thus it falls to HotRod soon to be Rodimus Prime to journey and uncover the truth of the betrayal and the epicentre of all the horrors to try and stop Unicron
I was listening to the plagues from prince of Egypt
And the idea of like Sam being used like an oracle
I have visions but I don’t know if I have the skill to illustrate it all but it’s just really a concept I’m probably not gonna do anything with except daydream
8 notes · View notes
tea-with-eleni · 10 months ago
Text
Whenever I see posts mentioning Darmok, I always think of one of the best teachers I ever had.
Ms Goodloe taught world literature in tenth grade. She knew the curriculum, and more importantly, she knew the WHY of the curriculum. It was SUPPOSED to overlap with all of our other classes to the point where it wasn't entirely clear where english stopped and history or art began.
When we did the Epic of Gilgamesh, for example, we not only read the text and learned the history of mesopotamia and Ur and so on. We also built artifacts from the text -- statue heads, chariot wheels, robes, and in one case, a 3-meter battle axe. (I still don't know how Sam made that one -- dude bicycled to school every day. How do you get a 3 meter battle axe to school on a bike? I get why nobody stopped him, he was a crazy guy with a giant axe, but how did he DO it?!)
She also told us, with a more-than-slightly insane grin, that she had something EXTRA special one day. She got an ancient projector working, loaded up a VHS tape (we still had a few in 2010, although not many) and we watched Darmok.
I'm not sure how much of it was that she just liked Star Trek, how much of it was connecting the curriculum to pop culture, how much of it was to keep us off balance and thus keep discipline (it was a VERY effective strategy), and how much of it was to point out that the rising language of communication-via-memes wasn't something our generation invented. But it was a very memorable class.
She retired after us, because the school system was becoming increasingly hostile to teachers. I should have taken that as a cue, in retrospect -- I worked for the same school system, albeit mostly at a different school, ten years later and it just about killed me.
I wish I had her address or something. I'd like to send her a letter some time and tell her just how much I think about her class even now.
9 notes · View notes
raygirlramblings · 4 months ago
Text
OOOOOH MY GOSH I was not ready for Pagan Min VS Rayman in this AU BUT I LOVE IT.
It ramps up the stakes so much that's bananas. Suddenly Rayman isn't just worried that his own bosses might find out what he's doing (thus putting Jade and Co in direct danger) but Pagan finding out means he can use it to exploit both Rayman AND Jade and the kids. So it become a battle of who can keep their cool longest. Pagan can't outright confront Rayman because he's Eden's golden boy but he just has to put enough pressure on him to make Rayman crack. BUT Pagan doesn't know how strong Rayman's resolve and desire to protect those kids is. He was a hero once ;) AAAAAAGH SO GOOD
OMG Alex just lurking around being an asshole is very fitting, and the idea of him trying to weasel his way into Dolph's life after hearing a rumour about him working at Pey'j's place is so fitting. You can see him just loitering around, ordering food and fishing for answers about the mysterious kitchen boy Pey'j has got ♥.
This only enforces Pey'j's dad instincts because he KNOWS Alex is a douchebag and while he knows Dolph is a grown adult he doesn't want him getting caught up with this charismatic older guy who could easily lead him astray. Thankfully Dolph has both Pey'j and Jade within reach to keep him from falling too hard XD
I'd love for Jade to sit down with Dolph and be like 'look we don't care if you're gay or into older dudes but Alex is a total creep and you're too good for him.'
YES YES YES LUCY SHOULD ABSOLUTELY BE THERE!!! Maybe she could be called in to help with the Rayman/Pagan situation as extra security detail for Ray, only to start wondering why this mafia boss is so interested in Rayman. She's a smart gal, she can follow the breadcrumbs ;)
I figure Sam and Sarah should be around but I'm not sure how the timelines would connect up. Because for Sarah to be starting her military career she would have sold out her dad and Marcus already meaning they wouldn't be around to be helping Jade&Co. But we can always drop certain bits of the cannon to make it fit. Maybe Sam lets Sarah join the military just so he knows she's 'safe' while still working undercover with Marcus.
OK so I had enough interest in my new CLH AU concept to actually put it to paper so here we go :3
I call it 'Orphans of Eden' AU
What IF instead of being found and taken in by Alex after getting away from the military, Dolph is instead helped by Jade and Pey'j?
This AU takes more influence from beyond Good and Evil where Pey'j and Jade run a business while also taking in and caring for orphaned mutants in Eden. See Eden basically manufactures mutant kids to become labour for the city and most are raised in compounds. it's not a great life but the kids are fed and get basic schooling (and access to plenty of kids tv featuring our favourite limbless shill!). But mutants born with birth defects or who are considered 'worthless' tend to get quietly shuffled off to be 'disposed of'.
Jade and Pey'j are part of an underground network (maybe loosely connected to Holloway's group?) who 'steal' these vulnerable kids and care for them, then find the means to ship them out of Eden to safety. In the meantime Pey'j runs a small restaurant/take out place as a front to fund the care of these orphans (I'm thinking like a noodle shop or something, like Nikaido's gyoza shop in Dorohedoro). Jade makes a little cash on the side investigating Eden's crimes and doing freelance jobs for the rebellion.
So a younger Jade and Pey'j stumble on a passed out Dolph and take him in despite the fact Pey'j recognises him as a soldier. They nurse him back to health and invite him to stay with them (and help Pey'j out with the restaurant) until he can figure out what he wants to do. Dolph agrees having no real plans of his own, and starts to be shown the dark underbelly of Eden from a different perspective.
Dolph becomes the cool big brother to all the kids being fostered. He and Jade develop a dorky brother/sassy little sister relationship with Jade teaching him some basic life skills to help him on the rough Eden streets. Pey'j, seeing Dolph as a musclehead with no experience outside of the military takes on a more fatherly role, teaching Dolph basic restaurant skills. Dolph discovers a love for cooking and his ability to maintain his cool in tough situations makes him a great line cook. He still has to maintain a low profile to avoid Eden's police force so he stays back in the kitchen most of the time.
Thanks to his time with them Dolph discovers what it means to have a family network, and how to show compassion to the most downtrodden in society. The mutant kids adore him and he strives to be a role model and stay strong for them. It's not easy looking after little kids in a nightmarish corporate hellscape, but this Au would explore the trials and tribulations of finding enough to survive, using every skill and favour you have access to. That may involve taking on a few risks for the best rewards ;)
There also might be a side plot where Dolph is attempting to track down his mother using his new connections, trying to find out if he's truly an orphan.
So how do the other characters from the show fit into this AU? I'm still making links here and there but I have a few guidelines laid out.
Bullfrog - Still a badass assassin. He's generally doing his own thing but his stealth abilities and knowledge of Eden are vital in preparing safe routes for the orphans to get out. When it's time to ship one of the orphans to a new safe home Bullfrog is there as a personal bodyguard. Obviously the kids love him, though his visits are few and far between. He likes to brings the kids stories and gifts from his adventures ^0^
Rayman - Despite being Eden's number 1 poster boy Rayman is vital to the orphan's safety. Before Jade and Pey'j meet Dolph the pair manage to get the attention of Rayman thanks to Holloway and Bullfrog. Rayman is still very much invested in the wellbeing of Eden's youth and is horrified when Jade provides him photographic evidence of the cruelty subjected on mutants by Eden. Instead of going rogue however he instead becomes a double agent for the resistance. While maintaining his good standing with Eden he uses his connections from within to find pathways out of Eden for he kids, disguised as drug deals. Eden just think Ray is getting his weird fixes, but instead he's using similar networks to smuggle the kids out of the city with Bullfrog's help. It's tough as Eden is constantly breathing down his non-existent neck but Ray is determined to do right by the kids who look up to him. He keeps his distance from them and he and Jade communicate through codenames.
Holloway - While not directly involved with the orphanage Marcus finds Jade's espionage and investigation skills invaluable. In return for information he assists her and Pey'j getting mutant kids out of Eden's clutches, and forwards them resources where he can. While Pey'j is super wary of him Jade sees Marcus as a valuable ally, and when Marcus finds out about Dolph he becomes even more invested in the potential of having an ex-Eden cyborg on their side to take down the powers that be.
I haven't figured out much else beyond this yet, but obviously if anyone has input I'd love to hear it!
Keep in mind this would take place earlier than the show timeline, at the point where Dolph would have met Alex and long before Sarah would form the Ghosts.
58 notes · View notes
dreamsmp-au-ideas · 4 years ago
Note
Ok, basics of Soul Eater. This is a world where people can be born with the ability to transform into magical weapons, known as Demon weapons. They can come to this school called the DWMA (Death Weapon Meister Academy) and find a partner who’s able to wield them, called a meister. If their soul wavelengths are compatible, they’ll become a pair. These weapon-meister pairs are then tasked with going out into the world and fighting off kishin eggs, which are people who have strayed onto the path of evil by eating human souls. If they aren’t hunted down and eliminated, they will eventually form into a kishin – a creature of pure madness that would destroy the world.
There are also Witches, beings of magic who are kind of like a third party – some want the kishin to be revived because it causes chaos, but others are chill and actually on the side of the DWMA. Witches are important because their souls are the key to a Demon weapon awakening their true form, and gaining extra powers. Defeating a witch and consuming their soul makes the weapon into a Death Scythe, a weapon powerful enough to be wielded by Death himself, the god of the world.
For my AU, I’m just taking the premise of the world and replacing the characters with DSMP/MCYT characters, so I won’t explain much there. Great show, would recommend highly, it’s on Netflix, read the manga as well if you’re disappointed by the ending of the anime.
Anyways, I’d like to use more MCYT characters than just DSMP peeps, like some Hermitcraft folks, but I know nothing about them really, so I just have DSMP stuff for now.
Phil is Death, because I can’t help but make him immortal in every AU I make. He’s the one who determines who has started to go down the path of the kishin and makes the order for them to be taken out. (Sounds kinda intense, but in this universe souls of people like this actually look different to healthy human souls).
Dream and George are a meister-weapon pair. George is a Demon Axe, and they are classified as a Three-Star pair (the highest ranking a meister can achieve, and second only to being a Death Scythe for a weapon.)
Techno is also a three-star meister, although his situation is a little different. He doesn’t wield a Demon weapon, but instead he wields a legendary sword called Harpe, which is a shapeshifting weapon that can take different forms. (So, in the series, they have Excalibur, who is this really powerful sword that anyone is compatible with, wavelength wise, but he himself is really freaking annoying so nobody can stand using him as a partner. I wanted to give Techno something different, but I wanted to tie in his connection with Greek mythology, so I created my own legendary weapon. Harpe is Perseus’s sword in the mythology, what he used to decapitate Medusa. Harpe is the same as Excalibur in that it can match anyone’s wavelength, but instead of just being annoying like Excalibur, Harpe allows Techno to hear the voices of the dead. Wherever he goes, there are people who speak to him, and usually it’s just idle chatter and he pretends he can’t hear them, but they seem to know that he can because he always seems to attract them wherever he goes.) Harpe usually takes the form of a sword, but it can also become a trident, a spear, and a pickaxe.
Then there are the two-star pairs, who are a level above the regular students and able to take on more dangerous missions. There’s Sapnap and his two weapons Karl and Quackity, who wield fire and water/ice (not sure yet) respectively. Sapnap and Karl were partners first, before Quackity came to the school, and he was a menace. Sapnap is a very powerful meister, but also very destructive due to his partner being fire and him not knowing how to hold back sometimes. When Quackity became a student and the teachers learned that he was a water weapon, he was begged to partner with them to try and reduce the amount of damage Sap does on lessons, and generally chill them out. Of course, the teachers didn’t account for Quackity being just as chaotic, if not more, than his partners, and thus begun the most chaotic trio at the school.
Bad and Skeppy are partners, and originally I was gonna have Skeppy as the meister with a reluctant Bad who gets pulled into Skeppy’s pranks, but then I remembered that IRL!Bad is a badass who throws knives and shoots guns and stuff, so I changed it so Bad’s the meister and Skeppy’s his knife weapon. Bad still gets dragged around with Skeppy’s shenanigans though.
Punz and Ant are partners, mostly because I needed them to be in the AU somehow and they both needed a partner. Honestly don’t know much about either of them, and I don’t know what kind of weapon Ant is, but they’re strong enough to be two-star.
Then there are the one-star meisters, which is the ranking all students start as. You have Tubbo and Tommy, Wilbur and Fundy, Niki and Jack, Puffy and HBomb, and Purpled and Hannah(hannahxxrose).
To the surprise of most people who meet them, Tubbo is actually the meister in their pair. Which makes it very funny when Tommy’s being his usual bombastic, irritating self and picks a fight with another pair who they may not know, and when they get ready to fight Tommy calls over this innocent looking kid and starts glowing in his transformation, becoming a crossbow that can shoot explosive shots (like a firework crossbow).
Fundy is an interesting case, because he is actually a Witch (using the fact that Fundy’s character on the SMP is ftm trans, and because witches in this world are animal-themed and it just made too much sense with his fox connection. He has ears that he hides with a hat and a tail that he hides.) He’s partnered with Wilbur, who is a set of oversized gauntlets that have claws at the end. Yes, he gets furry jokes, no, he’s not amused, but he deals.
Niki and Jack are the weapon I’m probably most excited about. Jack can transform into a big shield, Steven Universe style, but it also has another ability. Niki can strike it with a mallet in different ways, and the sound that emanates from it has a different affect on her enemies/their attacks. She can ring it so that it resonates at a frequency that can break glass, can stun her enemies, etc. A lot of people think she’s weak or not as good as others because her weapon is defensive, but she just smiles and knows that if they ever see her fight, they’ll think differently.
Puffy and HBomb is half a joke, but also serious. HBomb is some sort of spiked whip/lasso, but many people joke that he’s a glorified fishing rod because Puffy once used him for that and he never lived it down. (Because Puffy’s a captain, but also because HBomb has his podcast and it just seemed to fit). Puffy is also a sheep witch, and bonds with Fundy over it since nobody else at school knows about their heritage (given that Witches are usually an enemy of the DWMA)
Purpled and Hannah, I will admit, are only a pair because they’re both bedwars players and it seemed appropriate? No idea what kind of weapon Hannah would be though.
Real quick, here are some other character roles. Ponk is the school nurse, Sam is a technician who is supposedly working to make sure the school is functioning, maintaining the old pipes and stuff, but he has a lot of secret work that Death has him do on the side of that. Alyssa and Callahan are a Death Scythe pair (Alyssa as a meister) who work on another continent and aren’t ever around, cause I thought it would be funny.
Ranboo is a special case of being his own meister? If anyone reading knows the series, he’s basically like Crona. But instead of madness from the black blood, it’s his enderwalk state that he eventually gets snapped out of in an epic battle with Tommy/Tubbo. He has two non-demon weapon pickaxes that he fights with, as well as the enderman powers from the SMP, and some mild telepathy.
In terms of other MCYT, I don’t know much about the hermits but most seem like they would be good teachers? The only one I was told had to be a meister was Falsesymmetry, because she’s a pvp god. And her weapon is Rendog, because I was told he’s supportive of her and also goes feral if needed? So there’s that. Ren is a transforming weapon, it’s a bow that can disconnect at the middle and become two swords connected by a magic chain that can extend as far as needed.
I have no idea what to do with Eret or Schlatt, they feel like they should have important roles but the “corrupt politician” or “the traitor who became king” bits don’t work super well in this universe. Well, traitor does, but I also love Eret and want to give them a good ending. And I could easily use Schlatt’s normal video persona rather than his SMP character, because that would be kinda funny and not something I see as often. - 🐉
Oooooooh. This is super interesting. This is super interesting. I really love this concept already!
121 notes · View notes
breynekai-tfc · 3 years ago
Text
Threw all my stories into picker wheel, and it told me to write “Hunger”, so I said, “Okay, mysterious forces of the universe, I’ll write that first chapter.”  
Not even one page in, and I’ve made myself cry.  
That’s how you know it’s good.  👍
---------
Here’s some insights.  Welcome to the Parasite AU.   Let’s meet the Armageddon Worm.  
In this AU, Danny Fenton is living in Amity Park, which is one of the last civilizations on the planet.  About 20 years earlier, a parasite appeared.
This parasite is carried by animals but does not affect them in any way.  Mammals, birds, fish, reptiles, amphibians; there is nothing that does not become a carrier.  Soon, the entire ecosystem is infected, across the globe.  
Animals carry the parasite, but it thrives in humans.  It enters the human body when humans ingest meat.  The parasite is a nasty little guy, too; like the tardigrade, they can withstand extreme temperatures, radiation, vast amounts of pressure, and can go for ten years (or more) without food or water and still be able to bounce back and reproduce.  In the human body, they can utilize blood and energy to rapidly heal their hosts.  Really, the only way to kill a human infested with the parasite is to destroy the brain (thus rendering the nervous system useless) and then destroy the body by incineration at a high temperature.  Cutting out the parasite is ineffective, because it has infected the blood and will simply grow back.  Also, removing it from the nervous system is almost always fatal to the host. 
Once inside a human, it begins growing in their stomachs and hijacks their nervous system.  It eats and replaces the majority of their internal organs, leaving only the heart and lungs behind.  The host gains heightened senses and physical abilities and miraculous regenerative abilities, but they become ruled by hunger and lose most of their cognitive function.  
In the final stage of its development, the parasite processes the consumed organs, expands its size, attaches itself to the severed blood vessels, and finishes developing the iconic “devouring arm”.  The arm sits at the base of the throat, and during feeding/hunting, can extend from the host’s mouth and use its sharp masticators to cut food and the internal teeth to move it into the main body of the parasite.  There, the food is processed for energy, and anything the body can’t use is hacked up.  Very soon after ejecting the waste, high levels of ghrelin are produced, and the host is once again stimulated to hunt.
(Think Guillermo del Toro’s “The Strain”, except they’re not vampires.)  
Anyhow, about 20 years ago, this parasite appeared.  It can infect humans through bites from one to another, contact with infected blood, or ingesting an infected animal; so for some time, people did not know where it was coming from.  Birds, insects, fish, and international shipping methods helped to infect the whole world within a few weeks.  Chaos and violence ensued, and even when people had no contact with the infected, cases continued.  
Scientists had conflicting reports of what carried the parasite.  Certain insects.  Rodents.  Birds.  Biologist Maddie Fenton, working with her husband Jack, made the connection.  They tested a number of species, and realized that ALL non-human animal species larger than houseflies were carriers.  
At this point, civilization had already broken down.  But they spread the word, and soon, strongholds were able to develop, including Amity Park, the stronghold of the Midwest.  It consists of two concentric structures; the center is a bubble-city, with artificial atmosphere, weather, and farming techniques.  Anyone who goes in is sterilized before entry, so that they can’t bring insects inside.  The second layer is a mile-thick area of suburban ruin, which has been cleared of Eaters.  It is surrounded by a wall, for defense.  If there is a breach, the hope is that this inner region will allow a barrier against the main city, a safe zone to hunt the Biters while the wall is repaired.  This ruin is called the Outskirts of Amity Park.   
Jack and Maddie Fenton developed the city’s defenses, while Damon Gray leads the community in food production for a safe and vegan lifestyle.  The Fentons continue to produce weapons against the infected and are trying to find a way to eradicate the parasite from the ecosystem.  So far, 20 years have passed, and they have made little progress.
Enter Danny, Sam, and Tucker.  Despite the world having gone to hell in a handbasket, they are teenagers who are going to school.  While some of their lessons are traditional, many involve science and technology, and P.E. supplements a soldier training period for those who wish to battle against the Biters on the outside.  They train in high school, run missions outside the wall for one year, guard the wall for one year, patrol the Outskirts for one year, and those who are still alive move to the inner city to become guards there or decide where to be stationed as a general.  (I imagine Jazz training to be a psychiatrist for PTSD sufferers.)  A certain number of people have to apply for the program when they enter high school.  If they don’t, there is a mandatory draft.    
Danny lives under the shadow of his parents’ great success and subsequent frustrations.  He feels like he should doing something useful to help the town, but he’s a bit of a dreamer instead.  He is really interested in the world from before he was born and spends much of his time looking into it.  Researching at the library – watching old news reports and movies – exploring ruins in the inner-wall region.  He thinks it’s amazing that people once went to outer space.  Now, they’ll never leave Amity Park.  
Tucker and Sam are his friends, of course.  Tucker is really interested in technology and is training to enter the weapons and communication development field.  Sam is into plant sciences and wants to enter the field of food science.  Danny – well, he honestly doesn’t know.  He figured he would train to be a soldier, but then his parents forbid it.  No big loss there – he isn’t the most physically adept person.  But, he doesn’t seem to have a calling, besides history.  Mr. Lancer thinks he should be a teacher. 
But of course, he wouldn’t be Danny Fenton if he didn’t somehow lose his humanity.  
🙈 
That’s as much as I’ll share for the premise without getting into any important spoilers.  Inspiration for this au from:  The Strain, Attack on Titan, Ao no Exorcist, D.Gray Man, and a fanfic I was writing for Heinlein’s The Puppet Masters back in college.  
35 notes · View notes
Text
About the importance of taking care of nature in the words of Tolkien
Tumblr media
Isengard depicts in the world of Tolkien what happens when people lose the love for nature. It becomes a mess, one loses the connection and for some more important: one will eventually lose the battle against nature. From my perspective, that’s actually a good thing, but for Saruman it was clearly not a good thing when the ghosts of the forests, the Ents, were finally at his doorstep when nature hit back against the one who destroyed their place. 
Nature is one of the most important things we got. My blog is full of things I find in nature and in general I love all there is there. Nature has one big enemy: men. As humans, we want the world to be as cleaned up as possible. And that is nice, when it involves trash. The whole world is full of trash, plastic soup and other mess that people have dumped in the nature. Last summer I saw this. 
Tumblr media
At the side of the road, was the trash dump of some towns. Of course, the trash spread through all of the surrounding, including the nearby sea. Swimming there was hardly possible because of all the trash, but also: collecting trash was actually useless because it would end in nature no matter what. But in Europe we also ruined a lot by wanting to regulate things like nature. Or pour trash over it from the sky, killing vulnerable plants. Or worse, in cities, where garden change into stone desserts because ‘it takes less work.’
In the Lord of the Rings, Tolkien lets Gandalf say: 
“It is not our part to master all the tides of the world, but to do what is in us for the succor of those years wherein we are set, uprooting the evil in the fields that we know, so that those who live after may have clean earth to till.’
Tumblr media
A painting by Alan Lee, depicting Gandalf and a tree. 
He wrote this in the 1940′s - speaking of course from the perspective of Gandalf, but the message is clear. We who are at the earth now, have to make sure the generations after us still have an earth to live on, and one that’s actually livable.  But it’s interesting what he says. We cannot master all the tides of the world. This implicates also that we have to do the best as we can now. Some people claim that we should wait to protect the environment until there are new technologies. Tolkien clearly disagreed. Every generation has to do their best for the world and to keep it clean and beautiful.
Tumblr media
A not so well known book of Tolkien, is ‘The Letters of J.R.R. Tolkien.’ In this book, you can follow Tolkien from his time at the front of the First World War to literal days before his death, when he goes to a house to rest a bit and dies there. The Letters show a lot of the person Tolkien was (It includes for example a letter to The Third Reich, saying that he is sad to say that he has no Jewish blood, because they are talented people - quite brave in the time that Hitler ruled) but also show his chaotic personality, his way of dealing with things he did not like (such as movies) that he could write into pieces, but also his deep love for nature. A great letter he wrote in 1962..
There was a great tree – a huge poplar with vast limbs – visible through my window even as I lay in bed. I loved it, and was anxious about it. It had been savagely mutilated some years before, but had gallantly grown new limbs – though of course not with the unblemished grace of its former natural self; and now a foolish neighbour was agitating to have it felled. Every tree has its enemy, few have an advocate. (...) This fool* said that it cut off the sun from her house and garden, and that she feared for her house if it should crash in a high wind. It stood due east of her front door, across a wide road, at a distance nearly thrice its total height. Thus only about the equinox would it even cast a shadow in her direction, and only in the very early morning one that reached across the road to the pavement outside her front gate. And any wind that could have uprooted it and hurled it on her house, would have demolished her and her house without any assistance from the tree. I believe it still stands where it did. 
Tolkien did not mean he hated the neighnor: in a sidenote he wrote that she was a nice person, except from this. But Tolkien does find a true problem here in this letter. 
‘Every tree has its enemy, few have an advocate.’
It’s maybe the most powerful quote of Tolkien that I know, because it’s so true. We all know the examples of trees going down, sometimes being replaced by a small tree, sometimes not being replaced at all. Often because it creates a mess (or, actually, that what keeps forest growing forever and is a perfect circular system), because it creates shadow (very much needed in the world that keeps getting hotter and makes cities livable in summer) or because there needs to come a new road (making the city even hotter). This particular tree survived a lot of things, but the neighbor in question wanted it down because it could fall on her house. Tolkien writes it amazingly: any wind that could have unrooted it, would demolish her house as well.  He clearly shows by that how ridicolous it is to remove trees: they give so much to us. And trees will die at some point and than give way to new trees. 
Tumblr media
Tolkien’s love for trees went deep. So deep that he wrote the Ents in the Lord of the Rings as guardians of nature, and presented them as some of the wisest creatures in the books. He wrote them as protectors of the forest. They had to defend the forests against other creatures, and in particular dwarves, who would try to cut down trees. The Ents were literally meant to defend the forests against deforesting. 
But another clear sign we find in an little book of hardly 50 pages that Tolkien Wrote: Leaf by Niggle. Niggle is a painter, who is really busy painting a tree, but never finishes it. Until he dies and goes to another world, where he can live in his painting and enjoy the true majesty of his tree. 
Tumblr media
Source: https://ar.pinterest.com/pin/691935930228115781/
But it also becomes clear in the Scouring of the Shire, the last Chapter of The Lord of the Rings, in which the Hobbits return to the Shire and find that it has been changed. The agricultural area has changed into an industrial area, full of smoke and machines. Tolkien clearly uses that to show that this industrialisation is a bad thing - and in particular industrialisation for the cause of industrialisation. Sam get’s the chance to restore the Shire.
All in all, we can still learn a lot from Tolkien about trees. His love for trees and the forest, but also on how to deal with them: with respect. If the books of Tolkien should teach us anything, it’s respect for the woods, respect for the tree and the love for nature.  
12 notes · View notes
wingletblackbird · 3 years ago
Text
The Inheritance of the Shapeshifter Gene
Since I have been enjoying the laughs the Twilight Renaissance has granted me: Here is my contribution. It is not hilarious, but I think it is interesting. I tried to apply a bit of science and realism into S. Meyer’s world…
Sex-Linked Traits
In Twilight, S.Meyer suggests, both in canon and through provided family trees, that the wolf-shapeshifter gene can be inherited from father to son. However, I think this is unlikely as the gene is almost exclusively expressed amongst males. In fact, until Leah Clearwater, no woman has ever phased. Given the significantly disproportionate expression in males as compared to females, I think the shapeshifting is an X-linked recessive trait.
This means that men who inherit an X-chromosome with the gene will phase in adolescence, if presented to the appropriate stimulus. (I do not believe it is exclusively vampires.) However, for a female to phase, she must have two X-chromosomes with the gene. I think this must be what happened to Leah. She inherited the gene from both sides. This, combined with the increased threat, led to her unprecedented phasing. (Also this means that we don’t have to worry about Embry’s paternity. He gets the gene from his mom.)
Why This Makes Imprinting Important
The unique inheritance of X-linked conditions makes sense in the context of imprinting. Men can pass down the gene to their daughters who will become carriers. However, they cannot pass it on to their sons. This means that if they want their sons to inherit the responsibility of protectors, they must reproduce with a woman who is a carrier to have a chance.
When one looks at wolves in nature, a pack is typically made up of the parents and their cubs. The parents are faithful to each other, as a general rule, until their partner dies. They also seem to pair up based upon genetic compatibility, and stay together for the cubs. In captivity, where wolves cannot easily leave a pack to form their own, usually it is only the alpha male and female who reproduce. In some cases, the beta may as well. In the rarest of cases, other wolves may.
If we translate this to the human context of Twilight, I imagine that typically it is only the chief, or the alpha of the pack, who imprints. Noticeably, Emily’s home has become pack central and she is the one caring for the pups who call each other “brother.” It does make for a mirror of a real wolf pack. Sam and Emily are the alpha pair. Now Sam’s kids will likely be able to inherit the responsibility as they age. 
Before the modern age, I imagine the pack typically was a father and his sons, even more reminiscent of a normal wolf pack, with some cousins and/or kids of the beta as needed. We know that wolves phasing has become rarer in the last couple centuries for the Quileute. Prior to Ephraim’s grandfather’s generation, however, a pack of three wolves was typically maintained.  Most likely encounters with Europeans decimated them and certain traditions were lost. I cannot imagine the gene got any less potent given the increased phasing we see in Breaking Dawn. Consequently, it is most likely that, historically, the sons of the chief/alpha were exposed to some kind of danger or test to get them to phase. If they did not, the next most likely adolescents, maybe a cousin or a child of the beta, were taught to phase until there were three wolves. They were trained by their fathers, and the traditions and responsibilities were passed down. Hence, the title of alpha, unless challenged, may be passed down the male line, but the genetic inheritance is owed to the mothers, quite possibly she was imprinted on. The modern-day pack had to fight as teenagers without training since that tradition was lost. It stopped getting passed down father to son/nephew/cousin etc.
I despise the way imprinting seems to take away your choice about who to love, and even alters your character, nor do I believe love can be compelled. I am far more inclined to think that imprinting is just a biological imperative to protect a female who is a carrier for an important gene. In the modern day, that can just mean she especially comes under the wolves protection. Historically, when arranged marriages were the norm in Quileute culture, marrying the woman you imprinted on likely was standard. This would make sense in the context of only the Chief imprinting, especially if they noticed marrying the imprintee meant his sons were more likely to be wolves. It was what was best for the tribe. Marriage has also historically been about protection/security in many cases too, for better or worse. Moreover, in the Quileute creation story, (the real one, not the one S. Meyer gave us), Kwati indicated that it should be one woman for every man, except the chief who could have several. Thus, if the chief/alpha was not in love with the imprintee, he could always marry another, (although marrying for love is a fairly modern notion.) Way back when, even eventually marrying a girl you knew as a child would not be utterly unheard of. In no way, however, do I think that means Jacob and Quil are going to naturally end up with the kids they imprinted on. Nope. They might feel inclined to protect these kids, but that is it. Yes, they do have free will. They could even ignore the imprinting if they chose. We can all ignore things our biology tells us. It’s just annoying and uncomfortable sometimes. (Hey, if the Cullens can ignore bloodlust, the wolves can definitely override imprinting.)
With imprinting acting as a means of preserving genetic expression, it does make sense that the number of cases of imprinting would increase with a heightened threat. I imagine imprinting is rare, generally reserved for the chief/alpha of the pack only, like what initially happened with Sam Uley. However, with newborn armies and more vampires in the area, imprinting went up. It is telling to me that the people who imprinted were the higher ranking and/or older wolves too.
Imprintees and Female Shapeshifters
The historical practice of ensuring there were always three wolves likely prevented any of the few females who might have shapeshifted from phasing. There would be no need for them to phase if the threat were already taken care of. Apart from men genetically being more likely to phase, it just makes more sense. You do not want women on the frontlines.  You can repopulate your people far more easily with a handful of men and many women, but it is harder the other way around. Also, who is going to nurse the young if all the women run off and get killed in battle? Women would not have been tested for phasing even if they could. 
Hence, while Leah is the first female to phase, I do not believe that Leah was the first female to have the potential to. She phased because there was an increased threat level. She was the right age with the right genes. (Plus, no one had a clue what was going on making things worse.) Her phasing is also why Leah does not get imprinted on, even though her male kids are guaranteed to carry the gene. The imprinter is not likely to pass on a gene to surviving kids if their mother gets killed in combat. Ironically, looking at the family trees, I think there is a good chance Emily might have two copies of the shapeshifting X-chromosome. However, if that was the case, Emily was just old enough to escape the effects. She got imprinted on instead. (Given that even the increased threat level in Breaking Dawn did not result in any more girls transforming, it continues to support the theory that phasing is an X-linked recessive trait.)
This leads me to Re-name-me Cullen. If she got imprinted on by Jacob, she must be a genetic carrier. This means that Bella was a carrier, and likely that Charlie was too. Given that Charlie seems to have a cousin who married into Quil’s family, I imagine he must have inherited the gene through some kind of Quileute connection in the past. Naturally, Charlie has no clue. It is hilarious to me to picture Charlie phasing all of a sudden though.
I imagine the odds of ignorant people phasing and not having a clue why could become a problem. When the tribe married within the tribe, people knew what was going on. In the modern age, as people who are unknown carriers for the gene leave, marry outsiders, and possibly never return...Well, I pity their poor kids!
16 notes · View notes
gaybutterflynerd · 4 years ago
Text
Ok hot take: The Eggpire should’ve won at the banquet.
Gonna be honest I really want the Eggpire to win in a major stream. It’s just... I guess I’ve always had trouble taking them seriously and antagonistic force? Let me explain why.
One of the things I love about The Dream SMP is the fact that the antagonists have a long history of winning. When it’s a battle between 2 conflicting sides it feels like battle, and (in the older streams especially) because of the improvised status people didn’t hold back, and it felt like if someone managed to win organically there would be no chance of retcons. Anything can happen. That’s the best part of it being streams, there’s no “oh there’s a bunch of episodes left with ‘insert thing here’ in the title, so they to win”. There are real, unpredictable stakes. Not to mention, every major antagonist has done something tangible, and had something that makes them a real threat. Let’s look at the antagonists thus far:
Dream (l’mansburg independence war):
Actively prevented L’mansburg from becoming a thing. He was the admin, it was his say.
Had stolen the Discs back in the disc war
Got Eret to betray everyone, causing all of the members to die
Blew up the nation itself
Killed Tommy in a duel
Got power over Tommy via the discs
Basically won the war
Final Explanation: Though this was back when there was less roleplay there was still tangible acts and reasons to take him seriously. Not only did he have a past with conflict with the current “protagonist”, he basically won at every step of the way. He was bad, because he stood in the way of the “protagonists” getting what they want, and he had real power to do that.
Jschlatt:
Had the presidency, and by the viewer vote rather than a simple power seize (legitimacy as a threat)
Had the charisma/intimidation to get the citizens of L’mansburg to enforce an exile of Tommy and Wilbur
The speech. You know the one.
 Was abusive to Quackity
Killed cats
Taxed Niki (and got her to pay said taxes)
Caused Wilbur’s downward spiral
Manipulated Tubbo, and purposefully kept him from Tommy
Had the intimidation/charisma/perceived power to get Techno to kill Tubbo (his ally) at the festival.
Was directly responsible for Tubbo loosing his cannon lives, this would later be one of the reasons he was so vulnerable to Dream
Warped the nation into something that felt wrong
Got Dream to betray Pogtopia
Final Explanation: While Jschlatt didn’t have a lot of power tangibly, he had a ton of power in convincing others to do things, and was very good at seeming powerful. That being said the effects of this persuasion had the tangible consequences of lives lost, and lost allies. Not to mention he wasn’t even the main antagonist on Doomsday, I’d argue that goes to...
Wilbur Soot:
Blew up L’mansburg
Lied to Tommy, and betrayed him on Doomsday
Was someone the audience saw as a good person before Wilbur’s downward spiral (legitimacy)
His speeches were some of the most iconic in the series
Was someone Tommy looked up to
Worked with Dream, a known antagonist
Actively egged on Tommy’s anger in the pit
Kept trying to pressure Tommy to do things he repeatedly said he didn’t want to do
Actively staged the blowing up if L’mansburg so that Tommy would be onstage when it blew up. Tommy who also only had one cannon life. Even if it didn’t succeed, attempted murder to prove a point is not okay.
Didn’t care when Tubbo died in the festival
Didn’t care that Tubbo was onstage
Didn’t care that Tubbo was onstage when he blew up L’mansburg
Final Explanation: Even if you don’t view Wilbur as a bad person, he has done some bad things, and was most certainly an antagonist. He destroyed the nation we worked to build, and his paranoia caused him to do actions that could be described charitably as questionable.
.
Dream (exile conflict and beyond):
(Oh boy, this is gonna be a long list...)
Did everything himself (legitimacy x10, especially after Jschlatt’s power and downfall being reliant on others)
Previous history as an antagonist
Super skilled and powerful. One of the best fighters on the server. Extremely powerful. (legitimacy)
Took 2 of Tommy’s cannon lives. Eventually took all 3.
Used the threat of Tommy’s death to get him to go what he wanted. A threat caused by said taking of 2 cannon lives.
Built walls around L’mansburg, and forced Tubbo to exile Tommy for him to stop
Blew up Tommy’s armor (and other stuff) every day in Exile
Manipulate Tubbo into thinking he was his friend.
Told ghostbur to go into the forest and leave Tommy so he would be alone at the party
Kicked George off the thrown
Payed Sam to make Pandora’s Vault to imprison all his enemies. Actively helped with the construction.
Telling Tommy his friends hated him
Telling Tommy that Tubbo never actually visited to make him question his sanity
Just, his entire abuse and manipulation of Tommy
Overall, just exile (I’m not going to list everything, there’s too much)
Seemingly having no points of attack against him (legitimacy)
The scenes of Techno to get Techno to hand over Tommy (legitimacy)
Getting Techno to team with him to blow up L’mansburg (legitimacy)
Blowing up L’mansburg for a final time
The fact that him, Techno, and Phil won against the entire rest of the server (legitimacy)
His manipulation and control of Ranboo
The Vault, and him getting Tubbo and Tommy into a vulnerable position despite their preparations
The fact he was going to force Tommy to be completely isolated in a prison with the only think he could do is think about how it’s kind of his fault his friend died
The fact he was going to kill Tubbo
The fact he was going to keep Skeppy in a 1 by 1 cage to blackmail BBH
The fact he was going to steal all the server’s most valuable possessions to control them
Manipulating Sapnap during his prison visit, so he could facilitate further manipulation of Ranboo
Killing Tommy in the prison
Laughing after her killed Tommy in prison
Saying he was going to kill him again as an experiment
Saying he was going to brung back Wilbur, specifically after Tommy begged him not too
His reaction to people finding out about Tommy’s death and revival was “do they think it’s cool”
You get the point, Dream was done a lot. Its a very long list.
Final Explanation: Dream is powerful because he physically does everything himself. He has no apparent weakness. He’s manipulative, seemingly obsessed with hurting Tommy, physically powerful, and is the primary antagonist to the server. He wins the majority of the time, and when he wins it doesn’t feel like anything could be done to prevent it. He also relies on himself for basically everything. Overall, Dream does an amazing job of being an effective threat.
While I could go into the other characters that are more controversial as being classified as “antagonists”, I think you get the point. What makes antagonists on the sever intimidating is the tangible things they do. Every good antagonist on the server has a list of mostly irreversible tangible effects of the plot. Jschlatt got Tubbo executed, Wilbur blew up L’mansburg, Dream did... a lot of things. Every major antagonist has succeeded in some way at successfully irreversibly hurting or destroying something the audience had an active attachment to. However in my eyes the egg has not done this as well as the other antagonists.
What makes the egg different from any other antagonist as its fundamentally a bunch of blocks, rather than an actual person. Not to say the egg can’t work because of it, but in general selling the audience of the idea that it’s am actual dangerous force is extremely important. Unfortunately, it doesn’t really succeed in doing so.
Let’s attempt what we did for all the other antagonists, but this time apply it to the Eggpire. Let’s see what they have they done:
The Eggpire (feel free to add anything I miss):
The egg warps the mind of those on the server. It can generally influence people into either loving or seemingly into hating it.
It twisted Bad (an previously wholesome character, but with hints of a darker side) into someone willing to do some pretty bad things, including murder (legitimacy)
It brainwashes its members into working for it
The Egg took Skeppy, this is likely why Bad is willing to work for it
They tried to kill Tommy multiple times simply for the fact he’s immune to the egg
They celebrated Tommy’s death due to his connection with the egg
They tried to feed Puffy (someone originally a part of the Eggpire) to the egg. They eventually send a mercenary after her as well.
They put Sam in a hole with The Egg overnight. Though he did not join, he ate his own skin, however this has not been mentioned as a persisting injury, or even been mentioned again to my knowledge.
They stuck Ranboo in the hole near the Egg. This caused him to freak out and later try to destroy it.
They stuck Hannah in a box near The Egg despite her allergy to it.
The egg blew up a statue in the Foolish confrontation.
They trick and trap everyone at the Red Banquet
They planned to execute a room full of people
They Killed Foolish
So on the surface, it looks like they’ve done a lot of bad things on par with the others. However upon a closer look you will realize something: almost everything on this list either failed, or was something that had no importance established before The Egg plot started. Let me explain why with all the corresponding bullets:
The egg warps the mind of those on the server. Yes, it technically does, but when you think about it no one who actively was against the egg has been forced to join it. The only person was Bad and it wasn’t The Egg’s control, it was Skeppy. Even those left overnight with it haven’t joined. We can only conclude it’s abilities are fairly weak.
It twisted Bad. Actually this is a fair one, though it should be noted Bad had basically no plot relevance before this arc. However, though this one is a legitimate source of legitimacy for The Egg, it’s a bit counteracted by all the other points.
It brainwashes its members into working for it. Does it really though? Basically everyone but Bad was influenced by it offering power. No one who actively hated the idea of joining the Egg has joined it, despite Bad’s claims. They mostly all joined for power, power they seemingly have no gotten. But still not much has changed as The Badlands was already power hungry before The Egg. It can be argued that thats the point, but it still fails in relation to all the other Eggpire failures.
The Egg took Skeppy, this is likely why Bad is willing to work for it. This is another good one... except it happened 4 months ago...
They tried to kill Tommy multiple times. Yes they tried. And failed. Multiple times.
They celebrated Tommy’s death due to his connection with the egg. While this is bad as an action, it’s more of a “look how x has effected these characters” than an actual tangible bad act. It’s more of a dick move than evil.
They tried to feed Puffy to The Egg. They eventually send a mercenary after her as well. Yes they tried. And failed. And yes they did try to send a mercenary. A mercenary who not only failed, but betrayed them.
They put Sam in a hole with The Egg overnight. You know this could be good if it left a scar, or became a big thing in Sam’s character. However it was never mentioned again.
They stuck Ranboo in the hole near the Egg. He got out after immediately, they didn’t even close the hole. Also I don’t see “one of the most rich people on the server now wants to destroy you” as a win. They seemingly gained nothing from this.
They stuck Hannah in a box near The Egg despite her allergy to it. Okay finally they turned someone. Someone completely new to the server. Someone who was not involved in any events before this. You know, like every other Eggpire member.
The egg blew up a statue in the Foolish confrontation. This is the only display of power we have ever gotten from The Egg, and Foolish out completed them with the “Totem of Death” thing. It wasn’t even an important statue.
They trick and trap everyone at the Red Banquet. They do that. Then they loose and get The Egg itself captured by all of their enemies directly after pissing them off.
They planned to execute a room full of people. They did plan to do that. Then they failed. They failed partially to do with the act of poking Techno with a stick that was his visit with Ranboo.
They Killed Foolish. This would be a lot more impressive if Foolish didn’t have all 3 cannon lives left, and if it wasn’t followed by them failing to kill an entire room of unarmed people, and having one of their own members loosing a cannon life. And they lost the godamn egg itself
Basically everything done was either to something newly introduced to the roleplay, or it failed. The Eggpire keeps repeatedly failing every step of the way, and has yet to have a major success. What makes it not work it though it may win some battles, it’s never at a state of winning the war. It makes it so hard to take them seriously when they make a threat. They have the success rate of Team Rocket from Pokemon, and seemingly every stream has them blasting off again. There are plenty of things that could be done to remedy this: they could get someone with heavy plot armor previous establishment to the lore under their control, they could make a plan that actually succeeds, they could successfully pull of an execution like the one at the banquet, or anything that physically effects the characters on the server. However they need to succeed in something. The problem with the failure at the banquet was that it further proved that the Eggpire will never succeed. It could’ve been a killing on par with Doomsday, yet instead we got deus ex Techno and Quackity.
I rest my case. Thank you for coming to my Ted Talk.
(But anyway that’s just my view of why I never could really be intimidated by the egg, I’m open to counter arguments and suggestions. Lol I really just want the egg to successfully do something)
23 notes · View notes
captainpikeachu · 3 years ago
Note
So Natasha Romanov can blow up a building knowing that an innocent child is still there and fans worship the ground she walks on, but John Walker kills one surrendering grown ass terrorist in a fit of rage after said terrorist attempted to kill him and thus indirectly caused the death of his best friend, and suddenly, he is Hitler. Ok Jan.
Tumblr media
As I've always said, it's really just all about whose story the audience is asked to root for and the perspective that it's told. Natasha was introduced to us unequivocally as a "heroic" character, and because there's been basically a decade of her being a hero and her character has since sacrificed herself to save the universe, when we see her do this horrible act, the minds of the audience automatically goes to find ways to justify things to make it okay. It's the same way that a person would judge a friend less harshly than they'd judge a stranger. And the filmmakers know this. Fans already have a decade of loving Natasha, one bad thing that we see in a character we already connect with and knows has had to do horrible things because of her horrible life is far more excusable and understandable to many people. And Yelena by extension of being the sister of Natasha, automatically gets points in the minds of the fans, and also because she's sassy and funny and when a character can make people laugh, that makes it easier for people to connect with as well. And because the prisoners and soldiers aren't given POVs for the audience to care about, ultimately the actions that Natasha and Yelena does is painted and viewed as a "necessary" thing.
John, unfortunately, is introduced with very little POV, very little establishment of his "goodness" to the audience. He was fighting an uphill battle from Day 1 because of how he was introduced. And because the fans already didn't want a new Captain America, he was always going to end up failing in the shadow of a hero that people already spent over a decade emotionally connecting with and loving. And when the fans already barely trust him and then they have him kill someone, it almost becomes a case of confirmation bias. I guarantee that if John had been introduced into the MCU as just John Walker, a regular soldier, and we were established with him in the battle field saving lives with actions that earned him his Medals of Honor, and we see his relationship with Lemar, and then saw him being pulled out of missions to be Captain America, people's reactions to him would have been different. Their views on him would have been different. The Medals of Honor would have stood out more, Sam and Bucky's treatment towards him would have seemed far more callous, and his eventual public downfall and him killing Nico out of anger due to Lemar's loss would have been contextualized differently after fans having an emotional attachment to John and Lemar as people and seeing what they went through.
There's a reason they always say "show, not tell", fans got to see ten years of Natasha doing what she does, and ultimately that already existing love means her horrible actions can be justified, but because fans didn't see ten years of John being a heroic soldier risking everything to save lives and they were simply told, that lack of emotional connection and attachment means when the horrible stuff comes, it only confirms the worst of what people think.
Story framing and emotional attachment are clever storytelling tricks and the MCU has been able to wield it very well in getting the audience to react in certain ways.
13 notes · View notes
jack-is-lost · 4 years ago
Text
Warning: this is David x Michael pairing. Expect the vampire gayness.  Had a random story idea, and I'm not entirely sure if it has been done or not. If so someone link me cause I want to read it! Even if it isn’t e x a c t l y the same premise but somewhat close. 
Anyway, a mid-twenty female character from our world (where TLB is a movie), wakes up one day in the TLB universe reincarnated as Michael Emerson. I'm talking right from the baby stage. Of course, going by some logic here, they don’t know much of anything clearly till probably around the age of six. Up till then the original female character is somewhat aware that they are a boy and that’s about it. Which, that alone takes some getting used to.  Once reaching the age where they are past the fuzzy toddler brain stage is when they put two and two together. Especially when they realize their baby brother is Sam, and that their last name is Emerson. Sure, it could all be a coincidence, but the older they get the more ‘this’ version of Michael is just trying to fool himself. 
Now, with a complete understanding what world they live in — that vampires do exist and probably other supernatural creatures do too, Michael starts to learn more about lore and such from a kid age. Constantly reading books and watching horror movies. Treating it pretty similar to the Frog Bros but less obsessively preparing for a battle, and more wanting knowledge for protection and understanding. Their old life also helping with that. This Michael knows that if things keep going the way they are, he will eventually end up in Santa Carla. And with his dad picking up the habit of drinking more and losing jobs, it really seems like it will.  The day comes, the divorce happens, and Michael internally prepares himself to walk right into vampire territory. The old life within him, the lady who had probably died too young and magically teleported into a different alternate world/timeline, is entirely too aware of how things are unfolding. At first it feels like a 3D experience of the movie — life like, too surreal, and straight from the perspective of Michael. Except they have been living his life, their new life, since day one now. This is their life and their choices.    Michael ignores Star the night his brother drags him off to the concert. It isn’t because she’s not pretty. Especially when the light of a bonfire nearby danced upon her feminine frame. A part of him just wants to ignore that moment, the potential building connection between such characters. The other part just doesn’t.. exactly have the sudden desire to trail after her swishing broom skirt. It might be because he isn’t the ‘original’ Michael anyway. Or it might be his old life inside his brain that doesn’t have that sexual attraction to her.  Still, he knows his mother will catch the eye of a certain nerdy-looking old vampire if he didn’t intervene. So he drags his brother off to the VHS rental store. Only to be a couple minutes too late and walking into a room full of vampires and unexpected customers. Michael reached for his mother’s arm, to gain her attention and maybe coax her to leave early without seeming to weird and suspicious. Yet, at the same time, bright cool eyes lock onto his and something within Michael’s gut flares. It turns and sinks and thrashes like a beast trying to claw its way out. Maybe it is fear, awareness of what everyone in this small movie store is, but Michael can’t look away. Just as Max can’t look away from Lucy, David’s gaze tares into him.  It isn’t Star that leads him on with soft words and equally gentle dark eyes. Quite the opposite. The movie would diverge from this point on, lasting longer than a weeks time frame. It is David that seems to coax him further into the fray, a genuine interest in him joining the fun. At least it would seem that way but Michael knows it has to do with Lucy — with Max’s orders. That is why he declined the bottle at first, playing it off as a complete disinterest in ‘wine’. So David had to try a different way, a more blatant way. Of course, it doesn’t come up again, surprising Michael the longer their fun goes on, until a noticeable connection between David and him. It is obvious there is chemistry going on. Michael blushing when David swings his arm across his shoulders, pulling him in closer to his side, is a dead give away.  Eventually shit goes down hill when somehow Sam turns into a half-vamp, and there is legit fear Lucy might be tricked by Max soon. Michael tries to help Sam, roles almost entirely reversing in this scenario. He ends up protecting him from the Frog Bro’s who catch on a little too quick to his little brothers change. The Lost Boys are not too far behind on helping too, surprised Max did some of the dirty work. It was unusual for their Sire to do something and not just delegate. In the end, Michael takes blood directly from David, avoiding being sired by Max — breaking the power the older vampire would have hold of him, so he can beat the dudes ass without issue! Rest assured, at this point, the end of the movie never truly happens. Not exactly, anyway. Instead a whole battle at Max’s place ensues instead, causing enough damage the place is on fire at the end. It was necessary, like a card up a sleeve, for Michael to be free from Max’s power. The old vampires words causing all the lost boys to freeze when they attempted to attack, and Michael being the final blow to him. Star, Laddie, and Sam become all human again. Which equals out to a pretty happy ending, and of course Lucy becomes aware of things in the midst of all this. Especially with Sam’s odd behavior. The last one still half is Michael and he can’t turn back without killing David, and at this point he doesn’t want to kill the vampire. Their bond is too strong, their growing love well established. It is without some issues, but Michael decides to fight against fully changing for as long as possible. Eventually he cannot and thus he takes the final plunge to internal darkness.    His family still loves him and understand Michael’s choice. Overall it is a pretty happy ending with a side dish of angst. Through out the final chapters, Michael entirely forgets he was once a woman in another life. That past life almost a foggy, distant dream at this point. He is Michael Emerson and as David pulls him into a bloody heated kiss, it feels like he was born for this.  Now, who wants to help flesh this story out??? =D
22 notes · View notes
Text
Spring Weddings and Pomegranate
Summary: In which a marriage still occurs on NRC but it isn’t Eliza and Idia getting married.
Tags: Established Relationship, Friends to Lovers, Scheming! Reader, Marriage Proposal via Pomegranates, Big Dick Energy! Reader
Rated: M for the things bought at Sam’s shop and implied sex.
A/N: Written before the entire translations came out. m(_ _)m
---Idia knew that his face was beet red and that his hair had already gone red from embarrassment. Your hands were gripping his waist tightly and though you were shorter than him, he couldn't help but admire how cool you were with your white and gold trimmed twin tailed tuxedo along with the collar cuffs he recognized as his.
"I'm sorry Miss Eliza but this 'prince' is already taken" You apologetically told Eliza.
From the side, the other "Princes" were shocked at this particular development. 
"Lies!" Eliza cried as she gripped Idia's free arm.
The other dorm leaders present could feel the temperature drop and couldn't help but wonder how things went to this point.
It had been a fine day, as far as you know, since Idia had happily invited you to his room. As his significant other you had happily agreed and rejoiced over the fact that he had taken initiative, as a purehearted human in love you had come prepared for the day he would take initiative in regards to your relationship. Thus you had come prepared for the date in your most cute, comfy and seductive clothes along with an equally cute and comfy sleepwear. Naturally, you didn't forget to bring the battle weapons of L*be and C*nd*m*.
'At times like this, it never hurt to be prepared' You thought serenely as you calmly and happily bought the items from the Shop.
Your smile was bright as Sam handled your purchases and like a through professional businessman, he even offered you a few toys which you also bought for future uses. The few Ignihyde students who saw your purchase silently prayed for your success and at the same time silently agreed to keep Ortho occupied.
As for the other students from other dorms? They all silently cursed you for having a girlfriend while the rest of them had to settle for a pure loving friendship among men.
In this way, the world rearranged itself to ensure that your desires would be fulfilled. You had stopped by the dorm kitchen to take out the pomegranate napoleons you made before heading to Idia's room. 
“Idia~ I’m home!”
“We-welcome home...” 
His face was bright red as he greeted you back, compared to his flustered face when you had first done such a thing Idia was calmer now. Though the bashful and joyful emotions in his eyes couldn’t be concealed.
“Isn’t this domestic play so fun?” You asked as you set your clothes down and Idia started to arrange the food and drinks you had brought.
The items you bought from Sam’s shop had been skillfully hidden in calculated places, meant to stimulate your beloved Idia when you weren’t around thus you hummed a soft tune as you plastered yourself at Idia’s back and admired his pleased and flustered look. He really had a face where you can’t help but just want to bully him a little bit.
“Mmnn...you...you shou-shouldn’t just keep on sta-sta-staring at me!” He squeezed his eyes when your hands moved at one of his sensitive spots.
“But I missed you so much! And it’s rare for you to ask me out on date so I want to engrave this particular look of yours in my mind~!” You honestly told him and then tugged at his clothes to make him duck down to your level.
You cheekily looked at his eyes and planted a quick kiss on his lips and stood back as he hid behind the sleeves of his hoodie.
“Tha-that! You shouldn’t just kiss me so easily!” He whined to hide his embarrassment.
“Ara? Then Idia-san should I kiss you deeper then?” Your tone of voice made him know you were teasing him further even so he couldn’t help but want to pay you back thus with great courage he replied,
“Tha-that’s right! Slowly and dee-mphf!!!”
Quickly grabbing the opportunity you did as he told and Idia ended up having a lapful of you on the floor. Idia did his best to hold on as both of you engaged in a heated make-out session but the feel of your ass wiggling on his crotch and the overwhelming feeling of your passionate kiss made him weak.
Seeing that he was at his limit you kiss him for one last time and admired the thin string of saliva that was now dripping from his lips, the flushed look on his face, the dazed look on his eyes and the undeniable hard-on that was poking you on the ass.
“Hehe~ Idia-chan lasted longer this time~♡” 
He shyly wiped the drool off his lips and sulked at you. 
“Ah~! Idia-chan’s angry look still looks cute!♡” You gently peck him on the forehead before getting out of his lap.
Helping him get off the floor, you guided him to he large bean bag he had ordered for both of you to cuddle on, and gently placed him there. Giving him sometime to finish sulking before you began another round of Private Displays of Affection. At this point in time, you were still confident that your relationship with Idia was unshakable.
 There were no threats to his future status as your husband and you had simply continued your usual date routine of flirting, pampering, loving, and doting upon your beloved. The night had been filled with the sweet air of love and Idia had even managed to not shake that much as he held your hand in the middle of a romantic cut scene.
You had kissed him good night after casting a protection spell on him as you slept on his bed and Idia took a nap before heading out to buy his game.
That was the last time you saw him.
“How could my darling be taken?” Eliza pouted as tears gathered on the corners of her eyes.
You felt your heart soften at her heartbroken look before steeling yourself,
“That’s because he’s my lover of 2 and a half years”.
From the sides you could hear Azul’s glasses breaking in shock, the loud gasp from Vil, and Lilia’s words of “So that was who you bought those toys for?”
You made a mental note to drop by Diasomnia once this was over, to bribe Lilia into silence as well as future cooperation. There was certain merit in building connections with someone of Lilia’s peerage.
“Miss Eliza, just like how you wish to wed your ideal beloved, I, as well, wish to do so” You turned and looked at Idia, channeling all the love you felt for him in your eyes before turning to Eliza, “For me, no one else but Idia would do that’s why...as recompense let me help you find your true love!”
You smiled brightly and made sure to up your charm.
Ortho had come to wake you up in tears, effectively rousing you from your sweet dream of eating and enjoying Idia’s body.
“Wa-wake up!!! Nii-san was taking by ghosts!!!” Ortho cried as he shook you awake and you blearily looked at him.
“Idia...got taken by ghosts? Was he mistaken as one of them again?” You asked as you got up and calmed Ortho down.
“Please hurry up! Nii-san was taken by a ghost bride!” Ortho cried harder as he pushed you out of the room and you stumbled as you got dressed.
“Wa-wait! Ortho-chan at least let me put on a jacket!” You begged as tried to stop him from pushing you out.
“Okay! But hurry up! Who knows what’s gonna happen to Nii-san!”
“Got it! Got it! Please stop pushing me already.”
Ortho carried you away as soon as you said you were ready, the next thing you knew, you were already standing right in front of the Headmaster and watching the CCTV recordings with the Headmaster and the young prefect of Ramshackle Dorm once again.
“Yuu-chan since you’re helping us out, you should come and stay over our dorm while Ramshackle is on loan” You kindly offered one of the unused rooms of Ignihyde.
“Sempai! You’re a lifesaver!”
“Not at all, this is just me repaying you for your help later on~ I can’t have my Idia end up on someone else’s hand after all” You smiled.
From the side, Headmaster Crowley watched your clenched fist and hoped that things would end peacefully. Before he could even advise you to not take things too far later on, he was disrupted by the ruckus outside. Angrily opening the door he was once more, greeted by another problem.
“I won’t hand over my love so easily!” Eliza cried and tugged Idia away from you.
“Ara~Ara~In that case, shall we fight for his hand then?” You asked as you let go of Idia to prevent him from getting hurt.
“Ha! Someone like you who can let him go easily won’t win!”
“I’d rather my beloved Idia not get hurt even the tiniest bit, please don’t mistake my utmost consideration for him to be a sign of weakness.” You replied coldly as you took out your magic pen.
“I-Isn’t there another way?!” Idia panicked, “U-um I-I only want to marry (your name) so please stop this already!!!”
You paused at the sudden declaration and beamed at Idia before turning your smug look at Eliza, “Well then, Idia has spoken, so kindly removed your hand from his arms!”
“No, before that, shouldn’t you put down your magic pen?” Azul reminded you, his composure made it look like his earlier reactions were nothing but a hallucination.
“Shut up, this looks interesting. Seeing that bastard get this agitated...heh” Leona stood on the side and watched the show with keen interest.
“No...didn’t we all agree to put that ring on her finger?” Riddle reminded everyone.
Hearing the silence that greeted him, he looked at his companions and glared at them with annoyance as he demanded,. 
“Headmaster Crowley! Hurry up and stop those two before worse come to worst!”
“I name this plan…. “Operation: Propose!” Crowley declared and you clapped on the side to show your support for his efforts.
“Are you actually fine with this?” Rook asked you, eyes sharper than usual and you knew that you couldn’t hide anything from him. 
So you hadn’t bothered and instead confessed, “I’m a little bit annoyed that someone can easily take Idia from me but I know that right now Idia must be feeling the worst of it.”
“Oh my, what sweet words coming from you, souverain de la mort”
“Fufufu~Is that so but this would also be a good learning experience for Idia, He needs to be aware of his surroundings when I’m not there~”
“There it is~ that tough love that I expect from someone like you!” Rook cheered.
You laughed at his antics and decided to join in on the discussion to take back your boyfriend. It really wouldn’t do if he ended up on someone else’s hand after you took so much time and effort on laying the ground work after all.
Thus all of you burst into the reception hall and began the operation.
You waved at Idia and signaled him to be at ease while each of the dorm leaders and the first years tried their luck.
Ignoring the sound of slaps, you comforted your boyfriend who was near tears. Idia despite standing tall over you acted like an over sized dog and hid his face on your chest. He held on your clothes tight and whined about everything that happened to him.
“I was so scared! I thought I got mistaken for a ghost again and would end on the Underworld once more! I don’t like going there!”
You calmly rubbed his back up and down, occasionally planting kisses on his flaming hair. and generally soothing him to a much calmer state.
“It’s fine, I’m sure our friends wouldn’t fail our expectations and if worse comes to worst...I’ll deal with it personally” You promised him and held him tight.
Ortho came over to hug you both and you welcomed him and pulled him close as well. You wouldn’t deny that both siblings had occupied the soft parts of your heart and you couldn’t help but indulge them every now and then.
“I won’t give up! My love for my darling won’t lose to you!” Eliza declared, grip growing tighter on Idia’s arm.
“In that case, I challenge you to a duel for Idia’s hand in marriage!”
“Eh?! Wa-wait why a-are you shuddenly proposing?” Idia stammered as he ran over to you.
‘He bit his tongue...’ Azul, Leona, Rook, Vil, Jade, Floyd, Lilia, Sebek, Cater, Trey, Ace, and Deuce thought.
“It’s fine to do this but please avoid damaging the school buildings~!” Crowley shouted from a safe vantage point.
You calmly looked at Idia and said, “ I can’t just stand to see the man I love get married to someone else.”
You took a strand of his hair and placed a kissed on it, the warmth of his flaming hair made your lips tingle as it slowly turned red in embarrassment, “Idia, please wait for my triumphant return.”
Idia blushed and quickly peck you on your forehead and said, “For good luck...”
From the side Yuu commented, “If Sempai was single...they would have easily made Eliza-san accept the ring right?”
“What are you talking about?” Ace asked grumpily.
“What sharp eyes you’ve got!” Rook replied, “As a child of the Goddess of Love it’s natural to for them to be brimming with charm however from the looks of it...they might just use their Unique Magic.”
“If that is truly the case, then we are in for a good show.” Lilia floated over, “Their Unique Magic is one of the kind after all, fufufu~ Sebek you should try learning from them~”
“Lilia-sempai just what is Sempai’s Unique Magic?” Yuu asked.
“Hmmm...it’s hard to explain but their Unique Magic is something close to a God’s powers~”
Everyone who heard that looked at you at a new light. Idia and Ortho were the same though for entirely different reasons. Idia had never thought you were considering marriage with him, he was content with being your boyfriend and eventually breaking up once you were tired of him but seeing your gallant figure raising your magic pen he couldn’t help but fall deeper in love with you.
Ortho had been happy seeing how you easily got his brother to go out and mingle with people occasionally and how good you were to his brother but he hadn’t held much hope that you’d stay for forever. He was prepared to do anything to protect his brother’s smile and seeing how you finally stepped up to fight, Ortho could be at ease.
“Well then, I’ll finish this quickly,” You said apologetically to Eliza, “Crush Thy Heart!”
“In life you couldn’t find your love however in the Underworld, your beloved has been eagerly waiting for you, therefore let go of those regrets and pass over. Crush Thy Heart and Free Thy Soul!”
Eliza disappeared in a soft gentle particles of light, her eyes seeing someone who was not visible in their eyes. Dressed in white and smiling with happiness, the Ghost Bride had finally settled her business.
You smiled at her gently, offering a silent prayer to your mother and the God of the Underworld to look after her upon arriving. Then you headed towards Idia and swept him off his feet, uncaring of the public spectacle you were making you kissed his cheek and said,
“Idia Shroud, this event led me to realize I can’t put my guard down when it comes to you.”
Idia was still stunned at being carried by you so easily that his eyes were only looking at you in a daze. You sighed at him, helplessly fond of his endearing traits.
“That’s why let me stay by your side as your spouse, let me dine with you and partake in your wine, share your hearth by your side and that we may welcome Hestia’s and Aphrodite’s blessing upon us.”
Idia, who had understood what you were doing, trembled in your arms and with his shaking hands clutched your lapels and kissed you on your lips. 
“If-if you’re fine with me the-then I happily accept!”
“Congratulations on your marriage, Nii-san!” Ortho said as he jumped with joy.
"Husband, it's not that I enjoy being under you but why am I being tied as well?"
Idia merely glared at you, pouting with embarrassment. You observed his flickering hair and noted that only the tips were dyed in red.
'He's not that mad then' you thought as you wiggled around the newly bought queen sized bed that replaced Idia's former bed.
"My love? my Darling dove? Beloved Idia? My Dear Husband? Idia-chan?" You called out to him.
"How could you just se-send the betrothal gifts to my home without telling me!"
"...I didn't...but my mother probably did..." You weakly answered as you magically undid the ropes and pulled him to lie on the bed with you.
He snuggled closer to you like a cat and whined, "It was so scary! Hearing that I had to bring you back home with me! What if you didn't agree!"
With a snap of your fingers, a couple of pomegranate seeds appeared on your palms and you took it from the palm with your mouth. Idia looked at you in confusion and suddenly found himself being kissed. Your tongue swiped on his bottom lip, silently asking, and Idia obliged opening his mouth and letting your tongue in his mouth.
The taste of pomegranates spread inside his mouth as he sunk into the plush bedding. You were straddling his waist as your tongue entwined with his while your hands were already undressing him deftly. Idia could feel his brain turn into mush with your skillful ministrations upon his body.
With a loud pop and the saliva that connected your mouth to his, you ended the kiss knowing that Idia was already at his limit. You wiped the drool off his mouth and said, "You don't have to worry about me leaving your side anymore."
Your pleased smile and gentle reassurance, like always, didn't fail to make his heart skip a beat.
"Mou...you're the more dangerous one..."
133 notes · View notes
theyre-just-blocks · 4 years ago
Text
Sam and Tony parallels.
This is strictly for my own enjoyment seeing as Tony Stark and Awesamdude are probably my favorite comfort characters (even though both of them cause me a lot of pain).
But anyways, I’ve seen a handful of people draw the parallels between the two characters (Even Tommy saw it, bless you Tommy) and I just want to put my own ideas out there on how these two are pretty similar.
Again, this is about c!Sam, not Sam the CC.
First off, both of them could be considered to be mechanics. They both are pretty handy when it comes to machines and both of them are often described as being rather intelligent when it comes to machines. I think this is the most obvious similarity between the two of them is their abilities with machines and big brains.
I think the next obvious thing is that both of them become father figures to someone who really needs it. Tony to Peter and Sam to Tommy. Both Tommy and Peter needed that mentor, father-type figure in their lives and got Tony and Sam in return. Both of them strived to be the best for their kid and both of them lost their kid at one point, only to get the back and then lose them again. Sam lot Tommy in the prison to Dream like Tony lost Peter on Titan to Thanos, and then when both came back, Tony died and Sam became dead to Tommy.
Then you’ve got Tony’s suits/AIs and Sam Nook. Both of these things were created to benefit someone (Tony’s suits/AI helped him and Sam Nook helped Tommy) and are both impressive works of machinery made by both of them respectfully.
Oh, and let’s not forget that the two have similar fears/traumas. While the situation in which they earned these fears and traumas are different, both of their anxieties are essentially pretty similar. Sam gets his trauma from the Egg, Tommy’s death, and Dream himself, while Tony’s came from the cave he was held hostage in, flying into the portal from the Battle of New York, and the vision of seeing all his friends dead in AoU. As a result of these events, both of them turn to busying themselves with projects that they believe will protect themselves and or others. Tony makes a bunch of suits to protect himself (IM 3) and Sam turns to prioritizing keeping Dream in the prison above all else.
As a result of their insecurities and trauma, they made things that they thought would protect the people they loved and cared for, but ultimately it didn’t work out the way that they wanted it to. Tony had Ultron, a program he hoped to use to protect from future alien attacks and Sam has Pandora’s Vault to keep the biggest villain on the server in captivity. Ultron corrupted and nearly destroyed life on planet earth as we know it and Sam got corrupted by the prison to the point where he’s lost sense of what’s morally right and wrong.
Basically, both of them have somehwhat unhealthy coping mechanism where they preoccupy themselves with work to ignore what's going on in their life, so much so that they push everyone who's trying to help away and end up making things worse for themselves since they end up forgetting to worry about themselves once in a while. Both of them need some self care,,
Their projects also ruined their love life (granted Tony was able to recover his afterward). Pepper got annoyed with how much time Tony was spending with the suits, making them and whatnot, to the point where Tony had to choose between her and the suits (IM 3). Ponk got killed, tortured, and his arm chopped off because of all the time that Sam was spending in the prison, thus ruining their relationship. (Not to mention, Tony calls Pepper ‘Pep’ and Sam calls Ponk ‘Ponkie’)
I think both of them can also be seen as Lawful Good. Doing whatever they can legally to make sure that things go well. We see it in Captain America: Civil War when Tony wants to side with the government and create the Sokovia Accords, guilty about all the damage he has caused to the world due to Ultron and his company prior to becoming Iron Man. Then we see it with Sam dedicating himself to the role as “The Warden” and keeping justice and law in order on the server to any means necessary.
Aside from actions and events, both of them also have somewhat of a similar personality as well, though one could argue that this isn’t the case. However, like Tony, Sam cares deeply about those he loves and feels the need to protect them at all costs. Tony’s greatest fear (revealed by Wanda’s mind tricks in AoU) was losing his friends and it could be argued that that’s the same with Sam. In his case, the Egg would be Wanda, putting thoughts into his head that he is unable to protect those he loves.
They’ve also got quite the ego. Though I can see why one would think that Sam doesn’t really have one, I can assure you that he does. It’s even on the wiki as his biggest weakness (or it was before he started to corrupt and spiral). Though maybe Tony is more sassy and cocky than Sam is, both of them have an ego and it’s somewhat of a hubris to them. If anything, their ego makes it harder for them to share burdens, making them think that they should be the only one to carry burdens and protect everyone else instead of looking after themselves every once in a while.
Oh, also they’re the characters that tend to get a lot of dislike/hate for certain actions. Granted, Sam’s most recent actions don’t have any reason to be defended (torture and cutting off your bf’s arm? I don’t think so.) but before that, at the start of the prison arc, there were several people who didn’t like his character because they believed that Dream shouldn’t have been treated the way they thought he was being treated. Because to them, Sam was torturing Dream, when in fact, that wasn’t the case until Quackity. Tony also got a lot of shit, being blamed for just about anything, with most Marvel villains becoming villains because Tony had wronged them in some minor way (Looking at you, Mysterio). If anything, I think Sam is what people who hate Tony think that Tony is. Some cold-hearted bastard who loves money and could care less about people. And that’s totally not the case.
Also, both of them are perfectionists with an eye for aesthetic and design. Sam spends a lot of time on his projects making things look nice and Tony likes to look nice as well (Come on, his three-piece suit in CA:CW? Man’s got style).
And I guess another obvious connection that I should’ve mentioned before was both of them being super rich. Granted, Tony is rich in the real world sense, being a billionaire and all while Sam is more ‘Minecraft rich’ with all the materials and tridents that he has, but they’re both rich and that’s what counts (Capitalism, y’know).
Stark Industries and Awesamdude Construction. Or at least, both of them are in charge of some kind of industry, Tony weapons manufacturing, Sam sever builds. So in a way, both of them are business men who know how to handle companies.
Last but not least, both of them have fat asses. (CANONICALLY SAM HAS A DUMPY DO NOT COME FOR ME)
Anyways, in short, my favorite kind of character is a traumatized smart father-figure and I can’t wait till the next similarity I have to add to these two is that they both have died.
Aha, that was a joke, but Sam really needs a break.
9 notes · View notes
gondorosi · 5 years ago
Text
The gradual separation of show!Jon from book!Jon - Part II
Magic
The showrunners deciding that magic is an unimportant part of the saga and to be relegated to the background is utter horseshit. There’s a bloody REASON direwolves and dragons reappeared in the world when they did, more or less at the same time. There’s a fucking reason why in Martin’s version Dany’s fireproof nature was a one-time thing, the dormant magic in her reawakening as needed BECAUSE dragons needed to be brought back into the world. Dany, Jon and Bran are the three most magic-sensitive characters in the whole story - and only one of them have anything to do with it in a significant manner (though significant might be stretching it). With Dany, her magical nature is only sporadically referred to (the dragons are the be all and end all) and Jon has nothing.
Show!Jon is a mortal man on every level, without a drop of magic in him. Book!Jon is no Bran, but there are three fundamental factors which show how deeply he is connected to the land.
Ghost: Removing Ghost's importance to Jon is akin to removing part of his soul. He isn't just 'big, white fluffy doggo'. Ghost is part of him, his familiar. Ghost is the physical personification of the magic running in Jon's blood, the proof of the Old Gods awareness running through Stark children's veins. Direwolves have a deeper, subtler and less apparent magic than dragons, but no less potent, and no less essential to Jon than her dragons are to Dany. Out of all the Stark siblings, Jon’s connection with Ghost and Bran’s connection with Summer seem to be the most symbiotic. All the siblings have strong bonds with their direwolves, molded to their own personality - Arya’s connection with Nymeria persists even across the sea in Essos, all legends of Robb in battle are accompanied by legends of Grey Wind and poor Rickon becomes so enmeshed in Shaggydog’s mind that there’s little to distinguish between boy and beast. However, perhaps due to the nature of their POVs and story arcs, none of the Starks save Bran and Jon have their journeys so closely aligned to their wolves. Which is why it’s nigh impossible to even consider Jon’s story moving forward without Ghost, especially post resurrection. The show omitted the obvious implication that Jon warged into Ghost before he died, had no role for him in the BoB, completely erased him in S7 and relegated him to a damn stray in S8. On the other hand, the show AMPED up the Dragon Queen part of Dany to the detriment of all other aspects of her character.
Tumblr media
Warging: In a universe where Martin has tried his best to weave in strong magic with actual medieval politics, concentrating all Northern magic into one single character (whose surface they barely scratched) is utterly lazy storytelling. Jon's warging abilities are mighty and second perhaps only to Bran, though I hold the belief Arya is as powerful a warg. But unlike both of them, Jon seems to actively resist exploring his warging possibilities. Some of the resistance may be explained by his environment - with both the NW and the Freefolk considering warging to be something of a ‘black’ art or dark magic. Sure, the Free Folk are more open about it, with Varamyr envying Jon’s gift with Ghost in his thoughts:
“He had known what Snow was the moment he saw that great white direwolf stalking silent at his side. One skinchanger can always sense another. Mance should have let me take the direwolf. There would be a second life worthy of a king. He could have done it, he did not doubt. The gift was strong in Snow, but the youth was untaught, still fighting his nature when he should have gloried in it.”
The show makes NO mention of it. Jon being considered a warg is a major reason behind half the NW hating and fearing him. I don’t remember the show ever bringing up the fact that Jon was feared - they seemed to make Thorne and Slynt’s animosity out of sheer spite and disgust at his bastardy. 
The Lord Commander's Raven: This is a favourite obsession of mine. Old Mormont’s raven pops out at Jon at seemingly random moments, but for the reader bursting with conspiracy theories, the raven is just another nod to the fact that Jon has a far greater role to play in the story than is visible to the eye. There's a popular theory that Bloodraven wargs him from time to time, since Jon is the secondary piece on his chessboard. The raven has come to Jon’s aid atleast twice that I can remember:
When Mormont is attacked by the wight:
Jon tried to shout, but his voice was gone. Staggering to his feet, he kicked the arm away and snatched the lamp from the Old Bear's fingers. The flame flickered and almost died. "Burn!" the raven cawed. "Burn, burn, burn!"
Spinning, Jon saw the drapes he'd ripped from the window. He flung the lamp into the puddled cloth with both hands.
During the election for Lord Commander when Mormont’s raven flying to his shoulder is used as a sign by Sam to argue for Mormont’s approval of Jon as the choice.
Bastardy
Jon's entire sense of self is centered around two things:
Ned Stark is his father
He's a bastard
Tumblr media
His entire character arc is trying live up to one of those and distance himself from the connotations of the other. His bastardy is the formative lodestone of his character and moral compass but in the EXACT opposite of how Catelyn and Westerosi society as a whole expect it to be.
However, there's a twist to that. Jon's inner desire is EXACTLY what Catelyn feared. He DOES want to be Lord of Winterfell. He DOES harbour resentment that Robb (seemingly) has everything handed to him while the best Jon can hope for is to die at his post, unknown and unsung. He DOES want glory and power and to exact some kind of revenge on a society which deemed him vile and detestable for no fault of his. All the elements for him to become the Starks' own Daemon Blackfyre is already present.
But there's one difference - Ned Stark is no Aegon the Unworthy. Even more than all of the above heart's desires, Jon wants to be like his father. He wants to do what is right. He wants his father to be proud of him. He wants to be nothing like the greedy, vengeful and lusty creature he's always been told he is. He wants to help people and stand up for the weak because that's who he is. At the very heart of it, he just wants to be loved by Ned as much as his trueborn sons. And thus he takes Tyrion's words to heart and wears his bastardy like impenetrable armour.
In show!Jon, ALL of this inner struggle is lost. Jon's bastardy is rarely affixed other than as a side. Show!Jon is a 'good' man. Yes, undoubtedly. But what makes book!Jon a great man is that he masters his baser desires to focus on what's more important. THAT'S what Jeor, Mance and Stannis all saw in him. That's why the Free Folk follow him. That's why half the NW will die for him (yes I know the other half will kill him).
When you have spent most of the show without anywhere referencing how vital the armour of bastardy, and being Ned Stark’s son is to Jon's psyche and sense of self, even the best directors will not be able to depict WHY the news of his parentage will have ripped out the ground from under him. Dany's quest for the throne is out there glaring at us thus atleast on paper making sense that having her undeniable right threatened will rattle her (I personally hate hate HATE the creative decision that Dany's immediate reaction to find out Jon's a Targaryen will be paranoia and concern for HER throne but I digress).
Intelligence, ability and cunning
Up until S4 and most of S5, show!Jon and book!Jon exhibited similar levels of intelligence and cunning. One of my favourite scenes is Sam trying to stop Jon from marching into Mance's camp to try and assassinate him. Jon gets in his face with his frustration and despair boiling and asks if he has any better ideas. At this point he's done a superb job commanding the defence of Castle Black but has also just lost Ygritte, Pyp and Grenn all in one night, a significant portion of the meagre Castle Black forces and is fully aware that they cannot survive another charge. He's beyond desperate and aware that his efforts are likely suicidal but he can't just retreat, lick his wounds and do nothing. 
Tumblr media
The show labours under the popular delusion that truly good guys can't be really smart, as being smart means preserving yourself and truly good guys will always jump into danger first to protect other people. Politics is bad so if you're a good strategist then you can't be a good person. 
Both book and show characterizations of Jon have been criticized for being examples of the ‘Chosen One’ the ‘reluctant hero’ who turns out to be the right man for the job, and for painting ambition and the quest for power as negative pursuits. In the book however, Jon’s ambitions never really had a chance to form. He’s prideful enough in his abilities to believe he would be an immediate select into the elite Ranger ranks and is devastated when that doesn’t work out. By the time he’s come to terms with the fact that being Mormont’s steward means being groomed for command, the truth of the White Walkers is in front of him and that becomes his sole consideration.
To many readers, Jon’s election to Lord Commander was ‘contrived’ though I do believe Sam played the long political game as he believed his friend being in a position of power would lead to an easier path for him. However, Jon doesn’t crumple under the weight of the responsibility - his actions as Lord Commander are revolutionary enough to completely destabilize his support. The show entirely omits all the strategic parts of his negotiations with both Stannis and the Freefolk. Unlike show!Jon, book!Jon does not allow the Freefolk through the Wall only on the account of goodwill and the fear of a common enemy. He takes their children hostage to ensure compliance. He negotiates with the Iron Bank for a loan to stave off starvation come winter. He repopulates the Gift with Free Folk. He shelters, counsels and aids Stannis. He addresses almost every logistical and material issue he can think except for the most fundamental - his people. 
On the other hand, there’s no strategic and political angle to Show!Jon in S6 and S7, instead being posited only as warrior extraordinaire.
'The greatest swordsman in the North' - but too naive to not keep the sister who tricked him almost to his death at arm's length. Brave, loyal and courageous beyond belief - but completely befuddled by politicking. Immediately trusting a sister he’s never been close to and who has been Littlefinger’s pupil for a considerable time. 
Book!Jon's abilities as a leader are sorely underappreciated, especially considering that his tenure as Lord Commander saw the status quo of almost every aspect of NW life upended. The previous LC is killed in a mutiny. The Wildling army launch an attack. The Others finally rise. A King/King Claimant FINALLY takes the NW's warnings seriously. The Wildlings are brought south of the Wall.
Despite being a new beginning for all recruits, the Night's Watch is the one order in Westeros whose traditions and rules have not changed in millennia. Understaffed, under-resourced and facing a threat the likes of which people would struggle to comprehend, Jon does the best he can. His major mistake is one most young leaders make, and that is assume all of those under automatically understand his reasons for doing what he does. 
Relationships
Brother:
If there's one role Jon takes more seriously than 'Ned Stark's son, it's that of brother. Book!Jon is pretty much the pinnacle of brotherly love - Robb's right hand, Arya's champion and dutiful protector to both Bran and Rickon. There's a subtle tragedy in this too - despite how much his siblings love him, all of them, including Arya, have othered him. He's brother, but only half. Snow, not a Stark. The last in the list. 'The last brother left to me' - as felt by both Robb and Sansa.
Book!Jon and Show!Jon are both shown to be loving, dutiful brothers but once again the show is incapable of portraying more than one character at a time in a certain way. Thus all of Jon's brotherly love is concentrated on Sansa, the sibling he was least close to. Show!Jon never mentions Robb after his death mentions Arya not at all when book!Jon never stops thinking about the two of them.
Maybe, maybe if the show had bothered to flesh out Jon Snow's emotional attachment to his home and siblings, his dilemma between his family and Dany wouldn't have been so shoddy.
Tumblr media
Friend:
Book!Jon, despite his aloof demeanour attracts fast friends. His staunchest supporters in the NW are those who he befriended when he first stepped within the gates. He's the only one to ever have stood up for many of them. And it's his NW friends who do become truly brothers, as they see and stand beside him during his rise to leadership.
Show!Jon is no different - he's got his loyal friends but there was no apparent discord after him being elected LC. Which is surprising considering that this is the moment that Jon effectively decides to ‘Kill the boy.’ The Gilly baby switch storyline is completely done away with, probably because it is the one decision that very clearly paints Jon as grey. The book Sam struggles to understand this decision - in his mind his best friend would never have done that. Maester Aemon is the one who sets him straight - Jon is no longer just a brother of the Watch, he’s the Lord Commander now. He can no longer be taking decisions just as Sam’s friend.
The show never really dwelt on the chasm Jon’s position as a leader would have created with his brothers who till them were his equals. Book!Jon knowingly starts distancing himself and this is a flaw that comes back to stab him in the chest - again a misstep in one raised to leadership at a young age.
Tumblr media
Lover:
This part will be a bit of a cop-out since at this point the only common love interest between the books and the show is Ygritte. The show axed Val, who’s one of my favourite secondary characters and my main preference for a Jon pairing pre-Dany. And of course, there’s far too much plot to cover before Jon and Dany even meet in the book (if they’re ever finished).
There are factions of the fandom who don’t think the Jon and Dany romance in S7 was set up convincingly. Admittedly that’s going to be hard for me to judge fairly as I’ve been in the Jonerys camp ever since ADWD made it clear how Jon was growing as a leader and as a magical touchstone in direct parallels to Dany. It definitely helped that Kit’s portrayal of Jon had FINALLY started to appeal to me once The Watchers of the Wall aired. I’d been one of the many fans who had been waiting for these two to meet on the show - and though I personally found the Jon-Dany relationship progression to be one of the few good things about S7, I can perhaps get why many neutral fans (i.e not commited to any rival ships for either Jon or Dany) think its out of character for them to be so involved so soon.
There are plenty of popular assumptions perpetuated by the show which have no backup in the original material - one of them is ‘dumb, lovable idiot’ Jon paired with the ‘awkward and oblivious as fuck with women’ Jon. Now, I’ll not deny that the latter portrayal works QUITE well with show!Jon (Kit’s face is the perfect cast for this characterization) but I just don’t see it working with book!Jon. The boy isn’t seeking out women but its not like he’s not around them. Alys Karstark was quite obviously taken with him, and I doubt Jon missed it, but there were far greater things of import to consider for both of them - I saw no awkwardness in the text. Jon dislikes Selyse and manages to be both cordial and deferential as required. Melisandre makes no secret of her fascination with him - there’s no bumbling awkwardness there either. And Val - he’s quite smitten and there’s some awkwardness there, sure but its hardly the bumbling variety.
As for Dany - considering that at this point the 7 seasons of the show is all we will ever have, I somehow think the softer show!Jon makes a much better pairing with the more hardened show!Dany. Its as if certain aspects of their personalities were flipped in the show - book!Dany is definitely much softer and gentle without her power and strength being diminished, whereas book!Jon is far more calculated and ruthless without compromising on his honour and integrity. 
188 notes · View notes
drsilverfish · 5 years ago
Text
The Cast of Heroes in 15x11 The Gamblers
So, following straight on from 15x10 The Hero’s Journey, we encounter the Goddess Fortuna in Alaska, who compares Sam and Dean to three mythological heroes.
Tumblr media
Heracles/ Hercules and Iolaus (one of his male lovers) fighting the Hydra (one of the twelve labours of Hercules).
Malibu 83.AE.346, Caeretan hydria, c. 525 B.C. Main panel: Hercules slaying the Lernean hydra
Tumblr media
Gilgamesh and Enkidu fighting the “Bull of Heaven
The Gilgamesh Cylinder Seal - Assyrian 7thC BC
Tumblr media
Cú Chulainn carrying Ferdiad’s body (sculpture in Co Louth. Ireland) 
I’m even later to the party than usual this evening because it’s a particularly hectic work period. 
Looking forward to seeing all your takes on The Gamblers!
Firstly, I am ecstatic, as I’m sure many of you are - THANKYOU Meredith Glynn and Davy Perez - they friggin’ mentioned GILGAMESH. 
We’ve been talking about The Epic of Gilgamesh as the closest model in world literature for the epic-heroic love story between Dean and Cas for years. 
Gilgamesh, Hercules,  Cú Chulainn - those are the heroes Fortuna mentions. 
Three heroes from three different mythologies. What is their significance?
Cú Chulainn (Irish mythology) was a handsome warrior, the lover of many women, but with a true love, the lady Emer. He was the son of the God Lugh, God of the harvest. Tragically he killed his own son, Connla, not knowing who he was. 
He may also have been bisexual. His relationship with Ferdiad, his best friend and foster-brother, is described by Cat Mount in a scholarly article, “The Three Loves of Cúchulainn: The Impact of Warrior Relationships in The Táin” (2012) as follows:
“Cúchulainn’s relationships with Fergus, Laeg, and Ferdia demand attention. Each is different not only because each man is different, but because they depict separate types of relationships. The relationship with Fergus is based in the familial, while the relationship with Laeg is one of friendship. The relationship with Ferdia falls somewhere between the other two and, yet, is neither. Romantic is a term that can be used to describe this friendship.”  
http://loki.stockton.edu/~kinsellt/ulsterrising/ulsterrising.pdf 
Tragically,  Cú Chulainn kills Ferdiad in battle. 
Heracles/ Hercules (Greek/ Roman mythology) was also the son of a God, Zeus. In Greek mythology he was also bisexual, taking many male and female lovers. His most well-known male lovers were Iolaus and Hylas.
https://www.advocate.com/arts-entertainment/art/2013/08/14/golden-age-denial-hercules-bisexual-demigod?pg=8 
Hercules also undewent great suffering. His famous twelve labours were penance for having killed his sons whilst in a state of madness induced by Zeus’ wife Hera (jealous as usual of Zeus’ eternal philanderings).  
Gilgamesh, from the Mesopotamian Epic of Gilgamesh, was, like Cú Chulainn and Hercules, part divine and part human. Enkidu was a “wild man” fashioned by the Gods to be his companion. Gilgamesh’s mother, Ninsun, interpreted her son’s dream which foretold the coming of Enkidu to him thus:
“This star of heaven which descended like a meteor from the sky; which you tried to lift,- but found too heavy, when you tried to move it it would not budge, and so you brought it to my feet; I made it for you, a goad and spur, and you were drawn as though to a woman. This is the strong comrade, the one who brings help to his friend in his need. He is the strongest of wild creatures, the stuff of Anu; born in the grass-lands and the wild hills reared him; when you see him you will be glad; you will love him as a woman and he will never forsake you. This is the meaning of the dream.”
http://www.aina.org/books/eog/eog.htm
Why Reference These Particular Heroes?
Well, yay for bisexual heroes - the queer subtext of S15 continues apace. 
Also, there are three of them, so we could, perhaps, map them to Sam, Dean and Cas.
But, I think there’s more than that. 
These heroes are part divine and part human. That fits with the alchemical themes of S14 and 15, where alchemy is a symbolic map of the soul’s journey to God, but also represents the recognition of the spark of divinity in man. This fits with the cosmic and earthly planes mirroring one another, which has been a feature of Supernatural (as above, so below) since Chuck tried to make Sam and Dean vehicles for a cosmic show-down between Michael and Lucifer, and, more rescently, the way Chuck and Amara’s break-up mirrored Dean and Cas’ break-up, and Sam’s direct human-divine connection to Chuck via the God-wound.
Chuck, so I think the ending goes, needs to recognise the “divine spark” in his creations (free will) instead of treating them as characters in his story and as “toys” (as Dean said in 15x09 The Trap). In other words, God needs to recognise the “divinity” in our heroes (just like Cú Chulainn and Hercules and Gilgamesh are part divine).   
And that’s the other element that’s interesting - because heroes lead epic but tragic lives in mythology. All these heroes killed people they loved - sons or comrades-in-arms/ lovers. 
That’s the ending Chuck wants for Sam and Dean - one brother kills the other. 
So, in as much as Chuck needs to recognise the “divine spark” in his creations, Sam and Dean need to recognise that they don’t have to be heroic tragic archetypes, they can instead, embrace the gloriousness of their humanity. 
Heroes get tragic endings, humans sometimes get happy ones. 
So there’s an as above, so below symmetry happening through the invocation of these three mythic heroes - God must come to recognise the divinity in his creations, and our heroes must come to recognise they don’t have to be larger-than-life (part divine) heroes forever, but can just, at the end, win their freedom to be free humans.  
I’ll say more about hero paralllels and Jack in another post. Suffice it to say that I don’t think Jack killing Chuck will turn out to the the “correct” doorway to cosmic and earthly freedom.     
90 notes · View notes