#and i think. though they're still. poorly.

[phopollo]

In the StEx cannon, it is (heavily) implied that coaches are less than locomotives and are, throughout the show, treated poorly and often ignored.

I was wondering if this was the case in your cartoon AU and if it is then why would there be parent-built coaches?

There is so much to unpack about this question and I've already spent over an hour starting to type a response and then changing my mind about what to say or include and deleting it. I think i am just going to be blunt here

The coaches were initially written and coded to be women. In the 80s. The story follows 3 competitive engines, who were initially written and coded to be men. In the 80s. Even though we've now included men into the coaches, and all gender into the engines who the stories follow, that coding still haunts the narrative. The separation of groups has now started to feel more like races rather than genders

I know you didn't mean any harm, this probably slipped your mind completely. But with that context, let's rephrase what you've asked in more human terms;

Interpreting the coaches as women--

"Women are (implied) to be less than men. Throughout the show they're treated poorly and ignored. Will that be included? If so, why would anyone want to have a daughter?"

Or, interpreting things with races, and let's say the coaches are poc and the engines are white--

"POC are (implied) to be less than white people. Throughout the show they're treated poorly and ignored. Will that be included? If so, why would anyone want to have a child who's a POC?"

Do you..... kind of see where this question may not sit well?

[inkats]

ok today's prompt is future! uhm. no spoilies. so. elfie wanted to do braids.

[kryptonbabe]

You will get a new Wonder Woman run planned to be a long and structured one - but it's written by Tom King

You will get a new Black Canary run - the thing is, it will be written by Tom King

You will get a series of some silver age partially forgotten characters you like - Adam Strange, Omega Men, Metamorpho - but here's the catch: they'll all be written by Tom King

Why all these times I got something I wanted from DC it was like meeting this wise and cruel Jinn trying to warn me about the potential harm of my heart's desires?

"Be careful what you wish for, little one. Now take this Tom King book" the creature whispers while I sob

[astarlightmonbebe]

episode 5 has left me considering the different - and similar - ways taeyoung and kwonsook think about themselves, and how they respond to pain/violence.

kwonsook calls herself a monster, someone who goes crazy in the boxing ring. that monster, she says, was created by her father, and her father used abuse, violence, and emotional manipulation to create that monster. he didn’t treat her like human, so it’s no surprise that the way she talks about herself when she boxes is as if she’s discussing an animal: she gets cornered, gets scared for her life, and lashes out to kill. she calls herself a monster with resignation; it’s not what she wanted to be, but she knows it’s what she was. she ran away to escape that monstrosity, to live as a human, doing good things, but that part of her never really died.

taeyoung, too, calls himself a monster. he’s a SOB, he does thing no one with an ounce of humanity would do. he seemingly has no qualms about what he does, perhaps because he can always justify it to himself, always has an exit prepared for when things really get bad (until, i’m sure, he doesn’t). like kwonsook, taeyoung accepts the label of monster, accepts his own inhumanity, even if they are inhuman in very different ways. whereas kwonsook wants to break away from that monstrous part of her - she’s only returned so she can free herself from that part of herself permanently (and if she finds a way to box without a monster, then...) - taeyoung embraces it. it’s through being a monster that he’s found success, how he secures futures for his athletes, and how he’s able to ‘solve’ their (and his) issues. monstrosity was not imposed on taeyoung, but (due to what we know so far) is something he chose for himself (although the factors surrounding this part of his past are decidedly murky).

in this episode, taeyoung and kwonsook also demonstrate similar responses to violence and (emotional) pain. when taeyoung upsets kwonsook by working with her father behind her back, he offers her an outlet for her anger by punching him. later on, after ahreum has already slapped kwonsook, instead of lashing out, kwonsook offers to let ahreum hit her again if it will make her feel better. in parallel responses, both ahreum and kwonsook debate taking that opportunity to hurt, but decide not to (kwonsook because she’s taking a chance on taeyoung, or moreso giving him another one, and ahreum because she decides that she doesn’t owe kwonsook that, that kwonsook is beneath her in terms of boxing, no longer on her level). 

kwonsook learned to respond to pain at a young age. in boxing, you can’t flinch from the hit - you have to learn how to take the pain, absorb it, and get back up to hit again. outside of the rink, kwonsook absorbs the pain, but she doesn’t hit again. she’s experienced firsthand what her hits can do to people, and that terrified her. after all, she only boxed so that she could protect her mother. so when confronted with violence and pain, she takes the hit, because pain is what she knows and understands. it’s the emotions behind it that are hard for her. pain is easy for kwonsook, because she’s used to living through it, surviving it; beneath it, she’s always empty. she’s never really cared about boxing; it was what she had to do. the lee kwonsook that was a boxing genius was a monster she ran from, after all. but in order to break away from that monster, she has to come to understand the emotional investment of her fellow female boxers. before, they were just her opponents, never her friends, but now she has to face their own feelings about the sport, the passion they have for boxing that she never felt. like ara said, she didn’t feel happiness about winning, and kwonsook has never lost, so she’s never had to live with that humiliation, either. how her feelings will change in relation to boxing will likely be a reckoning for her.

taeyoung, on the other hand, is confronting his fair share of non-boxing sanctioned boxing. even though kwonsook is the boxer, it’s taeyoung who’s been touched by ‘true’ violence in this present timeline. his life is quite literally on the line, which has been shown again and again. he’s been ambushed by her father, threatened, blackmailed, and beaten up by chairman nam’s guys. he lives on the edge, anxious at every shadow, which is chewing him alive. to him, kwonsook’s anger is much easier to deal with. he knows she might hurt him, but his potential to hurt her is so much more (and if he does, in that case he’d find her anger justified, and probably let her beat him to death or something if what we’ve seen of his feelings for her is an indication of anything), and she might hurt him, but she’d never hurt him as much as other people in his life at the moment would (i.e. by killing him, or hurting the people he cares about). taeyoung is used to weathering the storm of other people’s dislike; he’s the scumbag, and he does bad things, deserves other people’s anger when it’s directed at him. 

both taeyoung and kwonsook want to resolve things through violence. i think it’s telling that despite being two emotionally aware people, they both consider other people’s feelings to be so easily taken care of. they want the quick, instant pain, and then they want to get it over with. because the violence is what they’re used to, and to a degree it’s what they both think they deserve. however, what lies beneath that, what doesn’t go away with a single hit, is much harder for them to confront and understand. 

[medicinemane]

Can I just add to this when you find a thread by an actual person for something like "reduce Terra Invicta load times" (great game, long load times, I understand it but I'd like to know) and the response is someone being like "Just don't save scum, it's not a big deal waiting a minute or two if you just don't cheat like that"

Thanks buddy, not what I asked for

I fucking hate when you google some shit like "How to improve performance in video game" and then all Google gives you is a handful of shit-ass Games Journalist articles that somehow take like seven paragraphs that are all just like like "In order to improve performance in Video Game, go into "Settings" and set your Settings to Low"

Like fucking come on man what kind of sand-filled rock skull do you think I have? You think I'd be googling this if I hadn't already done that? Do you think I was born yesterday? You think I'm gonna alt+tab outta my shit, wait for Firefox to load, and then fucking Google how to improve my performance without checking my settings first? Do you think I'm fucking ten years old? Do you think I have no brain at all? Come the fuck on man

[indi-glo-archive]

Tara doesn't have the cursed twist-out in the promo pics. Black people win at not losing

[artbyblastweave]

So I don't really think that it's a secret that Boston has a significant Minotaur problem. It's a pretty common situation for older American cities on the East Coast- centuries of poorly-documented cowpath-style urban growth providing an ideal nesting ground, widespread electrification and plentiful steam tunnels that compensate for the loss of the temperate Mediterranean climate that they're used to. And all this on top of limited institutional knowledge of proper containment tactics at least up until the Greek diaspora started to really blow up in the 20th century. You only have to fuck up the safety checks on one cargo steamer coming in from the broad area of old Minoa and then basically any import controls you put in after that point are closing the barn door after the bulls are loose. So yeah, no secret, it's an issue.

I do think, though, that we've kind of let the specific narrative surrounding the issue get away from us in the usual fashion, the problem people picture when they hear "Minotaur" isn't anywhere close the to the problem as it exists on the ground. I mean people's minds immediately jump to the 1949 Boylston massacre, but let's be real, even though that was really politically useful for finally getting the exit fares on the T removed, that was still a black-swan event, right? Basically every mayor since, like, Hynes has lived in mortal terror of having to manage a repeat of something like that during the mass media era, let alone the smartphone era. So we've got these Theseus kill-teams with their titanium-composite ropes and souped-up cattle prods and bolt guns, we have these constant "track replacement" stoppages on the orange line, and it's fine. It's fine! There hasn't been a serious Minotaur thing within walking distance of a T stop since, like, 2006, which again you can mostly chalk up to the chaos surrounding the dig.

No, the actual danger zones, the silent killers are the exurbs, like West Roxbury, Roslindale, parts of Hyde Park. Relatively dense foliage, bad sightlines, far enough from the urban center that the response times are bad, foot traffic that's basically nonexistent for big parts of the workweek because everyone's either commuting or hunkered down working from home. And, of course, a steady stream of delivery drivers with no political ties to the area. Which is an important element, right? I mean it's kind of baked into the Minotaur's nature, that they have a very finely tuned instinctual awareness of the politics of their situation. Start snagging homeowners, there might be a ruckus. But Amazon does steady business everywhere, and Minotaurs are smart enough to cover their bases, to wait until after the drivers have dropped off your package or delivered your food. So yeah, watch yourself out there. One eye on the treeline at all times. And if you see an Amazon van left idling, get ready to run faster than the driver could.

[teleportationmagic]

Transplated my hollyhock for the first time and it went... well? I'd thought I'd messed something up, because the leaves went all crinkly-dead a few hours after I moved it, but a day later and the entire thing stiffened up so that seems good. I think.

[seiwas]

cw: pro-hero bakugo, reader has boobs, kind of explicit/nsfw? idk i describe boobs, reader is smaller and shorter than bakugo, unedited sawry

bakugo's muscle tee looks as ill-fitting as it'll ever be draped over you.

there are reasons for this, perfectly founded and logical reasons for why that is—the main one being that, it's, well, his; two, maybe even three sizes larger than what it should be to fit you properly.

but, he can't stop staring, and there are reasons for that too—the main one being that, it's his, and yet, the only way he can ever imagine it now is when it's being worn by you.

your hips sway to the song you've been humming for the past five minutes. it's the same one, the chorus on a perpetual loop. he's sure it's the only part you know; you do this often enough that it's the only part he knows now, too.

the hem of his tee hits right at the top of your thighs, concealing just enough to tease, but he’s confident that if you reach up even the slightest bit for the cupboard overhead, there'll be nothing to hide.

he feels a little bit like a creep like this, watching as he stands in the middle of your shared living room, but it's impossible too look away—you've got to be doing this on purpose, right?

heat flares inside of him when you turn your body ever so slightly, the armhole of his muscle tee large enough to give him the clearest view of skin—

he gulps.

it's smooth, sloping just right; the side view of your under boob curves into its perfect shape and he can imagine it, feel—

(is this considered perving if he's been with you for years?)

the pan in front of you sizzles as you plop in god knows what. you pour in something from the side and wait, one hand propped on the hip you pop out. then, you pick up the pan, attempting to flip what's inside (probably a pancake, now that he thinks about it).

it’s hard to focus on what you’re cooking though, especially when all he sees is plump flesh jiggling, bouncing as you further agitate the pan.

he just got the pants of this suit readjusted, and now they're fucking tight.

bakugo normally runs hot; it’s kind of part of his dna. but this warmth is different, flushing him from head to toe. it creeps up the side of his neck, painting the tips of his ears a blooming red.

you turn around then, plopping the pancake on the plate atop the counter behind you.

"oh! you're done," you greet him with a smile. so. fucking. casually.

as if your tits aren't fucking peaking against the gray fabric of his tee.

as if you think he buys the fake innocence poorly concealing that sly, conniving look in your pretty eyes.

as if you aren't standing in front of him in his muscle tee, wearing nothing underneath it like you didn’t do this on purpose. like you don’t know what it fucking does to him.

his eyes squint suspiciously, deep vermillion staring straight into yours.

you tilt your head, the tips of your lashes kissing the top of your cheekbones as you blink. you reach for a bottle of honey.

“everything okay?” you ask, voice syrupy, sickeningly sweet.

your movements play in front of him languidly, the corner of your lips curling up slightly as you smirk. honey catches on your finger as you pop open the bottle cap.

he’s supposed to be out the door in five minutes if he wants to make it in time for a meeting at the agency. technically, he should already be there if he wants to keep up his track record of consistently being fifteen minutes too early.

but you start to approach him, rounding the kitchen island. there’s a narrow space between him and the slab of marble, but you slide into it like it was made for you.

he’s certain it was, from the way the tip of your nose brushes against his as you tiptoe. your tits are right fucking there, brushing against the skintight material of his suit.

there’s too much fucking fabric if you ask him, between cotton and spandex.

your grin widens, and he feels hot, the heat from his cheeks radiating.

then you whisper, still saccharine, “breakfast is ready,” before kissing him on the lips lightly. a short peck, soft in the way that promises more before you slip away, giggling in your retreat.

he huffs, watching you leave. his feet shift as he thinks.

five minutes, huh?

like hell he’s going to eat these damn pancakes for breakfast today.

[21280]

warnings for nsfw! implied age gap (it's always age gap when it's older pro heroes), swearing, afab reader, she/her used, fingering, dom! aizawa (?), poorly written smut. this is my birthday gift from me to me! mdni.

shota aizawa and birthdays are not a great mix. he's as emotionally available as a pet rock, so it takes him a while to actually care for such dates.

but when yours comes around, it's an entirely different situation. he somewhat cares, and he's thoughtful enough to consider buying you a gift. key word being consider. it's usually something small like buying you lunch from the cafeteria, or gifting you something practical for your hero suit. and it's very subtle; he gives you his 'gifts' with nobody around so there's no speculation about his bias for your special day.

this year, he made two tiny mistakes.

one, getting noticed by hizashi yamada.

two, buying you something entirely different than before.

so when he's attempting to wrap a small chocolate box in crinkly wrapping paper, he can sense his workmate's eyes lingering on his figure. thinking little of it, he continues.

shota should've known there was something going on the second he stepped foot in the teacher dorms and it was empty. the only sign of life were your huffs and groans coming from the kitchen as you measured flour and some other dry ingredients.

"y/n? where are the others?"

"they said they had to go prepare some stuff at the faculty lounge for my secret party" you laughed, "can you believe i'm stuck baking my own cake?"

shota's eyes slightly widened as he walked towards the elevator, explaining how he had a small present for you. taking advantage of the solitude, it was better for him to deliver his present now than later. a few minutes went by until he returned with a small bag, inside being a box wrapped in crepe paper.

"oh my gosh, you really didn't have to, aizawa" you giggled, your hands steady on the kitchen counter as you jumped to take a seat. you slowly tore away the paper to reveal a simple, black box with golden lettering. they were chocolates, and not the cheap kind. "these look so good, you wanna share?"

he shook his head in response. "they're for you, y'know." you tilted your head to the side, "and if i want to share?"

he scoffed, "alright, but don't be complaining later when i eat the whole—"

there was a loud sound coming from a speaker. shota knew that mic bought it to have ambiance music during dinner or during cooking, but he never knew it could turn on by itself. more importantly...

the speaker wasn't playing pure background noise. it was playing a song.

shota sighed as he recognized the familiar tune, which was one he had heard during his younger years. and he knew that you recognized it too, from the way in which you held in your laugh. "is this your doing, aizawa?" he shook his head as his phone pinged, and to his surprise, it was a text.

Yamada 19:05 AIZAWA BUDDY Hope you like the surprise!!! We won't look at the kitchen cameras for the rest of the night We still want you to be at the lounge for Y/n's party at 9 tho so move along!!

Shota 19:07 Are you fucking serious?

Yamada 19:08 It's her birthday so you know she wanna rii-ii-iiide out Seriously we're gonna be upset if you waste my good music for nothing bro.

"it's mic's doing" he grumbled, to which you laughed. "is this his attempt at setting us up?" he asked. "probably. is it working?"

"i don't know a single person who enjoys this song unironically. do you seriously want to do this with yamada's playlist?"

"something's better than nothing, aizawa" you smiled, "wanna sing along to birthday sex with me?"

shota took the chocolate box from your hand, picking a small tablet and placing it between his teeth. he moved closer, his hands slightly parting your thighs as he positioned himself between them. though his voice came out muffled by the chocolate, it was obvious what he was saying.

"come on. eat."

your fingers grasped the fabric of his shirt as you pulled him closer as you leaned in to take a bite. before you could, though, shota took the chocolate from his mouth and threw it somewhere on the counter, connecting his lips with yours. your hand cupped his cheek as your back slightly arched, wanting to close the gap even further. shota's hand was on the small of your back as he slowly dragged you to the edge of the counter.

his hand lowered towards your ass, causing you to gasp. shota was quick to slide his tongue inside, earning a whine from you. your lips are intoxicating to shota. they're addictive, and he tries desperately to keep nibbling on what he deemed heaven itself.

but alas, air is not only something he needs, you need it too. you pulled away to catch your breath, your hand moving from his cheek to under his shirt, softly tracing the skin on his lower back. "you do know this is probably mic's sex fantasy, right?"

he stifled a laugh, "something's better than nothing, right?"

shota's fingers ghosted over your thighs. "this okay?" he asked, to which you nodded. his fingers traced the hem of your shorts, sneakily pushing the fabric to the side as the tip of his finger lazily drew circles on your clothed cunt. "y'know, i could just fuck you like this, no prob. the shorts make it easy."

and his touch is enough to give you goosebumps. you trembled as he slowly, and carefully peeled your panties to the side, slipping two digits inside. he chuckled as you gripped his shirt in response. "you're this wet already? but we're just getting started."

the way his fingers thrust inside you made your grip on him tighten. you wondered if he had any previous experiences—he’s old, so he’s had to have some—there’s no way he’s naturally good. his fingers curled up inside your walls, and it was enough to have your hips jerk towards him, your head on his chest as your breath quickened. shota's thumb drew circles on your clit as he leaned in to whisper.

“does it feel good?”

you try to answer as coherently as you can, but it’s no use. “it—aah—s’good, aizawa.”

without warning, he slips in one more digit. the moan that escaped your lips was so raw—so lewd, it was almost enough for shota to cum on the spot. “that’s not my name, it’s shota. try again.”

“fuck—shota—so good.”

“that’s better” he growled, his free hand moving under your shirt. shota aizawa is skilled, because in one swift movement your bra is unclasped, your shirt is lifted, and his lips and nibbling and suckling on your hardened nipples. shota aizawa knows your sensitive spots. he either guessed them first try, or has known you long enough to know.

you were a moaning mess. you clung onto him so hungrily, with so much desperation. the only sounds that left your mouth were incoherent thoughts and screams.

“sho—want you ‘nside—now.”

he let out a low chuckle, “you need to cum for me first. think you can do that, y/n?”

shota didn’t have to tell you twice.

[kitts-mechanix]

I just had a huge realisation yesterday and I wanted to share this after going through some pretty horrible stuff over the weekend: Something I've always asked myself ever since getting into G1 Transformers was "why do you like Starscream so much even though he's a narcissistic bully? Why are you, someone who is a victim of narcissistic abuse, taking comfort in a narcissistic character?" Well, I think I finally figured it out. Because Starscream is also a victim of that very same abuse. I mean, he's beaten, called names, bullied, unappreciated, abused, and put through the wringer…and he internalised all that abuse because he knew no other way. He had no one to turn to, and the few bots who did support him, he treated like dirt. Once he had that freedom and power, he abused it and became the very thing that abused him. I have no doubt he was always self-centred, selfish, had a huge ego, etc. before all that but honestly? I think Megatron's abuse caused him to turn out the way he did. I could have turned out that way and it's a little scary, some of the parallels I'm drawing with him.

@ichbinmeltdown wrote a great analysis on Starscream that I want to share here:

"Megatron was abusive as hell to Starscream. He treated him horribly, and I legitimately almost cried a few times watching it. There's an episode called Starscream's Brigade that introduces the Combaticons, and I think that perfectly demonstrates the cycle of abuse. The entire world is against Starscream at pretty much every turn throughout the series, but none more so than Megatron. Every word out of his speech synthesizer to Starscream is to berate him, and he's constantly throwing him around, beating him, even ripping out his speech synthesizer in a scene from a previous episode (Hoist Goes Hollywood, IIRC). His own teammates don't like him, and even his brothers- Skywarp and Thundercracker, going off of the idea they're brothers- just... allow Megatron to abuse him. (Not to get into headcanons here, but I personally believe that Megatron's abuse fractured the Elite Trine's family dynamic. They are still brothers and love each other, but they're all too afraid of Megatron to really... stand up for each other as they did in the past.) And Starscream seemed to just snap in this episode. He treated the Combaticons poorly, and even when teaming up with Shockwave, he subjected him to a lot of the same ridicule and torment that Megatron put him through. He failed to realize Shockwave was the one of the only bots who would give him a chance- and unfortunately lashed out at him, which ruined his chances of Shockwave ever being a true friend and ally to him. Once Starscream had finally gotten a taste of power and not being under another bot's boot, he too became the very thing that he lived in fear of. And that really is how the cycle goes- when you're finally free from abuse, it can be tempting to overcompensate and take back all the power you were robbed of, at any cost whatsoever. Starscream, like D16 in Transformers One, snapped up this opportunity."

And the sad thing is, I've seen this in real life and I've internalised some of the abuse I've dealt with too. I'm not proud of it. Like the Seeker Trine, my own family dynamic has been fractured by similar abuse. I know there's traces of narcissism in my behaviour too, and I'm NOT proud of it. Maybe this is why I can forgive Starscream for being a narc, because I can see a little bit of my own personality/attitude/behaviour in him. Maybe it's because I know where it came from, I get why he acts that way and it's not just random and out of the blue. Maybe it's because--and I know this is a bold statement--I don't think he would do some of the stuff my own family did to me (blah blah blah he's a fictional character).

I didn't mean for this to turn into a long rant, so

TLDR: I finally figured out that part of the reason I love and relate to Starscream so much despite him internalising some of the abuse I went through, is because he was the victim of that same abuse.

[tainbocuailnge]

a lot of arknights gameplay discussion is built on certain assumptions about how people (are supposed to) play arknights, often without being aware that these assumptions are being made, and thus the common gamepress (rip)/reddit assessments of whether an operator is good or bad will be assessing their suitability for a style of play that is not remotely universal, but is still assumed to be universal, because it is the playstyle of the people who are writing these assessments.

this post is not about which playstyle is better, but rather about the way people talk about operator design and viability. if your way of playing arknights aligns with the assumptions that redditors often have about how to play arknights, then their advice is very useful, they are usually correct in their assessment of how suitable an operator is to that particular playstyle. it's also a single player game and how anyone else plays it has no bearing on what I'm doing myself, so in that sense it doesn't really matter to me that redditors talk about arknights in a way that doesn't align with how I play arknights.

I think reddit-style discussion is keeping a lot of players from experimenting and discovering that they actually like a different way of playing arknights more though, because they're caught in the idea that if this is how people talk about arknights, then that must be the right way to play arknights. I also think it causes a lot of players to view a lot of units in a bad light, or rather, they are assessing these operators by metrics that the operator is not trying to meet.

lucilla is often called a bad or poorly designed unit because her debuffs only affect regular enemies instead of the elites that would usually be the main threat. however, the debuffs she applies are very potent when they apply, so when her conditions are met she performs exactly as intended. in gamemodes where regular enemies can grow really bulky like IS or CC or SSS, or maps featuring bulky enemies that nonetheless are not categorised as elites like sarkaz wither aegis, lucilla successfully achieves her intended purpose of outperforming existing hexers in specific scenarios (her fragile can reach the highest value in the game and its only condition is whether the enemy is elite or not) without being a direct upgrade (the rest can actually debuff elites). not many players value what lucilla offers, but if you like engaging with and working around map and operator gimmicks, lucilla is a good operator for you.

wisadel is good at instantly clearing whole sections of the map, which is something many players value, but if you don't /want/ to instantly clear whole sections of the map because you want to actually engage with the map mechanics, she is not a good operator. she performs just as well as lucilla at her intended role, the difference is that wisadel's intended role aligns with the redditor assumption of how to play arknights while lucilla's doesn't. this friction between the assumed way of playing and the way many people actually play was highly visible during the icebreaker games, where a lot of players started bringing aak just to get rid of the other guy's wisadel so that she couldn't blow up the map before they got to actually play it.

"is this operator good" is a question that includes many unspoken metrics, including ones that the person asking might not actually want to judge an operator by. it can be a useful shorthand to speed up discussion of where and how one might want to use an operator, but it is only useful if these unspoken metrics are actually consistent between all participants of the discussion, which in practise is rarely the case. someone who is talking about how one might use lucilla doesn't want to hear that gnosis is better or that it'd be easier to just blow everyone up with wisadel, and someone who is looking for easy to use broadly applicable operators doesn't really want to hear that lucilla is actually really good in specific situations.

the more nicheknights I play and watch, the more I come to doubt how useful it is to talk about operators as being "good" or "bad" to begin with. across all of arknights there is not a single operator that is objectively unuseable. I would also argue that nearly every operator is capable of doing what they're intended to do. every operator has a combination of qualities that is completely unique to them, which means every operator can be in a strategy that relies on that specific operator's qualities to succeed. u-official was specifically designed to be as useless as possible as a joke, and high-level challenge players have still found various uses for a 3dp ranged unit that doesn't attack + doesn't take up deployment slots + can stun enemies + can temporarily make allies stop blocking.

exploiting the unique qualities of operators that are often overlooked for easier to use alternatives is the core principle of nicheknights. the fewer options you have and the more you try to cut down on the amount of operators used, the more each individual operator's unique qualities will shine. just earlier today I saw a clear that used a combination of the aspd debuff inflicted by zaaro and the fact that manual deactivation skills will cancel attack animations to delay mr. nothing's attacks long enough that every attack he does will trigger his stun talent, largely preventing zaaro from doing anything.

arknights also has immense variety in map and enemy design, so use cases for operators often dismissed as too niche to bother actually occur fairly often. every single chapter and story event introduces both new map mechanics and new enemies that make use of those mechanics. often the less straightforward a unit is, the more ways they have of interacting with these mechanics to open up potential new strategies. even without any self-imposed challenges, different gamemodes all have various restrictions and opportunities that make certain operator qualities more or less desirable, and the combination of collectibles and risks you pick in IS or CC can completely change how you approach each map. in RA you can straight up build the map yourself to be as beneficial to your operator of choice as possible.

beehunter's high attack speed but low damage made her fairly unremarkable until the game introduced hitcount-based mechanics. corroserum is rarely built because ifrit had been in the game so long already by the time of his release and he's not ifrit, but just the past month there have been two separate maps where a large amount of silenceable enemies approach the blue box in a straight line for him to trivialise. warmy is arguably the most difficult to use unit in global right now because the only way to inflict the burn status that her s2 capitalises on is using her s1, but now there's path of life letting just anyone inflict burn so she's free to use s2 anyway. if the situation where your gimmick unit of choice can shine doesn't exist yet it will be created sooner or later, because these units were created to have their gimmicks exploited.

arknights is a highly varied strategy game that offers many different ways to engage with its mechanics, including some ways to not actually engage with the mechanics and just explode everything instead. the game offers these options so exploding everything isn't the wrong way to play arknights, but the game also offers many other options so it's not the right way to play arknights either, it's just one of the many ways available. an operator that seems way too gimmicky or specialised to see much general use is not poorly designed, they are designed for a particular playstyle that simply differs from the playstyle that is assumed in a lot of operator discussion. units like lucilla or tsukinogi or leto aren't meant for players who ask "when would I ever use this when I have far easier options", they're meant for players who ask "what strategy would allow this combination of qualities to shine".

this is the issue at the root of why a lot of perfectly serviceable operators get stamped as being bad, and also the answer to the question of why arknights would be releasing these bad operators in the first place. crownslayer is a bad unit for the type of player that want to kill everything as fast as possible, but she's great for players who like gimmicks and weird interactions. many recent 5* are bad units for powergamers because they're trying to not to intrude on their existing subclass colleagues by doing something more conditional instead, or they're experiments for new subclasses that don't have an immediate obvious use case. many times throughout the game's history a new operator has been dismissed as bad only to turn out to be very powerful if you play them the way they're designed to, like dorothy, gnosis, ebenholz, and even specter alter.

all of which is to say, operator discussion would be a lot more useful to everyone involved if it talked about what situations would make the best use of the operator's abilities, rather than whether the operator is Good according a metric that is rarely even properly specified.

[lis-likes-fics]

Everything in the World

Pairings: Spencer Reid x wife!Reader Word Count: 1.9k words Warnings: Literally none, not even a swear word, all fluff... A/N: Why can't I have this?! Please I am begging on my knees, all I want is like... ONE KISS. Please ONE KISS PLEA-! Thanks to my lovely beta reader @killerqueen-ofwillowgreen!

It's really late. It takes a lot of care to close the door silently behind him as he steps into the threshold of his home.

He releases the quiet breath when he hears the click of the lock, turning on his heel and setting his go bag by the door. The quiet hum of the TV is all he can hear through the apartment as he begins to step further inside. It's nearly one in the morning—you should have been in bed hours ago.

Spencer comes up to the living room, peering inside curiously to see My Little Pony playing brightly across the screen as multiple colorful ponies trot through a city bustling with activity.

“Daddy!*

The voice that calls him is ecstatic but still so, so soft in the night. His smile immediately stretches over his face, his mind full of images of the past few days melting away in favor of holding his arms out and open to receive his little girl.

“Hey!” he beams, sweeping her into his arms as he keeps his voice down. He holds her close to him, rubbing her back and sighing. “Hey, sweetheart.”

Spencer kneels down, setting his baby—though she would argue she wasn't a baby—on her feet with a smile. He sits back, his legs out in front of her for her to stand. She eagerly moves her dark brown curls away from her face, smiling so big that it looks like she's all teeth.

“Miss you,” she admits, whispering poorly.

His heart warms at the words. “I missed you too, Rora,” he returns, pressing a loving kiss to her forehead and adoring her giggle.

He glances over at the couch where you're fast asleep, one arm draped over the side in a position he can only assume is highly uncomfortable. You're both in your pajamas already, completely through your nightly routines with the obvious exception of the part where you go to bed.

Spencer's hand holds her side, his thumb brushing gentle circles over her. “Did you stay up for me?”

Aurora's nod is enthusiastic with an unmistakable pride shining in her eyes. She's got these big cheeks that Spencer loves to kiss. “Yes,” she says. Then she looks over at you, like you're silly. “Mommy went sleep.”

“I see,” he mumbles. He watches the way you pull Rora’s plush elephant into your chest under one heavy arm like you're cradling her. He nearly melts at the sight.

He scrunches his nose and leans in like he's telling a secret. “She was super sleepy, huh?”

Rora’s happy to join in, her voice lowering to another loud whisper. “Yeah.”

“You wanna help me put her to bed?”

“Yeah.”

“Alright, c'mon.” He hosts himself up onto his knees and takes her hand, waddling over to your spot on the couch.

He smiles fondly as he peers at you, your soft face and your softer breaths. He thinks you're one of the most beautiful things he's ever seen. You and your baby girl.

“Isn't she so pretty?” he whispers, his voice so, so soft to avoid waking you.

Aurora tries to match his tone. “Yes. Like the boralis!”

He nods quickly. “Yes, exactly like the boralis.” She still hasn't quite figured out how to say “borealis”, but he doesn't have the heart to correct her right now. It's what the two of you named her after. He kisses her forehead again. “C'mon.”

Spencer stands, putting all his care into sliding his hands underneath your body. A tiny sound mumbles out of you, but you just lean into him as he pulls you closer and closer. Once he's got you in his arms, held like a bride with your face resting against his chest and the plush in your arms, he can't help but to take a moment to look at your face again. He loves how pretty you are.

Your lashes flutter as you begin to awaken, struggling to open like they're stuck together with glue. “Spence,” you say before you've even looked at him.

He smiles fondly, his words so quiet that not even Aurora can understand him. “Hey, baby.” He glances at his daughter, motioning with his head for her to follow him as they walk through their home to get to the bedroom.

“You're home,” you mutter sweetly.

“Yeah,” he nods. “Did she wear you out?”

It takes a moment for you to reply, your mumbles spoken into his suit. “She has a lot of energy.” There's a lazy moan, and then, “You don't have to carry me.”

He refuses to not carry you. Carrying you is one of his favorite things to do. “Go back to sleep. We got you. Right, Rora?”

She's struggling to reach the door as she responds through strained effort. “Mm-huh.” When it's open, she fist pumps herself and rushes inside to climb onto the bed. It takes a lot of effort for her to get there. Spencer's already waiting by the bed by the time she manages to crawl up, and he enjoys watching her pull the covers back for you.

You silently let them go through the process of tucking you in—Spencer lowering you into the bed, Aurora bringing the covers up to tuck under your chin, Spencer smoothing the blankets out, Aurora lifting your head less than elegantly to push an extra pillow underneath you.

Spencer rests a warm hand on your cheek, brushing his fingertips across your forehead and studying every tiny little feature of your face like he's analyzing old Russian texts. He presses his lips so sweetly to your forehead, and you melt into the pillows.

“I'm gonna put her to bed, okay?” he murmurs. You nod and hum. “Give mommy a kiss.”

Aurora pulls her hair back from her face, bending down to place a sort of sloppy kiss to your cheek. He doesn't miss the way your lips tug. “Thanks, honey.”

Her voice is so small and sweet. “Night, Mommy.”

You take a while to breathe in, reaching a tired hand from under the covers to reach blindly for her. Once your hand has found her knee, you stroke it gently and nod. “Night, Rora. Love you, baby.”

“Love to you,” she says.

Spencer kisses your forehead again while Aurora picks up your arm and shoves it back under the covers. She wants to see nothing but your head uncovered.

He rounds the bed and scoops his girl off of it, making a rocket sound as he does. She lands on his side and waves goodbye to you as he carries her from the room. She's taken her elephant plush with her. Her tiny hand holds onto him absentmindedly, holding his shirt in a tight grip that lets him know just how much she loves him, how much she depends on him. He rubs her leg.

When the door is closed, he smiles. “What story do you want tonight?”

“Mommy already read a story. Lord of Rings.”

He lowers his voice scandalously. “Do you want another one?”

Her face lights up like a million Christmas lights. And it's contagious. He looks like he's just received the best present of all. All he wants is to make her smile like that forever.

“I can have two?” she gasps.

Spencer thinks briefly that he would read to her every book in the world if it would make her this happy.

He opens her bedroom door, flicking on her golden lamp as he goes. “Yeah, sweetheart, you can have two.” He sets her in her bed, pulls the covers up as she helps. “But you gotta keep it a secret, okay?” He says this fully aware of the fact that she's going to tell you anyway. She tells you everything.

“‘Kay!”

He pulls up the tiny chair in her room. “Which one?”

“Next part, please!” she asks excitedly, pointing to The Lord of the Rings already sitting on the table beside her bed.

He picks up the thick book, pulling it in his lap and flipping to the marked page. “Ready?”

She lays back, getting as cozy as she can. She holds her plush to her chest just as closely as you had a moment ago. He can't help but adore how much she looks like you. It doesn't matter how many times people say she looks like her father, he will always see you in his girl.

“Ready.”

He snaps out of his thoughts, busying himself with the words. He wills himself to speak a little slower, entertaining her with voices and movements and all the things she loves in storytelling. She stops him a million times to ask a million questions, and he's content to give her a million answers and more.

And when she's finally fallen asleep, finally tired out by the long day and night she's had, he puts the book back with a smile. Spencer kneels by her bed, pressing a loving kiss to his daughter's head as he runs his fingers through her hair. He whispers “I love you,” so silently into her hairline, turning off her light to allow her nightlight to take over.

He retreats back to his room, closing the door and beginning to shed his layers. And once he's wrapped in some sweatpants, he finds himself kneeling by the bed once more.

You must have been really tired.

You sleep effortlessly, face pressed into the pillow, the extra one Rora had given you discarded to the other side of the bed. He can't himself. He reaches out and touches your face, tracing the softness of your cheeks and of your lips and of the tip of your nose.

Your face twitches where he tickles you. You don't have to open your eyes to know it's him. You never do. “She sleep?”

“Yeah.” He sighs gently, “Sorry I took so long.”

You shake your head. “Don't say sorry.”

He smiles, kissing your forehead for the fifteen hundredth time and standing to his feet. He goes around the bed and climbs in next to you, pulling the covers up to make sure you're still warm.

You practically glue yourself to him, tucking yourself away in the warmth of his chest and breathing in his scent as it swirls around your head and makes you melt inside. Spencer adores the feeling of your fingertips at his side, stroking up and down and up and down tickling as they do.

“Missed you,” you whisper. He's immediately reminded of Aurora when she greeted him earlier.

He wraps his arms around you and brings you impossibly closer, his loving hands caressing you. “I know. I missed you, too, love.” He says it all in one breath, so happy to be home and in your arms. Your forehead gets three more kisses. “Go back to sleep. I love you.”

He says it so quickly, but there's nothing casual about it. There's never been anything casual about the way he loves you. He loves you so fully and so deeply and so intensely. It takes his whole soul to look at you, and even more of it to bring himself to touch something as precious as you. Sometimes he feels like he doesn't deserve it. But right now, in this moment, he can't be bothered to think that. Right now, he's just so happy that you're his and he's yours. He loves you.

Even through your exhaustion, he feels his love returned. Your sticky words fuse with the fabric of his heart, and he's never been happier to be loved. “Love you, too.”

You earn another long kiss to the line where your forehead meets your hair. Tucking you in to him, he lets himself fall asleep next to you, wrapped in your arms.

Criminal Minds taglist: @queermaxwooo @mdanon027 @lilianhallee @hpstuff244444 @thegr8estpuff @niktwazny303 @bubbles2300 @hiireadstuff @chloelmao67 @feyresqueen @hbwrelic @princess76179 Tag yourself here...

[cometblaster2070]

ranting for a bit because the entire scene where elphaba tells glinda her secret makes me go rabid and actually makes me want to chew concrete because not only is it actually absolutely heartbreaking to see just how deeply elphaba believes all the horrible things her father reinforces; how she thinks she's responsible for her mother's death and is the reason for nessarose's disability even when it's literally not her fault in any way and is actually DIRECTLY her father's fault.

and just the fact that elphaba tells glinda all this and tells glinda her father hates her and that everything's her fault and glinda looks at her and she's absolutely heartbroken to hear elphaba saying all these things and she becomes the first person in elphaba's life to look her in the eyes and tell her that none of that is true and that it is NOT her fault, it was NEVER her fault despite whatever anyone said.

ik a lot of ppl see glinda's "it was the milkflower's fault" line as a very sort of shallow take by glinda (I'm explaining it poorly but ik some ppl wonder why she didn't just call out governor thropp directly) but I've got to disagree with that take because personally I think glinda heard elphaba talking, heard her describe her secret and heard how her father forced her mother to chew milkflowers constantly during her pregnancy all because he was afraid the baby would come out green like elphaba and she heard all this and she hears how elphaba thinks this is all her fault.

and yk they're roommates. glinda sees the way elphaba talks about her father and how even though she says that he hates her in an almost casual manner despite how she says he's justified for hating her, elphaba still loves her father and she still wants to do right by him and she still wants him to love her.

so glinda knows that elphaba will not listen to her if she straight up tells her that her father's fucking mental and completely wrong and that it was all his fault and that she's probably going to bludgeon him to death. she knows that elphaba will never accept this and she knows that right now it won't do any good for anyone.

so instead she tells elphaba it was the milkflower's fault. and she looks her in the eyes and she tells her this was never your fault you shouldn't think this was ever your fault and anyone who ever told you that it was your fault was completely and totally wrong and I need you to know this.

because the primary concern isn't about telling elphaba she's got a shitty dad the primary concern is telling elphaba that it is not her fault for simply existing. and to let her know that there is nothing wrong with her and that there is someone here, right now, who loves and cares for her so so much and wants her to know that. that there is someone who will hold her hand and who will tell her that they are there for her and that she is fine the way she is. that she is loved.

[ratsummer]

I think Phantom was fending for himself for years in the pit, running the circles from just about the age a ghoul can probably survive on their own. He was born into a small but loving pack, so he learned how to be a good ghoul kit, but once he was on his own, he didn't have anyone to socialize him as a young adult ghoul. Sure, he'd tag along with the odd band of ghouls here and there when the opportunity arose, but those alliances were born out of necessity and always quite brief.

All this to say, between his lack of guidance from adult ghouls, his trauma, and the neurodivergencies he was born with, Phantom has held on to a lot of ghoul kit behaviors.

When he's first summoned and meeting his new pack, everyone is on edge. He's small for a quint, and has a confusing blend of kit and adult behaviors. Once the infirmary ghouls have confirmed he is in fact an adult ghoul who chose of his own volition to respond to the summon, and not in fact a large kit they've accidentally abducted, everyone relaxes a bit.

At first, as they're learning about how Phantom was living for years prior to his summoning, emotions run high. They all hide it well from him, not wanting to frighten or burden him. Even so, there are many late nights in the den spent whispering and weeping as they process the things they learn of Phantom's past.

As time passes though, and Phantom settles in and gets comfier with all of them, the sadness and anger pass. They learn to interpret Phantom's unusual blend of behaviors, and they love him all the more. No one pressures Phantom to change, or tells him that he's doing something wrong. They accept him for who he is, and as long as he's not uncomfortable, embarrassed, or inadvertently harming himself, they're happy.

And oh, how they love their baby bat.

It took a while for Phantom to relax enough around anyone to purr at all, but now it's almost nonstop. Almost anything will set it off, too. Swiss walks into the same room as him? Purring. Mountain puts a hand on his shoulder to keep him still while he reaches over him for something in the kitchen? Purring. Dewdrop says good morning? Purring. When everyone gets together after a long day to cuddle in the den, Phantom's purrs stand out from the rest. He hasn't quite switched from the cooing, nasally purr of a kit into the rumbling, chest purr of an adult. He's slowly working into his chest purr, especially as he spends time cuddling on Mountain, Aether, and Swiss. Their purrs are deepest and most obviously resonating from their chests, making it easier for Phantom to imitate. Regardless of how he sounds, though, a purring Phantom is a happy Phantom is a Phantom getting many kisses.

Phantom is also working on scenting. The first person Phantom ever tried scenting was Dew, and boy was the fire ghoul confused at first. They were cuddled up on the couch, watching Cumulus teach Swiss some new crocheting techniques, when Phantom started headbutting him. To be fair, it was a gentle headbutting, really more bumping his face into Dew's jaw and nuzzling into him each time. Even so, it caught Dew off guard. Luckily, Rain was sitting on the opposite end of the couch and caught Dew's attention before he could react poorly. Dew, unlike Rain, had never really spent much time around ghoul kits, so failed to recognize Phantom's kit-like attempts at scenting. Rain mimed at him frantically until he got the memo and started scenting Phantom back. "Oh, Phantom," Rain chimed in soon after, "You're being such a lovebug for Dew. He likes gentler scenting though, sweetheart, do you want me to show you? Come here, it's my turn!" And of course, Rain instantly had a lapful of cooing, cuddly ghoul to coach, leaving Dew to roll around and be embarrassed over how in love with Phantom he is.

Phantom also kneads a lot more than most adult ghouls. While the others might do a little kneading here and there when they're feeling deeply sleepy and relaxed, Phantom seems to knead whether he's feeling calm or stressed. His most frequent victims are Cumulus, Swiss, Cirrus, and Mountain, and he kneads on whatever body part is closest. Tummies, thighs, arms, Cumulus even lets him get away with kneading on her boobs. He zones out hard when he starts kneading, almost slipping into a trance. They've all had to do a little correcting for Phantom with this behavior, just to show him how to keep his claws from hurting soft skin and to make sure he doesn't squeeze too hard. Sometimes, when he's having trouble being gentle, they'll pass him a stuffie or a pillow to work instead. He seems to knead the most during mass, Papa's chanting and the choral accompaniment relaxing him. Usually it's Mountain who will grab him when he starts getting glassy-eyed, holding him in his lap and letting him knead away at his arm.

Aether and Cirrus have spent a lot of time helping Phantom with his emotional regulation. Once he's feeling safe and secure with his new pack, that no one is going to hurt him if they notice him, he gets a bit too reactive when his emotions run high. When he messes up the same section of a song for the sixth time, he starts yelling and crying. When he slept poorly, he hisses and growls. When he trips down the last couple stairs in front of some siblings, he hides and mopes for hours, crying and skipping meals. Aether and Cirrus help him learn to identify how is body is reacting in a situation, and what emotion goes with it. They help him respond more calmly, so he doesn't hurt or frighten anyone. They teach him coping skills, like deep breathing, or leaving a room, or asking someone for a hug. It's not always easy, but Phantom is diligent and attentive, and with guidance he quickly finds techniques that work for him.

Yeah, idk. Just. I could go on and on. Phantom being a little different from what his new pack is used to and it's okay. It's not his fault. He's so full of love, and he finally gets to share it. He's so full of love, and his pack is thrilled that he shows them in his own way. Ugh. Nobody look at me.

[thatonegayship]

Hey man me again, it’s nearly 3am and i was curious. What would theoretically happen if someone (say a human bully, or a lesser uninformed demon or smthn of the sort) were to put down and talk absolute shit about Dipper with the anticipation of Bill joining in and/or being impressed and agreeing cause here’s this super cool and sexy guy surely he also thinks Dipper’s a useless freak right? How would Bill take this kinda confrontation about his husband? Would his reaction vary depending on wether or not Dipper was there? (I lowkey think it would but I’m just a worm in a bait bucket uk) (also sorry this comes across like a fucking critical thinking question from a middle school textbook)

At best someone talking shit about Dipper gets a long lecture about all the reasons Dipper is way, way cooler than them! And some broken bones. That's Bill's husband, he picked a great partner, and he is not going to pretend otherwise for someone else's ego.

The rant's absent if Dipper's around, but frankly? It'd be better for the bully/demon if Dipper was around to hear someone dissing him to Bill. In that Bill would refrain from the most gruesome acts within his mortal's sight.

Though if they're smart, they'll notice the way Bill's looking at them, and take that brief amount of time to run.