#and i love drawing illustrations. but what made me start taking art seriously in the first place was telling stories through art

[jayskai]

i’ve been thinking A LOT about making comics lately helppp 😭

[dseval]

New AU? 🤔🤔

(This drawing took several years of my life, i think. Had fun but I wasn't a pro artist, sorry color theorists)

I made a joke UTMV AU based on Blue Archive, as a joke, said joke took too many effort now to just be called a joke. Decided to post it on Tumblr because I guess I need Social Media sometimes. The AU is based off Blue Archive (heavily) and To Aru Kagaku no Railgun (loosely). Interested in this long idea dump?

Under the cut.

(logo made with the Blue Archive Logo Generator, this is also a joke name)

ArchiveVerse, or I would personally abbreviate it as ArchV or ArcV for the remaining of this post, is a UTMV AU, where all the characters are our favourite skeleton: Sans but from multiple AUs. It is heavily based off Blue Archive, borrowing a lot of concepts— and loosely from To Aru Kagaku No Railgun.

Side note, i do not actually watch To Aru, nor do I play Blue Archive anymore. So several stuff are definitely made up.

This is literally my second post ever on Tumblr.

The joke concept image that started it all...

I'm sorry for the terrible artwork sksksks

Do note ahead that this AU is made in-and-out of art block, so some information and designs are inconsistent throughout the post. Everything is also written in Comic Sans MS, as a joke.

The Academy City

Do not take this AU seriously, it's just a slice of life thing. (Unless)

The academy city is occupied with students, nobody is an adult. However there are complete facilities in the city, like malls, restaurants, etc. Some students work in these facilities, but most of the time they are ran by robots/artificial intelligence.

In the heart of the city, rests the Omega Tower, which, hypothetically, kept the city running. It is occupied by the General Student Council. The Academy City itself is shrouded in mystery.

There are four academies in the city, each with their own districts:

(Thanks to an irl friend for helping me design and clean up the logos ♡)

Each student belongs to their own unique academy, though students can be promoted and enrolled from OPS to either Ordenance or Paradigm if they possess the qualities of excellence. Students who have already been in Juvenile Containment aren't allowed enrollment in Ordenance or Paradigm.

Here are several more fun facts about the academies:

Juvie students are still allowed to go out of their district, though this depends. If the student has a light sentence and hasn't committed any heavy crimes, they're allowed to go pretty much everywhere (unless they're banned in certain locations). Any student can go in and out freely if they have a pass.

There are no teachers, the students learn from text books and videos, though they still attend class.

Even if students come from different academies, they're still allowed to visit and make friends with students from other academies.

The Omega Public School district is the largest district among all academies, and each and every student has their own house, as opposed to the other academies' dormitory system.

Only the Paradigm Academy has a standard uniform. Ordenance students have a dress code, OPS is free to wear whatever. While Juvie students must still wear the uniform of the academy they are once associated with.

Students/Characters

A list of basically every student I have somewhat designed for this AU. Each student has their own unique halo, and their own unique powers, which I have put in the sheets. It also includes a short backstory.

However, they're, uh, pretty shabby. This is the most I have designed for a joke (what the hell). Some are well-made, though i faltered around the end. So please zoom in to see text more clearly.

Friendly note that Nightmare's bones isn't covered in goop in this AU, see the very very first Illustration on top of this post to see what I mean. They also have wings. Nightmare's wings are broken and a bit ugly here and there, while Dream's wings are white and pristine. Can they fly? Take a guess.

Guys I love Reaper but I suck at drawing him Im sorry

Halo designs are not final. Also, rest assured, these three are not the only members of the GSC.

Each student has their own special power. So far, I... Literally have nothing to say about these powers, except a few things:

They can manifest from emotions. For example, when Horror is flustered, smoke can come out of the crack of his skull. Or when Dust is nervous, he gets 'cold feet,' A.K.A the ground under his feet turns to ice. Cross also has lightning fizzle out of his fingers when he's nervous or surprised.

They can channel their powers to a weapon, though it's not necessary.

Welp, that was fun. I have fun making this AU (even if it's unlikely anyone will see it). Thanks, guys, have a nice day.

Credits (please tell me if I missed anyone, or misspelled anything):

Undertale by Toby Fox

Nightmare and Dream Sans by Jokublog

Dust Sans by Ask-Dusttale blog

Killer Sans by Rahafwabas

Horror Sans by SourAppleStudios

Cross Sans by Jakei

Epic Sans by Yugogeer012

Color Sans by superyoumna

Delta Sans by AnimatedZorox

Ink Sans by Comyet/Mye bi

Error Sans and Geno by CrayonQueen/LoverofPiggies

Reaper Sans by Renrink

[trungles]

Processing Process, and More Processing

I made this post free and publicly readable on Patreon, but I'm reposting the whole thing right here too because, well, it's a free post, and I don't want to make you click away from your dashboard if you don't need to. But also if you want to support my work, here's the link to the post.

It's a little bit about cartooning, a little bit about drawing, and then it turns into a eulogy for a chicken.

I wrote “process” more than once, and now the word looks funny and is beginning to lose its meaning to me.

This post is about a few things, and it’s a little bit on the sad end of things. Nothing dire! No worries. There’s just a little mention of death, just as a heads up.

Before we get to that, though, I’ve been doing some work and had some thoughts.

I’m often asked about how I draw the noodle hair on my characters, and the answer is typically that I draw each and every line with my hand. But there are considerations of movement and volume that go into it beyond its texturally decorative purposes. I love being able to convey shape and motion with it. It’s less evident, I think, in my illustration work, but I think it’s much more obvious when I do sequential work. In the above image, you can see me working out a sequence of Angelica having a series of thoughts. Her head sort of moves, and her eyes follow. You can see I’d planned out the general shape of the hair and how I’d like it to move.

I wound up moving the drawings a little bit so that the readers eyes will actually follow the character’s eyes as it moves gently rightward on the page. The hair is there to accentuate the movement, like so:

It’s a consideration I employ in all my drawings, but especially when I’m drawing hair and fabric. I don’t use a lot of action lines, so this becomes an important way to give the reader the information that someone is moving through a space. Resistance, gravity, and motion are all things I have to keep in the back of my head when I’m doing these little drawings. I think the planning actually takes more time than the inking, which can happen pretty quickly once I map it all out.

In other news, I’m starting to take my extracurricular artistic development a little more seriously in the silliest way possible.

You wouldn’t know it, but I studied painting college—a medium I switched to after the printmaking professor and head of the Art Department at the time told me I probably shouldn’t be an artist (he gave me a hard candy for my trouble). I recently bought a bunch of little dolls, dressed them up, and am returning to my painting roots. It feels really nice to work in big blobs of color instead of lines. It’s an exercise I came up with in response to a common lament from art students.

One of the more aggravating generational tensions described to me by art school students is when professors describe a student’s portfolio as “too anime” without much explanation. I know what the professor means. They’re trying to get at how referencing your favorite anime or cartoons means that your style becomes a simulacrum, an imperfect copy of a copy, and you never learn to develop your own sense of judgment about where a line or a shape needs to go. And we can tell. It’s a way of working that is perfectly fine for cartooning because cartooning is closer to hand-writing than it is to drawing. I always turn to Charles Schulz’s work for an example. Those figures aren’t literally depicting children—with their little chessboard-pawn proportions and bread-loaf feet—but we read them as endearing children because we’ve come to a consensus between us, the readers, and Charles Schulz, the author, that those shapes mean those things. There are no whiskers or paws in the shape of the word “CAT” but you look at those three letters together, and you know the thing to which it refers. That’s an aspect of cartooning, too. Of course, what elevates it from mere writing is, in part, due to the fact that those little figures do not lose their meaning the more you depict them.

To really draw well, though, you have to do those fundamentals. You have to draw from life. There’s no way around it. It helps you develop a stronger sense of where you like to lay down your lines and shapes, no matter how stylized you like to work. It grows your judgment, and every artist’s best tool is their own well-honed sense of artistic discernment about their own work.

But that doesn’t mean you have to surrender the stuff you like or the things that inspire you to make art! I tell students that if they want to hold fast to their anime style AND hone their fundamentals to develop their eye as an artist, they should buy little figurines and toys of their favorite characters, prop those up against a light source, and draw them as still life objects. Like, yes, do the vases and the figure drawings and all those, I still think those are important. But if this is what you need to keep you interested in drawing from life, having some toys around is a great way to do it! Also, bless those sculptors and toy designers. They’re the best.

I think there’s something to be said about remembering to imagine the physicality of the things we draw, in all its dimensions and in the way it catches the light or casts a shadow. It helps sentimentalize things, too. Makes them feel more real, even emotionally.

Edwina died on Tuesday night, after a few final snuggles, surrounded by her favorite treats. She was about five years old, which is old for a chicken, and she had a very comfortable life. We buried her this morning. She was a good hen, J’s personal favorite.

It really feels like the end of an era. She was the last surviving member of our very first flock. After the other hens died, she really seemed to prefer the company of people over other hens. She is survived by Snooki and Nelly, our two other young birds who get along quite well together, actually.

A baby chick costs between three and five American dollars, typically. An egg-laying hen could be between twenty and fifty bucks, depending on the breed. There are roughly 26 billion chickens living in the world today, about 518 million of them here in the United States. They come pretty cheap. And a part of me was moved to cynicism, entertaining the thought that it might be strange to feel sadly over a little animal that, at most, might be roughly equivalent to the price of a fancy lunch and a coffee.

I watched the 1974 musical version of The Little Prince recently, and I remember it mostly because Bob Fosse was in it and scared the crap out of me as a kid—he played the snake that would take the Little Prince back into the sky when his body gets too heavy to take with him. Gene Wilder plays the Fox whom the Little Prince befriends and tames among a garden of roses. The Fox explains that he is like any other fox in the world, but he is changed—made special and particular to the Little Prince—with time, effort, and patience. So, too, is the Prince’s little flower special to him. Out of all the flowers in the universe, she was the one he watered and protected under a little glass jar. And that’s enough.

I knew my little hen would not live that long. It could be very easy to take a broad view of the life expectancy of a hen and distance myself from it by virtue of its mortality and its commonness. People who raise livestock do it all the time. But I also think it’s wonderful that we should all be capable of loving very small, very brief little things. Edwina is not, to my mind, the rough equivalent of a fancy lunch and a coffee. She was our little hen. For her whole life, she was ours. And I’m so happy she was here.

[starrysharks]

OK so I'm feeling some guilt I started to draw cartoony like you but I get frustrated because it does bot look perfect like yours it's mostly small stuff like colors and clothes I love making cartoony body's sometimes clothing but I have color picking because I'm still new to art that has colors is my feelings normal or is it wrong of me? And how do I pick colors because it frustrated me to no end and made me stop drawing for months anyway in short summary how do I color the right way like I guess I know skin tones but anything else goes wrong and the other summary is how do you draw clothing because I can't for the life of me get clothing right

don't worry - it's normal to get frustrated when drawing. i know i've literally quit and deleted entire illustrations in the past because i didn't like how the colors came out, and i can spend whole hours just choosing base colors TwT i think the important part about learning art is not to rush. i'm seriously flattered you see me as inspiration, but what worked best for me back when i heavily referenced other artists was "mixing" styles together to create a "new" one - so i'd recommend studying and copying multiple artists you like and trying to blend their styles into one if that makes sense! ^^

hating color picking is completely normal when you're first starting out, and even late into art like i said before - i've been making original digital art on ibispaint for about 5 years now, and it's still difficult. but it's easy to make it fun, and the best way to do that imo is to experiment! i'd recommend studying color theory on a larger scale, and understanding how certain colors might look completely different based on where you put them. or maybe make an illustration and color it in a bunch of alternative ways! also, having "bad" or "awful" color skills starting out is OK - i still think my colors suck sometimes even now lol.

anyway, the best way for me to color pick is to just use that color for whatever the OG artist used for their art. let's use alex ahad as an example because i find his art and color use super interesting -

i don't usually color pick, but when i do, i typically start with picking the eye color. then, based off of the eye color, i chose a base color based on the character's color pallete (easier of the eye color is already close to the main color of the character, which for clyde is turquoise).

then, i pick more colors directly from the reference, for stuff like skin. at this point i have a good idea of the colors i want to use and stop color picking from the ref, but there's no shame if you still feel you need to.

after that, based on the colors i picked, i'll color in the rest of the piece. i usually end up changing the colors that i did take from the reference due to experimenting - for me, i just use color picking as a sort of stepping stone for when i'm not sure how to color a piece the exact way i want.

eventually, you can learn to color pick by eye rather than with the picking tool in your art program, tho that takes a lot of knowledge on color theory.

really there is no "right" way to color, especially for skin imo - don't limit yourself to just peach, tan and brown. clyde's skin is bright white, but i still used a yellowy color here because it was relative to the other colors in the piece. i've also used "alien" tones for human-toned characters in the past before!

and about clothing folds - i can make a full post on that if anybody else is interested OuO

[gt-ridel]

writer truth and dare game: 🍬🦋 and 🎨

🍬 ⇢ post an unpopular opinion about a popular fandom character As much as I love Uncle Ingo as a concept, If we're going directly off of the game, I don't think he really cares about us any more than the average hisuian rando. ( ཀ ʖ̯ ཀ) 🦋 ⇢ share something that has been on your heart and mind lately I've been in a pretty poor state lately, so there's nothing from my heart I'd especially like to express just now. It's mostly gloomy. ╮(╯∀╰)╭ But one thing that I have been rotating in my noggin lately is starting a Patrion, since my teaching work has dropped off dramatically and I could seriously use the money. Unfortunately, I don't think that I have anything of value to offer. (:,з」∠) 🎨 ⇢ link your favourite piece of fanart and explain why you like it LITERALLY impossible to choose. What a demented question! But here are a few artists whos work I admire! NOTE: I'm pretty sure none of these people fall into this category? But just in case, I shall reiterate. I do not care about fictional drama, or if someone creates art of kinks or whatever that I don't personally like/approve of. That is literally none of my business. As long as they are not drawing child porn or something, I don't want to see your callout post. BE TOLD. In no particular order: #1 @cloudy-dreams has such a soft and appealing art style. I could look at it for hours! Her art tastes like marshmallows, and you can't change my mind. She's one hundred percent of the reason I got into Welcome Home, even though I usually like to wait until projects like this are finished before investing my time into them. #2 @nosnexus has been consistently creating INCREDIBLE Dimension 20 fan art, which is what first drew me to their account. with vibrant colors and lots of attention to small detail, both in character and background, they are WELL worth checking out! #3 @grassyneptune draws THE most beautiful Half-life character portraits I've ever seen. I wish I could do line and color work like them. *dreamy sigh* #4 @critterbitter gives every character SO much expression in their movements, they even made a gosh darn lamp instantly recognizable as a sassy mean girl. I am forever surprised and terrified by the sheer volume of quality art they manage to create in such a seemingly short amount of time. Honorable Mentions: @fronomeeps has a deceptively simple style, but once again captures a lot of character in seemingly few lines. @choochooboss is not afraid to take on complex pieces with dynamic angles and detailed backgrounds. @waywardstation moves away from the traditional anime look in their PLA art, and instead injects a style completely their own. Are they a professional illustrator? I'm not sure. But they sure could be. There are SO many others. Honestly, I could go on and on and on. But I should probably wrap the post up. Hope these were more or less satisfactory answers!

[diezmil10000]

2023 art summary + thoughts on my own art progress under the cut!!

(template by HedgeCatDragonix on deviantart)

so i've been doing this for 10 years :P

i'm not posting these pics in high quality, they're somewhere on the internet if you want to scavange for a bit. i didn't start taking art seriously until late 2015 and i honestly don't like looking back at old drawings. i still like my 2022 art summary but it wasn't until this year that i'm proud of all my finished artworks.

my art journey is complicated. i'm not one of those artists who can say they've been drawing for all their lifes. i used to trace pokémon in my school agendas but that was it. around 2013, a couple of friends invited me to their Skype server where we used to draw each other's ocs and make art memes and stuff - it was fun and cringe in the most positive way i can say it :] i didn't know shit about art and i took pride in drawing on MS Paint with a mouse just because it was hard.

(all of my drawings until may 2018 were made with a mouse)

when i was 15 yo i got into Love Live! and i decided to get better at art because i didn't want lesbian fanart to be made only by creepy cishet men. at some point i watched this video from Sycra and it rewired my brain. i understood that i needed to actually practise and understand what i was doing, and that i wasn't going to improve just by observing. its follow-up video also helped me a lot, i remember watching it on the day it was posted jskhfdjdfd.

and so fast forward until 2021 approx. i spent all of those years practising drawing in my traditional sketchbooks, so my improvement was steady. the only problem, and in retrospective i see it as a Big Problem, is that i was grinding mindlessly. by that i mean that i copied artists i liked and i drew again and again stuff i was bad at, but i didn't think too deeply about it or analysed my own art to look for faster ways to improve it. i also don't take feedback well so i didn't ask for it either, which further slowed down my progress.

on top of it, that just made me better at drawing, not at illustration. i firmly believe that a good drawing is hard to ruin but i could have made my illustrations way more interesting if i had started going wild with colors and effects way earlier. i don't exactly regret my choices because at the end of the day it's just my hobby, and i've been praised for drawing a lot and for challenging myself to practise drawing traditionally, so i want this to be read as introspection rather than complaints!!

the reason why 2021 was a big change in my art is because in november i did this monstrosity:

i got an Android tablet to be able to draw in class and took the challenge alongside my friend Nico, who also did their own Huevember. hola si estás leyendo esto Nico, aunque lo dudo :) i can't say that any of the drawings made me better at anatomy, or composition, or colors. i can't say that they solidified my knowledge, either. but they planted a seed in my brain that would fully bloom in late 2022, which is the seed of hating the finished result of some pieces so much that i forced myself to improve.

everyone has their own motivation to get better at art and i've always thought that mine was a healthy one (i want to draw more lesbians, that's all). however, i've had a very solid 2023 and now i don't cringe at any of my pieces, plus i can notice any mistakes they have without wanting to delete them from existence - and i could only get there because at the end of 2022 i told myself i wouldn't make any more ugly illustrations. like, period. i didn't want to get anxious every time i had to look back on my own art.

i also learned that no ammount of compliments from others would magically make me like a piece i see as mid at best. of course, i appreciate every single nice comment i get (genuinely, i get very happy knowing that other people love my work), but gratitude doesn't fix a skill issue.

so, late 2022, many things happened. first i got cancelled on twitter over a drawing of my beloved mizuki from project sekai (this info will be relevant later). then i spent a whole month doing this other monstrosity that is to this day the best thing i've ever done. i haven't peaked it (yet):

this comic actually made me improve and solidify my skills. it wasn't a class assignment, or a collaboration, or anything more than a headcanon i shared with a friend - it was pure brainrot over Revue Starlight and it made me put all my cunt into it. this was also the point at which i started filling in blacks with the bucket tool instead of picking a very dark color, which is a big part of my current style :3

the thing about people cancelling me is that i had to distance myself from fandoms and eventually change accunts, which also affected how i perceived my own art. even if i draw for myself, at the end of the day i still draw characters that are loved by many people, so i disabled comments and stopped interacting with other artists of my fandom circles. that led me to go on hiatus at the start of 2023, knowing that it was time for a fresh start (my art accounts were 5 years old anyway).

that period of time made me think a lot about my finished pieces. since i wouldn't post them until i had a new account, i would stare at them for longer than ever or make small changes even if days had already passed. letting my mind rest from illustrations i had been working on and knowing i could change them whenever i wanted was a big step forward.

i realised that for the past years i had been in a hurry to post my drawings as soon as i was done with them instead of appreciating them. that was a turning point for my mindset. this was also past the time i decided to stop making ugly art, but i hadn't really taken any measures to get better. so i changed the wording of the challenge: i can make ugly art but i can't post it if i don't like it.

it doesn't sound epic, but for some reason it worked. every time i was in the middle of making a drawing that looked kind of ugly, i changed it until it looked right. not perfect, but good enough to avoid cringing in the future. some times i had to redraw it from scratch with a more interesting pose. some times i needed to add a background or a graphic element to make the characters pop. and somewhere on that period, i went wild with colors and effects, and a lot of times that saved a piece that would otherwise be boring.

i have to thank Revolutionary Girl Utena and Revue Starlight for making me experiment a lot during my hiatus. both pieces of media, one being the daugher of the other, give artists so many visual metaphors and interesting topics to work with. the revstar brainrot had been there since the junnana comic, but rgu was something i had been meaning to rewatch for a couple of years and it hit me like a fucking train. it also made me create one of the comics i'm the most proud about:

then i got into homestuck and my art got. well. stuck!! >D< but it was okay because i wasn't making ugly drawings anymore. i was putting into practise a lot of things i had been learning or experimenting with, especially regarding colors and character interactions. and the yuri was delicious hmmmmmmm.

the rest of 2023 was very linear in terms of art but not so much in terms of fandoms (?). which is fine, honestly, but i was also glad to get back into Fire Emblem: Three Houses in late that year because when i first got into it in 2019 i didn't have the skill to draw everything i wanted to draw. and i still haven't drawn all the yuri scenarios that i've been cooking in my mind, but i have until forever to do it!!

so for 2024 i want to study some stuff i feel i'm still lacking in. i think i've always had a good eye for composition, but i've never actually pushed it in my finished illustrations - they depend a lot on the poses because i've always been prioritising drawing over everything else. that needs to change this year.

i also want to get better at drawing characters from extreme angles. i've always felt like my poses are a bit flat and i think i can study photos taken with wide angle lenses to improve at that.

and of course i still want to draw faster, which is something i've always struggled with. i think i have a good rhythm of "producing" art (excuse me for the poor wording), but i'm still too slow for the kind of artstyle i want to achieve, which includes having a looser lineart and less details in irrelevant areas of the drawings. i think that overdoing the lineart actually hurts my illustrations, because everything ends up pulling the viewer's attention with the same energy. i also think messy artstyles are neat.

i promise i'm not crazy and i don't hate what i do. in fact, it's precisely because this year i managed to make some pieces with that kind of feel that i know where i want to aim. special mention to the junnana comic because i haven't been able to replicate that lineart ever since.

examples:

as for the stuff i like about my current artstyle, i definitely want to keep the way i color!! and by that i mean the method i have for applying filters that make my colors pop. i could maybe play more with textures too.

i also like the way i depict intimacy, and people have praised it too. thank you for noticing. it's the yearning that's doing it, not me. but i don't think i'll ever change the content (?) of my art, i eat breathe and speak in yuri. if anything, there are still some ways of conveying feelings that i haven't been able to draw because i lack the skill to do so, but i'll keep trying ;)

i honestly didn't expect this post to be this long. i've been writing for hours now and i'm not sure my thoughts are coherent for anyone that isn't me. i also can't grasp the idea that some people know me from fanart i did in 2016 while others started following me last month, time is wild and it's an extra dimension of complexity that i don't know how to account for when i write stuff like this.

but again, as i do with art, i've written this for myself. it's been nice to put my thoughts in order. i think i've only talked about art in depth with like 5 people and it's always been in casual conversation. no creo que estéis leyendo pero Nahia y Henar os amo y he aprendido mucho de vosotras.

thank you for reading until the end if you have. i hope you have not only a nice day but a nice year. let's meet again in the future.

[grimmcheems]

Rest In Peace Toriyama 🕊️💫🐉

DragonBall has always had a place in my heart for the way it was ever-present in my childhood. I grew up loathing weekend mornings because my brother would always drag me out of bed to watch it with him. I suppose that’s why it’s extra special for me, it was a simpler time when me and my brother could just sit and watch what came next in the current arc. The days always felt warmer then, but now I’m grown.

I’m glad Toriyama made this series and ignited something in me, though his passing was harsh and unimaginable for most of us, I hope he has found peace in knowing how many people he’s inspired to be better, and the many that he will continue to inspire. I wish his family healing and condolences for their sudden loss.

.^An extra illustrating what those Saturday mornings felt like. Dragon Soul was my alarm clock for the better part of my childhood. (It’s also my fav op)

I remember we even had a vhs tape of two specific episodes in which the bunny boss ended up on the moon. I always had bulma’s personality embedded into my head whenever I thought of her in that bunny suit.

I never appreciated that time then as much as I do now. Maybe it’s Goku’s loving nature and fatherly care that left an imprint on me and kept me from forgetting him, or maybe it was the way my brother was obsessed with the series, either way he was somehow always in the back burner of my mind. I even remember having to play with my brother when he got Budokai Tenkaichi 3 for his PlayStation. He even bugged me to wake up when Super came out (though we had already graduated and i would be resting on my days off from work, he was also only visiting for the month) and tried to get me to watch it with him, but Super never really had the same appeal to me as the og series.

Perhaps the connection it has to my brother is what draws me to it time and time again, I feel as though I can’t understand him as well anymore after we’ve graduated and he’s moved on with his life and out of the house. I never thought this random shounen series my brother forced me to watch every Saturday morning of our childhood would have the effect it has on me now. It was last year that I decided to rewatch the entire series since I figured I didn’t actually know what was ever going on, I was just always intrigued by the action and the characters. Surprisingly my child brain remembered the arcs pretty well and I could just have it playing the background and know what was going on for the most part.

Did I mention that my brother also collected the dvd series? Lmao. I was so hype when the Broly Movie came out and when we watched it it felt like I regained that connection to my brother momentarily.

It also inspired me to draw when I was in elementary school, though I thought of it as something I could show off rather than take it seriously like I do now. I never thought I’d draw again after middle school until I got to high school and got back into it. It wasn’t until last year that I first drew something dragon ball related since elementary school, and it felt so surreal to look at how far I’ve come in my art journey.

It was never intentional for me to start drawing dragonball, it was just stuck in the back of my head and it wouldn’t leave me alone until I brought my ideas to life by sketching them out. I literally have two drafts DB related as I’m typing this.😅 oddly enough there’s many things I think about when I think about dragon ball, but they are too many to list. There’s just so much I love about it and so many characters I love. The thoughts never leave me alone when I come up with an idea or headcanon for them and it’s actually so hard for me to try and forget them that I always give in and do something with the idea. It will always be a part of me.

I wasn’t planning on making a painting of Goku ever, yet here I am. I don’t really paint either, which makes the time it took me to make this that much more surprising. I wanted to portray an ease in his expression, something peaceful. I hope it comes across that way, he somehow looks like he’s sleeping and it’s funny because I don’t think I’ve ever really seen Goku relax like this at any point.

[domokunrainbowkinz]

sorry for manhwa-posting guys it's not gonna stop

u kno wat I may as well give my thoughts on some of the ones I read:

semantic error - classic, everyone knows it, despite me being lukewarm about it it has some moments that made me go WAOUUGGHH.....nice, low-stakes fun read but if u hate miscommunication u r gonna have a bad time. the art is Very good though.

concubine walkthrough - EVERYONE SHOULD READ THIS NOW!!!!! villainess transmigration story with chinese-style court politics, discussions about AI, VR, reality vs dream, and a plot twist at the end that makes you go AOUUGHGBGB!!!!! it made me ugly cry twice!!! READ IT NOW!!!!!!

lost in the cloud - currently ongoing, I stayed up till 7am reading this one. it starts off light and then hits u with The Trauma hammer and reveals its true colours (2 dudes dealing with The Horrors and being absolutely not normal about it). it deals with very heavy topics like bullying, SA, CSA, abusive parents, like these kids cannot catch a break. the characters are really well written and believable, their interactions are so raw and painful at times. I am obsessed. I need them to be happy or im going to cry. it really isn't for the faint of heart, I'm not one to be fazed by heavy topics in fiction but I felt so anxious during some chapters, like the way the scenes are depicted and drawn are so visceral. I also gotta say the art is BANGING.

dreaming of the dokkaebi (18+) - currently ongoing, VERY promising so far. I am a hoe for modern-day supernatural romance, especially when there's reincarnation shenanigans involved. there's a lot going on between the 2 leads and I love the incorporation of korean mythology and exorcism in the worldbuilding aouuggh...literally my cup of tea.

how to refuse the route - lighthearted low-stakes otome isekai where the protagonist is trying his absolute darnedest to NOT romance any of the characters (he is failing). It's pretty unserious fun, and I also love the ML in this one. pls give me more fucked up little guys. the story is starting to go in an interesting direction tho and I'm curious to see how it ends.

the guild member next door - very light unserious fun, basically what if ur online friend/crush that u met in a game is ur neighbour, but you never met irl so u don't know that?? it goes hard on the in-game mechanics and spends a lot of time building up the in-game friendship before starting to delve into the irl relationship. it's a slow burn and brother I am here for it.

netkama punch - this situation is something you'd read on aita reddit and think to yourself "there's something definitely wrong with both of you and I hope you don't involve anyone else in whatever the fuck is going on between you 2". it's so wacky and funny, definitely not one to take super seriously.

love in orbit (18+) - I originally read this bc there's a tall hot alien mommy in it, but the actual story is actually quite sweet. I also love the way the artist draws bodies in this one, for once the proportions don't make go "brother eughh". it's pretty light and low-stakes, but I was surprised by the discussions on loneliness and parental neglect/abuse that were a throughline in this series. the sex scenes are 🔥🔥

tears on a withered flower (18+) - still pretty early in serialization but I'm already so interested in where this is going homegirl needs to throw her entire husband out!!! an illustration of how an abusive relationship can wear a person down and eat away at them. seriously I hope she and her new man beat the shit out of her husband.

[sanhatipal]

~~ Shards of Eden ~~

This is my little cove, and where I post art and dump other things occasionally. Come inside,have a look~

I haven't lasted 2 weeks on any other site since the fall of g+, except maybe twitter but that also drove me nuts and I always took long hiatuses, but have been here constantly since 2018. Which...says quite a bit. I'm a doctor by profession,but here on Tumblr for fandom (pretty obviously) and art

My fandoms:

Pandora Hearts

The case study of Vanitas

Fate series (mainly Fate/Stay Night)

The House in Fata Morgana

Shadows House

Rozen Maiden

Tegami Bachi / Letter Bee

Witch Hat Atelier

xxxholic

Witch's Heart/Majo no Shinzou

07 ghost

D gray man

Some others I'm into but not that crazy about: Touhou, Madoka Magica, Princess Tutu, Tsubasa Reservoir chronicle, Totsokuni no Shoujo (and more but my head is empty). I like seinen, josei and a very specific brand of shonen: aka things enough to mess up my brain. I don't enjoy romance, sexual things(says the Fate fan..HAH. but seriously,I don't.), or mecha unfortunately

I tend to draw Pandora Hearts, VnC and Fate fanart most

I collect figures,so you'll see them here,but since ,as you can see,most of my faves are a bit on the below the radar side,there hardly are any figures... you'll see custom figures here,and orginal character figures because I like those too.

I like a lot of things,but mostly whimsical, folksy aesthetics,forests and plants, and glowy flowers and things like wisp motifs (there's no limit actually).My favourite colours are,as you might have guessed, the multitude of shades of red, deep maroons and browns. I love fantasy,and folk tales and Celtic things in general have been my passion for a long,long time ,though I also love things inspired by Alice in Wonderland .

As far as music goes...I sang soprano at a choir for a larger part of my teenage,and choral music is very close to my heart. My favourite genres of music are Celtic, especially Irish traditional, new age, classical/neo classical, sea shanties,and whatever Yuki Kajiura and Mili have going on.

Now...art! When not doing fanart,I like drawing fantasy illustrations, and one day I'd like to illustrate books but that's a pipe dream. I'm self taught,and use mostly watercolour and ink. I also love sculpting. It started with trying to sculpt figures and while that's still what I do most,I sculpt other things too,and in general it has to be the favourite of my scores of hobbies . I also do bookbinding...and music box strips ...and doll customs...yeah there's no rhyme or reason to what I do and don't actually.

Sometimes I post photos of plants,I like taking photos and smelling wet mud

If you want to hop into my DMs to talk about fandoms or fanart,feel free! I would be very happy! Also I really love getting tagged and asked ,but often don't get around to responding because I'm a mess of procrastination...if that happens please don't mind, I really really appreciate it and it certainly made me happy,and I'll get to it as soon as I can.

If you've made it this far,thank you. It's been quite a long post,and thank you for reading,I appreciate it. Here are my other blogs:

@sanhatis-abyss absolute reblog hell,if you're looking for something I reblogged 2 days ago my condolences,you probably won't find it unless you scroll for hours. Sometimes I shitpost there , sometimes I scream about the latest thing that consumed me, that is ,if I don't accidentally do it here. Truly,an abyss.

@amaryllis-arachne my doll blog. I realise not everyone likes dolls,or photos of disembered plastic body parts,so I don't reblog those onto the abyss blog. Sometimes I put pictures of my own dolls there,and sometimes er...yes parts.

If you want my other links, they're all in the blog description. Except my Anilist, but it's really not worth anything,since I don't review or rate or anything,just use it to keep track. I do roughly-monthly uploads on YouTube of craft tutorials and drawings,but there's not much rhyme or reason to that either... anyways,hope you have a great day,and hope you find anything you like in this mess of a red coloured pit.

[chiocchi]

Chiocchi!

Big fan of your artistry. I love your art so much! And those graphic novels you have on ao3??? Heaven sent! I use them as an imagery reference if I read any similar trope haha!

I asked the same question to leafiloaf since I love them too, but I'll be very interested to know your artistic journey if you don't mind sharing. How did you start with your art?

Tysm for being in this fandom ❤️

youknowmevj! omg thank you so much! You're too kind 😭🥺❤️❤️❤️ And yess lots of love to leafiloaf

Thanks for the ask! I've never told anyone about it and I'm so excited I'll give you so much unnecessary context. Oops long post.

My artistic journey

I've enjoyed drawing since I was little, but mostly I just drew doodles in my notebook. Anime was a big inspiration for my style and I wanted to create digital illustrations too. When I was a teenager, I tried using a mouse and a PC, and my finger and some app on my phone, but the results were always terrible. I told myself it was because I didn't have a drawing tablet, so "of course my drawings will look ugly" and stopped trying.

However, I promised a discord friend that I would do a drawing for her in December 2020. So, I downloaded this app called "Ibis Paint" on my phone and, with all my effort despite my lack of ability, I drew Harry using the app and my finger jskldhfsa

I was so hesitant and nervous about showing it to her. I could tell it wasn't pretty, just "weird and awkward", and I felt embarrassed. But she told me it was good (LIES) and somehow convinced me to share it with others on the server. Despite feeling shy, I shared it anyway. To my surprise, three people told me it was pretty! I appreciated their kindness.

It wasn't until March 2021 that I returned to drawing digitally and on a more consistent basis. I was mainly doing fanart for a game that I liked.

In May or June (I can't remember exactly), I stumbled upon an artist who created incredible art using Ibis Paint. And I realized that I didn't need a drawing tablet, just more practice and skill, because if they could do it, then I could do it too! That was the moment I began taking art more seriously (still as a hobby, though!).

Due to the pandemic, I had a lot of free time, which I used to watch a lot of tutorials, practice gesture and follow the advice of artists I liked. With every drawing I made, I could see an improvement, which motivated me even more to keep on working hard (drawing became a source of comfort during those depressing times. It was just really fun).

In late 2021, I mentioned to a childhood friend that I wanted to buy a drawing tablet, and he asked me if I wanted his old one, which I excitedly accepted. Finally, I had the tool that would make my art incredible… or so I thought! I was terrible with it. For the first few months, I preferred Ibis paint and my finger. But I eventually got the hang of it! What I love the most are the multiple brushes and pressure settings. I'm such a hoarder, even if I don't use all of them ksklajdl.

In 2022, I participated in several bigbangs and zines, but what I'm most excited to talk about is the tomarry comic that I started.

My tomarrymort art

I've read tomarrymort fics since 2017, but I wasn't active on the fandom. In 2020, I joined a writer's server (all love to Amanda) and met the friend I mentioned earlier. So technically, you could say my love for tomarrymort lead me here kek

Even though my main inspiration was a game, here is some fic fanart I made.

This is my first tomarry art (July 27th, 2021). It's a scene from Genius by the Numbers. I think it looks weird kjdshk

I also made art for A Mating of Convenience, what started in beautiful rooms, Dripping Fingers and for Ale, beloved. (I think I've never posted these before.)

Then two things happened: I saw comic on ao3 (If I'll Ever See You by festivewind) and I was like "WOW! THAT'S SO COOL" and "omg we can upload comics!"

The second thing was me being rejected as a webtoon background artist (naturally, as I wasn't good enough for the specifics) and the spite made me want to do my own so I could improve my weakness (the grind never stops 💪���).

I read some of my old notes for story ideas (I'm not good at writing but I still had some snippets of stories). And boom! Love triangle but the 3 of them are idiots (affectionate). Fun fact: the original version had a murder, someone in Azkaban and someone hating the other forever :D

Don't pretend started as an anonymous work because some of my friends knew my AO3 username and I was afraid of screwing up the format (I don't know html) and looking like a fool DKJALKSJL I was also afraid of possible backlash (I'm an over-thinker).

None of that happened (comments were very kind and nice!) But idk, it was nice being anon. I'm awkward and shy and I usually don't know what to say to compliments (Sometimes a "thank you" doesn't feel enough but that's all my brain can offer 😭)

Then I made some tomarry christmas art and shared it on TRoR discord server and someone asked me if I had Tumblr and I said no but that gave me the idea of making one.

Since I planned Don't pretend as being a long story, I realized it'd take me a long time to finish it and I wanted to contribute to the complete tomarrymort works! That's the reason I took a pause and made A Soulmate Like You.

Anyway, I made this tumblr on January 2023, and the plan was to fill it with art so, eventually, when I found the courage to make my works non-anon, I could link to this page. Except that I posted one drawing, and that was enough for isalisewrites to know it was me HJKASDJLA. So I stopped the anonymous thing.

I'm still not used to being "perceived" 👁️👁️ but I've learned it's not bad. People have been really kind and I think I'm less shy now! I'm very happy to be part of this fandom with lots of kind and supportive people and incredible fics and fanart <3

[oekaki-chan]

Hi Clef! When you first started out drawing fanart, what were your main goals at that time and what kept you going? Did you practice art formally alongside drawing fanart or did your fanarts also serve as practice sessions? Were your practices focused like drawing hands only or just clothes only? I looked at your old art until now from your archive and the improvement is amazing.. Thanks for being an inspiration to all of us, and I wish you all the best in your future career! I was able to improve my coloring and some drawing skills thanks to your dedication to art <33 Your art is one of the best things that happened to me honestly.. I love you and your art so much!!

WAAAAA ANON It's such a high compliment to know I help you improve your art, thank you so much for the kind message 😭💖💖!!

My main goal when I first started drawing is basically to draw what I was obsessed with at the time, I started taking art seriously in middle school when I first made a short comic of my cat OC (whose design is a rip off of one of the characters in puku puku tennen kairanban manga) and showed it to my friends, they liked it and always asked me to make more.

Then in 8th grade my fondness for comic and art grew much more because my dad finally let me buy some manga at the bookstore (when I was in elementary school I had to hide this 90s shojo manga because I didn't want my parents to know I read such things), plus I shared the same interest with a close friend in middle school so I just kept making more and more comics of this series we liked, and idk, it just made me happy in some way, I got to draw my favorite characters, was able to realize this random scenario of said characters in my head, and made my friend happy on top of that.

I'm majoring in graphic design but I'm actually more interested in illustration and comic, so drawing fanart is like escapism for me because none of the subjects I took ever let me express my specific interest (I took a comic subject in the 7th semester and it was the only moment I could draw what I really wanted without the professors bashing me, I was even able to slip a Reigen cameo in one of the assignments)

And not gonna lie I think college didn't really help me much in terms of improving my drawing skill because they didn't teach us anything about the basics of illustration since the courses I was taking put more emphasis on graphic design, it DID help me hone the compositioning skill however. I guess the stress college has put me in made draw more fanart thus indirectly becoming a practice in and of itself.

And for the practice, I think you can say that, I didn't try to improve the big picture as a whole, instead it's done bits by bits, realizing mistakes once I'm able to observe things clearer and better. I remember when I was into AA I always drew the male bodies shaping like fridges and I didn't see anything wrong with it, but when I got into DGS I started to be able to see a mistake in that. I even realized the Reigen drawing above has bad a proportion even tho it seemed fine to me before.

I'm sorry if it gets a bit long, but it makes me happy that you're curious about these 🥰

[naumin]

2022 in review

in an effort to blog about art on my art blog more i will be writing a post covering my work in 2022 and maybe some aspirations going forward into 2023

2022 was the year of learning to paint! at the beginning i was really frustrated, a lot of my pieces were very hit or miss and i couldnt tell why some sucked and some fuckd. i nibbled at some online courses for fundamentals, James Gurney’s Color & Light book and Marco Bucci’s painting videos, and was looking for a mentor at one point but i think i stopped cuz i broke my thumb briefly lol

a piece from december 2021 that is just a bit random and i think representative of my stabbing in the dark

studying...

in June i split a schoolism sub with emma and it was an amazing decision. i think if you have limited time to practice drawing or dont know where to go the best thing is to take a course, and ive taken cheap or free courses online but the tutors on schoolism are top of the industry and the quality of their teaching is stellar imo. literally felt my brain explode with knowledge they are the best of the best. i finished the painting workout course with wouter tulp and ive dipped in and out of numerous others since then. its cool bcus u can study at your own pace.

July was artfight, i did talk about it here so not gonna repeat myself heh

then i was really busy with my MA, its been so fun and so exhausting. a year is so short and i want to try all the printing techniques and ceramics and everything cry. but hey now i know indesign and can make my own zines and stuff which is amazing. i also tabled at my first market :) i did really like it and would love to do more, dont want to put pressure on myself to do that this year but at least wanna visit them and scope out the audiences and stuff.

school really is making me appreciate traditional art again, tbh it is nothing like digital. you just cant get that chaos or physical resistance from your materials in digital, everything is very deliberate and constructed and almost predictable. ive started to incorporate more traditional work into my pieces where i can, especially photobashing. i can use photos i offhandedly took years ago and it feels really nice to get to repurpose them.

a spread from my school project, a book about one of my passions (i chose the story of how i got into elden ring!!!) i made it from paper cutting, photobashing, and digital. (im going to sell pdf and physical copies in the new year)

so circling back to the start of the year, i think you can see marked progress in my illustrations that ive posted here. i think i learned a lot about techniques within a painting but i want to learn more about pictorial composition bcus my default tends to be 3:4, portrait, charas centre, and i want to break that habit and tell more effective stories :)

over the past 2 years ive been incorporating more realism into the characters i draw and trying to be really deliberate with what features, proportions etc they have.

a 2021 isa and a 2022 isa

i think i want to maintain this level of detail because its descriptive enough for my needs but i want to push it to be more dynamic and stylised. i really admire the way disney animators like jin kim do it. its because im not confident enough with structure and anatomy to really play with it.

on the other hand with life drawing i really want to do more realism and capture exactly whats in front of me because i think i rely on style as a crutch too much hahaha.

from december. proud of these!!!

thats whats on my mind really. again really dont want to put any undue pressure on myself and i am going to be really busy until october at least. i am seriously proud of my progress in 2022. and im really looking forward to playing bloodborne x

[purplepuddlesuwu]

Small Vent cause stressed ahhhh

Lowkey think people take games, anime, books,movies, shows and just fandoms in general waaaay too seriously.

Like yes I get it, it can suck when a character to adore gets misrepresented by others. But they are just fictional characters at the end of the day. Maybe I'm just mostly saying this to myself to remind myself that it's okay that someone doesn't see a character like how I do. Because I'm deadass in multiple fandoms where we really just go but wild with our own versions of the characters. Like I'm in the Warrior cats AND the My hero academia fandom... And both of them are known for taking the canon and wiping their buts with it and or ignoring older material. Because well it just happens.

At first I use to get upset about it like how the warrior fandom made Bramblestar out to be this abusive monster without acknowledging the archs before hand and how in My hero academia doing.... Literally anything lmao(I love y'all though... Half of you anyway)

But seriously I just started to realize that the fandoms I'm in aren't My fandoms like I don't own them and I don't own the source material or the IP or whatever. And sometimes you never know why someone images certain characters they way they do. Whether it's for comfort or they think it's funny or they find it attractive or just to annoy people or literally just whatever.

But I always gotta remind myself that hey... THE BITCHES AIN'T REAL LMAO. Why get pressed about how other people illustrate characters. Like seriously I had to sit myself down like I was my own parent and ask myself why do I care about a fictional character being written out of character or drawn with a different design. And I really was just like... Damn yeah why do I care? These artists/writers are having fun and that's what it means to be in a fandom to just have fun.

The only time when I do get serious is when people try to harass others for characters they like because of how they see them vs canon.

Example: I saw this young artist get a bunch of hate comments under a drawing of Bramblestar/Brambleclaw because a massive part of the fandom claimed he was an abuser. Happened again with someone draw Crowfeather x Leafpool fan art because of how seriously people took Leafpool x Mothwing

AND DON'T EVEN GET ME STARTED WITH MHA! They harasses the creator of the show sooooo many times in the past and current because of ships :T SHIPS YALL. Like I understand how frustrating it can be to see the show not end up how you wanted it to or not see too characters make out or whateva but God damn... They are fictional characters chill and just enjoy what we have or hell make what you wanted to happen. I literally do it all the time on my other page @purplestaruwu

Hell I'm still upset about how many characters were botched (in my eyes) in warriors, MHA, Naruto, bleach, marvel, DC etc.

But I think the fun in the fandom is making the what it's and creating our own versions of he characters and sharing it with others who feel the same or who just want to enjoy seeing the characters being draw in different designs, Au's, etc

I use to be so stuck up about everything being close to canon... But then I was just like "You know what it's not hurting anyone, you do whatever" and after that I feel like I became more relaxed being in fandoms... At least I try to be sometimes I do slip up but I stopped commenting on peoples different pov or au's or whatever unless I was gonna say something nice like complimenting the art or the writing or how good the plot of the story was.

It just got easier to just enjoy things and to just well not be so aggressive on the internet and not be online so much.

Cause whenever I get made about seeing a fictional character drawn in a way I don't like and I feel the need to say something... I just be like "yeaaah it's time to take a break for the day I think I've been online for too long"

This also goes for real things that happen online too lmao I just learned to take breaks and breath and remind myself that the online world is just that... The online world... And fandoms are just that fandoms...

I'm venting right now because I'm stressed out or more than likely I stressed myself out with because of online crap. And I just wanted to kind of put this here for me and for anyone else who kind of needs that reminder than you don't need to be online so much and you don't need to protect fictional characters or shows or movies or games or whatever it's not worth hurting someone's feelings because that.

But yeah that's all I think. Have a nice day and go drink some water c:

[junkdyke]

Do you have any portfolio (or just general) tips for someone who is looking to get a tattoo apprenticeship? Love your blog btw 💗

So your experience may vary, I got extremely lucky with how I landed my apprenticeship! I got mine via combination of 1. Made semi-friends with a tattoo artist who was then able to vouch for me when 2. I was there at the right place, right time!

Ofc it was my art that made my mentor want to take me on, and what she liked was that I had my own style, she thought it was cute and really strong, technically and aesthetically! Some mentors may want to see that you can do a wide range of drawing styles, some want to see traditionally drawn work in addition to digital, I think especially more trad shops and walk-in heavy places may want that, but other mentors just want to see that you are ABLE to draw, and want you to work in your own niche, not necessarily a jack of all trades as far as works go. A little variety doesn't hurt, but strong pieces that YOU love >>>>> Here's a few of the pieces I had, they were all in a Google Drive lmao. The ONLY one I drew specifically with tattooing in mind is the butterfly, all the rest were just illustrations I'd done previously, not at all with the intention of tattooing!

Also, a potential mentor is looking for you to be really self-motivated and wants to know that you'll take it seriously, so you can show that by getting a machine and practicing on fake skin at home! Not necessary, but you can then include the fake skin pieces as part of your portfolio, at least to show that you're already starting. I do not recommend doing real skin tattoos at home, and even if you do, I don't recommend including that as part of a portfolio, because some artists may not take you on simply because of that (not happy with the risk factors and potentially fucking up people's skin in a non-regulated environment). Some artists don't give a shit though, but still, don't lead with that just in case ahaha

Edit: Also, as far as actually FINDING a potential mentor, I strongly recommend specifically seeking out an artist that works in a style that you're trying to work in, or is at least a very strong artist in general! Some """mentors""" are not actually interested in teaching, and just want free labor around the shop. I know it can be difficult just finding a spot that you want to take the first one that comes, but if it seems sketchy as fuck, don't waste your time. Most of my co-workers spent 6 months- a year just cleaning up a shop and not learning a fucking thing. My mentor had me on fake skin by day 2. I know it's harder in areas where there aren't a lot of tattoo shops to begin with, but try using google maps to find ALL the shops around you, and then look at their instagram accounts. See who owns the shop, what kind of work comes out of there. If you find someone with a private studio even, you can also inquire! Not every apprenticeship needs to be walk-in based, though I know that's most common (and tbh, helpful for getting more clients esp in the beginning) If you have any other questions, feel free to ask!! Good luck, I hope you're able to find a good shop in your area!!! 💖

[emily21morgan]

My answers 🖼️ 🎨 🖌️

1. I find digital easier

2. I started keeping sketchbooks in 2016 but started to take art more seriously in 2019/20

3. Not sure. I took art for GCSE and I’m about to go into my 3rd year of university (for comics). But besides that I haven’t been to any classes

4.Instagram: EmilyyMorganArt

Twitter: EmilyyMorganArt

emily.morgan.art : Is an old account instagram won’t give me access to

Portfolio :The portfolio I made to get into uni (that I need to update)

5. Faces, women, wavy hair, character design

6. Environments and perspective (since I don’t have a lot of experience with them

7. Very often, they are extremely useful

8. I’m working towards professional, but I need to start putting my art out there (I suck at posting)

9. I don’t draw everyday. I just have periods where I draw and don’t draw (burnout hits hard sometimes)

10. Not really, but once I get more comfortable with drawing a variety of things, then I will be

11. A good few but barely any compared to the amount I follow elsewhere (like instagram)

12. Yes but I wouldn’t be able to explain a lot

13. Personal but that is going to change when I hopefully start working in the industry

14. Not yet but I think it will be fun

15. For illustrations, it depends (a few hours to a few days) but for comic pages I can do a page of line art within 3 days based on a project I did in uni). I would like to decrease the time it takes

16. For fun I draw waay less than when I started. I get burnt out with uni and don’t draw for ages

17. I could give a suggestion, but I would say to look elsewhere to people with more experience

18. Environments and movements

19. Perspective and fluid movement (like posing but trying to make it look natural)

20. Hair and faces

21. Not really. I should, to be able to improve but I get stuck in the comfort zone

22. No, I take big breaks from when I draw to the next and I rarely try to work on improvements

23. Original art. I would love to draw fan art but I haven’t quite figured out drawing peoples features to resemble them.

24. A bit of both but I try not to let it get to me. “Ooh I like the way they did …” or “they draw … so well, I wish I was able to draw … better”

25. Music makes it more fun

26. Procreate but I’m going to learn how to use clip studio paint

27. It depends. There will be a minimum of 4 (sketch, line art, flat colour and shading) for something simple. But if it’s something I find difficult or there are a lot of different parts, then there will be multiple redraws on different layers

28. I’ve barely experimented with traditional stuff, so I can’t comment on it

29. (Not traditional) but thumbnails, rough sketches (which could include character designs or environments), more refined sketches, line art then colouring

30. Seeing art in general. I’m just in awe of what I see and appreciate it. Real life people, places and other work or ideas people have made inspire me

If anyone took time to read this: I love you, please marry me. I’m kidding… or am I 👀

Artist Asks!

Do you prefer traditional drawing, or digital?

How long have you been drawing?

How many classes have you taken?

Do you have a DeviantArt, personal website, or art blog?

What’s your favorite thing to draw?

What’s your least favorite thing to draw?

How often do you use references?

Do you draw professionally, or just for fun?

How much time do you spend drawing on an average day?

Are you confident about your art?

How many art-related blogs do you follow?

Is it okay for people to ask you about your process?

Do you prefer to keep your art personal, or do you like drawing things for other people?

Do you ever collaborate with others?

How long does an average piece take you to complete?

Do you draw more today than you did in the past, or do you draw less?

Do you think you’re justified in giving other people art advice?

What are you currently trying to improve on?

What is the most difficult thing for you to draw?

What is the easiest thing for you to draw?

Do you like to challenge yourself?

Are you confident that you’re improving steadily?

Do you draw more fanart, or more original art?

Do you feel jealous when you see other people’s art, or inspired? (Be honest!)

Do you like to draw in silence, or with music?

For digital artists: what program(s) do you use?

For digital artists: how many layers does a typical piece require?

For traditional artists: what medium do you like most? (Pencil, charcoals, etc)

For traditional artists: How do you usually start on a big piece? (Light sketch, colored lead, sketchpaper, etc)

What inspires you to not just make art, but to be a better artist?

[winterheartarteymas]

Good morning/afternoon/evening! How has everyone been here? I hope everything is okay.

It's been a long time since I last stopped by this place, so much so that I honestly almost forgot about it. But hey, I'm back! 💖

A partir de hoy intentaré revivir esta cuenta, pero esta vez me gustaría compartir mi arte con vosotros, ¿me apoyáis?

So how about we start? Let me introduce myself again. I'm Yukari, I'm from Argentina and I'm a freelance digital artist. When I was little I really liked drawing in traditional drawing and that was thanks to one of my sisters who loved to draw. However, due to life circumstances I stopped doing it for a while and started again at 13 or 14 years old, but the reason I did it was as a way to escape from the problems that surrounded me. When I turned 20 (2015), exactly one year after finishing high school, I left home, and consequently I also stopped drawing, and I focused on starting a university career. Nothing went as expected. University life was very hard and I couldn't adapt to it. I did the first year of the Bachelor's Degree in Language and Literature Teaching twice (2016-2017). Afterwards, I wanted to try another career: the Higher Technique in Writing and Proofreading of Texts, but I failed (2017). Later on, I wanted to study Criminology, but when I started my second year, the course was closed due to a lack of students, if I remember correctly (2018-2019). In 2019, then, I decided to go back to drawing. At first it was like a hobby, but little by little I started taking it seriously. That's how, at the end of that year, I went from traditional drawing (pencil and paper) to digital drawing.

Para ser sincera, me costó acostumbrarme a dibujar en la pantalla del celular Y CON EL DEDO, jaja. Es decir, no sabía lo que hacía, las líneas salían muy ásperas y temblorosas, los colores que usaba para pintar estaban muy saturados, entre otros errores clásicos de principiante –que, en retrospectiva, me parecen graciosos–. Lo bueno es que finalmente comencé a agarrarle el truco a lo digital, es decir, poco a poco aprendí a usar la aplicación en la que dibujaba, así como también comencé a estudiar la anatomía del cuerpo humano.

In 2020, I think a couple of months after the pandemic started, I tried selling what I was doing. Let's say I did well in that part, I mean, I got my first client!, and that same person made three orders from me. Then, between 2021 and 2022, two more people asked me for commissions, and I was happy.

Later, in 2023, I started studying for a Bachelor of Visual Arts for Teachers and it was definitely something I really wanted to do; I was finally doing what I liked. In fact, it was thanks to a teacher I met at an illustration workshop, which I took in 2022, that she decided to enroll me in this degree. At the same time that I started this teaching degree, I was encouraged to take a training course for entrepreneurs, and with this I finally decided to sell my products. I currently have a Facebook page where I upload my drawings from time to time – I say “from time to time” because I am very absent-minded/forgetful –, I also have a Tiktok account where I upload my creation processes and, finally, I have two small stores for my commissions, these are: Ko-ffee (I think that’s how it’s written) and “Esponsor”. Oh, you can also find me on other social networks such as Pixiv and DeviantArt. I also share my art on these pages, and this account (Tumblr) is not going to be the exception, that is, it is going to be added to the list of social networks where I would like to be able to share my work.

Well, I think we've reached the end of this presentation. It's been a bit long, hasn't it? Haha. But I wanted you to get to know me a little bit, to tell you a little bit about my story – of course I left out a lot of other things because this was going to be too long –. Anyway, if you've made it this far, thank you so much for reading!

By the way, if you want to follow me on any of the social networks I mentioned, just find me as "Winterheartarteymas". Well, I think that's all.

¡Hasta la próxima!