#and i know it's hard to write with characters like this so i'm going to start leaning towards plot-based interactions!!

[bokutosbabe]

જ⁀♡⊹｡° sniper, sniper, sniper ♡ wifey, wifey, wifey

( bllk boys showing you off )

♡ a/n — i just love the tiktok trend so :) ( was going to attach a link to a tiktok showing what i was talking abt but it wouldn't work. just look up sniper sniper sniper wifey wifey marines and you'll see what i meant :) )

♡ content — all characters are 18+ !!, mentions of tiktok & instagram, slight cursing, tbh bad writing, nicknames like 'love' , 'wifey' , and 'my girl' used, probably ooc characters

♡ synopsis — blue lock boys showing off their girlfriend :)

⋆.˚✮🎧✮˚.⋆ ' oh that's your wifey ? ' ⋆.˚✮🎧✮˚.⋆

✩₊˚.⋆☾⋆⁺₊✧ the...tiktok maker

if there was anyone you would really and truly call chronically online, it would be him. every day he'd come to you with some new word he learned from tiktok, or a meme that would plague your house for weeks until it went away.

so when he pulled out his phone to show you a video, you weren't expecting it to be a couples trend.

" please, please, pleaseee, love? you'd look so cute in my arms like that ! " and he had just won a big game...how could you say no to him?

so here you were, being carried like a bride in your lovely boyfriend's arms. if it were anyone else, you'd be too worried about how long they could hold you, but since it was him you didn't worry.

it took a few tries, each of you messing up a part at least once and you accidentally dropping the phone a few times, but after you figured it out, the video was practically perfect.

they posted it to their public tiktok account with the caption

' not my wifey yet, but soon ;) '

and to say all the notifications were making his phone glitch would be an understatement.

✩₊˚.⋆☾⋆⁺₊✧ BACHIRA MEGURU, hiori yo, SHIDOU RYUSEI, chigiri hyoma, OTOYA EITA, isagi yoichi

✩₊˚.⋆☾⋆⁺₊✧ the...instagram poster

maybe, just maybe it was wrong of him.

wrong of him to want to post these pictures the two of you had taken on your date to the aquarium?

if he were any other, normal, person this wouldn't have seemed like a big deal, but since he had at least a million followers and some were a bit more obsessed than others, it was.

you'd told him multiple times that you were okay with him posting you, really if he was happy, you were happy. maybe it was the egoist in him, but he wanted to keep you to himself.

fuck it.

if you wanted to be posted, he was going to post you. who cared what anyone else thought? their opinions didn't mean anything to him.

he selected a few of the pictures the two of you had taken at the aquarium, sneaking one of a lipstick stain on his neck in the middle of the slides.

if he was going to announce his relationship to the public, why not let the world know how utterly whipped he was for you?

the caption was a simple

' gotta love my girl ♡ '

✩₊˚.⋆☾⋆⁺₊✧ YUKIMIYA KENYU, karasu tobito, REO MIKAGE, alexis ness, RANZE KURONA, gin gagamaru

✩₊˚.⋆☾⋆⁺₊✧ the...national television?!

the ever illusive pro soccer player. that's what every press agency called your boyfriend.

his ability to somehow dodge any paparazzi and answer very short questions during press conferences made every view into his personal life shine like gold.

based on an instagram story ( that was taken down in less than 10 minutes ) where a picture of him with his arms around a woman in a bathroom mirror, the media could assume he was in a relationship. in that photo, however, the woman's face was not visible, so the questioned still remained...

what woman could capture this mans heart?

he hadn't cared, not really. a photo was nothing to him, but you were everything. he tried really hard to keep your identity private, he didn't want you to be absorbed into a world of cameras always in your face.

but after he made the game winning goal of a very important game...all he wanted to do was see you.

maybe it was the way he could see you in the section you'd always sat, or maybe it was his ego wanting to tell everyone "yeah i'm the best soccer player, and yeah i have the best girl, what about it?"

as all of the adoring fans rushed the field, including you, he just wanted to see you. he knew, realistically, he should just go back to the locker room and come meet you afterwards like he usually did, but not today.

he shrugged off ever reporter and fan that wanted to talk to him, which was nothing new, but instead of leaving to the locker room, they watched as he walked over to you

he knew all eyes were on him, the world still watching...but he couldn't find it in himself to care. he wrapped his arms around your waist

" made that goal for you, ya know? "

you were a little surprised at his appearance, but if he didn't care neither than you.

" i know. "

✩₊˚.⋆☾⋆⁺₊✧ NAGI SEISHIRO, rensuke kunigami, RIN ITOSHI, shidou ryusei, ZANTETSU TSURUGI, sae itoshi

⋆.˚✮🎧✮˚.⋆ ' i think i like her . ' ⋆.˚✮🎧✮˚.⋆

this was a midnight brain dump so it's pretty bad, but i hope yall liked it :)

likes, comments, and reblogs are appreciated!!

[bloodhoundsandplagues]

Home.

Jinx x reader

Summary: set between Act 1 and 2 of Arcane season 2. You find a moment of calm at home with Jinx, Isha, and a stray dog you've found along the way.

Warnings: spoilers for Arcane season 1, tooth-rotting fluff (I hope) not proofread

No use of Y/N, no pronouns used for reader, no gender specific terms etc...

A/N: WHOO first piece of writing by Lev on this blog yippee!! I sincerely hope you all enjoy this lolsies. Please interact! I'm taking requests teehee

You don’t remember the last time you felt this at peace. 

It is like a buzzing, filling your chest, lifting you practically off your feet as you make my way home. 

This feeling is manufactured- it is not coming from the outside. It comes from deep inside your chest, thrumming happily, snuggled between your lungs, right below your heart. There are reasons for this warmth, this light- well, one reason. Her name is Jinx. 

When you say you’re going home, all you really think of is her. Yes, her lair is home- it is warm, and cozy, and as safe as a hot air balloon suspended above what seems to be an infinite void can be- but without her, it would be nothing. 

She is the light that fills your chest, with her bright smile and ridiculously long blue hair and perfect pink eyes. She is the weight on your lungs, making it hard to breathe when you think of her. She’s all the cheesy, corny shit the romance authors you hated so as a child wrote. Only instead of being a character, only words on a worn out page, she’s real, and she’s only a two minute walk away from where you are now. 

You have a satchel slung over your shoulder, the Dog (you don’t know when it became your dog; it just appeared by your side one day, and hasn’t left since) trotting along beside you. Its fur is matted. You reach down and scratch between its ears as you near the Last Drop, smiling to yourself. Never had you thought you would be living this life- on your way home, supplies for Jinx in your bag, the Dog padding alongside you- it is so domestic, so soft, so clean (despite the grime of the Fissures, the thickness of the air, the moaning of the people crowding the sides of the streets). This life is so unlike anything you remember your parents having. 

You take the quick route into Jinx’s lair, the dog following happily, its pink tongue lolling. You should name it, you think as you step onto one of the propellers. 

After Silco had died, you had expected the place to fall into disrepair; you had thought the lights would stop twinkling, and the tinny music would stop playing, and the workstations would gather dust until finally the propellers snapped and fell, taking Jinx with them. And yes, that had started to happen. But then, Jinx had met the kid. Isha, you had called her. All of you, huddled around an old, matted baby names book one of you had found at a scrapyard, pointing out names to each other. Isha, the kid had pointed at, a huge, toothy grin splitting her round face. One who protects. You had closed the book then, knowing that it was perfect. Jinx had smiled at you over the newly baptized Isha’s head, and you had smiled right back, squeezing her hand in yours. You had tossed the book down, into the void below. 

Now, your home was transformed. Jinx’s creepy dolls were gone, replaced with different colourful toys and gadgets picked out or made by Isha. The walls were covered in crayon drawings of all kinds of things- dragons, flowers, the three of you in fields of green and blue and pink and orange. There was a tent set up in the corner, full of Isha’s belongings. It was where you all slept, huddled together like a litter of cats. You love the place. 

At first, you think they’re both out. You call out, and when no answer comes, you venture further in, dropping your bag by Jinx’s workbench. The Dog sniffs around, its tail wagging as it comes closer and closer to an odd lump covered in blankets. You grin to yourself, putting a hand on your hip, tapping your chin with the knuckles of the other. “Hmm,” you muse to yourself, purposefully ignoring the giggle coming from the blankets, “wowie, I wonder where Isha and Jinx could possibly be.” You go in the opposite direction, checking under the workbench, scratching your head. The Dog watches, its eyes saying Can’t you see them? They’re right here! You wink at it, and it sits, tilting its head. “They must have gone out,” you declare loudly as the giggles intensify. “Guess I have this whole place to myself! Finally, I am rid of those stinky-“ 

As you are talking, you approach the mess of blankets. Before you are able to finish that last sentence, a small orange and blue bundle barrels into your legs, almost knocking you flat on your back. Isha launches herself into your arms, grinning her toothy grin as you spin her around. 

“Oh my goodness!” You cry, “where were you hiding? You really are a master sleuth!” Jinx, still have tangled in the blankets, barks a laugh. You hug Isha to your chest and raise an eyebrow at her, mouthing you couldn’t hide anywhere better? She flips you off, but she is smiling. 

She stands and joins you and Isha, her hand finding the small of your back, the other going to Isha’s shoulder. 

“I have a surprise,” you whisper to the child, “but don’t tell Jinx, mmkay?” 

Jinx tilts her head, still smiling. Isha nods solemnly. 

“I found waffles,” you breathe, looking at Jinx out of the corner of your eye. Isha gasps and puts her hands over her mouth. Through trial and error, you and Jinx had discovered that the little one seemed to live for waffles. You now went out of your way, as the only one with your face not plastered all over the place, to find the sweet treat. 

“Gee, I wonder what the surprise could be,” Jinx says, playing along. She follows as you carry Isha to your bag. You set the kid down, the Dog nuzzling into her hand. You rifle around for a moment, and finally pull out the waffles. Jinx lets out a loud gasp, and Isha turns to her, delighted, pleased with herself that she was able to keep this secret. 

“Waffles?” Jinx cries. Isha claps her hands together, startling the Dog. 

You all sit together in the tent, sharing the waffles off the same plate. Isha (who thinks she’s being slick) keeps sneaking pieces of her food to the Dog, who delightedly licks it off her hand. She giggles every time, earning an affectionate look from you and Jinx. 

Once you have finished the waffles, you push the plate away and lie down. Soon, Isha curls into a ball in the space between your knees and your stomach, settling her head on your legs. Jinx dims the lights, then joins you; the two of you become a protective cocoon around the now snoring Isha. The Dog squishes itself in between you and Isha, resting its head on the kid’s side and looking up at you adoringly. You brush a strand of hair from Jinx’s face and smile. She smiles right back. She’s been smiling so much recently. 

“This is perfect,” you whisper to her once you’re sure Isha is fast asleep. 

She smiles, but doesn’t answer. One of her hands rests on your waist, and her fingers trace soothing patterns there. 

“I thought,” she begins, then stops, frowning. Her other fingers tighten around your hand. “I thought that, with Silco gone, there was nothing left for me.” Her words hurt you; it stings somewhere deep in your stomach to hear that she is in any kind of pain. 

“But then… I met the kid,” she continues. “And then I found you.” 

You feel an overwhelming wave of affection for the girl lying in front of you then. A girl you had once known what feels like a very long time ago; a girl who had once had blue eyes and the same wide, toothy smile as Isha. A girl who had been part of your distant past, who was now back in your life. She was right; despite having known each other your whole lives, you have really only just found each other. 

“And- and I realised that maybe, maybe Silco wasn’t all I needed. Maybe…” she trails off, but she has said enough. You shuffle forwards (careful not to disturb Isha or the dog) so that your forehead is only centimetres from hers. She meets you halfway, pressing her forehead to yours; your noses brush, and you smile, reaching up to cup her face. 

“I love you, Blue,” you whisper. A name, who she has always been to you. Blue. Blue like the sky, like the sea. Blue like the warm, the fluttering bird nestled in your chest. 

For a moment, you think she is going to cry. But she only pulls you closer, and whispers the same words back to you, your name uttered like a prayer. 

You close your eyes and smile, and her breathing slows. 

As you fall asleep, you think: 

You have never felt this at peace before. 

[literaryvein-reblogs]

How do I write mean insults that's in character for a character to say? I'm personally poor at coming up with insults that don't sound generic or would actually cut deep, being mean in general. I want to write a snarky character with a dry sense of humour when it calls for it but don't know how to go about it.

He's also recovering from a superiority and inferiority complex.

As the writer, you know your character best, and what insults would make sense for them to say (also considering the bigger context of the scene). So, I'll just provide you with a compilation of prompts and notes from different sources, and you can choose which ones are most appropriate to incorporate in your story.

Writing Notes: Insults & Dry Humor

A List of "Sophisticated" Insults

Craven - having or showing a complete lack of courage; very cowardly

Fatuous - silly or stupid; complacently or inanely foolish. From Latin infatuate, which once meant "to make foolish," but which now usually means "to inspire with foolish love or admiration."

Insipid - not interesting or exciting; dull or boring

Obstreperous - difficult to control and often noisy

Obtuse - stupid or unintelligent; not able to think clearly or to understand what is obvious or simple

Pusillanimous - weak and afraid of danger. It's been used by such notables as Ralph Waldo Emerson ("It is a pusillanimous desertion of our work to gaze after our neighbours"), and the disgraced Vice-President Spiro Agnew, who called journalists "pusillanimous pussyfooters."

Sanctimonious - pretending to be morally better than other people. It once meant "possessing sanctity; holy, sacred." The genuinely holy aspect faded, and William Shakespeare is credited with first using sanctimonious to mean "hypocritically pious or devout."

Twee - sweet or cute in a way that is silly or sentimental. Just as buddy is believed to be a baby talk alteration of "brother", twee is a baby talk alteration of "sweet". Although twee is still considered a chiefly British term, it's increasingly popular in American English.

Unctuous - revealing or marked by a smug, ingratiating, and false earnestness or spirituality. Unction can mean "anointment" or it can name something used to anoint, such as a soothing or lubricating oil. That idea of oiliness led to unctuous, which can describe the slickness of false sincerity.

Vacuous - having or showing a lack of intelligence or serious thought; lacking meaning, importance, or substance

The insult would also depend on which other character it is directed at. Here is a list of "funny" insults for adults from Reader's Digest:

My days of not taking you seriously have come to a middle.

You are the human equivalent of a participation trophy.

If you were a spice, you’d be flour.

You may have a sparsely attended funeral.

I smell something burning. Are you trying to think again?

You’re like a lighthouse in a desert: bright but not very useful.

Don’t worry—the first 30 years of childhood are always the hardest.

May your life be as pleasant as you are.

You’re as useless as the “ueue” in “queue.”

Your face is just fine. It’s your personality that’s the issue.

...and for your character's significant other:

I like you. People say I have no taste, but I like you.

You continue to meet my expectations.

I’ll never forget the first time we met. But I’ll keep trying.

If genius skips a generation, our kids will be brilliant.

We were happily married for a month. Too bad it’s our 10-year anniversary.

I admire the way you try so hard.

You’re entitled to your incorrect opinion.

Have you tried doing it the way I told you to the first time?

The best part of watching a show with you is when you fall asleep because then I can watch my show.

Don’t call me crazy—you’re the one who married me!

You can always alter these to better suit your character. You can read the full list here, which also includes some insults for kids, best friends, and family.

Tips for Better Humor Writing

Humor writing isn’t all about landing a good joke (except for when it is). In creative writing, the effect is usually a bit more nuanced. Here’s a few writing techniques to get you started:

Subvert expectations. Try to undermine the audience’s expectations or reform them with structural elements.

Save the best for last. Humor is often a release of tension, so the sentence builds that tension, and the pay-off—the punchline—happens most naturally at the end. This is also sometimes referred to as the “rule of three,” where two thoughts act as a build-up to the final humorous closer.

Use contrast. Are your characters in a terrifying situation? Add something light, like a man obsessing about his briefcase instead of the T-Rex looming behind him.

Use good wordplay. Sometimes words themselves are funny, and just as often, their placement in a sentence can make a difference. Some words are just funnier than others, so make a list of those that amuse you the most.

Take advantage of cliché. While clichés are something most writers try to avoid, it’s important to recognize them,so you can use them to your advantage. Humor relies in part on twisting a cliché—transforming or undermining it. You do this by setting up an expectation based on the cliché and then providing a surprise outcome. In humor writing, this process is called reforming.

Use humor as a counterbalance. If you just pile on one terrible thing after another, it starts to become ridiculous, and people won’t buy it. Using humor is a great way to achieve the proper balance between fantasy and real life. Remember, if a roller coaster only did twists and turns the whole time, it wouldn’t be as fun to ride.

Level of Intensity

There are people who shrug off an insult (“That’s just the way she is”) and people who commit murder over an insult (“I’m avenging my honor!”). Plus, of course, everything in between. Which is your character?

To be believable, consider the following:

Personality. How hard does your character take events in general? Does s/he get really excited over good fortune and really depressed over setbacks? Then we’ll find it believable that s/he gets really angry and reacts accordingly.

The second cause of an intense reaction is the nature of the specific fight that you’re creating on the page. Lily Owens lets most of her father’s insults go by (“the art of survival”). But when he starts in about her mother, the topic is too important to Lily to gloss over. Lily’s reaction is intense. She runs away. Another type of character might merely have seethed silently. Still another might have fought T. Ray more intensively, setting fire to the house with him inside.

Finally, the strength of fights is culturally determined. Where public or even private scenes are disapproved of (upper-class London, old-money Boston, “well-behaved” families), arguments may be muted, even when the subject matters a great deal. In other cultures, volatility is not frowned on, and people may feel free to scream at each other in public. In extreme cases, murder may even be considered a duty, as in avenging a sister’s sexual assault.

Where is your story taking place? Are your arguers in tune with local or family culture? Maybe not. You can create interesting effects by portraying the rebels against the local mores: the meek child born into a battling family, the furious feminist in polite 19th-century English society.

On Dry Humor

Dry humor - is all about the subtle irony of the facts being stated plainly; it is the contrast between sentiment and reality that makes the situation funny.

The technique is known for its simple, often matter-of-fact declarations that will make the audience laugh or be perplexed (humor is subjective, after all).

With dry humor, delivery and intention create a sort of comedic cognitive dissonance or contrast. Sometimes it is as simple as using a bit of sarcasm, but it can also be more than that.

Dry humor lives and dies on the back of doing less.

Less facial expressions, less props, less setup—less is often more when it comes to landing the joke. You aren’t using a big, dramatic setup or a grandiose vocabulary to make your point.

Essentially, these jokes are derived from saying the opposite of what is meant or delivering them in a way that purposefully counteracts the supposed meaning of what is being said.

Dry Humor in Writing

The function of dry humor has often been to highlight the absurd.

It is effectively executed in moments where satirization of the circumstances at play require little more than noting the facts aloud.

When writing this sort of humor, quick, cutting accuracy is key to making the jokes land.

Simplicity is king, and an honest statement of the facts will always lead the way to finding the funny.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Humour ⚜ Laughter & Humour

Hope this helps with your writing!

[tinyfantasminha]

I don't want to keep clogging my blog with vent posts but uh... I guess this is a more general concern/observation

But it's getting real hard to stay motivated in fandom spaces when there's little compensation, and annoying occurrences are more frequent than good ones.

Mainly there's been less engagement/people showing interest in creators and their art (such as sending asks, making comments and reblogging with tags) and MORE parasocial interactions. This goes for both artists and writers.

Over this year I've noticed a vast disinterest within my public in general. Asks about ocs, my art, or just nice simple comments of ''I love your art'' has been getting more and more scarce. My follower number is bigger than 2-3 years ago sure and I get more likes on my posts but they are feeling more like just numbers and statistics than actual people who supposedly like my stuff.

And while people being parasocial with creators has always been a thing, I feel like it's gotten way worse... in general? People sending personal pictures out of the blue in hopes of being validated, unwanted psychological advice or assumptions about the creator without any established connection first ( <- these happened to me in the same week.) ventdump, just insensitive/lacking of common sense comments in general, unreasonable demands (mostly with writers)... I wondered at first if it was just me, but a handful of mutuals/acquaintances who are artists and writers seems to be going through it as well.

It's annoying. It's tough. It's getting exhausting. Creators pour so much of themselves into their work—countless hours, effort, and passion, all to share something meaningful or entertaining with others (and for FREE) The LEAST anyone can do is show respect, even if opinions differ. When a writer posts a fanfic, don't just say ''omg post next chapter!'', when an artist posts a drawing of their favorite character, don't just say ''omg draw (character) next!'' as if they're faceless content machines that are expected to churn out more '''content''' for you without acknowledgment, encouragement, or appreciation.

''I want to support creators but I don't know what to say and I feel intimidated by their talent so I just lurk silently :((('' I swear to you, no creator (at least not the majority) is making up an intimidating persona to discourage you from interacting with them. They WANT your comments. A single ''I love your art/writing/videos'' or even something as silly as ''I want to eat your art'' is enough to keep a creator sighing dreamily for WEEKS. It doesn't have to be deep! It's heartfelt and that's what it matters!! (Just remember to keep it relevant and thoughtful... It takes just a bit of common sense NOT to comment things like ''this looks like (another character)'' or ''this but with (another unrelated ship/character/show)''. No one wants to hear comparisons or unrelated ideas when they’ve poured their soul into something.)

In fact, the ''I like your art but I think you're intimidating'' feels more hurtful than flattering. It makes me feel like I'm doing something wrong, acting wrong. 💀

If you love that fanfic that changed your brain psyche forever and want to gush about it, go tell the writer. If you loved so much a piece of art that you saved it a million times in your phone and can't stop thinking about it, go tell the artist. Push away the ''they probably won't care about my comment/it won't make a difference'' thoughts. DO IT NOW. You won't know when they might go inactive forever or deactivate. You can't know if that is the last piece they will ever post. Make sure you show appreciation to creators NOW, while they are still here. While they're still not being replaced by AI.

[cadaveerie]

cw: transphobia

i'll paste here a message i left in a certain community and add sth else, as i keep finding stuff like this:

i know a lot of us are critical of datv (in a lot of cases for good reason. and with nothing else behind it), but i think that if u have an ounce of respect for trans and nb ppl you should rly stop recommending videos in which, for example, a person not only misgenders a nb character and their creator who both go by they/them pronouns, but also rants about how ppl going by they/them pronouns are mentally ill. i dont give a shit about how "he makes a few good points", have some decency. it's incredible how little backbone some of you have, and that ppl think this is acceptable. if you want to get a point across, you can write it yourself. it's fucking pathetic that i even have to fucking say this. get a grip and have some principles. so much for progressive people, i feel so safe and welcomed right now.

this post was initially bc i saw this in a specific datv critical community, but i just saw a transphobic post in the general datv critical hashtag. it's unacceptable to misgender both a real person and a character that goes by they/them on purpose. there's literally no excuse for this, you're transphobic.

*please*, if you care about trans people, call this shit out. im not telling you to do posts "exposing" others, but to let them know that this is dehumanizing and unacceptable.. unless that's gonna help their algorithm, in which case... i'm not sure what's best at this point. probably not worth it to send comments at least. perhaps in some cases these comments might come from a good place (even if a lot of transphobes also pretend to be trans/lgbtq allies to avoid getting banned while openly displaying extremely bigoted views, so be aware of that.. but in the rare case they come from a good place, it might at least help people realize their mistakes. in a lot of situations im not sure of what the best reaction is, but i just hope you don't accept this behavior in smaller communities. please do not normalize this, these are extremely hard times for trans people and most of us are in distress.

[silverskye13]

Dude dude dude I’ve been reading all the snippets that aren’t on AO3 and because of how they were sent to me I couldn’t reply then (also like- I figured it would be maybe a little annoying to get 12 messages about them when I could send one longer one)

All of them are just so incredibly wonderfully written god I could go on for hours about the deconstruction of every single sentence, but one stood out as a favourite:

“The best seat” for exactly one reason: THE END POEM LINES!!!! Stunning!!!!!! Incredibly spaced and the repetition and the way it repeats the ‘universe loves me more’ theme and OUGH feeling shrimp emotions about these guys, Wels might be a little BITCH but he’s a damn poetic one

Also the delivery ficlet on AO3 (Red and Renbob) MAN those two are so goofy I love them- comedic timing can be hard to get right in writing but the whole paragraph of Renbob speaking with emoticons and the reader (or at least me-) thinking “how is he doing that??” And then immediately Red wonders the same thing? I was cracking up

Also this changes depending on who’s appeared most recently, but my current favourite character is The Hand- he’s just so *close* to Martyn (normal) that you start to forget he’s not until something happens and you go oh. *oh*. And the differences hit you like a knee to the stomach

The whole fic the whole world you’ve made- just absolutely stunning, incredible, for certain it has permanently changed my brain chemistry and I cannot wait to see how it continues and finishes <3333

So like, just so you're aware, when I first received this ask I was stuck on the highway after my tire exploded [literally, it was in ragged tatters when I got to the shoulder]. It was snowing and freezing and the jack slipped off while I was changing the tire [unharmed] and it took the roadside assistance guy 2 hours to get to me after promising "just five more minutes I swear" and "I just passed you I'm coming back around, two minutes," three, four, five goddamn times.

And you know what? This made me smile. It was a smile I desperately needed, sitting on the busy road watching it snow and waiting for literally anyone to help. So thank you for your kindness, and for writing kind words, and for being excited. You have no idea how positive of an impact that had on a truly grueling day.

I'm glad!! You liked the end poem Wels perspective fic. I was writing it to "Put it on Me" by Matt Maeson [recommended to me by countthelions] and I was trying very hard to emulate the feeling of circling and inevitability the song has. There's a very waltz-like meter in the song and it's very very fun to work with.

And! I'm glad the comedy from the Red/Renbob one landed! I mostly use comedy to break tension in fics, so doing a completely upbeat/comedic centered fic had me a little nervous I couldn't land the tone. I am so so stoked you enjoyed it :3

[cripplecharacters]

do you or any of your followers have tips for writing a character with tinnitus? like his common experiences. he has cybernetics that help with it but they do fail at times. I've sorta drawn on my experiences with auditory processing issues/spd, but I'd really appreciate knowing what experiences the two disabilities have in common and their differences

Hi!

Tinnitus is a common symptom/side effect of apd and hearing loss. In those cases it is usually triggered by auditory overstimulation, or when moving from a loud area to a very quiet one.

Tinnitus can also occur in people without any hearing problems. This is also generally triggered by sudden silence, but can also be more random.

For me as a HoH person it is mainly triggered by silence and listening to other sounds (like music) can help it go away. It's very distracting and I can't do much else until it stops. If I'm in the middle of doing something and it starts I am startled and suddenly put my hands over my ears (which doesn't help!)

Mod Rock

Hi, I'm not deaf/HoH and my tinnitus is, as Rock said, mostly triggered by silence. I only get it in one ear (always the same one) and for me, it's almost always a very high-pitched, sometimes kinda buzzing sound. In my case it ramps up and when it does start I sometimes think that maybe it's an electronic device making the sound rather than realizing it's the tinnitus (even though I probably should be able to tell it apart by this point, but here we are).

My tinnitus has always been very distracting to me - it's really hard to continue whatever I was doing while it's going on (hard to ignore a loud "eeeee" or static noise playing on one side of your head). I tend to put on some music or even just Loudly Hum to tune it out because it's annoying. It just comes and goes, both rather quickly.

I hope this helps!

mod Sasza

Hello, I have constant tinnitus and sensory processing disorder though am not HoH or deaf. For me, I barely notice my tinnitus until it's silent or if something, such as a headache, causes it to get louder (or at least sound like it gets louder.) I've had it for over a decade so I'm very used to it. Mine mostly takes the form of a high-pitched ringing, similar to ringing ears after a very loud noise, and whenever it is noticeable it annoys me more than anything. Whenever I do notice it, I, similar to what Sasza said, tend to put on headphones and listen to something until I forget about the tinnitus.

If you're going with cybernetics that help his tinnitus, I would recommend using something that lessens his tinnitus if he's got constant tinnitus like I do. There's no real-life way to even temporarily fully stop tinnitus if he has ear damage or a similar issue, but there are things we can do or treatments we can get to make it fade into the background. A cybernetic that helps his tinnitus would be best if it's something that lowers it to easier levels to deal with, not something that entirely erases it. I do like the idea of the cybernetics not always working- sometimes the treatment doesn't work for whatever reason on a particular day and when that happens, we have to deal with it, so I like that this also happens with him.

As for how it interacts with my sensory processing disorder, it really doesn't unless it's being particularly loud for whatever reason. When that happens, because my brain pays equal attention to both the tinnitus and whatever someone is saying, I may have trouble understanding what someone is saying. It might also block out certain sounds, such as light footfalls of someone coming up behind me, but really it's a fifty-fifty chance. It could be either my tinnitus causing me to not register the sound or it could be my sensory processing disorder picking up a different sound and deciding it's more important than whoever is behind me. Most of the time, having the two just feels like having anxiety and attention hyperactive deficit disorder. Both things are happening and it causes certain challenges, but they're two different things that don't usually interact or, if they do, I can't really tell which one is contributing what so now I'm annoyed with both of them.

Mod Aaron

[heavenlymorals]

Do you have any tips for how to write Arthur Morgan’s personality in general? I’m trying to write a fic but I feel like no matter what I do it somehow just makes him feel out of character haha. It’s probably since I’m writing one with a reader/oc character x Arthur. Like I don’t want to remove Mary from the story because she shaped so much of his character’s pain (since in my opinion I assume that Arthur probably got Eliza with child from a one night stand trying to bounce back after Mary had told him that she was engaged to some other man). But I also don’t know how to really write Arthur as he’s completely over Mary and how he is instead with someone he considers the love of his life, cheesy I know but I had too haha. I’m also trying to somewhat do a slow burn and trying to instead have Arthur seemingly brood over his love for the reader rather than how he did with Mary in the game.

I don’t know if this makes sense and feel free to ignore it LOL

Ahah here goes nothing- my consensus on a general understanding of Arthur Morgan-

I think the biggest thing that people should focus on when writing Arthur is his personality differences between men and women. There is a pretty clear divide between how behaves with men compared to how he behaves with women. It can change slightly between how close he is with the people, but it's pretty much the same.

With women, Arthur is very respectful and chivalrous. He even gets mad at other men if they don't behave accordingly. He is more interested in them as well in the sense that he'll listen to their dreams and hobbies and either add to the conversation or encourage them in some way that seems more meaningful, even if it can be at times superficial, just a way to be polite. However, he is no push over. You know that meme that's like "Me and my girl don't argue, she tells me to shut the fuck up and I do"? Yeah, that is NOT Arthur. He can raise his voice, call them out, etc etc. when he feels disrespected in some way or if the person is doing something stupid. We see this with Mary, Sadie, and Abigail. He is also more likely to talk about his emotions with women, but not really BE emotional. Idk if that makes sense, but I don't know how else to say it.

However, Arthur is more inclined to be disrespectful to women who don't fit into his view of life and the status quo of the time (ie. Prostitutes, masculine women, etc.)

Honestly, just think of that when writing him with your oc (I'm going to assume they're a woman 😭). Is Mary a big part of Arthur's character? Yes and no. He can obviously make time for her, but she isn't controlling his every action and thought process. His main focus is the collective of the gang and once the gang is safe, that's when he'll actively start looking for love because that's when he'll have the time and energy for it.

Now with men, Arthur is much more rough. He is very much a suck it up kinda guy with other dudes. There is clearly a hierarchy in the game and he enforces it, especially with the men underneath him. He forces them to work, doesn't take their excuses really, will call them out, will be mean, and will even make threats (ie. Sean). He likes men who are hard workers and are always on the go (Lenny) and is more likely to be jovial, open, and willing to talk. He also will take NO shit from other men and that will either leave the other man read to filth or a black eye. Arthur also does not disclose feelings of fear or inadequacy to other men, but he will show more active emotions like joy or anger.

Honestly, whenever I feel like writing Arthur, I just think of the average older American outdoorsman and it helps me out pretty well. Chivalrous and respectful with expectations and a no bullshit attitude.

Hope this helps and happy writing 🫶🏼

[myokk]

HOLA! ❤️ First of all, dropping some kudos because I love you and your art so much (basically my blog can be your side blog too at this point!) ❤️❤️❤️❤️❤️❤️

Second, from the character ask, I'd like to know about 3,4 and 20 for both Eloise and Leo 😁

Hope you have a wonderful day/night!

HOLA MI ITALIANA FAVORITA💓​ I APOLOGIZE IN ADVANCE FOR ALL OF THE YAPPING I'M ABOUT TO DO🤭​ will this get you to finally visit me🥺​

I'm going to answer these for Eloise SINCE I already did 3 for Leo & I have someone asking me about 4 for Leo as well🥺💓

3) What was the first thing you decided on, the character's name, appearance, personality or their role in the story?

This is a tricky answer…just bc my evil gremlin mc in the game has NOTHING to do with Eloise in my writing. I guess I would say her name? I was just thinking of what would be the most British sounding name I could think of when I started playing in December🙂‍↕️

But then my imagination took hold of me…I started thinking about Eloise’s backstory…and when I thought of how all of her family dynamics/how she grew up would influence her personality I started to be really dissatisfied with the game and the lack of choice we have while playing. SO I gave up on the game completely after the restricted section quest and started to use my free time to write my fic in January🥹🫶 but her backstory, personality, and role in my story are definitely the most interesting things about her to me!!

Bonus: my first ever drawings of her in January!!! Bad quality bc it’s an insta story screenshot😆💓 (I redid one for my fic🤭)

4) And reverse, which one of the four things did you struggle with the most?

Hmmmmm😭😭 I think her personality is what I struggled with the most and continue to struggle with as I write!!!! I always want her to feel like a *real* person with flaws, but ALSO convey to the reader why they should love her as much as I do. I think I’m successful bc I get comments/messages a lot from people telling me how much she resonates with them (and she’s some people’s favorite???😳💘) but I STILL CANT HELP BUT FEEL INSECURE ABOUT IT !!! It’s so hard sometimes keeping in mind how she is and how she thinks, and I never want her to be wishy-washy or doing things out of character for her. It’s a fun challenge but a challenge😭💓 (also her appearance changes like crazy in my art but whatever I’m learning😆)

20) bonus: share any additional thoughts, art, favorite scenes, anything you’ve been waiting for a chance to ramble about.

DES YOU REALLY WANTED ME TO YAP WHEN YOU SENT THIS MESSAGE😆😆😆😆😆

I really, REALLY want to yap about the foreshadowing and scenes I’m working towards in my fic BUT IVE ONLY TALKED TO LIKE ONE OR TWO PEOPLR ABOUT MY PLANS ( @choccy-milky & @kay9leo 🤭🤭) AND I DONT WANT TO SPOIL ANYTHING EVEN THOUGH I DONT HAVE MANY READERS😆😆😆😆😆😆😆 maybe in the future…

This is me redrawing the chess scene from my fic bc I’m really dissatisfied with how Seb looks in the original (he’s probably my LEAST FAVORITE TO DRAW BC IT’S IMPOSSIBLE !!!!!!!)

And ummmm….hmmm Eloise is DEFINITELY not a self-insert character to me, but I DID give her aspects of myself. Things like…we have the same birthday (January 31) and eye color (dark green), and I tend to overthink a lot and can be in my own head maybe too much, but I’m ALSO a lot more assertive and gremlin than she is😆😆😆😆 I love the fact that she’s so soft and sweet💓💓💓 & I just want to wrap her up in a big hug and never let go of her🥺🤲

(Imelda is my self-insert tbh…and this moment in my fic was ME😤:

At the sight of Imelda's worried face her throat contracted - Eloise found she couldn't speak - and she burst into tears again. They were rolling, hot and salty, down her cheeks and she hid her crumpled face back into the crooks of her arms. Imelda immediately wrapped her arms around Eloise, and she melted into her friend's embrace. Hands gently stroking her hair as she cried and cried and cried, murmurs whispered in soft Spanish to the top of her head.

She was overwhelmed, desolate, lonely.

I feel really bad for Eloise at this point in her story, but I also find it really interesting to keep poking her to see when she finally snaps and decides that she NEEDS to stand up for herself and what she wants. She hasn’t quite realized that she’s the only one who’s ultimately in charge of her life & I’m really really enjoying watching her become the person she’s meant to be🥹🫶🥹🫶

[cmyk-anaglyph-honeycomb]

Helluva Boss S2 E11

(this is mostly in order but not really. I have a lot of thoughts and its 1am) How did stella know about the 'break up' in the first place? Was she also at the party or did someone she know go? Did she hear it through the grapevine of imps she defiantly talks too? So that on the run shit was just for the trailer huh? Actually thought this was going to get interesting, my mistake. I should've known better. Luna being muzzled is decent world building on how she is just viewed as an animal. But also her character does so little outside of being blitzo's daughter or a hazard to Moxxie that she could have just been an actual dog with aggression issues. Why is Andrealphus focused on pointing the blame on Blitzo and not Stolas? The book was getting miss-used either way and Stolas was his actual aim, so why try to write him off? Also, why is he so against stolas. At this point it can't just be for Stella because it doesn't seem like he likes her. At this point I'm waiting for it to be a thing where Andrealphus arranged for Stella and Stolas's marriage to gain power from his family or something. He is putting in too much effort for it just to be out of pettiness. Who is Vassago and why is he here? Dude is a prop not a character. If Andrealphus (god I hate his name) would have just had Stolas on trial at first and the imps were just witnesses that would flow better. [sidenote: It could have been a thing where IMP would have greatly benefited from condemning stolas and Blitzo choses to tell the truth and cost to himself to help Stolas out. It would show stolas that Blitzo actually cared.] Not a fan of how the other deadly sins are just dropped on us without much fan fair. They were kinda the one thing I was looking forward too. It really felt like the musical part was crafted first and everything else was written around it. What was the point of satan singing about how he is the top boss and all that? No one was saying how they are the mastermind of hell or anything, just this one collection of bullshit. We get it big man, you're in charge. (Sidenote: I do like his design, its kinda basic for a satan character, but still good. I love his voice when speaking and singing. The song he sings is good, the point of it is not.) So there are zero stakes in this show. None. Kinda makes it hard to care about the outcome if everything has a soft ending. Stolas loses his powers, that we rarely see him use. He can't see his daughter, that we barely see him around. He loses nothing that we see him show any interest or care given too. Stella's evil smile means nothing either. She is a nothing character to make Stolas look better. At this point she shouldn't be in the show she does so little. Why was this trial about Andrealphus and not her? If stella was supposed to be this super evil and manipulative character why is she so far on the back burner for her own plan? Would have been a great time to have a woman character actually do something out of their own desire shitty or not, instead of just helping out some man but okay. Andrealphus should've just been Stolas's shit brother who wanted his power instead of wasting our time with Stella. *That's all I got in me for right now. Again its 1am after black friday and my ass works retail so I'm done thinking for now. Might come back to this later.*

[walkingstackofbooks]

I know this is cursed but. Please rank DS9 characters in order of how Dominant or submissive they’d be during kink scenes? I feel like we could write whole essays analysing what those guys do in bed tbh.

Oh my god, cackling, is this really what you all think of me? :P (Yeah, no, that's fair 🤣)

This was actually so interesting to think about! I was finding it very hard difficult to decide on an order on initial vibes alone, so I wrote up my headcanons for them all first - and a few of them are surprising even to me! Also there are so many switches/not really into it so the middle is really very fuzzy.

1 - Ezri Yeah, definitely a surprise to find her at the top of my list, but I so really think she'd get a kick out of the dom scene (and mostly dislike subbing). She's just got that quiet powerful energy that makes you want to be in her thrall, and being joined and having Jadzia's memories alongisde her own just makes her more confident that she's good at what she does. She wouldn't dom for brats though. (Also partly why she's so nervous at asking Julian out, she doesn't feel she's got a good read on his dom/sub energy...)

2 - Sisko If he was into it, I can only see him as a dom. He made captain because he's good at commanding, and he likes it, and I think that would carry through into the bedroom. But honestly, he probably wouldn't be interested in power play in the first place.

3 - Jadzia She's a great dom for sure, but I think she enjoys exploring new things way too much not to be a switch? Plus, Worf like to think he's a dom, and she's happy to humour him from time to time. More dom than not, though, and she's definitely a brat when she subs.

4 - Worf I've definitely said this before, but Worf thinks he's a dom. He's a Klingon warrior, etc etc etc, "obviously" if anyone's domming, it's him. I don't think he's that good at it, but Jadzia finds it endearing, so it's fine. And I think he likes it when Jadzia takes charge, but he never actually refers to that as "subbing" in his head... Idk, I just don't think he'd be able to relax enough to really let himself be submissive, even though I think he'd enjoy it if he were able to. (I also don't think he's particularly into power play, either, tbh)

5 - Garak Ohh, another difficult one... I think subbing would be really good for him, if he could let his guard down enough for it. And he'd have to be in the right mood to dom - at times, he'd really enjoy it, at others, it would hit too close to home and he'd be holding off a breakdown until whenever his partner left. I think he'd *want* to dom, though, even if he knows it'll trigger him, because he does enjoy breaking the other person down and hurting them. (Not that he'd think of it as "triggering" to himself, of course.)

6 - Odo I really cannot see him being into it. No rating. [Edit: I came back to re-evaluate after writing Kira but no. Even for her, it's really not something he wants to try.] [Edit: Fuck, he would dom for Quark though.]

7 - Miles Again, not sure he'd be into power play for itself, but he enjoys playing his role for a partner who's into it. Keiko, I think is a switch with a slight preference for domming, so he's been a sub more often than not. I think his favourite part of it is giving aftercare when he's been a dom :3 (something something good-cop-Miles-bad-cop-Keiko domming the hell out of a dazed Julian)

8 - Julian Disclaimer - I exclusively read sub!Julian, so I'm biased XD But trying to think about it objectively... I think he's a switch. Like Jadzia, he enjoys exploring new things too much to really stick to one or the other. I do think he'd have hangups over how much he enjoys domming though, what with his secret fear of going bad... And being a sub allows him to relax and not have to think and just relish in all the sensations and I think he'd love being slowly taken apart bit by bit...

9 - Kira Sure, she screams dom at first but I pegged her as a sub a few weeks back and now I've really talked myself into it. I think she could dom, but unlike Sisko, while she's very good at being in command, I don't think she intrinsically enjoys it, and letting someone else be in control would give her the chance to relax. It would take her a while to allow herself to explore it, but once she got there, she'd find a space where she can be soft and gentle and cherished - and hurt, and soothed.

10 - Quark Oh my god he's such a sub, right? Not that he'd ever tell anyone but he LOVES being told what to do and ordered around. In theory he's a brat, but it never lasts for long - he becomes a pliant submissive wreck too quickly. (Okay now I'm considering if Odo would break his definitely not rule for Quark and... Yeah, actually 😅 Why would their dynamic change just because they're having sex?)

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[stop-breaking-my-heart-dragonage]

my greatest achievement in DA2 is maxing out Carver's friendship

and all it took was begrudgingly kissing a little templar ass in act 1 because Carver didn't want to plan a prison break if my Hawke got his ass arrested for being stupid.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[himbohimhoe]

Holding out hope that the writing in veilguard will get more bearable but rook saying to lucanis that it's "not nice that Spite hurt him" and he "shouldn't accept that it’s fine bc it wouldn't be ok if a person did that" like. That is a demon. Built off a single emotion called SPITE. Rook I am finding it really hard to believe that u have lived in thedas for more than 30 seconds.