#and i feel like most songs i associate with them end up being from semi's pov just bc he's the music guy yknow. i think he's always

[monstrsball]

❤️ tensemi? 💜

yes! absolutely, ok omg. still into you by paramore is their song, to me. they've been together for years and things aren't always perfect but their feelings for each other have never changed. they love each SO much. oh my god. and "let 'em wonder how we got this far cause i don't really need to wonder at all" is SO them. like i feel like sometimes people look at them and wonder how they're together but that doesn't matter cause they know. you know. like they just make sense.

[the-gayest-show]

Through the Looking Back Glass Thoughts/Analysis

I LOVED this episode. It was very endearing and honestly heartwarming (near the end that is) and overall one of my top episodes in the series!

First off, Sofia leaning on Cedric for help with homework is so fucking CUTE. Their dynamic makes me jump up for joy, and Sofia really trusts HIM to get the job done 🥺 Even when Cordelia appears and offers to help, Sofia is still adamant to only have Cedric do it 🥺🥺🥺🥺

It's a small detail, but I think Cedric's pose changes slightly when his sister is around? Like, he's got that hunch back pose that he had in earlier seasons when she's there, it's crazy. There's probably more screenshots I could gather on this but yeah.

The song that comes up in this scene.... mmmm art. Here's me ranting about it.

I think the saddest part of the episode is really seeing Cedric and Cordelia's past dynamic because I genuinely loved it? Like. When they hugged here it was so heartwarming. The nicknames (Cordy, Ceddy) were so cute as well, I guess when they don't use the nicknames in the beginning it's to show the deterioration of their relationship over time, and somewhere in the end of this episode, Cedric starts using the nickname Cordy again which really cements the mending of the relationship. (I did get taken off guard when Cordelia called him Ceddy in the flashback bc I've always associated it with Calista. Maybe Cordelia said it around Calista and she picked it up? IDK)

Cedric is also shown to be really good at magic here. Bro did a spell that was apparently "too advanced" or something? And let's not even begin to discuss the lore implication for WANDLESS MAGIC. BRO TRIED TO REVERSE A SPELL WITH HIS BARE HANDS. THIS MAKES ALREADY INTERESTING STF LORE MUCH MORE INTERESTING.

I find it so interesting that the incident (despite having no known cause at the time) was quite literally blamed on Cedric almost immediately and everyone went with it? Like Cordelia shouts "he ruined it" and no one questions this??? Not even Cedric fending for himself worked? Whoever said in a Tumblr post that this implies that Cedric was treated like some kind of bungler/looked down upon even before this is probably right. Because why else is it just normal for everyone to jump to this conclusion? His parents don't do SHIT about it, and I'm assuming that Goodwyn holds this grudge too (if eps like Mystic Meadows mean anything). Why are they holding onto this for so long? Literally I get holding a bit of resentment but everyone makes mistakes....

Idk this went off, but basically, oof living in your father's shadow was hard AF especially with one mistake people reference in your presence.

Despite this event happening over 30 years ago, it's still somehow the ONE thing people defined him for for years. This episode really further contextualizes his motivations for wanting to become king before season 4. Imagine being rejected from society for YEARS, being belittled and made fun of, people tearing you apart for a mistake you made when you were 9-10 YEARS OLD, it's crazy. 100% that took a toll on him, something you can see in this episode and literally most episodes. It's just really sad.

I'm glad that Sofia and Calista were able to help the both of them realize that it wasn't actually Cedric's fault (something Cordelia should've realized years ago, but seeing the event happen as it did was more a confirmation for Cedric than anything). Cordelia and Cedric forgiving each other was a bit too fast considering everything but I'm glad their relationship is mending.

Credit where credit is due, she sticks up for him after this and lets Cedric do his thing and lets him help Sofia without any ifs and buts, it's sweet.

Personally, I feel that Cedric and Cordelia probably still have a semi-strained relationship after this ep (your sister being the reason you were made fun of for years, and that reason wasn't even valid to begin with defo is not smth you can recover fast from in a 22 min episode)

Also, it's not hard to believe the circumstances wouldn't have changed if the incident were truly Cedric's fault, but Cordelia needed a wakeup call I guess, that works.

Want to mention King Roland for a second because dude. Why is your first reaction to blame Cedric (again), instead of the 2 other magic users in the room (ESPECIALLY THE CHILD. Look I'm a Calista fan thru and thru but logically the blame would be shifted there to an extent??)

King Roland I thought we were over with this since Day of the Sorcerers?? What happened to being NICER to Cedric and maybe NOT blaming him for every little thing? Idk that kinda pissed me off. The fact that Cordelia was the only thing stopping Roland from interrogating the guy... THIS BEHAVIOUR IS WHY CEDRIC TRIED TO TAKE OVER YOUR KINGDOM!!! ROLAND THE 2ND YOU IDIOT!!!

In conclusion, love me a character focused episode that develops a backstory as well as a slight resolution. 1000/10 would re-experience this again.

[skwtches]

30, 17, and 25 for Maverick; 10, 7, and 2 for Nancy!

WOOOO YESS

Starting off with the worst man you've ever met Maverick here:

30. Do they smell like anything notable?

For him, I'd figure he'd smell a bit like the cigarettes/cigars he's typically seen smoking; musty with a hint of cedar. Although, I imagine him using some kind of cologne semi-regularly, perhaps one that smells of leather? Nothing that smells much like wood, he doesn't like the association most wooden-based scents have with his early life.

17. How did they spend their summers/free time as a child?

I imagine that during vacations within the long, arduous summer months, his parents never thought too much about ensuring he socialized with other kids his age, and so they'd drag him along with them to the lakeside vacation home where his father liked to spend those months away hunting for sport while his mother tried to make the most of her time away from the bustling city and her husband being occupied with matters that didn't concern her for the most part. Maverick would usually just entertain himself along the lakeshore, poking around with a stick at the various flora and fauna—usually skewering whatever he found of the latter when his mother wasn't watching.

Something Maverick also did frequently was bring a mason jar out with him to the lake, scanning around for bugs or any other creepy crawly he could pick up and encase to examine. Sometimes he'd let them go afterwards, other times he'd attempt some pseudo dissection of whatever insect he caught in his little glass prison. In some instances, he'd put two live animals in at the same time to see what would happen. Most of the time, one would end up killing and eating the other, yet it fascinated him all the same. When he wasn't terrorizing whatever small critters he stumbled upon, he'd reside to reading on his own, feeding into his ever-growing love for literature that would continue to follow into adulthood.

25. How good/bad is their hearing? What about their eyesight?

His hearing is generally okay, though probably has deteriorated a bit with age. Same deal with eyesight, and I imagine he employs the use of reading glasses from time to time.

AND NOW Nancy, everyone's fav sad girl muppet moth xoxo

10. If they wear jewelry, what kind? Do they prefer silver or gold? Do they have a favorite gem?

Nancy isn't the type to accessorize a bunch, though I'd like to think she'll sometimes wear jewelry whenever she's gifted with any. For instance, during college, Felicity gave her a gold necklace for her birthday that had a lil ruby pendant—Nancy's birthstone. In turn, Nancy ended up wearing it almost everyday up until around the time she and Felicity started to gradually drift apart and Nancy's initial insecurities surrounding her own future and success in comparison to her friend's shifted towards envy.

7. Favorite Animal? Why?

Had the sudden thought of Nancy really, really liking opossums for whatever reason and I just think that's very characteristic of her to love what would be considered an unorthodox animal to find cute by most. Like when she was really little, she’d look around her father’s old shed, and once came across this full grown opossum that she then proceeded to take and bring inside, much to Elena’s eventual horror.

Little Nancy when her mother comes home and, completely astonished, asks her why on God’s EARTH she thought to bring in a possibly rabies-infested animal as the latter stumbles upon her running a bath for it:

2. What sort of music would they like? Have you thought about what genres or bands do they lean towards? Do they have a favorite song?

In canon, Nancy would have a preference for softer, orchestral music—a record she can put on while she's on her own, either writing or even during a lowkey read if she's feeling particularly antsy. I can see her really liking music by Leo Reisman and his orchestra, particularly stuff ranging from the late 1920s to the early 40s. In terms of singers, she'd probably be a fan of Elizabeth Welch, especially for her song "The Girl I Knew" (1935).

If this were the 21st century, Nancy would 1000% be a Mitski and even Crane Wives fan for Reasons.

[xxswagcorexx]

tumblr user xxswagcorexx why do you insist on hiding away half your analyses/ramblings in the tags of your posts speak ur truth!!! anyway talk mythology andor symbolism to me whats the significance behind red's cult eating honey? do either of them get any items of power mixed up sometimes but just go whoops and move on like its no big deal? what would an outsider pov on this mess look like "ah that pair of lunatic gods again" bc this is sooo funny to me to imagine

i am . scared of everyone (and plus i don't wanna make the post too long and tags let me ramble without worrying abt length/mention small things without feeling like i need to format it properly ^_^

and uh abt the honey thing. this is where u can see this is Really inspired by greek mythology but basically in greek mythology, honey was seen as food of the gods and would provide gods immortality and whatnot ^_^ anyways i was like "hmmmmmm reddoons core" but also it just really works well. aesthetically for him

(AND GET READY FOR A LONG RAMBLE UNDER THE CUT)

anyways on the topic of the honey thing, i tend to associate red with gold because 1) money and 2) red and gold are a really classic color combo that i love, so honey (sorta) resembling molten gold is just. really aesthetically pleasing to me

and also iirc red wanted to make the byzantine empire in earthbound season 2? and when i came across a video on how to make byzantine honey fritters by tasting history with max miller i was like "omg reddoons core"--and from the video it seems like honey was a bit of a special dessert? in 6:33 of the video, there's a poem about a monk complaining about how the abbots have it a lot better than the monks and they mention that the abbots had 2nd helping of honey fritters so yeah i think its safe to assume honey was a semi-special thing, even if it was common. so uh. yeah. money and reddoons. thumbs up

and for the longest time i have associated bees and honey by rina sawayama with. swagdoons in general and the entire song is about how much the singer loves money and partying even if they're broke as shit LMAO its such a good bop if you like pop i recommend it . anyways ya that just added to the aesthetic in general

(as u can tell most of it was based off of vibes and plus in biased because i like how. warm milk and honey taste and plus i really like the idea of milk being something nurturing and honey being something sweet that is representative of love bc ur being sweet and easing someone into something so. Yeah. just vibes but how i figure out vibes are so specific that its worth explaining i think <- loves romanticizing the mundane) (and there's a sick ass line from the end poem like that) (like "And the player was a new human, never alive before, made from nothing but milk and love. You are the player. The story. The program. The human. Made from nothing but milk and love." come ON that line fucks so hard how couldn't i love it)

anyways i think with all of that in mind, red's cult would eat honey as a sign of wealth and comfort/nurturing 4 those reasons ^_^ (i am so sorry for all of that for explaining that i just have lots of Reasons to why i feel something sometimes)

WILDLY OFF TOPIC but u also asked abt items of power getting mixed up, i think it would happen most during worship </3 i think they'd just go to each other and be like "REDDOONS one of your cult members sacrificed blood as a loyalty pact to their partner instead of WAR again. u want it" and red would either let ash keep it or take it so uh. insert them sharing their power with each other here even though their values are usually on increasing ur ego and being on top of the world (CONSIDERING THIS FANDOM LOVES THEMES OF LOYALTY IN A GAY GAY HOMOSEXUAL WAY) (SEE WHY I DDNT WANT THEM COMING FROM ANOTHER GOD OR MERGING INTO 1 GOD) (THE IMPLICATIONS ARENT GOOD)

anyways i think ash and red (as gods) and their cults are pretty well known (like how swagdoons r the 2nd most popular ls ship) but LORD if their myths got lost to time they'd be a nightmare to study via texts and scripts in the future. like i can imagine for the LONGEST time historians argue if they were gods that changed during the dark ages because red's name predates ash until they Finally find a myth involving them as 2 different characters and its settled that they're 2 separate gods even though they represent similar-ish things LOL anyways yeah i can imagine more myths of them being found and historians going ??? wtd were these gods <3 hope that answers ur questions anon! :D

[raywritesthings]

i know you rb'd it a while ago but if you're still interested in doing it, ship asks (and if you don't actually vibe with any of these ships feel free to skip!)

roy/riza: 8, 9, 15 hawkeye/trapper: 15, 21, 26 margaret/hawkeye: 15 (i really want to know what songs people associate with ships lol), 46, 50

Oh, fun variety with these ones! If it's alright with you, I'm gonna skip #15 for all three (at least for now) because it takes me a while of listening to music while specifically thinking/looking for parallels/vibes with a given ship before I can come up with anything. By the time I do that, I'll forget to come back to my ask box to answer this! So apologies, but also my music taste is extremely old-fashioned so it probably wouldn't be all that interesting anyway.

Roy/Riza:

8. What do they love most about the other? Why? I think going from a strictly canon reading, Riza loves the ideals that Roy believes in and wants to put in place as reforms. She's dedicated her whole life to helping him achieve that. And in turn, and I think Roy loves Riza's loyalty - not to him, specifically, but to their shared cause. He knows he can trust her above anyone else to see it through, even if she has to go through him to get there. In addition, I think they both find solace in knowing each other so well, having met before the military really entered their lives and changing together through Ishval and beyond. 9. What do they dislike most about the other? Why? I think Riza dislikes Roy's carelessness most because it makes her job harder because it in some ways betrays their goals. Roy is the one and only person she will ever trust with her father's life's work and the only person she trusts to see the necessary reforms put in to in some way try to atone for their actions in Ishval. She also can't cope with the idea of living without him, so for him to try and fight a killer in the rain without thinking of how severely disadvantaged this makes him understandably upsets her on multiple levels. For Roy, I think he probably most dislikes the fact that Riza clearly can't cope without him, more so because he would hate the idea of her suffering like that in his absence than because he sees it as some kind of character flaw.

Hawkeye/Trapper:

21. Do they enjoy domestic life? So, given it'd be the 50s and they're two men, that's a tough one. I think in the absence of any fear of being "discovered" and discriminated against/arrested, though, they'd get on fine together. They already have experience sharing living space, and in the worst possible conditions. There's little things that would bother each other (just watched "Alcoholics Unanimous" yesterday, and they have a wonderfully domestic spat about Hawkeye using Trapper's towel while shaving and Trapper's toenail clippings ending up by/under Hawkeye's bed), but I think they'd be able to just bicker for a few minutes and move on. The major roadblocks are pretty much external factors (how their relationship would impact Trapper's ability to see his girls, the strain of living semi-closeted in 50s America, etc). 26. What sacrifices do they make for the other? Given the way the show was written, it's easier I think to pinpoint the sacrifices that Trapper makes and could/would make in a relationship with Hawkeye than the other way around. He's almost always the one getting roped into Hawkeye's schemes or messes (good example is him blatantly committing perjury in "House Arrest" while coming up with a cover story for where Frank got his shiner), and if they were to pursue a relationship back home he would be the one having to give up his stable family life with the wife and two kids unless they kept it secret, and then Hawkeye would be the one sort of making sacrifices there (but I just can't really see that lasting or being something either of them would put up with for longer than just a casual "every once in a while" sort of thing when they happened to both be in the same area). Not that Hawkeye doesn't ever make sacrifices for Trapper (from the infamous "Longjohn Flap" to shelving any sadness he might have over Trapper possibly leaving in "Check-Up" in order to celebrate with him), but it's something he'd have to work on in a serious relationship with Trapper. For the record, I don't think he'd struggle too hard with it, just the way the show framed him as the protagonist and Trapper as his sort of "second" gives it that slightly uneven dynamic. Probably the biggest thing is that, once stateside, Hawkeye would likely have to be the one to move so that Trapper could remain close to his daughters. Depending on where you land as to how much Hawkeye really loves Crabapple Cove or not, that may be a small or a really large sacrifice.

Margaret/Hawkeye:

46. Do they consider their relationship casual or serious? Is the answer different depending on who you ask? Why? Hm, this one probably depends on the circumstances. I think in "Comrades in Arms", Hawkeye was looking for something more casual than Margaret (partly because Margaret was married to Donald at the time, and partly because he liked their dynamic as-it-was whereas Margaret seemed to think she needed to go into Mistress Mode like with Frank or the generals that used to come knocking). I think Hawkeye valued Margaret's friendship so much at that point that he'd rather that not change and they not be together than to be together and have her change her behavior for him. If we were talking post-canon, I think it could almost end up flipped, where Hawkeye might cling to Margaret harder for the sense of familiarity she gives him while she's more focused on figuring out her life post-army. Then again, I could also see them mutually agreeing to a casual thing post-war based on the finale kiss. 50. Would they ever break up? If so, why? Who would handle the breakup better? Haha, well they sort of did? If they were in a genuine relationship, I could definitely see them breaking up (and getting back together, and breaking up again, etc). The big, unresolved thing between them is their political/ideological differences, which the show really de-emphasized as the years went on and Margaret became part of the "in" crowd less enchanted with the army/the war (compare her clear distress at the idea that peace talks might be starting in an early scene with Frank from I want to say "Dear Dad" vs her commiserating with Hawkeye about the points system being changed to keep them longer in "Peace on Us"). However, without the army/the war as a mutual enemy of theirs, they could definitely end up butting heads on politics again back stateside which could possibly result in a permanent break. I'm not sure who would handle a breakup better, honestly. I think Margaret would handle it worse at first and then probably get over it if she found someone new, whereas Hawkeye would probably be outwardly fine but miss her long after she was gone.

These were all really interesting to think about, so thanks for sending them in! List is here for anyone interested in sending in other questions/ships!

[heartfilia-source]

Love these song choices a lot!! Seeing your cute list gave this admin some great inspiration to create a playlist for kpop soloist Lucy 🌟💫

Music selection came from a mix of the lyricism as well as how that along with the rhythm and tempo illustrates Lucy's character journey throughout FT! (< is typically how i personally curate chara playlists)

Sooo Lucky by ITZY (lyrics)

Sooo Lucky just screams chance encounters and happy coincidences which really embodies Fairy Tail's pilot and Lucy's first meeting with Natsu and Happy that kicked off the entire story!

No Celestial by LE SERRAFIM

Always loved what Natsu said during PL: "that 'debutante' thing doesn't suit you at all! you fit a lot better laughing in this crappy bar... and going out on adventures. that's the lucy i know!" Definitely feel like No Celestial expresses how much Lucy can just be herself with Fairy Tail and how much they'll accept her regardless of anything.

Anywhere But Home by Seulgi (lyrics)

Speaking of Phantom Lord... this is probably the most self-explanatory choice of song, representing Lucy's feelings during her focus arc </3

SHINING★STAR by Lovelyz

The song is prob more intended to be about the artist(s) vocalizing adoration towards their "shining star" but imo the various people Lucy has been able to empathize with and help during their interactions do see Lucy as such a bright light as she continues growing into her own !!

Diary by Gugudan

Another more straightforward song choice for soloist!Lucy! As we know, Lucy is a writer who has suffered a lot of personal losses (by no fault of her own...) over the years and she keeps those memories in her heart and memorializes her loved ones through the written word 🖋️

Bubble by STAYC

Title track material?? Something about this just gives Lucy vibes! It's got that ~life is an endless adventure~ energy and like her focus tracks from the FT OST it's got a similar cozy, cheerful atmosphere. (Also semi-ref to the sheer amount of 🫧🫧 baths we see Lucy taking lmao.)

Got Me Good by BoA (lyrics)

A more mature turn - kinda associating this with Lucy's experiences in the latter half of GMG and Tartaros up through the final arc, there were a lot of situations where Lucy got pushed into a corner and had to endure, often after being separated from her friends, but thinking of them is where she found the strength to fight back tougher than ever.

'Til We Meet Again by aespa

The Lucy to Aquarius messaging is so strong here!! Just because they've separated doesn't mean this is the end and they can never see each other again.. Even if they're not physically close and can't fight together unless by chance they've still got an irrefutable connection💙

Le Voya9e by Kep1er

Another Aquarius-ish themed song! Can't help it when she's been significant to Lucy's character journey, especially in 100yq where Lucy's goal is to regain her key. This song brings to mind mermaids and traveling along a tropical coast, just very refreshing and lilting.

Also not to be a fangirl, but the song has a really lovely performance!

Good, Bad, Ugly by Red Velvet (lyrics)

One thing I've noticed with Lucy is that she kinda puts on this refined, dignified front at times when she should embrace her silliness! and also see at least some part of her maturing and development as growing to be able to accept the good, bad and ugly parts of herself..

Imo that's also why we often get Natsu and Brandish (their individual dynamics with Lucy feel interestingly similar) both poking at Lucy when or until she shows some indignity. The mention of sweetness and chocolate in the lyrics makes me think of Brandish as well, and of how much I wish her 'rivalry' with Lucy was less barebones in 100yq

Songs I'd give to Lucy if she was a Kpop soloist and why:

title is self explanatory and some of these might just be based on vibes and sound rather than as a whole but I tried to keep it also based on the general dance/performance and lyrically aswell. idk this is just for fun because ive thought about this a bit lol ALSO i tried to keep these as soloist songs but i think a lot of group songs fit her so most of them are just group songs lol

ALSO a lot of these are nalu based but thats unavoidable because theyre very intertwined lmao

also also this ended being a longer post than i expected and i dont think anyones gonna read everything but yeah

Herione by Sunmi

I mean first of all the title is LITERALLY called Heroine like... come on. This song for me is very nalu core like whenever i hear this song the lyrics scream nalu from a Lucy POV, for me anyway. Mostly the lyrics about a hero, lucy herself has agreed that natsu is kinda like her hero in the RAVE x FT crossover little comic if you didn't know. I would said the sound kinda fits lucy its not too brooding but not too crazy and hyper and its a good middle ground that I think would suit her :)

POP! by Nayeon

Okay so I was deciding between killin' me good and pop for this list because I think they both fit her in diff ways but I think pop is better for her because its whimsical and silly and happy with a bit of cunty and that's very lucy for me <3 but in general I think both songs would work for her but anyway yes pop is very silly and fun and cute and i think thats very fitting for lucy and she would rock the pop m/v outfits

Queen of Hearts by TWICE

Okay this one is both based lyrically and vibe vise. I think it sounds like something lucy would perform its a powerful song but not too over the top and a good middle ground that would suit lucy. anyways the lyrics from the first chorus:

its VERY fitting for lucy leaving her old life behind and starting new and becoming bigger and better yes yes yes and the lyrics about being a queen yes she is a queen and she will rule the world!!!

BONVOYAGE by Dreamcatcher

i loveee this song and honestly a lot of dreamcatcher songs I imagine nalu scenarios in my head to them because theyre songs are sooo catchy and fast paced I can imagine the craziest things,, anyway the reason I chose this song was mostly the lyrics i mean things like

i cant explain it but this is definitely them theyre soulmates and the "maybe you dont but i love you" definitely suits lucy i specifically thought of the line in 100yq of her thinking natsu doesnt like her in that way but you know she loves him anyway and they'll be together forever in his words etc etc

again i cant really explain how this is them but if i had to i would say the way theyre really close and best friends and yet have fallen in love with eachother but are hurting eachother going in circles with their relationship and not confronting their fears about losing each other either quite literally or their relationship and it's gonna build up until it explodes lol

okay last part these lyrics really remind me of the ending in dragon cry when lucy tells natsu that even with the different conflicting parts of him she knows him and she knows that even with all of that hes still just natsu and its what he needed to hear and she just knew that so :)

and also other than the lyrics I think the song can be very lucy sounding,, to me anyways :D

​​​enchanted night ~ 白夜 by Billlie

Okay after the essay on the last one I wanted to do a song that has a more simple explanation,, so Billlie have amazing songs theyre one of my favourite kpop groups and if you haven't listened to their songs they bang so hard please listen <3 anyways the lyrics are all based around of course an enchanted night with lines like "The moon is freaky, the stars are dreamy" etc etc which of course suits lucy due to the stars and such but also the moon part made me think of the galuna island arc and of course the whole eclipse gate and such so yeah! (also the song sounds soft and pretty like lucy.. (: )

Playing with Fire by Blackpink

another song based off of lyrics being very nalu i mean... playing with fire as a title is very nalu,, but also the lyrics are about going too far in love and getting hurt getting burnt etc etc which like you know that one scene in 100yq and like the whole slow burn thing they have,, its very fitting to me imo and also the sound suits lucy its again middle ground powerful but not too overwhelming to the point where its too powerful that it wouldnt suit lucy (not saying she isnt powerful she has her moments which is why i think a middle ground is good)

Queencard - G-IDLE

this might be a hit or miss for some people,, but hear me outtttt... I wanted to add a song thats very high confidence and powerful but a lot of songs in mind were too dark and serious but and I feel like this fits the most,, its feminine and fun with confidence and cunt slayage and its silly and fun and its so lucy to me its so so so lucy too me. I need to draw lucy in a queencard stage outfit like yesterday thank yew also i know a lot of people thought the lyrics were cringe and this that blah blah blah but i think adds to the fun and it kinda fits lucy sometimes shes a little silly and girlfail and thats okay we love her for it

(I will leave it there for now but theres defo more songs out there for this but I dont want to make this toooo long and obv i included these songs a lot because I like them and some other people may not like the songs or agree that they suit lucy but its how I view them and its just for fun :)

[moonmoonthecrabking]

another rtc eurovision post (i'm so sorry for my brainrot y'all) with me associating a song for each character

fair warning, this is *LONG*, so i'd suggest scrolling past if you don't really like long posts :)

i don't think that anyone pre-canon would've watched it but, you know, post-canon everyone lives au, afterlife, take your pick either works!!!

mischa: as previously stated, stefania by kalush orchestra (ukraine 2022) is his top of all time. wikipedia describes its genre as "alternative hip hop and folk" which is basically this song is awesome/talia. it being a tribute to the frontman's mother also deeply resonates with him, missing his own mother. other favourites include soldi (italy 2019), dark side (finland 2021), lie to me (czech republic 2018) and kuula (estonia 2012) because... in addition he loves everything ukraine's sent (aside from 2012. imagine being able to have pride and audience support for practically every entry from your country). he just finds so much enjoyment and nostalgia in it (ie me projecting onto my fave). he was so surprised when noel knew about it and that he had a buddy in this uranium hellhole to chat about it. has a crush on alexander rybak (norway 2009) and chanel (spain 2022). he still does not realise he is bisexual. he starts a betting pool with the choir for each new contest (and all the ones only he and noel have seen. the two get sad at first that they can't participate with those ones, but then decide to fuck with them)

noel: his winner of 2022 was in corpore sano (serbia) for The Drama and The Art, but he also supported fulenn because france (the man was so disappointed when they got second last). his all time favourite is l'enfer et moi (france 2013), because frenchwoman singing about how she would make her ex's life hell meant that he could graft on his dreams to that. because he's canadian i don't think he grew up with it like mischa, i think that he went down a youtube rabbithole when the march he turned 14 somehow or other and fell in love. he loves all the songs like n'oubliez pas (france 2015), voila (france 2019), tout l'univers (switzerland 2019), and bonds with mischa over zitti e buoni (italy 2021 who am i kidding everyone knows måneskin, thanks to @curious-georg for that idea!!!). sometimes he puts on playlists of the earlier competitions while he's studying to imagine a morning in france. has a crush on half the male entrants.

i haven't thought through how the rest of the choir gets exposed to it because it's pretty much a "after canon once they're friends, wherever they are, au or not i don't know". but basically i have a feeling that one time on movie night it's mischa's turn and he brings along the 2021 contest (because it's one of the best of the most recent and the hosts are so good) and noel goes BATSHIT and everyone else is just like "hey... what?? this is four hours long" and then it starts and they end up really enjoying it, with them going through all the contests (sometimes on mischa's night, sometimes on noel's, a couple for constance's too) and watching them live (because i said so)

ricky: they love the entries that are just a lil quirky. a lil different. their favourite from 2022 was eat your salad (latvia), mainly because the audience *screamed* out "PUSSY" to fight the censors (eurovision is a family friendly competition). the peak songs for them were at the start of semi 1 and then it all went downhill from there. and their goat? space (montenegro 2017). if you haven't seen that video, bestie, you should. they really do watch it for the memes, epic sax guy (run away aka moldova 2010), anti-crisis girl (ukraine 2009), "but in the end, they didn't" (the 2019 host talking to that year's cypriot contestant about cyprus coming in second in 2018).

constance: her 2022 winners were not the same (australia) and i am what i am (malta) because she loves the expression of the internal self and hearing peoples' emotions through the melodies. her all time favourites are monsters (finland 2018) and cry no more (netherlands 2017) because of how both are personal, one is upbeat in its self-empowerment, while the other is about familial love and support. she relates to and desires both. otherwise, anything with a gay kiss. she screamed at the full-on makeout session that occurred during this time (lithuania 2015). and marry me (finland 2013) made her VERY happy for that kiss at the end. even then, it takes her a while to realise she is Not Straight.

ocean: her 2022 winner was hold me closer (sweden), then river (poland) because it genuinely moved her, then die together (greece). she hates I.M (israel) with a burning passion, and everyone except her sees the irony in that. from other years she loves last dance (greece 2021), only teardrops (denmark 2013), popular (sweden 2011), lipstick (ireland 2011) and euphoria (sweden 2012). she has a spreadsheet ranking her placements for each year they watch, as well as the rest of the choir, and uses that to predict the results of the betting pool mischa started. sweden and greece are in her top five every year. she put if i were sorry as her first place when they were watching the 2016 edition and mischa refuses to talk to her for the rest of the night (this one actually isn't me projecting i just think it'd be funny).

penny/jane: because this idea isn't super-solidified, and her character isn't either, it's hard to know. i think that she's a menace and loves the voice cracks and mistakes (i feel bad if i direct people to certain entries for that!!! but if you know, you Know). the best guess i have is that her favourite 2022 entry is miss you (belgium) because of the religious allegory and shifting genres (like in the ballad of jane doe), but i will take suggestions!!

this was a really long post, thanks for sticking around if you got this far!

[keingleichgewicht]

WERE YOU KIDDING ABOUT THE ASK GAME if not i dont have any specific lyrics in mind but i always thought the lyrics to the mill were so cool and maybe you could get some thoughts out of them? :0

YEAH GOD OKAY LET��S TALK ABOUT THE MILL. LET’S TALK ABOUT UHHHHHHHHH [THROWS DARTBOARD]

this line. this MIGHT go on for a while so i will............  readmore

so the mill feels kind of notably different to the rest of the pafl songs, which tend to be unusually literal for lyric, either straightforward retellings of events (punch it, punk!) or character piece monologues set to plot visuals (strike 3) or both (all of them, but for instance particularly comfort zone, which is just dmitry’s horrible manifesto until it gets hijacked by a death sentence in the second verse.) the mill is a lot more like what we expect from poetry these days, which is to say it’s heavy on imagery, low on clarity, and fucking confusing!

I’ll draw a circle in the sand, drive myself around the bend in a desperate attempt to hold on to your battered hand Rocked to sleep beneath the snow, she is bathed in youthful glow ‘Strong enough to let it go,’ he says, but darling, I don’t know

a lot of the mill is about circles. this is in the name: a mill is something which turns. a waterwheel is a circle, a grindstone is a circle. it’s even in the melody: the chorus is a cyclic, pentatonic four-note riff that keeps going up and down and up its own ladder, chasing its own tail, not really reaching resolution. and then it’s also in, you know, the story:

the meat grinder!!!! everyone’s favorite fucking hellhole!!!! it is only semi-explicitly identified in the song but that’s because it’s a concept from the source material - both tarkovsky’s stalker and roadside picnic feature the meat-grinder, as a location nicknamed thus by stalkers because it is even more fucking deadly than the rest of the zone, all of which is already ridiculously fucking deadly, and if you’ve seen the movie:

it is more or less instantly recognizable in the mill as well. so here we have a circle! here we have a mill (the title has about seventy double meanings but this is certainly one of them,) and as it turns out, this mill at least will absolutely kill you. and horribly too. interestingly though, in roadside picnic (the book) the meat-grinder is not a tunnel, and it’s not round - it’s just a nondescript patch of ground which will wring you out like a dishcloth and kill you extremely dead if you walk into it. on the other hand what we have in the book in terms of circles is the golden ball, which is the equivalent of the movie’s the room, which is, well,

in short both stories ultimately hinge upon the idea that there is a something in the zone which can give you your heart’s desire. anything you want. everything you want. whatever you want. it is infinitely powerful; it is infinitely capable. the catch is that it will only give you what you want. the catch is that giving you what you want is not the same as giving you what you are asking for. the other catch is that in both cases you have to get through the meat-grinder first.

(so, by the way, what the fuck, right? does pafl’s zone have a wish-granting factory? is it also behind the grinder? where were the original trio going when they got themselves fucked up? and did they get there?)

but the point is: the golden ball, the wish-granting factory, is also a circle. it’s just sort of a sphere. it’s a big round fuckin yellow thing. you know, sorta like:

which is THE ONLY TIME yellow is used in occam’s razor not counting the full-colour shots, and it drives me CRAZY, but it is also me going full conspiracy board so let’s not even worry about it. THE POINT IS.

the circle is the death-machine and the wish-machine. neither of these things are really.... very good. the circle, or at least the arc, is also very closely associated with death:

(розовая дуга предрассветного, ‘rose arc of pre-dawn’. if i’ve fucked up that nominative please feel free to stone me to death!) 

in the gdoc notes to message lost ferry briefly refers to the dawn as if it were a good thing, the dawn of hope, which is a usage that sort of agrees with the desolate and deathless hope of strike 3′s ‘everything will pass / a day will come,’ but on the other hand it really is very closely associated with dying. nikolai bites it; nikita bites it; sergei and olga left significant chunks of themselves behind. and the thing about ‘this too shall pass’ is that it’s always true, as is ‘everything ends’, but of course that’s ‘cause the thing that ends might be you. and as we know

dawn is an ending. so that seems concerning!

i think the circle, the arc, the bolt falling back to the ground, is not a good thing. i am getting a little conspiracy board here in general but forgive me, i cannot make you a wholesome answer, my wit’s diseased. i think the circle is an enclosed space. it’s an unbroken cycle. it’s the grindstone. it’s the mill. it’s about what pafl’s always been about: about being trapped, about having no chances, about being bordered upon. the circle’s the geometric figure of equidistance from a given point, and you can walk on it forever, and nothing will ever change; you will never get closer, you will never get further away, you will never get out! the sun rises, the sun sets, and you are no closer to anything you wanted. it’s worth noting that anya’s borderline city, the zone-edge port town she complains is trying to crush all her dreams, her mill

is a circle. (a cog in a machine! a grind-wheel! a cage!)

and yura, whose dreams have already been burned out of him, who starts the series already resigned to never getting out of here, calls it ‘this dire deja-vu’, i am specifically resisting putting the accent marks back onto that, which is to say, it’s a repetition that haunts him. it’s going round and round and getting nowhere.

so if we bring it back around: drawing a line in the sand, as the phrase is generally used, means setting a border, means saying this far and no further. often it’s yourself you’re setting the border for. you hit some divide you can’t abide crossing so you say this stops here, it may be too early or too late, but i say it stops here. so logically: drawing a circle in the sand means you’ve locked yourself in completely.

I’ll draw a circle in the sand, drive myself around the bend in a desperate attempt to hold your battered hand

the whole first half of this song, i think, is olga promising to grind herself down in a hundred ways if it means she won’t be left alone. how hard can it be to never let it overflow? she may feel lower than the low, she may wish she could just disappear out here, into the postindustrial rust, but though it gets harder all the time she will keep pretending. she isn’t going to burden sergei, or indeed anyone, with her problems, her fears, her scars. she is hurt, but she’s used to it, she’s gotten used to being haunted long ago. she keeps her bad eye covered. she stays within her circle she has drawn. she keeps going round and round. she will take the smallest sliver of human connection and be happy, she promises she will be happy, she promises she won’t ask for more, she will take just the ‘hello.’

but you knooooow it’s not true. you know it’s grinding her down, that she’ll be milled to nothing pretty soon, and really she knows it too.

i am perhaps seventy percent sure that this line is a reference to the windmills of your mind by michel legrande, which features such lines as

Like a tunnel that you follow to a tunnel of its own Down a hollow to a cavern where the sun has never shone Like the circles that you find in the windmills of your mind

which on one hand seems sort of obscure to be a purposeful reference but on the other hand would be a hell of a coincidence if it wasn’t, wouldn’t it. either way it characterizes circles ambiguously, but definitely unsettlingly. going around in circles is chasing infinity, but what in god’s name would you do with it if you caught it? what are you even hoping to accomplish? and: 

the second half of this song is bitterer, sharper - staring down the mouth of the meat-grinder she’s a little more willing to admit to herself that this is going nowhere. she is running out of cages to keep herself in. she is very tired. it’s easy to say why don’t you leave it all behind, it’s easy to say, she’s strong enough to let it go, it’s easy to say, too strong to die. it is a lot harder to actually live.

this is also where the flashbacks admit to us how badly hurt they really were - sergei with his whole side in shreds, she still hides her eye but at least we get to see it’s bleeding. this moral compass is forever misaligned, she says, so there is damage, and it is lasting. and she can’t settle for hello, she can’t live like this, she needs someone by her side. the trouble is whether she can believe she has any hope of getting that

as for who ‘her’ is, or the ‘she’ of ‘she is bathed in youthful glow’, i figure there’s two possibilities: either it’s nadya, who haunts olga too, because nikita’s abandonment of nadya represents exactly what she most fears for herself, or it’s olga’s younger, unbroken, binocular self - both of whom were so young, and so easily hurt, and are now unfindable.

and then there’s this conclusion: ‘the sun will rise, until then / i’ll be waiting for you on the other side.’ which maybe is a sort of hope after all? she’s reached no real conclusions in the zone - she knows there must be hope but she can only barely believe in it - she thinks she is destined to self-destruct. but on the other hand she still has that, a version of sergei’s own ‘a day will come’

you may be hurt, but if you can hold yourself together, you can hope for a dawn someday. an ending. a change. but the trouble’s that there’s more than one kind of ending. and there’s more than one meaning for other side. there are cages, and then there are cages. and you know what else looks like a tunnel, a circle?

staring down the barrel of the gun.

[princessofgayskull]

Hi sunflower, what's your thoughts on T Swift's Betty being a catradora song???

Me, taking a break from spop to focus on my mental health and setting better boundaries:

Me, reading this ask:

This ask woke me up from like a deep, sleeping beauty type slumber, not joking. I don’t get asked to talk about Taylor Swift often, despite being a fan of hers since I was nine years old (I’m 22 now *wink*) and we are about to find out why. But I pride myself on taking any fiction piece of media I interact with and connecting it somehow to Taylor Swift. I can do so to varying degrees of success (usually depends on the ships and romance of the world) but there are so many songs of Taylor’s that have just fit Catradora so well for me, both in and out of canon. 

Some of my favorite examples: out of the woods (AND IT KEPT ME UP AT NIGHT WHEN NOELLE SAID THIS WAS HER TAYLOR SWIFT SONG FOR CATRADORA LIKE GAH CASUAL TS LISTENERS WILL NEVER UNDERSTAND) bad blood, lwymd, don’t blame, dancing with our hands tied, the archer, breathe, you’re not sorry, the way I loved you, forever & always, should’ve said no, safe & sound- I could go on.

But I won’t because I wanna stay on topic and talk about betty. Now I have a number of songs from the folklore/evermore series that are for me catradora songs (we’ll get to that in a minute) but this one is… challenging. Because I could be like “yes, because [insert casual reason here]” or “no, because [insert casual reason here]” but I can’t because Taylor feeds her children well and there’s several aspects of this song I feel like should be considered.

This biggest one to be considered, for me, is the love triangle aspect. Folklore features at length the betty/james/Augustine love triangle, each of them having one main song on the album from their POV. Betty's is cardigan, augustine’s is august, and james’ is betty. (also I’m going to throw out the gender component for a second; I know taylor says that Betty is about a guy’s apology and I totally vibe with her reasons why she wanted to write a song about a boy apologizing BECAUSE HOW GREAT WOULD THAT BE?) The love triangle makes the application of Catradora iffy at best. Because it’s like, who would be who? I am going to go out on a limb and assume that you’re seeing Catra as James? I think that personality wise, Adora as Betty and Catra as James is not a stone’s throw away from fitting actually really well. Adora’s canon journey is one of coming to realize “I know what I want and I know that it’s okay to want it” and a big part of Catra’s arc is her being like “Well shit… there goes my plans. Kind of feeling like a dumbass rn” especially in s4/s5. 

(That s4/s5 distinction is important; I’ll show why in a second) 

But for me, there’s no augustine. Or one that’s obvious anyway. I never imagined that either Catra or Adora dated or even had any inclinations with anyone else during the five season run- that’s just my personal opinion, people are completely welcome to feel free to disagree. I don’t think Catra acted even out of distraction with Scorpia or DT, and I think Adora was so focused on being She Ra that when she wasn’t thinking about failing/abandoning Catra when she alloted time to do so, she was thinking about the crushing weight of her responsibilities. So you know, not that much time to get back out there. So I rule out what causes James to apologize in the first place- cheating.

Side note about James cheating- I’m pretty sure Taylor confirmed this, in the long pond studio sessions doc, when she’s telling Jack Antonoff (MY BOY JACK) and Aaron Dessner ( GRAMMY AWARD WINNING KING) that James “was a fool!” And James did sleep with Augustine as confirmed in august, but cardigan makes it seem like he was definitely dating Betty before the summer. Maybe Taylor took inspiration from friends and they “were on break.” I also believe that the kiss in the Heart is the first kiss, that Catra and Adora were never ‘together’ together before Adora found the sword and defected (again, that’s just an opinion, but Adora just looks so wonderfully gobsmacked), so…

We can rule out cheating, and I think we can accomplish this and still reserve the essential meaning of the song of “I did something wrong, I see that now, I apologize for doing it, and I still love you” by widening the lens of what the “did something wrong” was (or “did something bad” you know *wink*). In that wider lens really you could fit either Catra or Adora into the song, but I’m still going to assume Catra is the James in this scenario based on how much of her redemption arc is formed around her refusal to say sorry and then eventually doing so. Of course there is no standing your porchlight but rather standing while wrestling a bunch of murderous clones…. Hmm….

But there are some stupid friends! I wholeheartedly believe Catra is James because of the dissing of Betty’s friends. That’s what Catra does to Bow, Glimmer and the rebellion et al., for most of the show and by the end of s4 she has no friends for Adora to even mock (terrible and cruel of me, I know, but it’s true). Also I know people are like “he called her friends stupid and then expected betty to take him back?” but I scream sing the line “WILL YOU KISS ME ON THE PORCH IN FRONT OF ALL YOUR STUPID FRIENDS?” every time. It brings me serotonin. 

Along those lines we can ask “Who’s Inez?” in this situation. When I think gossip no one from the show really comes to mind, well, expect for Double Trouble. But Double Trouble doesn’t ever speak to Adora about Catra. This happens vice-versa, and in Betty, James reveals that Inez told Betty he cheated on her. 

I want to say something controversial… Glimmer comes to mind when I think “who’s the Inez?” And this is based off of two things: 1) Inez’s closeness to Betty, and 2) Inez drags James out to dry, rightfully so. And when I think of that I think of Glimmer screaming “Do one good thing in your life!” directly in Catra’s face. James gives Inez a bad wrap in Betty. Not cool James. 

Of course there’s the pivotal, “would you tell me to go fuck myself?/ or lead me to the garden?” To me this a fun way of showing there’s vulnerability to what James is doing, so automatically I’m led to is the scene where Catra asks Adora to stay, or each time in s5 when Catra risks, basically an identity crisis to let Adora in how she really feels, but there’s always the potential that Adora could spurn her by not returning her feelings or rejecting her outright. 

I think the best argument that can be made for “is betty a catradora song” can really be encapsulated by the lyric(s): “the worst thing that I ever did is what I did to you” and “the only thing I wanna do is make it up to you.” That is what about the song SCREAMS Catra to me. And yeah, it could be argued that Adora hurt Catra pretty brutally (Shadow Weaver makes that point EVEN THOUGH SHE HAD NO RIGHT TO) that she messed up by abandoning Catra- but Adora feels guilt for... literally breathing. Adora is the quintessential embodiment of “pick your battles, no that’s too many battles, put some back,” but Catra picked one battle first and foremost (yes, she had a few others but this was the one) and that was Adora. Everything that motivated her was surrounded around a narrative of surpassing Adora for a multitude of reasons, and because of that she pretty much hurts Adora every chance she gets after Promise. Adora is really Catra’s first casualty, it makes sense that she has to be her first apology. And I think that after being vibed checked back to back by DT and Glimmer and realizing “oh hey fuck, I’m still in love with her” and then almost dying just to not die because Adora saves her, I think much of Catra’s motivation shifts to “how to do I get Adora to want to stay?” 

That’s my logic for how Betty could be a catradora song in canon. Now not all of my Taylor associations are with canon catradora, many of them do belong to uws catradora, because it’s a lot easier to apply the more modern details of Taylor’s songs to a modern au. The song Breathe is big that way. (it’s in Upper West Side, it’s the song Adora listens to and cries to after that first ride, I just never mentioned that it was taylor because my conditioned reaction to bringing up taylor is to have my head bit off with someone’s semi incorrect and slightly sexist opinion that I never, ever ask for) And this ask got me thinking about what it would look like if I applied not Catradora to Betty, but Betty to Catradora. What would it look like if Catra skateboarded and wore black lipstick, Adora wore a cardigan and they had homeroom together until Catra really messed up? What would it look like if they were seventeen when they admitted their feelings for each other instead of 21? What would it look like if they spent a summer fighting but dreaming of each other? What would their love story look like if Catra and Adora were in that town where Taylor envisioned this “same event that affected three people in different ways?”

I think it’d look something like this. 

https://archiveofourown.org/works/31141973/chapters/76952048

what do you guys think?

quick but INCREDIBLY IMPORTANT thank you to @gimme-tea-bitch for helping me with this, being my beta, and listening to me talk about folklore/evermore.

[ballodellamarlena]

m o o n l i g h t

damiano david x reader + ex!gjon muharremaj (gjon’s tears)

genre: fluff, minimal angst

wc: 1.7k

notes: non-canonical OOC, also my first fic in a long time, this is a result of me ignoring my finals with a dash of projecting

feedback is appreciated! if you are interested in reading more i have more ideas :)

-

2021 just can't stop surprising.

In hindsight, it was worse for some in comparison to year prior, but life goes on.

And so does Europe's most famous song competition.

2021 just can't stop surprising. In hindsight, it was worse for some in comparison to the year prior, but life goes on. And so does Europe's most famous song competition.

2020's cancellation of Eurosong was devastating, to say the least, but now it's back and in full shine; different singers, different songs, lots of changes made. Your job as an audio technician swept you off to places you'd never thought you'd see. From concerts to musical artists in recording studios in their whole essence; the making of a song, the process fascinated you. It kind of didn't surprise you when you were accepted to be a part of Eurovision's sound squad. It was, after all, everything you've been working for.

It was not soon after Tel Aviv when you met Gjon in a recording studio, where you were temporarily stationed before departure to Rotterdam to start preparing for the next year. Gjon was a nice constant to your hectic life, always there to shine on a new perspective and always there to comfort you on your worst days. In turn, you were there during his journey to be chosen as Switzerland's contestant in 2020's Eurovision. You were there when he wrote his song about being and belonging. Your blossoming relationship became too great to ignore, and soon you became the team's sweethearts; his firm but soft composure meshing with your assertive and curious nature in the best of ways. You were not afraid to say that you knew him, and vice versa. Everything really was perfect. Until the epidemic hit.

It was like a domino effect, one thing encouraging everything else to fall apart. Being in a foreign country while it was in a state of emergency was not the most ideal, and it didn't really help your job. Your recently appointed position in Eurovision's sound squad was gone with the wind when the cancellation was announced, and so did Gjon's hard work. Tensions rose, and while your relationship was as healthy as could be, it simply wasn't enough. Or maybe it was never supposed to be something more than a prolonged period of deep infatuation between two human beings.

The departure was bittersweet, to say the least. But you knew, a year with him would never compare to anything else. You two parted gently, on a windy airport, almost ignorant to the tears in Gjon's eyes; you saw regret, pain, and fear, but you both understood that if you decided to give your all to each other before knowing what that 'all' even is, it would hurt much more.

You remember his arms around for the last time, whispering promises of sunnier days and warm reunions, the lump in his throat preventing him from promising you a better him.

You haven't been able to completely process his intentions, too keen on leaving. You were itching for something different, but everything seemed too claustrophobic in this state of the world. So you accepted the first job offer that presented itself to you and flew off to Sanremo.

-

"You okay?"

You turned abruptly towards Victoria, one of the band members you were here with here in Rotterdam in the middle of rehearsals and navigating through Rotterdam.

Your job offer as one of Eurovision's sound technicians still stood even throughout the epidemic but after Måneskin's success at the Sanremo Festival that granted them the first row in the finals of Eurovision you decided to stay with them, so the job kind of integrated being an official technician in charge of Italy and being their personal plus one.

You stared at Victoria with a blank stare, reminiscing the past short few months; Sanremo brought new experiences and new people. Italy's contest for the contestant at 2021's Eurovision started from square one, giving new chances.

Maybe Måneskin was just what you needed, the four of them. Victoria, Thomas, Ethan, and Damiano.

Damiano was a breath of fresh air. A breeze of fast wind. Assertive and confident. You couldn't deny it was attractive. You tried not to let his aura control your way of seeing him, but very soon you found him to be one of the best people you've ever met. You helped you express yourself more, welcomed you like family, made you see life and yourself like something more than you had originally thought. You two clicked, and between new friendships and an interesting job position you allowed them to take you with them to Rotterdam. And you did so without hesitating.

Besides, no one could deny something heavy between you and Damiano.

Back to the present, at Italy's table with the band and the delegation, Damiano comfortably sitting on your left, you stared at Victoria to your right, trying to come up with an answer when you heard it again.

"Will Switzerland's contestant please begin their rehearsal?"

And there he was, no different than that day at the airport. Last you heard about Gjon he came with a new song, after managing to keep his place as the contestant, something many preparing contestants had to give up prior to this year's competition.

You were sitting on the edge of your seat, elbows on your knees. You felt Damiano's fingers twirling one of your locks on the back of your hair, a bit uninterested to be watching somebody else's rehearsal while the band was already done with theirs.

"Yeah." you smiled lightly. There was no lie, why wouldn't you feel fine?

You felt Damiano's hand weaving with your elbow, pulling you to him, and you leaned back against the cushion, leaning your head gently against his shoulder. And if he noticed you seemed lethargic all of a sudden, he didn't say anything.

You stared intensely towards the stage, but relaxed and turned to the rest of your company after realizing this rehearsal only included the technical side of things. No song from him today.

-

22nd of May, 2021

Entirely skipping the semi-finals, you and your team only focused on your own band. Being one of the Big 5 was admirable, and everyone expected a show.

The clothes fit, the makeup was on, and the band was ready to enter the arena along with you and Italy's delegation. Nine pm was nearing and you were going to be sitting through all of the 26 songs, along with voting.

Songs went by fast, some fun, some less, but all were good until it was time for Switzerland. You were about to hear his new song.

Je vois derrière nous des morceaux de toi Et ce que la douleur a fait de moi

The somber tone, the lyrics. Your limited knowledge of french allowed you to understand the basic point of the song.

Nos deux cœurs sous la terre

He was still not over you.

But maybe he was but was singing about somebody else, you tried to rationalize.

Damiano squeezed your hand that you didn't even realize he was holding, you were so tense. The band was aware of your previous association with the Swiss singer, but you didn't even want to know what they were thinking about.

You only thought about the song. The melody, the words sang of his anguish, and it wasn't a bad song. You wanted so desperately to heal him but knew it was not your job to do anymore.

Comment soigner nos coeurs qui éclatent?

Your eyes made contact, and it was like going back in time. But all songs end, and so did yours.

The crowd cheered, it was a great performance. The table clapped and you watched him getting off the stage, not knowing what to think.

"It's going to be okay, carina."

That one pull you needed, and you didn't doubt anymore.

An hour and a half later, after Italy's performance, which was quite an experience, finals were coming to an end, and the voting began.

You will never get used to feeling nervous about getting results, even when you weren't the object of it. But watching Switzerland get so many points from the jury made it a whole new experience. Italy was places below and everyone was silent.

The televoting points change everything, it was unpredictable, just like the whole competition. You had Damiano's hand in your left and Ethan's in your right, squeezing them, but adrenaline prevented you to feel anything else besides your heartbeat.

You wanted them to win so bad. They worked so hard to get where they are today, and while all contestants deserved a chance, you couldn't not be a little biased.

The 318 points to Italy were a game-changer, the crowd cheered, Victoria and Thomas jumped and screamed, and Damiano pulled you up into a hug, cheering with them; they were in the first place now. Crowd's favorite, obviously.

All that was left to hear was the number of points for Switzerland.

You've got to be kidding me, you thought.

It was tension between Switzerland and Italy, and you honestly didn't know who would win. But did it really have to be the two of them?

You felt the cameras focusing and your table, And everything was silent. You felt Gjon's stare, piercing through you. But the only thing you could focus on was Damiano's skin touching yours, his fingers intertwining with yours, and you knew that no matter the outcome, everything would be okay.

But alas, the points weren't enough to overthrow Italy, and you grinned, suddenly feeling Victoria's arms around you and Damiano's tears of joy on your neck. Everyone's screams made it seem like total silence and you smiled big, proud of your friends.

You were so happy you didn't realize they were soon dragging you with them to the stage to perform once again. In fact, you never felt so happy, you even started to sing loudly with the crowd.

Damiano, in his whole element, shining with pride and glory, motioned you to the stage by the end, pulled you in, and kissed you deeply, holding you close, and silently thanking you.

You knew life wasn't always going to be this pretty, but you thought, maybe you could live in this moment for a little while longer, kissing your frontman and giving yourself completely to the blinding lights of a victorious arena.

It was time to move on.

-

a/n: this was so bad i'm so sorry

[veliseraptor]

Hi! Can you give a brief spoilery summary of the Untamed? I just read [the pretties from your posts] died? Oh no. I tried getting information through google but it’s confusing for someone who doesn’t know the characters.

oh lord. there are all kinds of ‘brief summaries of the Untamed’ out there but I’ve always found them vaguely irritating so...I guess that means it’s time for my comeuppance in the form of having to do it myself? I’ll do my best.

I didn’t know how detailed you wanted me to get so I decided to get pretty detailed, since you did ask for spoilery. so this is like. entirely spoilers. spoilers for everything.

also, you can use, if it’s helpful, my brief character overview (‘brief’) which includes some plot information, and could be useful as cross reference also. I’m playing pretty fast and loose with a lot of terminology for the sake of intelligibility, because otherwise this would get even longer and have a lot more links.

also, because you asked me specifically for this, it’s going to have some bias. I tried to keep my interpretive commentary to a relative minimum? but. uh. yeah.

the briefest basic plot overview is (going off The Untamed canon, which you will also see abbreviated as CQL from the pinyin transliteration of the Chinese title (Chen Qing Ling)):

Wei Wuxian, a cultivation (think, loosely, magic) prodigy and creator of his own particular style of cultivation, dies reviled by most of the known world. Sixteen years later he’s raised from the dead by Mo Xuanyu, an outcast and the bastard son of one of the leaders of the main sects of the cultivation world, in order to take revenge on Mo Xuanyu’s enemies (specifically his abusive family and ~an unknown person~).

And here is where we get into the details.

Pretty much immediately upon Wei Wuxian’s resurrection, people start dying at Mo Manor, before Wei Wuxian has even done anything, because of (it turns out) a very angry spirit of a semi-sentient weapon. Wei Wuxian books it out of town after his old best friend/crush Lan Wangji shows up to help the Lan ducklings he’s shepherding (including most notably Lan Sizhui and Lan Jingyi, the only named characters of that bunch), only to wind up running into him again on the road - and not only him, but his orphaned nephew (shorthand, go with it) Jin Ling (Wei Wuxian was responsible for his parents’ deaths) and Jiang Cheng, his martial brother who (at least according to rumor) killed him sixteen years ago and still bears a hell of a grudge. In order to save Jin Ling, Wei Wuxian summons the “Ghost General” Wen Ning, who was supposed to be destroyed and whose presence confirms his identity to a very pissed off Jiang Cheng. Lan Wangji recognizes Wei Wuxian as well. Wei Wuxian passes out.

followed any of that? no? that’s fine, because now we’re heading into a thirty episode flashback that’ll clarify some things. (but not before you forget a whole bunch of things from the first two episodes.)

I’m going to split this into arcs. I’m also going to put this under a read more, because...yeah, this came out to just a little over 10,500 words. I’m...sorry.

have fun?

Cloud Recesses Summer School Arc

The time card says “sixteen years earlier” but it isn’t sixteen years earlier because that would make no sense, but it’s better to give up on timeline now or you’ll just drive yourself nuts.

This is the part of the show where you meet the main characters, some of whom you saw earlier (notably Jiang Cheng, Wei Wuxian’s younger sort-of brother), and some of whom you only know from reference (Jiang Yanli, Wei Wuxian’s older sort-of sister) and some of whom are significantly important (Lan Wangji). You also meet Jin Zixuan, the snotty heir to the Jin Sect, who will be important later. Jiang Yanli is clearly into him and he seems to very much not return the feelings.

At this point, there are five main sects that the characters belong to. They are (with the characters you’ve met from them so far: the Jiang Sect (Jiang Cheng, Wei Wuxian, and Jiang Yanli), the Nie Sect (Nie Huaisang, a flighty and sort of feckless fellow), the Jin Sect (Jin Zixuan, his social skills translator Mianmian), the Lan Sect (Lan Wangji, his brother Lan Xichen) as well as the Wen Sect (more on them in a moment). Lan Wangji and Wei Wuxian meet and immediately...something. Wei Wuxian wants to make friends, and Lan Wangji seems to emphatically Not.

You also meet Meng Yao, who is Nie Huaisang’s brother Nie Mingjue’s right hand man, and also the bastard son of Jin Guangshan (the leader of Jin Sect). He is also the son of (using the words of literally everyone) a prostitute, which people remind him of at every possible moment, in case he was in danger of forgetting, or something. He and Lan Xichen have kind of a moment. 

Later on, members of the Wen Sect, led by Wen Chao storm in, posturing disrespectfully, and drop off Wen Qing to “learn” (but secretly she has a mission looking for the Yin Iron/Metal). The Wen are ascendant in power and seem to be flexing their muscle looking for trouble. 

Wen Qing comes as a set with her brother Wen Ning - the pair of them are from sort of...a secondary branch of the main Wen family, and she’s being coerced into supporting Wen Ruohan despite being not thrilled about it. Wei Wuxian bonds with Wen Qing’s younger brother Wen Ning, who has a weird situation that makes him vulnerable to possession (this is important later).

At one point Wei Wuxian proposes - in response to a question! He’s just being innovative! - to put it simply, necromancy, which is, to say the least, not a hit. Remember that for later!

Eventually, Lan Wangji and Wei Wuxian end up falling by accident into some ice caves, where they learn from one of Lan Wangji’s ancestors (Lan Yi, she’s cool) about the Yin Iron, of which she has a piece. It is an spiritually corrupted metal that can’t be destroyed so it was broken into pieces and hidden in different places. Wei Wuxian and Lan Wangji resolve jointly to find the other pieces.

Wei Wuxian, Jiang Yanli, and Jiang Cheng (henceforth “the Yunmeng siblings”) are picked up early by Jiang Yanli and Jiang Cheng’s dad (Jiang Fengmian) because Wei Wuxian causes problems both on purpose and not. Wei Wuxian, however, puts together that Lan Wangji is going off on his own chasing the Yin Iron, and ditches the rest of his family to go help.

Yin Iron Hunt Arc

Wei Wuxian meets up with Lan Wangji, who is not thrilled to see him (at least, apparently). They run into Nie Huaisang, who joins them. They come to a town where everyone seems to have vanished and there is nothing fishy going on in the cave with the statue that looks like a dancing lady at all. Meanwhile, Jiang Cheng leaves home to go track down Wei Wuxian and bring him back.

The statue comes to life, Wei Wuxian and Lan Wangji fight together to defeat it, and then a bunch of...undead villagers (sort of, they get better) attack them, only to be lured away by Wen Qing playing a flute (this ability will never be brought up again). Jiang Cheng reveals himself as having been hanging out watching this go down. Ultimately, by killing the Stygian Pigeon that belongs to Wen Chao, the villagers are freed and they move on.

After a brief stopover in a village, they hear some rumors about a haunted house and take off to go check it out. When they get there, everyone is dead and Xue Yang is on the roof just kind of vibing. Xiao Xingchen and Song Lan manage to get him pinned down and taken captive. This is important and not just because I said so.

Nie Huaisang, who Wei Wuxian, Jiang Cheng, and Lan Wangji ditched in town, arrives here with Meng Yao, who proposes bringing Xue Yang to Nie Mingjue for justice purposes (which when I write it like that sounds...um. moving right along), which is where everyone heads next, less Xiao Xingchen and Song Lan who have their own things to do. Wei Wuxian realizes that Xiao Xingchen had the same master as his mother, and gets really excited about it; it’s adorable.

They go to Nie Mingjue, who is talked out of executing Xue Yang because they’re trying to find out where he put the Yin Iron (which they figure he has, because reasons. there are reasons, I just don’t feel like going into it.) Lan Wangji leaves in the night without saying goodbye, and then Wen Chao arrives. He is accompanied by Wen Zhuliu, who is called the Core-Melting Hand for reasons that will be important later. There’s a fight, Xue Yang gets loose, and Nie Mingjue finds Meng Yao in a very compromising position (killing a captain of the guard and among a bunch of other dead bodies). He kicks Meng Yao out of the Nie Sect.

Meanwhile, the Wens attack Cloud Recesses. Lan Xichen’s uncle makes him leave to preserve himself and the most important texts. Everyone retreats to a cave that’s hidden and walled off; Su She (who was introduced briefly earlier) caves to threats to his life and tells the Wens how to get into the Lan’s cave sanctuary. Lan Wangji returns with Lan Yi’s Yin Iron and gives it and himself up to Wen Chao’s older brother Wen Xu to spare everyone else.

Jiang Cheng and Wei Wuxian leave for home (Lotus Pier). We witness family dynamics, which are terrible. The Wens want everyone to send their kids, specifically their heirs, to be reeducated in Wen territory, but they’re not hostages, we swear. No, really.

Reeducation Camp Arc

To reeducation camp with the Wens we go! Where Lan Wangji is not looking so hot, and Wei Wuxian rapidly causes problems on purpose to try to get to talk to him, but mostly just ends up getting himself tossed in a dungeon where he gets attacked by a very bad puppet of a dog. Wen Qing has told Wen Ning not to associate with Wei Wuxian because they’re on thin ice with their boss (Wen Ruohan), but Wen Ning sneaks him some medicine against Wen Qing’s orders anyway.

They go on a hunt, with the non-Wens featuring as bait. Here is where you meet Wen Chao’s main squeeze Wang Lingjiao, who was formerly a servant. Everyone ends up in a cave that contains a creature whose name is unfortunately translated as “Tortoise of Slaughter.” we’ll go with “Xuanwu of Slaughter” instead, it feels better. Wen Chao and his accompanying entourage make a run for it and ditch everyone else in the cave; they manage to sneak out but Wei Wuxian and Lan Wangji end up trapped with no way out. They team up and kill the Xuanwu, partially because Wei Wuxian acquires a very cursed sword. Afterward, he is feverish and asks Lan Wangji to sing - enter Wuji! their theme. You see Lan Wangji mouth that it is called “Wangxian” before Wei Wuxian passes out. (Yes, he did name his composition after their ship name. Aww.)

I’ve skated through that very fast but it is important because it’s like...the point where they seriously bond in a major way and it’s all very...like, there was only one bed only they’re trapped in a cave and injured and forced to rely on each other. So not actually really like that.

Wei Wuxian comes around outside of the cave with Jiang Cheng and Jin Zixuan, who brought help to rescue him and Lan Wangji; Lan Wangji, however, is gone.

Oh Shit Things Went Downhill Fast Arc

Jiang Cheng and Wei Wuxian go back to Lotus Pier, where Wei Wuxian is in big trouble with Jiang Cheng’s mother (Yu Ziyuan, seen later emotionally terrorizing all her children), who already doesn’t like him and accuses him of bringing trouble down on them by defying the Wens. Jiang Cheng’s dad is terrible, Wei Wuxian reaffirms that he and Jiang Cheng will be Together Forever, you, the viewer, know that is absolutely not how that’s going to go.

Word comes that the Wen have attacked one of the smaller sects, and Jiang Cheng’s dad (Jiang Fengmian) goes with Jiang Yanli to talk to Jin Guangshan about how to deal with the Wens.

Then Wang Lingjiao arrives with word that they’re gonna be in big trouble if they don’t punish Wei Wuxian right now. Yu Ziyuan uses her lightning whip to beat the shit out of Wei Wuxian, but Wang Lingjiao wants her to cut off his hand. Then she makes the mistake of saying that they’ll be making Lotus Pier a supervisory office of the Wens, thank you.

Yu Ziyuan reacts...poorly, Wang Lingjiao calls on her backup Wen Zhuliu (and everyone else); seeing the writing on the wall Yu Ziyuan grabs Wei Wuxian and Jiang Cheng, puts them on a boat, and sends them away, bequeathing her sick-ass lightning whip (Zidian) to Jiang Cheng. They run into Jiang Fengmian and Jiang Yanli; Jiang Fengmian adds Jiang Yanli to the boat full of crying children and goes to sail back to Lotus Pier.

Lotus Pier falls, everybody dies, Jiang Cheng goes semi-catatonic and then disappears, having been captured by the Wens after going back for his parents’ bodies. (Which is more important than it probably sounds, from a Western perspective.) Wei Wuxian follows him and finds Wen Ning, who smuggles Jiang Cheng out and takes him, Wei Wuxian, and Jiang Yanli to Wen Qing for safekeeping.

Jiang Cheng wakes up; his golden core (the...thing that lets him do superpowered things, let’s go with that) was destroyed by Wen Zhuliu. Melted, if you will. And it’s not the kind of thing you can just, you know, fix. He descends into absolute despair as Wei Wuxian looks frantically for a way to fix it - and finds one! Though Wen Qing is not happy about it, she still agrees.

at this point we see the return of an old friend! Song Lan, who has a bloody bandage over his eyes, but has eyes that work, despite the fact that he was blinded by Xue Yang who also killed his entire temple. He explains that Xiao Xingchen said that he was taking Song Lan to his master Baoshan Sanren, the immortal who can cure anything, and doesn’t remember anything else.

Wei Wuxian takes Jiang Cheng to Baoshan Sanren to get his core back. Psych! It’s a lie that he totally made up to explain the fact that he’s actually getting his own core transplanted into Jiang Cheng in a highly experimental procedure. Importantly, Wei Wuxian does not tell Jiang Cheng this.

Post-surgery, rather battered Wei Wuxian gets caught by Wen Chao and Wang Lingjiao, who torture him and then throw him into a place called the Burial Mounds, which is more or less what it sounds like, is Very Cursed, and from which no one has emerged alive. Then this happens:

(I want you to appreciate how hard I’ve tried to not put any screencaps in here. but I had to do this one. I just had to.)

and you go oh shit and also well that’s sexy.

Jiang Cheng, delighted to have his core back, descends the mountain only to find that Wei Wuxian is...not there.

Cool! That seems fine.

Sunshot Campaign Arc

Timeskip to three months later! The rest of the sects have allied together to take down the Wen Sect (this is what ‘Sunshot Campaign’ refers to, because the symbol of the Wens is a sun). Things aren’t looking good for the Wens, including Wen Chao and Wang Lingjiao. Wang Lingjiao hallucinates to the sound of a flute and ends up killing herself. Meanwhile, Lan Wangji and Jiang Cheng have teamed up to look for Wei Wuxian. On their way, they start finding piles of Wen bodies killed in a mysterious and grotesque manner involving an unfamiliar method of cultivation.

(Side note: around now is where Jiang Cheng frees Wen Qing from where she was imprisoned by the Wens for being a dirty traitor during the war and gives her the comb of pining he bought way back in the Cloud Recesses arc, telling her that he will help her if she asks. This isn’t...exactly important, except I wanted to note it.)

Eventually, they find a house where Wen Chao has holed up with Wen Zhuliu, and watch as it’s revealed that he has gone through some nasty shit, is terrified and traumatized and badly injured. Ominous signs: begin to happen! Flames going out: happen! Shots of someone climbing slowly and menacingly up stairs: happen! 

Yeah, it’s Wei Wuxian. New and improved, darker and meaner and very sexy about it, and with a new sick-ass flute. He starts attacking Wen Chao, and when Wen Zhuliu moves to attack Wei Wuxian Jiang Cheng jumps down and hangs Wen Zhuliu with Zidian. Lan Wangji confronts Wei Wuxian about this darker and meaner version and Wei Wuxian breaks up with him; Lan Wangji leaves Jiang Cheng and Wei Wuxian to kill Wen Chao because the family that murders together stays together!

(They won’t, but.)

The war goes on, but the tides have turned, and the Wens are losing. Both of Wen Ruohan’s sons are dead. Soup drama happens here, which I don’t need to explain fully but it is clear that Wei Wuxian is extremely emotionally unstable, and also will no longer carry his sword despite everyone telling him he needs to carry his sword. All is not well with the Wei Wuxian! But nobody knows why. Lan Wangji’s repeated “LET ME FIX YOU” overtures are not well received. Lan Wangji also has a nice conversation about how the Lan rules did not prepare him for moral complexity.

Eventually Nie Mingjue proposes going to attack Wen Ruohan on his own while the others move on the Wen stronghold at Nightless City (at this point, they have received a map of Wen defenses from a ~mysterious spy~). Nie Mingjue is captured, and it is revealed that Meng Yao decided that after getting kicked out of Qinghe he could find a better boss somewhere else. Outside, an undead army shows up to kick everyone else’s ass. Things don’t look good for our heroes!

Wei Wuxian brings out his secret weapon the Yin Tiger Seal and...takes over the undead army. This is very troubling to everyone involved, but it does bring Wen Ruohan out to see what the deal is. Wei Wuxian delivers one of the sickest lines in the entire show:

(i’m restraining myself! trust me! i am!)

so yeah, that’s a normal and reassuring thing to say.

And then Meng Yao stabs Wen Ruohan in the back. And that’s it for Wen Ruohan! Our major antagonist is dead! Surely everything will be fine now.

Well We Won the War, Now What Arc

[cracks knuckles] and here’s where the politics starts.

Ready and totally psyched to step into the power vacuum left by the fall of the Wens is Jin Guangshan! Leader of the Jin Sect, least impacted by the war by vitue of joining up late. He recognizes Meng Yao as his son now that he’s, like, someone that is valuable to him politically, and Meng Yao gets a commensurate name change > Jin Guangyao. Pretty much immediately Jin Guangshan starts manuevering to consolidate power - pushing to marry Jiang Yanli and Jin Zixuan, pushing to get access to Wei Wuxian’s Yin Tiger Seal, subtly undermining everyone else...the works.

Jin Guangshan is the worst, is what I’m saying here.

Meanwhile, Nie Mingjue is very unhappy about the whole “Meng Yao helping the Wens and fucking with him when he’s captured” thing, but then Lan Xichen (remember, Lan Wangji’s older brother) steps in and reveals that Jin Guangyao was a spy delivering information, actually, and also saved his life when he was on the run from the Wens, so don’t hurt him please. Nie Mingjue is still very suspicious, but he backs off. Subsequently, after agreeing to place the Wen (civilian) captives in a holding camp, Jin Guangyao has them killed (impliedly at the order of his father).

We are given cues that Jin Guangyao is bad news. Like, heavy cues. If you are me this makes you love him.

This is also where Lan Xichen, Nie Mingjue, and Jin Guangyao become sworn brothers, which is a big deal.

Meanwhile, back in Lotus Pier, Wei Wuxian is...not doing so hot! He’s drinking heavily, shirking his responsibilities in a way that is making Jiang Cheng particularly very upset with him, generally being weird and traumatized but nobody knows how to deal with that, or him. Then Jin Zixuan arrives to invite everyone to a special hunt being hosted by his father including Jiang Yanli because he, he means his mom, really wants her to be there.

The hunt goes great! By that I mean Jin Zixuan is a spectacular failure at expressing his feelings to Jiang Yanli, Wei Wuxian almost starts a fight with Jin Zixuan, Jin Zixuan’s enormous asshole cousin gets nasty until Jiang Yanli makes him apologize, in a seriously badass moment. The whole thing comes off with Wei Wuxian really not looking good, including his decision to ditch the celebratory banquet. But also Jiang Yanli getting a liiiiittle closer to something she wants (i.e. Jin Zixuan). Jiang Cheng is like “dude what the fuck” at Wei Wuxian and gets zero percent explanation. Meanwhile everyone in the vicinity pokes at his massive insecurities, because the cultivation world’s favorite activity is actually gossip.

Things only get worse at the very bad after party. This is where we meet Su She again, who has gone and founded his own sect! Lan Xichen and Lan Wangji are sort of bitchy about it. But the real issue comes when Zixun peer pressures Lan Xichen into drinking despite the fact that it’s pretty solidly against the rules of the Lan Sect. Lan Xichen does it with a very “fuck you” smile, despite Jin Guangyao’s attempts to forestall the situation.

(I feel like I have not expressed the relationship between Jin Guangyao and Lan Xichen? It’s a whole thing. Let’s just say that it’s a fairly popular ship for a reason.)

Lan Wangji, however, is not as diplomatic as his brother.

And then Wei Wuxian arrives! To ruin another party. Because he found Wen Qing wandering around in the streets and turns out that Wen Ning was taken prisoner by Jin Zixun and friends and removed to whereabouts unknown. Wei Wuxian proceeds to give the sexiest countdown ever to annihilating Jin Zixun if he doesn’t tell him where Wen Ning is.

Wen Ning, unfortunately, is in a pile of bodies. Because the Jin have been...well, experimenting on Wen prisoners, basically. Wen Ning is...not dead in this universe because censorship, but everything makes more sense if you just say “he’s basically dead and Wei Wuxian resurrects him to fuck up everyone in the vicinity who was responsible for his death, which is...everyone other than the other Wens. Eventually Wei Wuxian stops him by yelling his second (courtesy) name that no one else has used for him in speech up to this point (Wen Qionglin), because love is stored in the name. Wei Wuxian gathers up the survivors and takes off only to run into Lan Wangji standing in his way.

They have a point of no return moment. Wei Wuxian basically says “let me go or you have to kill me” only it’s better than that because what he actually says is like “if I’m going to be killed I should be killed by you, then I would know it was right” and it’s a whole fucking thing and anyway Lan Wangji steps aside and lets them all go and it is quite literally “I’m not crying, it’s just raining on my face” except he is also crying.

So...fuck.

Burial Mounds Arc

Wei Wuxian takes the Wens to the one place nobody’s probably going to follow them: namely, the Burial Mounds. Home sweet home!

Outside in the main world, rumors are flying about the army Wei Wuxian is building and the sect he’s planning to found and how ambitious he is and how he’s disrespecting Jiang Cheng and actually Jiang Cheng he probably never loved you anyway and is better and stronger and what are you good for, but I’m saying this out of concern and to be helpful (paraphrased from Jin Guangshan).

Accordingly, Jiang Cheng agrees to go and check things out and see what’s going on in Chez Burial Mounds. What is going on is basically a bunch of civilians eking out a very depressing living. There is also a child, a-Yuan, who is adorable. This will also be important later.

(are you keeping track of all this?)

Jiang Cheng also goes to see Wen Ning, who is...recovering from being dead/undead and Wei Wuxian is working on fixing him. Jiang Cheng says he has to die, and Wei Wuxian has to come home, and things are really bad, man, so stop worrying about these losers and avoid the entire cultivation world being really pissed with you, maybe?

Wei Wuxian isn’t going for it, and tells Jiang Cheng to cut him out of Jiang Sect in order to protect Jiang Sect’s reputation. It’s upsetting. They stage a very dramatic duel and Jiang Cheng announces that friendship ended with Wei Wuxian, he has no new friend actually.

This is also where Wen Qing significantly returns the comb of pining that Jiang Cheng gave her way back (remember that?) and is like. so you wouldn’t’ve helped me and Wen Ning actually, would you. And that is the end of Chengqing as a sidebar ship that never really sailed. Well done, you two.

Meanwhile, Jin Zixuan gets his shit together and proposes to Jiang Yanli by way of making her a lotus pond at Jinlintai. So that’s nice!

A bit later Lan Wangji comes to visit! Only it’s totally coincidental, he was just passing through, that’s all. He and Wei Wuxian hang out for a little while, pretending things are sort of normal, but they have to rush back to the Burial Mounds because the Wen Ning is out. They manage to get him under control and awaken him to proper consciousness again, though! Great! Things are looking up. :)

Lan Wangji does not stay for dinner, though. :(

In my notes I have written “meanwhile...political shitshow” and that is basically a summation of what’s up in places that aren’t the Burial Mounds. Specifically, Jin Guangshan, who seems to have deputized Jin Guangyao to do his dirty work generally, is making noises about how something needs to be done about that Wei Wuxian, and what about that Yin Tiger Seal anyway, doesn’t it seem Yin Iron-like, shouldn’t something like that not be in the hands of a random person? Probably it should be in someone else’s hands instead. Someone responsible with no ulterior motives. You know.

Also in here...somewhere, Mianmian tries to stand up for Wei Wuxian being maybe right about some things, gets shouted down, and decides to leave the Jin Sect entirely. Like...just walks out. Several people look at her like ‘you can do that?’, Lan Wangji is jealous, it is a total boss move. Mianmian hasn’t been a major character but this is important enough and cool enough that I had to mention it.

Jiang Yanli and Jiang Cheng come to Yiling (by the Burial Mounds) for a very secret rendezvous where Wei Wuxian gets to see Jiang Yanli’s beautiful wedding dress and eat some of her famous soup and it is very sweet and nice and Jiang Cheng is like “so do you have a plan for if everyone attacks you” and Wei Wuxian is like “absolutely. I will kill everyone is my plan.”

also possibly Jiang Yanli is already pregnant at this point??? she and Jiang Cheng are certainly exchanging a lot of conspiratorial smiles when she tells Wei Wuxian to give her future son a courtesy name.

She is for sure pregnant later, because there is a baby named Jin Ling who shows up! (Remember that name? No? He was the bratty teenager from episode 2.)  Jin Guangshan does not allow Jin Guangyao to hold the baby, for which he deserves what he gets. For Jin Ling’s 100 day/three month (again! timelines, fuck em) celebration, Jiang Cheng, Jin Zixuan, and Lan Wangji tag team to get Wei Wuxian invited, where he will come and it will be nice and everyone will discuss this Yin Tiger Seal issue like civilized people.

An invitation is sent for Wei Wuxian to come to the celebration! Wonderful! This is in no way going to go horribly wrong.

Oh Shit, Things Went Downhill Fast (Take Two) Arc

It goes horribly wrong.

On the way to Jinlintai to greet his new baby nephew, accompanied by Wen Ning, Wei Wuxian is confronted by - surprise! - Jin Zixun, accusing Wei Wuxian of putting a curse on him. Wei Wuxian denies it, naturally, since he didn’t. Jin Zixun decides the best way to deal with this situation is to kill Wei Wuxian, which will definitely break the curse that Wei Wuxian definitely cast on him.

He attacks, and Wen Ning goes Ghost General on everyone’s ass, and Wei Wuxian brings out his flute. Things are looking pretty hairy when Jin Zixuan shows up to call off the fight, trying to get Wei Wuxian to back down; he does not back down, because that would just mean getting shot full of arrows.

Wen Ning, who seems to have completely lost his mind, fists Jin Zixuan. Through the chest. This does, in fact, kill him.

His dying words are to say that Jiang Yanli is still waiting for Wei Wuxian to show up, just to make everything worse. Wen Ning kills Jin Zixun as well. This is not actually what Wei Wuxian wanted to happen.

Back at the Burial Mounds! In the wake of Jin Zixuan’s death, an ultimatum has been issued to give up the Wen siblings or else. This is pretty clearly (in my opinion) a pretext that doesn’t mean anything, but Wen Qing and Wen Ning have already decided to sacrifice themselves. Maybe they’re hoping it’ll work? Or at least that it’ll give Wei Wuxian some time? Wen Qing knocks Wei Wuxian out so he can’t stop them. The whole thing is really fucking heartbreaking.

Wei Wuxian comes around and goes to Jinlintai, where he sees Jiang Yanli, who is mourning her dead husband who got killed by her baby brother! Cool! She sees Wei Wuxian but he runs before she can say anything, partly because guards have been sicced on him. He is pretty clearly having a mental breakdown, hallucinations and all!

Cut to a gathering of...pretty much everyone important and all their followers at Nightless City, for a combination commemorating the dead/affirming the deaths of Wen Ning and Wen Qing/gearing up to kill Wei Wuxian.

Who spares them the effort of coming to find him by showing up on the roof! He proceeds to sic dark magic on everyone there except, conspicuously, for the Jiang Sect. Lan Wangji arrives to defuse the situation and fails to defuse the situation until Wei Wuxian hears Jiang Yanli calling for him.

Because she’s arrived on an active battlefield! Not her best idea but it’s not like I can actually blame her considering the week she’s having.

Wei Wuxian goes to look for her, as does Jiang Cheng who also heard her, and...suddenly loses control of his dark magic. Cool! One of the...undead? people there wounds Jiang Yanli. Even better! Jiang Cheng pleads with Wei Wuxian to get things under control, which he can’t! They have a moment while a lot of people around them are dying but you know what, they deserve it.

because like literally a second later Jiang Yanli pushes Wei Wuxian out of the way of a sword meant to stab him in the back and instead takes it herself. And dies.

So. Yeah.

Wei Wuxian loses the last threads of his sanity and destroys the Yin Tiger Seal. While everybody is fighting over it, he goes over to the edge of a cliff, and now we’re back here where we started! With Lan Wangji clinging to Wei Wuxian’s hand as he dangles over the edge of a cliff and tells him to let go.

Jiang Cheng arrives to defuse the situation, by which I mean “he tells Wei Wuxian to go die and stabs down.” He only hits rock; Wei Wuxian breaks himself loose of Lan Wangji’s grip and falls. You are left on the image of Lan Wangji’s absolutely devastated face.

nice! great. well, that brings us up to speed for the flashforward to the future, where you have probably completely forgotten what happened in the first two episodes.

For instance: remember how we saw Wen Ning despite the fact that he’s supposed to be ashes? Yeah.

And We’re Back in the Present Now Arc (Good Times in Qinghe Arc)

For some reason this is the part of the show where I remember the least and it all kind of blurs together with the exception of one scene? so I had to go look at Wikipedia episode summaries to make sure I was putting things in the right order.

Back in the present at the Cloud Recesses, Wei Wuxian and Lan Wangji discover that the very angry sword spirit last seen killing people at Mo Manor (remember that?) is pointing them in the direction of Qinghe (the Nie Sect territory). They leave to go there and run into Jin Ling, who semi-accidentally terrorizes Wei Wuxian by way of dog. 

By asking around, they also learn that there are rumors of a man-eating fortress in the woods, and that it hasn’t been dealt with because the leader of the Nie Sect is absolutely useless. The leader of the Nie Sect who is now - hey, been a while! - Nie Huaisang, since his older brother disappeared under mysterious circumstances after losing his mind years ago.

The dynamic duo go off to investigate the man-eating fortress, naturally, and what they find is a tomb full of swords and a wall full of skeletons, and also Jin Ling. 

They remove Jin Ling from the wall, Lan Wangji goes chasing a mysterious attacker, and Wei Wuxian takes Jin Ling to safety only to end up running into - oh boy! - Jiang Cheng. 

They have a calm talk about their feelings and address their dysfunction in a reasonable manner. 

Nope! Jiang Cheng corners Wei Wuxian with Jin Ling’s dog, throws a cup of tea at a wall, and yells at Wei Wuxian about how he both didn’t come home right away and also how he should die ten million times (no, like, actually). Fortunately, Jin Ling arrives, lies out his ass about how he saw Wen Ning to get Jiang Cheng to leave, and lets Wei Wuxian go. 

Back to that mysterious figure Lan Wangji went running after! Turns out it was none other than Nie Huaisang, who confesses - reluctantly - that the man-eating fortress belongs to his family and is a safe home for bloodthirsty swords after their owners die, which is a normal thing to get as a family heirloom. This is also where it becomes increasingly clear that (a) the sword spirit is Baxia, Nie Mingjue’s sword, and (b) Nie Mingjue is most likely hella dead, specifically murdered. 

With this new information, Lan Wangji and Wei Wuxian move on, tracking the directions of the angry sword spirit. They overhear some very depressing story about Song Lan, Xiao Xingchen, and Xue Yang, specifically how things turned out horribly for them (though without details), which drives Lan Wangji to drink.

Lan Wangji cannot hold his liquor, at all. Wei Wuxian takes his unconsciousness as an opportunity to flute Wen Ning to him again, and removes a massive metal needle from his skull, which fixes the whole “unconscious zombie” issue. Unfortunately, Wen Ning remembers nothing about what happened to him between going to Jinlintai with Wen Qing and when he heard Wei Wuxian calling by way of flute.

And now we have Drunkji, who is the most adorable, hilarious thing ever. He gives Wei Wuxian chickens, with utmost sincerity. They are wedding chickens. It is very important that Wei Wuxian have these chickens.

This interlude is not important to the plot but it is hilarious. There is also a not hilarious interlude of Lan Wangji being very sad about how he didn’t help Wei Wuxian before, and also admitting that he likes rabbits. Again: not plot important. It is adorable. 

Wei Wuxian herds Drunkji back to the inn, where a mysterious masked man attempts to steal the pouch holding the angry sword spirit, but is driven off and teleports away. Remember this guy! He’s important.

The next morning, they set off and hit the road for a place called Yi City, which if you’ve spent any time on this blog you know is deeply important in my heart if not, like, in terms of show space.

Yi City Arc Yi City Arc Yi City Arc

yes this is three episodes but this is my summary post so I get to give it its own section if I want to.

Wei Wuxian and Lan Wangji arrive at Yi City, which is empty, and very spooky. They run into the pack of juniors (Jin Ling, Lan Sizhui, sassmaster Lan Jingyi and consummate romantic Ouyang Zizhen are the named ones), and shortly thereafter into a whole bunch of undead. They also run into a ghost (???) girl who is blind and has no tongue. They also also run into Xiao Xingchen, severely wounded.

Psych! It’s Xue Yang in disguise and he has an undead Song Lan under his control. what a fun twist this is! and he wants one thing specifically: for Wei Wuxian to help him bring someone back to life. Problem is that their soul is in need of some serious super glue and super glue doesn’t work on souls.

Xue Yang informs Wei Wuxian that his consent is optional and he will be participating in Xue Yang’s necromancy experiment fantasies whether he likes it or not. Lan Wangji objects strenuously to this idea. While Lan Wangji is fighting Xue Yang and Wen Ning is fighting Song Lan (corpse fight! corpse fight!) Wei Wuxian herds the juniors into a safe courtyard where the corpses won’t go, led by the aforementioned ghost girl, who shows them a coffin.

the coffin has Xiao Xingchen in it. The actual real one. There’s a bandage over his eyes, because he doesn’t have any.

Wei Wuxian goes into the ghost girl’s memories in order to find out what happened using a technique called Empathy, and the next chunk of things I’m just going to tell in full chronologically even though there’s a break where you don’t see all of it until an episode later.

The ghost girl, a-Qing, is a con artist who pretends to be blind; she runs into Xiao Xingchen (who is actually blind) when she steals his money, and he just gives it to her after stopping someone else whose money she stole from beating him up. A-Qing decides they’re friends now. They’ve been traveling together for...some amount of time when they stumble on a badly injured man on the side of the road. Xiao Xingchen picks him up and takes him home with him (to an abandoned coffin house in Yi City). You get one guess who he’s rescued and who is totally psyched to discover that his life has been saved by Xiao Xingchen, who doesn’t know who he is, because he’s blind.

So you know, everything is coming up Xue Yang.

What follows is three years of domestic bliss, including hits like “entire villages dying by Xiao Xingchen under sort of suspicious circumstances” and “threatening grocers.” And then who should show up but Song Lan! Looking for Xiao Xingchen and he’s so happy to have finally found him.

Only he notices Xue Yang first.

A fight ensues, in which Xue Yang...sort of talks Song Lan to death by digging into the fact that Xiao Xingchen is blind because he gave his eyes to Song Lan, actually, and Song Lan hurt him so bad when they broke up, and because Xiao Xingchen is blind Xue Yang has been able to trick him into killing living people when he thinks he’s killing undead ones, and oooh do you feel bad now, well, guess what, you’re gonna feel worse when I poison you into becoming undead and cut out your tongue. :D

And even worse when this means that Xiao Xingchen stabs him because, you know, undead monster.

Cool! Things are going great.

Or they would be only a-Qing saw everything, reveals it to Xiao Xingchen, who puts it together and greets XueYang coming back from grocery shopping with a sword (rude). They break up, and by “break up” I mean “Xue Yang reveals his tragic backstory, Xiao Xingchen is not convinced that his tragic backstory means all the murder was justified, Xue Yang decides it’s time to make this all go nuclear.” So tells Xiao Xingchen about how he’s been killing people actually! And guess what, bonus, one of those people was your BFF/life partner/whatever, Song Lan. isn’t that amazing, Xiao Xingchen, isn’t that so cool--

Xiao Xingchen kills himself and this is, it turns out, Not What Xue Yang Wanted. So guess who’s in the pouch Xue Yang was hoping to resurrect? Yeah.

Back in the present, with help from a-Qing directing Lan Wangji, Xue Yang gets...hella stabbed, but not before he kills a-Qing. Song Lan, freed from Xue Yang’s control, kills Xue Yang.

Oh yeah, and then we see Xiao Xingchen tenderly laying pieces of candy on a bed, which is symbolically important, and also Xue Yang dies looking at the last piece of candy Xiao Xingchen gave him, and now I’m going to cry. anyway Yi City Arc, you’re welcome. Where the only person who survives did not, in fact, survive!

Oh, yeah, I guess it’s also important that there’s a headless body buried here and it gets...pretty conclusively identified as Nie Mingjue because the sword spirit (remember that?) takes the shape of his very distinctive large sword (Baxia). Also Xue Yang recreated the Yin Tiger Seal but it gets snatched away by the masked man from earlier. There’s also a bunch of stuff about the Yin Iron plot but you can ignore it, it doesn’t actually really matter that much.

Honestly at that point I was crying too much to pay a whole lot of attention to the whole point of them being in Yi City to begin with. So sue me.

The Plot Thickens, and Secrets Are Revealed Arc

Exeunt Yi City, rendezvous with Lan Xichen to discuss, obliquely, who could be responsible for Nie Mingjue’s death. Wei Wuxian and Lan Wangji delicately imply that maybe it was Jin Guangyao; Lan Xichen is unconvinced and informs us that there are no curse marks indicating that he’d teleported on Jin Guangyao’s body, he would know, and also they’ve been together every night so he wouldn’t have time to get up to shenanigans anyway.

Hm.

Still, they go ahead together to ruin another party/investigate at Jinlintai, with Wei Wuxian safely in disguise (barely), unfortunately as Mo Xuanyu, who is not exactly welcome in the Jin Sect because he got kicked out of it earlier. Mo Xuanyu is a whole...thing that I’m not really going into here because the show doesn’t really get into it either.

Wei Wuxian ducks out to investigate, and in the form of an animated paper man, to the tune of music we have never heard before in this show and will never hear again (look, it’s just weird to me), goes sneaking into Jin Guangyao’s rooms to do some poking around. His investigations are interrupted when Jin Guangyao’s wife Qin Su, in a state of severe distress, returns, followed shortly by Jin Guangyao. They argue about an unknown revelation in a letter Qin Su received that has resulted in her being disgusted by...something, we don’t know what, and angry with Jin Guangyao. She accuses him of killing their kid.

Eventually he paralyzes her and removes her to a secret room through a mirror, which is a thing everyone has, especially one with a bunch of torture instruments and a body sized table with dried blood on it. Normal!

Remember how the body in Yi City was headless? Yeah, we found the head now.

And it’s time for another Empathy flashback! 

Empathy Flashback feat. Nie Mingjue and Jin Guangyao’s Bad Relationship Mini Arc

This time with Nie Mingjue (and Jin Guangyao). We see Jin Guangyao very quickly elevated from a servant who is spat upon by the other Nie cultivators to Nie Mingjue’s right hand man, like, literally in two seconds. Flash forward to episode 10 - remember that? - where Jin Guangyao has just been caught in a compromising murder position. Nie Mingjue accuses Jin Guangyao plotting all along and is a conniving little snake who was in league with Xue Yang (which is a thing that does not make sense, actually), and kicks him out.

We next see Nie Mingjue in Nightless City, having been captured and currently being taunted by a very sexy Meng Yao, who kills some other Nie cultivators and threatens to fuck up Nie Mingjue by shattering his sword (which would be catastrophic and is, we are informed, how Nie Mingjue’s dad died). Nie Mingjue is understandably rather displeased by this to the point of probable murder, though Lan Xichen reminds him (as he did in the previous scene) that Meng Yao was acting as a spy and Meng Yao argues that he needed to play his part.

The relationship between the two of them continues to deteriorate as Nie Mingjue becomes more unstable (something that just happens to the Nies by virtue of their cultivation style). That deterioration is being delayed by healing music from Lan Xichen. Lan Xichen teaches Jin Guangyao the healing music. Jin Guangyao seems to be possibly doing something not healing with the healing music.

This all escalates into a confrontation at the top of the stairs of Jinlintai, where Nie Mingjue and Jin Guangyao argue about class politics and justifiable violence (no, really) until Nie Mingjue explodes and kicks Jin Guangyao down the stairs. 

And then proceeds to, as Jin Guangyao looks on, have a qi deviation, which is...well, let’s just call it both a physical and a mental breakdown. Nie Huaisang arrives to see this happening, and while we saw this before and it looked like Nie Mingjue was threatening Nie Huaisang because he didn’t recognize him, this time it is more apparent that he’s directing it at Jin Guangyao.

Next we see, Nie Mingjue is chained to that body sized table in the secret room. Xue Yang is there, and uses Nie Mingjue’s sword to behead Nie Mingjue. He’s psyched as hell about it. If you’re me this is adorable.

And Now Back to Our Regularly Scheduled Programming Arc

Flashback ends! And we are back in Jinlintai. Wei Wuxian goes to get Lan Wangji and Lan Xichen to storm Jin Guangyao’s bedroom, to which Su She objects, but Jin Guangyao eventually allows. They all file together into the secret room and look around, but there is no longer any severed head where Wei Wuxian left it. Whoops. 

Then Qin Su kills herself, Jiang Cheng arrives to defuse the situation while Jin Guangyao pleads innocent, and Wei Wuxian, by way of drawing his sword that nobody else could draw before now, reveals that he is, in fact, Wei Wuxian. Everyone in this room actually already knew this information except for Jin Ling, who is not thrilled to discover that his cool uncle is the guy who murdered his parents. Nobody else does a very good job of faking surprise.

Lan Wangji and Wei Wuxian make a run for it only to be cornered on the stairs. Extreme romance ensues where Lan Wangji announces his intent to stand by Wei Wuxian forever against the world. 

This is where the “I was like, SCREAMS” meme kicks in.

Anyway, after that love confession (look, they can’t say ‘I love you’ but basically) in front of everyone, Lan Wangji and Wei Wuxian fight their way out together and are well on the way to freedom when Jin Ling stabs Wei Wuxian. 

Nobody is happy about this, including Jin Ling.

Wei Wuxian is okay overall, though he does faint and have to get swept off to the Cloud Recesses and undressed and redressed in Lan Wangji’s underwear. Don’t worry about it. And now it’s time to talk to Lan Xichen, who is currently feeling very “what the hell is going on, you have no proof and are accusing a person I trust completely of something horrible without any proof.” 

They still don’t have any proof, but Wei Wuxian reveals that in the flashback he heard Jin Guangyao playing the soothing music but different, and it comes out that there is evil Japanese music that can kill people and be used to poison someone slowly over time. It’s literally this post:

Lan Xichen is not entirely convinced but agrees to investigate; Jin Guangyao comes to Cloud Recesses and has an absolutely heartbreaking conversation with Lan Xichen about how is our friendship over, Zewu--jun :( while Wei Wuxian and Lan Wangji eavesdrop.

That conversation isn’t plot important either, I just personally find it very upsetting.

The Burial Mounds, Take Two Arc

Wei Wuxian and Lan Wangji leave the Cloud Recesses, heading toward the Burial Mounds because Jin Guangyao mentioned something being up there. But they end up meeting - surprise! - Mianmian, who is living her best life. This is mostly important because she is literally the only female character who makes it out of this show alive. 

She mentions that there’s been some trouble around the Burial Mounds, so they head in that direction, running into Wen Ning along the way, who has been following them around because he loves Wei Wuxian. The Burial Mounds are indeed full of active undead and they fight their way up to the old farming commune location, which is less empty than expected because there are a bunch of kids tied up in Wei Wuxian’s old lair/cave/house. Like, all of them. Including Jin Ling, who really is having a terrible time lately, and I just feel the need to note that sometimes.

As they free the children and start to leave, everyone else arrives with the plan of killing Wei Wuxian again, because once wasn’t enough and obviously he’s Up To No Good, where else would these corpses be coming from, huh? 

Speaking of corpses. 

A small army of them shows up! All the cultivators who aren’t children lose their powers! Everyone has to retreat back into the lair/cave/house where they’ll be safe! So this is all...going well.

Fortunately, everyone being stuck in one place gives Wei Wuxian the opportunity to get his Hercule Poirot on and walk everyone through a series of deductions to get them to a place of realizing that (a) they were poisoned by evil music, (b) the evil music came from Su She, (c) Su She is working for Jin Guangyao who (d) planned all of this whole ‘everyone is going to the Burial Mounds to get killed’ thing.

Su She panics, inadvertently reveals that he alone still has his powers, and teleports out. Wei Wuxian decides that a reasonable solution to all these problems is to make himself bait for all the undead so everyone else can make a run for it, because Wei Wuxian is kind of like that. 

It’s okay, though, he and Lan Wangji make a spectacular battle couple.

(Oh, yeah. Throughout here it is becoming increasingly clear that Lan Sizhui’s identity is Significant and actually we Might Have Seen Him Before.)

Back to Lotus Pier Arc, or Jin Ling Has a Very Bad Day, Continued Arc

Safely out of the Burial Mounds thanks to Wei Wuxian, everybody goes ahead and invites themselves back to Jiang Cheng’s house. To be fair, it is closest. 

My notes here say “Wen Ning figures out that Lan Sizhui is a-Yuan, Jin Ling has an emotional breakdown” which is a more or less accurate summation of the situation. Honestly, though, I feel so bad for Jin Ling at this point, he’s had an absolute nightmare of a month and then today happened and like. I feel for him.

But Wen Ning reuniting with the last remaining member of his family! Though he doesn’t...actally tell Lan Sizhui this, and Lan Sizhui doesn’t have any memories of his early years. 

Jiang Cheng reluctantly allows Wei Wuxian inside. Wen Ning has to stay on the porch, but Lan Sizhui stays with him to keep him company, because he is a good boy.

This next part...hoo boy. It’s a lot of exposition featuring two ladies who appear to relate their stories about Jin Guangyao, featuring the part where he murdered his father by using a bunch of sex workers (who then were murdered in turn, except for one), also involving necrophilia, and the one where Qin Su was Jin Guangyao’s sister, actually, and he knew it and still married her. Sect Leader Bad Takes says that’s probably why Jin Guangyao killed their kid, because children of incest inevitably have developmental problems? Yeah, sure, buddy.

Anyway, everyone starts shouting for Jin Guangyao’s head, which is very familiar to Wei Wuxian, who leaves in some disgust. While wandering with Lan Wangji, they wind up going to the family shrine (which is, to be clear, a pretty sacred place). Which is where Jiang Cheng finds them! And once again they have a reasonable and emotionally steady conversation.

Nope. Jiang Cheng talks shit trying to provoke a fight that Wei Wuxian won’t have. As he and Lan Wangji attempt to leave, Jiang Cheng pursues because he’s not done yelling dammit, lashing out with Zidian. Wei Wuxian faints, and Wen Ning arrives to stand in between him and Lan Wangji and Jiang Cheng, holding Wei Wuxian’s sheathed sword (remember, the one nobody other than Wei Wuxian can draw). Wen Ning proceeds to initiate one of the single best devastating beatdowns of the show without laying a hand on Jiang Cheng, specifically by shoving the sword at Jiang Cheng and telling him to draw it, because hey you can do that now! Wonder why that is? Wouldn’t you like to know what’s going on there, Jiang Wanyin?

Remember way back when Jiang Cheng lost his core and got it back because Wei Wuxian gave him his core? Yeah, this is when he finds out about that. Psych! Your brother loves you and also the only reason you got to be as strong as you are is because he sacrificed himself for you! Which is also the reason why he took up demonic cultivation in the first place! 

Seriously, it’s so good, I love this scene. Probably one of my favorites in the whole show.

Jiang Cheng runs away; Lan Wangji and Wei Wuxian have a moment on a lake where Lan Wangji indulges Wei Wuxian by eating stolen lotuses with him. It’s sweeter than it sounds when I put it like that.

Guanyin Temple Arc

oh god, how do I. how do I describe Guanyin Temple. partially this is hard because by virtue of censorship about dead bodies, among probably other things, there are huge gaps that make portions of it make no sense so I’m gonna go ahead and...fill in some of those that are intelligible pretty much only with some knowledge of book plot, imo.

Wen Ning, Lan Wangji and Wei Wuxian go to a place called Yunping because Jin Guangyao bought some land there for some reason. There they find a slightly suspicious temple (Guanyin Temple). They come back at night, leaving Wen Ning to stand guard, and spy on the courtyard, where a bunch of conspicuously armed monks are there, along with Lan Xichen aaaaand...Jin Guangyao. 

Jin Ling arrives! And decides it’s a good idea to climb over the wall. Wei Wuxian blocks someone from shooting him by using the bamboo flute he’s been using this whole time, so he now functionally has no weapon, and also he and Lan Wangji have been exposed, so now the two of them and also Jin Ling are in the courtyard. Lan Xichen admits he was tricked and doesn’t have any of his powers. Jin Guangyao threatens Lan Wangji into sealing his by threatening Wei Wuxian with a wire. It’s sexy.

Everybody goes inside the temple, where several monks are digging up something ??? under the floor. This is never explained and that is because it is supposed to be Jin Guangyao’s mother’s body, and there are very strict rules I understand about what can be done with dead bodies in dramas like this one. Anyway, Jin Guangyao loved his mom very much and built a temple where she was buried where the statue has her face. He is exhuming her so he can take her body with him when he flees the country, which is what he was planning here. Of course, now he has a bunch of unwanted hostages (and one wanted hostage), which was not actually part of the plan.

The next person to join the party is an unconscious Nie Huaisang, brought in by Su She, who basically says “I have no idea what he was doing here but...here he is” and Jin Guangyao is like. Well, guess he’s here now. 

Next to show up is Jiang Cheng! Making an excellent and extremely dramatic entrance. Unfortunately, he still gets injured and taken down as Jin Guangyao starts poking at his very obvious emotional weak spots, including revealing that Jiang Cheng knows about the golden core thing. Wei Wuxian, who did not know that secret came out because he was unconscious at the time, goes “wait, what?” and thus ensues the epic emotional catharsis crying and yelling conversation I was waiting for for 47 episodes. Seriously, it’s really good. They end up in a place where all is not solved but things are...maybe a little better? 

Of course, they’re still hostages. 

Meanwhile, back at the dig site, something gets unearthed that is not Jin Guangyao’s mother’s body but is in fact a coffin with Nie Mingjue’s body, now complete with head, in it. The reveal also drops here that Su She has the marks that indicate he cast the curse on Jin Zixun that Jin Zixun accused Wei Wuxian of casting.

A very ugly argument ensues where everyone is poking at everyone else’s things that they’re sensitive about, until finally Lan Xichen recovers his powers and turns the tables on Jin Guangyao by putting a sword to his neck. 

The next part is basically...explaining how all the bad things that happened were Jin Guangyao’s fault? Or at least that’s the explanation given. I find it personally very frustrating as a narrative choice and sort of unnecessary, but maybe that’s just me. Anyway, Jin Guangyao is pleading for mercy from Lan Xichen, saying he’ll leave and never return, the whole thing is very emotional. 

We also find out that Jin Guangshan kicked Jin Guangyao down the stairs. People really need to stop doing that.

And now Wen Ning arrives! Punting Lan Sizhui in ahead of him. He is possessed by a very angry sword spirit (namely, Baxia). Lan Wangji cuts off Jin Guangyao’s right arm, because Lan Wangji likes doing that, apparently. Baxia-possessed Wen Ning then targets Jin Ling because Jin Ling has Jin Guangyao’s blood on him - only for Wen Ning to stop the blade with his bare hand and save Jin Ling’s life, because Wen Ning is both a badass and very good. 

Jiang Cheng throws Wei Wuxian his old flute, which he apparently has just been keeping under his bed or something for sixteen years, which is a thing that I will always never be over, and Wei Wuxian flutes the very angry sword into the Nie Mingjue-holding coffin.

Which would be fine, only then Nie Huaisang starts yelling about how Su She totally stabbed him, no, really, look, he’s bleeding. Baxia kills Su She. Then Wei Wuxian manages to put the sword back in the coffin, as well as the Yin Tiger Seal, and locks both away.

Whew.

Everybody’s sitting down and recovering a little as Lan Xichen tends Jin Guangyao’s wounds. He turns around to get medicine from Nie Huaisang, who tells him to look out because Jin Guangyao is attacking you!!! 

Lan Xichen runs Jin Guangyao through. 

Oh boy.

Jin Guangyao is a little impressed about Nie Huaisang having been plotting this all along. Because he was. He absolutely was. He’s absolutely been planning this for years. Everybody needs a hobby.

But it’s Lan Xichen who he really addresses here, telling him that he’d never hurt him. The actual line really hurts but I’m trying to not reproduce lines here, except I am going to say that he drags Lan Xichen - still with a sword through him! - deeper into the temple and says “stay and die with me” as the temple starts to collapse. Lan Xichen, who was about to strike and presumably push himself away, lowers his hand, and Jin Guangyao abruptly pushes him away and out of the collapsing building.

Romance!

(No, but seriously, it’s a lot.)

Thus ends Jin Guangyao. 

Outside in the courtyard, everyone’s taking a breather. Jiang Cheng and Wei Wuxian stare longingly at each other across the room and say nothing. Jiang Cheng walks away and we learn that - surprise! - the reason Jiang Cheng was caught by the Wens way back when is because he was keeping the Wens from catching Wei Wuxian instead.

Everybody in this family in just a big circle of self sacrifice. In the words of Wen Qing:

(Who misses Wen Qing? I do!)

Anyway, Lan Wangji and Wei Wuxian leave with each other, only to be caught on the road by Lan Sizhui and Wen Ning - Lan Sizhui, who has remembered that he was a-Yuan and finally someone tells Wei Wuxian this, and ahhhh, okay, I know what I said about limiting screencaps but I can’t not:

Now that’s what I call a hug!

They part ways again, Lan Sizhui leaving with Wen Ning for some family time and for Wen Ning to find his own way. Lan Wangji and Wei Wuxian...seem like they’re going in different directions, but then they’re at Cloud Recesses together, playing music, hanging out, vibing. They talk to Nie Huaisang, but don’t directly confront him about his scheming. Mostly just making sure he’s not, you know, gonna do anything else.

Then Wei Wuxian leaves to go on a roadtrip to find himself. People really do not like this, but I personally really do like this, especially because the last shots of the show are Wei Wuxian playing his and Lan Wangji’s theme song (the one that Lan Wangji wrote, remember, from the cave? It’s come up a lot, I just haven’t mentioned it here), and when he finishes Lan Wangji’s voice says “Wei Ying” and he turns around and just like. Smiles. It’s scrunchy and happy and perfect.

Like this:

aaaaaaand scene! fifty episodes later your life has been ruined and you will never be the same.

and the thing is that this is leaving out, like. a lot, and probably is biased because I focus on different things than another person would, &c &c, but at least it might be a starting point for...the entire plot.

and also congratulations if you made it this far, I am impressed. have a screenshot of wei wuxian as a reward, whose mental breakdown does make him look sexy

you’re welcome.

[queensusanthemagnificent]

A Review of The Slipper and the Rose (1976)

So, based on a comment in the tags of the kisses from 1997 Rodgers and Hammerstein’s Cinderella post I made, I decided to watch 1976′s The Slipper and the Rose.

It’s a film I’ve seen mentioned once or twice in some of the Cinderella comparison videos you can find on YouTube, usually discussing things like the best Cinderella dress and it tends to end up near the bottom or the middle, so I kind-of knew about it, but certainly not enough to feel any burning need to watch it. I’ve seen the two older Rodgers and Hammerstein films from 1957 and 1965 mostly just to see how they stacked up to 1997′s, but aside from that, I’ve tended to stick to more modern adaptations. But @withbriefthanksgiving, who I still cannot tag sadly, said it was their favorite film for its STORY, which definitely caught my attention, so I figured it was worth a shot.

What I HAD NOT KNOWN and probably would’ve gotten me to see this a LOT earlier was that this film was a MUSICAL. Like an honest to god musical written by Robert and Richard Sherman, who were involved in writing the music for both Mary Poppins and Chitty Chitty Bang Bang. The choreographer Marc Breaux ALSO worked on all 3 films (as well as Sound of Music). And you can tell. 

Somehow that ends up both hurting and helping this film, and here’s why.

(tl;dr at the bottom)

I love those other films. I saw them a lot as a kid. Mary Poppins, Chitty Chitty Bang Bang, and The Sound of Music were a MAJOR part of my childhood growing up and inarguably a large part of why I enjoy musicals today. Mary Poppins and The Sound of Music are pretty well-known for being masterpieces in the world of movie musicals, too, and for GOOD REASON.

So it helps the film to be associated pretty heavily with these films I love so much, I’m definitely charmed by the choreography that hits at that nostalgic funny bone and, when the songs do well, those hit that same nostalgic funny bone, too. And of course, being from 1976, it has a lot of the same LOOK as those other films that were from a decade earlier, which isn’t hurting it either.

The problem comes from the fact that I just. Like those other movies better. It seems cruel to compare it to films like Mary Poppins and The Sound of Music which are just in almost a league of their own in terms of music and story, but I CAN compare it to Chitty Chitty Bang Bang.

For anyone unfamiliar with Chitty Chitty Bang Bang, it is a really wacky film just to start. Trying to give a nice brief summary of events is next to impossible because it’s just. Really fucking wacky. It involves an eccentric widowed inventor with two kids who ends up in a romance with a beautiful heiress to a candy factory, a car that is at least semi-sentient that can fly and swim, a fantasy German kingdom that has banned children, people pretending to be dolls, and a crotchety old grandfather who spends most of his time in the family outhouse pretending he’s going off on grand adventures. It’s not exactly a masterpiece of cinema is what I’m saying, so it feels easier to compare it to The Slipper and the Rose than films like Mary Poppins or The Sound of Music.

And had I seen Chitty Chitty Bang Bang as an adult, I likely would feel similarly about it to the way I’m feeling about The Slipper and the Rose. It’s... fine. It’s okay. It has some good moments, but some stuff that does feel very dated to when it came out, and a really wacky nonsensical plot that’s hard to get into and sometimes is a tad unclear. But I didn’t. I saw Chitty Chitty Bang Bang as a young child who didn’t really care AT ALL that the plot makes little to no sense and found a lot of humor in the film that still gets me a good chuckle now, 20 years down the line and 50-60 years away from when the film was made. The Slipper and the Rose suffers a bit from the fact that I have no nostalgia associated with THIS PARTICULAR FILM, but is helped a lot by the fact that I’ve got a LOT of nostalgia associated with this particular STYLE OF FILM.

I don’t think the songs are as good as the other films by the Sherman Brothers, and I’m not sure their story writing is as up to snuff as their song writing is. Again, I’m watching it from a more adult perspective, so I’m being a bit more snooty about it and more nitpicky than I ever am about films like Chitty Chitty Bang Bang. But Chitty Chitty Bang Bang REALLY leaned in to how wacky it was and the songs reflect that, so there’s a LOT more songs in it that are just fun and catchy tunes. There’s maybe... two? three? songs in The Slipper and the Rose that really caught my eye as real fun songs. And a number of ballads that all kind-of just... flow into each other and I don’t really remember much about them. This style of movie musical does a lot better (for me) when it focuses more on the fun, catchy tunes rather than the ballads.

The stand-out song of the whole film was, without a doubt, Oh What a Comforting Thing to Know. And the entire song is... SO WACKY, I honestly loved it. The prince is spending the ENTIRE SONG just dancing and hopping and flipping and swinging around his family’s mausoleum with his best buddy, singing about how comforting it is to him to know that no matter what he does in his life, how well he does as a King, he’s always going to end up right here in the mausoleum with the rest of his dead ancestors. And Cinderella just. Watches. Because she’s at the neighboring cemetery for the rest of the poor folks, singing a ballad about how there’s no one left alive who loves her now that both her parents are dead. It’s a bit of an immediate tonal whiplash, and Cinderella’s snooping on the prince for some reason and it quite literally NEVER COMES UP AGAIN that she did this.

I think the other song that stood out to me was perhaps Tell Him Anything (But Not That I Love Him) mostly because, were the romance written JUST a little bit better, this would be an absolutely HEARTWRENCHING song. It IS a heartwrenching song, sung by Cinderella after her prince has ALREADY FOUND HER and brought her back to the castle but is told he’s not allowed to marry her for plot reasons and so she’s literally being sent into exile by the king. I just wish I cared a tad more about the romance between these two characters so I could really just SIT in those emotions this song gives, because it is, genuinely, a great song and a highlight for the romance in this particular film.

It also really highlights what I think this film’s greatest strength is, which is how it DID try to add some depth and nuance to the Cinderella story in a way that I honestly thought was truly interesting! The kingdom is about to go to war and they need the resources to defend themselves, so the Prince is required to find a bride among some foreign princesses, but he falls in love with Cinderella, so even after he finds her and gets to the place the story normally ENDS, they have one more obstacle to get through in that Cinderella has no resources to give that would help the kingdom survive an attack.

It’s really really good! Unfortunately, it’s... a tad soured by the resolution to this which involves the foreign princess we’ve never even seen before and whose name we don’t even know suddenly and conveniently falling into love at first sight with the prince’s odious simpering cousin who, up until this point, has just been comic relief not unlike Mr. Collins from Jane Austen’s Pride and Prejudice. He’s creepy, he’s unattractive, he’s overly confident for no discernible reason, he’s inferior to the other main male characters in every way. And he has exactly zero interactions with this princess.

It’s weird and kind-of trite and the writing seems to recognize this a bit given the dialogue between the two Kings about it, but it means Cinderella and her Prince can get married and have a happy ending, so.... who cares. Whatever, moving on.

Not my favorite resolution to what is actually quite an interesting storyline, but I’m willing to give the film a lot of kudos for a REALLY solid effort when very few other people were doing anything that interesting with the Cinderella story. Even today, there aren’t that many adaptations that try to continue the storyline passed the Prince FINDING Cinderella.

The other highlight of the film is actually the Fairy Godmother, who we actually get to see IN HER OWN HOME, taking care of the world’s fairytales and is just an overworked career woman who does like and believe in her work but wishes more people could handle themselves every so often so she could just get a moment for herself. It involves a lot of references to other fairy tales and folk tales like Robin Hood and Hansel & Gretel and Snow White, which is really cute and what does feel like a very unique take on Cinderella’s Fairy Godmother, especially in a non-modern setting. She’s not unkind, but she is very matter-of-fact and likes to get things done in a timely manner because she’s a very busy woman with a lot of things to do.

I also think there was a LOT of really funny moments, usually involving the King and his court, that genuinely made me laugh out loud. It’s got some delightful little details that make no sense but are insanely charming.

There are some things in the film that feel like they don’t really go anywhere or do anything and are just there to... be there. Which isn’t PARTICULARLY surprising in a film that’s about 50 years old and is based on one of the simplest fairytales out there, but it did drop the film a little in terms of how it stacked up for me in comparison to other adaptations I’ve seen.

If I had to rank it in terms of MOVIE adaptations, it’s definitely still below the 1997 TV movie musical. I still think that the 1997 film REALLY understood the theme they wanted to convey and the characters they were writing and the romance and chemistry between their characters was all absolutely top notch. It also has better music. It took the simpler aspects of the Cinderella story and breathed so much depth and life into it that I have never seen anywhere else. But I’d probably rank The Slipper and the Rose equal with Ever After, perhaps? Solid effort, falls apart in a few places, but definitely a worthy watch. The Slipper and the Rose might even rank a tad bit higher just because it’s a musical which is a massive plus for me, and I personally think it was funnier. If I include book adaptations, Ella Enchanted would beat it out, as well, just for being a much tidier narrative and having a massively better written romance.

tl;dr, if you like movie musicals of the 60s/70s, in particular Mary Poppins and Chitty Chitty Bang Bang, you’re probably going to love this movie. If you’re really not into that style of movie musical, even if you DO like Cinderella adaptations, I wouldn’t recommend this film at all. It NEEDS you to like that style of movie musical, I think, or it’s going to fall REALLY flat really fast. It’s a solid effort, really solid 8.5/10 for me, I think, just based on my personal preferences.

[espejonight28738]

Family Reuinion

A.K.A: Eurovision 2021 in the Nordic's House

You can also read it in Ao3

Pairings: None really, just some squint and you miss it DenNor and SuFin but can be read as platonic.

Iceland arrived to Denmark's house two hours before the Eurovision final began. He had wanted to come earlier, but he had been very busy in previews days and there hadn't been any earlier flies that day.

He let himself into the house with his own keys, and the moment he opened the door he felt the hit of the sweet smell of danish pastries being made. 

"Hej, lillebror. Had a good fly?" He heard Norway asking him from the living room.

Iceland sighted at the question, remembering the disagreement he and Mr. Puffin had before Iceland left his house.

Iceland walked to the voice, to find Norway in the largest sofa in front of the television, already in his pajamas. He had been here all week, with Sweden and Finland arriving on Wednesday.

The house was big enough for the five of them, seven when Sealand and Ladonia came along, to be without getting on each other's space, which was the reason Denmark hosted most of their reunions.

"It was good. Were you banned from the kitchen again, Nore?" Teased Iceland, knowing his brother couldn't help but eat whatever ingredients were at his reach, which lead him to be banned half the times Denmark baked.

"Not this time, I was waiting to give you your uniform," was the response Iceland got. Before he could ask what Norway meant, however, the nation handed him a sweater.

A greenish, bluish sweater. With a simple pixel-art drawing of his face. Like the ones from his entry.

"When did you even get this?" Asked Iceland, not sure if he should be annoyed or impressed.

"I have my ways, now go change."

"I don't see you with angel wings..." he complained, but still went to his room to change. The only thing more ridiculous than his brother's dress up games, were his methods of persuasion to make him play along.

He changed to the sweater and changed to the rest of his pajamas he had in his room before going back downstairs.

Finland was now sitting on the two-person sofa, also in his pajamas, no sign of any “uniform” to cheer for his country.

"Finland, you left me to be Nore's dress up doll by myself?"

"Hey, Ice!" Greeted him Finland, not answering to the accusation. "We missed you on Thursday's semi-final. Tanska would've probably been happy enough for you not to cry so much about not qualifying himself."

"He always cries," teased Norway.

"Mr. Puffin didn't come with you?" Asked Finland.

Iceland shook his head, already used to the aggressive behavior of the bird. 

"Are you really not going to go with me? You're supposed to support me, and you like Danmark's house," tried to argue Iceland.

"Your stupid song is lame, I don't want be associated with it," growled the bird. Iceland had been hearing this for weeks, apparently Mr. Puffin had strong opinions on how much better the entry from two years ago was to this one. "Tell Finland his entry is my favorite."

"We have matching sweaters, Ice!" Exclaimed Denmark. Indeed, they had.

"Uh, no. He didn't like my entry. He liked yours, though," said Iceland, answering Finland's question.

Norway and Finland nodded, already used to Mr. Puffin moods, even if just by second-hand anecdotes, as he still refused to talk in front of the other nordics.

"Iceland! You're finally here!" Screamed Denmark, coming from the kitchen to the living room, Sweden behind him.

"Hi, Dan–" He interrupted himself when he finally looked at the danish nation. "What the hell–?"

But the moments he took to formulate his thoughts were enough for Denmark to put the small pastries, which smelt delicious, on the central table and throw his arms around Iceland.

Iceland corresponded the hug automatically, already used to the nation's antiques, but his brain was still processing what he saw.

Once they finally got Denmark to sit down, they spent the remaining time until the beginning of the contest discussing other countries' entries.

Denmark was wearing the same sweater Iceland had, the one from his entry, just that his had the pixel-art of his own face. Once again he wondered how did Norway get not only one, but two sweaters for the final.

But that was not all, Denmark also had some cheap angel wings in his back, in behalf on Norway's entry, he guessed, and a leather bracelet with spikes, for Finland's entry.

"Where did you even get all of that?" Was what Iceland finally settled on after Denmark stepped back.

"Don't recognize your own wings?" Asked Sweden. Iceland looked confused for a second, before finally remembering he had used an angel costume for Halloween a few years ago.

He had gotten rid of the wings early in the night, as those were very uncomfortable, and he had left them somewhere in Sweden's place.

"If you don't remember," added Norway, "Danmark has the photos in the Halloween album."

Denmark's eyes shined at the idea, but Iceland grabbed him by the sleeve before he could go for the album. He had no wishes of relieving the most embarrassing costumes Denmark and Norway had gotten him into.

"And the rest of the... outfit?" He asked to redirect the conversation.

"Norge got both of us the sweaters, and the bracelet is from the things he keeps from his black-metal phase from a few decades ago." Denmark smiled with amusement, probably remembering said phase.

Even Iceland had a few photos from that one. It was a bit unfair though that Norway looked too good for them to actually be considered embarrassing photos.

"Nothing for Sverige?"

"He tried," explained Sweden, taking a seat next to Finland, "but the clothes aren't very exciting."

"I brought my swedish mini-flags," added Denmark, pointing to the lamp table next to the sofa where there were two small swedish flags.

Iceland nodded, deciding that all in all it was a very Denmark thing to do.

Iceland sat in on of the extremes of the sofa Norway had claimed, leaving the other side for Denmark. The danish nation went back to running around the kitchen, although Iceland couldn't tell what more was he doing, but he took the chance to whisper to Norway,

"You got the sweaters to cheer him up, didn't you?" 

Norway gave a self-satisfied smile, clearly proud of how well it had worked.

"I also got one each for the rest of us, we are taking family pictures on those," at Iceland attempt to interrupt, Norway raised his hand in a gesture to stop him, "and no, it's not a suggestion. Everyone loved the sweaters; we are doing it. You can go back to being a moody teenager after."

"I'm not a teenager," argued Iceland, but he left the 'moody' part out, knowing that was probably a lost battle.

"Sure, lillebror."

"I can't believe you didn't vote for me, Su-san, I'm divorcing you and taking Sealand and Hanatamago."

"We don't get a say at the jury vote," tried to argue Sweden. 

Every year someone had some version of that same argument, and Iceland was glad it wasn't Norway who started to complain how he hadn't gotten votes from the icelandic jury.

Iceland was feeling kind of smug about having been the only one everyone voted for, even if he didn't win in the end. Only for that we would complain just the minimum for the photos with the matching sweaters.

"Does anyone understand the jokes about calling my guy... Castiel? And saying something about some turbo-hell?" Asked Norway, interrupting Finland and Sweden's bickering.

Norway was leaning on Denmark's shoulder, but still wide awake and checking, Iceland guessed, social media on his phone.

"You don't want to know"/"Long story" Denmark and Sweden answered simultaneously.

Iceland couldn't help a small laugh at that, but that ended in him yawning, which apparently was everyone's sign to go to sleep.

They all congratulated Iceland for being the highest-ranked nordic of the year, so only after his obligatory line of hugs he could go to his bedroom.

He kept yawning on his way upstairs, and collapsed on his bed as soon as he closed the door behind him. On Monday he would have to fly back to his home, but after all these months barely seeing each other, Iceland just enjoyed the feeling of being asleep under the same roof as his family.

[bleedinglovehes]

liam payne sucks tbh

This compilation is for my dear friend, who goaded me into making a comprehensive list of every time Liam Payne has been openly homophobic in the past ten years, with a couple of bonuses at the end! Because he has been. A lot. He’s displayed his privilege and offended LGBTQ+ people on multiple occasions and shows no signs of even attempting to educate himself or empathize with those his words have hurt. On that note, let us begin this journey.

Let’s start with the obvious, shall we? The infamous Duck Dynasty's Family Values tweet. Anyone who’s been in the One Direction fandom should be able to easily recall the incident, but I’ll break it down for you. On January 18th Liam tweeted about how he loved the “family values” on Duck Dynasty. By that time, it was know that the family was openly homophobic. Just one month prior, in December 2013, the families patriarch (Phil Robertson) was suspended from the show following homophobic remarks that received backlash. (He compared homosexuality to beastiality).Liam immediately received backlash for the tweet, for good reason, so later that day he took to twitter to claim that “Being a fan of someones show and the way they still hold a family together doesn't mean i am ok with all they say”. (https://twitter.com/LiamPayne/status/424679109634314240) That was his “apology”. Now, Liam’s association with the Robertson’s did not end there. 8 months later he posted a happy birthday message from Willie Robertson (Phil’s son) on his instagram. Though his interacting with the Robertsons had upset many LGBT+ people, Liam continued to openly support the family.The very next month he, and close friend Andy Samuels (pay attention to that name, we’ll reference it later) went shooting in Louisiana with the family. Andy and Willie Robertson’s sister in law both posted about the event at the time, but the posts have since been deleted.

Now if you were one of the delusional people still convinced of Liam’s membership in the LGBT+ community, you may find lot’s of faults in my logic. Him supporting a family sticking together doesn’t mean he shares their homophobic values, and you’re right, to an extent. But a queer person would not be so careless. Liam is displaying his privilege as a straight white man by ignoring the disgusting homophobia displayed by the patriarch, and likely shared by his sons and grandchildren. So, with that incident we have, at the very least, hopefully shown the audience Liam’s blatant ignorance when it comes to the LGBT community.

Let’s continue. 2014 was the start of a startling trend of tasteless comments Mr. I-Used-To-Be-In-1D-Now-I’m-Free has made in relation to the community. In August of 2015, Liam said that Girl Almighty (a One Direction song he wrote on) is about "trying to find that number one woman of your life” which would have been fine, except he went on to say that “none of [the fans] can relate to, because most of you are girls. Except for the boys in here, you know what I'm talking about." Almost immediately, his remarks were under fire for being too heteronormative, and he was accused of being homophobic. Instead of using the incident as a learning experience, Liam took to twitter to first clarify he is “in no way shape or form homophobic that's a ridicules thing to say and I'm not here to offend people so take it as you will”. Essentially, rather than apologize to every LGBT girl at the show, he decided to say since he’s not homophobic the comments weren’t offensive. He went on in another tweet and called the statement that deeply offended his non straight female fans “throwaway”. All I can gather from his little twitter tirade is that Liam was upset that his “throwaway” comment hurt LGBT people and that those people would not let it go. He finished by tweeting “crap end to a good day”, blaming the backlash rather than his own ignorant comment. All of the tweets are still on twitter and a quick search will bring them up for you.

2015 was a big year for Liam in terms of casual homophobia, and just one month after the Girl Almighty Incident, he was back at it again with… The Pride Flag Incident. Now, to provide some background, pride flags started making appearances at the shows in large numbers thanks to The Rainbow Project. The project was started to promote a safe space for LGBTQ+ fans. It garnered a lot of attention and the starters of the project clarified several times that it had nothing to do with the infamous “Larry” ship, which I will not discuss as frankly it’s not relevant to my main point. So a month before the Pride Flag Incident The Rainbow Project was getting attention from the media. Anyone who took two seconds to research the project and motivation behind it would know that it was only to support queer fans.

Okay but seriously, the Pride Flag Incident was a big deal. Let me explain. In the summer of 2015, gay marriage was legalized in the US. LGBTQ Americans were absolutely thrilled, for good reason, and pride flags were seen in abundance. So here’s what happened. Liam was interviewed by Attitude, a UK gay magazine. Now he started off alright, claiming that he found it, “funny that being gay is still something that’s talked about as though it’s not natural”. The use of the term “funny” is… troublesome for me, but that’s not the issue with the article. It’s his next statements that, once again, show his ignorance. He talked about there being an increase in rainbow flags at One Direction shows following the legalization of gay marriage. He made the correct point and he should've stopped there. Unfortunately, he continued, saying “I think that was mainly because people think of the Louis and Harry thing, which is absolutely nuts and drives me insane.” Once again he ignored the huge queer fanbase One Direction had amassed at that point and was subject to backlash. He, once again, took to twitter and, once again, stood by his ignorant comments rather than make a real apology. I won’t bring up Harry. I won’t bring up Harry. I won’t bring up Harry. I won’t bring up Harry… ok fine I have to. Harry actually waved a pride flag at the next concert they had. AKA, the one right after Liam’s comments were made public. Harry was, according to Liam, one of the people being disrespected by the pride flags.

I’m sensing a trend here. Liam makes an ignorant comment that offends people, Liam goes on twitter and stands by the ignorant comments, Liam claims people offended are in the wrong. Moving on, I'm honestly not sure what Liam did in 2016. I think that’s when Strip That Down was released. Anyways he only offended…. every one direction stan with that.

2017 though, that one was big. That’s when Liam made The Clothing Comments. So in May he was on the radio, probably promoting something, and was asked which members of One Direction he would let watch his child. He said that he’d pick Louis, because he’s a dad, and that neither Harry nor Niall made the cut. The issue? His reasoning behind why Harry wasn’t a suitable babysitter was that, “I couldn’t rely on Harry because I feel that my child would come out dressed in something that I just wouldn’t understand”. Yet. Another. Ignorant. Comment. Harry had, beginning in 2014 and continuing to 2020, been dressing in a non traditionally masculine way. 2014 had him sporting pussy bow blouses while 2020 has gifted us with a lace jumpsuit equipped with matching lace gloves. Now, therein lays the issue with his comment. Harry doesn’t dress in a traditionally masculine way. That was apparent in 2017. That’s what Liam had an issue with. Also, Liam has been making comments about Harry’s fashion sense on a semi consistent basis since that article dropped so… yea.

2018’s… incident… is almost funny to me because once again Liam display’s absolute ignorance when it comes to the LGBT community. It began with Liam taking place in Adidas’s Prouder campaign in June. It was sponsored by a bunch of celebrities and an article was released where each gave a quote about what makes them proud, obviously in relation to Pride. When Liam was asked the question he answered “I think since I’ve had a little boy, everything changes in life. ‘I’m aiming more for him to be prouder of me, and already he’s making me a better man, which I think is incredible.’” He did not reference the community he was supposedly supporting. He received immense backlash for his “straight pride” comments on twitter and gay news outlet Pink News.All in all it was just insensitive. He was dragged on twitter for not knowing the meaning of pride and the movement he was supporting.That’s not where the incident ended though. On July 7th London hosted the annual Pride Parade, that I’ve heard Liam promised to attend. I do not have receipts for this, so my next point may seem a little weak at first, but stay with me. Instead of attending the event, Liam attended a Dolce and Gabbana fashion show. Why might that be an issue? Well, since 2015, the fashion label has been called homophobic after two directors made insensitive comments about same sex parenting. So, if you don’t believe he promised to attend the show, the fact that he attended a show for a homophobic brand should upset you.In fact, Liam has shown no indication of distancing from the brand. In contrast, Harry has only been seen wearing Dolce and Gabbana once since the comments were made. (Performing on the Jimmy Kimmel show in Nov. 2015). Liam has worn D&G several times in the years since the comments were made.

2019 was a bad year for Liam, and not just because he took Zayn, Harry, and Niall’s number ones and slapped them together to debut at #111 on the Billboard Hot 100. In July he was paid by the Saudi Regime to perform in Saudi Arabia. The issue? In Saudi Arabia being gay is a crime and women’s rights activists are jailed. Nicki Minaj was also set to perform at the festival but backed out due to the Saudi Regime’s blatant homophobia and sexism. Once again he displayed his ignorance and privilege. He’s not queer, he’s not a woman. So he accepted the money and performed. Now I know he had fans there excited to see him, but he made the wrong choice. He should’ve backed out and not accepted any money from the Saudi Regime. July was just not a good month for Liam.So he was asked whether or not he planned to vote in the election. His response? “I think I will vote but I am always out of the country. We need a mobile app where we can vote with our thumbprint or something. I mean, in regards to Boris or Jeremy, I don’t think we give people enough time. Same with West Brom football club. They always change their manager every week it seems and we never get time to gel with anybody.” He’s just so ignorant. As a rich white straight man, the election had no effect on him. He seemed to indicate a preference for Boris Johnson, a racist sexist homophobe. December was by far his worst though. So his debut album, LP1, dropped at the beginning of the month. Immediately, Liam was attacked for his fetishization of bisexual woman, seen in the song “Both Ways”. It’s just disgusting, and made worse by his history with the LGBTQ community. A straight man singing about how hot it is that his girlfriend likes girls is just… so bad. That whole incident speaks for itself in my opinion. That brings us to the reappearance of his comments about Harry’s clothing. He claimed that “I couldn’t put myself in that. I’d look fucking… It’d look weird.” Now, has anyone seen what Liam has worn over the years? Liam’s issue is that the Met Gala look was feminine. He’s claimed to be the antichrist version of Harry, and you know what? I see it. He’s a straight man uncomfortable with men wearing feminine clothing and gay people in general. Harry is a queer man who thrives in feminine styled or women’s clothing. They really are opposites.

So what have I established? A pattern of ignorance that have hurt LGBT people on multiple occasions. Now, ignorance does not equate homophobia, so here’s how we know. Remember his friend Andy Samuels? Well he’s been openly homophobic (and sexist) on his social media. He’s been friends with Liam for over a decade. Remember when Harry made his iconic “not that important” comment? Liam’s reaction is… troublesome. He does a short laugh, and then glances off camera with an uncomfortable look on his face. Take from that what you will. There are UNCONFIRMED rumors of Liam using homophobic language backstage at One Direction concerts. Like with his reaction to Harry’s “not that important'' comment, there is no proof, but, based on his other actions, I am inclined to believe it happened. So there you have it. Liam’s history of ignorance. Homophobia is defined as a “dislike of or prejudice against homosexual people”. I think it’s safe to say that applies to Liam. He’s uncomfortable with feminine styled men, supports homophobes (The Duck Dynasty family, Dolce and Gabbana, Boris Johnson), and makes ignorant comments that are extremely offensive to LGBTQ people. He may not go around screaming slurs, but he is homophobic. He’s the type of homophobic person who claims not to be because he knows a gay person. Who claims the pattern of ignorance is simply the fault of the one getting offended. That’s who Liam Payne is. Look, you don’t have to agree that he’s homophobic, but you have to agree that he’s ignorant and refuses to get educated. And you have to admit that there is no way he’s LGBT. There is no way anyone could orchestrate a smear campaign that relied on so many casually ignorant statements and incidences.

This post was not my fault. Really. It’s wasn’t. It’s actually my friend’s fault. She told me that there were people on tumblr who actually believe Liam Payne is LGBTQ+. Shocking, I know. She also said that some people were comparing the experiences of Liam, a straight man, to Harry, his queer former bandmate. Which, no? And because I am so sure people will deny everything I have presented, a link to a google doc with links to each article and tweet I referenced has been included. https://docs.google.com/document/d/1i2lWQPr0oQeA_MYLdkmp6G19waj9KSYaQgcBek8O2OE/edit?usp=sharing

[comradesummers]

Top 5 books or anything I should read

Hi, thanks for asking!

I’m an English major, so I can’t remember the last time I read a book that wasn’t for class. But I’ll try to recall what it was like to read books solely for pleasure. Also, I’m not going to be ranking the books because I don’t want to and I’m going to have 6 books instead of 5 because I feel like it. (Fair warning: I could write a lengthy content warning for every single one of these books, so if you’re worried about that sort of thing, I do recommend you look them up before you read them. You’re also welcome to ask me about it.)

Catch 22 by Joseph Heller

So this book was extremely written by a white guy in the 60′s. It’s the kind of novel that galaxy brain dudebros are constantly recommending to their girlfriends. But given that I put a David Foster Wallace book on this list, I might just have to accept that I’m a galaxy brain dudebro at heart.

Anyway, this novel is a brilliant deconstruction of the absurdity and tragedy of war and capitalism. It’s hilarious, clever and heartbreaking. I think a lot of authors do the non-chronological timelilne thing just to seem more interesting than they actually are, but in Catch-22, the non-linear timeline is used perfectly. The narrative works on an emotional level (even if it’s a bit confusing on the linear level) so that a lot of plot points that are initially presented as funny and absurd become such emotional gut punches later. For a book that’s known for being so clever and above it all, it is also unabashedly emotional and Heller truly cares about his characters in a way that very few satirists do. It’s a book that will make you laugh and cry and care a whole lot more than you were expecting to.

The Ocean at the End of the Lane by Neil Gaiman

So this is kind of a weird one for me. It’s really short, more like a novella than a novel, which isn’t usually my thing. Also, the characters aren’t really characters, they’re archetypes (which is done on purpose, because that’s how a lot of short stories work, but I know that’s a turn-off for some people). I’m also not a huge horror fan and this is one of Gaiman’s more horror-y outings. So why do I love it so much? Well, it’s basically Childhood Trauma, the book, and it does that really really well. Like, through it’s archetypes and its horror tropes and its general use of shorthand, it captures this really specific atmosphere of nostalgia and fear. It’s like one short but perfectly constructed dose of pain and catharsis and it achieves that through restraint. It’s a brilliant little piece and I love it a whole lot.

Beloved by Toni Morrison

So, if it’s not clear by now, I love me some good emotional storytelling and there’s no genre more beholden to emotion than the gothic novel. And, with all due respect (and love) to the Bronte sisters, Beloved is the best gothic novel of all time. I’m honestly struggling to explain why it’s so good. Partially because everyone already knows its good. I mean, it’s a classic for a reason. But partially because talking about this book and its contents is really difficult. This is the saddest book I’ve ever read. There’s no other book that destroyed me quite as much as this one. I’ll probably never reread it because it was so hard to get through the first time. Morrison’s prose truly takes you to the depths of the pain of her characters. It presents the horrors of slavery mostly through the trauma of the aftermath and it does so with such care and brilliance. This book is truly a masterpiece and if anything on this list is required reading, especially for my fellow clueless white people, it’s this one.

Brief Interviews With Hideous Men by David Foster Wallace

I was considering leaving this one off the list, just because I was embarassed to admit that I’m the kind of person who likes David Foster Wallace. I mean, I might as well start vaping and mansplaining while I’m at it. But I decided to be honest instead, so here we are.

Anyway, I was never able to get through DFW’s headier stuff. Like I really did try to read Infinite Jest, but I could not get through it. But Brief Interviews is a short story collection, which is great, because if DFW gets too far up his own ass in one of the stories, you can just skip to another one. And to be honest, I do think there are some shitty stories in this one (wtf is that Tri-Stan shit David?). But the ones that work? Holy shit do they work. I’m not even remotely kidding when I say that The Depressed Person is what finally convinced me to go to therapy. Like I read it and I realized that if I related to the character that much, I really did need help. It’s such a good story and if you don’t want to read the whole book, at least read that one. Personally, I think it’s the best thing DFW has ever written. And the interviews themselves are almost as brilliant. Like, I know that DFW is most well known for his post-modern experimental style and his weird obsession with tennis, but honestly, I think he’s at his best when he writes character studies. He’s really good at creating uniquely shitty human beings and then truly getting to the core of why they are that way. And Brief Interviews is the crowning achievement of that.

Go Tell It on the Mountain by James Baldwin

So James Baldwin is a genius, obviously, and there are plently of novels of his I could have chosen for this list. I went with this one because I love books that follow multiple generations of one family, and this book is easily the best version of that that I’ve ever read. It’s a novel about the cycle of abuse, religion, racism, segregation, poverty, police brutality, coming-of-age and sexuality. And even though the book is pretty short, it covers all of these themes brilliantly and thoughtfully and with such love and care. It’s also semi-autobiographical, which is probably why it feels so personal and gut-wrenching. Objectively, it’s probably the best book on this list. It truly is a masterpiece from beginning to end. Also, no offense to Umberto Eco, but it has the best religion based hallucination/vision from God (depending on how you choose to read the scene) scene in any book ever.

The Amazing Adventures of Kavalier and Clay by Michael Chabon

So I know I said I wouldn’t rank anything, but this is probably my favorite book ever. The best way I can think to convey my love for it is to tell you that I’ve associated it with an unrelated song (The Only Living Boy in New York) and there are few things I care about more in the world than making sure that that song will be used in one particular scene in the inevitable TV adaptation, even though I know that’s never going to happen because it would be a completely anachronistic song choice.

It’s hard for me to describe why I love this book so much. Part of it comes down to a really specific personal connection. My grandpa, like Joe, escaped the Holocaust and went to New York and had a really close relationship with a distant cousin of his because the Nazis had killed most of his extended family. So yeah, as a Jew, this book hits pretty hard. But also, as is probably pretty apparent by now, I love pretentious prose that uses way too many big words. I also love emotional and thematic stortytelling and oh boy does this book have that in spades. And the character work is so gorgeous and I care about these people’s relationships so much and the comic book sequences recapture the feeling of golden age comic books so perfectly and god I love it so fucking much.

[gorogorogorochansan]

CP2077 OC ask game *:･ﾟ✧⚔️🤖🔮 [x]

PERSONAL.

1. what is their full name? do they have any nicknames? what are they and why did they get them? His full name is Maximilian Noirceuil Roquentin Vandermeer. Vandermeer to others, Max to his family. His mother just loves French literature and culture.

2. how old are they? how long have they been living on their own? 33 as of 2077. He’s been living on his own for 15 years since he joined Arasaka.

3. what are their astrology signs? sun/moon/rising. He was born on May 2nd 2044, which makes him a sun Taurus, moon Cancer and ascendant Leo.

4. what tarot card from the major arcana would you associate with them? The Devil.

5. are they religious or spiritual in any way? Not at all. Max is rather materialistic and self-indulgent at times.

6. which of the four elements would you associate with them? Air for intellect and mental intention.

9. which of the nine alignments are they? (lawful good etc) Lawful neutral.

10. which of the myers-briggs personality types are they? ESTJ, the Executive.

11. do they have any cyberware? is it cosmetic or is it weaponry/armor? He’s not into combat much, he prefers doing his job quietly if he can. Better yet - a silver tongue coupled with unsettling look can achieve a lot more than a weapon. Hands: Smart Link; Ocular system: Kiroshi Optics; Nervous system: Kerenzikov; Cyberdeck: Stephenson Tech Mk.2; Integumentary system: Optical Camo;  Skeleton: Endoskeleton, Bionic Lungs; Legs: Lynx Paws.

12. what is their occupation? He likes to call himself a free artist but technically he’s a solo. Murder, sabotage, thievery, recovery, delivery - you name it and he’ll do it, quick & clean. A man of high standards he prefers to be silent, precise and effective about his work. Even during his Arasaka days he never shied away from hard or morally repulsive (to some) tasks. A job is a job and needs to be done.

13. if you were to choose a class for them, what would it be? The closest would probably be a Stealth Solo.

14. what is their weapon of choice? HJKE-11 Yukimura pistols & Electric Baton.

15. what is their preferred vehicle or transportation of choice? Black Quadra Turbo-R V-Tech.

16. how would you describe their style? Neomilitarism. Corpo chic through and through.

17. are they a early riser or a night owl? Normally he’s an early riser but not averse to adapt if work demands it.

18. share three songs you associate with them. Eisbrecher - Verrückt [translation] Dorothy - Wicked Ones Oomph! - Augen auf! [translation]

NIGHT CITY.

19. is your character from night city? if no, where were they born? what brought them to night city? if yes, what area of the city did they grow up? He is from Charter Hill, Night City. His maternal family is from North Oak but his parents moved to something more affordable before he was born. He worked his ass off to stay in Charter Hill on his own but after his boss Jenkins lost the power struggle in Arasaka, Vandermeer had to survive and look for a cheaper place.

20. where do they currently live? describe their home. Watson, Little China, near Sutter Street. He rents a small apartment that satisfies his needs, which turned out to be rather simple - a quiet (as much as possible), clean and efficient space that is suitable for living and working in.

21. do they have any favorite spots around NC? Lele Park in the evening and night. And Dark Matter club.

22. do they like to cook for themselves, or eat out? do they prefer restaurants or street food? and how do they feel about vending machine food? He can cook a few things thanks to his mom but generally prefers street food and restaurants. He finds vending machines repulsive.

23. do they prefer the city or the badlands? The city. He loves comfort, hygiene and availability of things only megalopolis can offer. 

24. what gang/faction/corporation do they align with, if any? He prefers to keep balance and mutually beneficial relationships with everyone strictly for business. He always looks for people reasonable enough to bargain with. 

25. which radio station(s) is their favorite? If it’s a car radio then it’s Vexelstrom most of the times. He likes hearing heavy rhythms in the background. When it comes to listening to music at home he has a variety of genres in his playlists from classics and jazz to heavy metal.

26. if they do merc work, do they have one dedicated fixer? if so, who? It’s Rachel Vogelman (another OC created by @bnbc). They used to be corporate rivals during their Arasaka days. To add fuel to the fire their colleagues believed them to be siblings because of certain visual similarities between the two. When Max lost his job Rachel was the only person he could ask for help. It wasn’t easy, and it still isn’t but they focus on the business side of things. Or at least try to.

27. have they ever had run ins with the badges? He doesn’t like to attract unnecessary attention. Nobody likes when you’re the star of TV news.

28. are they quick to help a stranger in need or do they prefer to stay out of other peoples business? He most likely won’t help unless it can benefit him in any way.

29. do they have any favorite celebrities that frequent or live in NC? how would they feel meeting them? He doesn’t give a shit about celebrities. But he knows Michiko Arasaka, and their first meeting face to face left him baffled to say the least.

RELATIONSHIPS.

30. is your friend a social butterfly or more of a loner? Something in between. He hates useless small talks and fake politeness but understands their necessity when required. 

31. who are their closest chooms in NC? He doesn’t have any. Never cared enough to rely on people and always expected a knife in the back. His most regular stable contact is probably Rachel Vogelman but  they’re not even close to being chooms.

32. do they have anyone they would consider family? His mom and his sister are the only family he needs.

33. what is/was their relationship like with their parents? He loves his mother Jessica who raised him to be a well-rounded personality that can always land on his feet. She’s an economist with a good sense of humor and interest in arts. But he doesn’t have much emotional connection with his father Mark, since the guy is always busy with his retail business.

34. do they have siblings? He has a sister named Brit who is 15 years younger.

35. how would you describe their relationship with their family? Max is close with his family, although they’re all often too busy to meet regularly but they keep in touch.

36. who is their biggest enemy? Detective Marc Sanderson? Hard to say for now because there’s no official lore information on him yet.

37. tell a short story about your character with their best choom. His rivalry with Rachel Vogelman was almost comic at times, which only worked against them as their colleagues called them siblings on purpose. But since the two have mutually beneficial relationships now he can admit Rachel is pretty good at what she does. He won’t tell it to her though to avoid giving her the pleasure. They have both grown up after losing their corporate jobs but some habits die hard.

38. do they have a love interest? if so, who? His current LI is Michiko Arasaka. Initially he'd met her as Ichigo (a Japanese name that means strawberry) in a cyber sex VR club while he still worked in Arasaka. It was a series of encounters they both enjoyed until he abruptly put an end to it during his unemployment. He suspects she started digging info on him because she reached out to him some time after he had made a small name for himself as a solo. 

39. are they in a committed relationship or do they date around? Given the social gap between the two and solely sexual nature of their affair it’s implied they’re in open relationship. Besides it’s unknown if Michiko is still married. However, despite loving sex Max can be picky because he’s slightly fixated on hygiene. Michiko also sparked genuine curiosity and creativity in him with her wild and magnetic personality.

40. has your character ever been in love? if so, with who? No, what is love? He won’t recognize it even if falls in it.

41. do they believe in soulmates? No, he believes in shared goals.

42. do they believe in love at first sight? A ridiculous notion.

43. describe their ideal date. Their idea of romantic evening is to hook up in clubs where it’s noisy and crowded enough to ignore them but also to tickle their nerves. Sometimes they have a follow-up in motels (Michiko knows all the right places) if they can afford it. I don’t mean financially of course. Currently such state of affairs suits both of them perfectly.

44. would your character ever get married? Theoretically he can but marriage is a serious commitment, and right now he’s not interested in making one. And when it comes to Michiko it’s a no-no for a variety of obvious reasons. 

45. what was your characters first impression of their partner(s)? Michiko Arasaka was not someone he expected to see when Ichigo asked for a real life meeting. She definitely enjoyed the effect she made while Max was trying to figure out in his mind if this was a setup. She was bold, straightforward and irresistable - not like anyone he has ever met before. The whole situation felt like getting into a sports car without breaks. Once in a lifetime opportunity, a one-way ticket. And he took it. He suspects he’s not the first and not the last such input for her but life is too short for missing out the fun.

46. are they open about their relationship or low key? how would other people feel about them together? Somewhat semi-open. Max’s mom knows and she’s worried for him, although she knows he can take care of himself. And Michiko doesn’t mind him telling about her to his family as he has no friends and isn’t the type to brag, and she doesn’t care if anyone recognizes her in public. Her social circle wouldn’t care about him, and those who might won’t be able to do a thing about it.

47. share a headcanon about your character and their partner(s). Just one? I’ve already got plenty. • Michiko calls him Max and he calls her Ichigo or Ichi (one) because that’s how they’ve met and it's something of their inside joke, a secret; • Michiko keeps him at distance on purpose. She studied his profile long before they’ve met face to face and probably knows what he wants for breakfast before he even wakes up. So she knows Max has opportunistic tendencies like majority of mid-tier corpos. But another reason is that she also doesn’t want things to get serious and complicated between them because it can ruin the fun. She appreciates he doesn’t ask stupid questions or demands more attention than she can give him; • Michiko likes to подъебывать Max. I guess the closest English equivalent would be to tease - cracking suggestive jokes on him, giving him simple presents she finds hilarious, sending him nudes and demanding payment with his in the most inappropriate times. She is amused Max tolerates her shit so stoically - but she’s never malicious, disrespectful or obnoxious. In return Max knows it’s hard to impress someone who comes from the Arasaka bloodline & that it would be safer not to get on their bad side, so he focuses on making her feel good. And strangely it makes him feel good too.  • Max loves to touch her hair. Michiko always looks flawless when they meet and he adores her for it. • When Arasaka Tower was under attack Max called her until she finally picked up as he was genuinely concerned about her safety. He asked if she was alright and offered to take her home but she refused. She doesn’t know he was waiting outside.

48. share three songs you associate with your character and their partner(s). Garbage - Bad Boyfriend Eisbrecher - Exzess Express [translation] Eisbrecher - Rot wie die Liebe [translation] Bonus: Dinah Washington - Relax, Max - a song Michiko likes to tease him with.

NSFW.

49. name three of your characters biggest turn ons. Mature, confident women who know what they want and don’t waste anyone’s time.

50. name three of your characters biggest kinks. Touching Michiko in public - it’s the kink of kinks.

51. do they like having multiple partners or do they prefer monogamy? He doesn’t like being in relationships. The secret to his successful affair with Michiko is that both are totally free of any commitments and expectations from each other. Normally he prefers flings, BDs and cyber sex. But currently his mind is occupied with one specific woman with blue hair.

52. do they watch porn or braindances? Porn is ancient, BDs are far more superior.

53. would your character ever make an explicit braindance? He doesn’t have the right implant for that. He might though but not with Michiko - he’s not that stupid. 

54. do they have any cybernetic enhancements that serve sexual purposes? He’s no netrunner but he got himself a Stephenson cyberdeck that supposedly prolongs orgasms. Turns out the cyberdeck can be useful for other things as well, even moreso as now he doesn’t have a corpo protection and needs to be more careful.

55. do they have a preference for ‘ganic bodies or do they like modifications? He doesn’t like cheap implants. Other than that he doesn’t care.

56. name three of your characters biggest turn offs. Poor hygiene, naivete and girls who don’t know when to quit. 

57. what is their ultimate fantasy? or ““secret”“ kink? Michiko is his ultimate fantasy now. There’s something liberating and intoxicating about having her at the tips of your fingers moaning your name. He feels like he can try anything with her and she won’t say no, although he is aware it’s an illusory freedom.

58. would they ever use any substances like aphrodisiacs, alcohol or drugs during sex? Yes because why not? It’s not necessary but it can’t hurt.

59. what is their wildest sexual experience? A corpo group sex party. It was fun but he doesn’t like joytoys, even premium ones. Had to do a medical check-up afterwards.

60. are they more submissive or dominant? Dominant. But one time Michiko cuffed him to bed and he didn’t mind.

61. does your character need to have an intimate relationship with someone to have sex? or do they prefer being unattached? Unattached is best at the moment. Though he’s not fully aware he’s currently attached.

62. has your character ever participated in group sex? In the past, during his Arasaka days. 

63. do they like to sext or play over the holo? Why not both, depending on situation. 

64. has your character ever ghosted someone after a sexual encounter? Yes because he doesn’t like attachment. The reason he didn’t ghost Ichigo was that she was always creative during their virtual meetings.

65. how would they react if they were ghosted by someone they like after a sexual encounter? If Michiko ghosted him he’d be probably pissed and then upset. But he suspects she’d tell him first because there’s a certain amount of trust between them.

66. do they prefer kink oriented sex or spontaneous passionate sex? Usually the latter but the former is good too.

67. how do they get down on their own? quick and easy or do they have to romance themselves a little? It depends on a moment.

68. in what outfit do they feel sexiest? how do they dress to impress? Naked is the best. He dresses sharp because that’s how he was raised and also because it makes him feel good about himself. He mostly prefers clean black suits.

69. do they like having music on while they have sex? share three songs they’d play while getting down. He usually doesn’t care but Michiko likes to put on something energetic and loud when they’re in motels. This is just to give the idea of the mood: Fatboy Slim - Ya Mama Beastie Boys - Sabotage Mylène Farmer - Des larmes