#and i feel like i'm in a position where it's both unfair for me to not communicate this distress (because maybe we could work it out)

[thespacesay]

brought to you by me hosting a friend for two days who grew up in the same cultural region, and tbh will not be invited again.

[ot3]

top 10 pokemon that are girls

'gender'.... much like 'animals' this is a concept from our world that has made itself present in the pokemon franchise. all pokemon began having genders (except for the ones that don't) in the second generation of games, in order to facilitate the pokemon breeding mechanic which has become a staple of the main series

you may think this means the issue of which pokemon are girls and which ones aren't is already settled. but do we really trust game freak to be the deciding voices on this one? i certainly don't. so here's a nonexhaustive look at some pokemon that are doing their best to be role models for young women everywhere who have been picking up and enjoying these games for decades.

#10 - NIDORAN♀

Not only is Nidoran♀ canonically a girl, she is the first pokemon to be canonically a girl as the gender distinction between Nidoran types predates the introduction of gen 2's breeding system that gendered all pokemon. she broke the glass ceiling, and for this we salute her.

#9 - KANGASKHAN

Both culturally and in media single mothers are subject to a lot of scrutiny and scorn, but kangaskhan breaks the mold. powerful, responsible, yet loving and joy-filled. the look on her baby's face tells us all we need to know; she holds on tight to the pouch, clinging to the safety she knows her mother can give her, but gazes awestruck and wide-eyed at the world around her, knowing its wonders will be there waiting for her as soon as she feels ready for it.

#8 - CELESTEELA

Technically, celesteela's gender is 'unknown', but it's obvious that celesteela represents what life can look like for a woman who truly has it all. As one of the largest and heaviest pokemon ever discovered, she's not afraid to take up space. she doesn't feel the need to soften herself to be more accepted by the world around her, but she's also comfortable enough with her feminine side to let it shine through where and when she wants. nobody tells her how to live her life but her and also she has big lazers

#7 - MISMAGIUS

Well she's not called MISTER magius now, is she?

#6 - LYCANROC

Perfect embodiment of the wolfgirl you knew (or, perhaps were?) in middleschool. There are many doglike/canine pokemon in the dex, but something about lycanroc's exaggerated unkempt mane and lanky, awkward posture evokes the physicality of a teenager who exists as a beast beyond the boundaries of her own body.

#5 - CHIKORITA

This saultry little binch...

#4 - RAYQUAZA

It's an uncomfortable truth in life that many women find themselves in the position of needing to play the mediator in order to stop the people around them from acting in destructive or harmful ways. But just because mediating conflict can be a difficult and unfair position to be put into, that doesn't mean it's a bad thing. Rayquaza just goes to show us all everywhere how a real woman can still thrive under these circumstances, doing her best to build a more peaceful world while not letting that push her into the shadows or make her take a back seat in her own life. she is a community leader and an innovator.

#3 - SALAZZLE

She's the archetypal femme fatale. A dominatrix. A baddie. Does she make me uncomfortable? Yes, absolutely. But I'm not a furry so I'm not really the target audience of what's happening here.

#2 - SLAKING

I know so many butches who look exactly like her. you love to see it.

#1 - MEWTWO

as one feminist philosopher has said: "I see now that the circumstances of one's birth is irrelevant, it is what you do with the gift of life that determines who you are."

I think any woman living in a patriarchal society can sympathize with mewtwo's story. enraged at being treated like the property of the people who created her rather than her own fully realized person, she goes on a rampage where it quickly becomes obvious that she is even more powerful than that what she was originally created in the image of. Although this takes her down a dark path, she eventually learns to self-actualize by working on herself rather than pointlessly lashing out at people who had nothing to do with hurting her. it's empowering stuff. doubly empowering because she killed all those clowns who DID hurt her

now, of course, there are plenty more pokemon that are girls than just what i've listed here today. but i hope youve learned a little something from this.

[moonstruckme]

James being a big bear of a boyfriend and always just like lifting u up so easily to hug and sit on his lap and even tho u hate when anyone else does it he’s so BEEFY that you’re fine with him doing it

Yessssss I'm not much of a physical touch person irl but James I would allow

poly!marauders x fem!reader ♡ 847 words

Sirius is trying to follow Remus’ example and focus on the puzzle, but his eyes keep flitting up to you worriedly. You’ve monopolized the couch, laying flat with a hand cast over your eyes and your mouth pinched in obvious discomfort. Sirius had tried rubbing your leg and Remus had offered you tea, but they’d both given up when the attention only seemed to worsen your mood. Remus suggested they work on the puzzle while you rest (not Sirius’ favorite activity, but forced upon him because it keeps him quiet) and now they’re both simply trying not incur your wrath. 

“Quit looking at me,” you growl without opening your eyes. 

In Sirius’ case, not doing a very good job. 

“Fine, sheesh,” he says, and you press your lips together like you’re restraining yourself from snapping at him. 

You cringe when the door opens, every line of you pulling taut. James is all smiles as he tosses his gym bag to the floor with a heavy thump. “Hello, my loves!” His voice is a decibel short of booming, but it softens when he sees you on the couch. “Oh, sorry, is she napping?” 

Remus shakes his head, lips pursed as he watches your hand tighten over your eyes. “Headache,” he explains quietly. 

“Oh, I’m sorry lovie.” James reroutes from the kitchen, heading for you. Sirius tenses. “How bad is it?” 

“Prongs,” Sirius whispers urgently, “don’t—”

But James has already lifted you, one hand under your knees and another supporting your back as he moves you smoothly from your chosen position of rest and into his lap. He makes it look like nothing, which is the first offense (Sirius isn’t sure which of you he’s more jealous of), but the second is that you let him. Sirius and Remus have both looked up in alarm, waiting for a biting protest that doesn’t come. Instead, you remove your hand from your face, burying in it James’ brawny shoulder instead. 

“Bad,” you grumble, but your tone lacks the venom you’d spat at Sirius a moment before. 

James coos like he’s got a kitten in his lap instead of a viper, bringing his considerable arms around you. His palm cups the back of your neck, kneading gently at the tensed muscles there. “Where does it hurt, darling?” 

“Everywhere.” 

“By your eyes?” 

“No.” 

He hums, brows furrowing as he works steadily at your neck. You’ve gone nearly lax in his arms, trusting him to hold you up as you slump against his front. “Have you been drinking water?” 

“It’s not that.” Some of the irritation is back in your tone, Sirius notices, but it’s been markedly softened for James. “I had tons of water this morning.” 

“Probably a tension headache then, yeah?” He looks to Remus, who nods. The quiet boy looks as dumbstruck as Sirius feels. 

James moves his grip to your sides and lifts you again, rearranging his legs to get more comfortable before placing you back in his lap. He places a hand on each side of your head, thumbs pushing into your temples and rubbing in slow, soothing circles. You begin to look like you might fall asleep.

“This is so unfair,” Sirius hisses to Remus. 

“He has a power,” Remus admits weakly, “which transcends understanding.” 

“Do you want some tea?” James murmurs to you after a while. Sirius’ eyes have gotten stuck watching the movement of his forearms, and he snaps them reluctantly back up. 

You hum, uncertain but definitely considering it. Behind you, Remus throws up his hands. James sees him and smiles, shoulders shaking with quiet laughter. 

“I’m getting the sense this isn’t the first cup you’ve been offered,�� he says, looking immensely entertained. 

You sigh, but even that sounds pleasurable as his big thumbs drill diligently into your temples. “Yeah, but I just wanted to be left alone.” 

Remus and Sirius exchange a look. You seem perfectly fine with company now. 

“Don’t be silly,” James chides lightly, “a warm drink will make you feel better. Remus, love, would you be so kind as to make her a cup?” 

“Sure.” His voice is gruff, but then you murmur a quiet thanks, Rem and Sirius actually sees the moment his boyfriend’s heart turns to mush. “No problem,” he says, softer now. 

“Attagirl.” James’ hand drops to give your shoulder a squeeze, his bicep flexing slightly with the movement. Christ, Sirius might have to fake a headache later, if this is the sort of treatment those receive. “Drink your tea and then we’ll get you to bed, yeah? You can sleep the rest of this off.” 

“You know, I offered to carry her to bed earlier,” Sirius says, still slightly bitter, “and she told me very clearly to fuck off.” 

You don’t sound so much exasperated now as exhausted. “Siri, when you carrying me doesn’t involve setting me down every five steps for a break, then we’ll talk.” 

James’ laugh surprises both of you, and he apologizes hastily for jostling you, pressing a quick kiss to your forehead before resuming his ministrations. You don’t seem all that upset about it.

[sheeezu]

My shifting guidebook.

This is my last post, as melodramatic as I was in my last post, since both the posts I've made on here and reddit i got busy with responding to dms (for those confused check my first post) so i didn't permashift.

Unfortunately i still couldn't respond to all the messages and questions sent to my inbox and dms, mainly because of the different time zones and general laziness from my side.

I appreciate everyone who asked questions, although i felt it's a bit unfair since the answers to very common problems didn't reach everyone, and i want everyone to shift, i want everyone to shift tonight, so i decided i'll make a post to share all my knowledge, whatever i know, sort of like a parting gift.

And this isn't going to be a beginners guide, mainly for people who need a final push, and most importantly, for emergency shifters.

Onto the questions (: Divided into categories, skip through according to your needs :)

Detachment from CR, attachment to DR:

How can i detach from my CR/attach to my DR?

Generally, detachment can be achieved by numbing your emotions in your CR. But first, I would advise you to refrain from extreme and unhealthy detachment, because you'll end up getting stuck in a endless cycle of messing up your CR and not shifting (because you'd have no control over yourself, which would lead to your subconscious getting grounded in the messed up version of your CR; assuming that unhealthy detachment is daydreaming about your DR all day without any sense of where you are, without a strong mindset, when you eventually snap back you'll think even more vividly of your CR)

But- "unhealthy" attachment can be utilised to your advantage, to shift, in a controlled manner.

Pick a day to shift, let it be a weekend. After dusk, only indulge yourself in your DR. (When you're sure you have free time and you won't be disturbed) for me, I hid under the blanket, with a fully charged phone, I spent a portion of the hours listening to subliminals, and a portion of the time scrolling through pinterest with spotify in the background (things that remind you of your DR)

I recommend listening to detachment from CR and attachment to DR subs, and if you are a permashifter, and it's your deadline, go all out.

This is my advice for detachment from CR during the day, during the method it'll be different.

How can I detach from my CR while I'm shifting? I can't divert my attention away from my CR body/mind.

I'm writing in the pov of my own method.

The only way you can let go of the CR while you're shifting is with a calm mind. If you're overthinking about how you're going to carry out your method, whether you'd wake back in your CR, you'll have trouble reaching a detached state.

To detach, first of all, make yourself comfortable, do not try to force yourself into doing something, or laying in a position which makes you uncomfortable. Next, think of thoughts which pushes your CR to the side, your CR is just another reality, and you're the creator of it, treat it like its any other pebble on the road.

Affs: (again, void reality meaning your CR)

"Void reality? Huh, can't seem to remember what that is..."

"It's so peaceful not being in the void reality, going to fix it when I eventually return from my DR" (I vividly remember saying this, if you're a permashifter, make it so it fits your situation)

"..."

(Not saying anything says a lot, fall numb to your void reality and go onto your DR)

Remember, you're not answerable to your CR, its not your boss or captor, it's actually the opposite.

To attach to your DR during the method, in the middle phase of my method, say identity affs until you feel familiarise with your DR self, think of memories, have a small conversation with your DR loved ones, do a small rewind of your DR life in your mind, so you can ground yourself. I won't be going into much details on how to shift by becoming your DR self, my first post says it all.

How to detach from CR body?

Detaching your thoughts is basically detaching your CR body, the 30 second black out state is basically a window to shifting, because when your CR shuts up for a even just a few seconds it will give you the opportunity to divert your attention to your DR, no matter how fidgety you are.

Problems faced while shifting:

Something always itches me when I try to shift, any advice?

Before you're shifting, take a look at you're environmental factors, why are you feeling itchy in the first place?

If it isn't bugs, dry skin, I recall that during the method some symptoms are just itchiness.

Say affs to block off your senses first of all, until then try to control yourself

Affs:

"I have stopped sensing my void reality (CR)"

"I have stopped hearing, feeling, seeing my void reality"

If the need gets overwhelming and you're just starting your method, make yourself comfortable and move a bit, or just itch it, you can still shift.

I always fall asleep when I try to shift, what should I do?

During the day you're going to shift, and you know you're just tired and lack sleep, take a nap during the day.

If you didn't nap, or just generally feel sleepy still, turn my method into a sleep method, by letting yourself fall asleep while you're actively acting, thinking like your DR self (you'll wake up in your DR the next day)

Sleeping is a good tool for shifting, especially if you're starting to doze off while doing your method, you can achieve other states such as sleep paralysis, lucid dreaming or mind awake body asleep state, so don't get discouraged, if you prefer awake methods, there are some subliminals you can use to stay awake.

I always fear or dread shifting while doing my method and back out at the last minute.

(Copypasted from reddit)

Familiarise yourself with your DR, it's not scary if you know where you're laying, who you are, what's next to you and who's going to be in the room.

If you already start acting like your DR self then in theory fear shouldn't be here (why would you be scared being yourself in an environment which is supposed to be familiar to you?)

It also depends upon the kind of fear

Fear of spirits snatching your soul mid shift - listen to safety and protection subliminals (no, I wasn't personally possessed by demons last minute but it will put your mind at ease)

Fear of the unknown - familiarise yourself with your DR and shifting

Fear of symptoms - don't focus on them

Just know that nothing fearful will exist as long as you don't allow it to exist, you're the creator of your reality.

Trouble focusing while shifting.

Once you're even a tad bit detached from your CR, you would have no trouble focusing, because it's only your CR body's mind which is causing you trouble, the semi-void state in my method (when you don't feel your body that much, you force yourself to not have thoughts) is all you need to do to go onto the next phase of your method, and trust me, it'll feel very easy for you.

Prior to shifting, listen to frequencies, subliminals, basically flood your subconscious with your desired affs (calm mind subs, focus subs, general shifting and void state subliminals) when you're shifting, stare at the blackness and think of it as a milky way, like you're stargazing, I don't know why but your hyperfixation allows you to focus; count to a hundred, visualise your DR memories, youll eventually reach a trance state where you're focused and ready to shift. (if you can't visualise, then think of it in the form of a story)

Misc:

For folks with ADHD:

(Copy pasted from reddit)

I'd recommend try listening to subliminal (especially bundles) when you aren't feeling like doing anything or if you think your messing up.

Also try to keep yourself as comfortable as possible, if you can distract yourself in a way you aren't attached to your CR activities, for example watching movies or shows or youtube video which require minimal effort and attention

And im saying this only if you're utilizing a single day for shifting, or practicing LOA

while doing the method, i'd try to use as less time as possible, and if you feel off, then you can open your eyes and try the method after a small break.

Can I shift to-

Yes, yes, yes. You can shift to anywhere your mind can think up of, it really is that simple. You can shift to the past, shift to prevent a certain event, you can shift to a reality with a confusing concept, you can shift to become a chair.

Did you shift to a animated DR? How was it like?

I shifted to a pokemon DR where I studied pokemons for a living, but I quickly shifted back after 2 days because I got bored.

Personally for me I get creeped out of anything that's eerie or out of the ordinary.

So basically I scripted that it'll feel normal and I wouldn't even question it.

So I didn't, and now that I think about it, everything was proper, people had noses it wad 3D and everything, so just this reality except everyone looked unnaturally good and the world's graphic were different. If the entire world looks the same then nothing feels weird.

Your opinion on clones/time period?

I don't really care about clones or what they are, mainly because I believe in the consciousness theory, and the multiverse theory is a subdivision of consciousness theory, you basically let yourself believe there is a multiverse and for that reason it exists.

So in perceptive of the multiverse theory, your "clone" is just a body, which comes under your command or control.

It can't mess up your CR life, it'll make the same choices as you like you would have made if you were present in your CR.

Personally I had scripted that when I shift back I will wake up the next morning, following the night when I was shifting.

So my "clone" was just sleeping.

Secondly, stop stressing over your clone,

It'll just do what you want it to do, or just live life how you'd normally would

If you script your clone is a superhuman for the time you're in you DR, you'll shift back to a parallel reality of your CR where a superhuman lived your life for a while, but if you want you can just shift to a better CR like I did.

...

Those are all questions that came in my mind, I tried looking back into the chats and inbox to find more commonly asked questions or something I didn't clarify in my first post but most other questions had straight forward or a clear enough answer.

I really wanted to expand this post with more sections and questions, but in my opinion my first and this post combined are a lot of their own, I think I clarified a lot.

It's been a week being on Tumblr, and I loved helping people out, everyone was kind and unique in their own ways, I looked through my followers scripts and blogs and I enjoyed everyone's dedication to shifting, and their DRs (btw, I hadn't expected to get so many follows and notes, I'm genuinely suprised even now)

It had been a lovely experience being on shiftblr, in my opinion it's the best shifting, or just generally the best community on the internet.

As much as I would like to stay and blog regularly on here, I have to go back home, I'm permashifting in (from the time this post went up) 7 hours, and this time I'm not staying, so refrain from asking me questions after that, I won't respond, but this post will still be up.

Farewell, I hope your shifting journey conclude today and each of you live happily in your DR, with your well deserved love, respect and peace.

Goodbye c:

(Within the 7 hours, I may be partially active, if there is any question that is truly different and a genuine struggle for you, inbox me, I'll try my best to answer; I may as well post my DR script in my last few hours, since some people asked, remind me if I forget; also not posting on reddit, ive already annoyed the mods so much by breaking several rules)

[greenwitchfromthewoods]

the arrangement. l General Marcus Acacius

Summary: you have to ask General Acacius for help and you know that only one thing can convince him

Warnings: anger, mention of attempted rape, Acacius is violent, breeding kink, mention of slavery, meantion of death

A/N: I had a few sentences in my head, I saw a few scenes, and I wrote the rest of the story. scribbles.

[PART 2]

The dark sky was covered with shining stars, and the area was silent when you appeared in front of General Acacius' house. The tall and vast building, just like its owner, made its visitors feel respect and a hint of fear. But you didn't have time for that.

You almost ran up the short stairs and banged on the door. The doorman was surprised by your late visit, but he took you deeper into the house without any questions. You both walked along the corridor lit by burning torches until you stood in front of the open door to the main room where, despite the late hour, its owner was supposed to be there.

"General." the servant walked in, bowing, “Lady Y/N has come to visit.”

""Bring her in," a deep and soft voice replied, but you didn't wait a second longer.

"General Acacius, please forgive me." you said, entering the room and nodding quickly. "I shouldn't have visited you this late, but I couldn't wait. This matter couldn't wait."

The room was illuminated by soft light, and the cool evening air flowed in from the open window. The general was sitting behind an ornately carved desk, looking through some papers, but he perked up visibly when he saw you.

The white robes he wore highlighted his sun-kissed skin, and you were surprised at how noble he looked even when he wasn't wearing his armor.

“Y/N, you know very well that you are always welcome in my home.” he replied, standing up and walking over to you, "What did I do to deserve your lovely company on this pleasant evening?"

He took your hand in his and brought it to his lips, placing a soft kiss on it.

"I'm afraid that the matter I came for will destroy your peace, General." you replied, "But I don't know anyone else I could turn to. Only you can help me."

Marcus crossed his arms over his chest and looked at you carefully. His brown eyes bored into you so much that you could almost feel him beneath your skin. He always had this effect on you, from the moment you met him you knew you would never find peace again.

"I think you overestimate my abilities." he muttered, smiling lazily, "I'm just an ordinary soldier."

"I don't think so."

"I'm listening."

"General..." you started, but he immediately interrupted you.

"Marcus. Let's drop the titles if we're talking in private."

You nodded.

"Marcus." you started and he tilted his head to the side slightly, listening to your voice. "I'm sure you know my situation and what happened a few days ago. My maid, Margo, has been arrested."

"I heard about it."

"Then you know how unfair it is to her. Meanwhile, as I have been informed, she will be sentenced. During the next gladiator fights. Along with common criminals and scum. It shouldn't..."

"That's the law." Marcus interrupted you, "Your slave broke it by attacking one of the senators. She injured him."

"She was defending herself!" you raised your voice in anger "What was she supposed to do when that bag of dung tried to rape her!"

“Hold your words, Y/N.” he raised his hand "I don't know if you've forgotten, but she's still a slave."

"She's a woman. And my friend."

"It doesn't change the fact that she attacked a free man in a high position."

"Did you explain in the same way what you did to me at one of the last receptions in the Emperor's palace?"

The words fell out of you like arrows that instantly hit Marcus. His chest heaved as he inhaled deeply, and his eyes darkened.

The memories of that evening still loomed between the two of you. That was a hard and long evening. Too much wine, music, suffocating aromas from incense. 

Marcus felt intoxicated not so much by the wine he drank but by your presence. You were his unattainable goddess. His fame and heroism meant nothing when he stood before you, and he couldn't even be sure that looking at you wouldn’t bring down the wrath of the Gods upon him.

And then it happened. Marcus found you alone on one of the balconies and his lust finally got the better of him. His lips crashed against yours brutally, strong arms pulled you against his body so tightly that for a moment you felt paralyzed. Even though he felt your resistance and struggle, he thought for a moment that he could take you by force. Here and now.

And then you took advantage of his moment of weakness, freed yourself from his arms and slapped him, hissing that even if he drowned the whole world in blood and threw all the treasures at your feet, you would never be his.

The brutality he was capable of terrified you. And even though you pretended that nothing had happened between you, and Marcus apologized to you for his intrusive behavior, that crack was still there between you.

And now you were standing in front of him, asking for help despite all the resentment you might have felt towards him. Because wasn't Marcus watching your every move? Wasn't he the one who took every possible opportunity to be close? So why were you so afraid of him? He wanted to adore you, honor you on an equal footing with the Gods. He would give you the whole world because he already gave you his heart a long time ago.

“Marcus…” your soft voice pulled him out of his thoughts. “Please.. No, I'm begging you.”

Your knees went weak under you as you knelt before him in supplication.

"I'm begging you, do something. I don't know anyone else who could stand up for me..."

“Please get up, love…” he muttered, confused by your behavior.

"Marcus..."

"Get up, for God's sake!" he roared and you quickly got up from the cold floor.

You saw the wildness swirling behind his eyes. He clenched his jaw and thrashed around like an animal in a cage. After a while, however, he sat down in the chair, clasping his hands and looking at you carefully.

"Why this one slave girl?" he hissed, "You can have a new one. I can give you a dozen new ones!"

"I could ask you the same thing." you replied quietly.

Madness.

His blood boiled at the thought of comparing you to this woman. You were more than anything else. Yes, he knew perfectly well that at his beck and call, a dozen other women, hundreds of other women, would take your place. But you were engraved in his heart like words in marble, you became his treasure and blessing in one person.

You walked over to him slowly and crouched down by his lap. Your eyes were shining and your chest was heaving with nervous breathing.

"Marcus..." his name sounded like a prayer on your lips, "I'll do anything... I'll give you anything you want, but try to help me. I'm not asking for more. I don't want you to incur the Emperor's wrath, but you're the only one who can speak to him..."

"You're asking for so much..." he replied calmly, and his hand tentatively moved to touch your smooth cheek, to caress it for just a moment, "What can you give me, Y/N? You know that I would do anything for you, just for your one tender look..."

Your fingers found his hand and you kissed his knuckles.

"I will give myself to you." you whispered, "I'll give myself completely to you..."

His eyes widened in surprise for a second, but then his eyebrows knitted together as if he was trying to understand what you meant.

“Y/N…”

"I will be yours." you continued, staring into his dark eyes, completely determined, "I will be your wife. I will be loyal, devoted, and humble."

"Do not say that." Marcus interrupted you.

"I will give you what you want, General Acacius." your fingers gripped his hand tighter. "I will give you an offspring. Many healthy and strong sons. And as many beautiful and wise daughters. They will be the pride of your house. That's what a man as powerful and wise as you wants, isn't it?"

You knew your words resonated with him. They definitely hit his loins, because his body tensed and his breathing quickened. The general had a soft spot for you, you knew it perfectly well. You were flattered by his attention, but you were afraid of his power and the violence that hid within him. He wasn't like any other man you knew. Maybe if you had met in another time and place…

But the image of you swollen and full of his baby was so tempting for him.

“Y/N, is this what you want?” he asked "Will you put your life on the line for hers?"

You nodded, and Marcus knew he would do the same for you.

"Do you think... Do you think you could ever love me? That you would learn to love me? I don't want you to look at me with disgust and fear..."

Your warm hands cupped his face tenderly. A soft beard laced with gray hair tickled your skin pleasantly. You looked into the eyes of the man who had brought glory to the Empire, and now he sat before you, uncovered and uncertain. All desires were stirring within him and only you could give it purpose.

"I'm sure it will happen, Marcus." you replied "I never thought you were a bad person. Maybe if we had new chances..."

"I will never hurt you, love. I won't let anyone hurt you. I will make you the happiest woman in the world..."

"I know that." you smiled softly.

He leaned carefully towards you. His warm breath touched your lips, and after a moment you tasted them again.

Marcus kissed you tenderly and gently, as if he was afraid that he would lose you again in a moment. But when you kissed him back and your lips parted slightly, he didn't need any more. He immersed himself in you, kissing you passionately, stealing your every breath and almost leaving you breathless.

You were like an antidote to all his pain and fear. The promise of a better tomorrow.

He rested his forehead against yours, sighing softly.

"You make me your servant, and I humbly accept it." he said.

You tangled your fingers in his soft hair and Marcus purred softly.

"I'll talk to the Emperor tomorrow. I can't promise you anything, love."

"That's enough for me. I want to know that I did everything I could for her. I'm leaving our life in your hands, Marcus."

"Don't talk to anyone else about this. Go home." he gave further instructions, looking at you with tenderness. "You must show up at the next gladiatorial games."

"Will you be there too?"

"Yes, I will find you. But listen, you have to be careful now. One wrong move and the Emperor could change his mind. If I can convince him..."

"Thank you for at least trying..."

Marcus stroked your face tenderly.

"If you knew how much I could do for you... Go home. I'll see you soon."

You kissed him one last time and after a while you were escorted to the door by his servant.

The promise to try to save Margo gave you a little hope. You knew you would do anything for her and General Acacius was the only person who could change the Emperor's decision at that moment. Did you also seal your fate? Maybe...

But we will all do anything for the people we love…

☆☆☆

Thank you for your time.

[herlv3r]

yes or no

.・。.・゜✭・.・✫・゜・。..・。.・゜✭・.・✫・゜・。..・。.

୨୧ synopsis: your best friend, yunjin, constantly expresses her attraction towards you. as her best friend, you struggle and question whether she’s being serious or not. it's not easy as your lingering feelings for the girl doesn’t help either, when her actions and words only feed your delusions. 

୨୧ pairing: bestfriend!yunjin x fem!reader

୨୧ genre: fluff

୨୧ a/n: been obsessing over yes or no because it makes me feel things. listening isn't enough, i need it in my soul. sorry if there's mistakes, i proofread like once lol. anyway first fic finally done wooo!

you've known yunjin for awhile, and you just can't wrap your head around when she began acting like this. the sweet nicknames, loving gestures, constant physical touch. you're not complaining but you shouldn't allow yourself to give in to her wicked spells.

a knock is heard on your door. "yeah, come in," a tall ginger walks into your room and closes the door gently behind her. "hi pretty girl," she looks in your direction and walks towards your bed with a cute eye smile. you gawk at her too long for your liking.

you snap out of her trance, "hi jen what's up?" she stops and flops her whole body down on your bed, slightly wrinkling your sheets beneath her. "mhmm, nothing much. i just wanted to ask if your busy." you giggle at her action, admiring how comfortable she is around you. she stares at you waiting for your response. "why bother asking me when you already know my answer?" you give her a confident look as you raise your brow.

"oh yeah right, forgot you don't have any friends other than me." you sat on your chair, dumbfounded and disbelieving with what just came out of her mouth. you pout at her, tears forming in your eyes. she bursts out laughing at your cute reaction. "ahh, you're so cute." she gets up from her position and heads towards you.

heat rushes through your face as she approaches closer. she forces you up and fixes your hair. "awh, i'm sorry baby." that was the final straw, you thought to yourself. it's unfair honestly. you hate feeling vulnerable especially for something you can't control. you don't even remember when you developed feelings for the taller girl. all you know is that you realized it too late that cupid slapped you right in the face, when you found yourself blushing even with the lightest touch from the ginger. you've held on hiding it deep down, but you don't know whether that's something to be proud of.

she snaps her fingers in front of your face, trying to get you out of your thoughts. "hey, you okay?" you come back to your senses, as you walk past her heading somewhere that's not in her proximity, but you can't avoid her forever. "yeah i'm fine"

she pulls out two tickets from her jacket's pocket, waving it in the air, "since you're not busy... how bout we go see a drive-in movie?" you thought, for the sake of your own feelings, you should turn her down. but at the end of the day, you're still her best friend. you force a smile, "sure thing!"

as you entered her car, you noticed how prepared she was. a neatly folded blanket rests on the backseats, along with a picnic basket and two bottles of sparkling drinks. smells good you thought. you secure the seat belt around you and get comfortable on your seat. "soo, what's the movie going to be?" she smiles brightly at you as she starts the engine. "mhm you'll see."

you both sat in comfortable silence for awhile, until she pulls up in an empty parking lot with a big screen in the middle. "where's everyone else?" yunjin turns to you and a slight smirk forms on the corner of her plump lip. "i don't know, i guess we're early?" you look at her with a suspicious face. "girl.. you're not planning on killing me right" she lets out a loud laugh, "pfft shut up, of course not."

she exists the car first, jogging around the front to reach your door before you stepped out. she opens the door for you while bowing as if you were a princess getting off your chariot. you chuckle, "thank you pretty lady." she winks at you in response.

you shiver as the cold night breeze passes through the thin fabric of your shirt. without a word, yunjin immediately removes her jacket and covers you up with its warmth. the scent of her perfume engulfs your senses causing butterflies to kick in. you stare at her gathering everything from the backseat as your cheeks turn bright red.

"jen this is honestly so freaky. you sure we're at the right place?" she drops everything, and intertwines your hands as she smiles. "it's okay, trust me, just relax." you listen to her and wait until she finishes setting up.

"okay sit please~" you look around and admire the scenery she created. you turn to face her "wow jen.. it's so pretty, you did so good." a slight blush of pink appears on her cheeks, "are you cold? do you want your jacket back?" attempting to remove it, she stops you and awkwardly coughs, "no it’s okay, keep it on." she shifts her body closer to you. “thought it’s a good idea to share body heat,” she gives you a small wink. your body stiffens as she leans even more closer.

eventually, the film started rolling. you smacked yunjin’s arm after realizing it’s your favourite ghibli film that’s being projected. she jokingly winces from your sudden action. you give her a side eye, “you think your slick huh, yunjin". she hums in response.

as the credits play out, she takes your hand and plays with your fingers. “so.. did you enjoy today?” you let out a tired sigh. she looks up at you. “what’s wrong?” your gaze glued to her eyes, not knowing how to explain that she’s the problem from the very beginning. how her small gestures and words freezes the time around you. how her genuine smiles turns her eyes into crescent moons and the silly faces she makes whenever she tastes something delicious. everything about her makes you feel like you’re a ticking time bomb ready to explode any second. however, she’s your best friend. it’s harder to let her go than to dump all your feelings on her. when in reality, she probably only sees you platonically.

“nothing, i’m just a little worn out,” you force a reassuring smile. “okay then, let’s get you home before you pass out,” she pats your head. as you both got up, you stop her and pull her into a hug. you feel her stiffen around your arms but she eventually wraps her arms around your waist, drawing you in closer. “thank you jen, i mean it,” you say into the hug. she grips the fabric of your clothes, “anything for you.” you let go of her embrace, knowing if you’ve held on longer you’ll combust. after packing up, you entered her car and sat in comfortable silence again.

shortly after she pulls into your driveway and parks her car. she gazes at you but doesn't say anything. you should say something, you thought. but your throat's dry and you can't spit anything out. "have a good night honey," her sweet nicknames again, but she sounds a little disappointed. "you too jen, and drive safe." you got out of the vehicle but felt like she expected something more from you.

before you could walk any farther, she gets out of her car and grabs you by the arm. "i'm sorry.. i.." you just stare at her, confused. is there something she needs? did you take something from her? she just sighs. "god.. you're so oblivious aren't you?" she lets go of you. she takes her hands and ruffles her perfect orange hair out of frustration. "what are you talking about." you stood there dumbfounded. "i call you all these cute nicknames, i let you be my passenger princess, i take you out on dates, i cancel all my plans just so i can spend my time with you. but why can't you still see it.." you just stare at her. she sighs heavily. "why can't you see... that i like you?"

a blush of pink immediately rushes on your face and you feel like steam is escaping from the top of your head. you couldn't process what came out of her pretty lips. she likes you. did you hear that right? you pull her in a tight hug. "you're an asshole" you smack her back. "for the longest time.. you made me feel all these feelings for you thinking that if i did something with them, i'd lose you." she lets out her cute chuckle as she wraps her arms around you. your heart loosens, letting go of that burden you hold of crushing on your best friend.

she gently pats your head, "soo.. will you go out with me?" you let her go and fix her hair, "yes, of course." a big grin forms on her face and takes your hand, leading you to your door. "okay, i'll call you later." a dumb smile creeps on your face. "yup, drive safe jennifer." she leans forward with her cheek facing towards you. "a kiss on the cheek will protect me," she smirks. you lean forward about to kiss her until she quickly turns her head, connecting your lips with hers.

you pull back and smack her arm. "wow! you witch." you both burst out laughing. "okay, okay now get in." as you slip inside and close the door, you watch her pull out the driveway and drive off. you lean your back against the door and flop to the ground, punching and kicking the air with excitement.

[lokigonnakmsforbucky]

Sam Winchester NSFW Alphabet

I needed some Sam recently so why not an NSFW Alphabet :) enjoy :))

Rating: MINORS DNI 18+

A= Aftercare (what they're like after sex)

Sam first thought after sex is you. How you are feeling, are you sore? etc. He is very sweet and makes sure to cuddle you for a little while before cleaning you up and giving you anything you need before even thinking of himself. You come first. Always.

B= Body part (Their favorite body part of theirs and their partners)

Even though he might not like to admit it. He is very confident in his body. He is most confident in his hands. Mostly because of how his fingers have an effect on you.

Sam loves everything about you, but if he had to choose he loves the way your hips are curved, so it is easy to grab you ;)

C=CUM (Anything to do with cum basically... I'm a nasty person.)

If you gave him an okay, he would always cum in you. The way it drips out of you turns him on more.

But, if he couldn't that way he loves seeing it on your tits or face.

D=Dirty Secret

Sam loves when he comes down your throat as you give him a blow job.

E= Experience (How experienced are they? Do they know what they are doing?)

He may not be as experienced as Dean but he is experienced nonetheless. You will know everything about his past before you have had sex for the first time, but let me tell you he definitely leaves you wanting more after every time.

F= Favorite position (Goes without saying)

Missionary- him between your legs, your legs around his waist locked together. Up close and personal. He loves seeing your face full of pleasure.

Doggystyle- Remember when I said he loves holding your hips? He loves this position.

G= Goofy (Are they more serious in the moment? or are they humorous)

He is mostly serious. It's a very serious moment of passion and intimacy for both of you.

I= Intimacy (How are things during the moment, romantic aspect.)

His hands never leave your body, he is very handsy and grabby but he always never leaves his lips off your body.

J= Jack off (Masturbation head canon)

It's not often that he does, in the line of work he does. But, when you are separated he may get one or two out of thinking of you. Or even calling you for help ;)

K=Kinks

Sam loves being dominate towards you. Choking you and edging you.

He also has a bit of a breeding kink. Just the thought of you being pregnant with his child makes him more turned on.

L= Location (where you guys would do the deed)

Sam is a very private guy, so any place that is private like his room is ideal.

But, he has taken the impala for a spin...if you know what I mean.

M= Motivation (What turns them on, or gets them going)

When you wear nothing but his shirt and he sees you with a book, immediately turned on.

N= No (Something they wouldn't do, or turns them off)

Anything that would bring you any pain. You are his love and seeing you in pain is his worse nightmare.

O= Oral (Do they like giving, receiving, both?)

Sam is an Oral god...he loves giving it and watching your face come from pleasure and knowing he is the one doing it.

He loves when you give him a blowjob, it gives him another time to relax.

P= Pace (Are they slow? Fast and rough?)

It really depends on the mood. He can certainly go rough and fast but if you requested gentle and slow. You got it.

Q=Quickie (Their opinion on it, how often would they have one)

Sam is a quickies fan even though he doesn't do them often. But, if you and him have time for a quick fix he is all for it.

R-Risk (Are they risky?)

In Sam's line of work, the risk is dangerous. He don't need it in the bedroom.

S=Stamina (How long can you last? How many rounds?)

Sessions with Sam are so hot and heavy, yall be lucky to have three rounds.

T=Toys (Do you guys own toys? Do they use them?)

You guys own a vibrator which is rarely used, You guys both can satisfy with what you get from each other.

U=Unfair (How likely would they tease)

Let's be honest, You would be the one that would that would tease. But, when Sam had enough of the teasing he would definitely let you know.

V= Volume (How loud are they)

Sam doesn't make much noise but expects a lot of heavy breathing. Low growls and grunts.

X=XRay (What's going on down there)

Sam is a big boy, and I don't just mean his height. You can expect that he is bigger than average.

Y=Yearning (How high is their sex drive)

Despite him big majorly quiet and hiding behind a book, Sam's Drive is higher than you would think.

Z=ZZZ. (How fast he would fall asleep)

He would fall asleep a bit after you did.

[crossdressingdeath]

The thing for me with Nevec@nis (censored to avoid the tags) is... well first off I just don't like it as a romance but that's a me problem, not everything is going to be For Me and that's fine and if it was just that I wouldn't be bothered, I'd simply ignore it, but also it just kind of makes me feel scapegoated. Because Lucanis's romance getting locked off if you save Minrathous makes sense! He's busy and he doesn't trust you as much as he would've if you'd prioritized his city and he's just generally not in a position to fall for you. That fits, that makes sense, I genuinely like that. But... then he still falls for Neve. And I want to make it very clear that I don't blame Neve for prioritizing Minrathous (of course she does, it's her home), but at the end of the day where Rook has to consider both options and make a brutally hard snap decision Neve doesn't consider Treviso at all. And again! I'm not saying that's bad! Of course she's going to push you to save her home! Neve has done absolutely nothing wrong and as with Lucanis if you save Treviso she does pledge her faction's help in aiding the damaged city and does what she can to help! She feels like shit about it! But... so does Rook. And Rook at least made a choice; for Neve it wasn't a choice at all, she chose Minrathous without hesitation. So Lucanis still being open to a relationship with Neve when he shuts Rook out even though she also holds responsibility for that choice as the one who pushed them to save Minrathous at Treviso's expense and the one who most benefited from that choice just feels a little unfair! I know that he doesn't blame Rook for what happened exactly, but it feels like he's shoving all the blame onto them! That's the issue I have more than the relationship itself or Lucanis's romance getting locked off; I wouldn't mind either of them separately, or if Lucanis and Neve only ended up together if you save Treviso or something like that, but when Lucanis cannot see Rook as a romantic prospect after they sacrifice his city but still goes and falls for Neve it just makes me feel like a scapegoat, like on some level he's blaming Rook so he doesn't have to blame Neve. And I know that's not the writers' intention and not what Lucanis is doing in-universe, but it just doesn't feel fair or reasonable and it wouldn't be a problem if he fell for literally anyone else and that does really bother me.

[goat-guy-tm]

I was talking about deep analysis of Curly and Jimmy's dynamic in my discord server (which you should join), and I thought "Hey! Maybe tumblr would like this!" So, here this is! It's a rough copy paste of what I said, edited slightly to fit better in a post format:

Also long post warning.

I feel like because a lot of ppl haven't experience people like Jimmy irl they have a hard time understanding why Curly acts the way he does, and by no means is it still 100% okay, but when you know someone that's been mentally manipulating you for years if can become easy to be tunnel visioned to they pain they cause others. I think a big example of that is when Anya shows concern over Jimmy's last psych evaluation but when Curly does it Jimmy (from the little text we get about it) tells him it was just all jokes, which could have been, but when it's just Jimmy and Curly it's much lighter in perspective, because Curly believes him, and Curly sees no reason for Jimmy to lie to him about his mental state (which he obviously was doing as he has quite the psychotic break a few days later)

Not to mention, Jimmy gets quite aggressive at Curly when he notices that Curly is rethinking his career. He activly calls him horrible things for 'not appreciating his position and wanting something new' (<not direct words but overview), when if Jimmy was a good friend he would have been talking about it with Curly. Instead he shames Curly for it, that in Jimmy's mind it's unfair for Curly to not be happy cause Curly has a better seat than him, but he'll frame it as them, the whole crew, to make Curly feel bad about it.

Like, when the rest of the crew learned they were going to be let go after that haul, none of them were really mad at Curly for him being the only one to be given a recommendation and compensation. Yeah Anya and Swansea are upset about it, but only Jimmy is the one to call out Curly for being the only one to relieve special treatment, when it's pretty established Curly is/was one of Pony Expresses' best pilots. But Jimmy doesn't talk about himself during the party. Swansea mentions how unfair it is that PE is throwing them to the side after all these years, Anya almost has a panic attack over not having any money in savings, Daisuke isn't really phased since he's only an intern, but Jimmy gets mad at CURLY, not Pony Express. He even full on calls it Curly running away, as if Pone Express closing them down is Curly's fault for wanting something different for his life

I mean what's wild to me is I'm p sure Curly even has a conversation with Jimmy in the game about how he hasn't been handed anything and has been working hard for where he is. Curly never out right really says it, but he does make mention of both of them working hard. Then again Curly doesn't talk about himself a lot even in conversation (minus the "on the edge of a bridge with your feet in the cememnt" one cause Jimmy made it about him)

When going back through the playthrough, I realized Jimmy is such a well written villian because he convinces even Curly that Curly is the villian here, the one in the wrong. Curly isn't perfect, he is quite literally the imperfect victim, but Jimmy is such a big manipulator that he convinces Curly it's HIS fault all this is happening, that Curly needs JIMMY so that he can fix all this, only for Curly to realizes what Jimmy's been doing when he finds Jimmy curled up outside the cockpit with a ship wide system failure blaring.

Buddy Corl: "Hey, just an idea, would Jimmy keep Anya alive so that Curly can stay alive? He berates her medical expertise but never elects to care for Curly beyond feeding him pills."

I'd say 50/50. A big thing is Jimmy quite obviously doesn't view Anya as a person, or at the very least views her as bottom of the barrel useless, but after the crash and with Curly how he was, there was no way he'd be able to do it and survive, because the entire time Swansea has the axe and Jimmy even recognizes that if he steps out of line too far within the lines of "I'm captian so I say so", then Swansea would basically usurp him. His own personal caring for Curly was most likely to keep him suffering. He voted on keeping Curly alive, and unless he was just trying to blend in with the others, then he did it because he wanted to keep Curly suffering.

Friend Corl again: "There was a Tumblr post that claimed the hands of the others were missing (the overview angle of Curly on the table was used as evidence) but this could just be the angle of the scene itself as he was going to die shortly after."

Hm, it could have been either the angle, a rendering choice from the devs or Jimmy could have cut their hands off. Idk why he would only go for the hands though, since he seems to show full intrest in cannablism. But you could chalk it up to a concept of keeping them from being able to do anything. Yes they are dead but Jimmy is far gone enough to believe that cutting their hands off could still make him better because they can't do anything to change what he's done.

Anyways that's it! For some context on why this is so important to me, from elementary school to the end of middle school I had a 'friend' that I was extremely close with. She was a horrible person who mentally, emotionally and physically tortured me for years, but since I was a child I never saw anything wrong with it. I would even rush to her defense when people would point out to me that what she was doing was bad. Now a days I hate her, and I love to talk shit about her, but I think a lot of people don't fully take in Curly's actions because they haven't gone through that (and they shouldn't, mind you).

I feel for Curly a lot, because I see myself in him in how he tries so desperately to protect someone he didn't even realize was killing him. Curly isn't perfect, and believe me I wasn't perfect when I was friends with her. She made me act out against people to gain her approval, she made me bitter and mean to others, do things I would never do. Very few people acknowledge what an over powering manipulator that has been controlling you for years can do to a person.

[mitsuyaya]

[ panacea for the insomniacs ] itoshi rin

⁠♡ contains: 1k+ words. MDNI, smut, characters are aged up (18+), afab reader, teensy fluff, oral (f! receiving), use of pet names (angel, good girl), kissing

⁠♡ summary: you have trouble sleeping and rin just knows what to do to help you fall asleep.

triple treat masterlist

you want to sleep, really you do but it's like there's something keeping you awake.

whether it's because you're excited or nervous for tomorrow, you honestly don't care—all you want is to lay comfortably by your boyfriend's side, close your eyes and sleep soundly until the sound of your alarm wakes you up the next morning, seems like you won't have that kind of luxury tonight.

“go to sleep” rin must've felt your incessant movement: tossing and turning in hopes that you could find a comfortable spot that could make you fall asleep easily.

he scoots closer to you, eyes still closed as he wraps an arm around your waist to prevent you from moving further.

“I can't” you whined. drowsiness is weighing down on you, your eyes already drooping but your brain refuses to let you have a peaceful night, still active, torturing you into being awake for hours.

“you can, just close your eyes and stop moving” he groans, burying his face into the pillow. “wow, that's so helpful, thank you very much rin” you replied, sarcasm coating your words.

“stop being nervous then you could sleep”

“how can I not be nervous if I'm going to meet my boyfriend's family tomorrow?”

rin sighed, already frustrated, his hand that was on your waist tightens, “you're just meeting them, what's to be nervous about?”

you turned to face him, his eyes were now open, staring at yours. he was about to speak when you flicked his forehead, “duh, because it's your family, I have to leave a good impression or else they won't like me”

rin rubbed the spot where you flicked him, “that’s stupid” he pinched your cheeks, gaze still glued on to yours, “they’ll like you trust me and if they don't then so be it.”

“that’s reassuring but I still can't sleep” rin sits up, his back facing you. “you really want to sleep huh?” you nod, wanting nothing more than to rest your already exhausted body and to save energy for tomorrow.

“fine” he turns to you, there's something sinister that flickers through the corner of his eyes, something that sends your stomach ablaze, exploding into a million pieces. rin lowers himself, his breath tickling your ear, fingers twirling a strand of your hair.

“I know something that can make you fall asleep” before you could even ask him what it was, his free hand had moved from your side, lingering to your clothed stomach and into your thighs that are pressed together. you spread your legs to make room for him, earning a ‘good girl’ and a kiss on your cheek.

rin slides a finger over your panties, feeling it grow wetter each passing second, you drew in a sharp breath from the sensation of his fingers over your clothed cunt.

“h-how can this help?” he let out a breathy laugh, he sounded so hot, so hot that it made you squirm even more.

“you easily fall asleep after we do naughty things.” without leaving you room for rebuttals, rin captures your lips in a searing kiss, lips moving together in perfect harmony, dancing with pure lust.

rin gently traps your bottom lip in between his teeth, giving it a gentle bite, you whine, giving him an entrance to push his tongue inside.

rin doesn't waste time in claiming every part of your mouth, the sound of your lips clashing and him sucking your tongue occasionally fills the room. he pulls away first, a thin string of saliva connecting the both of you.

“what do you think?”

“w-what about you?”

“huh?”

“i-i mean you won't get to you know, isn't that unfair?”

god if you know just how cute you look in that moment.

rin laughs, moving from his position to your side, to in between your spread legs. “that’s so sweet of you, even worrying about me” he hooked his fingers into the waistband of your panties, the pads of his fingertips brushed against your warm, soft skin.

“you’re so kind, angel”

rin sunk his teeth into his lip, a primal groan rumbled in his chest, as he removed the last article of clothing from you, a string of arousal clinging into the fabric.

tossing your panties to the side, he lowered his face, placed a kiss on your thigh, barely close to the spot where you need him the most, “but you know, you don't have to be worried about me.”

he places a kiss on your clit–soft, gentle, but the sadistic look on his face says otherwise, “I’ve been satisfying myself away from you this whole time, if I didn't then I would be deep inside you right now.” that was the last thing he said before he delved into your pussy.

rin’s tongue traced the length of your dripping slit, so eager, so willing to please. your hands gripped the bed sheets tightly, back arching as he worked his tongue inside you, the sweet taste of your pussy dancing on the tip of his tongue, lingering in the back of his throat.

“fuck” he curses, coats of your essence started to dribble from down on his chin from the erratic movements of his tongue, drool dripping from the corner of his lips as he ate you out like a man starved.

he parted your folds with his tongue, twirling it teasingly around your aching cunt before latching back onto your clit.your hands flew to his hair, pushing him even deeper, rin moans against your dripping hole from the sensation, his eyes blown with lust and desire.

the pleasure that gnaws at the pit of your stomach makes you want to shut your eyes, to fall deeply into the pit of ecstasy but you couldn't, you don't want to, not when your boyfriend is putting an erotic show all for you, to help you.

rin’s mouth worked like magic, had you trembling within minutes, hot coil winding tight in the pit of your stomach as you rocked your hips against his face.

“s’too much gonna cum” you warned, toes curling into the soles of your feet as you squirmed, your body becoming rapidly overwhelmed with the pleasure rin brings you.

“yeah? then cum, cum for me” your pussy throbbed as the coil in your stomach finally snapped, eyes snapping shut as your body trembled from the intensity of your orgasm.

after rin makes sure to slurp all of your juices, he pulls back from his position, wiping your arousal from his chin and mouth. he takes a look at you, at your already asleep figure, see he was right, you do fall asleep faster if he use this method.

“good night angel”

[sevikas-biceps]

[TLDR: me rationalising and then ranting about why Caitlyn and Cassandra are both in the wrong]

Y'all. We love Cait, and we do stan Cassandra in some regards—but be fucking for real. Think of them as real people, in the real world, doing real things. Y'all would hate them. I'm putting Cait's gay love and Cass' gay support aside—because I really do feel like a lot of people gloss over their flaws just because of the queer rep and allying.

Think of it. The Kiramman's ventilation system was the bare fucking minimum being done for the people of Zaun. Caitlyn weaponising it is literally a violation of human rights practices. We know how privileged Topside is, we know there are at least sympathetic characters out there—and both of these are true for the Kirammans. What does this imply? That the Kirammans were essentially one of those at the top of the hierarchy, and this put them in a complete position of ability to help.

But they didn't. That's the issue, people.

One of the previous matriarchs putting the vent system into place was to solve the matter of the air pollution, yes—but arguably, the people of the Undercity shouldn't have had to deal with that problem to begin with. Cassandra might've been aware it existed; she gave her daughter the key, after all. However, that does not mean she actively came to the aid of the people of Zaun. Hell, do you think she was even aware of Silco, for instance? At the beginning? Maybe she'd've heard whispers from informants, about some old peacekeeper people called the Hound, and then about some mysterious tycoon taking his place. Maybe Grayson said something about the Undercity's concerns in the past, during the time of the first insurrection, but the Council took no note of it. Maybe Cassandra had someone else in place to make her dealings, if ever she dabbled in that black market shit.

Whatever else you can think of with that line of thinking; at the end of the day, it just proves that Cassandra herself was only another person stuck in the cycle—she did her job, she was cunning and selfish, she played the game. It's just business. It's just politics. No more, no less. The original line-up on the Council had members that were either ignorant, negligent, or corrupt (and yes; that includes Heimerdinger, Mel, and Jayce you guys)—and Cassandra was no better. Again, they all were part of the same damn cycle to begin with.

What makes Cassandra remarkable as a character—to us, the audience—is that she's remembered as someone redeemable because of her love for her family, for Caitlyn; that she was willing to try for her daughter's sake and happiness. Caitlyn. Not the city, not her kid's new girlfriend, and most certainly not Zaun. Above all else, it boils down to her little girl. Her only child. Cassandra being on the Council meant that she could give that child the best life that she could; Cassandra being on the Council meant that the child has a future. It implies that peripherally, she was aware of the Undercity's issues—hence the little frustrations exchanged about Caitlyn becoming an officer and venturing into the Undercity in Season 1.

That's her redeeming quality. Duty for family.

[If you want a visualisation of her actual nature, I'd honestly recommend using Olenna Tyrell, Tywin Lannister, and Jon Arryn from ASoIaF/GoT as points of reference.]

Now, onto Caitlyn herself. Credit where credit is due; the girl is in the middle of grieving, and she's being denied the chance to have even that. She doesn't deserve that. No one does. It would be unfair to deal her an amount of resentment for going unstable, when we'd all been rooting for Jinx for half of the same reasons in Season 1. But that's the issue: half of the same reasons.

Let's be honest for a quick second here. Do we really think Caitlyn would've ever gone down to the Undercity had Jinx never attacked on Progress Day? With someone like Marcus hot on her trails, if he lives in this hypothetical alternate reality, I imagine she wouldn't even be placed near the bridge(s) to begin with. And if, in canon, he'd survived the explosion, I can also see Caitlyn being put on house arrest—because if Marcus himself is outed as working with Silco (similar to how Grayson did with Vander), then that's all the more reason to keep the Kiramman heiress away from danger, or worse, death. If things are so bad that the Sheriff, symbolically a paragon of justice and protection, resorted to consorting with the enemy...well, what then? What does that say about the system? What does that say about Piltovan society?

Back to Caitlyn. I'm a firm supporter of the idea that she never would've been put into a potential line of fire had life gone on normally. If Jinx never stole the hexcrystals, then Caitlyn would have no reason to snoop around; Vi is still in Stillwater, Silco is at large, and so on and so forth. Caitlyn remains largely ignorant of the world she lives in. It's noble that she genuinely wanted to help people. But in a place like Piltover? She'd be worse than Jayce when Season 1 began. I'm sure she'd no doubt notice the surrounding manipulations in her life, or how flawed their reality could be—but the point is, at the end of the day, it's still a privileged life that she leads.

Let that word sink in. Privileged. This isn't to disparage her original desire to make her society a better place—I do think that Caitlyn has the potential to do so if she exerted her efforts into long-term developments that could fulfil that vision. But this is where it gets tricky—especially in the context of Season 2. She had all of those resources at her disposal. She was aware of the consequences in using them—how it might affect civilians, innocents. And she still did so anyway. Strike one.

For all that she was a decorated officer, it's really the personal vendetta against Jinx that made her unfit to lead the strike team to begin with. I imagine Vi refused the enforcer position at first not just because of her and her people's history with the authority, but because it's so blatant that doing so enabled Caitlyn to act in her anger. By accepting the badge, Vi validated Caitlyn's need for vengeance. Not that Caitlyn is unreasonable in wanting such a thing, mind, but what is unreasonable was how tone-deaf she'd become in the process of grieving, forgetting that it's not just her own interests on the line, but others' too. Strike two.

There's nothing wrong with Caitlyn at the beginning—the girl just wanted so solve a crime. But then circumstances came up. And then, all of a sudden, she has to choose between duty or self-interest. What the show does is that it gives a convenient solution for Caitlyn to be able to serve both her duty and her own self-interest(s): invade/scour Zaun, she catches a criminal and delivers justice for the Council; find Jinx, Cassandra is avenged and Vi may find closure. The fight at Janna's temple is where it all indeed goes to shit, as we can see, and that's where Caitlyn really slips off in my opinion. She'd toed the line when she asked Vi to wear the badge—but it's really when Isha (a child) got involved and later on when she struck Vi herself (a betrayal), that her motives get warped. Strike three.

My main argument is that Cassandra and Caitlyn were both in the wrong, in one way or another, albeit for different and varied reasons. The former didn't do enough for the situation at hand, and the latter seems to be doing too much at once. Cassandra herself seemed to have enabled her daughter's worse traits, too, whether directly or indirectly; and this is what makes up much of the character that we see Caitlyn evolving into.

There are many aspects of both mother and daughter that have always been there, or, at least, have had the potential to be there, such as: the ruthlessness, the narrow focus, the determination, the strictness—and, most of all (and I have a feeling this is going to be controversial), the hypocrisy. We know, for a fact, that Caitlyn and Cassandra are at least self-aware. To merely label them as naïve or inexperienced (to life) is a gross disservice to their characters. On some level, they're cognisant of their status and ability in society (evidenced by baby!Cait's scepticism regarding Grayson's trophy, and Cass' agreement to support their case at the Council meeting)—and they both have exacted measures in the face of what is demanded of them.

This is the reason that Caitlyn weaponising the Grey, using the Kiramman's ventilation system, is more or less unforgivable. Just because it had Vi's hesitant approval, it didn't make it right. Vi counts as an unreliable narrator in this case—when we know that she, in multiple instances, easily caves when someone she's attached to doubles down on her.

We, as the audience, can at least agree on the moralities regarding the authorisation of the strike team; and that means that we, as people analysing the show, can also agree that the effects of an act such as using the Grey can be devastating. We see this in Viktor's chronic illness, we see this with Silco's asphyxiation trick on the Chembarons, we see this when Jinx knocks out Sevika, we see this in Cassandra's notes. Stop trying to downplay the Grey. Stop trying to justify a fucking war crime. 'Oh, but it's just knock-out gas'—baby, no it's not. It's really not. Smeech explicitly says this: factory smoke trapped underground. Smoke. It's still gas. There's no safe way of administering it in high doses. That's like smoking Marlboro Reds taken beyond the extreme, and fuelled by gasoline of all things.

I'm not villainising Caitlyn, but some of y'all also need to stop excusing what she did—and I'm saying this because a lot of you also did the same with Jinx in Season 1. For the lack of a better example; it's very much like excusing what serial killers of the past had done because they were 'interesting' or 'charming' or hell, relatable. Be Gay, Do Crime is most definitely not applicable here, you guys. Seriously.

That is literally the reason Vi snaps at Caitlyn after the fight with Jinx. Why are you the one acting like her? It's not just a comparison between Caitlyn and Jinx, it's not just vendetta against vendetta; in a broader context, Vi is asking: Why are you resorting to the same acts of terrorism? Why are you enforcing the same tactics your predecessors used? Why are you turning into what you once swore not to become? Why are you doing this? What are you turning into?

Vi asked Caitlyn to promise her not to change. But she did.

Why are you betraying yourself?

[projectjasper]

i started penning a post about how i always find it narratively unsatisfying when an arc ends with a conclusion the following arc breaks, regardless of how realistic the repetition of the same mistake might be, which is still true, but i actually want to talk about something else right now.

i feel like, at least at this stage, jack is in a position that is both generally unrealistic and untrue to the specific events of the series. 'jack and joker' has a clear focus on poverty and money and class issues, but it seems to treat jack in a very special way. he somehow manages to stand on the moral high ground above other characters. specifically, other poor characters. which is, first of all, a little ridiculous, since he was indeed a debt collector and, in fact, almost became the boss's son. and, second of all, is generally Not Great, because it does idolise the idea that if you "just try hard enough", you won't "allow" yourself to be backed into a corner and therefore won't have to do bad things.

now, don't get me wrong, i am not saying that our characters who have made mistakes are completely blameless. tattoo did shitty things (and hoy followed suit), safe did shitty things, hope frankly admitted to enjoying doing shitty things. however, if we zoom out a little, we will see that all these characters are in a situation that is inherently unfair to them. we have all of these poor people in immense amounts of debt and then we have this disgusting rich motherfucker whose entire wealth is literally based on making their lives as miserable and unfair as they are. and i think that, in this particular case, the series would have actually benefited from a dichotomy. don't get me wrong, i'm usually absolutely brimming with nuance and also asking "what lies outside of it?" but this shall be my exception. (though you could say that joke already brings some nuance to it - he is initially from a well-off family and he actively makes choices to the benefit of poor people, despite it resulting in him being ostracised from said family and its riches).

jack walks the line of being poor and managing not to do anything "too bad" like he is a fucking circus performer on a wire. and, don't get me wrong, he is genuinely a selfless character. he makes choices that a lot of other characters in the same circumstances wouldn't make. he remains in debt and continues working for the boss because he keeps trying to help people and pay off their debts first - that is admirable. however, he himself was already set up for more success than others. sure, being forced to become a debt collector isn't a walk in the park, but most other debtors didn't even have that choice. jack has to work for the boss in order to stay afloat - that is an undeniably hard task. the other people the boss collects debts from, however, have to come up with a lot of money out of thin air - that is not simply a hard task, that is an impossible one that is designed to trap them in the cycle of doing this impossible task forever. that being said, ultimately, jack is still poor. his own hamster wheel should be somewhere around the corner, that's always the case. this idea is where i wish they would have taken jack's arc.

from the moment when he refused to marry rose, there was no escape for him. finally, much like our other poor characters, he found himself stuck between a rock and a hard place. (and i think that it's very thematically appropriate for jack's particular "i can't do this anymore, i deserve to live a full life" sentiment to be connected to love, since he is, after all, a lead of a romance drama). he made the decision to say "no" and from that point on, he was completely and utterly fucked. because, realistically, that conversation that he had with the boss after refusing rose was insane. i don't know what he would have done to jack exactly, if that was a genuine conversation and there was no exchange of jack's freedom for the ring, but it would not have been anything good.

so i wish jack had to make the actual tough call there, instead of having joke save him all on his own (and later take the fall for it). and if it was, at least in some capacity, jack's decision to steal that ring, he would finally be placed in a situation where every other poor character already inevitably found themselves in. because the entire system is rigged against all of them and they are eventually always forced to do things that they should have never even had to consider in the first place. but they deserve better than living a life set up for them by evil rich people who literally live off of their suffering and they are allowed - no, at some point they simply have no choice but to - fight for a better life.

this, in my opinion, would have been a much more powerful message and - not to circle back to my personal preferences - would have also not left us with joke making the very same mistake that we decided we should never make again at the end of the previous arc.

[beautifulhigh]

Hi hi!! It's unfair of me to ask you to actually write the full essay on the rwrb red room kiss scene, but I saw your tags and am very interested in at least what the main thesis would be, if you feel like sharing!! No worries if not 😊 Have a good night/day/whatever time it is where you are!

The last few weeks have been, well. They've Been™ and I'm going to use this wonderful ask to dust off my overthinking tag and write a meta post on this movie, these boys, and then hope more than three people care what I have to say.

The Red Room kiss scene is Iconic™ and Important™ and in this essay I (really) will discuss agency, framing, and why it always had to be Alex to be the one to make the move.

While book!Alex takes book!Henry to the Red Room, here he's waiting. Bundle of nervous energy. He doesn't know what to do with himself, how to hold himself, how to present himself when Henry turns up. He's backlit in this (which is a theatre technique, I see you Matthew) but it also adds to the drama and tension of the scene.

The (in)famous painting of Hamilton, about to bear witness to things.

We jump cut between Alex trying to find... something. Here he is realising his shirt has come slightly undone and he wants to try and be somewhat presentable. At least for the moment. But it speaks to Alex's physicality in this scene because he is shifting and moving so much that his clothing is shifting. There's also an interpretation that this suit represents the formality of the situation - the Prime Minister's dinner, at which he (the First Son) and the boy he wants to kiss (the actual Prinec) are supposed to be front and centre and the picture of formality.

He's coming undone in this moment because he's the First Son and he's waiting for the Prince, but he's also Alex and he's waiting for Henry.

Ah, yes. The casual lean against the wall. Fancy seeing you here, your Royal Highness, what do you think of the menu? But there's grounding here too. When you're spiralling focusing on a physical point of contact between you and and something can help ground you.

It's also a defensive stance in a way. You shall not pass, I'm not moving. Alex is claiming space and territory and he's controlling it.

"How dare you fucking kiss me, run away, ghost me, then walk into the White House like nothing changed." This is closed off, defensive, protective - probably why it's the quickest of the poses to be dismissed. He's got his back against the wall like he's scared or ready to come out fighting. And, in a way, both of those are true.

Book!Alex is mid-crisis on his bisexuality and while he logically knows he is very much into Henry, he's not gotten to the point of turning theory into reality.

Movie!Alex is more chill about being into guys, but this attraction to Henry is confusing him. He hates the guy. He wants to punch him in the mouth. With his mouth.

(What? That's literally book canon: and if he weren’t already hell-bent on destroying Henry’s infuriating idiot face with his mouth right now, he would consider doing it with his fist.)

Casual lean against the table, less staged and jarring than the extended arm against the wall.

But then Henry walks in and Alex stands to attention and he is... rapt. He is calm and composed and he is focused. We're back to the back-lit position which helps frame him with a near-halo effect.

And you can see that he is relaxed. There's a slight drop in the jaw, his shoulders are sloped and rounded. Because none on what he was trying to convey before matters. Henry is here.

"Look" he starts with - he's expecting a fight. He's expecting Alex to go off on one for the kiss, for the liberty taken. Even if Alex is willing to forget that it ever happened, take Henry's secret to the grave, Henry gets one thing right in this.

"my behaviour was appalling"

Because it was. Look, Hen, I love you and I'm with Alex in the feeling that I will go to war for you to see you happy and safe. But you did kinda kiss him without consent (harsh reading) and you did ghost him without apology (soft reading) and for a boy raised in the Royal Household that... well... it's pretty much top items on the Very Bad Behaviour list. He did not act with decorum or dignity, he did not act in the way that his status and position demands.

(That's OK, Hen. Because the boy under the linden tree wasn't the Prince. It's OK to not be him, and Alex is going to spend the rest of his life loudly loving the man, not the prince.)

"Shut up, stop talking." // “Shut up, shut all the way up, oh my God,” Alex hisses

Because even though both versions of Alex said he wanted to talk to Henry, in the moment that's the last thing he wants to do. And actions speak louder than words, right?

Why it had to be Alex

Henry needed to make the first move, that New Year's kiss, because there needed to be something to make Alex realise that this thing he's feeling is very much reciprocated, and that Henry wants it too. If Alex had kissed Henry for the first time on New Year's Eve/Day then it would have been too much of a leap. Alex, at whatever stage of his bisexual journey, has no clear idea of Henry's orientation at that party. It's only with retrospective viewing that he realises that Henry was low-key flirting, and that the sharing of these deeply personal moments wasn't just a "two bros in a hot tub" thing.

So Henry had to kiss Alex first but then he had to run because there was no way that the mostly-closeted, private Prince could accept that a) he fucking kissed a boy, b) said boy is the one he's been dreaming of since Rio/Melbourne, and c) the boy kinda?? kissed him back?? Henry will have been having a low-grade anxiety attack all through January (and trying to reclaim some control with the date he went on in the book).

In this moment, Alex knows all the pieces. He's played this logic game to its conclusion and he knows all the facts. 1) Henry is gay. 2) Henry is into him. 3) He's into Henry. That last fact is something Henry isn't fully aware of (or at least can't bring himself to believe it to be true) and so it has to be Alex.

He doesn't want Henry to say something that would get in the way of this, doesn't want to hear any kind of pre-prepared speech of "yeah, we're better off as friends" that always happens when the couple get too close to getting together too early in the run time. Alex is full on shutting that down, shutting Henry up, and he gives as good as he got.

"Wait a minute" // Henry’s too shocked to respond, mouth falling open slackly in a way that’s more surprise than invitation, and for a horrified moment Alex thinks he calculated all wrong, but then Henry’s kissing him back, and it’s everything.

And this time it's both of them. Framed between Hamilton and the books. The American political trailblazer and the literary. In the space between? There's our boys.

Alex's hand is on the wall again and he's controlling the space but Henry is very much in it. He's protective but in a different way.

In one frantic motion, Alex knocks the candelabra off the table next to them and pushes Henry onto it so he’s sitting with his back against—Alex looks up and almost breaks into deranged laughter—a portrait of Alexander Hamilton. Henry’s legs fall open readily and Alex crowds up between them, wrenching Henry’s head back into another searing kiss. They’re really moving now, wrecking each other’s suits, Henry’s lip caught between Alex’s teeth, the portrait’s frame rattling against the wall when Henry’s head drops back and bangs into it. Alex is at his throat, and he’s somewhere between angry and giddy, caught up in the space between years of sworn hate and something else he’s begun to suspect has always been there. It’s white-hot, and he feels crazy with it, lit up from the inside. Henry gives as good as he gets, hooking one knee around the back of Alex’s thigh for leverage, delicate royal sensibilities nowhere in the cut of his teeth. Alex has been learning for a while Henry isn’t what he thought, but it’s something else to feel it this close up, the quiet burn in him, the pent-up person under the perfect veneer who tries and pushes and wants. He drops a hand onto Henry’s thigh, feeling the electrical pulse there, the smooth fabric over hard muscle. He pushes up, up, and Henry’s hand slams down over his, digging his nails in.

The sensibility of the suits is on its way out, they're not the First Son and the Prince. And Alex is taking the lead.

Agency

Henry is somewhat passive in this - although he is fully engaged - but it's Alex who set this in motion. Pun intended. Alex who pushed him against the wall. Alex who pushed him up onto the table and hiked his leg up around his hip, Alex who is driving in. Because Alex needs Henry to know that third fact. The one he's worked out, the one that Henry is just catching up with. This isn't payback, it's not some prank. Alex Wants™.

There's a scene I'm writing in my current FirstPrince WiP in which Alex and Henry have a charged moment. And Henry wants to act on it but those princely sensibilities get in the way and he can't let himself be led into doing something that could be used against him. If Henry made all the moves then the accusation of him taking advantage, of the inherant imbalance that comes with status and titles and positions of power. So in the scene, and here, Alex takes the lead. There's no way anyone could accuse Henry of forcing Alex into doing this.

(Good luck getting Alex to do ANYTHING he doesn't want to.)

So Alex gives and Henry takes and he gets the memo very quickly.

Fact number three. Alex wants this too.

Then Movie!Amy walks in on them (which IMO is way funnier than Book!Amy hissing through a crack in the door) and these idiots try to act like they weren't redefining International Relations a second ago. Alex is by the painting, Henry is by the books. They've gone back to their sides and they're playing at being interested in what they find there. But they're not, it's all for show, someone who gives a passing glance at this point sees this part of them, this side of them The First Son and the Prince: the politician and the literary.

They're both backlit, they're in line even if it doesn't look like it, Alex is no longer on Henry's right, and they're both trying to act like the people that others could see them as.

But we - and they - know better. 1) Henry is gay. 2) Henry is into Alex. 3) Alex is into Henry.

4) Everyone is on the same page now.

(Also I know Casey talked about seeing the Red Room on a White House tour and so that's why they included a scene in that room in their book, but I cannot ignore the fact that red = love and passion and danger and fire [the counter to the water motif] and it's a warm colour designed to excite.)

[bird-inacage]

Net x James: An important reminder that BL partnerships consist of two individuals and they are not just a single entity.

So the Netjames news has been a notable bombshell in the fandom of late, and I've been quietly observing this as it unfolded earlier this week, particularly the varying reactions and discourse around it.

In his statement, James explained that his current career goals are moving in a different direction, which has resulted in him pulling out of 'Love Upon a Time', and by extension his acting partnership with Net. He wants to explore his other avenues as an artist, whereas Net is presumably focused on acting for now.

With BL partnerships, we often see the two co-stars tied at the hip. Its part of the gig and it comes with the territory. They don't just work together on their project, but they do a huge amount of activity (both public and private) outside of that. They travel, perform, they do fan meets, press events, and spend a huge amount of time together as a twosome. So we get accustomed to seeing them as a united entity, which means news like this tends to hit harder because it feels akin to a divorce. This is one of the pitfalls of the Thai BL industry. When you create a narrative around two people who exclusively come as a package, it makes it incredibly difficult for both the actors themselves and fans to accept or make peace with any possible deviation from that. I think it's natural for any actor or artist to desire collaboration with different people: to develop their craft, to further their experience, to broaden their versatility. If sticking to only one working partner 'for life' doesn't work for them, I completely empathise with that.

In their recent Instagram lives, Net and James were clearly sad and their feelings still very raw. This led to a lot of speculation regarding any ill-feeling or fall out between the two. But such accusations can be harmful. Even in an amicable or mutual break-up where ending a relationship is in both parties' best interests - the two people involved are still grieving. Being brutally honest and transparent with someone close to you, that things can no longer continue as they are, isn't easy. If fans feel upset, just imagine how difficult this is on them both. When you've been nurtured as a partnership from the get go, your co-star whose always been at your side provides a sense of safety and familiarity. And the prospect of now moving forward without them is a scary new unknown. On top of that, they probably feel an immense amount of pressure and guilt in digesting the potential fallout and response from their fans. There will be trepidation in how well their careers will fare in the immediate aftermath.

Despite this, there are also positives to be taken from this decision. Arguably, Net and James were still in the early stages of their partnership. Bed Friend really put them on the map as a couple. So for James to come forward with this realisation now, before they got too established as a pairing was a responsible thing to do. I'm sure the last thing anyone wants is for their favourite artists to feel stuck or obliged to continue working together, which would undoubtedly lead to feelings of resentment eventually.

So respectfully, these instances are not to be taken personally or to be deemed as a betrayal of your support. After all, what we know of these artists is only a very small piece of their identities as people. It's okay to be devastated, but be respectful of their wishes. You can choose to continue supporting them as individuals, or choose to no longer support them at all - either way, you are perfectly valid and entitled to your choice, just extend the same courtesy back and be mindful of casting unfair judgement on their choice.

For me, it is admittedly a shame because I did see great potential in them both as a pair, and they had fantastic chemistry which could have been nurtured with more time and experience. Regardless, I truly believe they both have immense love for one another, and I wish them both the very best. They've just come to terms with the fact they no longer share the same vision for what they want in their careers. And that's okay.

(I will always be grateful that they gave us THIS iconic moment).

[iceinwhb]

Thank you for posting a bit of Lucifer's new card. Yet again PB tosses any sense of player agency out the window. If they want us to like MC, or feeling like we're part of the story as MC...then they're doing a bad job of it.

Ohw, you don't have anything to be thankful for. I would like to bring you more stuff about it, but unfortunately I am part of the people who don't want to buy a nightmare pass card.

I would like to advise that if you want content like this, follow an awesome account that allows us to have a little more information about the Lucifer card; Hikifans (I recommend you to follow the account because there is always whb content that most of us F2P people don't have).

Well, I've already reconciled the idea that Mc is so silly and insipid that sometimes can… work, and sometimes it doesn't, but its change comes with the course of the main story, because the cards are solely for the purpose of fuck with demons.

And I wouldn't want to disagree with PB, precisely because my content goes specifically to this, but I do tend to think it's a company like any other, and all they want is money, regardless of the players.

The price is truly another level compared to other gachas, both new and known, and yes, it seems unfair to me, I also don't feel they want to do it differently when they see the opportunity to make more profit than they didn't have in their other games.

And I want to add that I don't really understand the reason for making it so expensive, if the highest price of LU for a pack is around 26 dollars, and in Doki Doki, 15 dollars the most expensive of the week, then PB does know how to manage affordable prices for their players, and they can also sell the cards separately, and it would be dozens of times better, but no. I know they are aware that the players only pay for the card, not for the materials that can be obtained for free in the game.

So yes, you are right when you say they are doing it wrong, but only for us, the players.

And from this, I can give you even more bad news. There will be cards with the same position as Lucifer:

And I don't have the slightest confidence that it will be free.

On the other hand, if you wonder where all the money you spend on the game goes, I think PB is trying their best to stay afloat, that's why I don't think that for the moment, they are going to address players' complaints. In fact, they themselves said that they were “too busy” developing whb that it was impossible for them to reply to every single comment.

(And what I actually believe they were developing:

And I am sure that if they made a Raphael, there is also a Gabriel and a Michael.)

And I'll try not to contradict myself by saying this, because it depends on how you see PB and if you still believe in it to keep playing. On my more intimate side, I'm just here to bring you nice content and continue in the fandom, because it's one of the nicest fandoms out there.

[i984]

Blazing Promises | Part 5

|Pairing|: Wednesday Addams x gender neutral reader

|Warnings|: Hurt so much hurt God pls help our poor souls, Wednesday has severe relationship trauma because of a certain normie, comfort at the end tho, kiss the pain away, you both cry in this one, tell me if I should add more warnings

|Summary|: Wednesday Addams breaks down in front of you.

|A/n|: Here is the last chapter to the mini series, check end of fic and replies for more. Song is I Don't Want to Miss a Thing by Aerosmith

· · ─────── ·𖥸· ─────── · ·

Terrible.

That's the word for how you look right now.

And that's also the word to describe what Wednesday had done to you. She knows this, so as she stands outside your door looking at your puffed-up eyes and your quivering lips, her feet dread to take a step.

Get inside. Just do it. Now.

So she did. Her gaze tears away from yours to the floor, and she shuffled across your room. The space feels vast. Suffocating. What had she done?

She noticed the sweaters first. Her sweaters sprawled across your bed. Then the tissues—you quickly pick them away and throw them into the bin near your desk. Atop your desk, the trigonometry workbook is still there where she left it; the pages closed before much is filled in.

The room was dark, save for the dim light from your stained window. Somehow that made Wednesday feels tense. She doesn't like this. She doesn't like you. Not in this state. 

"What did you come here for?"

Your voice was hoarse. You must've been crying.

"I wanted to talk."

Her voice was frail. She felt weak. 

You kept your distance from Wednesday. Like you were scared of her, revolted of her. And you should be. After all, she'd hurt you.

Say it. It's now or never. 

"I'm sorry."

You can hear the strain in her voice—like she had to shoot her ego down with a silver bullet. Like it was hard for her to even say she was sorry. To show that she's apologetic.

"You should be."

And Wednesday can see the agony, the rage in your features. Your chest was heaving while you pressed your lips into a thin line. You were trying to keep your cool, to not scream at her; her words, her actions, the foolishness that comes with it.

You looked like you'd been robbed of your vitality, your strength. And the sight ripped a giant hole in Wednesday's heart. How could she hurt you that badly? You give her honey, and she feeds you poison. Wednesday feels a terrible weight pressing her shoulders; thick fog enfolds her mind.

You were her light. Her flame. But now it's flickering, and Wednesday fears herself getting plunged into darkness. The kind she has grown abhorring.

And though Wednesday's little black heart wrenched and twisted at the coldness in your voice, she couldn't bring herself to show it. Show how much it hurts her. Because she knows she deserves every sting and burns that blazes her entire being now; you must've suffered through worse. 

"I know," Wednesday feels like her skull was about to bust open, "and I..." She couldn't find her words, and it was killing her. It was unfair that she'd put herself into this position, a conversation she couldn't finish. A sentence she can't end.

"You what, Wednesday? I don't have all night."

Run. Or stab your heart and pull the blade out. Do something.

But she did neither. She did nothing. Wednesday only stands there, her body slumped in defeat. 

Defeat, she couldn't admit it. Succumbing to it would mean losing herself. Losing you. Did she already lose you?

Wednesday lets out a shaky breath, her fingers messing with the hem of her black shirt. Her mouth opens and closes a couple of times before she speaks, "I feel things," and she stole a quick glance your way, "for you."

Was that enough for you to understand?

"What things, Wednesday? Because I thought we felt things before, and you said those things weren't true."

You were pricking needles to her skin; the truth carried in your words slitting open wounds in her mind. Was this what you felt the last time you were with her in this room? Oh, death. Even death wouldn't bring her the sweet relief from this torment.

"I don't know." 

You scoff into the room at that. "Of course, you don't."

Wednesday feels herself shrinking in place. She feels small, and she wants to give up. But even that feels wrong. She doesn't know what to do.

Just say anything. Choke yourself if you have to. Jump off the balcony after all this is over. But right now, talk.

"I feel things," Wednesday tries again, "things that aren't clear, aren't simple." She looks up to see you staring at the wall, unable to face her or her words. Maybe that would make this easier.

"Things I've found in countless pieces of literature, books, and poems. In music, in rhythm, in harmony. In people, in their homes, and in their voices."

Wednesday doesn't know where she's headed with all this. But she knows she has to speak, however confusing and debilitating it might be. Her feet staggered front a few inches.

"I'm scared. Because I thought I've been here before." And you look at her now, really look. Vulnerable. She looks like she's about to crumble if you speak a word.

So you don't. You listen.

"I'm scared. Because the last time I was here, I was wrong." Wednesday felt her vision blurring, and she almost didn't care. Almost.

"Because I don't know what I'm feeling, and though I have a sneaking suspicion of what it is-" she paused, her eyes scanning your face, searching for any trace of judgment on it, "-I'm afraid I would be wrong."

You take a step in Wednesday's direction. It felt like the right thing to do.

"I'm afraid I'll hurt you," a tear rolled down the raven's freckle-painted cheek.

"I'll hurt me."

Her voice was barely above a whisper, and Wednesday knew she was one word away from combusting in tears. It feels hot. The blaze consumed her body, her mind. It threatens her to crumble, to sink, to wither. 

And so she did. She had said it all; her fears, her deepest secrets to the only person she cared about. You. 

Her weakness, now you hold the key to her doom. If you wanted to, you could kill her. And she'd let you. Wednesday feels her knees buckle and fail her, body landing with a thud on your floor.

You rush to Wednesday's side, hands coming to clutch her body. Now you're both set on fire. The tears did nothing. It was just there, staining both of your clothes now.

"Shh, it's okay, it's okay," you hug Wednesday like there's no tomorrow, like this was the last time you'll feel her close to you, "I understand now."

She's in pain. She's in agony. She hurt you because she thought you would hurt her.

But you would never.

What sounded like hiccups turns into painful wails; Wednesday's cries tear through the thick, stifling air, slowly dispersing it as you join her. Your hand patted her back tentatively in fear that the act would break her even more.

But she pushes herself to you, burying her head in the crooks of your neck. You can feel her tears drop and wet your side as she screams openly to your shirt, the sound of it muffled.

It feels messy, like you both are melting into each other. Your bodies are drenched in sweat, but neither of you wants to let go. 

You want her. She wants you. 

The doubt was gone.

You press your foreheads together, and Wednesday still has her eyes closed. It's red and puffy, and you're sure yours are too. She looks terrible. And pretty.

You forgive the pain because she has let you in. 

Her breathing starts to even out, and you can feel her muscles relaxing. You're both in the eye of the storm; there was only peace, quiet, and silence.

Then, familiar melodies played. The song you heard coming from outside your window earlier that evening. The same song you cried to alone—just moments ago.

I could stay awake just to hear you breathing

You take Wednesday's hand in yours. It feels warm.

Watch you smile while you are sleeping

She shifts in her seat, intertwining her fingers with yours.

While you're far away and dreaming

You lift her hand and kiss her knuckles.

I could spend my life in this sweet surrender

She opens her eyes.

I could stay lost in this moment forever

Wednesday is now looking at you. 

Every moment spent with you is a moment I treasure

Her gaze was kind, though bittersweet.

Don't want to close my eyes

You hum to the tune.

I don't want to fall asleep

She listens.

'Cause I'd miss you baby

You smiled.

And I don't want to miss a thing

She whispers the words to you.

At that moment, it felt perfect. Two broken fools, sitting on hard cold wooden floors. It was messy, but it was right. You belong together.

"I held that damned boom box above my head not because I wanted to," Wednesday rasps, "Enid forced me, just so you know."

Giggles burst from your lungs. A red coat now paints Wednesday's cheeks. 

"I didn't know you did that." You smiled at her; it was soft and teasing.

"Shut up. I hate you."

Wednesday grasps your hand tightly as if she's afraid you'll pull back; her gaze doesn't dare to falter from yours. 

"I love you too," and you see the corner of Wednesday's lips twitch, "I really do."

A mutual understanding. An exhale of relief.

"Promise?"

You press your lips to hers; it's soft and gentle, dizzying and passionate. It was light as a feather, sweet as cotton candy. It was strong like waves, burning like an inferno. You've become one and the same; servants of Aphrodite. It was a pledge, an oath—though unspoken—that you'll never leave her side, never betray her. 

The shade, the scarlet, the tricks, the echoes. 

"Promise."

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|A/n2|: Thank you so much for going through this mini journey with me, I poured my heart out for this one, I hope you enjoy reading as much as I did writing it.