#and i don't really understand the logic behind it
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thessaralka · 8 hours ago
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DAI, DA2, DAO are flawed masterpieces but they all thematically feel deeply similar.
veilguard dookied all over the dark spiritual/ moral/ religious themes of DA by erasing slavery, the bigotry of and towards the elves (dalish in particular), sidelining andrastianism, ignoring the dwarves apart from harding's questline, and HR-ifying the writing.
where was slavery in tevinter, the literal slave capital of thedas, apart from the existence off the shadow dragons (who must be doing a really good job btw bc slavery and the impact of it is basically not a thing), and in scenes w venatori where they're using slaves as benches in this weirdly-comical-dismissive way?
where was the nuance and moral greyness in how some people sell themselves into slavery or join the qun to escape poverty and lives that would otherwise be a lot less structured and even comfortable, and the cognitive dissonance that fact gives us? where was the "slaves are illiterate so they communicate with symbols" underground slave rebellion?
the most we get of solas and his thousands-of-years-long slave-freeing mission is a comment from neve about the chains in his hideout, we see nothing about how fen'harel freed slaves as basically a lifelong purpose of his, and how many of those freed-people dedicated their lives to that mission, joining him in his cause. solas would have had other people helping him out with this, he would have had a structured slave-freeing organization, he probably would still be using the lighthouse for this, but the most we get is "crusty wifeless bachelor pad" solas all alone. did he tell everyone to fuck off, like what happened there? why was solas soooooo alone, when he literally had cultists in trespasser and logically would have EVEN MORE cultists now? i understand he's mentally and emotionally alone, but an ancient elven god who has built a slave-freeing operation he would not be so physically alone, he'd have tons of people obsessed w his mission.
making the only dalish we encounter these veil jumpers that we have no connection or care for unless we read some books is lazy, and these dalish don't seem to care that their thousands-of-years-old faith that their entire culture is founded on is being demolished before their eyes, the DREAD FUCKING WOLF is back (one of their literal gods, and he's been back for like 12 years and many of them have joined him - where are thooooose dalish?), the dalish in VG are perfectly fine working with humans (the very ones who exalted-marched all over them, humans that rape and pillage them, humans that oppress and subjugate them, humans the dalish have canonically hunted down and killed - just for being human - in past games). the dalish are canonically shitty people who are also massively subjugated, are victims of their own hubris, victims of a war they started and lost and never got over, victims of their own bigotry, victims of their own misinterpreted and forgotten lore. while they have a right to be victims, it's never talked about how fucking revolutionary it is if any dalish/ elven hero of the past games (warden or inquisitor) was able to overcome the biases of their culture and heal, and work together with humans (inquisition did this really well for Dalish Inquisitors btw). the dalish being as forgiving and open as the veil jumpers are should be a bigger deal and have a major story reason behind it because healing thousands of years of trauma in a decade is impressive (fake).
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mrinafria · 3 days ago
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Love Game is Eastern Fantasy works so well (for me at least) is because while there are several other cdrama fantasies addressing similar themes with transmigration tropes, the writing here is actually pretty solid. Like, there is proper logical progression of things, and I can tell they put some thought behind the plot and didn't just fill pages, solely relying on the leads' acting and their chemistry to carry subpar writing/execution *cough* ofl *cough*
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Things such as Miaomiao's backstory with her dad, foreshadowing scenes that don't feel casually slapped together, absence of irrelevant romantic scenes just to fill screentime (which is why I really appreciate whatever scenes we get of Miaomiao and Ziqi), giving each main character a proper arc instead of having them behave like NPCs, being consistent with the rules of the gaming world we're introduced to, not lingering on silly misunderstandings, actually resolving smaller issues and conflicts before moving on to bigger ones, not forgetting about an open plot point after a while, effectively keeping up the suspense and compelling the audience to second-guess and theorize what's to happen (very tricky to pull off imo when you're airing episodes daily), showing gradual development of romance between the two couples, utilizing talented actors who seem to have a solid understanding of the motivations, nuances and overall pulse of the characters they play. There are many other things too, like the incredible acting skills Ding Yuxi and Yu Shuxin bring along with the natural chemistry they have off-screen that translates so well on screen, as well as the fact that they make Ziqi and Miaomiao uniquely theirs, making it a much more enjoyable ride. I learned recently that there were several scriptwriters for this, with the main scriptwriter being the same person who wrote for LBFAD (correct me if I'm wrong though)--that might explain why I like this writing so much, even though it deviates from the og web novel.
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Even the final episodes (where most cdrama fantasies often mess up, especially with isekai/transmigration tropes) go above and beyond tying up ALL the loose ends and connecting every clue every foreshadowing every disjointed bits of information that we see throughout the show, ultimately creating this beautiful beautiful piece of art that is LGIEF.
And that final statement from Fu Zhou? Ugh I love how they conveyed that idea.
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Hands down my favorite cdrama after LBFAD.
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sky-squido · 1 year ago
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i, like every other fic author in existence, love getting comments from people who enjoyed my work. i don't care if your comment is "late" (that's so weird to me like it's literature—do you apologize to homer for being late to reading the odyssey?) or "unintelligible" (late night commenters, english language learners, people who feel like they "just aren't that good with words", believe me, i entirely understand what you mean and appreciate it immensely), or anything else that you feel might make your comment 'not good enough'. i love all of the comments i receive and i am eternally grateful to all of you for your continued support.
and yeah, i've read fics where i felt like adding a comment would be doing the fic a disservice because there was nothing that could be said that wouldn't cheapen or patronize the magnum opus i'd just witnessed. in instances like this, that is exactly what i say in the comment: "there's nothing i can say that doesn't do this work of art a disservice. thank you for writing this."
actually, now that i think about it, there are a bunch of ao3 comments i've gotten that i still haven't replied to because i felt any thanks i could give would be inadequate. i should really get around to replying because i want them to know how spellbound they left me. i love you all, have i ever mentioned that?
all of that being said, i would like to make a public service announcement!
at least under default settings, ao3 authors do get notified every time you edit a comment. i've accidentally hit send too early before, or realized i forgot something i wanted to say, i get it, i really do. i have edited many comments in my day.
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but you don't have to do this. really, it's okay. most of the time i honestly can't tell what the difference is. i'm not going to think worse of you for having typos in your comments because i guarantee that there were more in the fic you just read sfkljghsl
also these edits were over the course of twenty full minutes. i got another email while writing this post and had to update the image. please do not spend 20 minutes agonizing over your comment and changing the capitalization and adding a few words. it's okay, i promise. i love your comment, and i'm very very grateful for it, regardless of how "polished" it is. i'm not your english teacher in disguise.
tl;dr, i love you all and i hope you don't feel anxiety or a compulsion towards perfectionism in my ao3 comments section. i won't judge you, i promise <3
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hanzajesthanza · 5 months ago
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this looks like a long time but initially it said 1 MONTH 15 days
#i think i will just have to grab cutscene footage from online... im not waiting for that sh... lmao#this has me admitting that i'm not a gamer and left that identity behind some time ago... which is kind of sad but ok#thoughh when witcher 4 drops... 😈#oh my god i typed witcher 34 instead of witcher 4. i think that already exists on the internet LOL#i'm actually not as excited for w4 as i am for the remaster of the first game#i also don't have any saves and i need footage of like some late-quest stuff (just for a mention of lore inconsistencies LOL)#like what do i do go beat tw3 AGAIN just to get a clip of ciri facing the white frost#...................... well........#ok ngl actually a shot of emhyr in the beginning of the game would be better to explain 'lore inconsistencies'#because that's probably more aggravating to me than the 'we changed the white frost so you can fight it' thing#that thing is understandable. that's like basic video game logic. antagonists can be fought...#and though i don't like that messaging that forces of nature can be fought...#i understand this is a AAA game with outcomes that need to be written as endings. it's not an experiential VN#emhyr in tw3 though has just annoyed me and has actually annoyed me ever since i found out his character from the books#after all that you're gonna take him and pretend he just wanted to be a better dad and have a good heir on the throne...#well ok he did want a good heir on the throne. to be fair. just. not ciri but her child ... ahem#tw3 just dropped that pregnancy plot like a hot potato 😭 because it's so uncomfortable#without vilgefortz to decapitate in the end and the lodge actively plotting around i admit it loses its meaning#also to be fair tw3 does not have that throughline about reproduction and destiny that the books do#like the begetting of progeny is a huge huge huge theme in the books and so ciri's storyline is just one of a few ways it comes up#without geralt and yennefer specifically being angsty at the start about children it doesn't really work as a plot for ciri later on#the elbow-high diaries
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wonder-worker · 8 months ago
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Friendly reminder that Francesco Coppino and Prospero di Camulio, contemporaries who were literally getting their information from predominantly Yorkist circles, were both explicitly clear that it was Henry VI who decided to surrender Berwick to Scotland.
Camulio: "King Henry has given away a castle [town] called Berwick, which is one of the keys of the frontier between England and Scotland." Coppino: "[Scotland has] received from the same Henry the town of Berwick, on the frontiers of Scotland, which the Scots have long claimed as their right from the English, as the excellently well furnished guardian of their frontiers, and the place to which King Henry repaired as an asylum after the battle."
The idea that Margaret of Anjou was principally involved in the surrender, or that she was the one who actually made the decision, is based on nothing but assumption. Two direct contemporaries, both speaking of ongoing events as they unfolded, who were both getting information from Yorkist-held England, both clearly believed it was Henry who was responsible for this course of action. Neither of them mention Margaret. Sure, you can argue that it was merely rhetorical, and that they were simply automatically attributing such an important decision to the King rather than the queen - but rhetoric is nonetheless extremely important and helps us understand how historical figures were perceived at the time. Margaret's enemies would surely not have hesitated to broadcast her involvement had it actually been true, and Coppino in particular had shown no qualms about criticizing her in favor of the Yorkists before. If she was genuinely believed to have been responsible, and if the Yorkists were actually claiming that she was at the time, I see no reason why Coppino or Camulio would not have emphasized her role in their letters. What these samples instead indicate is literally the opposite: that their contemporaries - probably including the Yorkists who were putting out the information that Coppino and Camulio reported - actually believed that Henry was the one making the decision. I think it's a very large and very unnecessary stretch to go against actual evidence and claim otherwise by placing the responsibility on Margaret instead.
Additionally, these small samples may also reveal what people at the time - once again including the Yorkists - actually thought of Henry's role in the war on a broader level, away from direct Yorkist propaganda which would obviously and perhaps understandably seek to de-emphasize it: namely, that Henry was perceived as the one making decisions and deciding the courses of action for his own side.
Source: Excerpts from the Calendar of State Papers and Manuscripts, Existing in the Archives and Collections of Milan
#henry vi#margaret of anjou#english history#my post#I want to make a longer post detailing the clear indications we have that Henry *was* perceived as the active decision maker of his side#which indicates that contemporaries did not really think that there was some kind of giant 'role-reversal' between him and MoA#but until then the gist is:#after Henry was rescued in 1461 contemporary letters clearly emphasize his own actions; they mostly did not attribute decisions to Margaret#we also know he and Margaret separated when she headed off to the continent;#that he seems to have been involved in border-raids against Yorkist England;#*and* that he avoided capture until 1465#if Henry was entirely passive throughout it all and entirely dependent on Margaret to make decisions#I do not understand how any of this would have been possible#Instead Henry & Margaret seemed to have had more of a partnership with Margaret focusing on gaining international support#which she was very well-suited for given her powerful foreign connections#& with her taking on leadership in his absence (mainly due to imprisonment/incapacity) rather than all the time/when they were together#and like I said when it comes to Berwick contemporaries clearly believed it was Henry's decision#but also like. let's hypothetically assume that Margaret was the driving force behind it. please think of this situation logically.#whoever's idea it was Scotland was very obviously going to want a proper confirmation from the *king*#who was. yk. the actual authority of the country#even if Margaret was the one encouraging this surrender Henry's approval and agreement would have still been required#if not by the Lancastrian party then by Scotland#and again this is assuming that Margaret was actually the driving force behind it. there's no indication that she was#but ultimately contemporaries very clearly believed *Henry* was responsible#we don't know what MoA actually thought of it or what her actual involvement was (she could may encouraged it; she may have misliked it;#she may have simply been told after the decision had already been made)#but ultimately even in the most extreme case - which is contradicted by actual evidence - the final say would have been Henry's#it would be nice if this was reflected by historians?
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jangmi-latte · 1 year ago
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Slowly but surely, you’re being reeled into the watery depths of true Octavinelle appreciation.
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I MEAN IT'S NOT LIKE I DON'T LIKE THEM THEY'RE JUST NOT MY TYPE BUT AS HONEST AS I CAN BE THEIR AESTHETIC, BRAINS, COLORS, BUSINESS??? ALL IN GENERAL IS PRETTY AND INTERESTING
i just don't like jade JWKFKAJDKA i don't even know why BHAJWJAHAHAHA not like i'd avoid him or whatever. it's like when i'm talking to him or just around him i feel tense or i just daze off or just feel squirmy DO YOU GET ME
azul and floyd has my thumbs up (esp floyd he can have my heart idk i liked him ever since chapter 3's release) 👊👊👊 I AM A SCIENCE STUDENT I LIKE A MAN WHO CAN MAKE THINGS EXPLODE OUT OF NOWHERE
i'm not making any point here buddy
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phantommarigold · 2 years ago
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me when I want to say something and type out a whole long thing and then decide actually I'm not good enough to talk about this or no they don't want to hear it and ah but what if I'm wrong of course I'm talking from a place of privilege and ignorance and my worldviews are too black and white and
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vamptastic · 4 months ago
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I think a lot of ppl could benefit from reading about 'alternatives' to Zionism and what we thought the future of our people would be before the Shoah. Or hell, just Zionist writings pre-modern-Israel that aren't fucking Herzl. It really did not have to be like this and I think dismissing the notion of Jewish autonomy entirely is a self-defeating stance if you also believe that Palestinians are entitled to autonomy and sovereignty over their own affairs. It seems obvious to me that you can believe that our autonomy should not come at another groups' expense without believing that we (and only we) do not deserve it at all. A lot of people just... don't seriously grapple with the notion of the future at all. One-state, two-state, binational and bicameral sort of situation, whatever, they all have their merits, but at least have some logical and moral consistency on why you want said solution to occur.
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the-sunshine-dragon · 4 months ago
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northwest-cryptid · 2 years ago
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Long hair enbies exist, I understand you’re talking more mainstream media and the like where enbies are never really portrayed hardly at all, but the problem isn’t that long hair can’t be enbie/gender neutral. it’s that people associate androgyny with nonbinary. That’s now how it works. I am nonbinary, I have a very good friend who’s nonbinary; I look very much masculine and they look very much feminine. If you ask either of us what the most troublesome aspect of our identity is, it’s literally even other LGBT individuals who use the words “androgynous” and “nonbinary” interchangeably and practically demand we adhere to their standards of what an enbie needs to look like in order to be respected. I have finally come to terms with how I look, and some days I even think I actually look good; and you know the only reason I often strive to be more androgynous at all? It’s because I just want to be respected, because I am tired of being told I “don’t look enbie” or that I’m “too masculine to pass”
Until people understand that “nonbinary” or “enbie” doesn’t have to look a certain way this sort of thing is always going to happen. While I don’t know when this post was made, I will say that there are plenty of long haired men and women in media, if you pay attention they’re out there. Truth is, having a post say “give me long haired enbies” feels like one of those cases of meaning well but accidentally demanding someone fit your desires. I know it was very likely not meant to read that way but as an enbie who has been told how to dress, how to do my hair, how to act, etc. since I had come out as nonbinary it’s a situation where my only real comment is this:
You want long haired enbies? Cool, that’s fantastic; do it then. Do it yourself. Be the change. People make enough demands of us as it is. Design your own characters, make it happen. However please never tell me how I need to look or be in order to appease other people.
start normalizing long hair as androgynous. long hair can be gender-neutral too.
#If my comment makes you angry you can reblog it from the source#but boy I feel strongly on this topic#My comment is not meant to be rude or angry in any way#I just want people to understand that as a N/B individual this post really rubs me the wrong way#and like don't get me wrong! I understand the core message behind this#I really do understand the concept they're trying to say here#but it falls kinda flat when you consider that long hair is normalized as being gender neutral#If you're not someone who understands that I'd argue that you're part of the problem perpetuating the idea that it isn't.#When movie stars or musicians or celebrities in the mainstream media can all have long or short hair without it being considered gendered#and you still think ''oh but long hair is for women and short hair is for men'' maybe you're part of the problem#which I don't say to upset you I say that in hopes it might make you realize that this is a lot more normal than you think#and denying that isn't going to help progress us any#I've had long hair all my life and I've ANNOYINGLY never been seen as anything other than a man#but dear god please let N/B individuals just present how they fucking want to#do not tell them they have to break the mold or be something different than who or what they are#if you can't see why that's a problem there's a problem in your logic#If you're a N/B and you want short neon dyed hair fuckin' go for it mate! Live your best life!#and if you want to present femininely I want you to feel just as fucking valid and supported for it#If you're N/B and you really like your beard and you think your hair looks good short then I hope you know you're no less N/B for it#Nonbinary individuals do not owe you androgyny I thought we've been over this already#and we don't need to make something andro just so it can ''fit for N/Bs'' or something#Especially not something that is already very gender neutral#Believe it or not I'm actually kinda scared to say this shit because I'm no stranger to angry anons telling me I need to change myself#funny that ain't it. How someone who is a thing will speak up about the suffering those people go through and others will become upset#rather than actually paying any mind to it or listening or giving it a moment of thought#I know there's roughly 24k other people out there who saw this post and went ''oh fuck yeah absolutely agree with this'' and honestly#the bulk of them are probably N/B people#and that's fine but I think we also need to address this topic when we're saying such a cut and dry statement here#You want to change something? Do it. Do it your fucking self. Do not make demands of me. I'm frankly#very fucking tired of people making demands of me.
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boyapologist · 5 months ago
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someone in the groupchat said that if I have over 90h it probably means I'll spend all month doing rio-sp. I'm going to kill myself
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incognit0slut · 1 month ago
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Lesson learned
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PART 3 OF KINKTOBER | MAIN MASTERLIST
Unit Chief!Spencer x BAU!Reader Your boss decides to teach you a lesson when you question the motivations behind a certain case.
Content: (18+) 6k, breath play, fingering, a little case description, BDSM discussion, softdom Spence but borderlines to dom because hello this is breath play and reader being judgy judgy but don’t worry he’s here to teach you a lesson or two a/n: The initial plan was to make him a hard dom but breathplay is already overwhelming so I decided to go the educational route. I am, by all means, not as smart as him, so there might be some inaccuracy
You would think that after joining the BAU for two years, you’d start to understand the twisted logic of a criminal’s mind. But you don’t. Not really. You’ve dissected motives, uncovered patterns, and profiled suspects more times than you can count, and yet this case makes no sense. 
Your eyes go over the photographs pinned to the board again. And again. And again. It’s become almost a ritual now, like maybe if you look at it just one more time, the pieces might finally fall into place. But all you find staring back at you are three victims with the same marks on their necks. There was clearly a sign of struggle, but not one of fear. Not one that fits any pattern you know.
“I don’t get it,” you say. “The profile suggests the victims knew their attacker, but this doesn’t look like anything close to rage. Or brutality.”
Spencer shifts beside you, his shoulder brushing lightly against yours as he leans closer to the board. “It might not have been an act of violence,” he observes thoughtfully. “Not in the traditional sense, anyway.”
You furrow your brow. “If it wasn’t violent, then what was it?”
“The bruising pattern is too symmetrical, and there’s no sign of panic or defensive wounds on their hands. I think there’s a chance the victims might have willingly participated.”
“Willingly?” Your eyes snap at him. “What do you mean, ‘willingly participated’? No one willingly gets strangled.”
He meets your eyes for a second before looking back at the board. “I know it sounds unlikely,” he admits, “but not impossible. See how the bruises are evenly spaced? They wrap around in perfect circles. The pressure is distributed just enough to leave a mark but not to crush the windpipe.“
“Spencer, that’s exactly what happened. The windpipe was crushed.”
“Yes, but not immediately. That’s the point.” He turns towards you again. “The intention wasn’t to kill them outright. The unsub wanted to bring them to the point of unconsciousness but not over it. At least, not at first. He was counting on their trust before pushing it too far.”
You let out a huff. “That’s insane.”
“It might seem that way to you, but it’s not unheard of. Sexual asphyxiation is a consensual act for some people. The lack of oxygen when someone’s airflow is restricted can trigger a euphoric sensation which intensifies pleasure."
You stare at him like he’s just spoken a different language. “So, you're saying they get off on... not breathing?”
“More like they find excitement in giving up that control."
You cross your arms and study him, tilting your head with a skeptical frown. “How do you even know this?”
The corner of his mouth twitches in a half-smile. “I read,” he says simply, as if it’s the most obvious thing in the world.
“You have a book on sexual asphyxiation?”
“It’s more comprehensive than that. The book covers a wide range of kinks, fetishes, and other forms of sexual exploration which are considered extreme by societal standards.”
"You’re telling me you read up on BDSM practices in your spare time?”
"I think of it as research,” he replies. “It’s part of understanding human behavior. You can’t afford to be ignorant about the complexities of people's desires."
"Huh." Your eyes travel back to the images again. "You know, I still don't understand. I mean, willingly letting someone cut off your breath? That’s not just trust that’s… I don’t know, crazy?”
His eyes narrow towards you as if he's carefully considering how much to say.
“It's not crazy,” he insists carefully. “For people who engage in it, it’s not only about losing control. It’s about reaching a heightened state of awareness, finding excitement in walking that line.”
"But what if that line gets crossed? What then? How could anyone think that sounds… fun?”
“Well, have you ever tried it?”
“Of course not!” you reply quickly, almost laughing at the absurdity. “Why would I?”
“Then you wouldn’t know,” he counters, his tone calm but pointed, like he’s presenting a fact rather than an opinion. “You can’t really understand the mindset until you’ve experienced it. It’s not something you can fully grasp from the outside.”
"I don’t think I could ever trust someone enough to do that to me."
“Maybe you just haven’t found the right person to trust.”
You scoff. “What? Are you offering?”
You laugh at your own joke, and you expected him to do the same. Or perhaps a quick “Of course not”, even some rambling about how he didn’t mean it that way. But when all you’re met with is silence, your laughter dies down, and your eyes dart back to him.
Spencer’s not looking at you, his eyes are fixed on the photographs pinned to the board. He’s studying the bruises, the faces, the details like he always does, but there’s a stillness in his expression, a tension in the set of his jaw that makes you think he’s considering something else entirely. And for a moment, you’re not sure if he’s really thinking about the victims or the case at all.
Maybe you shouldn’t joke about things like that. He is your boss, after all, and even though there isn’t exactly a strict superior-subordinate dynamic between the two of you—he’s always been more of a peer than an authority figure—you wonder if maybe this time you crossed a line.
Spencer’s eyes remain on the photos for a long, agonizing second, and you think maybe he’s not going to respond at all. But then, slowly, he turns his head and looks at you, and the room suddenly feels impossibly small.
“If I were to offer,” he says quietly, “Would you take it?”
His words knock the breath from your lungs, and all you can do is stare back at him. You don’t know what to make of the question. Was it a dare? A test? Or perhaps something more?
There’s a part of you that wants to laugh it off. The conversation was absurd to begin with, so brushing it away like it’s nothing would feel like the safest option. The easy way out. But there’s another part—one you don’t want to acknowledge—that can’t help but wonder what it would mean to say yes.
What if you did? you ponder.
What would it feel like to trust someone like that?
What would it feel like to trust him?
But before you can reply, the door to the meeting room creaks open, the noise echoing through the dimly lit space of the police precinct. A uniformed officer pokes his head inside.
“Dr. Reid, we found a new lead on the vehicle.”
Spencer’s eyes stay locked on yours for just a beat longer as your heart hammers in your chest. Then, without a word, he nods to the officer, and any trace of whatever passed between you dissolves like it never happened at all.
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The next few days turn into a blur. The lead on the unsub’s vehicle takes you across town, a chase that ends with the suspect cornered in an abandoned old house. It’s almost anticlimactic how quickly it all happens—sirens blaring, doors kicked in, and in less than an hour, the unsub is in handcuffs. The case is finally closed, and it’s the kind of victory that usually brings a sigh of relief.
But today, you can’t find that peace.
Back at the precinct, the rest of the team has already moved on to debriefing. You’re left cleaning up the mess of photographs and notes scattered across the table. But your movements are slow, distracted, your fingers fumbling over the papers. There’s a prickling awareness that makes the hairs on the back of your neck stand on end, and you know exactly why.
It’s because Spencer is watching you. You don’t even need to look to feel the weight of his gaze. He’s leaning casually against the doorframe, hands tucked in his pockets, but there’s nothing casual about the way his eyes track your movements.
You pause, photos in hand, and finally address him. “What?”
He doesn’t answer right away. Instead, he pushes off the wall and starts walking toward you. He stops just short of arm’s length.
“Have you thought about what we discussed the other day?”
You feel a rush of embarrassment, and the awkwardness of the moment makes you shift uncomfortably. Clearing your throat, you turn your attention back to the table, hastily grabbing a stack of photographs and shuffling them into a folder.
“We didn’t discuss anything,” you mumble, avoiding his gaze. “It was just a joke.”
“Was it? You don’t joke about things like that unless you’ve thought about them at least a little.”
You let out a dry laugh, keeping your eyes firmly on the table. “I wasn’t being serious. We were in the middle of a case, and we were all exhausted. I just said whatever came to mind.”
Spencer tilts his head, the way he does when he’s analyzing something, his eyes flickering over your face as though he’s cataloging every twitch of your expression.
“Maybe,” he concedes, and takes another step forward. “But the offer wasn’t a joke, and you didn’t say no.”
Your fingers freeze over the photographs, the papers crinkling under your touch.
“I didn’t say yes either.”
You mentally wince at how weak that sounds, almost as if you’re trying to convince yourself. You slowly look up at him, searching his face for any sign of hesitation, but all you find are those intense brown eyes staring back at you.
It unnerves you how calm he is, how easily he’s holding this conversation when your mind is spinning in a million directions.
“You do realize what you’re offering?” you start to press, feeling the need to put it out in the open. “What this means?”
Spencer doesn’t flinch, doesn’t break eye contact for a second. “I do.”
“Do you? Because it seems to me like you might be taking this too lightly."
“I’m not taking it lightly. I’m acknowledging that there’s more to it than what you’re seeing on the surface.”
“And what makes you think I want to see beyond the surface?”
He leans in closer. Close enough to feel the warmth of his breath, but not enough to cross any boundaries. “I’m offering a perspective, not forcing you to accept it. Understanding doesn’t always come from reading about something. It comes from experience.”
You can’t quite decide if his words make sense or if they’re completely absurd. It’s like he’s challenging your logic, your assumptions, but at the same time, there’s a strange clarity to what he’s saying.
“Why does it matter so much to you?”
Because he’s your boss? Because someone in his position always tries to make sense of everything for everyone else?
“Because shaming people for their interests, for something they might find pleasure in… it isn’t fair, and it isn’t right.”
Now that was something you didn’t expect him to say.
“I wasn’t shaming,” you protest quickly, the words coming out defensive even to your own ears. “I was just…”
“Curious,” he finishes for you. “And curiosity isn’t a flaw. Neither is wanting to understand, and if you’re willing to explore that curiosity, then I’d rather you experience it in a way that’s safe. That you know is controlled.”
“So what?” you snap back. “You want to prove me wrong? Show me I’ve been looking at this the wrong way?”
A small smile tugs at the corner of his mouth, but it’s not playful. It’s gentle, almost thoughtful, as if he’s carefully weighing each word. “No,” he says softly. “I don’t want to prove you wrong. I want to teach you.”
You blink at him. You open your mouth, but nothing comes out at first, the words tangled somewhere between shock and disbelief. It takes a few seconds until you manage to find your voice.
“You… want to teach me?”
“A lesson, if you will,” he explains, and the way he says it—so calm, so certain—makes your heart stutter. “Not to prove you wrong, but to help you understand. You have your perceptions about… control and trust. I think the only way to really understand is to experience it yourself.”
You don’t know what to say, what to do, and all that comes out is a shaky, barely-there laugh.
“A lesson,” you repeat, trying to make sense of the concept.
He nods, and there’s no pressure in his voice, just an offer. Simple and clear. “But only if it’s what you want.”
You aren’t sure what to feel, much less what to say, and the uncertainty must show on your face. Sensing your hesitation, Spencer takes a step back, giving you space.
“It’s a lot to consider, and I’m not expecting an answer now. But the offer still stands… whenever you’re ready.”
And with that, he gives you one last smile and turns away, leaving you alone with your conflicted thoughts.
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You’re pacing in your hotel room, your footsteps muffled by the worn carpet as you make the same path back and forth over and over again. Every time you try to sit down, your leg bounces with restless energy, so you’re back up again, moving without purpose but unable to stop.
You tell yourself it’s just stress. The case, the pressure, the weirdness of being in a small-town motel with creaky walls and awful lighting. But you know better. You know exactly what’s got your mind spinning and your stomach doing flips.
Spencer. And his damn offer.
You scoff to yourself, trying to laugh it off like you always do, but the joke doesn’t land when it’s just you, alone with your thoughts. And, really, what’s the harm in admitting the truth—to yourself, at least? That maybe the whole concept doesn’t seem as insane as it did a few days ago. That maybe you’ve found yourself wondering what it would feel like to trust someone that much.
You stop pacing, staring at your reflection in the mirror across the room. There it is, that nagging curiosity, that flicker of intrigue that Spencer saw before you even knew it was there. You let out a sigh, the weight of the realization hitting you.
God help you, but you’re actually curious.
And that might just be the scariest part of all.
You slip into your shoes and take a deep breath before stepping into the hallway. The motel’s quiet, most of the rooms dark as you walk past, and for a moment you hesitate, wondering if this is a mistake. The team’s staying one more night here, the last bit of downtime before flying back tomorrow. A chance to decompress, to shake off the adrenaline of the case. Yet here you are, anything but relaxed, heading out because you can’t stand one more second of pacing back and forth.
Your footsteps come to a stop outside Spencer’s room, and you stare at the numbers on the plaque for a moment. You could turn around right now. You could pretend you didn’t walk all the way down the corridor with his words echoing in your head. But as much as you try to convince yourself that walking away is the logical choice, your hand moves on its own, and you knock.
Spencer doesn’t look surprised when he opens the door. Without waiting for an invitation, you push past him, barging into the room before you change your mind.
“If we’re going to do this, I have some ground rules,” you blurt out, the words rushing out all at once. “I don’t know what you think this is going to be like, but I need control over some things. Non-negotiable.”
He closes the door with a soft click. “Of course,” he responds calmly. “I wouldn’t expect anything less.”
“First,” you say, spinning around to face him. “I’m in control of when this starts and when it stops. If I say no, then we stop. Immediately. No questions, no convincing, none of that.”
“Absolutely.”
“Second, I need to know exactly what we’re doing. No surprises. You explain everything to me before we do anything.”
He quickly nods.
“And third… this doesn’t leave this room. We don’t talk about it to anyone else. Not tomorrow, not next week, not ever.”
He takes a step forward towards you. “This stays between us.”
You let out a shaky breath, the adrenaline settling into a nervous, thrumming pulse beneath your skin. “Okay,” you mumble, more to yourself than to him, trying to process the reality of what you’ve just laid out. “Those are my rules.”
Spencer takes another step forward, close enough now that you can smell the faintest trace of him. A mix of something clean and warm, like soap and worn cotton, an understated scent that’s distinctly him.
“Then those are the rules we follow,” he reassures you. “Your terms. Your pace.”
“Thank you.”
He nods his head again. “Is there anything else you want to discuss?”
There is, actually. There’s a question that’s been hovering in the back of your mind. It feels awkward to say out loud, but the uncertainty gnaws at you, and finally, you force the words out.
“Are we… are we going to have sex?”
He holds your gaze. “Do you want to have sex?”
You go quiet again, letting the silence settle around you as you think about what you want, what you came here for. You slowly shake your head. “No,” you reply. “No, I don’t.”
“Then we won’t. There’s more to explore in this than just sex.”
“Right, that’s—good.” You clear your throat. “I have… one more question.”
He gestures for you to continue.
“You’re not going to fire me for this, are you?”
His soft chuckle fills your ear, and it’s the first time you’ve seen him genuinely smile tonight. “No,” he confirms, amusement flickering in his eyes. “I’m not going to fire you. Whatever happens between us won’t affect your work, I promise.”
You let out a breath you didn’t realize you were holding, feeling a little of the weight lift off your shoulders.
“Okay, so… now what?”
“Now,” he says gently, “We take it slow.“
He guides you toward the edge of the bed, and you find yourself moving automatically, sitting down on the mattress. The bed creaks slightly as he settles beside you.
“If we’re going to do this,” he starts, turning slightly to face you. “I want you to be comfortable. And that means talking. You can start by telling me what you’re thinking. ”
“That’s… it? We’re just going to talk?”
Spencer’s mouth lifts into a soft smile. “Yes,” he confirms, “If that’s what you want. There’s no pressure to do anything else.”
The idea of just talking feels safe, but there’s also a flicker of curiosity that you can’t quite shake. You shift on the bed.
“What if I want to do something more?”
Spencer’s eyes search yours, and he doesn’t move closer, doesn’t do anything that could make the moment feel rushed. “If you want to, then we can. Something simple to start.”
Your fingers trace the fabric of the bedspread. “Like what?”
“Something small. It could be as simple as letting me guide your breathing. A way to practice trust without anything overwhelming.”
You swallow, the idea feeling both intimidating and oddly… reassuring. There’s comfort in the way he talks about it, the lack of pressure, and the way he makes it feel like there’s nothing to fear.
“Okay,” you agree softly. “Let’s try that.”
He moves a little closer to you. “We’ll take it slow,” he promises. “Try to focus on your breathing and follow my lead.”
You close your eyes, feeling your breath shallow and quick, your heart racing as you try to find a steady rhythm.
“Take a deep breath,” he instructs softly. You inhale deeply, feeling the air fill your lungs, and when you open your eyes for a moment, you find his face inches from yours.
“Good. Now let it out… slowly.”
You follow his lead, exhaling, and you can’t help but notice he’s mirroring your breathing—his chest rising and falling in time with yours. It’s oddly comforting, and a little unnerving, like he's syncing with the rhythm of your pulse.
“Again,” he guides. “Deep breath in… hold for a count of three… then let it go.”
You do as he says, feeling your nerves steady slightly with each breath. In, hold, out.
“You’re doing really well,” he murmurs, leaning just a fraction closer. His lips are so close that you can feel his breath brushing your skin. “I’m going to ask you something, but I need you to know you can say no. At any point.”
You nod, not trusting yourself to speak.
“Can I touch you?” he asks gently, his words so soft they almost melt into the air around you. “Just on your shoulder, or your hand. I want to see how you feel about being touched while you focus on your breathing.”
Your heartbeat thuds in your ears, but you manage another nod. His hand moves carefully to rest on your shoulder, but even with the light pressure, you feel your body stiffen. Spencer notices immediately.
“You’re tense,” he observes, his thumb brushing lightly against your shoulder.
You let out a small laugh, one that comes out more like a nervous exhale than anything close to amusement. “It’s kind of hard not to be,” you admit. “I guess I’m a little nervous.”
“That’s okay. It’s completely normal to feel nervous.” He pauses for a second before continuing, his tone thoughtful, like he’s considering what might actually help. "There are a few things that can help when you’re feeling this way. One of them is focusing on your breathing, which we’re already doing. But there’s also physical touch."
"Physical touch?”
"Kissing, for example," he explains, “can actually help regulate your nervous system. It releases oxytocin, lowers cortisol levels. Basically, it signals your body to relax."
Your eyes fall on his lips. "Really?"
A flicker of a smile plays at the corners of his mouth. “Yes, but it’s only helpful if it’s something you feel comfortable with.” He tilts his head slightly, studying you. “Would you like to try?”
You meet his gaze again and, before you can overthink it, find yourself nodding, swallowing the nervous lump in your throat. “Yeah… okay. We can try.”
Before you even finish the sentence, Spencer leans in, his lips brushing yours with the kind of gentleness that catches you off guard. It's soft at first, like he’s testing the waters, and you can feel the slight hesitation in his movements as if he’s making sure you’re comfortable. It’s sweet, almost too sweet, and for a second, you wonder if this is how he kisses—gentle, thoughtful, deliberate.
But as the kiss deepens, you feel the warmth of him pulling you in. Your heart’s doing this erratic thing where it skips every other beat, and your mind’s racing to catch up with what your body’s already starting to enjoy. And sure, maybe the science behind this kiss makes sense after all, because there’s a part of you that’s actually relaxing, even with the buzz of nerves still humming beneath the surface.
Then he pulls back, just enough for your lips to barely part, his breath warm against your skin. “How are you feeling?”
It takes three heartbeats to find your voice. “Uh... yeah, good,” you manage, a little breathless, a little more flustered than you’d like to admit.
“Do you want to keep going?”
You pause, thinking it over, and despite the swarm of nerves in your chest, curiosity wins out again. You nod, maybe a little too quickly. The moment you do, Spencer leans in again, and this time his kiss is deeper, more intent. The softness is still there, but there’s a quiet intensity in the way his lips move against yours, the way his hand lightly cups the back of your neck.
Then his tongue brushes lightly against your lower lip, and a ripple of goosebumps spreads across your skin. You part your lips for him, and the sensation of his tongue slipping past m has you gripping the fabric of his shirt a little tighter.
Just when you think you’re getting used to it, his hand shifts, sliding up to wrap gently around the front of your neck. Not tight, not restricting—just enough to make you aware of it. The warmth of his palm against your throat sends a jolt of something sharp right through you. He seems to notice instantly, and without pulling his hand away, he breaks the kiss.
“Are you okay?” His thumb gently strokes the side of your neck. “I don’t want to push you, if it’s too much—”
But before he can finish, you shake your head quickly, surprising even yourself with how fast the words leave your mouth. “No, I… trust you.”
His eyes soften at your words, and his grip on your neck stays gentle, almost protective. “Would it be okay if I touched you more?”
Your pulse beats rapidly beneath his fingers, a rhythm you’re sure he can feel, as if your heart is answering for you. “…yes.”
“Do you want to lie down? Would that be more comfortable?”
You feel the heat travel along your veins. “I think… that would be good.”
Spencer nods as he helps you shift back onto the pillow. He stays close but doesn’t crowd you, his hand returning to rest lightly on your neck, that same soft pressure that keeps your heartbeat thrumming in your ears.
“Remember, focus on your breathing,” he reminds you. “The way your body responds is tied to how much you let yourself feel. Trust that.”
His other hand begins to move. His hand trails up toward your shoulder, then lightly brushes over your breast. It’s barely a touch at first, like he’s testing the boundaries, waiting for your body to tell him how far to go. Your breath catches for a second, but when you don’t tense up, he takes that as a sign to continue.
“Is this alright?”
“Yeah,” you manage to whisper, your voice a little breathless than you expected. And, God, you mean it. It’s more than okay—it’s… unexpectedly good in a way that feels almost too intimate to think about.
His hand moves lower now, tracing a path down your side, before sliding gently across your leg. You don’t even realize you’re holding your breath until you feel his fingers brush against the inside of your thigh.
“How about this?”
You nod, biting your lip as you meet his gaze.
Spencer’s lips curls into the faintest smile. His hand inches higher, moving up your thigh with excruciating slowness until his fingers finally reach the heat between your legs.
Oh. Oh.
Your hips instinctively tilt toward him, your body responding before your mind can even catch up. The heat pooling low in your belly intensifies as his fingers press lightly against you.
“Still with me?”
You nod, but internally, your mind is spinning. He begins to move in slow, circular motions, his fingers dragging against the fabric in a way that makes you bite back a moan. The friction sends jolts of pleasure through you, and you can feel your arousal sticking uncomfortably to your panties. It doesn’t shock you—you know understand how being touched like this will make you wet—but what surprises you is how much more intense it feels when his grip around your neck tightens.
Your breath hitches, and before you can stop yourself, a moan escapes your lips.
He pauses for a moment, his grip relaxing just enough for you to catch your breath. “I want you to feel the difference,” he explains. “The pressure changes everything. It makes you more aware of every sensation, more focused on how your body responds. But if it’s too much, you tell me, okay?”
You nod, your breath still coming in uneven gasps. “I’m good.”
His thumb traces the outline of your jaw. “Do you want me to continue?”
“…yeah.”
His hand travels towards your hips, fingers toying with the waistband of your pants. “Should we get rid of these?”
You don’t have to think about it for long. The answer is already there.
“You can take them off.”
Spencer’s fingers slip beneath the waistband of your pants before tugging it down. But as the fabric pools around your ankles, you hesitate for a second before your hand instinctively reaches for your shirt. You fumble with the hem, glancing at him as you pull it halfway up, your breath coming out in a small, awkward laugh.
“I mean, it’d feel weird to be naked from the waist down and still… you know, fully dressed on top.”
His eyes linger on you, and his reaction is subtly amusing. “Whatever makes you comfortable.”
Without thinking too much about it, you tug the shirt over your head, tossing it aside. Your bra follows, quickly joined by your panties, and before you know it, you’re lying naked on your boss’s bed.
Or, technically, the bed he’s been sleeping on these past couple of days.
Spencer’s eyes move over you slowly, lingering on the curve of your perky breasts, your smooth skin, and the unmistakable wetness between your thighs. His gaze is careful, appreciative but never lingering too long in one place, like he’s taking you in while still giving you space to breathe.
“You’re so pretty.”
Pretty? The word feels almost quaint given the situation, but the way he says it makes it feel like it’s more than that. Like he’s seeing all of you, the parts you don’t often reveal, and he still thinks you’re beautiful.
And somehow, that simple compliment leaves you more exposed than the fact that you’re lying naked in front of him.
“I can’t believe we're doing this,” you admit, the words slipping out before you can stop them.
His hand brushes along your arm. “You don’t have to overthink it. You’re in control here. We can stop whenever you want.”
“I know.”
He tilts your head with his hand. “Is this okay so far?”
You offer him a smile. “It’s okay.”
His other hand lands on your knee. “Can you spread your legs for me?”
You feel the nerves buzzing beneath your skin, but there’s also a warmth, a curiosity, a pull toward him. You inhale deeply, letting the breath steady your nerves, and then, without letting your mind spiral any further, you slowly part your legs.
His palm glides along your inner thigh, and then he touches you again, only this time, there’s no barrier between you. You can feel the rough pad of his fingertips as they gently caress your folds that it pulls a sharp breath from your lips.
“Does this feel good?”
You nod. It’s more than just good—it’s everything. The way he’s paying attention to every inch of your body is overwhelming in the best way. His fingers trace a slow path along your skin, finally pausing as they brush against you between your folds. Without hesitation, Spencer slides a finger inside you. The sudden stretch pulls a gasp from your lips.
The slick wetness between your thighs coats his fingers almost instantly, and you feel yourself responding to him, opening up in ways you didn’t even know you could. He studies the way his finger moves in and out of your cunt, and the more he touches you, the more your hips begin to move on their own.
He takes your response as a sign to continue.
"I'm going to wrap my hand around your neck again," he tells you, without waiting for more than a slight nod of your head, his fingers curl around your throat.
"The pressure here," he begins, his thumb lightly pressing at the side of your neck. "Isn't just about cutting off your air, it also means restricting blood flow to your brain.”
He pushes another finger inside you, and the increased fullness draws a sharp intake of breath from you.
“By limiting the blood flow like this,” he continues, applying a bit more pressure around your throat. "It triggers your body to release adrenaline and dopamine. That rush you’re feeling? It’s your body chasing euphoria."
Euphoria. You never really thought about it like this before, how something so controlled could unlock a part of your body that felt so overwhelming. The feeling isn’t just pleasure, it’s a raw intensity that borders on something deeper as your cunt clenches around him. Your breath stutters, caught in a sharp contrast between the slow burn in your throat and the urgent heat flaring between your legs.
He’s unraveling you, pulling you apart thread by thread, yet leaving you desperate for the moment he puts you back together again.
You need more.
“You’re doing so well,” he murmurs soothingly. The words send a new wave of heat rushing through your body. Your hips move restlessly, and you can hear the soft whine escaping your throat, growing louder with each thrust.
Spencer notices immediately, his fingers slowing just for a moment. “Too much?”
You quickly shake your head, almost frantic, the last thing you want is for him to stop. The moment you do, his grip on your throat tightens slightly and your eyes flutter closed as a wave of euphoria washes over you. Head falling back against the pillows, your vision starts to blur. You feel the air restrict in your throat.
“I need you to breathe for me, sweetheart.” His thumb strokes lightly against your neck. “The more you control your breathing, the better it’ll feel.”
That word alone almost undoes you. It rolls off his tongue like it’s meant to be soft and soothing, but instead, it sends a bolt of pleasure straight through you. Your chest rises and falls as you do exactly what he says, because apparently, being called sweetheart with his fingers wrapped around your neck makes you want to obey him, more than you’d care to admit.
"That’s it, keep focusing on your breathing."
You force your eyes open, but everything feels hazy, unfocused. You’re not sure if it's from the lack of air or the way he’s looking at you, but you can feel yourself losing control. Your eyes flutter half-closed again, lips parting in a breathless moan, and before you realize it, your tongue slips out, barely grazing your lower lip.
Spencer knows you’re close. His thumb presses just a little harder against your throat, not enough to stop you from breathing, but enough for your inner walls to grip his fingers tightly.
“I know, I know, I've got you,” he whispers. “You’re doing so good, sweetheart. Just let go whenever you’re ready."
You can’t decide if the sound of his voice is making it easier or harder to hold on. There’s a brief moment where you think you might hold it together, but then your body betrays you. Your muscles tense, your breath catches in your throat, and all the control you had slips away in an instant. It’s as if your brain is giving in to exactly what he said it would—a surge of chemicals that makes your limbs feel heavy and light all at once.
Your orgasm slams right into you, the most intense thing you’ve ever felt. It floods your senses so completely that your lungs struggle to catch up. The tremors rack your body, and it’s only when your legs give a final, uncontrollable shake that he finally releases your neck, allowing the air to rush back into your lungs in a dizzying, breathless moment of relief.
Before you can fully recover, his lips are on yours in an instant. He moves against your neck, kissing the very spot where his hand had held you. “Shhh, it’s okay, you’re okay.”
When you manage to catch your breath and blink through the lingering haze, he lies down on the bed and pulls you into his arms. It takes a whole minute before your breathing fully steadies, his hand stroking your hair the entire time.
“How are you feeling?”
You don’t know what to make of it all, so you laugh breathlessly instead, the only response you can muster.
“Like I’m about to pass out.”
“What?” He looks at you in alarm. “You are?”
You shake your head quickly, offering him a small smile. “No, no, I’m fine. It’s just… it was really intense.” But the worry doesn’t completely leave his face, so you try again, placing your hand on his chest. “Good intense. I’m okay, I promise.”
He lets out a slow breath and tucks a strand of hair behind your ear. “So I take it you liked it?”
A flush of embarrassment washes over you, and you can’t quite meet his eyes as you nod. “Yeah… I did,” you admit, your voice soft, almost sheepish. “Go ahead, you can gloat. Tell me I was wrong.”
Instead of taking the bait, he gently traces his fingers along your neck. “It was never about proving you wrong. The judgment you made that day, about not getting why someone would like this… it’s hard to fully grasp until you feel it yourself.”
“I wasn’t judging,” you murmur, feeling a need to defend yourself.
“Maybe not intentionally,” he says thoughtfully. “When it comes to BDSM, there’s a lot of misunderstanding or assumptions people make from the outside, it’s really more than just control or pain. There’s trust, communication, boundaries. And I think, in a way, that’s what happened tonight. You trusted me enough to let go.”
You’re quiet for a moment, processing what he’s saying. “Are you suggesting I could be into all of this?”
“Not necessarily,” he replies carefully. “But I think it’s possible that there���s more to it than you realize. You trusted me tonight, and that’s the most important part. That’s where it all starts.”
You chew on his words for a second. It’s not something you’d ever considered before, but now that he’s brought it up, you can’t deny that the thought has sparked something.
“So you think I might want to explore this further?”
His lips curl into a soft smile. “It’s not about what I think. It’s about what you want. If you’re curious, then we can explore it together.” He leans in slightly. “Is that you want?”
The spark you felt moments ago? It flickers stronger now. The idea is both thrilling and terrifying, but with him, it feels… possible. Safe, even.
You feel a tightness in your chest.
“I think… maybe, yeah.”
His smile deepens just a fraction. “We’ll take our time,” he reassures you, his thumb brushing lightly over your throat. “We can talk about this when we get back. You need to rest for now.”
You shift closer to him, feeling the rustle of his clothes against your bare skin. “Can I stay here tonight?”
His chin lands on top of your head. “You can stay with me as long as you want.”
What a dangerous offer, you think as you sink further into his arms. But not as dangerous as the way your heart flutters at the thought.
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rafecameronssl4t · 6 months ago
Text
Officially your bitch || Rafe Cameron x Thornton!reader
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Summary: basically what happened in s1 ep 2 when Sarah is getting a teddy from the boat with Rafe, Kelce, and Topper watching but obvs slightly different. (you being the one faking being hurt)
Warnings: swearing, mention of gun,
Word count: 977
A/n: canon fics are so fun to write 😫
MASTERLIST (rafe x thornton!reader au masterlist)
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Divider by @yoonitos
mood board here
"Jeez, man, this is nuts." Topper lets out a low whistle, staring at a boat nestled in someone's garden bed. "Agatha's a bitch," Rafe mutters. "Damn right, she is," Kelce adds as the three boys gape at the sight.
"I can't get it outta my head. It's on repeat. 'Your move, broski.'" Topper repeats JJ's words from a couple nights ago, when a gun was pointed at his head. "Bro, he had a semiautomatic pointed right at you!" Kelce chimes in.
"That's what I'm saying. It's insane!" Topper scoffs, running a hand through his hair in frustration. "Safety off!" he emphasizes, his voice rising. Kelce shakes his head, his expression a mix of disbelief and disdain. "That pogue," he mutters, his tone dripping with contempt.
Rafe, who had been staring intently at the waterline, snaps back to the conversation. His gaze sharpens as he looks at his friends. "They're freakin' pogues, man," he declares, his voice tinged with a mix of anger and exasperation.
"You know, you should get a piece," Rafe suggests, his voice steady as he looks at Topper. The gravity of his words hangs in the air. "What do you mean?" Topper asks, a puzzled expression crossing his face as he turns to Rafe.
"You gotta fight fire with fire and defend the homestead," Rafe replies matter-of-factly, as if it's the most logical solution in the world. "Better than being caught without one," Kelce shrugs, offering his own brand of nonchalant support. Rafe nods in agreement, his gaze unwavering.
"Listen guys, I'm gonna get him back, all right? I'm making it a little project of mine," Topper reassures them. Rafe hums approvingly, patting his friend's back. "Yeah, you should," he affirms with a smirk.
Kelce suddenly taps Rafe's shoulder. "Yo, that's y/n." Rafe and Topper turn their heads in unison, their curiosity piqued. They see you kneeling on one knee, talking gently to Joy, your mum's best friend's little daughter.
"Oh, so you left her in the boat?" you ask softly, your voice filled with understanding. Joy nods, her eyes wide with worry. "Okay, can you tell me what she looks like?" you stand up, smoothing down your shorts. Joy looks up at you, her face serious. "She has a trunk and blue eyes," she replies, her small voice clear.
The three boys watch intently as you smile reassuringly at Joy. "Okay, I'm gonna get her for you," you say, turning towards the boat. "Be careful of the electricity," Joy quietly warns. You smile to yourself, touched by her concern, and tuck a loose strand of hair behind your ear as you carefully step onto the boat.
"Don't worry, I'll be okay. It's really dangerous, so stay there, okay?" you reassure Joy with a confident smile. Rafe, standing a few feet away, removes his sunglasses, his eyes narrowing as he watches your every move. "What's she doing?" he mutters to no one in particular, his concern evident.
"Watch her fall and make a big drama out of it," your brother scoffs, his tone dripping with sarcasm. He crosses his arms, clearly unimpressed by your antics. Rafe glances at Topper, eyebrows raised. "Hey! There's 14,000 volts in those wires," Joy's mum calls out urgently from the porch, her voice filled with anxiety.
You take a slow, deliberate step onto the plank, feeling it wobble slightly under your weight. With a mischievous grin, you glance back at the onlookers, enjoying the attention. A quiet shriek escapes your lips as you pretend to lose your balance for a moment.
"Hey, y/n, be careful!" Rafe hollers, his voice louder and more urgent now. He takes a step forward, his body tense with concern. "Oh, you've got to be kidding me," your mum mutters as she walks out onto the yard, her face a mask of frustration and fear. "Y/n, get down now!" she shouts, her tone a mix of anger and desperation.
"Mum, calm down. I'm an athlete. I got this," you reply playfully, flashing her a reassuring smile as you continue your careful approach toward the boat. Your confidence does little to ease the tension among the onlookers. The plank creaks under your weight, but you maintain your balance,
"You're gonna get electrocuted! Get down!" your mum screams, her voice trembling with panic. You ignore her, your focus on the gentle sway of the boat as you step onto it. "She just wants attention," Topper mutters, rolling his eyes in exasperation. "Are you kidding me?" your mum persists, her tone growing more frantic. You turn to face her, a playful grin spreading across your face as you shimmy your shoulders, teasingly.
"Oh my—no. When I tell your dad about this, y/n!" Your mum exclaims, her voice a mix of exasperation and genuine fear. "Y/n, that's not fucking funny," Rafe yells in annoyance, his frustration bubbling to the surface. He watches you with a mixture of concern and irritation, unable to shake off the worry that gnaws at him.
"Little fried y/n," Topper comments, a smirk playing on his lips as he observes the scene unfold. Kelce looks at him, puzzled by the comment, but Topper simply shrugs it off. "Top, your sister's crazy, man," Kelce remarks, shaking his head in disbelief as Topper snorts, "Tell me about it."
With a knowing smile, you reach the boat and spot the disconnected wire exactly where you expected it to be. "I see her!" you call out across the yard as you place a steady hand on the boat.
"Y/n!" your mum's voice echoes for what feels like the hundredth time, a mixture of frustration and genuine concern laced in her tone. "When I tell your dad—" Her words are abruptly cut off by your convincing scream as you pretend to slip into the boat. "Fuck—" Rafe's reaction is immediate, his instincts kicking in as he rushes forward.
After a few seconds, you grab the cord, swinging it in front of you with a smile. Kelce breaks out in laughter at your prank, the sound mingling with the collective sighs of everyone watching. Rafe's face fills with relief and annoyance as his tongue pokes agains this inner cheek. "It's disconnected!" you announce with a laugh.
"Holy shit!" Kelce smacks Rafe's shoulder, his eyes wide with amusement as he looks at you, clearly annoyed and unimpressed. "For the love of God," your mum mutters as she slips her sunglasses back on and strides away, clearly needing a moment to recover from the prank.
"She got you good, man," Kelce snickers, unable to hide his laughter at Rafe's bewildered expression. "Absolute suckers!" you crow from the boat, your laughter ringing out triumphantly. "Babe, you should see your face," you giggle, retrieving Joy's teddy bear. "Yeah, okay, yeah, I'm sorry that I care. All right, guilty," Rafe throws his hands up in mock surrender though his face expression remained annoyed.
As Rafe stands there, still trying to process what just happened, he feels a hand on his shoulder. "Congrats, dude. You're officially her bitch," Topper says with a smirk, offering his congratulations in his own unique way. Rafe rolls his eyes at the jest.
"Alright." Topper gives Rafe a hearty pat on the back. "Officially, did you know that? You're officially her bitch, alright?" Topper's laughter rings out as he teases Rafe, but Rafe isn't having any of it. With a swift motion, he slaps away Topper's hand. "Shut the fuck up, dude," he grumbles, shaking his head in annoyance before striding over to you.
"See! Just further proved my point, bro!" Topper yells amidst his laughter, clearly enjoying the reaction he's getting. Kelce joins in, chuckling at the playful banter unfolding before him.
Rafe reaches you, offering his hand despite his lingering annoyance. You giggle at the exchange, finding his frustration amusing. "Are you fucking crazy?" Rafe spits, his irritation evident, but you can't help but laugh at his reaction.
"Aww, I love you too, babe," you playfully pout, quickly kissing his lips before turning your attention back to Joy, handing her teddy bear over with a smile. Rafe stands there with a defeated look, unable to stay mad for long.
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writers-potion · 9 months ago
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Writing Morally Gray Characters
Morally gray antagonists and heroes can bring up many interesting questions about your story's theme and plot. Yes, your hero does want to save the world, but resorts to cruel ways of bringing peace?
Being morally gray can also mean that the character is highly goal- oriented and values efficiency and success over anything.
Deceiving Appearances
As is true in real life, a person's intentions aren't always obvious. A character, their title, background or really just how they look might at first indicate they're the hero type but surprise - they're not.
By hiding ulterior motives behind more apparent ones, you can add depth to your morally gray characters. Appearances can be deceiving, and that makes for a juicy read.
Morally Gray vs. Villains
Morally gray characters and villains are not strictly one and the same. Yes, there is overlap-they can be villains-but the distinctions are there nonetheless.
I don't think having a dark past to provide motivations for morally gray characters is too effective. They do intend to harm others, and sometimes, that's just the way they are.
Recognition
Your morally gray character should recognize that their choices can cause harm, intentionally or otherwise.
Although he's willing to risk the chance in his pursuit of knowledge, he does actively recognize that his actions can result in negative consequences. He sometimes acknowledges this before he does something, and sometimes only in hindsight.
Remorse
They must understand and experience remorse. When the consequences of their actions wreck and story world and kills people around her, she would certainly have regrets and even struggle to undo what she did.
The point here is, she won't regret until she has already caused the wreckage.
Redemption
Finally, when even they feel things have gone too far, your morally gray character must seek redemption however that manifests itself in your story.
For all their logic and reasoning, they are not without feeling. They can grow to care for other characters and go out of their way to help them at times, even save their life.
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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spitdrunken · 3 days ago
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HIAHA I LOVE HOW YOU WRITE MR SCARLETELLA CAN YOU WRITE MORE. so odd and unsettling and obscene m just giggling with delight
HIIII thank you so much for the high praise <3 this has kind of a different vibe from the last one but plays with similar-esque concepts!!!! this is 'weird and obscene' LMAO
Notes: Suggestive, mild body horror, bolded = dialogue in the Other World's language.
==========================
How do you touch a man without a physical form? Or, you suppose, 'man' isn't quite the correct term. 'Apparition' would perhaps best describe him. Though he can reach out to you and make you feel the illusion of touch, you can't actually make contact with him. Your hand passes through him as if he were nothing but air.
You don't think he minds. It's always a bit hard to tell, with him. Mr. Scarletella ususally just stares you down with a dead look, communication relatively limited. But you would like to touch him! So you experiment a little, an action for which no mutually intelligible word exists. Still, he doesn't move as you poke and prod at different parts of his body, coming up short every single time.
You crouch down before poking at his ankle, just in case. When you look up, your heart stops for just a moment. Mr. Scarletella's neck is snapped back, folded in on itself in order to observe you. Vacant-seeming eyes are trained on your every movement. The sight makes you feel squeamish. "God... Not do," you tell him. "Head look hurt. Not funny." There's no other way you can think of to put it. You get up and stick your hand down, waving your hand in the other direction at the side of his head. He seems to understands what you mean, as his skull snaps back in its usual direction. You circle around him. "Sorry. Not want upset you." He says, although you know he'll never really listen or learn, not when it comes to these things. "Me like you. You like me." As if you'd ever forget. You beckon him. Rather than simply leaning down, his form flickers, distorting, before reappearing in the desired position. There's just one place you haven't touched yet. Once again, you extend your hand, the tips of your fingers brushing against the top of his umbrella. The surface is smooth to the touch and wets your skin, accompanied by a small burst of static ringing in your ears. It takes a moment for the significance to register. "Oh! I can touch your umbrella!" You say, forgetting the Other World's language in excitement over your discovery. Even though it's relatively small. You can't touch Mr. Scarletella himself, but the umbrella appears to be 'realer' than the rest of him. ...Actually, maybe the umbrella is a part of his body? He's not human, after all. He doesn't have to exist according to your logic. Your brow furrows. The puzzle pieces of language move in your mind, until they're slotted together semi-coherently. You point at his arm. "Arm you." Then, you do the same for his leg. "Leg you." You wave your arm up and down. "Body you." Finally, you lift your hand in the direction of the umbrella. "Object you? Me can touch object. Touch you?" Mr. Scarletella's smile widens. It reveals a little bit of the void that stretches on behind his lips. "I see. Correct. Object me. Object is..." After which he lowers his umbrella and says a word you haven't heard before. You try to repeat it, and he says it once again, pointing the umbrella in your direction. "Touch umbrella. I want."
It's definitely... Weird. It's genuinely like touching an umbrella. Cold and smooth and slightly wet. But Mr. Scarletella wanted you to do it, and you're kind of intrigued yourself, so you do it. Because there's clearly something happening. As you trace your fingers over the outer canopy, making sure to at least touch every panel a little bit, his visible form starts to flicker and fade. When you apply a bit more pressure, move a little faster, parts of him start to distort and change colour. His arm appears a little dislodged from his shoulder, static rising in the background.
When you pinch one of the metal tips in between your fingers and rub it, he lets out a laugh that is far more high-pitched than you would've expected it to sound like. Clearly, there's some kind of link between the umbrella and the rest of himself. Though you can't envision what it must be like, he's feeling something. Your hand pauses. In the blink of an eye, Mr. Scarletella has materialised even closer to you, nose close enough to touch yours, if it could. The inky darkness of his pupils makes up most of what you can see.
"Me like. Like like like like." He sounds breathy despite not breathing. "Touch more. Again. Me want you."
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primofate · 1 year ago
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Genshin Angst Headcanons - Why the two of you broke up
Note: Had an unexpected free day! I haven't written in a while, please excuse the mistakes, if any.
Disclaimer at the end of the post
Warning: Some are pretty predictable. Each of them have their own issues, lore wise, so some are lore heavy. You might not agree with some of them, but its how I see it, so to each their own. Let me know what you think! Some are quite angsty. Some scenes it's you breaking up with him and some are vice versa. Didn't feel like writing Razor, Venti and Xingqiu.
Characters: Aether, Albedo, Alhaitham, Ayato, Baizhu, Bennett, Chongyun, Cyno, Dainsleif, Diluc, Gorou, Heizou, Itto, Kaeya, Kaveh, Kazuha, Lyney, Neuvillette, Scaramouche, Tartaglia, Thoma, Tighnari, Xiao, Zhongli, gn!reader
Personal Favourites in this work: Lyney, Itto, Kazuha
Aether
Sister issues. Enough said.
He realized he didn't have enough time to spare romancing with someone.
Somewhere along the way he felt guilt that he was enjoying his time with you while his sister went through some sort of villain origin story that seemingly turned her bad.
Top off all the adventuring, searching, solving problems for other people that he did...Where did that leave you, exactly?
"...I'm sorry, Y/N... I just... I don't think this is the right time for me to be together with you,"
Albedo
Contrary to popular belief it wouldn't be his lack of time or extreme focus on his alchemical experiments that would break the two of you up. He knows how to manage his time.
It was the RESULTS of experiments and his research that would put him away from you.
The possibility that HE or his world, was way too dangerous for you.
How many "Albedos" did Rhinedottir really create? Was there more than three? Perhaps four, five? And what happens when you come face to face with another Albedo?
"I'm afraid...There are far too many dangers surrounding myself... There are answers that I can't find...and perhaps that's the reason why my answer is to part ways with you,"
Alhaitham
Too much of a nonchalant attitude.
He expressed some kind of interest in you...but it's like... once in a blue moon. 95% of the time you're not sure if he's really into you. It almost seems like he's more into that book he reads all the time.
Simply just not good at expressing himself. Like, at all. Hides behind a "whatever works" and "I don't care about what other people think of me" attitude, unfortunately that seems to include you.
Is so straightforward that sometimes it hurts, but he's really just telling the truth through logical analysis.
will act like the breakup didn't hurt nor affect him at all. In turn it hurts you instead.
"I see. So you've had enough of me... And you only spoke up now? Pointing it out earlier could've diverted us from this path...If that's how you feel already I suggest that we stop seeing each other,"
"That's it? You're not even going to try and work it out with me?"
"What's there to work out? You've made yourself clear. You're not satisfied with the way I treat you, and I'm afraid I'm not going to change the way I act just for your pleasure... It'd be more meaningful for you to find someone who fits your criterias,"
Ayato
entering a relationship with a noble was not as easy as one thought.
It's not just about being together forever and feeling lucky because Ayato is rich and your whole life is set, it's also the not fitting in, the etiquette, the whispers from townfolk that you were too ordinary for him, the work that you needed to do if you were to become his wife.
All that was not really a big problem for you, but Ayato seemed not to know of your struggles, he was extremely busy, and when he wasn't, he seemed to think that everything was well and fine, since you were getting all your basic needs met and even more.
"...So I'm sorry, Ayato. This is just... All too much for me. I'm sorry,"
"...I understand. Forgive me, it seems that I've overlooked a lot of things...Perhaps it is as you say, that it'd be better for us to grow apart rather than grow together,"
Baizhu
because he is a ticking time bomb, no matter which way he looked it's not going to end well for both of you.
He either dies early or lives forever. In both scenarios he anticipates that the two of you are just going to be in a world of hurt.
Besides, he didn't mean to get so attached to someone in the first place, he knew his quest for immortality was long and arduous. You didn't deserve to walk that difficult road too.
While breaking up, will conceal the fact that he's only thinking of you and will possibly hurt you in the process.
"I'm sorry, but it's for the best. I ask that you continue going forward without me, there's no space for you in my... ideal future,"
Bennett
We all know it...it's his bad luck. However, it wasn't YOU who had a problem with it, it was HIM.
You understood that his bad luck was just some extended part of him, plus it's not like it was always bad, there were a lot of good times too. Plenty!
But the guilt ate him up whenever the two of you were stuck in a seemingly impossible scenario and predicament, brought on by his luck. He just had enough of it one day.
"I...I can't keep doing this to you every day! It's not fair..."
will be on the brink of tears before he even starts.
"Maybe it's better if you find someone else to adventure with, Y/N, sorry...!"
runs away before you can even get a word in.
Chongyun
Thinks he's not good enough in every aspect. It's really, seriously not about you. He thinks he's lacking in everything. Strength, maturity, experience, confidence.
So badly wants to stay with you but feels like he's not good enough and thinks that you're better off with someone else.
"D-Don't misunderstand... It's not because I don't like you anymore... I just...Please find someone else!"
Cyno
his bad jokes and TCG addiction. just kidding, you're not that shallow.
A lot of people are intimidated by him being the General Mahamatra because he gives importance to justice. While you, who had seen a bit more of him than other people had, it seemed more of an obsession to uphold the Akademiya's law and integrity.
This was not a big problem to you, you liked how he was serious at work.
Until one day when you were accused of plagiarising one of your papers and Cyno was the one sent to give you a first offense warning. The Akademiya knew of your relationship, that's probably why they sent him, to make it harder on the two of you.
Cyno didn't listen to your explanations on how it was an honest mistake, he still gave you the warning that you "deserved"
From then on it had just been different between the two of you, so it was really a mutual breakup. Or so you thought.
"...After that, I just realized that maybe this isn't the right time for us... We're both working for the Akademiya, we both take our jobs seriously...Unfortunately that seems to just be getting in the way of us...I think it's best if we stop seeing each other,"
"...I see." he pauses for a minute, as if tossing your words in his mind. "I...agree. Parting ways would certainly make work easier for both of us...it's the professional thing to do,"
Dainsleif
Has not moved on from his past.
Sure, everyone has their own baggage to carry, their own history to live through...but Dainsleif has heavier things than that. He seemed to wake up every day thinking of Khaenri'ah and the days long past. Was it regret? Nostalgia? Loneliness? You didn't know. You just knew that he wasn't really completely THERE with you in the present. Part of him still lived in the past.
When you explained that you felt like the two of you were not moving forward together and that it seemed like he wanted to go back to the past instead, he got offended.
"...My past is something that I carry forever, you'd claimed that you understood that," he starts.
"I do! But carrying it with you and letting it drag you backwards are two different things!"
He falters for a moment, only to leave you with his last words before turning away from you forever: "You will never understand, the weight that I carry,"
Diluc
is too guarded. You'd been friends for a long, long, long, long time before he decided he could let you in enough and be more intimate with you.
Even then everything was going at a snail's pace, though you were extremely patient with him.
The biggest problem with Diluc was that the two of you would progress one day, take a step forward, and then the next day it was like the two of you took two steps back.
Example: The two of you went out for a simple stargazing excursion late one night, it was nice and he had been incredibly affectionate. The next day he had trouble even meeting your gaze, and disappeared to do his work. It was also a little awkward during dinnertime. This scenario had happened more than once.
Hint: the closer he got to you the more afraid he became, thinking that he would one day lose you too.
"I...I can't. I love you but I...I've waited far too long. I'm sorry. I'm tired of this endless chase for you!"
He couldn't even say a thing. He'd wanted to ask you to stay, to wait for him a little longer, but he already knew how incredibly selfish that would have been. Instead, he grimaced, and looked away from your gaze, trying to find something worthwhile to say. There was only silence for a few moments.
"Goodbye Diluc," that's when you turned away.
Gorou
worships Kokomi too much and your insecurities just kept circling around in your head.
You know its his job. You know he isn't like that but the problem was YOU and not him.
Simply said you let your insecurity eat up the relationship between the two of you.
You couldn't bring yourself to say that you were jealous of the way he admired Kokomi so you broke up with him with another reason in tow.
Unfortunately, you're not a very good liar face to face so you did a butthole move and actually broke up with him through a letter. You just couldn't face him and tell him why.
All you mentioned in the letter was that you needed time to think and be away from him, and told him not to worry because it was your problem, not his.
Poor Gorou reread that letter over and over, trying to understand what went wrong.
Heizou
is just a natural flirt. You're not sure if he's doing it on purpose or not and you're not sure if he's even aware he's like that.
Anyway you'd seen him getting overly friendly (just another word for flirting) with a few other people a couple of times. You didn't let it get to you the first, fourth or even eighth time but you realized that he KNOWS that you're watching him do that.
So you confront him about it, but he claims that it's just his way of gathering information from others. People like to hear good things and some people are more susceptible to flirtatious comments so he resorts to that for his investigation sometimes.
You didn't really completely buy it and even if you did, it's not like this was healthy for your relationship. You just couldn't make yourself comfortable with it.
*You just chalked it up to the two of you being incompatible.
"I'm just not comfortable with that...I don't think I have to say sorry for how I feel but...I'm sorry anyway because I know you're just doing your job... It's probably best if we part ways here..."
"Is there any way to change your mind?" he genuinely asks.
You only give a lopsided smile. "You're a detective, I think you already know the answer to that,"
Yet he didn't stop you from walking away.
Itto
Kept breaking promises because he was too airheaded or too occupied doing something "stupid" with the kids or with his gang.
Pretty soon it just felt like you were an afterthought while everyone else in his life took precedent.
Got a ramen date? Oops, sorry! Got caught up looking for a strong onikabuto in the forest!
Needed his help to move some things? Gah, he was vandalising the bulletin boards, so he's running a bit late!
What's more you didn't actually mind that carefree, airheaded side of him...but it really got to you when he couldn't even seem to make you a priority. Not once.
He only realized that when he came running, late again, and stood face to face with a crying you.
"Hey sorry Y/N, I was just--...Why are you crying?!" is completely dumbfounded and clueless, mostly because when he came late, you had always shrugged it off with a smile on your face, or so he thought. This time you had a completely different reaction.
"I hate you...*hic* I hate you, I hate you, I hate you!"
Shocked beyond belief. It wasn't like you to just blow up like that, but he couldn't do anything except watch you turn and run away from him after that exclamation.
Kaeya
Sometimes you're not sure if he takes you seriously.
Recently, he's not where he says he is, you don't know why he doesn't just tell you where he is.
He said he'd be working late, but then you find out he's at Angel's Share.
He said he'll be at Angel's Share, but then you catch word from Jean that he's out on a late mission.
He said he's escorting a caravan to Mondstadt but he's actually on assignment in Liyue.
It came to the point where you altogether just stopped looking for him cause half of the time you couldn't find him. It's like he's avoiding you or something, which, actually, seems just about right since he's been so busy with "work"
It reached a breaking point when, for a week, you were unable to bring him the lunch you prepared...because he was not where he said he was going to be. It was starting to get annoying.
"I don't understand why you're lying to me! Why do you have to tell me you'll be at Angel's Share this afternoon when you're not? Do you realize you make me walk all the way there only to come all the way back with nothing achieved?"
"I'm sorry snowflake, that wasn't my intention," though he still chuckles despite knowing full well that you were about to turn away.
"You know what, let me know when you're ready to stop making jokes. Until then, don't bother contacting me,"
He just didn't expect you to actually walk away from him.
Kaveh
Entertains everyone and anyone. Naturally kind at heart, will stop for anyone in trouble...even that flirtatious man/woman who is clearly just pining for his attention.
No he doesn't quite realize this.
The same person had asked for his help at least 4 times now and all 4 times he had been happy to offer a helping hand.
The last straw was when he was invited into the stranger's house, they had apparently needed someone to help them move and re-arrange furniture and he did, working till almost dinner time.
You'd caught him right by the person's door, because Kaveh was actually honest and told you he'd be helping them today, but the person was clearly eyeing Kaveh rather flirtatiously.
"Come again next time," you heard the person say rather happily. Kaveh only replies with "If I have nothing else to do, I suppose,"
"Kaveh, they're coming onto you and you keep letting it happen!"
"I'm not certain what you're talking about...They just needed some help around their house, nothing suspicious happened at all. Even if there was, I won't let anything happen between me and a stranger!"
"Then STOP helping them!"
"There isn't anything wrong with lending a hand...It was a quick move of things, that's all,"
"How would YOU feel if I just went into someone's house and kept helping them "move" things?"
"...I would think that's nice of you,"
You actually threw your hands up. "Oh, forget it! You know what, for someone who LOVES helping others, you're not doing such a great job of helping ME," then walked away and never came back. "Good riddance,"
Kazuha
He's a wandering samurai. You knew what you were getting into but you didn't expect dating him to be so hard.
He was gone for weeks on end, and you were not getting on that boat with him. In essence the two of you were just not ready to follow each other to the end's of the Earth, and that was fair. The two of you were young.
Kazuha kind of saw it coming, whenever he visited you, you seemed less spirited and he had an inkling as to why. The time apart was just too much for you.
It was a rather clean break actually. A real mutual breakup that the two of you agreed on.
"...You could say it's just not the right time for us," you even managed to laugh under your breath and he did the same, though it was barely audible.
"...Mm. There are matters that you need to attend to here...and there are things that I need to do out there," he slowly stood up from his sitting position next to you and still gazed at you rather lovingly. "...Perhaps, in another world, you and I are bound together,"
You gazed back forlornly, "...Just not in this one, it looks like,"
Lyney
because he will always choose his siblings over you. Always.
Though that's not a bad thing because you also think that family is important...somewhere along the way you realized that family is the ONLY thing he had and saw.
Example: Lynette and you had gotten ill at the same time one winter morning. Perhaps it was the cold that was passing around Fontaine. Lyney had been so worried about Lynette, that he seemed to have forgotten about you for the next few days. In fact, Lyney didn't even realize that you caught the cold too. You had only heard from Freminet, who you happened to cross paths with, that Lynette was also ill.
You thought that incident was the end of it, but really it seemed that whenever Lyney wanted to hang out with you, Lynette had to be there too. You tried to understand...after all there's still that mystery of disappearing women in Fontaine.
The breakup was induced when Lyney completely forgot about your birthday, because Freminet's was around the same time as yours. You helped Lyney prepare everything for Freminet, and said nothing about your own.
You realized that there was nothing wrong with choosing family over everything else...but the problem here was that Lyney didn't even have space for you in the first place.
So you left without saying anything. You figured he'd get over it quick. You had even gone so far as to move away from the main city of Fontaine and out into another island, because what would you say if he found you? That you were jealous of his siblings? You weren't going to ruin a family like that and it wasn't right to make him choose...so you just left without a word.
Neuvillette
Had a whole brainrot for this man:
Part 1
Part 2
Scaramouche
surprisingly it's not his anger issues.
It's the way he wouldn't acknowledge your relationship. You wonder how you even got into one with him.
There's no public show of affection, but even behind closed doors it rarely happened.
You knew that he was going to be like that, and so you didn't mind it all that much.
It was getting a bit much though when, out in public, he would walk further in front of you and refused to walk next to you. When he pretended like he didn't even know you. When he didn't stop to help you even when another man had shown interest in you, bordering on uncomfortable.
The more time passed the more you simply felt unloved...but for some reason you still blamed yourself.
"...I...don't know. Maybe you find me undesirable, or just...unappealing. Maybe you're embarrassed of me or...or..." maybe you just didn't care in the first place, you thought to yourself.
There was a long silence. Of you turning your gaze away, of him still piercing into yours. And then...
"Tsk...don't waste my time...Leave if you want to leave, door's open,"
Tartaglia
This one is simple. It's his obsession for fighting plus his complete disregard for himself. It's a constant heart attack for you. At some point the anxiety is just too much for you to handle.
Imagine living every day just wondering if he's safe at the same time knowing that he just loves to look for trouble.
The foul legacy that you know of, he uses it with disregard as well, despite knowing that it wasn't good for him.
And there are even days where you know he was heavily wounded but didn't go to you, in an attempt to shield you from worry.
It's a constant battle trying to stay sane and unworried, until one day it all just becomes too much.
"...Nothing I say will change anything, Tartaglia. This is who you are...This is who you need to be..." you whisper while bandaging his knuckles. He lets out a short hum.
It was silent all up until you finished with his hand, you squeeze it gently. "...I love you but...I can't keep doing this to myself, I'm tired...more so than I have ever been before,"
He lets your hand slip away from his knuckles, and that was the last he saw of you.
Thoma
This one is also simple. He was always taking care of others and running errands for others that he sometimes just couldn't catch a break.
Just a classic case of not enough time for you since he had a job to do for the Kamisato Clan.
He knows it, and feels awful about it. So he's the one who makes the move.
"It hurts that I can't give you what you deserve, Y/N. This isn't it... You deserve more than this but I can't give you that and I'm sorry. Please look for the love that you deserve,"
Tighnari
Remembers everything. Can be critical of things you've done, specially if he thinks there's a better way to do it.
Simply said you just feel stupid in front of him sometimes.
He doesn't mean to, but he sometimes forgets to appreciate or give praise to the things that you do well and even if he does, it tends to be short lived compared to his constructive criticisms.
Pretty soon you felt like he only looks at the bad things you do, and never the good. Though he was really only trying to teach and guide you as an equal.
He in fact feels that you are one of the few people who can keep up educational conversations with him.
The problem is he kind of forgets that you're his lover, and that you would enjoy his praise and affection from time to time.
"Do you... Do you ever have anything nice to say other than 'good work' or 'great observation'?" the words were out of your mouth before you could hold yourself back. Sometimes it was tiring to feel like you weren't good enough.
There's a flash of surprise that crosses Tighnari's expression for a split second, before he recovers. "...Had I not been praising your work enough lately? My apologies... It has a lot of merits, I just thought that you wanted my opinion on how to make it better,"
You opened your mouth to say something, but closed it again right after to ponder on his words. Somehow even that had managed to make you feel embarrassed. It was here you knew that the problem also lied within yourself.
"...Sorry, Tighnari...I think I'll need some time alone,"
He obliges quickly and asks. "That's reasonable. When would you like me to come back?"
"...Let me rephrase that... I need some time away. From us."
Xiao
Unfortunately there's a lot of things wrong here... his lack of affection. His aloof personality. His dedication to his yaksha duties. Despite that he does actually try to be gentlemanly or respectful of you.
The worst of it is that he didn't know how to be in a relationship, in other words he just wasn't ready for one, or perhaps he would never be ready for one.
He didn't understand that humans craved companionship and sometimes touch. He didn't understand that meant having to favour you over others, sometimes even putting you first over his yaksha duties.
Worst of it all was when he shut himself off from you, sometimes for days on end, when his karmic debt was too high. He only really did it to protect you, but never realized how isolated that made you feel.
When you confronted him about it, he felt attacked. Hiding away was the only way he knew how to cope...why couldn't you understand that?
"Let me help you, Xiao,"
"I don't need your help!" his tone would make you wince and just like that he disappears into a billow of smoke.
You never returned to Wangshu Inn after that. If he couldn't let you in, there was no use trying to knock on his heart. Xiao being Xiao, never sought you ought again either.
Zhongli
He had experienced so many things and you had listened to many a tales from him.
This is what caused you to realize that you hadn't even experienced life at all, and yet here you were willing to tie yourself down to him.
It just didn't feel like it added up. Here he was with all this knowledge of the world and here you were who had never even stepped outside of Liyue. By no means were you stupid, but you felt that you could be better not only for him, but for yourself if you learned more.
There was just such a huge gap in life experiences, and though you never expected to get to his level (he was a God who had lived for a long time, you would never catch up to him) you at least wanted to see what was out there with your own eyes instead of through his stories.
He understood that wholeheartedly, and had no qualms in letting you go.
"You will always have a place with me, Y/N. No amount of lifetimes will change that,"
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Disclaimer: Relationships will always have some sort of problem along the way, maybe big, maybe small but I just want to reiterate that breaking up is not always the solution. Communicating is very important. So to those of you who like taking fanfiction too seriously, let it be known that this is just a work of fiction. I don't actually suggest breaking up with someone as soon as there is the slight indication of a problem (Just saw someone commenting on a similar themed post for Haikyuu that this wouldn't happen in the real world if both parties were mature... I mean, sure, but, idk, you must be fun in parties... it's called fiction for a reason...)
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