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ms-demeanor · 27 days ago

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How to avoid sharing Social Media Scams in the Wake of a Disaster

The world is full of disasters. It is also full of people who have learned to profit off of disaster. It is an unfortunate fact of life in the modern social media/online environment that in order to avoid spreading scams, you have to make a continuous effort and you have to be cynical.

There are a lot of wonderful, well-meaning people in the world who want to help everyone who asks for it. Unfortunately, those people are easy to scam.

These are some rules to prevent you from either falling victim to scams or from passing scams along to other people.

These are not suggestions, these are not things to take into consideration, the rules listed here are RULES that you need to adopt in order to keep from spreading scams on social media.

Rules:

Never, ever share screenshots of fundraisers or resources that you haven’t verified yourself. If you see a screenshot of, say, the Antelope Valley Fairgrounds Instagram announcing that they will be accepting evacuees with RVs, you go find the Antelope Valley Fairgrounds website, you find the social media linked on their website, and you check that the post you’re seeing actually came from the entity it’s claiming to. Once you have proved that the post actually came from the entity it’s claiming to, double check that entity with a couple of verifiable sources. So, for instance, if I was checking on the Guitar Center Music Foundation I’d check Guitar Center’s website and maybe I’d look for news articles about donations from the foundation. If I was looking up the Antelope Valley Fairgrounds, I’d look for a local newspaper calendar of events that linked to the fairgrounds or would check the city websites in the area and search “fairgrounds” on them. I would not share a link to a social media page for an organization until I was 100% certain that it was actually associated with the organization. You shouldn’t either. If you see a post that claims to come from a specific group but all you have is the screenshot of the post, go find the group’s website and if it all checks out you may share it IF AND ONLY IF you add the link to the post. And if a post has a link already, click through it and STILL check that everything looks okay.

Never give money or information to someone with a free email address. This sucks. I know. But if the group you’re looking at only has a gmail address or a protonmail you have no way of knowing if they’re legitimately associated with the organization at a glance. And even if they ARE associated with the organization, the free email account demonstrates a lack of planning/commitment that has troubling implications for the handling of your money or data.

Do not share screenshots of “resources,” headlines, social media posts, or news articles. I’m done with screenshots. Screenshots are easy to fake and almost always remove context from the discussion. A standalone screenshot isn’t information, it’s a trap to get you to share something without thinking. Do not *trust* screenshots of “resources,” headlines, social media posts, or news articles. Always assume a screenshot is faked unless you have found the original post yourself. A screenshot isn’t a “resource” it is an un-source, it is intentionally removing information from the viewer and we are well past the time when people should have understood that sharing screenshots without a link to the original text in context is never, every trustworthy.

Do not give money or information to accounts without a history. This may mean individual social media accounts, or it may mean a shiny new mutual aid project that popped up near your house. It’s unfortunate that people have their accounts deleted, it’s unfortunate that new orgs have trouble finding support, but the likelihood that a new account is a scam is simply too high to trust your money or information with it. If someone is asking for money or offering help on an account that hasn’t posted for years, or that suddenly changed all its content, or that has only existed for a month with no links to other, older sites and socials, you shouldn’t trust that account.

Okay, those are the RULES. Those are the lines you draw in the sand. The TL;DR version is this:

Don’t share posts you haven’t personally verified

Don’t give money or information to accounts with generic email accounts like gmail

Don’t share or trust screenshots that have no links or further context

Don’t give info or money to brand new accounts

I absolve you of any guilt you have surrounding this. You want to share that post to help a stranger but they have only had an account for a week. You want to spread that resource, but unfortunately it is only available as screenshots of an anonymous instagram account. You think that perhaps that mutual aid group really can help people, but the only way contact them is to put your info into a google form and send an email to their gmail account. That post seems really helpful, but actually you can’t find anything that suggests that the Mt. Pacifico Aquatic Center exists outside of this twitter account. No more guilt! Guilt be gone! You do not have to feel bad for not sharing these things, or not reaching out, or not giving money because doing so would be irresponsible and would put other people at risk of being tricked by scammers or wasting what money they can donate on a potential fraud.

Now, some tips:

Always, always, always take at least ten minutes to think about giving someone money or your information online. Read the post that moved you, then re-read it, then go sit away from it for ten minutes and think about it. There’s a good chance you will still want to give, or sign up, but ten minutes away will give you a chance to consider if there are any red flags in the post that inspired you.

Independently search everything you’re going to share. Go outside of social platforms and check on search engines. Check Wikipedia. Look up the website and send a while clicking around. Go on a *different* social media platform and check their account.

Just straight up search “[SUBJECT] Scam” before you do anything. See if this thing you’re looking at is actually an old scam that’s revamped for a new disaster. See if you can find an explanation of how something might be a scam or risk in a way that you didn’t understand before.

Get used to getting away from social media. Go check websites.

Learn domain name syntax. “musicfoundationguit.arcenter.com” is a bullshit scam. “guitarcenterfounditaon.org” is a bullshit scam. “guitarcenter-foundation.org” is a bullshit scam. The actual domain is “guitarcenterfoundation.org” and the link to the correct page isn’t going to be “guitarcenter.foundationfires.org” it’s going to be “guitarcenterfoundation.org/fires”

Tips for Orgs:

If you do not want your org to look like a scam you are going to have to put some effort into it. Unfortunately this will probably also require at least a little bit of money; I know it’s hard to get money together at the beginning, but it will pay off in the long run.

Invest in a domain and hosted email. You can get relatively inexpensive hosted email through most domain registrars and even if you only get one email address for your domain you can forward it to all the free gmail and protonmail accounts you want. But buy a domain, set up a simple website, and get an info@[yourdomain].com email set up because you don’t want people emailing “[email protected]” because it’s super fucking easy for a 1337 hax0r like me to set up “[email protected]” and scam the people who want to reach out to you.

Make a blog on your actual website, not on a social media site. A blog means that you can make regular posts and establish a history to prove that you are real and you do real stuff; it will also help with SEO and help to ensure that when people search for your org YOU are what comes up. Keeping up calendars of previous activities with links to those activities is also good.

Set up social handles on all the sites you use, make a “socials” page on your website, and link to your handles so that people can verify if you’re the one posting something. If you don’t make it extremely easy to find your socials, that means it’s extremely easy to set up fake accounts claiming to be you. Then put the link to your website in the bio on your socials.

If you are offering something or holding a fundraiser or doing anything on your social media page, link it back to your website. If you have an IG post offering resources, you should include a url for your site in each image. If you share a photo on twitter with the info for a march, that should link back to your website with more info about the march. If you post a fundraiser on tumblr you need to link the fundraising page of your website on that post.

If you absolutely positively cannot set up a website and a real-ass email address, set up a linktree, choose a primary social media to post on that all the others refer back to, and very explicitly state what your email address is and that you do not have other email addresses somewhere that's difficult to miss. Build a history of posts and link to other orgs that you work with or any writeups or stories about your events or projects. The point of all of this is making yourself easy to verify. "[email protected]" sucks but it sucks a lot less if it's in the bio of "@northfulltertonfnb" and that page has a two year history of posting meal share schedules and menus.

In conclusion, don't share things that you haven't personally checked. When in doubt, it is always safer not to share.

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creatingblackcharacters · 3 months ago

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“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

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I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

#creatingblackcharacters #long post #writing #writing black characters #black character design #black history #media history

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yoonjae20 · 1 month ago

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Bruce is (secretly) married [Bruce/Danny; Spirit Halloween]

I got sucked into the DPxDC crossover rabbit hole. I have read too many fanfics despite not knowing the source material.

I randomly got the idea of Bruce being secretly married and the Batfam finding out about it after Duke poses the question of why Bruce wears a ring. (Also how Danny's influence would have subtly changed things.)

Read this on ao3. Masterpost

Next.

Bruce had always worn the ring, long before Dick came around – at least that’s what the boy had told Jason when he asked about it.

They had looked through the records one night – bonding over finding out when he started, but he had already worn the ring once the man returned from his seven year long journey of training. The media had speculated it to be a family heirloom – either his father’s or mother’s wedding ring. Bruce neither confirmed or denied when they asked about it.

The man never took it off, not even when he stalked the night as Batman and neither of them had been brave enough to ask about it, after they watched clips where the media asked and his Brucie mask slipped into something uncomfortably blank.

Jason had quickly forgotten about it after Bruce had benched him from being Robin after Felipe Garzonasa’s death. He had been furious, questioning if Bruce didn’t believe him that he didn’t push the man.

“Of course I believe you, chum,” the man had said, but Jason didn’t trust the man’s words. “But you just saw a man die. That’s not something we should brush over.”

He had sent Jason to bed for the night, but the boy had sneaked out, believing Bruce to go back to patrol after dropping him off. He instead found him in his office, talking to someone on the phone.

“...You have better experience with stuff like this than me…” the man said. “Do you think I should have never given Jason Robin? I know Dick agreed, but…” Bruce trailed off and then paused to hear the other person’s response. “I know.” He let out a deep sigh. “I’ll talk to him tomorrow about it. Are you still planning on visiting for the anniversary? I would appreciate if you tried talking to-”

Jason didn’t wait to listen for more. He knew it. Bruce was going to take Robin away from him.

He remembered the picture he had found of his birth mother. He initially had wanted to tell Bruce to get his help to find her, but now he isn’t sure if it’s such a good idea. If the man was gonna take Robin away from him anyway, he didn’t want to be there for the moment.

With that goal in mind, unbeknownst to Bruce, he disappeared that night, setting out to the Middle East to find his mother.

Bruce finds his corpse several weeks later. Dick breaks down in space when he receives the call from Bruce. They attend the funeral together, neither of them talking about it, even years later.

Jason returns several years later, dead set on revenge on Joker and on Bruce for never avenging him. What he doesn’t expect is to stumble over a newspaper celebrating the anniversary of the Jason Scholarship Foundation along with pictures of his funeral, showcasing both Bruce and Dick crying.

He never stumbles upon a memorial with his battered Robin suit and the description “Jason Todd, a Good Soldier” and beats Tim Drake, the third Robin half dead for replacing him. Instead he returns to the Manor, overwhelmed at Bruce’s breakdown and reaction. Red Hood debuts several months later – with the Bat symbol on his chest. They still have their conflicts, but Jason never has to fill a duffel bag full of heads for his debut.

It’s only once Damian arrives, Cass becomes Bruce’s daughter and Duke his ward that the topic of the ring gets brought up again. It’s Duke who asks what they all have been thinking.

“By the way, why does Bruce wear a ring?”

Finding no information online and not managing to get anything out of Alfred, they break into Bruce’s office while he’s on patrol getting distracted by Damian and Cass. It’s Tim who finds it, in a locked drawer, sealed carefully.

A marriage certificate.

“Who the hell is Daniel Fenton?” Jason questions gruffly.

“My husband.”

Jason startles, turning to the doorway. Bruce is standing there, his arm crossed and he cringes at the displeased raise of Bruce’s right eyebrow. Behind him Cass shrugs at Tim’s questioning gaze while Damian clicks his tongue.

“Why haven’t we met him? And, wait, does Dick know about this?” Tim asks.

Bruce lets out a deep sigh as he fiddles with the ring - the wedding ring.

“Let’s go somewhere else for this.”

They all shuffle to one of their smaller living rooms. Duke sets up a voice call so Dick, who is back in Blüdhaven, doesn't have to miss out. Tim is on his own computer, no doubt researching everything he can find on Daniel Fenton. Or would he be Daniel Wayne?

It’s Damian who breaks the silence.

“Father. Explain.”

The man presses his lips together as he stares down into his tea. Alfred squeezes his shoulder behind him.

“The reason you haven’t met Danny is because he’s dead.” Bruce pauses while his kids pale. “Technically.”

Before either of them can question that, suddenly a young white haired boy appears, sitting on Bruce arm’s chair, eyebrow raised and wearing a black and white hazmat suit.

“Shouldn’t I be here for this?”

In an instant all of them sans Bruce and Alfred are on alert, Tim has a Batarang in hand, Jason one of his guns and Damian a knife poised to the unknown boy’s neck.

It’s Bruce who diffuses the situation.

“Danny?” Bruce sounds disbelieving and Damian twitches, knife still in hand.

“In the flesh.” The boy does jazz hands, neck grazing the knife, but it doesn’t draw any blood. “Or ectoplasm. Whatever.”

“How wonderful of you to surprise us with your presence Master Danny,” Alfred says, tone slightly sarcastic and Damian finally steps back, eyebrows knitted together.

Danny winces.

“I would have warned you, but Clockwork just dropped me off, telling me that it’s finally time.”

“This is your husband?” Duke bursts out.

The boy bows playfully.

“Danny Fenton-Wayne. King of the Infinite Realms. Half ghost and-” Suddenly he transforms, white rings traveling over his body and leaving behind a middle-aged black haired man. “-Half human.”

“GHOST?”

“HALF HUMAN?”

“KING OF THE INFINITE REALMS?”

“Thank fuck I thought Bruce was a pedophile for a moment.”

Everyone turns to stare at Duke.

“What? I just said what everyone thought,” the boy defends himself.

“Actually that would be ephebophilia,” Danny corrects. “Although he would still classify as a necrophile.”

Bruce punches the man’s forearm, rolling his eyes with a fond look and Danny yelps, rubbing the spot.

“Hey! If anyone is allowed to joke about it, it’s me!” the man complains with a pout and Bruce shakes his head.

“Another reason why you never met Danny is because – believe it or not – he’s the King of the Infinite Realms, which means he is quite busy.”

“So much paperwork,” Danny groans. “If I get Constantine’s ass, I swear to the Ancients that he’s gonna die. Half a decade lost because I had to bargain for his soul pieces!”

“After I returned to Gotham to become Batman, the Infinite Realms unfortunately fell into war following a coup attempt, leaving Danny to deal with the mess.”

“And Clockwork prohibited me from visiting the Gotham until a certain point, claiming that I would change the timeline too much with my influence,” Danny finishes for Bruce, all of Bruce’s kids watching with fascination how seamlessly they seem to fit together as the man leans his head against Bruce’s shoulder while Bruce runs a hand through the man’s black hair. “Considering I would have never let Bruce run around with child vigilantes, he’s probably right.”

“I forgot you know about that,” Bruce sighs.

“Jazz kept me updated,” Danny says smugly.

“That’s a break of patient confidentiality,” Bruce grumbles.

“She may be your therapist, but she’s also my sister.”

“Mr. I-Rather-Chew-Nails-than-Talk-About-My-Feelings?“ Jason exclaims. “No way!”

“I have been vocal about the fact that I go to therapy.” Bruce frowns.

“I thought you were joking!”

“Where do you guys think I go every Sunday evening?” Bruce pinches the bridge of his nose.

“Justice League meeting?”

“Golfing?”

Once again everyone stares at Duke and he flushes at the attention.

“I thought it’s a rich person thing!”

Danny snorts.

“He got you there, darling.”

“When and how did you guys meet?” It’s the first time Dick actually speaks up, having observed everything – or as much as he could – through the web camera.

“At a gala when both Bruce and I were teens,” Danny answers. “My godfather dragged me into it. At least one thing I can thank him for.”

Danny smiles while Bruce grunts in agreement.

“The wedding?” Tim follows up.

Both Danny and Bruche pause to think.

“Did we do the civil registration in Paris or Las Vegas?” Danny turns to Bruce. “I can’t remember.”

“We were quite drunk,” Bruce agrees.

Danny snips his fingers like he remembers something, but then he shakes his head. He puts a hand to his chin, tiling his head.

“Or was it Brazil?”

The rest blink at the pair before Danny shrugs with an apologetic smile.

“We had the real wedding in the Infinite Realms though,” Danny explains, “Once Bruce got finished with his training. The citizens wouldn’t have accepted it otherwise. Alfred would have taken pictures, but technology doesn’t work in the Infinite Realms.”

“Such a shame, it was quite a nice wedding,” Alfred affirms.

“Alfred knew?!” is the consensus complaint.

“Does Mother and Grandfather know about this?” Damian asks stiffly.

“Considering Ra’s used Bruce’s and your mother’s DNA to artificially create a baby despite knowing – he doesn’t care,” Danny says just a tad-bit too cheerfully.

The revelation leaves everyone reeling.

“Okay, now that all questions are answered-” Danny doesn’t give them time to inject. “Can we talk about the stinking elephant in the room?”

Bruce raises an eyebrow as Danny gestures to Jason. Jason almost would feel insulted if Danny didn’t sound so genuinely surprised that nobody else said or noticed something.

“What the hell is that supposed to mean?!” Jason complains as he discreetly tries to sniff his armpits. Considering Tim’s and Dick’s snickering, he doesn’t succeed.

“Your Ectoplasm reeks like-” Danny grimaces as he flails his arms. “Like you took a bath in spoiled eggs.”

Danny turns to Bruce with an angry look in his eyes.

“Especially you should have noticed, considering you are liminal! His core is completely malnourished.” Bruce winces. “Did you forget that I gave you a way to contact Frostbite?”

“Without the ambient ectoplasm you radiate my ability to see ectoplasmic entities and speak and read Ghost Speak slowly degraded over the years,” Bruce explains. “I wasn’t aware Jason had been a type of ectoplasmic entity.”

“His eyes literally glow green when he’s angry!” Danny chides. “He returned from the dead for revenge. He’s clearly a Revenant. That’s Ghost 101!”

It’s amusing to see Bruce get scolded by someone else other than Alfred. Alone for that fact Jason has to admit that he begrudgingly likes Danny.

“Alright-” Danny stands up and tugs on Jason’s arm. Bruce moves to follow him like second nature. “You are coming with me right this instant.”

Before anyone can stop them, Danny transforms back into his Ghost Form, Jason’s hand in one and Bruce in the other and steps through a glowing green portal, it vanishing shortly after. Silence follows.

“So well that just happened.”

This time everyone agrees with Duke.

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wh0reforcoriolanussnow · 1 year ago

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Baby Blues || Young President!Coriolanus Snow x reader

Summary: motherhood has not been kind to you, neither has Coriolanus.

Warnings: r is implied to be young, toxic, mean Coryo, r experiencing post-partum depression,

Wc: 794

A/n: I’m always gravitating to write these type of coryo fics for some reason…. I hope you like them! Apologies for lack of Tom Blyth/Coryo content, I promise I have some coming!!

You sat in the sunroom, the weight of your 5 month old daughter on your hip, while Coriolanus read his newspaper, seemingly unfazed by his daughter’s cries that filled the room.

Your hands shakily pick up the delicate china tea cup, bringing it to your lips and taking few sips.

You stared at nothing in particular, feeling the weight of both youth and motherhood. You subconsciously start to bounce your leg, all while your daughter wails in your arm, begging for attention from her own mother.

Coriolanus sips at his black coffee, trying his best to drown out the cries as he tried to focus his attention back on his newspaper. Your concerned servant in the room exchanged worried glances with Coriolanus, and finally, he glances at you, frustration etched on his face.

“Y/n, tend to her,” he instructed, irritation evident in his voice. “Don’t just sit there like a mad woman, do something,” He hissed as your gaze moved to him. Your eyes seemingly empty as you stare at his icy blue ones.

At an attempt to soothe her down, you stand up to bounce her on your hip, hushing her. Your daughter’s cries only intensified, drawing Coriolanus to his feet.

The rustle of the newspaper ceased as he took his daughter into his arms. Almost magically, her cries subsided in the secure embrace of her father. A wave of inadequacy washed over you as you witnessed his effortless ability to calm her.

You stand infront of the large floor to ceiling window that overlooked your courtyard, gazing blankly at the last few socialites leaving the presidential mansion after a soirée that Coriolanus hosted.

Your once vibrant, youthful eyes now dull, overshadowed by the weight of motherhood. Coriolanus, sat on one of the chairs, watches you from where he was. “You’ve been standing there for about 20 minutes, sit,” He says, gesturing to the seat beside him as you turn your head, lightly biting your lips before moving.

“It’s like you were in another world tonight, what ever is the matter with you now?” Coriolanus remarks, frustration edging his tone.” You feign a smile, “I’m just tired, Coryo. That’s all,” but your eyes betray the facade, revealing a profound weariness that transcends mere fatigue.

“You always seem tired,” Coryo scoffs. Your gaze flickers towards the nanny, cradling your daughter in her arms. Your heart aches with a mixture of guilt and relief as you observe the bond forming between them.

Coriolanus’s gaze follows your eye line, “Perhaps you’ve been focusing too much on your duties and not enough on our daughter,” He suggests, unaware of the storm raging within you.

“I’m doing my best, Coryo,” you respond, voice barely audible as Coriolanus lets out a tired sigh, massaging his forehead.

The baby’s cries cut through the air, and you flinch as if struck—something Coriolanus observed. He glances at you, a mixture of annoyance and concern etched across his features.

“Can’t you tend to our daughter? You’re her mother, after all.” You nod absentmindedly, standing up and making your way toward the source of the cries.

The nanny, a woman just a couple years younger than yourself, hands over your daughter, a look of sympathy etched on her face.

You clear your throat, feeling Coriolanus’ eyes on you. You cradle her awkwardly, attempting to soothe her, but your efforts were feeble. Coriolanus observes, frustration simmering beneath the surface.

“You’re always like this. Will you always treat our child as if she’s a stranger?” He spat, and you bit your lip, glancing down at your daughter whose features closely mirrored yours, except for her eyes and blonde hair.

Your eyes well up with unshed tears, swiftly wiped away. “I just… just need time, Coriolanus. I’ll adjust,” you stammer, seeking to reassure your husband and, more importantly, convincing yourself that you will.

Nearly half a year has passed since you gave birth to her. Skillfully, you’ve evaded numerous public appearances with your daughter, fully aware of the pervasive curiosity surrounding your role as a mother.

You were aware of their judgments. The notion that you were too young to be a mother echoed in your mind, a sentiment you shared as you gazed at yourself in the mirror, your stomach swollen with the imminent arrival of a child into the world.

Coriolanus sighs, a blend of disappointment and impatience coloring his tone. “Pull yourself together, for both our sakes. The people want to see their First Lady and my heir. You can’t keep hiding away. There are already whispers going around,” he admonishes sharply, and you gulp, your baby cradled in your arms as you turn to face him.

Coriolanus couldn’t deny the noticeable change in you since giving birth. When he married you, the youthful aura enveloped you, a stark contrast to the transformation he now witnessed.

The aura had dissipated entirely. Despite your youth, you appeared to have weathered a lifetime. Fatigue etched into your eyes, weariness evident in your mental state.

“It’s wise for you to step back from the public eye for a while, away from your duties. You need to rest,” Coriolanus states firmly, his gaze fixed on the world beyond the window.

Your gaze shifts to your baby in your arms, her doe-blue eyes locking onto yours. Unaware, Coriolanus discreetly signals the nanny to take your daughter.

Caught off guard, you hesitated when she reached for your child, desiring to hold her longer. Reluctantly, you allowed her to take the little one. With a heavy heart, you observed the nanny exit the room, and Coriolanus broke the silence, reassuring you, “Don’t worry about her; go rest.” Slowly, you nodded in agreement.

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sreidisms · 11 months ago

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Early seasons Reid and with BAU!reader whom just has a HUGE crush on her and Gideon has to spell it out to Spencer? I just love season 1/2 Reid. Him in glasses just makes me swoon ❤️

THIS IS SO CUTE, like it's so probable too. I didn't understand if you meant that Gideon had to spell out that Spencer likes the reader or that the reader likes Spencer, so I went with the former. If you wanted the latter, tell me and I'll write it!

An Oblivious Genius

Spencer Reid x Fem!Reader

Summary: Spencer has feelings for you but is too oblivious to realise - Gideon helps him.

Genre: subtle fluff

Word Count: 862

Warnings: none

A/N: the way I ended this leaves it open to a part two, so please comment if you'd like one!

“I think you have feelings for her.”

“Huh?��

Gideon didn’t lift his gaze from the newspaper in his hands, the wrinkles on his forehead peeking from behind the inked folio. “I said, you may have feelings for her, Reid.”

Spencer never turned to anyone for help, because why would he? He knew more than anyone else when it came to most things - well, except socially. And emotionally. And anything having to do with you.

The only person that wouldn’t bruise his ego was Gideon - his mentor, his guidance. He held more of a God-like presence than a fatherly one for Reid; his advice and experience were almost holy, a dogma which Spencer believed and followed without questioning.

So when his number one source of truth told him he had a crush on you, it was a shock.

“I don’t think that’s the case-”

“Reid.”

Spencer stopped his attempted rambling as Gideon’s eyes made an appearance from behind the lowered paper.

“Just repeat what you were telling me at the start of the conversation,” the older man sighed.

Spencer shifted on his legs, picking at the rolled up sleeve that was settled by his elbow.

“I know she’s my closest friend, the person I feel most comfortable with, although she’s been working here for less time than everyone else. It’s probably because she doesn’t interrupt me and listens when I talk.” He paused for a second, the corner of his mouth lifting into a subtle smile. “I like that.”

“What else?” urged Gideon, setting his newspaper on the desk in front of him.

“I get really excited to see her. Well, I enjoy seeing Derek and Elle too, but I get this weird feeling at the pit of my stomach when I see her.” He pressed his palm to his sternum, showing the origin of the sensation.

“That’s because she means more to you.”

“Yes, but surely not in the way you’re implying. It could be heart burn; do you know that twenty percent of Americans suffer from a gastroesophageal reflux at least once a week-”

“You’re telling me you happen to experience heart burn each time she enters the room?”

Gideon raised an eyebrow, making the younger agent feel dumb for such an improbable conclusion.

“Okay … okay maybe not, the two variables cannot be fully independent of each other if they occur simultaneously every time.”

It was surprising to Gideon that such an intelligent and well-rounded person could be so oblivious to something as romantic feelings. He pressed his thumb and index finger into his eyes, rubbing them slowly and dragging his fingers down his cheeks, buying himself some time to think.

“I think an obvious question is, do you think she’s pretty?” he asked and waved his hand to the side.

Spencer bit his lower lip. He thought you were the most gorgeous person he had ever laid eyes on if he had to be entirely honest; but he couldn’t admit that, not out loud at least.

“I do.”

“That’s it?”

“What do you want me to say, Gideon? That I think that she’s breath-taking and there’s not a thing about her I don’t like?” He said it with a certain anger, one that was buried somewhere deep inside him, a result of the pent up emotions and anxieties in his chest.

“Is that the truth?” You’d think that with his profiling experience, he would have learnt to mask the way he was suppressing the fluttery feelings and adoration he had for you.

Gideon sighed before speaking again: “What are the signs that one is supressing emotions?”

“Struggling to identify and express feelings or appearing emotionally distant, unexpected mood swings, and avoidance of specific topics, people, or situations.”

“And doesn’t that seem to mirror what you’re going through?”

Spencer thought about it. He was definitely finding it challenging to pin point his emotions, he couldn’t really understand what he felt for you; he didn’t really have mood swings, but had just lashed out at his mentor over a comment; and he certainly avoided the topic of liking you or the teasing of such from his workmates.

“Shit, I like her.”

Gideon chuckled at his out-of-character swearing. “First off, watch your language. Secondly, I’m glad you’ve come round.” He laid back in his chair once more, lifting up the paper to continue his reading.

The young genius didn’t know what to do with this newfound information. He liked you. More than liked you, really. He was fascinated by your mere existence, your kindness, your humour, and most definitely your looks. How hadn’t he realised this sooner?

“What do I do now?” he mumbled, taking off his glasses to wipe them on his button-up shirt.

“You tell her you like her.”

Spencer near snapped his glasses in half with the way the pads of his fingers pressed firmly in shock.

“You want me to do what?”

“Reid, it’s not a secret that she has a soft spot for you.”

The boy sputtered, jaw opening and closing like a door on rusted hinges. “I- I can’t do that!”

The newspaper rustled as Gideon flipped the page. “One of you will eventually.”

God I need him, he's such a cutie

#writingreidisms #reidismrequests #criminal minds #spencer reid #dr spencer reid #matthew gray gubler #mgg #criminal minds fanfic #spencer reid fanfic #mgg fanfiction #criminal minds fluff #spencer reid fluff #mgg fluff #spencer reid x reader #mgg x reader #fem reader

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r-o-s-e-f-i-r-e · 1 month ago

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ok between evan buckley’s cultural black hole of an upbringing and his noted love of documentaries trivia research deep dives etc what i’ve been turning over in my mind palace the last few days is like

tommy logs into instagram once a week to like all of sal and gina’s pictures of baby lila and whatever memes chimney has sent him. he hits a button weird with his gigantic beautiful fingers and gets taken to an instagram reel about uhhh the irish potato famine it doesn’t actually matter what it is he just watches the first few seconds and goes !!! evan was talking about this!!!!! evan thing! thing for evan!!!! tommy immediately shows it to evan later like hey babe weren’t you just talking about this i found more Information for you 👁️👄👁️ and buck watches it and is just like what???? that’s not true. excuse me, he’s - he’s literally making shit up, potatoes are native to the americas, this is misinformation, there was food the english were just exporting it under armed guards it was starvation under colonial rule!!!! he doesn’t even bother to list any citations? that’s not what a primary source is!!!!! and then buck takes tommy’s phone and starts eviscerating some like podcast bro adjacent “real history” account (it’s a funnel into tradwife conspiracy theories and also the podcast bros MLM which evan will never realize because he doesn’t make it to the end of the video he keeps swiping and is like ALL OF THESE ARE WRONG!!! HOW CAN HE JUST LIE ON THE INTERNET LIKE THAT????)

anyway after tommy is like uh??? it eventually comes out that evan’s bubble boy childhood was the natural extension of both of his parents like. being tenured history professors at penn. the only music released after 1980 that he listened to growing up was paul simon’s graceland. they didnt own a television but he spent a lot of time sullenly swinging his feet back and forth in a corner of the special collections library while his dad gave public evening and weekend lectures about Petrarch and bookmaking and how to properly handle manuscripts and his mom edited what would become The defining collection of churchill’s personal correspondence and he Did Not Retain Much Of It out of spite but they drilled how to Accurately Research Anything into his 8 year old brain and it became a fundamental building block of his identity (and maddie’s duh) without them realizing how fucking weird they are. for examp he’s sooo annoyed he doesn’t have a date for the billy boils rodeo stampede in the hospital. the substack he found was run by a uc berkeley folklore MA who emailed buck scans of microfilms of contemporary newspaper articles abt boils & the gang after buck is like nice wiki template 🙄 tommy hears all of this and is like okay. cool. umm where do curses fit into this worldview. and buck is like you’d be a believer too if you’d had PhD students over for dinner every other week comparing traumatic field research stories while your parents nodded along sagely and said stuff like yeah that’s why you don’t fuck around in the catacombs after dark you idiots. ANYWAY that’s all thanks for stopping by

#this is not actually about the content here i know this is giving absolute nothing 👍#this is about trying to practice writeing again for the first time in ummm. yeah #bucktommy #mine

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sugurugetoshairbrush · 5 days ago

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Peeping on your neighbor DILF!Getou Suguru

Here I go again starting something new when my drafts are full of WIPs...

Consider this Getou's 35th bday gift 💋

[fanart by: @polariae on X (#needhim) / cw: peeping]

Everyone has guilty pleasures—secret indulgences they hide from prying eyes, vices they pretend don’t exist.

But no matter how satisfying they may be, how deeply they scratch that internal itch, reality always comes crashing down. And when it does, it cuts deep, jagged shards of shame slicing through delusion.

The worst realizations come after you’ve sunk too far, waded too deep into depravity, so numb to your own self-indulgence that you can’t even recognize it for what it is. Like the old tale of the frog in boiling water—oblivious to its slow, inevitable demise.

And right now? Being awake before even the birds have stirred, wedged between your thick curtains and the wall, peering through the narrow slit with bated breath?

That’s your boiling water.

You lift your arm carefully, tapping your smartwatch. The dim glow illuminates the numbers.

4:55 AM.

You don’t move. You don’t breathe. Even the faintest intake of air feels like a risk, as if he might somehow sense your presence.

It’s happening.

Slowly, he stands from the black velvet club chair, folding his newspaper—the Times, maybe?—with meticulous precision before setting it on the bed. He stretches, arms lifting over his head, his body rolling fluidly as he shakes off the last remnants of sleep. A slow bounce on the balls of his feet. A lazy roll of his shoulders.

Then he moves toward the closet, flicking the light on.

You barely stifle a squeak.

Illuminated, his sleep-heavy eyes remain hooded, half-lidded with exhaustion. He crosses his arms over the hem of his faded gray sleep shirt and lifts it in one smooth motion. The fabric slides over his toned torso, revealing the defined cut of his V-line, the faint trail of dark hair disappearing beneath his waistband. His flannel pants dip dangerously low on his hips.

Your mouth goes dry.

As he rifles through his wardrobe, his back muscles flex under the shifting light, honey-bronzed skin rippling as he moves. He pulls out a crisp, white button-up, holding it to the light. The subtle gleam of a barbell piercing peeks through his nipple.

You swallow—loudly.

The wet click of it makes you cringe in embarrassment, even though you’re entirely alone.

You sink down, sliding soundlessly against the wall until you’re curled into yourself, head in your hands.

I have got to get a grip.

𓂃۶ৎ

“You’ve got to get a grip.”

Across from you, Yu stares, wide-eyed and incredulous.

His big, brown eyes are filled with concern, lips pressed into a thin, grim line. He reaches across the table, placing a warm hand over your own, rubbing your knuckles in reassurance.

“I say this with the utmost love and care,” he begins, voice low and serious, “but you are genuinely starting to scare me.”

You tilt your head, amused despite yourself. Placing your other hand over his, you give him a saccharine smile.

“And I fear your love life is even scarier,” you quip, “considering you and Nanami are disgustingly smitten with each other but refuse to do anything about it.”

Yu groans, yanking his hand back as he slumps into his seat.

You’ve been working with Yu for five years now at a highly accredited education company, officially as tutors but often picking up shifts in the adjoining daycare. He’s been a constant source of fresh air in your life—unrelentingly optimistic, perpetually happy, and the only thing keeping you sane when bratty kids, back-talking teens, and overbearing parents strip away every ounce of your patience.

And for the past two years, a certain someone has been an added incentive to showing up.

Nanami Kento.

Tall, broad, devastatingly handsome. Blonde hair, sharp features, and an air of refined old money. He first enrolled his younger brother, Yuji, in tutoring classes two years ago, exasperated by the boy’s athletic prowess but academic struggles.

Nanami, ever the composed professional, is a bank analyst with little time to spare—especially for schoolwork. But despite his packed schedule, he always makes time to bring Yuji in himself. And, without fail, he always requests Yu as Yuji’s tutor.

Nanami never hovers, never interferes—but he stays. Every time. MacBook open, glasses perched low on his nose, working in the corner while his gaze flickers to Yuji…and, more often than not, lingers on Yu.

They’re not slick.

Yu, for all his confidence, is an absolute mess around Nanami. He stumbles over his words, turns an embarrassing shade of pink, and loses all train of thought. Meanwhile, Nanami remains perfectly composed—save for the occasional, barely-there smirk when Yu flusters himself into silence.

It’s infuriatingly adorable.

But despite their obvious mutual pining, neither of them has made a move. You’ve tried to nudge them along, but they’re both stubborn as hell. They have to get there on their own.

Maybe you should have a little chat with Yuji—

“Hey! Hey!”

Yu waves a hand wildly in front of your face, snapping you out of your thoughts.

“I know that smirk! Stop scheming.” His expression darkens. “And focus—you wanted to talk about your situation, remember? I have, like, five minutes left on my break.”

Right.

You lean back, exhaling slowly. Recounting the sick, twisted ways you’ve gone from having a harmless crush on your thirty-five-year-old neighbor to full-on stalking him is…a lot.

So you clean up the details.

You leave out the part where you wake up at the crack of dawn just to watch him get dressed. Or how you happen to be outside every afternoon when his daughters get home from school, conveniently offering them sweets as if it’s just a coincidence.

Everyone has flaws. Yours just happen to feel entirely justified every time you’re blessed with the sight of Getou Suguru—all six feet of sculpted muscle, dressed in tailored suits and expensive watches, long hair pulled into a tight bun, sharp violet eyes glinting behind sleek glasses.

And if that wasn’t enough, the way he is with his daughters—that obliterates any remaining shred of reason.

On weekends, he’s outside your apartment complex in casual clothes, guiding them along the sidewalk on their little pink tricycles. He smiles at them, warm and genuine, crow’s feet crinkling at the corners of his eyes.

He moved in a year ago.

And in eleven months, you’ve lost a lifetime’s worth of dignity and grace thirsting over the DILF next door.

Well—not next door, but close enough. Your balconies face each other.

You discovered this little fact a couple of weeks after he moved in.

It had been a casual meeting at first—one of those neighborly exchanges where introductions are made in passing. You were returning from work, tired but relieved to be home, and he had just finished enrolling his daughters in school. He had held the lobby door open for you, a simple courtesy, saving you from the trouble of buzzing yourself in.

You’d jogged a little to close the distance, not wanting to keep him waiting. As you passed through, you turned to thank him, fully prepared to run off—but he stopped you with a radiant smile.

“Hello, I haven’t had the pleasure of introducing myself yet.” He scratched the back of his neck, letting the door swing shut behind him. “We’re new to the building.”

Then, with a gesture toward the two girls at his side, he continued, “This one’s Nanako,”—the jumpy, golden-haired child practically vibrating with energy—“and this is Mimiko.” The brunette clung to his leg, wary but curious.

“They’re adorable,” you had told them warmly.

“Now, girls, what do we say to the nice lady?”

“Thank you, nice lady!” Nanako chirped.

Mimiko mumbled a soft, “Thanks.”

Getou chuckled, ruffling her hair before leaning down to press a kiss to her crown. “Don’t be shy, honey. It’s okay.”

Mimiko tightened her grip on his leg, holding onto him as though you might whisk her father away if she let go.

As he straightened, a sharp breeze carried the scent of musky sandalwood and lavender from him, teasing your senses in a way that felt almost intimate.

“They’re still a little frazzled from the move,” he admitted in a mock whisper, “Don’t tell, but some nights I’ve been sneaking them candy for dessert—except it’s just melatonin.”

You had giggled at his confession, and his lips had ticked upward at the sound.

“I’m Getou, by the way,” he said, tilting his head slightly. “But if I’ll be seeing you often, feel free to call me Suguru—I’m not uptight.”

You’d introduced yourself, mentioning that you were native to the area and worked as a tutor, meaning you were well-versed in the local children’s events. As you spoke, he listened attentively, nodding along to every other word, his eye contact steady. You had to fight every intrusive thought about how distractingly attractive he was—how much you wanted to press your tongue to the line of his jaw, trace the length of his throat.

Not the time. Definitely not the time.

By the time numbers had been exchanged for “neighborly inquiries,” you’d realized you lived on the same floor.

“Well, would you look at that~” He had chuckled, amused by the coincidence.

You’d smiled, bid the girls farewell, and assured Getou he could reach out if he ever needed anything. But the moment you turned away—oh, God. You had to fight the urge to squeal, mouthing a silent oh my God to yourself as you hurried to your apartment, barely processing the fact that an incredibly sexy dad lived just a few doors down.

Then came the accidental discovery.

The first time you caught him dressing in front of his window had been pure chance.

You’d been up early—5 AM, thanks to your turn to let in the clean-up crew for your workplace’s monthly deep clean. Half-awake and desperate for coffee, you had shuffled into your kitchen, only to catch a flicker of movement in your peripheral vision.

And there he was.

Shirtless. Wet.

His long, damp hair fell in dark ribbons down his back, droplets clinging to his skin, catching the dim morning light. He was flipping through a newspaper, one hand resting on his chin, brow furrowed in thought. His serious expression made your brain short-circuit—sending it spiraling into dangerous territory.

A strict professor making you stay after class.

A mean dom forcing you into submission.

A strict boss calling you into his office, locking the door.

You had to physically shake the thoughts away, dragging your gaze back to your coffee like it was a lifeline.

Then he cracked his neck, flexed his fingers, and carefully laid a pair of black work pants across his bed, arranging his outfit with meticulous precision. That was when you realized—you had unintentionally learned his morning routine.

And you weren’t proud to admit that you had grown to love it.

Your favorite part? When he stood before the mirror, brushing out his hair.

He always looked so at peace during that ritual—like it was something grounding, something necessary. It was the last thing he did before spritzing on cologne and stepping out for the day.

Now, sitting across from Yu in the breakroom, you finally admit to your… situation.

“Are you sure he doesn’t have a girlfriend?” Yu asks, frowning. “Or—God forbid—a wife?”

You wave him off. “No way. If he had a wife, she would’ve been mentioned. Even a girlfriend—I would’ve seen her by now.”

Yu cringes. “Right.”

He places both hands flat on the table, inhaling like he is about to deliver some sage wisdom. “You need to do what I do—just keep running into him, talk to him, wear him down until you two become close.”

You give him a look. “So I can be friend-zoned for a year? No, thanks.”

Yu turns up his nose. “So rude. Even when I try to help.” He pushes back his chair dramatically. “I’ll be on my way.”

He stomps off toward the door, only to pause, his bangs brushing against his lashes as he peeks back in.

“But text me later, okay?” he says with a smirk. “We’ll figure something out if we put our heads together.”

You huff a laugh. What a sweet guy. Even your obsessive behavior hasn’t scared him away.

The rest of your shift passes in a blur. You spend the final hour tutoring Sam—a regular who somehow always smells like cheese puffs and leaves everything he touches sticky. When his dad finally picks him up, you all but shove the sign-out sheet toward him, making a beeline for the bathroom to scrub your hands clean.

𓂃۶ৎ

A hot shower is calling your name as you skillfully back into your designated parking space, humming to yourself before stepping out of the car.

The moment your foot hits the pavement, the familiar sound of drunken laughter and hollering echoes through the garage. Of course. Your downstairs neighbors—wasted out of their minds. Again. On a Wednesday.

Rolling your eyes, you make your way toward the exit, only to find yourself in full view of the rowdy group perched on the hood of a sports car parked obnoxiously across multiple spaces. Among them is a guy you’ve seen before—arguing with his then-girlfriend at ungodly hours over god-knows-what. Spiky pink hair, gelled into stiff peaks, paired with a tight white tank top despite the night chill. You’ve never spoken to him, barely spared him a glance, but tonight, for whatever reason, he has something to prove.

“YO! HEY, YO!”

You ignore him, keeping your pace steady.

“Aye, I know you hear me! C’mere real quick!”

Your jaw tightens. You shoot him a glare but don’t stop, closing the distance to the door.

“Aww, don’t be like that, sweetheart,” he drawls, clearly reveling in the attention of his friends. “That’s not very neighborly. I just gotta ask you a quick question.”

You exhale sharply, finally turning to face him and his little audience. “What the fuck do you want? You can ask from there.”

He scoffs, spitting onto the pavement. “Damn, no need to be a bitch about it.” He jerks his chin toward one of his friends. “My boy here thinks you look good, wanted to get them digits, but you ain’t even all that to be actin’ like this.”

A dry, humorless laugh escapes you as you prop a hand on your hip. “Funny, ‘cause from where I’m standing, you’re the one desperate for my attention. Screams ‘bitch’ to me—but go off.”

His friends snicker, their amusement only deepening his scowl. He swings his legs off the hood, standing up with an air of aggression. The moment he takes a step forward, your fingers slip into your bag, wrapping around the familiar cylinder of mace.

Six steps to the door.

His bloodshot eyes, the reek of weed clinging to his clothes—it sends your senses into high alert. If he lunges, you’ll spray him.

“Stuck-up bitch.”

A firm hand presses against the small of your back, guiding you away just as the tension peaks.

You startle, spinning with the mace raised—only to freeze when you find yourself looking up at Getou Suguru.

And he looks pissed.

Brows furrowed, lips pressed into a firm line, the sleeves of his button-up pushed to his elbows like he’s ready to handle this personally.

“What the fuck do you think you’re doing, Sukuna?” His voice is low, rough, demanding.

Your grip on the mace loosens as you exhale, the warmth of Getou’s hand steady on your back. You’re not helpless, but dealing with scum like Sukuna? That’s the last thing you want after a long day.

Sukuna’s posture falters for half a second before he scoffs. “Relax, man. Just wanted to talk. No need for the hero act.”

“I’m pretty sure she would’ve handled you herself,” Getou counters coolly. “But I figured I’d remind you that you’re one misdemeanor away from that assault and battery charge becoming a felony. So watch yourself.”

Sukuna’s arrogance wavers. His jaw tightens as he glances at Getou, weighing his options before choosing the safer one—retreating back to his car.

“If I catch you pulling this shit again,” Getou continues, “I’ll personally ensure you get a speedy trial—as is your constitutional right.”

The group piles into the car in tense silence. As the engine roars to life, Getou pulls his hand away from your back like he’s just realized it’s there.

“Sorry,” he murmurs, stepping back. “I didn’t mean to—” He sighs, shaking his head. “It just pissed me off seeing him try that with you. You don’t deserve that.”

He smiles, but there’s a quiet sadness to it, as if he’s seen too much of this before.

“I don’t think you know this,” he adds, voice softer, “but I run a non-profit for domestic violence survivors. We’ve helped house a few of Sukuna’s former partners. Got them legal support, protection. He’s—” His jaw clenches. “He’s worse than he looks.”

You take in the weight of his words. On one hand, you’re grateful for his work, knowing how important it is. On the other, the thought of Sukuna being a repeat offender makes your stomach turn.

“Don’t apologize,” you tell him, offering a small, genuine smile. “I appreciate you stepping in. Macing him would’ve ruined my whole night—pepper spray’s a bitch to wash out.”

That earns a quiet chuckle from Getou, the tension easing.

“Sure would’ve been a nuisance,” he agrees.

As you walk toward the building together, you steal a glance at him—at the way the moonlight catches in his hair, reflecting off a few stray gray strands. His jawline is sharp in the dim glow, the curve of his cheekbone accentuated in a way that makes your heart stutter. You watch as a calloused finger brushes his bangs back, tucking them behind his ear.

Ever the gentleman, he holds the door open for you and walks you all the way to your apartment. At your door, he rests a firm but gentle hand on your shoulder.

“Be safe,” he says. “And if you ever feel unsafe, don’t hesitate to reach out. Okay?”

You nod, feigning composure, but he sees right through it.

He narrows his eyes slightly. “Not good enough. Promise me.”

You huff, rolling your eyes before holding up a pinky. “Alright, alright. I promise.”

A slow smirk tugs at his lips as he hooks his pinky around yours, the warmth of his touch lingering even after he lets go.

“Good girl.”

The praise haunts you for the rest of the night, looping in your head like a broken record. You spend hours lying awake, spamming Yu with frantic, half-incoherent texts detailing every second of what just happened.

𓂃۶ৎ

The following week, you don’t see him—not in the hall, not in passing. And though you tell yourself you’re being ridiculous, the lack of interaction leaves you feeling… disappointed. You want to text him, but without a real reason, it feels weird. You’re just his neighbor, after all—and at least a decade younger than him.

Still, you catch glimpses of him in the mornings. His routine never changes, but you do notice something new—he’s started drinking tea with his morning newspaper.

You wonder what sparked the change.

Then, on Friday night, your phone buzzes with a notification. A text.

Getou Suguru Hello. This is Suguru, your neighbor. Got any eggs?

You stare at the screen, blinking. That is… certainly an approach.

You: I do! Need me to bring a couple over? I don’t mind.

Getou Suguru: Oh, thank god. Would you? You’re a lifesaver.

You: Yeah, it’s just eggs. I’ll be right over!

You toss your phone onto the counter, glancing down at your loungewear—a silk two-piece pajama set, your favorite. Soft to the touch, effortlessly comfortable. Deciding it’s appropriate enough given the hour, you slip on your slippers, grab the carton of eggs, and head for his door.

Getou’s apartment has a personalized doormat at the entrance, The Getou Family scripted in bold cursive. Cute. You knock lightly, mindful of any sleeping children. A few moments later, footsteps approach, and the door swings open.

And it’s… not what you expect.

Getou stands there, hand on the knob, dressed in a sleek black turtleneck and chocolate-brown cargos—an effortlessly clean-cut look if not for the pink, frilly “Kiss the Cook” apron haphazardly tied around his waist. His long hair is braided loosely over his shoulder, stray strands falling over his forehead, and he looks utterly defeated—his entire body dusted in flour, even in his hair.

You giggle before you can stop yourself.

“Finding humor in my misery, are we?”

You barely manage to stifle your laughter behind your hand as he steps aside, ushering you in.

“Maybe just a little.” You poke at the apron first, smirking. “Well, don’t you look adorable?”

He swats your hand away with a playful huff, taking the eggs from you and leading the way into the kitchen—which is immediately visible. And immediately disastrous.

Flour streaks the counters. Sugar coats one side of the island. Three bowls, filled with dough in various colors, sit among a chaotic spread of every imaginable baking utensil. The only thing not in complete disarray is the rest of the apartment—modern, sleek black decor, perfectly organized, with a wall full of adorable photos of the girls over the years.

You whistle, taking it all in. “My god… what did you do?”

Getou sighs, brushing off flour from his sleeve in a half-hearted attempt to clean himself.

“My buddy Gojo had the girls today. Took them to a science museum, then dinner, and spoiled them, so naturally, they will be too hyped to care about me when they get home.” He gestures vaguely to the mess. “Thought I’d win them back over with homemade cookies since they love sweets. As you can see, I’m not exactly a natural.”

You move to the island, flipping an overturned bag of flour upright, salvaging whatever hasn’t already been sacrificed to the countertop.

“Clearly.”

Getou grabs an egg and cracks it over a bowl of light caramel-colored dough.

“Hey, I can’t be good at everything.”

You squint at his movements, catching the inconsistency in his technique. “Still cocky, huh?”

You peer into the bowl. This is definitely his third attempt at the dough.

“Instead of making another batch, maybe try tasting this one first? Are you even following a recipe?”

He taps sugar-dusted fingers against his chin. “Not exactly. I was going off memory. My mom used to make cookies for me when I was little, but… I may have mixed up a few ingredients.”

Before he can stop you, you dip a finger into the dough and bring it to your mouth.

“Don’t do that!” He wags a flour-covered finger at you, scandalized. “There’s raw egg in there—you’ll get salmonella.”

You grin, unfazed. “It’s just a little taste. And I can tell you’re missing vanilla. The sweetness is off, and it’ll help bind the flavors together.”

His violet eyes widen slightly before lighting up in realization. “Oh, right! Of course! Let me add some!”

Watching him scramble around the kitchen, searching for the vanilla like a deer learning to walk, is nothing short of endearing.

Together, you tweak the recipe—adding a little cinnamon, a sprinkle of nutmeg, some roughly chopped pecans. He lifts a mixing spoon to your lips, and you taste again.

This time? Sweet, only a hint of saltiness, and the nutty pecans bring a rich depth to the dough.

“It’s perfect,” you declare. “We can roll it out now.”

You hadn’t exactly planned for your Friday night to be overtaken by this bumbling, flour-dusted dad, but somehow, you don’t mind. You take turns rolling and flattening the dough before he slides the tray into the oven. Already, you’ve started cleaning—scooping up flour piles, bagging ingredients, restoring order to the battlefield.

“You don’t need to do that,” Getou protests, frowning. “You’ve done enough. Sit down.”

You comply halfway, still gathering loose flour into the bin. He pours you a glass of water and begins wiping down his own mess.

“Where’d you learn how to bake?”

“I wouldn’t call myself a baker,” you say, shrugging. “But working with kids, having treats around helps as a motivator. So I picked up a few simple recipes.”

He nods, impressed, running a damp rag over his flour-streaked shirt. His glasses have slipped down his nose, the lenses smudged from dirty hands.

“Suguru,” you say, deadpan, “go clean yourself up. I’ll finish here.”

He grimaces at the kitchen’s state, then exhales in surrender. “You’re a saint. I’d hate for the girls to see this mess when I’m always nagging them to keep their rooms spotless.” He presses a thumb to his brow. “Turns out, I’m quite the hypocrite.”

You methodically put the kitchen back in order, enjoying the gradual return to cleanliness. By the time Getou re-emerges, the only mess left is on his apron. His hair is pulled up in a loose bun, and he shoots you a wink.

“Right on time.”

As if on cue, the oven alarm dings. He pulls the tray out, setting it on the stove. The scent of buttery, warm sweetness fills the air. You inhale deeply, taking a seat at the barstool beside the counter.

Getou leans down, elbows propped against the surface, eyes glinting with amusement.

“Well, wouldn’t you say we make a per—”

“DADDY!!”

The door slams open, and Nanako barrels inside, launching herself at Getou’s waist.

“Daddy! Daddy! Guess what Satoru got us?!”

Laughing, he lifts her up, ruffling her hair as she clings to his neck. Gojo enters right behind, overloaded with shopping bags, white hair slightly tousled, Cartier shades barely hiding his mischievous blue eyes. Mimiko shuffles in, latched onto his pant leg.

Gojo smirks. “Took them on an all-you-can-grab shopping spree. Fun, right?” He inhales, pausing. “Mm, something smells good—wait. Suguru. Did you actually—” His gaze lands on you, and his smirk sharpens. “Well, well. Who’s this?”

You quickly stand, waving your hands. “Just a neighbor! Suguru needed eggs, and, well…” You gesture vaguely toward the cookies. “I took pity on his baking skills.”

Gojo snorts. “Little did you know, you probably just saved this entire building from being burned down.”

Getou shoves his shoulder. Gojo nearly drops a bag, grinning.

“Hey girls,” he calls, heading down the hall. “Make sure to thank your dad for wearing the special apron I got him! And don’t forget—no kiss, no cookie!”

Nanako gasps, eyes wide. “Oh! Before you go—you have to give Daddy a kiss too! Or no cookie!”

Mimiko nods solemnly. “No kiss, no cookie. Right, Daddy? Or were you lying?”

You laugh at Getou’s panicked expression.

With exaggerated effort, you stretch onto your toes, pressing a quick, chaste kiss to the edge of his jaw.

“There. No lies.”

You grab your cookie and eggs, heading for the door. “Thanks for the treat! Have a good night, guys!”

As you step out, you catch one last glimpse—Getou, frozen, cheeks tinged pink, his jaw still faintly glossed from your kiss.

Munching on your cookie, you grin.

Bless those kids.

𓂃۶ৎ

The next morning, you wake up lazily, blissfully, embarrassingly late—somewhere around noon. A rare luxury. You stretch across your bed, basking in the slow start to the day before slipping into an easy, indulgent routine.

A long, hot shower.

A hearty, homemade brunch.

A carefully curated R&B playlist humming in the background.

You take your time with the little things—styling your hair, finally trying that shower steamer you’ve been saving, relishing a morning that’s just for you. It’s been a while since you’ve allowed yourself to unwind like this, especially since you’ve just started refraining from peeking in on the DILF next door.

Not that you’ve been thinking about him. Not at all.

The sun is bright today, the perfect excuse to go for a walk. Maybe you’ll drop by Yu’s place—figure out how your night will unfold from there. Something lively, hopefully.

Locking up, you head downstairs, offering nods to other tenants as you step outside. And then—

Giggling. Light, carefree, unmistakable.

You don’t even need to look to know who it is.

“Daddy, look! It’s the Cookie Lady!”

“Hi, Cookie Lady!”

You exhale, shaking your head. You vividly remember introducing yourself properly, but kids? Selective memory at its finest.

Sure enough, Nanako and Mimiko are on their pink tricycles, zooming across the pavement while Getou lingers nearby, guiding them like a watchful shadow.

You wave at the girls first, playing along. “Wow, you two are going so fast! Don’t run me over!”

They giggle, swerving dramatically around you as you pretend to stumble back. Behind them, Getou smiles—warm, effortless, like the sun overhead.

You move closer, eyes flicking over him instinctively.

Baggy denim. A beige sweater. A classic dad fit.

Only… the sweater’s losing a battle against the curve of his bicep, the fabric stretching just a little too tightly over muscle. And his arms—the shape of them, the way the fleece clings to his forearms—

You look away fast. Which is no reprieve because now you’re staring into his eyes—deep purple, sunlit flecks of magenta making them shimmer.

His lashes are obnoxiously thick. Prettier than yours, even with volumizing mascara.

Unfair.

“Any disasters for me to clean up today?” you tease, breaking eye contact.

His chuckle is low, warm, easy. His chest shakes lightly. “Not today. Yet. But can I keep you on call just in case?”

You shrug. “I’m around. And honestly? I could never say no to someone with such adorable little girls.”

Getou hums, eyes drifting toward his daughters, who are now engaged in a very serious race down the sidewalk—little hands swatting at each other as they try to throw the other off course.

“Adorable, yes. But don’t let them fool you.” He sighs. “They’re little devils in disguise.”

You laugh. “That’s just the age. They’re curious about everything. Had a kid at work raid my purse once during a session. Looked away for two seconds, and when I turned back, he was wearing a menstrual pad like a hat.”

Getou snorts. Catches himself. Coughs into his fist. “You’re lying.”

“I wish.”

His laughter fades into something softer. Thoughtful. His brows knit slightly.

“…I know you didn’t mean anything by it, but hearing stuff like that—feminine products, girl things—I get anxious. It’s hard, raising two girls alone.”

Your chest tightens at the look on his face. The quiet weight of it.

Without thinking, you reach for his hand.

“I know it probably doesn’t mean much, but I’ve worked with kids for years,” you say gently. “And I can spot a good parent a mile away. Even with our limited interactions, Suguru, you are one of the most doting fathers I’ve ever met.”

His fingers tighten around yours. Then his other hand clasps over the top, warm, grounding.

“I appreciate that,” he murmurs. “You’re pretty wise for your age.”

You scoff. “Of course. Women mature years faster than men. Be careful—your girls might surpass you before you know it.”

And then—

A piercing shriek cuts through the air.

“D-Daddy! T-The cat scratched me!”

Both of you snap to attention.

Mimiko is curled up on her bike, terrified, while Nanako sits on the pavement beside her toppled tricycle, clutching her arm. Across from her, a fat black cat hisses, back arched.

Getou is already moving. He scoops Nanako into his arms just as the cat lets out a low, guttural growl. You think you see it pounce, but it’s all a blur. You barely register Getou kicking at the ground near it before you swoop in, lifting Mimiko onto your hip and retreating toward the apartment.

By the time you make it inside, the girls’ tear-streaked faces are devastating.

Getou fumbles with his keys, cursing under his breath.

Nanako—the little mimic—parrots him perfectly.

“Shit, fuck!”

“Shi—crap!” he corrects quickly. “No, no, sweetie, Daddy said a bad word. I was just scared you were hurt.”

Inside, Getou heads straight to the bathroom, setting Nanako on the closed toilet lid while you settle Mimiko on the sink. He wets a rag, voice gentle, soothing.

“Can I see your arm, Nana?”

She nods, sniffling. Brave. Mimiko leans forward, eyes wide as she watches her sister.

Getou is careful. Tender hands. Steady voice. He dabs at the scratch, applies ointment, murmurs reassurances as Nanako flinches. A patient, loving father.

And God help you, but it makes him even more attractive.

Once the bandage is in place, Nanako puffs up proudly.

“See, Mimi? I’m too strong for that old cat!”

Getou lifts her up, but as he does, you notice—his sweater has a tear along the back. The fabric darker, wet.

Blood.

“Hey girls,” you say gently. “Why don’t you go play? I’ll help your dad clean up. You were both so brave.”

They perk up instantly, rushing out with another fit of giggles.

Getou starts to wave you off. “I’m fine, don’t—”

“Suguru,” you deadpan. “The cat sliced through your shirt. Let me clean it up.”

He sighs but relents, settling on the toilet lid.

“How do you keep ending up rescuing me?” he muses. “I thought we had a back-and-forth thing going on.”

You snort, swatting his arm before carefully lifting his shirt, rolling it up so he can hold it in place and inspect the scratch. It’s deep—deeper than you’d expect—so the cat must have been a stray with nails sharp enough to cut like that. Skimming your fingers over the wound, you feel Getou’s breath hitch. You murmur a quiet apology before rewetting the rag and dabbing at the injury to clean it properly.

You’ve seen Getou’s bare back more times than you’d like to admit, but up close like this? It’s a whole other story. And—selfishly—you envy the cat for being the one to leave marks on him instead of you.

His broad shoulders shift under your touch, deltoids flexing with every small wince. His spine curves smoothly, leading to two faint indentations at the small of his back. Back dimples.

You suppress the ridiculous urge to trace them with your fingers.

Instead, you focus on the task at hand—reapplying the ointment before resting your hands lightly on his shoulders.

“I think I’m done,” you say, voice steady despite the very unsteady state of your thoughts. “Your scratches are deeper, though, so I wouldn’t bandage them up just yet. They need to breathe so the skin can heal properly.”

Getou hums, the vibrations buzzing through your palms.

“In that case, I’ll just take this off.” He grips the fabric at the back of his collar, crossing his arms as he pulls the shirt over his head in one smooth motion—something you’ve seen him do a million times before.

But somehow, this time feels entirely different.

And suddenly, you’re questioning whether today is the best day of your life—or the worst, because temptation is sitting right in front of you, and you can’t do a damn thing about it.

You poke lightly at the scratch, half out of curiosity, half as an excuse to let your eyes wander. A few scars, pink and raised, wrap around from his ribs. A couple of small, cute moles sit just below his nape.

“—tter.”

You blink. Wait. He was talking?

“Hm?”

Getou chuckles, low and amused. “I said, poking at it like that isn’t gonna help.” His lips curve into something teasing. “Be a sweetheart and kiss it better for me?”

His deep voice lilts, gentle but dripping in lazy, playful seduction.

Heat floods through you instantly.

But you refuse to let him have the satisfaction of knowing that.

Steeling yourself, you swallow down the butterflies flapping violently in your chest and school your expression into something cool, composed.

“I don’t think that’s how healing works,” you muse, smoothing your fingers over his warm shoulder. “But if you insist…”

You lean in, lips parting as you move closer—so close that you can feel his warmth against your mouth. But just as you’re about to press the kiss to his skin, you pause. Then, with deliberate slowness, you pull back, kiss your own palm, and press it firmly against his wound instead.

“I think that’s the best I can do, Suguru,” you say, feigning innocence. “Wouldn’t want to get antibiotics all over my lips.”

He blinks, momentarily caught off guard, before huffing out a laugh.

“Clever.”

Then, before you can react, he shifts—adjusting his position so that you’re kneeling between his legs. His arms rest lazily over his thighs, dark eyes watching you with soft amusement.

He pouts.

Pouts.

Which, despite being a fully grown man, still looks unreasonably cute on his annoyingly handsome face.

“Guess we’ll have to make do,” he murmurs, tilting his head slightly. “Right here is also acceptable.”

He puckers his lips dramatically, raising a brow, but he doesn’t move closer. Just waits. Daring you.

So that’s how he wants to play it.

Your hands slide up to rest lightly on his knees, and you lean in—slow, deliberate. Your noses brush, and you let your breath fan against his lips, lingering.

“I’ll make it all better,” you murmur.

Then, finally, you press your lips to his—soft, warm, deliberate.

His lips are plush, moving against yours in a slow, languid rhythm. One of his hands lifts to cup your cheek, thumb grazing your jaw, keeping you there just a moment longer before you pull back.

But he doesn’t let go.

“It still hurts,” he says, voice lower, gaze heavier. “Try again.”

You let out a breathless laugh but comply, leaning in again. This time, he meets you halfway, mouth parting slightly as his tongue just barely brushes against your bottom lip. You sigh into him, fingers instinctively threading into his hair—his stupidly soft, midnight-black hair. The loose bun falls apart easily, strands tumbling over his shoulders.

When you finally pull back, his eyes are dark, half-lidded, hungry.

“Again,” he breathes.

But just as he leans in to kiss you—

“Why are you kissing Daddy?”

The two of you jolt apart like you’d been electrocuted.

Your head whips to the side, heart lurching.

Nanako stands in the doorway, arms crossed, staring point-blank at the two of you with the unimpressed authority of a child who has just caught an adult doing something stupid.

Mimiko peeks out from behind her, brows furrowed in confusion.

Getou fumbles for an excuse, visibly panicking, and blurts out the first thing that comes to mind.

“Kiss the Cook?”

Nanako squints. “But Daddy, there’s no cookies.”

𓂃۶ৎ [Tentative taglist: @mentallyillcore]

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literaryvein-reblogs · 2 months ago

Text

Rhetorical Devices

These devices, sometimes called “figures of speech," appear in all speech and writing (you can find them in advertising, political speeches, and newspapers, as well as in essays, letters, and poems).

EXAMPLES. It helps, if you wish to give a brief description of what a writer is doing at a given moment, to know some of these shorthand terms for frequent practices.

Alternative Ordering - "A man that looks on glass, / On it may stay his eye, / Or, if he pleaseth, through it pass, / And then the heaven espy."

Analogy (comparison of A and B) - "No more be grieved at that which thou hast done: / Roses have thorns, and silver fountains mud."

Anaphora (repetition of opening word) - "All shuffle there, all cough in ink, / All wear the carpet with their shoes, / All think what other people think; / All know the man their neighbor knows."

Anticlimax - "In silk, in crepes, in Garters, and in rags."

Antithesis (opposition of A and B) - "For I have sworn thee fair, and thought thee bright, / Who are as dark as hell, as black as night."

Apposition (list of different formulations of the same thing) - "The Mind of Man, / My haunt, and the main region of my song."

Catalogue - "The leaden-eyed shark, the walrus, the turtle, the hairy sea-leopard."

Chiasmus (an X-like arrangement) - "By brooks too broad for leaping / The lightfoot boys are laid; The rose-lept girls are sleeping / In fields where roses fade." [books : boys :: girls : fields]

Hierarchical Ordering - "Such sweet neglect more taketh me / Than all th' adulteries of art."

Metaphor (comparison without "like" or "as") - "Church bells beyond the stars heard, the soul's blood, / The land of spices; something understood."

Metonymy (assemblage by parts) - "Four beating wings, two beaks, a swirling mass."

Onomatopoeia (imitative sound) - "And murmuring of innumerable bees."

Paradox (union of dissimilar qualities) - "There is in God, some say, / A deep but dazzling darkness."

Parallelism - "These are thy wonders, Lord of Power . . . / These are thy wonders, Lord of Love."

Periphrasis (circumlocution) - "The Peer now spreads the glittering forfex wide" [= opens scissors]

Personification (an abstraction made into a person) - "Love is swift of foot, / Love's a man of war."

Pun (a play on two meanings of one word) - "Therefore I lie with her, and she with me, / And in our faults by lies we flattered be."

Quotation - "My flesh began unto my soul in pain, / 'Sickness cleave my bones.'"

Simile (comparison with "like" or "as") - "Like as the waves make toward the pebbled shore, / So do our minutes hasten to their end."

Synecdoche (use of the part for the whole) - "Diadems — drop — and Doges — surrender."

Zeugma (two dissimilar objects of same verb) - "Or stain her honor, or her new brocade."

Source ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs

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marzipanandminutiae · 2 months ago

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would you have any reading suggestions to learn more about the earrings are evil era??? I've never heard of that aspect of fashion history and I am curious

Oh man, it was wild

you saw the first stirrings of it in the 1890s, when you started to get (mostly white and middle-to-upper-class) proto-feminists arguing that ear piercing was barbaric- keep an eye on the racist undertones there; they will come up again-and forcing women to suffer for fashion. I cannot emphasize enough that, until that point, ear piercing had been pretty much normal for this race/class/gender group. For centuries. You see criticism of the practice here and there, but nothing that really stuck.

The objections slowly increased until roughly the mid-1920s, when everything reached a tipping point and pierced ears became largely taboo for most white Americans and Brits of northern/western European descent. If that sounds HIGHLY specific, it is- communities from southern and sometimes eastern Europe retained cultural practices of ear piercing, to the point where it was often used as a point against them by mainstream society. It was also associated with Latino people, Black people, and the Romani, which. Yeah. I don't need to tell you how that went down.

It also developed associations with sexual immorality and/or backwards thinking. One newspaper letter I read came from a teen girl in the 1940s, wondering why she shouldn't pierce her ears if her very respectable grandmother had piercings. The response was something like "well, they did all sorts of things in the Bad Old Days that we shouldn't do now." True in many ways, or course, but...piercing your ears? That's the hill culture decided to die on as far as antiquated behavior that we should leave behind? Apparently yes.

Earrings themselves never went out of style, which led to the birth of clip-ons and screwbacks. Ironic that the "don't surfer for fashion" crowd was so eager to embrace screwing tiny vices onto your ears, but there we are. My own mother (born 1953) remembers her mother (born 1926) always taking off her screwback earrings immediately after getting home from a party, literally in the foyer of their house the second the door shut. There had been adaptations for unpierced ears before- Little Women, published in 1868, describes Meg March hanging earrings from a flesh-colored silk ribbon tied around the base of her ear -but they'd never caught on like this before.

However, the pendulum was soon to swing back. After just 40 years of Piercing Panic, in the 1960s, girls began piercing their ears again in droves. As piercing moved from the slumber party or summer camp back to the professional jewelers whose families had been early professional piercers in the 19th century- and to befuddled doctors who had no idea what they were doing yet still received piercing requests -cultural commentators had no idea what to make of it. Some decried the new trend while most took an air of bemused neutrality. My personal favorite article expressed surprise that "Space Age misses" were adopting these "Victorian traditions."

(In 1965, my grandmother took Mom to the anesthesiologist down the street who was offering to pierce his young daughter's friends gratis, and got it done. My grandfather had strongly disapproved of the idea, but in the end it took him a week to notice the new earrings.)

As to sources...honestly, I've just gone to Google Books, specified a time frame, and typed in "ear piercing," "pierced ears," "pierce ears," etc. Tons of primary sources at your fingertips, though I'm not always great about documenting or saving what I find. There's not much written about it formally, I've found- no books or scholarly studies. It may just be too close in history to attract much academic attention, though I find it fascinating.

This little blip where something that's been normal for most of western history suddenly became taboo for a hot second.

Also my ear piercings just turned 20 five days ago, commemorating the date that I was taken with much ceremony to Piercing Pagoda (and that horrible gun; it's a wonder I didn't get keloids) to get me out from underfoot while the Thanksgiving feast was being made. Grandma got hers pierced on the same day, at age 78. Happy Birthday, Marzi's ear piercings!

#ask #anon #fashion history #history #piercing #ear piercings #long post

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sinnaminsuga · 3 months ago

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𝖆 𝖒𝖆𝖙𝖙𝖊𝖗 𝖔𝖋 𝖙𝖎𝖒𝖊 - mob boss!chan x reader

wc: 3,519

cw: some threats of violence, a little angsty but happy ending, SMUT MDNI.

synopsis: you loved him, more than anything. but being a secret was never what you wanted. the gilded cage you seemed to exist exclusively in was suffocating you, so you decided it was time to get out. but chan wont let you go that easily.

a/n: i was driving and clearly i was not paying attention because thats when this idea was born. as usual this was beta'd by bestie @httpdwaekki and she sourced the pretty pictures for me too. enjoy!

sw: dirty talk, daddy kink, unprotected sex (pls be smarter than that), breeding kink if you squint, general roughness, threats of violence (not toward the reader), chan has a gun. idk probably more but im bad at this shit.

the creak of the church doors flying open should have startled you like it did everyone else, but you knew better. it was only a matter of time before he came for you. he didn't like his things to go missing. truthfully, you were shocked it even took this long.

the click of his (no doubt expensive) shoes on the shiny wooden floor of the church hung in the air like the ticking of a clock, counting down to either your demise or your bliss you weren't sure which one. after a long pause you turned your head just enough to face him.

“can we help you?” you asked, more nonchalant than anyone else would have been in a situation like this. the muffled gasps and muttering from the crowd in front of you almost made you laugh but you held it in.

the charged energy in the room was due to the fact that the man interrupting your wedding was none other than the most fearsome businessman and gangster this city had ever seen. but to you? he was your asshole ex boyfriend.

“oh can you help me? that's what you're going to say? isn't this a little much, yeobo?” he replied, voice dripping with condescension and his hand over his heart in mock surprise.

“a little much? god you're so out of touch it's actually insane christopher. news flash, you're not the groom, you're not even supposed to be here!” you seethed, fully turning to face him. your groom (hand selected by your parents) stood next to you shaking like a leaf. you could feel the nervous sweat from his hand slicking the surface of your palm and it made your skin crawl so you dropped his hold as you stared fiercely down the aisle.

chan's face split into the wide grin you’d once been accustomed to seeing. “are you done now? you've gotten your attention and you've pissed me off, the job is done. let's go.” he said, walking further down the aisle toward you.

“jesus christ, you really are insane! i should have listened when people told me you were a full on fucking basket case but no. i was stupid enough to fall in love with you. fat lot of good that did for me!” you shouted at his approaching form.

you could feel your skin heating up and you could hear the blood rushing in your ears you were so mad. who the hell did he think he was, intruding on your life like this?! it's his fault you were in this situation anyway!

***

you had been with chan for 3 years, and in that time he made it a point to keep your relationship a secret. it hurt seeing his face splashed on newspapers and tabloids all over the city speculating on who he might be dating or who he’d been seen with recently. it hurt even more when he recapped nights where he was out to dinner with his men or allies and their wives. you couldn't help but feel like it was because you weren't enough. you felt like you weren't pretty enough, weren't tough enough, weren't worthy to be seen outside his penthouse apartment. and a girl can only take so much of that for so long.

so a few months ago on a particularly lonely night of chan being out doing god knows what with lord knows who, you packed only your sentimental personal belongings (nothing he purchased for you, which was a hell of a lot of your things), wrote a note saying nothing more than “no one took me, not that you'd care even if they did. i’ll be a bird in a gilded cage no longer. goodbye.” and walked out his door for the last time.

the fancy things he could provide for you behind closed doors weren't enough to soothe the searing pain in your soul of feeling like the man you loved was ashamed of you. three years together and not even a hint at things changing any time soon was enough to make you return home to your parents and agree to the arranged marriage they had been working on as they had no knowledge of the relationship you were already in. and who knows, maybe you could learn to love your soon-to-be husband Seo-jun.

***

you grabbed the skirt of your simple wedding dress and stomped down the few stairs of the platform, heading toward chan. when you finally stood in front of him you could see the darkness under his eyes like he hadn't been sleeping. his hair was gorgeous as usual but a little longer than he was used to wearing it. and his knuckles were raw and bruised. you almost felt bad for him but then, you remembered he made the bed he was lying in so why should you care about how uncomfortable it might be?

“why are you so upset with me yeobo? hmm? what did i do that was so bad you had to leave me in the middle of the night? i took care of you didn't i? anything you asked for, i gave it to you.” chan asked, grabbing your hand. something dark flashed in his eyes and his upper lip curled when his fingers felt Seo-jun's ring on your finger. “what made you hate me so much that you ran off to be with this fucking nobody?”

“you just don't get it. and you never did. that's part of the problem chris. you don't see me. you don't know me. no one did.” you murmured, taking your hand back and smoothing the fabric of your dress, eyes cast down. “with Seo-jun we can walk down the street holding hands and he doesn't think twice about it. we can have dinner in a restaurant, one that has other people in it. not one that's been emptied out and all the blinds closed and the staff paid to keep their mouths shut.” you inhaled a shaky breath before continuing. “i couldn't do that with you. and the worst part is, i don't think you even wanted to. you were happy to exclude me from things. happy to hide me. but i don't want that. i never did. and if you had no intentions of marrying me, it was my responsibility to myself to find someone who would.” you dabbed your fingers under your eyes and sniffled before straightening your back and meeting his eyes. you weren't prepared to see the agony in his face.

“i- i don't...i didn't know...i didn't know that is how you saw it all, how you saw me. i'm so sorry sweetheart. i wish you had talked to me.” chan breathed. he reached out his right hand and set it on your shoulder, rubbing soothing little circles with his thumb. after a moment he slid it up to cradle the back of your neck and tug you closer to him.

“i should have explained. i should have been more perceptive. i never wanted you to feel this way, i swear i didnt.” chan’s voice shook as he spoke to you.

“well it's too late now. please just go. please.” you whispered, trying to back away from him. you couldn't talk about this anymore. but in your attempt to move away from him, his grip on you tightened. he pulled you toward him forcefully enough that you were now chest to chest.

“you think that i will ever let you go again? i stayed away when you left, i thought maybe you needed time to be angry at me for whatever it was and then you'd come back when you were ready. but then i saw your face in the newspaper, the wedding announcement section no less. and i laughed. i laughed because surely that couldn't be true.” a bitter laugh rattled out of chan's mouth, flames of wild jealousy flickering in his eyes.

“as long as there is air in my lungs and my heart is beating in my chest, you will never belong to another man. ever. do you understand me?” he growled.

“i told you in my note and i'll tell you again now to your face, i wont be in a cage anymore. i cant do that to myself chris. i won’t. besides, you never would have married me. you just want to possess me, but you don't want anyone to know that you do.” you said softly, tears finally slipping down your cheeks unrestrained.

“why do you keep saying that? why do you think i'm ashamed of you?” he pleaded, his brows drawing together in confusion.

“what else am i left to think when you keep me hidden away in your penthouse? i'm not invited to dinners. i'm not invited to parties. no one you know, knows i exist! that's why every person in this room is so shocked to see you here! no one had any idea we were together, because that's what you wanted. i was a toy for you and now that someone else has me you're upset. don't you understand how painful that is for me?!” you wailed, not wanting to keep talking about it. you pleaded with your eyes for him to stop this torture but he was having none of it.

“are you insane? you think i wanted to keep us a secret? i wanted to tip toe around with you? no! but i had to! i know you think you know what i do but you have no idea the dangers that come with it. you are my most prized possession and the very knowledge of that is ammunition for some people in my world.” chan cried. “i would have loved nothing more than to scream it from the rooftops how much i fucking love you but i knew that would put you in danger and if anything ever happened to you i would have burned the world to ash. but the idea of your safety is out the window now, you forced my hand with this wedding bullshit and now it's all out in the open. everybody fucking knows now!” he bellowed.

realization washed over you like a bucket of ice water. he was right. you never considered that you might be in harms way if his enemies knew of your existence.

“i couldn't fucking marry you because then our marriage would be public record. anyone digging into me would find you that way. i wasn't willing to lay your life on the fucking line like that. is a wedding what you want? you wanna marry me?” chan asked, a mischievous air suddenly surrounding him. your subconscious overrode any sort of common sense and forced you to nod yes like some kind of sick twisted muscle memory.

the next thing you knew he was pulling you back down the aisle toward the small raised platform, the audience whispering behind you. as he approached your groom you held your breath, worried about what he would say.

“seo-jun is it?” he asked and seo-jun nodded. the fear was coming off of him in waves, why your parents paired you with this man you would never understand. you were far too argumentative to be with a weak man. “okay, so seo-jun what's going to happen now is i'm going to marry your fiance okay? get out of my way please, i'll only ask the one time so remember that.” chan said, his voice sickly sweet with a hint of ominous threat. seo-jun just nodded and ran off to cower behind his parents in the first row of seats. chan turned to face the officiant before speaking again. “alright let's start.”

the officiant gulped before he spoke with a shaky voice, “sir i can't marry you two. you don't even have a marriage license with the correct names on it.” this was obviously the incorrect response because chan reached into his coat and pulled out his gun, pressing it to the underside of the officiant's jaw. the rabid look in his eyes was one you were familiar with, he was incredibly worked up now.

“i don't recall asking for your sage advice, did anyone hear me ask for his advice?” he addressed the audience with his question. the crowd murmured a chorus of no’s and chan turned back to the man at gunpoint. “open your stupid fucking book and marry us or i'll blow your fucking brains out, got it? okay, good.” the officiant nodded frantically as chan pulled the gun away, tucking it back into the holster you knew he wore on his side.

you were very much in shock, and oddly enough very much turned on by his public display of aggression. you were finally getting what you always dreamed of with chan but you weren't totally happy. you didn't get to plan the wedding of your dreams with him, and this small event just didnt feel right.

“chris we can't do this. not like this. i want to plan something real, something with you. can we do that? please?” you asked, tugging on his hands.

“oh. of course we can do that sweetheart. but can we do this too? just like a practice? we’re already here and you look so pretty.” he said with his lopsided grin you could never say no to. so you giggled and nodded, and proceeded with the ceremony.

after the exchanging of vows, a cutting look at seo-jun from chan about the wedding band he’d chosen for you, and some muttering from chan about ‘none of this is good enough' the officiant pronounced you man and wife. the crowd reaction was mild as they were all still so confused and terrified, but you didn't care. you were floating. and soon as he heard the words “you may now kiss your bride” chan tugged you to him and planted his lips on yours. he swept his tongue into your mouth and you whined into the kiss. god you'd missed this, no one kissed you like chan did. he broke away for a moment just to stare at you.

“everybody get the fuck out.” every person in the church fled at chan's command, some squealing as they left. the two men he arrived with left as well, closing the doors behind them. you looked around confused, not sure why he would do that as you hadn't gotten your chance to walk down the aisle hand in hand. “channie what are you doing?” you asked.

a wicked smile appeared on his face as he replied “my wife and i need to consummate this marriage, i didn't want them here for that.” heat settled low in your belly at his words and you felt your face flush. surely he couldn't be serious! but evidently he was as he pulled you further across the platform to the altar.

he lifted you and set you down on top of the altar and pushed your legs apart to slot himself in between, yanking your dress up your legs to pool around your hips. chan planted open mouthed kisses across your exposed collarbone, one hand kneading your breast, the other reaching between you to grind against your clit. you threw your head back at the sudden pleasure.

“you let him in here? you let seo-jun touch you like i do?” he grunted against your mouth.

“nuh-uh. told him i wanted to wait. wasn't ready to give myself to another man.” you said, choking down a moan.

“good. he seems nice, i really didn't want to have to kill him.” chan laughed out into your neck. you pawed at his chest in an attempt to open his shirt but the buttons proved to be too difficult for your lust addled brain so you tore it open instead. and what you saw made you stop short.

right over his heart swooped dark black strokes of ink in your handwriting, the tattoo reading “i’ll be a bird in a gilded cage no longer.” it took your breath away and tears welled in your eyes. the weight of everything that had transpired hung heavy in the air between you and chan knew that so instead of speaking right away he leaned in, cupped your face in both hands, and kissed you with the most passion he could. so many words unspoken poured out of your mouths and into that kiss.

“here's what's going to happen now sweetheart. i'm gonna flip you around, bend you over, and fuck you until you see stars okay? it's been too long.” he explained as he maneuvered your body to the position he was describing. his big hand pressed between your shoulder blades and you submitted to him like you always did, leaning forward until your cheek was pressed to the marble of the altar.

the jingling of his belt behind you made you clench around nothing, the ache of being empty taking over. chan bunched your skirt up once again before savagely tearing your panties from your body. two of his big fingers slid through your wetness before sinking into you, punching a moan from your chest.

“gonna make it hurt baby, stretch you out jus’ the way you like okay? daddy’s gonna take such good care of you. always remember i love you okay sweetheart? because im going to fuck you like i really really don't.” he whispered into your ear, planting a kiss on the side of your head. then he was lining up with your entrance and sliding all the way in without stopping.

and he was right, the stretch hurt but really it always did. he was just so big, but you liked the burn. you liked still feeling him the next day. you could feel your eyelids drooping and your body relaxing as he started to move.

“fucking hell sweetheart. a few months away from me and i have to retrain this pussy to take me. so fucking tight.” chan ground out as his powerful hips slammed him in and out of you over and over again. your cunt was drooling all over his cock, almost as much as your mouth was all over the altar.

“still can't believe you ran from me. how about i put a baby in you, then you can't go anywhere. there's not a single place on this earth where i won't fucking find you, you got that?” he spat, lacing his hand into your hair and yanking your head up. all you could get out was a measly “uh-huh” but it seemed to be enough because he growled and started pistoning his thick length into you at a new angle, slamming the head into your g-spot.

chan reached down and wrapped a big hand around the back of your left thigh, lifting your leg and laying it flat on the altar, opening you up more for him. he slid his fingertips down between your legs and rubbed at your clit. if you weren't already sweating and drooling, surely that would have been the thing to do it.

“slutty little pussy missed me huh? she was all lonely and empty without daddy to take care of her. c’mon baby, keep squeezing me, yeah just like that pretty girl. so perfect.” he groaned as he did his best to bruise you from the inside.

at this point you were as boneless as you'd ever been, you truly did miss getting dicked down like this. chan had always been the best fuck of your life and you hadn't realized how much you missed it until now. “please make me cum daddy. need it so bad.” you mumbled incoherently, eyes glazed over.

chan laughed, a bitter sound tumbling from his lips. “those little fingers of yours couldn't even come close to treating you like my dick huh? bet you were riding that dildo i got you, wishing it was me.” he hissed out between his clenched teeth. all you could do was moan and nod because he was right.

“go on then. cum for me pretty baby. do it for me, need to feel it. then i'll fill you up just like you like.” he said, throwing his head back as he thrust into you with the harshest force you'd ever experienced. a few more direct hits to your g-spot and it was over, you were screaming and spasming around him, trapping him inside you for a moment.

“jesus fucking christ- oh god fuck that feels so good. keep squeezing me, yessss just like that baby yeah. fuck you're so beautiful like this. ah- ah- fuck fuck fuck 'm gonna cum. gonna cum in this perfect little cunt baby. FUCK!” chan gasped out, hips stilling as he spilled inside of you, warming you from the inside out. he collapsed over your back and breathed hard against your spine.

after gathering his breath and his thoughts he leaned forward, licking up a rivulet of sweat rolling down the side of your neck before whispering into your ear “cmon mama, lets get you home. i have a lot of apologizing to do.”

THE END

#jd's archive #bang chan #bang chan smut #bang chan fanfic #bang chan fanfiction #bang chan x reader #chan x reader #chan fanfic #chan smut #stray kids #stray kids smut #stray kids imagines #stray kids oneshot #stray kids scenarios #skz smut #stray kids fanfiction #skx x reader #skz imagins #skz fic

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