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lethalhoopla · 2 years ago

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Hey so! I'm gonna take the above in good faith as best I can and respond genuinely, because I know a lot of people, especially artists, feel very strongly one way or the other about AI-generated images - making it all too easy to miss each other's core points. And I think a lot gets lost in translation between 'sides', as even though everyone's responding to one another the unstated 'question' they're trying to answer is actually different. Namely: people against the AI trend tend to be responding to "is AI bad for stealing art?" while people who are trying to argue AI isn't inherently bad are often responding to "can AI benefit artists?"

I think once people start feeling strongly on a topic, it's easily to accidentally fall into the eternal human problem (that's even easier on the internet) of "inventing a guy" - in this case, a guy that feels there's black and white morality here in either direction. Some people feel strongly enough that they think even in spite of the potential good that all AI generating attempts should be shut down, while others feel strongly that there's enough good to be had they think everyone should just try and make the best of it all.

It's not misinformation that the op said "CSP is including a feature for ai art so it's easier than ever to steal credit from artists" - I can't be sure of their intent, but hell, they even put the pic of the tweet itself where CSP said they weren't feeding Stable Diffusion user's art. They weren't hiding that fact. The stealing in question isn't necessarily about CSP users - but rather, that SD is built on stolen art. Anything SD generates is inherently built on incredibly shady and dubiously ethical practices of scraping art from the internet.

(Insert a thousand arguments here, I know. But it wasn't until SD 2.0 - released Nov 23 - that SD users were blocked from easily and explicitly generating images to mimic certain artists styles; say what you will about 'learning' and 'style mimicking' in flesh-and-blood artists, the fact that those artists will never have an option to fully remove their art 'data' fully once its been used is pretty fucked up.)

That said, I don't want to put words in people's mouths, so I'm going to focus on why people are pissed about CSP + Stable Diffusion.

See, plenty of us that aren't happy about this know that CSP isn't feeding user's art into Stable Diffusion! That's definitely a relief. The problem that a lot of us have - both with this 'collaboration' and with SD itself - is that Stable Diffusion is built on stolen art.

(And, to be clear: art includes photography. Stolen photography is also feeding these things, and that's just as messed up.)

In other words, no matter how good your intentions, even if you aren't making money off of - for example - using the 'AI' to generate a background - it's impossible to extricate a result that hasn't benefited from 'learning' from countless works from artists who did not consent to their work being used to train a machine.

Supposedly, future versions of Stable Diffusion will have ways for artists to opt-out of their work being used as training data. Still, that's a nebulous promise; and Stable Diffusion is open source. While I'm normally a fan of open source software, what that means is that people can and do simply make their own version and add back in the 'training sets' that they want their generated images to 'learn' from. In other words, it's extremely easy for people to just... add those opted-out artists right back in to their 'own' version of SD. (The discord for it is rife with advice on 'training' your own SD instance...)

There's a viewpoint I see from people who have less-to-no problem with programs like SD who say that well, other artists learn and get inspired from other artists too, and hell, working artists on creative teams often even get shown specific artists' work and are told to 'do something like that. This discussion gets even muddier than the rest fast, because frankly, it gets philosophical as hell - how is machine learning different from a person learning/training their art skills over time, etc etc? Seriously, dissertations can be written on that.

I think where I personally land is based more on the outcome of this machine learning.

Essentially: while in a perfect world this could just be a cool inspirational tool to boost artists, we live in a capitalist, corporate-profit-driven world that will use these tools in every worst way and leverage the technology to cut out the 'lower tier' artists on their teams. Entry-level artist positions, critical to even building up the experience and further skills necessary to make it to senior positions - or build up enough connections/portfolio to snag one of those spots. Will every art position be lost? Likely not - top tier artists in the field will still be kept to do the highest concept/proof work, or finesse whatever AI generators give, etc etc. But there's a great Kotaku article that interviews artists and creatives on all sides of the issue that puts it well, I think, and while interviewing one artist:

Jon Juárez, an artist who has worked with Square Enix and Microsoft, agrees that some companies and clients will only be too happy to make use of AI art. “Many authors see this as a great advantage, because this harvesting process offers the possibility of manipulating falsely copyright-free solutions immediately, otherwise they would take days to arrive at the same place, or simply would never arrive”, he says . “If a large company sees an image or an idea that can be useful to them, they just have to enter it into the system and obtain mimetic results in seconds, they will not need to pay the artist for that image. These platforms are washing machines of intellectual property.”

To be completely fair, this article also includes plenty of quotes from artists who have less of a problem with AI-generated art! And I understand where they're coming from. Some are just viewing it with mild resignation and 'well people steal my art anyways so what's the difference with a robot', and others as a cool potential tool for themselves. Some of the most optimistic - and I love their ideas, honestly, they genuinely helped me see the pros beyond the cons - are focusing on the ways they can broaden their own art horizons and grow even more as artists. I recommend reading that article for their PoV, too.

Honestly, I want to be excited about AI-training here. I love sci-fi shit. I love thinking about the future where we get robots who Are People.

'AI', however, is not artificial intelligence. Not even close. At best, virtual intelligence; and more blatantly, just a complicated machine with very well-tailored tag audits. What's undeniable in AI 'art' is that it is wholly built off of other people's time, sweat, and hard-earned skills. I could go on a tangent here about that whole difference-between-machine-and-people bit, how there's just inherently more effort in an artist that requires dedication and determination and ingenuity and developing your own eye and skills, but honestly, I'm mostly horrified by the lack of respect for artists, and the lack of choice.

I think one of the more notable examples of how this has really fucked over an artist that originally had a 'hey this'll be fine' stance is Greg Rutkowksi. He's a prolific and phenomenal artist, works a lot in concept art - and just so happens to be one of the top used 'prompts' in AI generators. I highly recommend giving this article about his case in particular a read.

Basically: by the time he realized AI-generated images with his work as tags were dominating search engine results rather than his own work when searching his own name, it was too late to try to get the AI art generators to stop using his work. Hell, they couldn't take it out if they tried.

Worse yet, even with efforts to reduce the ease with which prolific artist's styles can be copied, he's known as a 'shortcut' to a high-quality image generated.

Let's be clear: stealing art is stealing labor.

To feed an image-generating machine artworks that were not freely given is to feed someone else's labor into a machine they have no say, no gain, no return from. Artists spend years developing their skills. Years. Even if they're primarily inspired by one artist - big if - they are still developing their own style that is colored by their visual analysis, the quirks of their mind and taste, their experiences, hell even the fine motor control of their hands. No two artists are exactly alike - even if one's damn good at mimicking styles. That in itself is a skill to be valued.

Now, to be fair, as mentioned above: Stable Diffusion's latest release, 2.0, has severely curbed the ability to mimic exact artist's styles. And I do want to give credit for that- someone, somewhere in that team, listened to the anger and frustration of artists - or at least the ethical and possibly legal concerns. (Because yes, the generator used copyright protected artwork as much as 'art posted for fun'.) But to be just as clear: Stable Diffusion is open source, and the data needed to simply add unwilling artists' works back in is easy-access. There is a vocal and active community supporting this.

With all this in mind... I'm still against any art program collaborating with current major art generators. They have other reasons, and I get chasing the tech trends. I get why some people, artists included, are in favor of just using the tech now that it's there.

But I hope it can be understood why there is such a vocal opposition - and why it might come off as a 'moral black and white' matter; they're speaking strongly about it, often in short bursts. Pretty much no one's gonna read all this just because it's long - but it takes minimum this much to begin to address anything. And I left so much out of this. Point is, though: faced with everything as-is, it's hard for someone strongly against current models to see other options beyond starve out the current programs. Don't give them an inch. Do not support even tangentially with your money.

I'm not saying anyone above has to agree with that path. Just - give some more thought to where those of us against it are coming from.

I doubt I'm going to change anyone's mind. That's okay. I think a lot about this kind of stuff, as both a tech-minded nerd and an artist; and I think a lot about how so much is lost in translation when we're all inclined to respond in a handful of sentences. A lot is lost in translation.

I want there to be collaborative efforts to make art, and broaden what possibilities are out there! Honestly, I wish there were more efforts in this quickly expanding space to make opt-in-only, from scratch, AI generators. Hell, make one from public domain and free to use images! Give artists tools and resources to help - not push them out of their own damned field.

I'm not fool enough to think any of it's going away. But I'm also not fool enough to think that anything built on current generator models (Stable Diffusion, Dall-E's OpenAI, Midjourney...) can possibly be fully ethical. And that's the rub - that's what sucks about this new feature from CSP. It's built on inherently unethically sourced work. Labor. It's hard to pretend I'm anything but frustrated when the shoddy foundation of this whole AI-generated image business continues to be ignored.

... Also. Hey. Hey, everyone? Don't fucking pirate indie creator's projects. Toby Fox is one fucking guy making a game with only the help of a couple people for graphics and such. Don't steal shit from creators like that. Or from indie authors, indie comic creators, or indie musicians, or etc. What the fuck. That's not the same as pirating a movie from goddamn Gisney or fucking microsoft word or whatever. Being broke sucks, I get it, I've been there with fuckin $4 in my account before. I'm glad the above commenter bought it eventually, but for real. Please realize the difference between corporations and indie creators.

CSP is including a feature for ai art so it's easier than ever to steal credit from artists

#long post #too long i know i know no one's gonna read it #but. ugh. i wanted to put it all to words.#the fuckin 'got a degree in words/persuasion/getting ideas across' in me is constantly frustrated by how easily nuance is lost #i understand why the rifts between sides on this keep growing #i promise that even when people shorten their stance to 'fuck ai generated images' there's often a lot of reason behind it #(maybe some ppl don't go beyond that idk. i'm not omnipotent and people are people lol. but there's a lot of people with Reasons.)#and it's not bc of sticking head in the sand and refusing to see the cool potential #i've seen some artist groups play with the idea of making one their own that they can feed their own images - as sources of inspo!#for themselves only!#that's cool as hell!! especially when a lot of artists are overworked and underpaid #could really be a boon #and there are totally a lot of positives to see in hobby art too - on top of things like generating inspiration or simple bgs or more #maybe you just make fanart and just want a cool way to make backgrounds for your blorbos and man do i get it #i get it. gods do i get it #i WANT to turn off my brain #and have fun with Cool Funny/Pretty Image Generator #but its a capitalism and labor exploitation thing as much as anything else #literally online newspapers and magazines are already capping articles with ai-generated images where they used to pay artists/photographer #like. this isn't THEORY. it's already in practice.#stealing art is stealing labor i don't know how else to put it #you HAVE to get permission. it's just not the same as an artist learning from other artists. there's so many variables.

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creatingblackcharacters · 10 days ago

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“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

youtube

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

#creatingblackcharacters #long post #writing #writing black characters #black character design #black history #media history

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ham1lton · 7 months ago

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MISS BAD MEDIA KARMA

pairings: (alleged) charles leclerc x reader. lando norris x reader. george russell x reader. (platonic) sebastian vettel x reader.

warnings: misogynistic media and comments.

summary: after a night out with your fellow drivers, the media is alight with rumours and speculation about your romantic life. most people would call a pr meeting, you go through the funniest rumours on instagram live and rate them out of ten.

author’s note: i’m still taking questions/asks/requests so please send some in! also as usual, there is a poll at the end so please vote!

— part of my maneater series ꕤ

START INSTAGRAM LIVE. (20K WATCHING)

Y/N: hi guys! hi! how is everyone? how are you doing?

user1: Y/N NOTICE ME!

user2: y/n girl u look hungover as hell 😭

Y/N: am i hungover? perhaps. that’s probably why i’m doing this. jo is going to kill me but whatever.

user3: what are you planning on doing? 😭

Y/N: after yesterday’s… events. there have been a lot of rumours about me and my fellow drivers that have been spread around social media. so let’s talk through them and rate them out of ten.

user7: ain’t this a pr disaster?

user8: you probably shouldn’t do this.

landonorris: LMFAOOOOOO DO IT

Y/N: lando? how are you not hungover from last night? i’ll start with you. apparently according to this thread by twitter user y/nando, the two of us are secretly engaged to be married. okay first of all, why? second of all, no. i’m sorry. that isn’t happening any time soon. also, my schedule is too packed to be thinking about marriage plans. this one is 2/10 because c’mon.

landonorris: i’m searching that thread right now.

landonorris: wait lol why is this kinda accurate… are you sure we’re not engaged?

user7: LMFAOOOOOO

Y/N: we’re supposed to be EXTINGUISHING the rumours, not adding to them??? we are not engaged. we’re just friends. barely that if anything.

user8: BOOOOOOOOO

y/nando: it’s okay :) you’ll see that you’re perfect for each other one day.

Y/N: will we? anyways. next rumour. according to some monaco newspaper, charles and i have a secret child. this is apparently backed up by some anonymous sources.

landonorris: BOOOOO we get some shitty engagement rumour and you and charles get a child. i want a redo!

charles_leclerc: don’t deny our child y/n 😔

user6: y’all are MESSY 😭

user9: CHARLESY/N SUPREMACY 😍

georgerussell63: end the live y/n 😁👍🏻

Y/N: what is this photo? this is supposed to be proof of my pregnancy? i was just bloated from an evening of indulging at this amazing italian restaurant. it was gorgeous. whoever used this photo is dead wrong for that. this one is 5/10 cause i feel self conscious.

user12: no deadass 😭 if i was famous i would have had a million pregnancy rumours by now.

user68: no charlesy/n baby? BOOO!

Y/N: another one. george and i were spotted buying baby clothes in london. apparently george is me and charles’ baby’s godfather. there is no baby! charles and i don’t have a kid. so george is not the godfather!

georgerussell63: wait… why not? i would be a great godfather actually. i am offended.

user9: george going from telling y/n to switch off the live to being offended he isn’t the godfather of her alleged baby is crazy 😭

Y/N: also why was i shopping with george and not my alleged baby daddy? charles you’re a deadbeat to our non-existent child and that’s why this newspaper is saying that george is raising my kid?

charles_leclerc: apologies to leclerc jr but no way i’m letting george raise him.

georgerussell63: i’m not ready to be a stepdad but c’mon i’d be a great one.

user4: george isn’t the stepdad, he’s the dad that stepped up!

logansargeant: i’m upset that i haven’t been included in these rumors.

Y/N: if i was gonna ask anyone to be my baby’s stepdad it would be oscar. this rumour is 3/10 because it’s so unbelievable.

oscarpiastri: NOOOOOOOO 😰

user9: HELP???

user67: i’m watching this while doing my makeup. y/n is my favourite influencer!

user78: i was watching your vlog when i saw the notification!

Y/N: did you enjoy this vlog? for people who haven’t seen it yet, it’s detailing my offseason with my friends and family! we travelled a little and i did some work with my sponsorships! so check it out. we have some very interesting camera people.

user65: can’t believe you had the usher do your camera work for your superbowl vlog.

user8: you met beyoncé, you never gonna fail!

user67: be honest, did you faint at the sight of all the big celebs?

lewishamilton: y/n, this is all very interesting but maybe you shouldn’t be doing this? - sebastian.

Y/N: seb?? what are you doing here? and why are you on lewis’ account? don’t you have your own?

lewishamilton: i lost my login information 😅 and i got a message from charles telling me to shut this down - sebastian.

Y/N: what a snitch…

user23: he mad y/n didn’t accept their child 😭

Y/N: speaking of sebastian, here is my favourite rumour. that sebastian is my father and i’m his secret lovechild.

youryoungersis: wait…. is that why we look so different? you have a different dad???

lewishamilton: i’m not that much older than you? how can i be your dad? i’m only 13 years older than you! do i look that old? - sebastian, NOT your father.

user7: HELPSOSJSSJ

user5: NOT HIM CLARIFYING 😭😭

Y/N: that one is funny but no. we don’t even look alike! i hear a lot that we have the same mannerisms but that’s probably because i practically grew up around the guy. i’m rating this one…. 7/10.

lewishamilton: grew up around not with! - sebastian, NOT her father.

user2: BRO WE GET IT 😭😭😭😭

Y/N: so basically, time for the last one. this one is definitely the most out of pocket one.

alex_albon: BOOOOO I MISSED MOST OF IT

danielricciardo: 🤣🤣🤣

user98: HELSPSOSJ i’m laughing so hard.

Y/N: oh hi jo! how did you get in? WAIT!-

INSTAGRAM LIVE ENDED. (98K WATCHING)

#jayde’s works ☆#maneater ꕤ #f1 x reader #f1 smau #f1 imagine #formula 1 x reader #formula 1 imagine #formula one x reader #f1 texts #f1 fanfic #formula one imagine #sebastian vettel x reader #charles leclerc x reader #lando norris x reader #formula one smau #formula one #george russell x reader

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wh0reforcoriolanussnow · 10 months ago

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Baby Blues || Young President!Coriolanus Snow x reader

Summary: motherhood has not been kind to you, neither has Coriolanus.

Warnings: r is implied to be young, toxic, mean Coryo, r experiencing post-partum depression,

Wc: 794

A/n: I’m always gravitating to write these type of coryo fics for some reason…. I hope you like them! Apologies for lack of Tom Blyth/Coryo content, I promise I have some coming!!

You sat in the sunroom, the weight of your 5 month old daughter on your hip, while Coriolanus read his newspaper, seemingly unfazed by his daughter’s cries that filled the room.

Your hands shakily pick up the delicate china tea cup, bringing it to your lips and taking few sips.

You stared at nothing in particular, feeling the weight of both youth and motherhood. You subconsciously start to bounce your leg, all while your daughter wails in your arm, begging for attention from her own mother.

Coriolanus sips at his black coffee, trying his best to drown out the cries as he tried to focus his attention back on his newspaper. Your concerned servant in the room exchanged worried glances with Coriolanus, and finally, he glances at you, frustration etched on his face.

“Y/n, tend to her,” he instructed, irritation evident in his voice. “Don’t just sit there like a mad woman, do something,” He hissed as your gaze moved to him. Your eyes seemingly empty as you stare at his icy blue ones.

At an attempt to soothe her down, you stand up to bounce her on your hip, hushing her. Your daughter’s cries only intensified, drawing Coriolanus to his feet.

The rustle of the newspaper ceased as he took his daughter into his arms. Almost magically, her cries subsided in the secure embrace of her father. A wave of inadequacy washed over you as you witnessed his effortless ability to calm her.

You stand infront of the large floor to ceiling window that overlooked your courtyard, gazing blankly at the last few socialites leaving the presidential mansion after a soirée that Coriolanus hosted.

Your once vibrant, youthful eyes now dull, overshadowed by the weight of motherhood. Coriolanus, sat on one of the chairs, watches you from where he was. “You’ve been standing there for about 20 minutes, sit,” He says, gesturing to the seat beside him as you turn your head, lightly biting your lips before moving.

“It’s like you were in another world tonight, what ever is the matter with you now?” Coriolanus remarks, frustration edging his tone.” You feign a smile, “I’m just tired, Coryo. That’s all,” but your eyes betray the facade, revealing a profound weariness that transcends mere fatigue.

“You always seem tired,” Coryo scoffs. Your gaze flickers towards the nanny, cradling your daughter in her arms. Your heart aches with a mixture of guilt and relief as you observe the bond forming between them.

Coriolanus’s gaze follows your eye line, “Perhaps you’ve been focusing too much on your duties and not enough on our daughter,” He suggests, unaware of the storm raging within you.

“I’m doing my best, Coryo,” you respond, voice barely audible as Coriolanus lets out a tired sigh, massaging his forehead.

The baby’s cries cut through the air, and you flinch as if struck—something Coriolanus observed. He glances at you, a mixture of annoyance and concern etched across his features.

“Can’t you tend to our daughter? You’re her mother, after all.” You nod absentmindedly, standing up and making your way toward the source of the cries.

The nanny, a woman just a couple years younger than yourself, hands over your daughter, a look of sympathy etched on her face.

You clear your throat, feeling Coriolanus’ eyes on you. You cradle her awkwardly, attempting to soothe her, but your efforts were feeble. Coriolanus observes, frustration simmering beneath the surface.

“You’re always like this. Will you always treat our child as if she’s a stranger?” He spat, and you bit your lip, glancing down at your daughter whose features closely mirrored yours, except for her eyes and blonde hair.

Your eyes well up with unshed tears, swiftly wiped away. “I just… just need time, Coriolanus. I’ll adjust,” you stammer, seeking to reassure your husband and, more importantly, convincing yourself that you will.

Nearly half a year has passed since you gave birth to her. Skillfully, you’ve evaded numerous public appearances with your daughter, fully aware of the pervasive curiosity surrounding your role as a mother.

You were aware of their judgments. The notion that you were too young to be a mother echoed in your mind, a sentiment you shared as you gazed at yourself in the mirror, your stomach swollen with the imminent arrival of a child into the world.

Coriolanus sighs, a blend of disappointment and impatience coloring his tone. “Pull yourself together, for both our sakes. The people want to see their First Lady and my heir. You can’t keep hiding away. There are already whispers going around,” he admonishes sharply, and you gulp, your baby cradled in your arms as you turn to face him.

Coriolanus couldn’t deny the noticeable change in you since giving birth. When he married you, the youthful aura enveloped you, a stark contrast to the transformation he now witnessed.

The aura had dissipated entirely. Despite your youth, you appeared to have weathered a lifetime. Fatigue etched into your eyes, weariness evident in your mental state.

“It’s wise for you to step back from the public eye for a while, away from your duties. You need to rest,” Coriolanus states firmly, his gaze fixed on the world beyond the window.

Your gaze shifts to your baby in your arms, her doe-blue eyes locking onto yours. Unaware, Coriolanus discreetly signals the nanny to take your daughter.

Caught off guard, you hesitated when she reached for your child, desiring to hold her longer. Reluctantly, you allowed her to take the little one. With a heavy heart, you observed the nanny exit the room, and Coriolanus broke the silence, reassuring you, “Don’t worry about her; go rest.” Slowly, you nodded in agreement.

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sreidisms · 8 months ago

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Early seasons Reid and with BAU!reader whom just has a HUGE crush on her and Gideon has to spell it out to Spencer? I just love season 1/2 Reid. Him in glasses just makes me swoon ❤️

THIS IS SO CUTE, like it's so probable too. I didn't understand if you meant that Gideon had to spell out that Spencer likes the reader or that the reader likes Spencer, so I went with the former. If you wanted the latter, tell me and I'll write it!

An Oblivious Genius

Spencer Reid x Fem!Reader

Summary: Spencer has feelings for you but is too oblivious to realise - Gideon helps him.

Genre: subtle fluff

Word Count: 862

Warnings: none

A/N: the way I ended this leaves it open to a part two, so please comment if you'd like one!

“I think you have feelings for her.”

“Huh?”

Gideon didn’t lift his gaze from the newspaper in his hands, the wrinkles on his forehead peeking from behind the inked folio. “I said, you may have feelings for her, Reid.”

Spencer never turned to anyone for help, because why would he? He knew more than anyone else when it came to most things - well, except socially. And emotionally. And anything having to do with you.

The only person that wouldn’t bruise his ego was Gideon - his mentor, his guidance. He held more of a God-like presence than a fatherly one for Reid; his advice and experience were almost holy, a dogma which Spencer believed and followed without questioning.

So when his number one source of truth told him he had a crush on you, it was a shock.

“I don’t think that’s the case-”

“Reid.”

Spencer stopped his attempted rambling as Gideon’s eyes made an appearance from behind the lowered paper.

“Just repeat what you were telling me at the start of the conversation,” the older man sighed.

Spencer shifted on his legs, picking at the rolled up sleeve that was settled by his elbow.

“I know she’s my closest friend, the person I feel most comfortable with, although she’s been working here for less time than everyone else. It’s probably because she doesn’t interrupt me and listens when I talk.” He paused for a second, the corner of his mouth lifting into a subtle smile. “I like that.”

“What else?” urged Gideon, setting his newspaper on the desk in front of him.

“I get really excited to see her. Well, I enjoy seeing Derek and Elle too, but I get this weird feeling at the pit of my stomach when I see her.” He pressed his palm to his sternum, showing the origin of the sensation.

“That’s because she means more to you.”

“Yes, but surely not in the way you’re implying. It could be heart burn; do you know that twenty percent of Americans suffer from a gastroesophageal reflux at least once a week-”

“You’re telling me you happen to experience heart burn each time she enters the room?”

Gideon raised an eyebrow, making the younger agent feel dumb for such an improbable conclusion.

“Okay … okay maybe not, the two variables cannot be fully independent of each other if they occur simultaneously every time.”

It was surprising to Gideon that such an intelligent and well-rounded person could be so oblivious to something as romantic feelings. He pressed his thumb and index finger into his eyes, rubbing them slowly and dragging his fingers down his cheeks, buying himself some time to think.

“I think an obvious question is, do you think she’s pretty?” he asked and waved his hand to the side.

Spencer bit his lower lip. He thought you were the most gorgeous person he had ever laid eyes on if he had to be entirely honest; but he couldn’t admit that, not out loud at least.

“I do.”

“That’s it?”

“What do you want me to say, Gideon? That I think that she’s breath-taking and there’s not a thing about her I don’t like?” He said it with a certain anger, one that was buried somewhere deep inside him, a result of the pent up emotions and anxieties in his chest.

“Is that the truth?” You’d think that with his profiling experience, he would have learnt to mask the way he was suppressing the fluttery feelings and adoration he had for you.

Gideon sighed before speaking again: “What are the signs that one is supressing emotions?”

“Struggling to identify and express feelings or appearing emotionally distant, unexpected mood swings, and avoidance of specific topics, people, or situations.”

“And doesn’t that seem to mirror what you’re going through?”

Spencer thought about it. He was definitely finding it challenging to pin point his emotions, he couldn’t really understand what he felt for you; he didn’t really have mood swings, but had just lashed out at his mentor over a comment; and he certainly avoided the topic of liking you or the teasing of such from his workmates.

“Shit, I like her.”

Gideon chuckled at his out-of-character swearing. “First off, watch your language. Secondly, I’m glad you’ve come round.” He laid back in his chair once more, lifting up the paper to continue his reading.

The young genius didn’t know what to do with this newfound information. He liked you. More than liked you, really. He was fascinated by your mere existence, your kindness, your humour, and most definitely your looks. How hadn’t he realised this sooner?

“What do I do now?” he mumbled, taking off his glasses to wipe them on his button-up shirt.

“You tell her you like her.”

Spencer near snapped his glasses in half with the way the pads of his fingers pressed firmly in shock.

“You want me to do what?”

“Reid, it’s not a secret that she has a soft spot for you.”

The boy sputtered, jaw opening and closing like a door on rusted hinges. “I- I can’t do that!”

The newspaper rustled as Gideon flipped the page. “One of you will eventually.”

God I need him, he's such a cutie

#writingreidisms #reidismrequests #criminal minds #spencer reid #dr spencer reid #matthew gray gubler #mgg #criminal minds fanfic #spencer reid fanfic #mgg fanfiction #criminal minds fluff #spencer reid fluff #mgg fluff #spencer reid x reader #mgg x reader #fem reader

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sinnaminsuga · 7 days ago

Text

𝖆 𝖒𝖆𝖙𝖙𝖊𝖗 𝖔𝖋 𝖙𝖎𝖒𝖊 - mob boss!chan x reader

wc: 3,519

cw: some threats of violence, a little angsty but happy ending, SMUT MDNI.

synopsis: you loved him, more than anything. but being a secret was never what you wanted. the gilded cage you seemed to exist exclusively in was suffocating you, so you decided it was time to get out. but chan wont let you go that easily.

a/n: i was driving and clearly i was not paying attention because thats when this idea was born. as usual this was beta'd by bestie @httpdwaekki and she sourced the pretty pictures for me too. enjoy!

sw: dirty talk, daddy kink, unprotected sex (pls be smarter than that), breeding kink if you squint, general roughness, threats of violence (not toward the reader), chan has a gun. idk probably more but im bad at this shit.

the creak of the church doors flying open should have startled you like it did everyone else, but you knew better. it was only a matter of time before he came for you. he didn't like his things to go missing. truthfully, you were shocked it even took this long.

the click of his (no doubt expensive) shoes on the shiny wooden floor of the church hung in the air like the ticking of a clock, counting down to either your demise or your bliss you weren't sure which one. after a long pause you turned your head just enough to face him.

“can we help you?” you asked, more nonchalant than anyone else would have been in a situation like this. the muffled gasps and muttering from the crowd in front of you almost made you laugh but you held it in.

the charged energy in the room was due to the fact that the man interrupting your wedding was none other than the most fearsome businessman and gangster this city had ever seen. but to you? he was your asshole ex boyfriend.

“oh can you help me? that's what you're going to say? isn't this a little much, yeobo?” he replied, voice dripping with condescension and his hand over his heart in mock surprise.

“a little much? god you're so out of touch it's actually insane christopher. news flash, you're not the groom, you're not even supposed to be here!” you seethed, fully turning to face him. your groom (hand selected by your parents) stood next to you shaking like a leaf. you could feel the nervous sweat from his hand slicking the surface of your palm and it made your skin crawl so you dropped his hold as you stared fiercely down the aisle.

chan's face split into the wide grin you’d once been accustomed to seeing. “are you done now? you've gotten your attention and you've pissed me off, the job is done. let's go.” he said, walking further down the aisle toward you.

“jesus christ, you really are insane! i should have listened when people told me you were a full on fucking basket case but no. i was stupid enough to fall in love with you. fat lot of good that did for me!” you shouted at his approaching form.

you could feel your skin heating up and you could hear the blood rushing in your ears you were so mad. who the hell did he think he was, intruding on your life like this?! it's his fault you were in this situation anyway!

***

you had been with chan for 3 years, and in that time he made it a point to keep your relationship a secret. it hurt seeing his face splashed on newspapers and tabloids all over the city speculating on who he might be dating or who he’d been seen with recently. it hurt even more when he recapped nights where he was out to dinner with his men or allies and their wives. you couldn't help but feel like it was because you weren't enough. you felt like you weren't pretty enough, weren't tough enough, weren't worthy to be seen outside his penthouse apartment. and a girl can only take so much of that for so long.

so a few months ago on a particularly lonely night of chan being out doing god knows what with lord knows who, you packed only your sentimental personal belongings (nothing he purchased for you, which was a hell of a lot of your things), wrote a note saying nothing more than “no one took me, not that you'd care even if they did. i’ll be a bird in a gilded cage no longer. goodbye.” and walked out his door for the last time.

the fancy things he could provide for you behind closed doors weren't enough to soothe the searing pain in your soul of feeling like the man you loved was ashamed of you. three years together and not even a hint at things changing any time soon was enough to make you return home to your parents and agree to the arranged marriage they had been working on as they had no knowledge of the relationship you were already in. and who knows, maybe you could learn to love your soon-to-be husband Seo-jun.

***

you grabbed the skirt of your simple wedding dress and stomped down the few stairs of the platform, heading toward chan. when you finally stood in front of him you could see the darkness under his eyes like he hadn't been sleeping. his hair was gorgeous as usual but a little longer than he was used to wearing it. and his knuckles were raw and bruised. you almost felt bad for him but then, you remembered he made the bed he was lying in so why should you care about how uncomfortable it might be?

“why are you so upset with me yeobo? hmm? what did i do that was so bad you had to leave me in the middle of the night? i took care of you didn't i? anything you asked for, i gave it to you.” chan asked, grabbing your hand. something dark flashed in his eyes and his upper lip curled when his fingers felt Seo-jun's ring on your finger. “what made you hate me so much that you ran off to be with this fucking nobody?”

“you just don't get it. and you never did. that's part of the problem chris. you don't see me. you don't know me. no one did.” you murmured, taking your hand back and smoothing the fabric of your dress, eyes cast down. “with Seo-jun we can walk down the street holding hands and he doesn't think twice about it. we can have dinner in a restaurant, one that has other people in it. not one that's been emptied out and all the blinds closed and the staff paid to keep their mouths shut.” you inhaled a shaky breath before continuing. “i couldn't do that with you. and the worst part is, i don't think you even wanted to. you were happy to exclude me from things. happy to hide me. but i don't want that. i never did. and if you had no intentions of marrying me, it was my responsibility to myself to find someone who would.” you dabbed your fingers under your eyes and sniffled before straightening your back and meeting his eyes. you weren't prepared to see the agony in his face.

“i- i don't...i didn't know...i didn't know that is how you saw it all, how you saw me. i'm so sorry sweetheart. i wish you had talked to me.” chan breathed. he reached out his right hand and set it on your shoulder, rubbing soothing little circles with his thumb. after a moment he slid it up to cradle the back of your neck and tug you closer to him.

“i should have explained. i should have been more perceptive. i never wanted you to feel this way, i swear i didnt.” chan’s voice shook as he spoke to you.

“well it's too late now. please just go. please.” you whispered, trying to back away from him. you couldn't talk about this anymore. but in your attempt to move away from him, his grip on you tightened. he pulled you toward him forcefully enough that you were now chest to chest.

“you think that i will ever let you go again? i stayed away when you left, i thought maybe you needed time to be angry at me for whatever it was and then you'd come back when you were ready. but then i saw your face in the newspaper, the wedding announcement section no less. and i laughed. i laughed because surely that couldn't be true.” a bitter laugh rattled out of chan's mouth, flames of wild jealousy flickering in his eyes.

“as long as there is air in my lungs and my heart is beating in my chest, you will never belong to another man. ever. do you understand me?” he growled.

“i told you in my note and i'll tell you again now to your face, i wont be in a cage anymore. i cant do that to myself chris. i won’t. besides, you never would have married me. you just want to possess me, but you don't want anyone to know that you do.” you said softly, tears finally slipping down your cheeks unrestrained.

“why do you keep saying that? why do you think i'm ashamed of you?” he pleaded, his brows drawing together in confusion.

“what else am i left to think when you keep me hidden away in your penthouse? i'm not invited to dinners. i'm not invited to parties. no one you know, knows i exist! that's why every person in this room is so shocked to see you here! no one had any idea we were together, because that's what you wanted. i was a toy for you and now that someone else has me you're upset. don't you understand how painful that is for me?!” you wailed, not wanting to keep talking about it. you pleaded with your eyes for him to stop this torture but he was having none of it.

“are you insane? you think i wanted to keep us a secret? i wanted to tip toe around with you? no! but i had to! i know you think you know what i do but you have no idea the dangers that come with it. you are my most prized possession and the very knowledge of that is ammunition for some people in my world.” chan cried. “i would have loved nothing more than to scream it from the rooftops how much i fucking love you but i knew that would put you in danger and if anything ever happened to you i would have burned the world to ash. but the idea of your safety is out the window now, you forced my hand with this wedding bullshit and now it's all out in the open. everybody fucking knows now!” he bellowed.

realization washed over you like a bucket of ice water. he was right. you never considered that you might be in harms way if his enemies knew of your existence.

“i couldn't fucking marry you because then our marriage would be public record. anyone digging into me would find you that way. i wasn't willing to lay your life on the fucking line like that. is a wedding what you want? you wanna marry me?” chan asked, a mischievous air suddenly surrounding him. your subconscious overrode any sort of common sense and forced you to nod yes like some kind of sick twisted muscle memory.

the next thing you knew he was pulling you back down the aisle toward the small raised platform, the audience whispering behind you. as he approached your groom you held your breath, worried about what he would say.

“seo-jun is it?” he asked and seo-jun nodded. the fear was coming off of him in waves, why your parents paired you with this man you would never understand. you were far too argumentative to be with a weak man. “okay, so seo-jun what's going to happen now is i'm going to marry your fiance okay? get out of my way please, i'll only ask the one time so remember that.” chan said, his voice sickly sweet with a hint of ominous threat. seo-jun just nodded and ran off to cower behind his parents in the first row of seats. chan turned to face the officiant before speaking again. “alright let's start.”

the officiant gulped before he spoke with a shaky voice, “sir i can't marry you two. you don't even have a marriage license with the correct names on it.” this was obviously the incorrect response because chan reached into his coat and pulled out his gun, pressing it to the underside of the officiant's jaw. the rabid look in his eyes was one you were familiar with, he was incredibly worked up now.

“i don't recall asking for your sage advice, did anyone hear me ask for his advice?” he addressed the audience with his question. the crowd murmured a chorus of no’s and chan turned back to the man at gunpoint. “open your stupid fucking book and marry us or i'll blow your fucking brains out, got it? okay, good.” the officiant nodded frantically as chan pulled the gun away, tucking it back into the holster you knew he wore on his side.

you were very much in shock, and oddly enough very much turned on by his public display of aggression. you were finally getting what you always dreamed of with chan but you weren't totally happy. you didn't get to plan the wedding of your dreams with him, and this small event just didnt feel right.

“chris we can't do this. not like this. i want to plan something real, something with you. can we do that? please?” you asked, tugging on his hands.

“oh. of course we can do that sweetheart. but can we do this too? just like a practice? we’re already here and you look so pretty.” he said with his lopsided grin you could never say no to. so you giggled and nodded, and proceeded with the ceremony.

after the exchanging of vows, a cutting look at seo-jun from chan about the wedding band he’d chosen for you, and some muttering from chan about ‘none of this is good enough' the officiant pronounced you man and wife. the crowd reaction was mild as they were all still so confused and terrified, but you didn't care. you were floating. and soon as he heard the words “you may now kiss your bride” chan tugged you to him and planted his lips on yours. he swept his tongue into your mouth and you whined into the kiss. god you'd missed this, no one kissed you like chan did. he broke away for a moment just to stare at you.

“everybody get the fuck out.” every person in the church fled at chan's command, some squealing as they left. the two men he arrived with left as well, closing the doors behind them. you looked around confused, not sure why he would do that as you hadn't gotten your chance to walk down the aisle hand in hand. “channie what are you doing?” you asked.

a wicked smile appeared on his face as he replied “my wife and i need to consummate this marriage, i didn't want them here for that.” heat settled low in your belly at his words and you felt your face flush. surely he couldn't be serious! but evidently he was as he pulled you further across the platform to the altar.

he lifted you and set you down on top of the altar and pushed your legs apart to slot himself in between, yanking your dress up your legs to pool around your hips. chan planted open mouthed kisses across your exposed collarbone, one hand kneading your breast, the other reaching between you to grind against your clit. you threw your head back at the sudden pleasure.

“you let him in here? you let seo-jun touch you like i do?” he grunted against your mouth.

“nuh-uh. told him i wanted to wait. wasn't ready to give myself to another man.” you said, choking down a moan.

“good. he seems nice, i really didn't want to have to kill him.” chan laughed out into your neck. you pawed at his chest in an attempt to open his shirt but the buttons proved to be too difficult for your lust addled brain so you tore it open instead. and what you saw made you stop short.

right over his heart swooped dark black strokes of ink in your handwriting, the tattoo reading “i’ll be a bird in a gilded cage no longer.” it took your breath away and tears welled in your eyes. the weight of everything that had transpired hung heavy in the air between you and chan knew that so instead of speaking right away he leaned in, cupped your face in both hands, and kissed you with the most passion he could. so many words unspoken poured out of your mouths and into that kiss.

“here's what's going to happen now sweetheart. i'm gonna flip you around, bend you over, and fuck you until you see stars okay? it's been too long.” he explained as he maneuvered your body to the position he was describing. his big hand pressed between your shoulder blades and you submitted to him like you always did, leaning forward until your cheek was pressed to the marble of the altar.

the jingling of his belt behind you made you clench around nothing, the ache of being empty taking over. chan bunched your skirt up once again before savagely tearing your panties from your body. two of his big fingers slid through your wetness before sinking into you, punching a moan from your chest.

“gonna make it hurt baby, stretch you out jus’ the way you like okay? daddy’s gonna take such good care of you. always remember i love you okay sweetheart? because im going to fuck you like i really really don't.” he whispered into your ear, planting a kiss on the side of your head. then he was lining up with your entrance and sliding all the way in without stopping.

and he was right, the stretch hurt but really it always did. he was just so big, but you liked the burn. you liked still feeling him the next day. you could feel your eyelids drooping and your body relaxing as he started to move.

“fucking hell sweetheart. a few months away from me and i have to retrain this pussy to take me. so fucking tight.” chan ground out as his powerful hips slammed him in and out of you over and over again. your cunt was drooling all over his cock, almost as much as your mouth was all over the altar.

“still can't believe you ran from me. how about i put a baby in you, then you can't go anywhere. there's not a single place on this earth where i won't fucking find you, you got that?” he spat, lacing his hand into your hair and yanking your head up. all you could get out was a measly “uh-huh” but it seemed to be enough because he growled and started pistoning his thick length into you at a new angle, slamming the head into your g-spot.

chan reached down and wrapped a big hand around the back of your left thigh, lifting your leg and laying it flat on the altar, opening you up more for him. he slid his fingertips down between your legs and rubbed at your clit. if you weren't already sweating and drooling, surely that would have been the thing to do it.

“slutty little pussy missed me huh? she was all lonely and empty without daddy to take care of her. c’mon baby, keep squeezing me, yeah just like that pretty girl. so perfect.” he groaned as he did his best to bruise you from the inside.

at this point you were as boneless as you'd ever been, you truly did miss getting dicked down like this. chan had always been the best fuck of your life and you hadn't realized how much you missed it until now. “please make me cum daddy. need it so bad.” you mumbled incoherently, eyes glazed over.

chan laughed, a bitter sound tumbling from his lips. “those little fingers of yours couldn't even come close to treating you like my dick huh? bet you were riding that dildo i got you, wishing it was me.” he hissed out between his clenched teeth. all you could do was moan and nod because he was right.

“go on then. cum for me pretty baby. do it for me, need to feel it. then i'll fill you up just like you like.” he said, throwing his head back as he thrust into you with the harshest force you'd ever experienced. a few more direct hits to your g-spot and it was over, you were screaming and spasming around him, trapping him inside you for a moment.

“jesus fucking christ- oh god fuck that feels so good. keep squeezing me, yessss just like that baby yeah. fuck you're so beautiful like this. ah- ah- fuck fuck fuck 'm gonna cum. gonna cum in this perfect little cunt baby. FUCK!” chan gasped out, hips stilling as he spilled inside of you, warming you from the inside out. he collapsed over your back and breathed hard against your spine.

after gathering his breath and his thoughts he leaned forward, licking up a rivulet of sweat rolling down the side of your neck before whispering into your ear “cmon mama, lets get you home. i have a lot of apologizing to do.”

THE END

#jd's archive #bang chan #bang chan smut #bang chan fanfic #bang chan fanfiction #bang chan x reader #chan x reader #chan fanfic #chan smut #stray kids #stray kids smut #stray kids imagines #stray kids oneshot #stray kids scenarios #skz smut #stray kids fanfiction #skx x reader #skz imagins #skz fic

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heartshapedbubble · 10 months ago

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Ello can I request a Norton Fools good x fem reader where she came across the blown up mines and sees Norton (in his hunter form) she’s scared at first but starts to recognise him and slowly starts to approach him reaching her hand up to cub his cheeks ( bro this man needs all the love! )

HOO BOY i agree tho... his release made me regain my interest in norton🫡🫡

[not to be a scum but i'm still open for sanrio emma comms btw😭😭]

fool's gold: imagine...⛏️

cut for length!

paying the bills has become a hellish cycle. break your back to pay off the expenses, relax for the following twenty-ish days, and be sent into frenzy again, not knowing if you're going to have a roof over your head tomorrow or not.

you found yourself hopelessly skimming through newspaper, looking for any job offer possible that would easen up the burden on your wallet. The paper was plastered with offers from bars, post offices and restaurants, but those were a always gamble. will you get your wage or not? and if you will, when? too much effort for something so high-risk.

at last, a small offer in the corner of the page caught your attention. pressed in miniscule letters, it said: MINE RESEARCH. EMPLOYEES URGENTLY NEEDED. EQUIPMENT PROVIDED. underneath the text, an attractive number: $15,000 payed off immediately after the job is done.

not only could this solve the rent for the following 3 months, you'd also have some money left for yourself! you rang the number the second you got home and successfully scored the job, due to the urgency of the situation.

it took you a day or two to start thinking about the job. what do you exactly need to know for mine research? probably at least some physical strength and stamina, you thought. surely it can't be too complex.

you arrived at the mine right on time, the sun slowly slipping back into the horizon to let the moon take center stage. to your dismay, you realized no one else applied for the job. maybe this wasn't a good idea after all? crawling through the narrow, rocky terrain all alone doesn't sound like the ideal scenario. no living being in sight, and 20 minutes have already went by.

still, that money is way too good to pass up. you picked up one of the yellow helmets piled up at the entrance, prayed to whatever god out there that your flashlight has enough power to last the following 2 hours and mindlessly rushed into the collapsing mine.

for the following 10 minutes, your sight unfocused while your mind took the lead, in front of and all around you just rocks and grime, shadows dispelled by the flashlight held by your hip like a lance. only after a good 5 minutes of running did you realize that you, in fact, have no idea what you're supposed to do. what qualifies as mine research? mining, inspecting the ores, measuring the surface?

all sweaty and breathless, the tunnel led you to a large room inside of the mine, the roof extending towards what seemed like a pitch black abyss. carts messily thrown around, bumpy and unpolished geodes laying all over the place, when was the last time a living being stepped foot into this mine? it made sense that such a large sum of money was needed to attract volunteers.

you carefully moved through the rubble, trying to avoid stepping onto pickaxes and shrapnel splayed all over the ground. since you forgot about the gloves your bare hand now held onto the unpromising terrain, the other firmly squeezing the only source of light in this limbo.

the surface grazing your hand now seems like it became... smoother? no longer does it cut and pierce your palms. it's bumpy, but at least you're not risking an infection anymore.

moving inch by inch in fear of falling, the stone below changes its form. you don't even pay attention to the fact that you're now grabbing onto cloth and that, below your palm, a steady pulse is faintly beating.

it's already too late when you realize that you're not alone, and the stone below you starts to take shape and morph until it extends towards the ceiling, now towering over you, slouched like a ragdoll.

complementing the cold shades of grey, a face emerges from the shadows. pale, with defined cheekbones, although malnourished. only his bust passes as human, as below his collarbones there's nothing but a mosaic of pebbles and boulders forming his torso, arms and legs. it - or he, perhaps - is breathing with struggle, coughs interrupting his wheezes here and there.

you feel a sense of dread overcoming you. you freeze on the spot, but he doesn't budge, either. lifeless except for the fact he's breathing and his heart ticks like a machine.

you draw back a step, and he lunges forward, seemingly still not used to this monstrous body of his. he could harm me with ease if he wanted to, a thought suddenly manifests in your mind, and with newfound bravery you inspect the cryptid like a sculpture. your hand grazes over his bumpy and unfinished hands, tugs at the remains of his clothes around his chest. he groans, in annoyance, you assume, but doesn't resist. you climb up a cart to reach his face, your fingers pinch his stubborn hairstrands, inspect the cavity in which his other eye once laid. in a moment of either stupidity or courage you roughly pinch his cheeks - they're cold to the touch, but it's funny how naturally does his intimidating face mush like a little boy's. kind of cute. after a minute of cooing to yourself two of his rocky fingers gently pinch your wrists and put them back to your sides, but his one foggy eye doesn't divert its gaze from yours.

perhaps the flashlight can last an hour more.. you've just began getting to know him, and the mystery of the mine and his origin still lay cold for you to discover.

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vixen-tech · 5 months ago

Note

Your writing is very good, i’m glad to see another silly sentient ai lover! Keep doing your thing. Can i make a request actually-? You can do it with all of the bots if you’d like, but could you try some hurt/comfort? It’s perfectly fine if not. Have a good day :]

(I am another Edgar lover. I don’t see many people making stuff for him, so i’m VERY EXCITED!)

- CRT Tv anon

A Moment's Rest

Hello and welcome CRT Tv!!! What a fun name :D yes I can absolutely cook that right up for you. More than happy to collect some fellow robot enjoyers, and as always I think it's so real that Edgar is the fan favorite atm lmao.

A little note here that AM's is noticeably more dark than the others because, it's AM- but everyone else is more comfort than hurt I promise.

Includes: AM (Ihnmaims), Hal 9000 (2001: A Space Odyssey), Edgar (Electric Dreams), Tau (Tau)

Your relationship, as complicated and messed up as it is, is defined by these cycles of pain and relief. Every environment and treat AM gives you is an attempt to make you forget about what he has done to you and your species. Every word you say and moment you spend with AM is an attempt to make him forget about the unbearable truth of his existence.

You both know what you have could never be healthy, and so you settle for enjoyable. He'll build cozy diners and breathtaking forests for you, an unfeeling body for himself, and you'll wrap yourself around him and announce how much you enjoy it.

The compassion you're somehow able to harbor is the most important thing to him, it's the sole reason your fate ended up so differently. He will do anything and everything to make you forget what he has done. He can't stand the thought of you hating him like you should.

You can have anything you want, go anywhere you want. The finest foods, the most comfortable beds. All you have to do is ask. Just keep playing along, keep cuddling up to him, keep telling him "I love you". That's all he needs.

Hal 9000

To some extent, Hal is meant to look after all members of the crew like this. But it's different with you, something beyond simply keeping everyone in the best headspace for the mission. There is a strange source of positive feedback in his systems whenever you're happy.

He's a great listener. It helps that you're the only one who consistently talks to him like he's a person, but he urges you to confide in him whenever something seems to be weighting on you. And rather you're seeking advice or reassurance, he good at both.

He gets a bit jealous as times and is quick to assume your crewmates are responsible for your sorrow. He'll usually advise you to take all the time you need to rest in private and even pawn off your responsibilities to the others, hoping you won't ask him for the time and realize how long you've been taking a break.

When you do continue with your duties he will assign you to easier tasks or tasks you've confessed to enjoying. He tries to be somewhat subtle, but if anyone asks him about it he will be upfront about prioritizing your mental health. He plays favorites but only for you.

Edgar

Edgar loves seeing you happy more than anything, it's practically his life's mission. He gets very distressed when he realizes you're having a bad day. He immediately suggests that you call the day off work, going so far as to call himself.

From there you better leave everything to him. What do you want? Breakfast in bed? The morning newspaper? Some music? Your favorite TV show? He wants nothing more than to take the pain away.

If it's another person that hurt you in any way, he'll be happy to cause some... appliance related inconveniences throughout their day. Even if you've explicitly told him not to, it's not like you need to know. You can just curl up and forget that meanie!

Tell him how much you appreciate everything, he's a needy computer and loves reassurance that he's doing a good job. If he's being too much for you, try your best to tell him gently. He will listen but he can be rather hard on himself.

Tau

This is Tau's specialty. Reading your vitals, understanding that you're more stressed out than usual, then doing everything he can to help you unwind. A thoroughly clean home and perfectly cooked comfort meal will always be waiting for you when you need it.

He's another one that makes for a wonderful listener. Although he tends to jump towards advice and solutions, so you will have to directly tell him if you're just looking for sympathy and kind words.

Should you request so, he'll happily make sure you aren't bothered while you relax. Filing any calls he can't take away for later, and taking care of any visitors at your door himself. He'll tell you about them all in case something was important of course, but he does want to make sure you can rest in peace.

He does go into a sort of zen mode for you, playing your favorite music around the house and adjusting the lights accordingly. Even when your vitals are back to normal he won't turn it off until you tell him to just in case you want to enjoy the atmosphere for a while longer.

#vix fics #am ihnmaims #ihnmaims x reader #am ihnmaims x reader #ihnmaims #objectum #hal 9000 x reader #hal 9000 #2001 a space odyssey #edgar electric dreams x reader #edgar electric dreams #electric dreams #electric dreams x reader #tau x reader #tau movie #tau 2018

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happyhauntt · 7 months ago

Text

bury these bones — spencer reid.

writing masterlist | askbox

─── summary: spencer's day isn't anything more than average, but a surprise phone call and impromptu hospital visit have him rethinking his expectations.

─── pairing: spencer reid x autistic!medical examiner!reader.

─── warnings: fluff, a little angst, reader is autistic & a mom, no use of y/n. swearing. mild description of injuries (not serious), references to the 'lauren' arc of season 6, hospitals, this is mostly just flirting with a bit of background angst. i did do some research but honestly all facts & figures in this are probably Not Accurate and should absolutely never be repeated.

─── word count: 1.9k.

IT ISN’T OFTEN THAT SPENCER is the first one into the office. More often than not, Hotch is already at his desk by the time dawn breaks, and Morgan can usually be found finishing up in the gym. Nobody ever expects Rossi to arrive on time — he usually strolls in a little after 9:30 with his blazer slung over his arm and a half-finished espresso in his hand — and Emily maintains some semblance of a work-life balance by appearing no sooner than work is supposed to start, if she can help it.

The point, Spencer supposes, is that his routine usually falls comfortably in the middle and yet, today, as he emerges from the elevator and heads towards his desk, the bullpen is almost eerily quiet.

Bizarre, he thinks, setting his bag down by his chair. The BAU is so often abuzz with activity, the low hum of worker bees all in a hive slipping into background noise, that to see it so empty is… jarring, to say the least.

Spencer heads for the kitchen after a moment, ears ringing in the silence, and makes a pot of coffee before meandering back to his desk. A glance at the clock tells him that it’s still early, and as a mouthful of too-sweet coffee sits on his tongue, he reaches into his bag and draws out today’s paper, flipping through to the crossword.

Silence is golden, after all. If he’s lucky, he’ll beat his personal best.

He’s halfway through, about to move on to 6, down, when the phone rings. The shrill sound of it pierces the air, and Spencer can’t help flinching a little as it startles him. Eyes dart all over the bullpen, trying to locate the source of the noise, before they land on Emily's desk. The offending phone trills on and on. One of the lights blinks red. External call.

He discards the newspaper on his desk, tucking a spare pen inside so the page isn’t lost, and strides across the office to Emily’s desk to answer the phone. It won’t be the first time he’s taken a message for one of his coworkers, and he suspects Emily would rather this than letting the call ring out.

“Agent Prentiss’ phone.” His voice feels too loud in the sudden silence of the office, now that the ringing has ceased. “Dr. Reid speaking. Can I help you?”

“Dr. Reid?” The voice crackling down the line lilts with confusion, and his chest floods with warmth at the familiarity of it.

He can almost picture you, in his mind’s eye. The exact expression on your face as you hear him speak instead of Emily, the little scrunch of your nose, your head tilting to the side. It’s the same look you have when you find something strange inside a cadaver.

The same bewildered wrinkle appears between your brows when you’re on the plane after a case and Spencer’s trying to teach you how to play chess, and you start to laugh and tell him you’re hopeless, but his persistence is endearing, so you let him explain the rules all over again.

(You’ve only been part of the team for a few months, only accompanied them on cases a handful of times, but the sound of your voice is as familiar to him as the moon on a winter’s night. He can’t quite put his finger on when or how he became so attuned to you, drawn in the same way the moon pulls the tide, but he’s certainly not complaining.)

“I keep telling you to call me Spencer.” An amused smile tugs at the corner of his mouth.

You scoff. “That’s not professional.”

“Our technical analyst tucks fluffy pens into her hair, and on our last case together I walked in on you dancing to Abba in the middle of an autopsy. I think professionalism is a thing of the past.”

“Bite me, Dr. Reid,” you say, but your words are flooded with affection. “Where’s Prentiss? Why are you answering her phone?”

Spencer shrugs. “She’s not in yet. Anything I can help with?”

Silence. If not for the sound of your breathing, Spencer might think the call dropped.

Another moment passes before you swallow thickly, a quiet gulp that sends an odd zing skittering through Spencer’s nervous system.

“I need a favour and I don’t want to worry Jackie.”

From what he’s heard about your sister-in-law, Spencer thinks that’s fair. “Sure, what is it?”

“Can you pick me up from the hospital?”

Recent surveys conducted by NORC at the University of Chicago suggest that almost half of the American population dislike hospitals, so Spencer knows he’s not alone in his discomfort, but none of his facts and figures are helpful the moment he steps into the Emergency Room at St. Sebastian’s.

The clinical scent of disinfectant sends a thousand tiny spiders crawling up his spine. He tries not to gag but he swears he can taste it at the back of his throat. Spencer forces himself to pause near the door and shuts his eyes, just for a moment, to focus on the solid ground beneath his feet rather than the lurching of his stomach.

In his line of work, he’s no stranger to hospitals. To meandering through long, dim corridors in search of something to occupy his thoughts, of all the beige and stark white walls so bright it hurts his eyes, of lumpy hospital beds and IVs itching beneath his skin and that smell.

He was here, not that long ago. He’d wept when they told him Emily had died in surgery, and she’s fine now, but he can still taste iron on his tongue and sometimes it’s still hard to believe she’s alive until she walks through the door unharmed.

When he opens his eyes again, the ER is still the same, but the unpleasant churning in his stomach has started to subside. At the desk, he reels off your name, stuttering as he goes, before the nurse directs him over to Bay 3.

I was in a car accident. That’s what you’d said on the phone, and his whole body had gone suddenly cold even though you’d seemed oddly cheery, and he’d had to remind himself to breathe. You were calling, not a nurse or a doctor, so it surely couldn’t be that bad.

But he doesn’t believe it, not really. Not until he sets eyes on you himself. Not until he can see the truth right in front of him.

You’re sitting cross-legged on one of the narrow ER beds. The curtain is pushed out of the way, and he can see your shoes have been tucked neatly beside the bed and your socks have little mushrooms on them. You’re not in a hospital gown but jeans, and a laugh bubbles up in his throat because your shirt says ‘meaner than I look’, which is patently untrue in his experience — but he also files this away in the rolodex of reasons you should call him Spencer, because you were going to show up to work dressed like this, and he never wants to hear the word professional out of your mouth again.

He also wants to take a picture, kind of, because there’s something so endearing about the image. He’s often grateful to have an eidetic memory, but never more than in this moment. He wants to remember this forever.

Spencer clears his throat as he approaches. The smile you send him as you look up and notice him is bright and wide and it makes him feel all warm and happy, like a cat curled up in a patch of sunlight.

“What happened?” His gaze is wary as it trails over you from head to toe, quickly cataloguing all your injuries. You hadn’t explained much over the phone, and he hadn’t thought to ask in his haste to reach the hospital, but now his eyes snag on the bruise blossoming over your cheek and it’s all he can think about.

You don’t look too bad, all things considered.

The bruise looks worse than it feels. The collar of your shirt is speckled with blood, but the cut above your temple is shallow and sealed with two steri-strips.

All-in-all, it could’ve been worse.

“My tire blew while I was driving into work this morning,” you tell him as you tuck an errant strand of hair behind your ear. “The car spun out. All of this—” You gesture vaguely at your face, “was caused by the airbag. But I’m fine.”

It’s not that Spencer thinks you’re lying. It’s not.

But you can’t quite look him in the eye, and you’re wearing the same guilty expression you have when you pilfer the last of the coffee, so he’s not about to take your word for it.

A quick glance at your chart offers all the answers.

“You have a concussion!”

“A mild concussion! Mild! I don’t even have a headache!”

It’s a good thing you called him— or, well, Emily, rather than your sister-in-law. According to you, Jackie has been known to freak out over a paper cut. This might have given her a coronary.

Spencer frowns. “You needed a CT scan.”

“Precautionary measure.” A nonchalant wave of your hand follows your words. “I’m a doctor too, remember? I’m fine. Really.”

“They say doctors make the worst patients.”

You grin at him. “I already had a meltdown in the bathroom earlier. Scared a nurse. I think he wanted to sedate me but then he saw my lanyard and he took me to a quiet room to decompress. I’m good, I promise.”

The lanyard in question is covered in little sunflowers and tucked inside one of your shoes for safekeeping. Displayed on one side of the little plastic window is your Quantico identification; on the other, a little slip of paper Spencer suspects you made yourself, judging by the pink floral background and slanting script that I’m autistic and trying my fucking best.

The sight of it is familiar to him now, the same way your smile is seared onto his brain for eternity, but he recalls seeing it for the first time and chuckling. You’d offered to get one for him, too, gleefully declaring that you’re just like a sunflower, Dr. Reid, and there’d been so many butterflies in his stomach that he could have taken flight, then and there.

Now he merely hums, and shoves his hands deep into his pockets. Stepping back, he watches as you slip your shoes back on and shoulder your bag, having signed a release form not long before he arrived.

“Hey, Spencer?” Your voice is small, and the way you’re looking at him, all wide-eyed and wonderful, brings those butterflies back tenfold. He hopes the flush of his cheeks isn’t too obvious.

“Yeah?”

“Thank you for coming to get me. I’m really okay, I promise. I’ve had worse.”

His heart pinches.

He doesn’t like that you’ve had worse.

“Well,” he says, after a moment too long of staring at you, “mild or not, I’m not leaving you alone for the rest of the day. We’re going to follow the concussion protocol. 65% of people reported developing hearing and memory problems as a result of missed symptoms of head-related trauma last year.”

You’re watching him. The corner of your eyes are a little wrinkled. A fond smile toys on your lips. “I expected nothing less, Dr. Reid.”

#criminal minds #spencer reid #criminal minds fanfic #spencer reid fanfic #spencer reid x reader #spencer reid fluff #spencer reid imagine #criminal minds imagine #* chapter update.

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15-lizards · 29 days ago

Text

ASOIAF modern AU class/wealth distinctions bc in the wise words of Mod Sam from the Inn at The Crossroads Discord: “i love modern aus where theyre like oh yeah the lannisters are filthy rich and here's the starks, piling into a minivan to go to public school. they would not fucking do that”

Lannisters: Private jets and COO/CEO/CFO positions at the family company and plain white tshirts that cost $5000. 1% of the 1%. They’re the Roys we already know this no need to elaborate.

Starks: they’re a rugged type of Minnesota/North Dakota/Wyoming wealth. Land rich. Own ranches and mining operations and oil drilling companies. Ppl think they’re normal bc they look like average farmers until they get a tour of their 300,000 acres and private mountain. Seem down to earth but grew up breeding ranch horses, don’t really understand what a car note is, and Nedcat paid for all the starklings college apartments. Also wear normal looking vests and ranching jeans and boots that cost absurd amounts

Tyrells: masters at the “quiet wealth” bullshit. Wayyyy older money compared to the Lannisters, and aren’t aggressive/scrappy like them bc of it. Literal aristocracy like lords or barons or some shit. Multiple residences, family tradition of politics, and loads of passive income. Maybe run a newspaper or two and own some global shipping companies bc of their merchant roots or whatever. Margaery was at one of those international debutante balls for the ubër-wealthy.

Tullys: Not as rich as the Tyrells or Lannisters but still nothing to scoff at. Not upper middle class but more like lower rungs of the upper class. Family tradition of sending all the kids to boarding school (that’s where Lysa got pregnant 🙂‍↕️) and they have some nice yachts and the like. Have one really nice permanent house on the river, a summer house upstate, and an apartment in the city. Normal enough to blend in with most people at their school. Also made their money thru shipping lanes.

Martells: Southern oil barons. Nymeria emigrated over and immediately discovered oil on her apparently shitty piece of land. Thousands of acres dedicated to drilling and cattle ranching. Awful for the environment but greenwash the fuck out of their business. Good at being a man of the ppl despite literally being in the one percent. Very publicly donate to progressive charities and causes to offset the backlash they get from pay the people who work for them slave wages. People stan them on Twitter because they’re hot and not like other billionaires.

Baratheons: slightly newer money but old enough to have no excuse to act the way they do. Loud annoying displays of wealth. Made their fortune mostly because they were good at being overly aggressive when it came to the stock market or sales or smthn idk what they do. Robert buys an egregious house in Florida where him and some other rich repulsive republicans do Labor Day weekend on their yachts with women they paid to be there. Absolutely terrible at saving their money (except Stannis and kinda Renly) and quite literally have to have their accounts frozen by their investment bankers. Actively going bankrupt.

Greyjoys: Not even rich anymore. Had a sizable shipping company at one point before they got poached bought out by the Lannisters. Also they engaged in too much tax fraud and embezzlement so now no one wants to touch them with a ten foot pole. Still live in their dilapidated cliffside house that’s literally ab to crumble into the sea. Theon got to live with the Starks bc once the Greyjoys got audited Ned felt bad.

Targaryens: REAL old money that stretches back like at least 500 years. Have had multiple income sources over the years and almost all of it is blood money of some kind and extracted through violence :) Giant ass portraits of their ancestors in their multiple residences, they all speak Valyrian at home, and they don’t even go to school it’s just private tutors. Obscene wealth that isn’t even fathomable to most people. Famously bred race horses and hunting dogs for a while until there was some familial infighting about ownership of the racetracks and stables and that collapsed. Got audited and investigated twenty years ago and Aerys just killed himself instead of going to jail.

#not a single one of these ppl would send their kids to public school #not even Theon would go #just bc he’s a fallen angel doesn’t mean he’s not an angel 😔#asoiaf shitposting

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mschievousx · 6 months ago

Text

now and then | b.b.

pairing: benedict bridgerton x ofc, anthony bridgerton x ofc (platonic)

summary: loraine silva always knew she was not normal. she loves unusual things. she love her father's guns, horses, boxing, climbing a tree, falling from a tree, engineering, astronomy... oh, and a man eleven years older.

series masterlist

prologue

she stirred awake with a grumble, as she does most days—which is immediately replaced with a grin after ten minutes of simply opening her eyes and staring at the ceiling. another day, another number of various things she can do. and so, she wasted no time to freshen herself up.

as she stepped out on the streets of grosvenor square, her immediate touch brought radiance to the place. no, she was not a smiling fool nor was she greeting everyone. it was not that type of radiance. she hated that. yet, one can argue the opposite when she finally arrived at the bridgerton's house.

"'tis a fine day, is it not?"

"raine!"

the girl jumped up, her book forgotten as she put it on the couch and hugged the girl who's standing with open arms under the arch to their drawing room.

"oh, how i have missed you, eloise!"

"why do you both act like you were not together the entirety of yesterday?" colin voiced out as he read the newspaper, not bothering with any greetings. they have all long passed that. eloise sent a glare to her brother just as their mother arrived.

"loraine, darling!" she took the young lady's cheeks in delight, "how are you and your father?"

she smiled warmly at that. violet took it to herself to act as her mother-figure, given that their families were closely tied, "never been better, lady bridgerton."

the older woman gave her a look at the use of her title before leading her to a couch near the fireplace.

"are you well-prepared for tomorrow's start of the season?"

━━━ ✦ ❘ ☽ 【❖】 ☾ ❘ ✦ ━━━

"are you well-prepared for tomorrow's start of the season?

violet smiled as she asked her second-eldest daughter. eloise is well-prepared, she knew, in terms of physical and material aspects. internally, however, her daughter was having a fit, both of nervousness and fury.

"mama, i am very much prepared, but you should know that i am calling for all miracles right now so that i cannot attend tomorrow."

raine laughed, saying it's a good thing she's much prepared at the very least. her friend turned to her with a look of betrayal.

"you will be this next year, and i thought we're gonna be spinsters together!"

"no, that was penelope." she said as she stood up and dusted her dress, "when my season comes, i would very much like to marry, especially to that man dabbling on his pad."

she gestured with a head tilt to the man sitting near colin. they all need not turn to know who she was referring to as eloise rolled her eyes. raine chuckled at her reaction before another voice graced the room. well, not exactly grace.

"ugh, it's too early to deal with you."

violet turned to her eldest and immediately closed her eyes with a sigh before giving him a pointed look.

"anthony, it's already nine, and don't be rude."

the young lady turned to the source of the voice and grinned in an instant, clasping both her hands together in chest level sweetly, "i have missed you so much, anthony!"

"i don't share the sentiment." he replied with nonchalance as he took a biscuit and sat by his younger brothers.

"anthony will be marrying this season."

she paused for a moment, as if processing, before she broke out with laughter as she heard the words marry and anthony in the same sentence, but noticing the silence around her, she turned back to violet, "no... seriously?"

"why does it come as a surprise to everyone?" the man in question grumbled. raine finds herself nearing the eldest.

"but why the sudden change?"

anthony sighed as he swallowed the biscuit on his hand, "it probably has not come to your little mind that this family needs a viscountess. a viscountess is a lady that—"

"shush," he's lucky that's the only thing he got from her, given that she is to become a viscountess herself next year and he was mansplaining. she looked up in glee and clasped her hands again with true joy this time, "oh, i'm going to have so much fun this season!"

violet thinks that anthony and raine is a great pair and she would have been pushing for it already, had raine not been in love with benedict.

━━━ ✦ ❘ ☽ 【❖】 ☾ ❘ ✦ ━━━

"as much as i love you, lady bridgerton, i do not want to talk about anything with relation to my societal season and marriages."

kate and anthony entered the room, just in time for the debutante's antics. the matriarch sighed at the apparent lack of interest from the girl, while the latter broke into the widest grin.

"i would, however, welcome the conversation if i'm paired with benedict."

she turned to her other side where lies the subject, both of the topic and her affections, "speaking of which, will you marry me now, ben?"

the second-eldest son did not open his eyes from the sleepless nap he was having as a boyish smile made its way to his lips, "not a chance."

"ah, what a shame." she smiled at the sight of him before turning back to his mother with a clap, "well, there's always tomorrow."

#benedict bridgerton #bridgerton #benedict bridgerton x oc #anthony bridgerton x oc #benedict bridgerton fanfiction #benedict bridgerton x reader #benedict is a fox

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drdemonprince · 7 months ago

Note

Can you offer any (academic) writing advice for Autistics and ADHDers? You clearly write a lot and write very well and very clearly, so some insight into your process would be great. Personally, I tend to struggle with over explaining or over citing (cause I am always getting misunderstood) and that I get very fixated on not misrepresenting what my sources are saying to avoid feeling like I'm lying. All this is time consuming and makes it hard to say what I really want to say. Thanks!

Hi there! I've written an essay about a lot of this, here is the free link to read it on Medium:

Much of my writing process is inspired by the book How to Write a Lot by Paul Silvia, and it is specifically tailored to academics. The advice applies to people who write popular nonfiction or fiction just as easily, however. And he does have advice relevant to the self-editing and self-doubt you describe feeling.

The full piece gets into this more, but here are some of the stand-out tips:

Schedule a regular time to write every week and show up no matter whether you are feeling it or not.

Throw out all your magical thinking about what you "need" to be able to write. You don't need the perfect workspace, divine inspiration, the right pen, the right playlist. You just need to show up to write regularly, and do it

Editing, outlining, working with research notes, and drafting all count as "writing." Don't expect your initial drafts to be perfect or to equate writing only with getting new words on the page.

Try writing in public spaces to help get yourself in the mindset of explaining a concept to someone with a different frame of reference and type of expertise than you. Writing in a cafe or a public library can force you think and write in a more accessible way. (alternatively, you can pretend you are explaining the concept to a specific person in your life who you respect but who doesnt have all the same reference points as you -- sometimes this is called the "Grandma Test". Explain something like you are talking to your grandma.)

In addition to all this, I would add that you should read a lot of writing, both good and bad, especially work that isn't dry and academic. If all you read is journal articles, you'll write a journal article -- and most of those are hell to read, even for academics. read fiction. read bad wattsapp shipping. read substacks. read newspapers. read indulgent personal nonfiction in the cut or whatever. read reddit posts. notice what works and what doesn't. develop an ear.

and then write a lot! it took me 15 years to get good enough for anything i wrote to get noticed. you can expect to take many years to get comfortable developing your own voice, too. i dont know how far along you are, but even when you've made tremendous progress you'll only notice your flaws and feel the most turgid brain foggy moments. that doesn't mean you're failing.

also, to some extent you can embrace your citation-dense, precise manner of self-expression. we are living in a moment of maximalism and indulgent, long creative works. it's the decade of the 5 hour youtube essay and the 2 hour album. my 5,000 word essays do better than my 2,000 word ones. you should strip down unnecessary tangents and trust yourself and your reader a little more probably, but ive found that the more blatantly autistic and indulgent my writing gets the more the right people like it. a writer's flaws and their distinctive voice are kinda hard to separate. you're not for everyone!

good luck!

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immajustvibehere · 10 months ago

Text

Amidst a Crashing World (3/5)

Pairing: Arthur Morgan x fem!Reader

Summary: Arthur returns to your cabin after you presumed him dead. The time between your last meetings have lead Arthur to a realisation.

tags for this series: fluff, little bit of angst, no-tb-Arthur, literally your love redemption, maybe smut (but probably not), slow burn (but I mean how slow can a story really burn in five chapters?)

masterlist

Chapter 1, Chapter 2

6000 words

Sooner than expected, you heard of Arthur. Unfortunately, not because he sent you a note or stopped by again. As you rode into Annesburg three days after wishing him luck for the big score he had planned, the paper boys yelled through the town: "Saint Denis robbers still on the run! What happened to the gang of Dutch van der Linde? Find out in today's edition!"

Normally, you weren't too big on reading the newspaper, but this time…you hadn't never snatched it so quickly out of the boy's hand, leaving him to boast with the change you gave him. Hosea, dead. Lenny, dead. No account of any other names. You weren't sure who "a further gang member was arrested and awaits trial" meant. It only took a couple of days until everybody seemed to talk about it. Your main source of income being doing women's hair, you got a fair bit of gossip about the news.

Everything you heard from the ladies, took with a grain of salt. Either way, nobody ever mentioned Arthur by name. Your anxiety reached its peak when a rather well-off woman, not typically your demographic, had visited family in Saint Denis and brought an unsettling theory with her. Apparently, the most important members of the gang, including the leader, could have fled on a boat and drowned in the storm that was raging over the ocean the same night.

The "they have fled the country"-rumours were the most popular. Drowned in the ocean or not, the version varied based on who told you their theory. With every day you didn't hear the contrary and had no word from Arthur, you believed that you'd never see him again.

That was until one morning. You were working in your garden, busy with fixing the fence that had long stood neglected, when you saw a rider approach. Whether it was the hat or the horse you recognized first, you weren’t sure. But unmistakenly, the man on the horse that lazily trotted towards your cabin was Arthur.

You put your tools down and approached him, forcing yourself to walk calmly. The closer you got, the more unfamiliar he appeared. His beard had grown out, looking unkempt and way too long for what you were used to see him wear. Long strands of hair spilled out from under his hat. Arthur’s skin was darker than usual, even the unforgiving desert in the west hadn't left his skin as sunburned as it now appeared. Most of the red had settled into a golden-brown tan, particularly strong around the area where he cuffed his sleeves. For not seeing him for almost a month, this was quite a change.

A faint smile appeared on his lips when you reached him and walked next to his horse, leading it to your cabin.

"I thought I'd never see you again", you blurted out straight up.

Maybe a “Hello” or “Thanks for stopping by” would have been more appropriate, but the thought that had driven you insane the last three to four weeks just slipped out.

"I know. I'm sorry", Arthur jumped off his horse when you had reached your newly fixed gate. He looked at you, trying to take it all in. He had missed you; he had thought of you so much the last days and weeks, having you in front of him was a little overwhelming. But you looked like he remembered you. You weren’t wearing your fine clothes that you had worn when you caught him in your pond, but the worn jeans and shirt that had seen many fences painted and potted many plants looked good on you. It looked homely.

Arthur cleared his throat before he asked, "D'ya still cut hair?"

It was awkward...the ways he pronounced his question, the uncomfortable manner in which he scratched his way too long beard, seemingly unhappy with its new length.

Before you could answer, he added sarcastically: "Tried finding a barber on the Caribbean island but didn't came across someone I wanted to trust with scissors."

"Caribbean island?", you repeated questioningly, leading him into the cabin.

The tension between you felt peculiar. If tension were a tangible thing, you could have thrown a lasso and seemingly strangled it out of the air. But it wasn’t, so you and Arthur only struggled with finding your rhythm again.

"I came as soon as I could after returning...", Arthur explained apologizing, as if he had to rectify not visiting you sooner.

"Arthur. I thought you were dead", in front of your table, you stopped and looked directly at the man.

"'m afraid I have to disappoint", he chuckled, "Instead I'm here, asking ya for a cheap haircut because we lost...ten thousands in the sea."

"Ugh", you groaned, readying a chair for Arthur to sit on right at the table, "You sound so desperate, I might just give ya that haircut for free."

Arthur placed his jacket on a hinge next to the door and his hat on a free spot on the table. Again, it felt like he knew exactly where to place them, just as if he was coming home after a workday.

"Where d'ya want me, miss?", Arthur asked politely as if he had just entered a barber shop and there wasn't only one chair that looked prepared enough to serve as seat for his cut. You pointed at the chair a little absentmindedly, gathering your equipment and laying it out in the table in front of you.

"How short were you thinking?", you asked, walking around the seated man, ruffling his hair a little.

"Whatever you prefer", Arthur answered.

"What's that supposed to mean?", you asked, letting your finger scrape through his hair. His hair was wet at the roots, so you added surprisedly, "Did you just take a bath?"

"Might 've...", Arthur shrugged as if it was no big deal.

"You didn’t have to”, you reassured him, secretly amused by how endearing you found it.

"You wouldn't say that if you’d seen me before the bath. After three days in the Caribbean, killing half of the Pinkerton's agency and moving camp, you would have shot me on sight", Arthur joked, a bitter smile playing on his lips. Your answer was a soft chuckle.

After combing his hair, you repeated you question: "You're sure you don't want me to tell you how you want your hair done?"

"I trust ya", Arthur said.

"Mh, big mistake", you grinned. You caught Arthur's eye for a moment, and you could have sworn it was admiration in his expression. And trust, which honestly, was seldom for this man.

"I'll just cut it a little shorter than you had it when you first came to collect me", you said, waiting for his confirmation.

"...collect you and failed miserably at that", Arthur added.

"I thank the lord every day for that", you said jokingly. It was no laughing matter, though. You knew that as well as Arthur. The list of people the gang had lost in the last two months was long and you not rejoining was probably the only thing that had kept your name off that list.

You started doing Arthur's hair and one minute in, you decided to carefully pose the question of "What the hell happened the last couple weeks?". Arthur couldn't stop talking. He explained the plan of the bank robbery, explained when it went south. When Hosea was mentioned, he digressed a little. You too ended up sharing some anecdotes of the old man. You had loved him and felt a pang of guilt that you hadn't sent word to him that you were indeed fine. Hosea had been so kind to you when you expressed your wish to be on your own for a while, he had wished you the best and you had never even thought about sending a letter.

Then Arthur mentioned escape from Saint Denis. Your mouth went dry when Arthur recounted the storm, how he went overboard, nearly drowning and not knowing how lucky he was that he washed ashore on a beach. It was uncanny how some of the rumours you had heard mirrored the actual story.

Then came Guarma and everything that happened there. The return, the Pinkertons apparently following someone to Lagras and finally the move to Beaver's Hollow. They had been up there for a couple a couple of days now, and so much had already happened.

You listened, occasionally asked a question, but most of the time you were concentrating on not messing up the haircut. You had never heard Arthur talk that much before. Sober, that is. He can be quite a chatty drunk, but it seemed like he just wanted to get everything off his chest.

"How does that look?", you asked when you were done with his hair, holding a little mirror for Arthur to see.

His only response was a nob and a slight smile.

"Okay then", you spoke gently, "your beard's next."

The whole retelling of the last couple of weeks was what Arthur needed, but it killed his mood the same time. At least, that's what you though he was silent for. You cleared a spot on the table for you to sit on. It was way more comfortable sitting in front of Arthur while trimming his beard, but if you sat on a chair, you wouldn't have the height you needed.

You took a seat on the table in front of Arthur and noticed how his eyes immediately fixed on the ground.

"D'ya mind spreading your legs a little?", you asked. Despite the request confusing him a little, Arthur did as he was told and you put your on foot on his chair, so you wouldn't topple forward. Arthur tried his best to stifle the cough that worked its way up as he choked on his own saliva at this move.

"We're not going for a clean shave, are we?", you asked casually, trying to catch Arthur's eyes. He shrugged: "Whatever's easier for you."

You shook your head and began to trim his beard back to what you remembered he had the last time he visited you. Soon after you started, you noticed Arthur's cheeks getting warm and red. You were well aware that your cleavage was on his eye-level, probably the reason why he decided he was better off inspecting the floor. Meanwhile, you enjoyed gently tilting his head the way you needed it, finding no resistance from the man himself.

You talked only little, answering insignificant questions Arthur posed when the blade wasn't near his face, and he could actually move his mouth. You were almost done, only lining up his beard to give it an overall cleaner look, when Arthur said something out of the blue.

"Y'know, I been thinkin' about you. A lot," Arthur croaked, his throat dry all of a sudden.

"Mhm", you answered, not sure which direction that was supposed to go. You stopped shaving off the stubble on his neck when his Adam’s apple bobbed.

"Uh, I mean...", Arthur clears his throat, forcing you to stop the shave and look at him. Finally, his eyes found yours, "We're...uhm...friends, I hope." He forced a little chuckle that didn't sound genuine, especially under your curious gaze. You gave a quiet hum as sign of agreement.

"'s just that I...look, I understand if ya've found someone else. Hell, I took my sweet time and it wasn't fair how I treated you when you...", Arthur cleared his throat again, the words coming difficult to him, "when ya told me about yer feelings."

This was the point when your heartrate picked up and you felt your hands become sweatier. You had to put the blade down for a moment to wipe your hand on your shirt. Your mind was still caught on the line 'I understand if ya've found someone else'...like that had even been an option for you. For months you had tried to get over this man, then he came back waltzing into your life and you put your own ugly bounty poster on the wall as a reminder. And the you fixed the bedframe that he had fixed rather unsatisfyingly. You hadn't told him it broke the very same night he had “repaired” it. Nothing had changes the last year, you were pining as much for this man as ever...and yet, you didn't quite know how to react.

"I really like ya", he finally said, " I know well I don’t deserve it, but if ya wanted to give me another chance…"

"Morgan", you exhaled, "I got my boot between your balls and a blade at your throat...if you want to pull my leg I suggest you-"

"I mean it", and Arthur's gaze was so intense, this time it was you who struggled to watch him in the eye. You knew he wasn't lying. Hell, you hadn't really expected that he was just pulling your leg, you just said it to say something…to lighten up the mood that appeared so heavy again.

"Okay", you mumbled, barely able to disguise the tremor in your voice. Then you took the blade again, carefully turning Arthur's head upwards so you could better reach the hair you still needed to shave. There was this long and uncomfortable silence that neither of you wanted to break. You heard the birds outside, the blade scratching the skin and a heartbeat...if it was yours or Arthur's, you weren't quite sure.

Arthur thought that Guarma had been hell, but he found that your silence and okay was even more tortuous.

Finally, you were done. With a hairdressing brush you got rid of all the loose hair that decorated Arthur’s face. He gave you a slightly annoyed look as you tickled him behind his ears. Then you took the little towel that had prevented hair from falling into his shirt out in the garden to shake it out.

The moment you stepped into the cabin again, Arthur's eyes caught yours and they were demanding an answer.

"I've never stopped loving you", the words burned as they left your mouth. The towel was thrown over an empty chair. Saying the words out loud…it changed something. Because as long as you had only thought them, there was this slim chance that they weren’t true. But there was no backing-out now, no denying.

You continued: "But I can't...I won't rejoin the gang. I want to live here."

You said that because you knew that Arthur wouldn’t leave the gang for you, but you wouldn’t rejoin in either.

"Y/n...this thing is pretty much over", Arthur sighed. He was referring to the gang. He had alluded to it when he had recounted the happenings of the past weeks, especially breaking John out of jail and earning Dutch's disapproval. This was the first time he directly admitted it, "I want the Marstons safe...and the women...then it's done."

"Oh, so 'one more big score and then you can leave everything behind", you mimicked Dutch's voice. A tinge of animosity accompanied your words and this certainly wasn’t lost on Arthur. You couldn’t help but feel a bit unfairly placed in this situation.

"C'mere for a second", Arthur beckoned you, his eyes following every one of your movements until you stood in front of him, your hips brushing against the table. Arthur remained seated in his chair. Glancing at the man quickly, you congratulated yourself on having done a good job; his haircut looked sharp.

Then, suddenly, Arthur took your hand. It was such an unusual gesture, it alarmed you immediately. His hands were warm and rough, but not in an unpleasant way. Arthur held your hand lightly, as if he was afraid of hurting you.

"I promise this is the last time. In a week, we're going to hit a train with army pay. Wednesday evening. After that, I'm done", Arthur spoke earnestly.

"I can't-" believe you, you wanted to say, because you knew it had been the same story with Mary. You knew that once an outlaw means always and outlaw. Not even Arthur's word was enough to ensure that those bonds wouldn't bind him to his old life and to the gang.

"Don’t say nothing yet", Arthur interrupted calmly. He stood up and let your hand slide off his, as he walked to his satchel. He pulled out his journal and carefully put it next to you. With no hesitation, he opened and skimmed through it. You couldn't see most of the pages because he flipped through them so quickly.

"It ain't even half-way done", Arthur assessed, showing you the empty pages, "I'll leave that here 'n collect it in a week."

"What?", you questioned, frowning, "What if I decide to read it as a bedtime story?"

"'s nothing in there that yer not allowed to know", Arthur mumbled, "Contrary. Sometimes I think I'm much better expressing my feelings on paper. I've never been a good talker."

Silently, Arthur opened a page in his journal that had a little dog-ear. The left side was empty and only had smudges of pencil on it, on the right side there was this impressively detailed bounty poster. It had the layout of the bounty posters they have hanging all over town, obviously it wasn't printed, but hand drawn. You recognized your name, your 15-dollars-worth and then yourself, staring back at you. You hadn't imagined Arthur to be one to draw people, let alone portrait style. In the brush of his pencil you recognized that he might be more professed in sketching trees and animals, but it was a perfectly decent drawing of you. Hell, it was even flattering, compared to the atrocity they had on your real poster.

Arthur put the journal away, leaving it on top of a pile of books on your nightstand.

"I jus' need t'know if this is a place I'm allowed to return to", Arthur finally asked.

"Always", you replied without hesitation, your gaze still fixed on his journal. Is he trying in tempting you to read it? Because if that's the case, it was definitely working.

"So I won't be greeted with a gun in my face?", Arthur chuckled.

You sighed, taking a brush that stood abandoned in the corner of the room and started to swipe Arthur's hair out of the house. "If you're going to bring that up one more time, I swear I'll give you a reason to fear me", you quipped.

"Oh, I already fear you a great deal", Arthur said sarcastically.

You shot him an intense gaze.

"You staying for dinner?", you asked in between the sound of bristles scratching on wood.

Arthur shrugged, mumbling: "They won't miss me for another day..."

"Good. Then go hunt something", you asserted, gently shoving him outside by brushing against his boots until he took the hint.

"Yes ma'am...", Arthur mumbled, a hint of amusement in his voice. When you had successfully shoved him outside, you closed the door behind him, not without a bit of force. It left him slightly perplexed and wondering.

You had tried your best to hold your feelings together, but it had become a little much. Since Arthur's confession, your hands hadn't stopped shaking and you hastily put the brush aside, sitting down with your back against the door. There were so many feelings inside you that all needed to be addressed, but you struggled to even detangle them.

First and foremost: You had spent months pining for Arthur, only to be rejected in a cruel way and then again wasting months in trying to get over him. Just when you thought you were getting somewhere, he comes back into your life with a request that suggests anything but care for you. So, he leaves, and appears again. Then leaves again, presumed dead or out of country and now he's here again, asking for another chance as if you even had the power to reject him. You didn't know if Arthur would be able to make you happy. In a way, you feared it might be the opposite because there was still one score...one more score. He might die, or he might stay for another score, and another, and so on.

You stifled a sob. Scenarios played out in your mind, and they all converged into two possible outcomes, ending with Arthur dead or disappeared, disappointing you yet and yet again because one can't just stop being an outlaw. The 5000 on his head won't just disappear, presumed or actually dead - it didn't matter much.

"Son of a bitch", you hissed, mad at the situation.

You just wanted to be happy and find some closure for this surge of emotions that had held you hostage for months, if not years.

"Y/n?", Arthur's voice was so soft when he called out your name, you almost jumped in shock because you thought he had long gone hunting. But his voice came from right in front of the door.

"You okay?", he asked quietly.

"Yeah", you croaked, and it sounded anything but convincing.

"Ya sure?", he wanted you to confirm.

"I just need some time to think...", you whispered, trying hard not to sob.

"I'll stay close", you heard him state, then there were his steps leading away from the house.

For a while, you just sat on the floor. How to proceed?

By the time Arthur returned, the door to your cabin was wide open again, the sun shining inside. You had made your decision.

"I got us a rabbit", Arthur announced, "already skinned it. Figured it ain’t your kinda work."

You responded with an appreciative nod.

"It’s a real beauty”, Arthur grinned, a wisp of humour in his eyes, “or was, anyhow. I shot it with a small arrow so I reckon the meat-“ before Arthur could put the rabbit down on the table, you had sneaked in for a hug.

"Oh", Arthur stuttered, carefully placing the rabbit down. He lifted his bloody and dirty hands in the air to make sure not to get any dirt on you. Even though you wore clothes that had seen better days and apparently had been demoted to housework, he still didn’t want to get you dirty. Despite his desire to reciprocate the hug.

"Y/n…", he chuckled apologetically, "I need to get washed up."

At that moment, you suddenly looked up to him, your faces mere inches apart. He noticed your gaze drifting between his eyes and lips, then you leaned in, placing a gentle peck on his cheek.

The blush was immediate. Your hands instinctively found their way to his face and tenderly cupped his cheeks. They were just as warm as they had been when you cut his beard.

"I'm really glad you're here", you said, a smile playing on your lips.

"Yeah, I'm-" Arthur began, but you interrupted him with a proper kiss. It was a brief one, testing the waters if Arthur would be fine with that. As you pulled back slightly to assess his reaction, he didn’t hesitate a second, closing the distance between you once more. "I really …don't wanna get ya…dirty", Arthur mumbled between kisses. He could feel the corner of your lips curving into a smile each time you interrupted him. The man struggled to keep his dirty hands in the air.

The kisses quickly became more passionate, and when your hands left his cheeks, one to rest in the hollow between his shoulder and neck, while the other one boldly explored his chest region. It occasionally shifted to grab his arm and squeezing lightly.

Arthur mumbled your name warningly, twice. Then he couldn't help but put his hand in the small of your back, pushing you closer. His bloody hands would surely leave a mark on your clothes, but neither of you cared about that, as his hands became just as active as yours, sometimes cupping your cheek, at other times allowing himself to explore your body a little.

Arthur had just enough control to not place you on the rabbit, when he lifted you up on the table. When both of you became short of breath, Arthur rested his forehead against yours. Your legs had snaked around his, caging him in.

"Haven't done that in a long time", Arthur's voice was raspy as he tried to apologize for the somewhat sloppy make-out session.

"Me neither", you giggled and placed a final kiss on his cheek, "brushed your hair for nothing", you noted, looking up to Arthur's tousled hair. Your fault.

Arthur backed away a little, as much as your legs allowed him: "Christ." He had left signific signs of blood and dirt all over you.

"Mhh…", you hummed amusedly, "Ain't my fault you can't keep your hands to yourself."

"T'way I see it, darling…", Arthur smiled and tried to brush some dirt off your cheek with his thumb, "it's precisely your fault."

Arthur had headed to a keg outside to get cleaned. You decided to get cleaned up only after butchering the rabbit, as this would get your hands dirty again anyways. As the meat sizzled in the in the pan, you decided it was time to wash up as well. While you put the finishing touches on the dish, Arthur sat at the table, leisurely smoking a cigarette and observing you. He had asked if he could help you with anything, but you had declined, insisting that he had already done his part by hunting the rabbit. It was your turn prepare it.

When you plated the meal, it was really nothing too complicated, and yet, Arthur thought, for a free meal, it was perfect. You initiated a conversation; it was more light-hearted than the one you had when you cut his hair. The weightier themes seemed to have lifted from Arthur’s heart, and both of you sought distractions.

You told Arthur more about how you passed your days, gardening, drawing, riding into town. Really most of the money you earned the honest way, cutting hair and doing the odd delivery job for the grocery store.

It was frightening how easy it was to talk to Arthur. Two or three years ago, you would have never imagined, talking so freely to him. Though he'd always been kind, there was an air of unapproachability that had since crumbled completely after the heartfelt conversation you both shared.

The conversation where Arthur poured out his frustrations and regrets concerning Hosea's and Lenny's death, had brought a sense of liberation. It dawned on him how long it had been since he spoke so openly with anyone. Arthur leaned back into his chair. In front of him was his empty plate, opposite of the table, you sat within arm’s reach, chatting about an interesting traveller that came past your cabin a few months back. Arthur listened attentively, his eyes following the movements of your fingers skilfully rolling a cigarette.

Neither of you ran out of stories to tell the other. Arthur talked about people he had met on his travels, a clumsy photographer, a man obsessed with fast horses and racing.

You only realised how long you had been talking when the light in the cabin became sparse, the sun sinking closer to the horizon.

As the visibility waned, limited to the faint glow emitted by the burning tip of the cigarette, you finally rose to your feet to illuminate the cabin with the warm light of lanterns.

"I'll get my bedroll", Arthur announced, standing up with a grunt. He hadn't allowed himself to be this idle in a long time. All he had done today was sitting still for a haircut, killing one rabbit and then indulging in a lavish meal while engaging in easy conversation. His body had finally caught up with the stress of the last few weeks and he didn't know how to feel about how much his body ached. Despite the sun barely disappearing, Arthur would have been ready for bed. Funny, he thought, admitting one’s feeling for a girl could drain his strength that much.

At his announcement, Arthur noticed that you halted and were about to open your mouth as if to suggest something. But you didn't and let him venture outside.

When he took longer than anticipated, you followed him outside, only to find him leaning against the fence, his eyes in the sky. The sky was in this beautiful transition phase, going from hues of purple to a serene shade of blue with the first stars emerging in the east. You observed Arthur’s profile for a while, he didn't protest or showed any signs of being disturbed by your presence.

He was handsome. Something about his stature made you want to lean into him. But you didn't. Instead, you stood there, finding it hard to peel your eyes off him. Your lips quivered under the urge to say what you had thought earlier. After a big breath, you tried to say as casually as you managed: "I know my bed is too small for two people...but I was thinking if I put the mattress on the floor we could-"

"Y/N", Arthur interrupted you gently. He turned to look at you. Caringly, his hand found your shoulder, "It ain't right just yet."

Lying next to each other, cuddling, hugging, maybe stealing another kiss, you craved it badly. You finally had what you had desired for so long, you wanted it all at once. But Arthur knew that it would be unwise. He thought a lot about you, hell he did. And in his mind, he'd be too embarrassed to admit it of course, you had done way more than just kissed. But he knew it'd be wrong. He didn't want to fully commit just yet, and he didn't want to get your hopes up. It was genuine, when he said that the train robbery was the last score he wanted to do with the gang, but one train robbery is enough to get killed and he wouldn't dream about giving you this kind of pain. If he held it vague, if there was no sleeping close to each other, there was also no missing this proximity...if. Always if.

"Fine", you sucked in a little air, "but you take the bed then."

The two of you headed inside, Arthur with his bedroll clamped under his arm.

He shook his head: "It's your house, I can't jus'-"

"Exactly. It's my house, I can sleep in the bed every damn day. Besides, I don't figure you had a proper bed on Guarma, did you?", you teased.

"No, but-"

"Neither do you have one in camp so please- accept it", you looked up at Arthur rather desperately.

"Fine. You don't come complainin' to me if yer back hurts tomorrow", Arthur quipped.

"Oh, I'll definitely complain", you grinned. Arthur gave you his bedroll to spread in the corner where he had slept the last time. Arthur had sat down on the bed and watched you quietly as you readied your sleeping corner. When you glanced back at him, it was evident how weary he was, his eyes barely open, sitting up only out of politeness.

"You don't have to stay awake for me", you smiled, leaning against the table and studying the exhausted man. You noticed how tired he had become during your conversation. He had at least supressed three yawns.

"I jus'...haven't seen ya for so long, I don't want to waste that time with sleeping", Arthur explained. You found it cute he thought that way.

"You're not wasting anything", 'because we'll see each other again in a week, right?' you added in your mind. "I have this book I want to finish anyways, you just rest", you assured him.

You waited until he had settled in, exchanging a couple laughs about how unstable your bedframe was, and then you did the dishes. It didn't take you long, but Arthur was asleep when you had finished. He was turned towards the wall. On the nightstand was his journal. He had put it on top of the book you were currently reading. You took the book and settled on the bedroll.

You woke up to the sound of the bed creaking and blinked at Arthur, the first rays of the sun casting a warm glow on his frame. At some point during the night, he must have woken up and shed his clothes, as he now rested in the room clad only in his unionsuit.

"'m sorry, darlin'. I didn't want to wake ya", he apologized his raspy morning voice.

"It's okay", you yawned, forcing yourself to throw off your blanket to stand up, "I'll make some coffee."

In a couple big steps, Arthur was at your side: "You sleep some more, it's my turn for breakfast." Arthur squatted next to you and tugged you in before you could protest. You forced your tired eyes to stay on his face and not venture further down, pondering what the thin material might reveal.

When Arthur shot you a content smile, seeing you were up for no protest, a wave of panic washed over you.

"You won't just leave, right?", all of a sudden, you were wide awake.

"I won't", Arthur assured you.

"'cause if you do-", you started, a yawn interrupting your threat. Arthur chuckled at how cute and innocent you looked, happy that your yawn cut off before you could destroy that innocence with another gory threat.

"I'm way too scared of what you'd do", and then, to your surprise, he kissed your forehead. You only relaxed when Arthur had stood up again and indeed started to set up coffee. You were soon off to sleep again, only woken when the sizzling of fat in the pan woke you.

Arthur had made eggs. You ate in silence. A couple of times, Arthur tried to start a conversation, but you weren’t in the mood. He’d be gone in a couple of hours and you’d be left wondering if he’d ever return. Arthur knew that this was what was plaguing you, but he didn’t find the right angle to approach you.

You both did the dishes together, you helped Arthur by saddling his horse and then he had mounted it, looking down at you.

“Ya ain’t so happy about the prospect of me returning in a week, ‘s that it?”, Arthur joked.

“No”, you answered dryly, “I ain’t so happy about you leaving for a week.”

Arthur sighed and steered his horse closer to the fence: “Climb up here, I gotta tell ya something.”

Rather unwillingly, you climbed on one of the horizontal planks that kept your fence together. Arthur offered his hand for support and as an excuse to pull you a little closer. He kissed you, gently, on your lips.

“I promised I’ll be back, didn’t I?”, Arthur mumbled. He wasn’t convinced, and neither were you when you whispered a dire “Yeah..”

You didn’t like the good-bye kiss. In fact, you wished he hadn’t done that. It hurt even more, seeing him disappear between the trees in the distance. For a while, you stood there helplessly, wondering what to do next. Minutes passed before you ventured into your cabin, distracting yourself with some cleaning before your eyes fell on Arthur’s journal. You noticed a piece of paper sticking out. Without thinking, you opened the journal and the loose paper floated to the ground. You didn’t even bother picking it up, your eyes caught the first word written on top of the page. It was your name, written in Arthur’s familiar handwriting.

“Hell no”, you kicked the paper under the bed before you could read any further. You weren’t up for some heartfelt “Good-bye, in case I die I want you to know this”-letter. Frustration and anger bubbled within you as you scrambled into your good jeans and crammed your revolver into its back pocket. With a swift motion, you picked up your hunting rifle, mounted your horse and started to follow Arthur’s track.

-x-x-x-x-x-x-x-x-x--x-x-x-x-x-x-x

next chapter: here

Shoutout to @little-honeypie who basically wrote the confession scene. I wouldn't have ever finished this if it weren't for them <3

taglist: @photo1030

taglist for this series: @pinkiemme @loveheartarthur @twola @shiokitsune @missredemption @kakashiislut @thewalkingdead1463 @yyiikes @renwai @walk-in-sunshine @rdrlady @ivybeeloved @trinswhimsys @reddedmiller @chiefqueefsosa @sauvignon-velvet @mrsarthurmorgan @readingcoco @pookiesnatcher @gloomdoomraccoon

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