#and how much i know they care about me

[mimimar]

my little one

(art prints)

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[delicourse]

i miss them a little if im gonna be honest

[afterthelambs]

In another (happier) world, I think Muhen would've been Akechi's Sojiro. Akechi would've lived above Jazz Jin just like how Joker lived above Leblanc. Muhen would've taught him how to make the drinks and close up at night. They would've bonded over music. And Akechi would finally have an adult looking after him. Because Muhen does care about him in-canon. He's the only character in the epilogue that mentions Akechi, he notices who Akechi spends time with, and he wishes to see him again.

It's so sad that Akechi assumes nobody cares about him or wants him around and yet this random jazz club owner does. Do you ever think about Muhen seeing Akechi at the Jazz Jin sometime in December, not knowing it would be the last time he ever would

[elllteo]

forever thinking about how marcille and laios have such a richly weird and funny friendship dynamic that people I see tend to write off as "god she hates his ass" but in reality it's the frustration of one neurodivergent weirdgirl to another neurodivergent weirdboy who has no concept of masking, has never had to mask, and simply doesn't know how to mask making their entire group come across as "the weirdo freaks" despite her best efforts to not be labelled as "weird" probably her entire life

[skateboardtotheheart]

there is just something about the difference between edwin's love interests and having the cat king's reaction to edwin in hell being "i'll be waiting when he gets back" vs charles "no version of this where i don't come get you" rowland convincing a powerful trans-dimensional being to open a door to hell just so he could get him back

i am insane

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[gd-dollopole]

There’s something so sweet about this scene. Not only Arthur is surrounded by his knights, his friends, he still can’t seem to forget there’s someone missing.

And the way he approaches Merlin is nothing funny or sarcastic: it’s pure concern, it’s love, it’s respect.

Merlin admits he’s scared, without thinking about it twice, because yes, this is Arthur, the same man who makes fun of me on a daily, but he’s also my best friend, the man I love, and who I could lose, but I can’t tell him, but, oh God, if he needs to know I don’t want him to die. I’m the most powerful warlock on earth, yet I’m scared of Morgana, because she wants to kill Arthur, and I’m weak when it comes to him, I’m scared I won’t be able to protect him as I should (especially since Merlin has heard the prophecy that spoke of Arthur’s bane).

I like Arthur’s stunned face. Merlin is referring to his life. “You don’t care you could die?” And not only Arthur is shocked by it, because he thought Merlin knew his reasonings by now, knew that Arthur would never risk losing his knights, losing Merlin. But Arthur doesn’t care as long as his men are safe, as long as Merlin’s safe (because, let’s be honest, this conversation is nothing but a way for them to tell each other how they feel towards one another, without exposing themselves to the danger of this revelation). And Arthur needs to make something clear:

“Only about you.” Because Arthur brings Merlin everywhere like he’s a solider, a warrior, someone who knows how to fight with a sword, who’s an asset to Camelot and the kingdom itself, so he considers him an equal, someone he can sit with on a lower step and chat with about his fears, because he can be vulnerable with Merlin. Arthur knows he’s safe with him.

Arthur includes Merlin in his speech, and this is something that could mean, “Oh, so Merlin isn’t a friend, isn’t a brother, he’s so much more.” This scene is so impactful, because it’s one of those rare moments where Arthur shows how deeply he can love, how much risk he’s willing to take to bring peace to his kingdom and to his people: to the ones he loves.

And he knows his knights, he knows Merlin won’t abandon him, because he has never done it, and Arthur truly believes Merlin has no reason to do it now, even if he’s scared. It’s as if Arthur is asking, just to make sure, just to have the confirmation that they think the same of it.

And they do:

I wish I didn’t understand how much I’m willing to risk, and have already risked for you. Because this is why I’m here: for you and only for you.

The self deprecating smile, because Merlin can’t back down, he never will. He’s so frightened, yet not even the prospect of battling against Morgana and her army will make him run.

He has Arthur to protect.

The way he smiles, it’s as if he’s saying, “Why didn’t I understand this sooner? Arthur’s just like me.” But it’s the fact that they told each other this, they know now, after ten years, that they’re willing to do anything and more for the other to stay safe, to be alive, even if one of them isn’t.

Merlin tells Arthur. He watches him intensely, because Arthur needs to understand. He’s honest.

Arthur gets it, and he’s finally happy. He’s relieved that Merlin won’t abandon him, that he will stay by his side, like he always is, protecting him, fighting with him, and helping him.

Arthur smiles at Merlin like he’s seeing him for the first time, and he falls in love with him just that tad bit more.

[rbvcdeluxe]

something something max's main color being red with blue highlights something something grace's main color being blue with red highlights something something motivations something something alive and dead something something

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[bixels]

Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.

Breathes in.

I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."

We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.

We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.

By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.

The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.

There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.

I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[arachnerd-8-legs]

really disappointing that bunjywunjy had to be pestered twice just to quietly remove their reblog after using their huge platform to encourage garbage like raving about the lesbian estonian soviet flag and how 'new pride flag just dropped' so people could go 'ooh pretty' about a flag that was forced onto us by ppl who wanted our culture gone and oppressed us for about a century in total if not more.

to say nothing or not show anything of the truth about that flag and quietly remove the reblog felt more like it was done out of obligation (and you didn't agree) rather than care for the subject matter that is still a fresh wound in our country's memory. it's only been 33 years since it ended.

I'd rather you make the mistake about something you didn't know (eastern european history is easy for westeners to overlook, because we're not a big country like them, we're not england or france or spain or germany) and admit/apologize for said mistake or even just outright state that you don't actually care rather than say nothing and quietly remove something so that people would stop talking about it

[imminent-danger-came]

2x02 // 3x01 // 3x03 // 3x13 // 4x12

Team huddle!

[ipostmysimpingstuffanonymously]

They both lost their team and their teacher....