#and his talents are only 6/7/6

[seri-tonin]

My Alhaitham's and foliar incision's current stats <3

[hyacinthsdiamonds]

"Imitation is the sincerest form of flattery that mediocrity can pay to greatness.”- Oscar Wilde.

[no1ryomafan]

hate ever since I finished giant robo yesterday my train of thought hasn’t been a critical analysis of what I consumed despite acknowledging both the show’s strengths and weaknesses and instead going back to my Imagawa Armageddon drama conspiracy board and going “okay no way in fuck he didn’t have Kei as Genki planned after the fucking family drama plot line in giant robo being similar to what we got in arma and it’s likely that the team got away with this idea after he left because they might’ve been in production for ep 4 but had to rewrite it and the show after onwards to fit the new direction”

or in simpler terms my brain activates “how do I make this about getter robo”

[staryarn]

What the dog doin

[coquelicoq]

matoba has to feel so smug about this though. 1) oooh he WANTS me he NEEDS me he has to have me so bad that hes gotta come in here and make a scene about it and 2) hes just like me fr...

crashes ur board meeting n drags u out by the collar but its fine bc youre the one always saying shit like "im looking for people i can use" ok lol. get used idiot

[5sospenguinqueen]

Post Tension | Charles Leclerc x McLaren! Reader

Summary: Back in the same country, Charles realises that the most important thing isn't winning; it's that he was wrong.

Warnings: Swearing, female reader, Verstappen! Reader. Tooth-rotting fluff.

This is the final part!

Part 1 || Part 2 || Part 3

Main Masterlist

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YourUserName just posted

liked by arthur_leclerc, kellypiquet and others

YourUserName something in the orange tells me we're not done

7,956 comments

User 1 excuse me, miss thing?!?!

User 2 not miss verstappen posting this on media day when charles and her were spotted in the background of each other's interviews

francisca.cgomes that silhoutte pic is serving 🔥

User 3 just me or does that bear have a ferrari hoodie on

User 4 he is not the love of your life. he is literally just a guy. hit him with your car

→ User 1 nah 'cause does anyone else think charles would run her off the track if she got ahead of him again

→ User 5 wtf that's his girlfriend? he wouldn't try and hurt her

→ User 6 he did push max in a puddle once

lilymhe @ alex_albon why don't you buy me this stuff

→ alex_albon because you don't support McLaren

→ YourUserName excuse me?!?! what is this betrayal

→ lilymhe @ YourUserName i can explain

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━━━━━━ ༻𖥸༺ ━━━━━━

User 7 mum and dad putting those cheating rumours to rest

User 8 y/n a stronger woman than me because i would've keyed his car for implying i was sleeping with my teammate

→ User 9 actually it was arthur who implied that

→ User 10 don't drag baby leclerc into this. he was fighting in the trenches alongside us for his otp

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scuderiaferrari just posted

liked by pierregasly, carlossainz55 and others

scuderiaferrari P4 and P8. A strong weekend for the tifosi 💪

tagged: charles_leclerc, carlossainz55

6,459 comments

User 9 i can't decide what i want to ride more

User 10 scoring some points in azerbaijan. well done, team

charles_leclerc why are you not posting the photos of me being #1 wag

→ YourUserName because this account doesn't post papaya, liefje

→ charles_leclerc no excuse

→ lilymhe because you are not #1 wag, clearly i am the only wag for @ YourUserName

→ charles_leclerc defamation

→ YourUserName @ lilymhe you tell 'em, bby

→ alex_albon i leave you alone for two seconds and you're stealing my girlfriend again

User 11 be still my beating heart

mclaren just posted

liked by charles_leclerc, georgerussell63 and others

mclaren P3 and P5. roll on the points for team papaya (ft mclaren's #1 wag)

tagged: YourUserName

7,321 comments

mclaren we apologise for interrupting your regularly scheduled papaya posts with a splash of red but you'll never guess who this racer was looking at to make him smile like that

→ maxverstappen1 sickening

→ charles_leclerc i am honoured to be awarded such a prestigious title by team mclaren

→ landonorris does this mean i can stop pretending to like y/n now?

→ charles_ leclerc @ landonorris no

→ YourUserName @ landonorris no. you're my emotional support pookie

User 11 so proud of our papayas. they did so good this weekend

User 12 i'd let y/n hit me with her car

liked by charles_leclerc

victoriaverstappen couldn't be prouder of you! 💕

maxverstappen1 just posted

liked by victoriaverstappen, kellypiquet and others

maxverstappen1 a disappointing dnf but very pleased for the less-famous verstappen 🧡

8,066 comments

redbullracing still made us proud. we'll come back stronger in france

kellypiquet well done y/n. p was cheering you on

→ YourUserName tell her i'm coming over for a pizza party soon! 🥰

YourUserName i swear he loves me really, guys

→ charles_leclerc well he threatened to run me off the track if i didn't fix things so i'd say he does

→ maxverstappen1 for legal reasons, this is a joke

→ YourUserName ah, so that's why you apologised. not because of your undying love for me

landonorris feel like that should say the more talented verstappen

liked by YourUserName, charles_leclerc

danielricciardo don't let this fool you. the man was close to tears when y/n was p1 with just one lap to go

→ danielricciardo and then cried when her tire burst

→ danielricciardo and then cried when she finished p3

→ maxverstappen1 i'll sue you for defemation

→ User13 the Grid seemed to have learned a new word this week

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YourUserName just posted

liked by landonorris, maxverstappen1 and others

YourUserName ik houd van je

tagged: charles_leclerc

6,124 comments

charles_lecerlc je sais

→ YourUserName never going to let me forget that one, are you

→ charles_leclerc no

→ maxverstappen1 no

→ danielricciardo no

→ landonorris no

→ arthur_leclerc no

→ pierregasly no

→ victoriaverstappen no

→ lilymhe no

YourUserName how about everybody get off my dick

→ YourUserName my only friends here are the lovely ladies thirsting over my hot boyfriend with me

→ User 14 you tell 'em, honey

charles_leclerc just posted

liked by landonorris, redbullracing and others

charles_lecerlc as the people on twitter say, i would let y/n hit me with her car

8,593 comments

maxverstappen1 my eyes 🤮

→ charles_leclerc look away! i was going to block you for this

→ maxverstappen1 block me forever

YourUserName wow, not even a tag.

→ charles_leclerc everyone knows who you belong to, mon amour

→ YourUserName yeah, the guy who invented ice cream

→ landonorris @ charles_leclerc at least you know what to do if the racing thing doesn't work out

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Thank you for all the support shown on this series. I never expected such a response when I posted my silly little fic.

I've had so much fun making these. I have a few more ideas coming up but not loads so if you have any, please do request and I'll try my best to do them justice! <3

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Tag list: @mehrmonga @luvsforme @lemon-lav @missenclod @halleest @formula1mount @k4marina @evie-119 @letmeseeyougotowork @sleepybrokenmelle @eiaaasamantha @tinyhrry @janeholt3 @allywthsr @callsignwidow @raizelchrysanderoctavius @prudyhoo @valentinanappipage @leah-also-known-as-creatoronwp @delululeclerc @e-nonsense @scott-mccall-could-lift-mjolnir @butterfliesflyaroundmymind @bloodyymaryyy @kqliie @lifeless-firefly @woozarts @silverxxs-world @personwhoisther @eugene-emt-roe @anthonykatebridgerton @qualitygiantshoepsychic @entr4p3 @carpediem241108 @forevercaffeinated-lee @xyzstar @theendofthematerialgworl @geniusalpaca @chfiosr

[zara-renata]

Hi, I write fanfiction about Love and Deepspace. Currently Sylus-dominant (heh), although I love and appreciate most of the LIs. Full summaries and tags are in each link.

The Sylus series

Part 1 Alike and cornered beast, Sylus's POV | ao3

I was desperate for Sylus's point of view during the first time that MC meets him in the Alike and Cornered Beast chapters of Long-Awaited Revelry. I wanted to know why he touches MC so reverently but also quite brutally, so I spent a lot of time thinking about possibilities and this is the result.

Part 2 Roleplay, undercurrents, and rising curtain, Sylus's POV | ao3

MC has PTSD from chapter 4 (you know the one), and no one can convince me otherwise, so I re-wrote the auction bits from Sylus's POV to fix this grievous oversight, because I am also firmly convinced he is a champ at handling MC's trauma.

Part 3 No way out, revised | ao3

I thought that MC was too mean to Sylus in his 4 star No Way Out card, and I didn't like it, so I fixed it. I mean, I rewrote how it went like a proper rabid fan.

Part 4 Datura tea, or how all you want is to get some sleep | ao3

You're suffering from insomnia due to untreated PTSD (probably, I don't know, I'm not a doctor or a therapist) from your family getting, well, exploded, and the longer this goes on, the sloppier you become in combat and just existing, and a bad idea is born.

Part 5 Sylus gets a headache | ao3

Sylus has secured the promise from you that he can use your place as a safe house if he's in the area and needs it. Sylus's definition of "need", it turns out, might be different than your own, as illustrated by the first time he shows up unannounced at your door.

Part 6 Wine time with Sylus | ao3

Sylus invites himself over, helps himself to your first aid kit and your kitchen, manipulates you into tasting wine with him, discusses his latest business venture, and gifts you more than one present before he's good and ready to finally leave.

Part 7 Sylus's guide to hiring, or Wine time with Sylus: his POV | ao3

Sylus mulls over all the data he has managed to collect regarding his sweet little hunter so far, and spends some time considering mistakes he's made and his plans for the future. He also hires a new employee and is required to teach the twins to mind their manners in front of guests he's trying to intimidate.

Part 8 Not my type | ao3

Sylus pesters you on your day off while you're at the arcade until you agree to "lend your talents" to him for the evening. So of course you show up at the designated location only to discover it's a nightclub, and you're dressed for a murder, but not on the dance floor.

Part 9 Sylus makes a deal | ao3

Sylus answers some questions, receives dating advice from a dubious source, makes a deal you can't refuse, receives a birthday invitation, and plans to take you home for the night.

Part 10 Even the rocks on the roadside in the N109 Zone could tell | ao3

Sylus makes one final miscalculation. You wake up from a nightmare in a place you weren't ready to revisit. Sylus has to reckon with the inevitable consequences of how he treated you when you first met him, but you're paying the higher price.

Part 11 Even the rocks on the roadside - Sylus's POV | ao3

Sylus tries to get some paperwork done in his office while you sleep. He receives a call that turns his night upside down and makes him regret some strategic choices he's made up until this point in conquering your heart.

Part 12 Q&A with Sylus Qin | ao3

Sylus cares for your injuries and feeds you a meal. After he shows you a part of his home that you didn't know existed, you finally ask him why he was so cruel to you when you first met him. Sylus does his best to answer with as much honesty as he can right now.

Part 13 How you learned to stop worrying and embrace Sylus Qin | ao3

Sylus reveals his latest little plot and makes you an offer that you ultimately can't refuse. More lying around talking in different beds with Sylus Qin.

Part 14 The dream, the tie, the tour, the dream | ao3

You have a good dream, get a guided tour of Onychinus's base by the chaos twins, talk yourself into being sad again, and then have another good dream

Part 15 The right hand, the left hand, the heart of Sylus Qin | ao3

Sylus meets with his legal counsel while the twins give you a tour of the base, you wake up from a dream, Sylus wastes some eggs, you attempt to get to know Sylus better, and you have your first 'date' with Sylus Qin.

Part 16 The pool | ao3

You dream, you do some art, you go for a swim, Sylus destroys part of his office, you discover the hot tub, you're close to catching a clue. A 'morning' in the life at Onychinus HQ.

Part 17 And everything that is now already existed then | ao3

Sylus shows you his favorite parts of his house, you are haunted by a strange feeling of familiarity, you spend some time with the twins and Noah, you learn about the bet they had going.

Sylus standalones

Control: a Sylus series interlude | ao3

You are feeling a bit depressed after completing a mission that didn't go 100% the way you wanted. Mephisto, and then Sylus, pay you a visit to cheer you up.

Creature Feature with Sylus Qin | ao3

You and Sylus dress up for a Halloween gala. This is a short little Sylus series interlude, occurring after these idiots finally get together.

Goodcat code, or how you learned to care for your catboy | ao3

Your crimelord boyfriend disappears for a week, you make yourself sad listening to breakup songs, you learn that he got turned into a catboy, you get assigned a mission on the worst cruise ship ever, undercover shenanigans ensue.

Would you love me if I were a worm drabble

Xavier

Sleepy time with Xavier | ao3

You suffer from chronic fatigue and worry that Xavier is only placating you when he says it's fine on the occasions you're too exhausted to follow through on plans together. On one such bad day, he reassures you in a way that you can no longer doubt.

[yourfavoritehouseplant]

I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character. 

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along. 

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

[genuinelyshallow]

I think we all can agree that Sae would be horrible with fans

However,

I have a set in stone headcanon that he's fantastic with kids in general, and especially his fans.

Look, the boy was already a more reliable babysitter than most adults when he was 7-ish, and most of us believe he's cold on purpose to Rin. So, his children-handling talents are definitely still there!

Imagine him ignoring the older fans who are pushing and shoving to get him, but he spots a small child squeezed in the middle, and he stops, stares down the older fans to make way to save the kid from the clutter, and only gives his autograph to the kid.

He would go on his knees to talk to the children eye to eye. He smiles at them when they say they want to be like him (the smile shocks the media )

Before long, the fans waiting for him outside are mostly children.

It makes the 1# trending on media when a black haired 6 year old runs towards him, and Sae gives him a quick hug. No one knows what the boy said. ( The boy looked so much like Rin, and he said he loved Sae. He couldn't resist ok?! )

[zweiginator]

college!patrick corrupting innocent reader……………… gawd

thinking about this but like. him bringing art in. needs his best friend to enjoy this too!!!

oh fuck because i'm thinking that patrick wants to teach you how to give head. the only problem is that he doesn't trust himself. he knows as soon as you're swirling your tongue around his tip and moaning around him with those big watery eyes of yours--he'll start fucking your throat. he can't control it and it makes him want to be the guinea pig so much fucking more. you're such a good little student; he knows you'd take it like a champ. but he'll be good.

you don't realize patrick has an agenda here. that he has strategically thought out everything he wants to teach you and put it in the order that makes most sense. it feels sleazy to him that he hasn't even seen your pussy. hasn't felt that velvety skin against his tongue, your silky wetness coating his fingers or his cock.

but he assures himself that waiting will make it better. and patrick doesn't tell either you nor art what's on his little agenda. he just tells you to come over around seven. shoots art the same text.

so you both wait outside his door. neither of you have knocked yet. you notice how art's cheeks are dewy and pink, a mixture of his proximity to such a beautiful girl, and remnants from the five mile run he just completed.

you introduce yourself.

art wipes his clammy hand on the back of his grey t-shirt and slips his palm into yours

"i'm art. it's nice to meet you." his voice is soft. he's handsome in a way that is different than patrick, but you can't quite put your finger on why that is. maybe a fundamental difference in their first impressions with you.

patrick was unabashed in his actions. aware of his effect on other people. willing and able to use his charisma to get whatever he wants in a way that borders on manipulative but couldn't quite be classified that way.

art has more trepidation. but he still has confidence in the way he carries himself. his shoulders are back, his posture near perfect.

"are you here for patrick?" he asks, breaking the silence.

"yeah," you answer, looking at the time. 6:59. you and art are very timely. "he told me to come over at 7."

art fumbles with his phone, pulling it out of his shorts pocket. it's hard to see with the glare of the late spring sun, but he shows you the text patrick sent him. it's verbatim what was sent to you, and you tell art this.

"weird. are you guys dating or something?"

you shrug. "no, i don't think. just hanging out."

art knows what that means. and he chews on the inside of his cheek. his jaw pops.

"how do you know each other?" it's your turn to ask questions.

"he's my best friend." art knocks on patrick's door for the third time before crossing his arms over his chest. you sense more urgency in the way art is acting. "we grew up together, played tennis all throughout childhood and here we are."

"patrick plays tennis?" you notice art's t-shirt and hat. it's on backwards, but it's embroidered with stark white lettering. stanford tennis. "i didn't know that." you feel small, realizing you don't know a huge part of patrick's life. naive to his hobbies and talents and his best friend. maybe you overestimated your role in his life.

art senses your disappointment in how your voice falters.

"he's not a very open person. hence why we're both here right now. dumbass probably sent me the text by accident." art kicks the door. "pat! open the fucking door, man! it's hot out here!" the veins in his neck tremble as patrick flings the door open.

"come in, come in." he ushers you both inside.

so he really did mean to text art.

he sits between you both on the couch and puts his arms around you and art. spreads his legs wide and lets out a deep sigh.

you and art look at each other, confused. but neither of you speak up just yet; perhaps its a subconscious nod to the fact that patrick is in charge here. a way to foreshadow.

"she's pretty, isn't she artie?" patrick turns to his best friend and you see him flush a deeper shade of pink.

"um, yeah. she is." art responds.

you swallow. both of their legs are spread wide, to the point where you barely have room to fit on the couch. it seems rude, but then again, maybe patrick is doing this on purpose.

"and artie?" he turns to you this time; his broad, strong torso almost obstructs your view of art behind him. "he's handsome. lots of girls think that."

you nod. "yeah, he is handsome." it's innocuous enough. and you wouldn't lie, of course not.

"what's the deal here, pat?" art says it breathily. like he knows patrick has a trick up his sleeve.

"we've been having some lessons." patrick says, only to art, as if you're not there. "i taught her how to kiss."

your breath hitches. is he going to tell?---

"and i taught her how to give a handjob, just last week. her first one ever."

"patrick this isn't my business." art shifts uncomfortably, watching the clock on the wall tick, tick, tick.

"but there's still a lot to learn for her." patrick continues, unfazed by the obvious discomfort in the room, the shifted mood that seemingly affects everyone but him. because again, he's in power. it's his prerogative. and here you both exist, at his mercy.

you're awfully quiet, but you stay that way.

"i want to teach her how to give a blowjob." patrick says it as he picks lint from his shorts, like it means nothing. and it makes you want to do it. to impress him and stay on his radar. not to be a temporary plaything.

so you lean into patrick and press a kiss to his neck, open-mouthed at the part that makes him shudder and melt. but he pulls away from you.

"not on me, sweetheart."

you look at him, bewildered. art shares the same expression, except his jaw is clenched and a pearly bead of sweat trembles over his browbone.

"on him."

art can't pretend he isn't intrigued. maybe he should put a stop to this. put his foot down and say no to patrick. except he wants it. and god, he hopes you want it to.

art looks at you, his lips parted and pink to match the supple skin of his cheeks.

patrick watches you two. has a look on his face that reads well what are you two waiting for?

you crawl over patrick's lap so you're leaning over his body. using him like a bridge. your hands grip onto patrick's thighs until you find balance. art sits up straighter, meets you in the middle so patrick has a perfect view of your profiles.

art cups your cheek and pulls your bottom lip with his teeth before sucking it into his mouth. you feel his jaw move, opening wide so he can envelope you in an open-mouthed kiss that sets your body on fire. patrick watches spit dribble down your chins in a messy meld of kisses, of tongues, of hands all over each other.

patrick grabs your wrist, the one that rested on art's jaw, and plants it square on art's erection.

neither patrick nor you expect the carnal groan that emits from art's throat.

[rizsu]

the aftermath of being turned into an ex jujutsu kaisen — gojo satoru.

gojo's a man of commitment. if rounding up a ‘band’ to serenade you into taking him back is what'll do the trick, then he'll organize it.

+ extra. this is meant to be unserious dont attack me for mischaracterization n shi 😞

“we're done.”

“we are not!”

in the end, he got kicked out. due to the shame he felt by being kicked out of a house he once lived in, satoru actually leaves. don't party too soon though, he's going to come back within five hours.

the plan he had in mind was simple: go to the department store, buy some roses, a poster, led lights, a table, some chocolates, and hire a band. for this the budget will be endless.

you thought you got rid of satoru but little did you know that he still has his share of keys. with that trick up his sleeve, he unlocks the gate, sneaking in everyone and the props.

satoru wasn't able to hire a band, but he was able to get a substitute. you see, todo, inumaki, and yuuji have hidden talents. they can all play instruments and one can sing! he always knew there was a reason why he's proud of his students.

quietly, the four men set the stage that's actually your front yard. in the center holds the white table with a black satin cloth delicately placed on it. the three bouquets of roses sit beautifully on the table. some petals were picked out and carefully spotted as well. on the table's center held the chocolate and wine — your favourite wine, to be exact. the finishing touch is the led lights. they're circling the ground, illuminating it with a soft yellow glow.

at the right and left sides of the table are inumaki and yuuji. inumaki's holding a wooden guitar while yuuji holds the hand drum. todo's position is in front of the table but a little off-center. he's holding the microphone, ready to pour his heart out on the song.

the star, satoru, is the one in the center. one hand hides behind his back. it's holding another rose bouquet with hundred-dollar bills wrapped with the roses. his free hand holds his phone. as soon as the clock strikes 7:00PM, he's going to call you. everything should play out perfectly.

anxiously watching his wristwatch switch from 6:59 to 7:00, he immediately calls you. one, two, three, six rings later you answered.

“you. i forgot to block you.”

“excuse me?” satoru scoffs, “whatever, i'm not calling for that.”

“chop chop then. i don't have all night.”

“can you come outside?”

“no. i will be calling the police.”

“OH C'MON,” he whines, getting desperate. “please? after this i'll leave you alone. promise.”

“...”

yuuji painfully watches. he feels incredibly sorry for his teacher. he doesn't deserve this!

“i don't think this is going good,” yuuji whispers to the boys, moving his head side-to-side.

todo raises his fist, gesturing to the boys to have some faith. “let's put our hopes high.”

they watch satoru closely. his hand that held the phone dramatically dropped to his side. slowly, he turns his head to face the boys behind him. his face breaks their hearts. he's pouting with eyes nearing tears — a pain only males like them can understand!

before satoru can say something, the front door clicks open. as it swings open aggressively, you made yourself tonight's main star unwillingly. you were not dressed for whatever this occasion is. your front yard has been ruined, your ex is there, three of his students you've met a few times, and while they're in suits, you're in a fancy robe with fluffy indoor slippers.

your eyebrows crease together, just when did they do all of this?! maybe it's time to install cameras.

“satoru, what the fuck did you do to my—”

“shh, tonight it's just you and him,” todo cuts you off, switching the mic on and beginning his performance. inumaki tunes the guitar and starts stringing random strings in hopes that they sound good. yuuji follows by tapping a simple “dun-da-da-dun-dun” beat on the drums.

your mouth's now opened. baffled by the sight, you stood there motionless.

“i have died every day waiting for you~”

as todo sings, satoru walks up to you, cheekily smiling at your shocked expression.

you back away from him, eyebrows still furrowed at whatever's going on.

“darling, don't be afraid~”

at this lyric, satoru takes the opportunity to shove his phone back into his pocket and grab your wrist. although you attempted to wriggle free, you are no match for his strength. gently, he pulls you into the yard.

both your eyes lock on each other. you search his eyes for emotions, he searches yours for any signs of longing. it's not there, he thinks. he feels a pinch in his heart, but it won't stop him. sending you a wink, he pulls you closer to the table.

“i have loved you for a thousand years (ooh)~”

“seriously, what's all this bullshit?!” you whisper-yelled at him, using your other hand to point at the table.

satoru simply shrugs.

“i'll love you for a thou-sand more (ooh, yeah)~”

todo ends his singing, clapping along with the other two to end the performance. it was the most touching thing he's ever done besides gifting yuuji and his idol a trio matching keychains set.

satoru coughs three times in attempts to hide his laugh. this has probably been the most unserious yet serious he's ever been, but his perfomance doesn't end there. he still has something else to whip out.

“baby—”

“that's not my name,” you cut him off.

“anyway. as i was saying,” he stops, revealing the rose bouquet with multiple hundred-dollar bills. “all of these are yours.”

your eyes bulge, but you quickly regain yourself.

“i'm not going to be won over with some roses and money.”

“there's wine and chocolates too,” yuuji says, immediately shutting up after you shot him a look.

inumaki stands awkwardly. he feels immense second-hand embarrassment. to counter such feelings, he starts playing the guitar again.

satoru cups the side of your face with his hand. his thumb caresses your cheek as he locks his eyes on yours again.

“i was serious about not breaking up, y'know,” he softly speaks, “i know i'm pushing it and all that stuff but i don't think i can leave you.”

it's once again your turn to be speechless. at this point, you're sure that there's no way all of this is happening in one night.

since you won't take hold of the bouquet, satoru places it in your hand. to solidify it even more, he lifts your other hand to place a kiss on it.

“what level of romance is this?” again, yuuji speaks. this time, it's satoru who gestures him to quiet down.

inumaki's still playing the out-of-tune guitar, enjoying the way the wind gently blows. it's truly a beautiful night. under the full moon's light, you and satoru glow together.

todo gears up for another round of singing. he immediately does a dragged-out “ooh~” adlib. this, however, wasn't going to last as long as his previous one did.

“NO — no more, please. you have a wonderful voice but i've heard enough. please.” you turned around to todo, begging him to mute the mic and possibly himself.

“and you,” you turn back to face satoru, “clean this up, get the boys home safely, and then come back.”

after that, you walked back to inside your house with the bouquet, making it satoru's turn to be left speechless. he still didn't win you over with some roses and money (wine and chocolates too) but his stupid commitment to keeping the relationship is what did.

[lushrue]

hockeyteam!141 x figureskater!reader pt 2!

part 2 of this au finally! i'm so glad people like it! comment if you wanna be added to the taglist, already planning pt 3 so there will be more where this came from 💗

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8

your name was announced through the loudspeaker as you skated onto the ice, all covered in sequins and polyester. you’d always thought it was a little bit silly, the conventions around figure skating costumes. that fit that Margot Robbie threw in I, Tonya about the ridiculousness of it? yeah, you’d had a moment like that once or twice. the rough fabric scratched your arms, the glint of the sequins drew focus away from your expressions. but you still felt elegant as you set your mark at center ice, hitting your starting pose in the silence before the music began.

breathe in, breathe out. focus. momentum is everything, remember your character, focus going into your jumps.

in the moment before your routine started, you flicked your eyes up and scanned the crowd. it was something that you’d done ever since your first routine that you took to competition. usually, you were looking for your parents, their smiling faces and the flash of your mom’s digital camera. now, though, it became more curiosity, finding a spot to let your eyes settle when you weren’t looking at the judges’ table. it was then that you saw them. four big, brutish hockey players sat shoulder to shoulder in the stands. the one with the mohawk (soap, you remembered) lifted his hand to wave at you, only for the man beside him (kyle, you guessed from this distance) to swat it down.

the shock must have played out on your face, because you saw price smirk as your music began playing. you let the sound seep into your bones and just like that, it all melted away and you skated.

…

the four of them watched pretty intently for the first few seconds of your routine. price was focused on the placement of your body, how you kept your center of gravity in the middle at all times. he had to admire how precise you were in your movements, like you knew the physics behind all of it. for all he knew, you did. he could tell you were skilled and he liked that about you. talent recognizes talent, or however the saying goes.

kyle was simply admiring your choice of music. Moonlight Sonata, though basic, was like black coffee, he thought. a classic choice that never really got old, but so many things could be added to it to make it new and exciting. and watching you skate to it, he felt like he’d never heard it before. he watched your face more than anything else. you were so expressive, a story playing out in your eyes, and he soaked it all up. it was like reading a novel, and this one was a page-turner.

ghost was watching the lines of your body. it was like you were painting the air as you moved, each flick of the wrist and lift of the leg deliberate and purposeful. it all served to make a pretty picture. every now and again, he’d look at the thin lines your skates left on the ice, the swirls and curves detailing everywhere you’d been. much prettier than the harsh notches he left behind when he stepped out of the rink, he thought. just like you, they were delicate.

soap was far less interested in the artistry or skill of it and more focused on you. the way your hair moved as you spun on the ice, the way your costume clung to your skin. he couldn’t even act as if he wasn’t watching disrespectfully, thinking of what your body might look like under the spandex and sparkles. you lifted your leg and began spinning, and soap thought he might keel over right then and there. ghost nudged him as he adjusted himself on the bench, a silent gesture that told him to behave.

johnny gestured to price behind kyle’s back, getting his attention. “didn’t i tell ya, cap? a right beaut, that one,” he said, earning himself a flick to the head from ghost. price chuckled, turning his attention back to where you were winding up for a jump. two turns in the air and you landed perfectly. he knew you would, you talented thing. “yeah. a beaut,” price responded, a small smile curving his lips.

...

you skated remarkably, in your opinion. it was a relatively simple routine, but with every completed skate, regardless of skill level, came a sense of accomplishment. as you hit your ending pose, you made eye contact with your hockey players in the stands again. ghost’s face was unreadable from this distance, but you caught the pleased expressions of the other three as they clapped for you. soap had a glint in his eyes that spelled mischief and made something in your stomach tighten. kyle was looking at you like the artist you perceived yourself to be, almost how you imagined someone would look at their favorite painting. and price’s face had pride written all over it. you caught an almost imperceptible nod from him, as if to say well done.

you bowed to both sides of the rink and skated off the ice, a performer’s smile on your lips. it wasn’t entirely fake, not like it had been at some competitions. this time, it was born of the idea that four of the men you’d been watching, nay, pining after for a month were finally turning their attentions to you. for the first time in a while, you wondered what someone besides the judges thought of your routine. the worst part was, you needed them to like it. you felt the intense need to please them, keep them coming back for more.

the four of them found you in line for the concessions, grabbing a hot chocolate to soothe your cold bones in between programs. your free skate was coming up next and you knew you’d need a little pick-me-up before then. as you thanked the high schooler who’d poured your drink, you turned to walk away and almost collided with a wall of solid muscle. price, you’d realize as you looked up. “told ya we wanted to see ya, bonnie!” soap’s voice chirped from behind the broad shoulders of the team captain.

you glanced around him, noticing kyle and ghost stood off to the side. kyle was all polite smiles and ghost looked as though he was aware of how much space he was taking up, supremely uncomfortable as people brushed past him. soap was stood off to the other side of price, arms crossed over his chest. then your eyes turned up to the captain himself, feeling a sense of pride radiating off of him. you weren’t sure why; this was a man who barely knew you. but it made your stomach flutter all the same. “good performance you put on out there, love,” he said, the rumble of his baritone voice more compelling when it was directed at you. you’d seen the boys scramble to follow his orders before during a game, but you’d thought it was just his rank on the team. no, you realized, it was definitely the voice.

“thank you,” you replied sheepishly, clutching the warm styrofoam cup in your icy fingers. “i’m glad you all liked it.” kyle spoke up, stepping a bit closer to where you stood. “liked it? i loved it! you’ll have to tell me more about how you choreographed it, the musicality was insane!” “easy, garrick,” ghost’s voice rumbled from where he stood, a bit muffled by the black surgical mask. “don’t wan’ to scare off our pretty bird.” oh, you could get used to that. you spoke up, your eyes flicking between the four of them. “actually, i still have another program to skate.” you hesitated, almost worried you were being too forward. but then you continued. why not live a little, take some risks? “if you all wanted to stay, that is.”

you didn’t have to tell them twice.

taglist: @cadotoast

[lovelybeesthings]

Dancer

Coriolanus Snow x fem reader

Warnings: Smut, size difference

Context: what if Lucy Grey was forced to kill another tribute as it was down to the two of them and y/n kills Lucy and Snow gets caught with his actions of cheating and sent to distract 6 and meets the winner of the 10th hunger games?

As it was down to two tributes Lucy Grey and Y/n L/n Snow was anxious analyzing each step and preying hopefully Lucy could find a way to win as the snakes were close to Y/n she kept fighting, and her gorgeous hair looked still tactful she seemed innocent but her actions far from it using an axe and he own hands to fight back from dead tributes.

As snow thoughts raced he completely forgot to look at the screen until one sound came out a woman’s scream but..a voice he recognized, once he looked up at the screens he saw Lucy’s gray body lying with blood coming out from her body her dress and corset while the tribute who won y/n closed her eyes crying as she was almost disgusted with her actions and once she opens them she made sure to close Lucy’s a sweet act from a girl who used a salvage method to end another’s.

As he couldn’t look anymore he heard words coming out of the TV “I’m s-sorry, I’m so so-sorry” the girl cried out so innocently at the moment she caused him to snap out the moment he turned his head seeing her mentor cheer and some cheered for them while some watched the screen feeling sympathy for the winner.

As she got up wobbly her hands so slim and skinny were stained with blood from what she knew Lucy and y/n were a bit smaller poor young girls in a hunt and both had hobbies that they were talented about Y/n was credited for her dancing skills and sung a little. So only after the events, Coriolanus was punished for cheating by Highbottem and sent to be a peacekeeper in District 7 where the winner of the 10th games lived.

After settling down he heard from fellow peacekeepers that down at the hub, there was gonna be a little celebration for y/n she had been very popular in her district he'd heard that she truly their angle, and when she was reaped it made everyone devastated, and hopeful something that drew the line between the two Lucy Grey was a girl that was forgetful for distract 12 while Y/n L/n was a name everyone knew a girl who could not be forgetful.

As he went with some peacekeepers he saw her up on the stage in a lovely flower dress Brown boots with roses on them hair half up half down pigtails ribbons holding them she fixed the mic and went back to her bass roses crested on the base red and white which caught his attention soon the remainder of the members came out and the music started to play people danced smiling giggling though his eyes were drawn to Y/n and who playing the bass she had and another girl who seemed like her sister singing in the mic together as Y/n had a sweet smile this wasn't the girl who had murdered cruelly this was a girl who had to fight for her life for people she cared about in the arena.

As they soon changed songs Y/n hopped off the stage to dance with people on the floor a few young children older fellow and some peacekeepers… “would you like to dance Mister?”

He hadn't noticed her appear to him he was taller than the girl her hair was different from what he saw in arena hair (whatever your hair resembles color-wise) he was flushed with emotions but the only one he could think of was he was flustered “I uh don't know how to dance-” he said as he soon was interpreted with her sweet words that felt like honey “it's easy ill show ya” she says as she took his hands to the floor as the music played she put his hands on her hips and her hands to his shoulders and instructs his feet as he watches her boots and her dress and her hair in the wind as she dances he was amazed by her moves and her beauty at the moment.

His face was ridden with pink he was so happy at that moment and before he knew it she had slipped away dancing with the next person as he sighed the feelings she had left him were strong know something he felt with Lucy…but stronger than it as he realizes a ribbon was in his hand the ribbon she had in her hair he soon put it in his pocket and watched from the sidelines, she soon went back up to play her bass and sing.

Something he was surprised about was that she started dancing on the stage with her sister smiling and giggling then after that they wrapped up their instruments and got ready to leave before Coriolanus knew it his legs moved on his own she was on the stage packing her bass kneeling struggling to close the case “gosh dang it!” he was blushing as he swallowed his nervous and spoke “Need some help?” she jumped to the words spoken to her and turned her head softening to his words “Yes, please” he got down on his knees beside her shutting the case “I'm Coriolanus Snow” She beamed even brighter “Well nice to meet you Croyo” his face felt warm to her nickname for him

As he carried out the case for Bass she had led him to her home and when he placed it down he smiled as she began to say goodbye “Thank you again for bringing all the way home for me Croyo” She then tippytoed her boots and kissed him on his cheek and smiled blushing then shutting the door.

(Time skip)

Y/n had opened up about the nightmares and panic attacks she gets about the games and the haunting faces of the people she had to murder the most regret she had for Lucy Grey making her cry into his arms in the moment he didn't even care about Lucy grey he was more into the fact he was able to hold Y/n he felt bad but felt a need to make her always run in his arms aomoem she can turn to the only person she can turn to. He felt that it wasn't needed to tell her about his past in the Capitol he knew at one point he'd tell her but not yet.

“Croyo I want to take the next step in our relationship,” she says blushing not being able to look him in the face “All alright..” he says with a smug face but soon changes once she looks up at him as he runs light kisses down my cheek and jawline, his breath heated on my skin, making me quiver with happiness he began to unzip my dress leaving me in my custom undergarments with roses plastered on them I took him back a minute and then continued to take off his clothes until he was bare naked my eyes traced every bicep very ab and my face becomes red when I get to his “my little rose petal~” he says as I look back up to his eyes as he smirks and unhooks my laced bra and panties giving myself to him.

His hands began to trace the curves of my body and then study each other's mouths, savoring the sensation of each other's warm bodies pressed tightly against one another. He was now holding my breast in his hands and then began to Lick them and bite on the nip causing me to shiver and moan out blushing then His Dick pressed against the crack of my thighs, stretching my yearning pussy open for him the comfort of his touch quickly entered throughout my body.

He slowly sank inside me, filling me, his movements slow and steady. The feeling of his dick in me made me flutter as he was able to see his member in my stomach making me even harder the thrill of each thrust drew me closer to my release, the peak growing within me with each succeeding pulse of his body against mine.

As my eyes rolled back into my skull, his big cock buried deep within me, a loud gasp from my lips as he buried himself even further inside me, his balls smacking against me “Fuck you're so tight” he moaned “So close-e!” I moan as he nods and soon releases inside of me he kisses my forehead and falls on top of me as we both fall asleep to each other naked body.

“I love you y/n,” he says to me slumbering body waiting for a response then speaks again “You're mine forever I'll never let you go I've already made that mistake once I won't let it happen again,” he says possessive holding y/n in his arms and closeting his eyes.

THE END THIS A ONE SHOT

[novy2sirius]

Numerology by Novy

There are multiple numbers in your birthday. The most common ones being the day of the month you were born and your life path number. These two are the strongest numerical energies within you/your life (especially the life path number) but you also have other numbers too

Your Life Path #

Your life path number is the strongest numerical energy in your birthday and reveals your purpose. It can be calculated by adding your birthday numbers together then reducing them. The only time you don’t reduce them is if the total adds to 11, 22, or 33 because those are master numbers. There are also other special numbers other than master numbers that would have both the reduced energy and non reduced energy - 19, 28, etc

Some Examples:

• Alexa Demie born Dec 11 1990 is a life path 6 (December is the 12th month - 1+2+1+1+1+9+9=24-2+4=6)

• Albert Einstein born March 14 1879 is a life path 33 (March is the 3rd month - 3+1+4+1+8+7+9=33)

• Drake born on October 24 1984 is a life path 31/4 (October is the 10th month - 1+2+4+1+9+8+4=31-3+1=4)

Your Unreduced Life Path #

Your true life path number is calculated the same way as your regular one just not reduced. It can tell about a significant age in your life

Some examples:

• My mom’s true life path number is 31 and that’s the age she had me - which is extremely significant because duh it’s me ;)

• My true life path number is 17 and at 17 I learned about astrology which changed my life

Your Day of the Month #

The day of the month in which you were born is the second most important numerical energy in your birthday and reveals how to fulfill your purpose. You also must reduce this number as well unless it’s a master number

Your Attitude # (Month + Day)

Your talent number can tell about your talents and just other numerical energy you have in general. It’s calculated by adding both your birth month and birth day together

Some Examples:

• Druski born September 12 has a talent number 3 (9+1+2=3) which is the number of comedy and he’s a comedian who’s also known for being funny online

• Adriana Lima born June 12 has a talent number 9 (6+1+2=9) which is the number of extreme beauty which is why she makes such a great model

Your Month + Year #

This is another numerical energy in your birthday that can be calculated by adding both your birth month and year

Example:

• Jacob Elordi was born June 1997 and his is 5 (6+1+9+9+7=32-3+2=5) and 5 is the number of societal beauty. He is considered conventionally attractive. This is also the number of entertainment and he’s an actor

Your Birthday Month #

The month you were born is under looked and very important to check as well

Example:

• Theo Von is considered very funny to many people but has no 3 energy (the number of comedy) in his day number or life path however he is born in the 3rd month of the year

Your Birthday Year #

The year you were born can tell about your numerical energy as well

Some Examples:

• Marilyn Monroe born in 1926 a 9 year (1+9+2+6=18-1+8=9) was known for her acting and 9 energy indicates a talented actor

• Olivia Rodrigo was born in 2003 a 5 year (2+3=5) which is the number of entertainment and she’s a singer. It’s also the number of societal beauty and she’s considered to be attractive to society

Your Personal Year #’s

Your personal years tell what the theme of your year will be like. You have a new personal year number annually. The energy begins on your birthday and ends on your next birthday, so if your birthday is later in the year you’re not going to feel the energy as heavily until the following year, but you still will calculate it the same way. You find it by adding your birth month, birth day, and the current year

Examples:

• If your birthday is on January 1st, to find the theme of 2025 you would add 1 (cuz january is the first month) with the rest of the numbers (1+1+2+0+2+5=11) this would make 11 your personal year number for 2025 if you were born on January 1st. 11, 22, and 33 are master numbers, so if your total is one of these numbers you don’t reduce

• If your birthday is December 29th and you wanted to know the theme of 2024 for you, your 2023 personal year number would actually be more indicative of what 2024 is like for you since the energy begins on your birthday

Regular Month #

These aren’t as strong as universal month numbers, but are still important. To find this energy you simply reduce the month number

Example:

• January is the first month so it will have 1 energy. People will get into more fights, have more confidence, create new things, and work much harder during this month. This applies to October as well since it’s the 10th month and reduces to 1 (1+0=1)

Universal Month #

Add the current month to the current year to get the universal month number. This tells the energy of the month similar to the regular month number, but this is more powerful

Example:

• If you wanna know the energy of October 2024 you add 1+0 to 2+0+2+4 since October is the 10th month. Making October 2024 have 9 universal energy for everyone

Universal Year #

This is calculated by reducing the year and can tell the main theme of the worlds year in general

Examples:

• 2023 was a hard year for peoples health, good for gaining knowledge, and good for becoming more spiritual since 2023 reduced (2+0+2+3) is 7

• 2024 is a very karmic year and a year everyone will be receiving their bad karma if they’ve been a bad person since 2024 reduced (2+0+2+4) is 8. It is a good year for money making though

Your Letterology

Your name also has numerical energy in it. Each letter equals a number in letterology. You can use your birth name or nickname to find your energy. What people call you holes the most energy in my opinion. The letters go in order a=1, b=2, c=3, d=4, etc. There’s also capital letters that begin with A=27, B=28, C=29, D=30, E=31, and so on

Example:

• (Marilyn Monroe) Marilyn = 11, Monroe = 8, Marilyn Monroe = 1. Marilyn Monroe also has 13 letters in it and M is the 13th letter. 8, 11, and 13 are all fame numbers. 1 represents leadership which is why she’s one of the number one most famous people that ever lived

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Blue Lock XI

Starting Team

11 潔世一 ISAGI YOICHI

While he may not stand out in terms of achievements, technique, or physical prowess, his exceptional spatial awareness and positioning skills enable him to break through defences and score. Though he started from the lowest-ranked group in Blue Lock, he has steadily blossomed as a striker, evolving through fierce clashes with rivals and learning to draw out his own unique strengths.

ESP: Si bien no destaca en cuanto a logros, técnica o habilidades físicas, su excepcional capacidad para comprender el espacio y posicionarse le permite abrirse paso y marcar goles. A pesar de haber comenzado en el grupo con la clasificación más baja en Blue Lock, ha logrado florecer como delantero, desarrollando su talento a través de intensos enfrentamientos con sus rivales y aprendiendo a sacar a relucir sus propias fortalezas.

10 糸師凛 ITOSHI RIN

The ace striker of Blue Lock. His scoring ability is exceptional, thanks to his precise kicking and all-round skills, and his obsession with goals borders on madness. At the same time, he possesses a calm side, assessing his opponents’ abilities carefully and even controlling them to coordinate strategic plays. Itoshi Sae is his older brother.

ESP: El delantero estrella de Blue Lock. Su capacidad para anotar es excepcional, gracias a su precisión en los tiros y a sus habilidades integrales, y su obsesión por marcar goles roza lo demencial. Al mismo tiempo, muestra un lado sereno, evaluando cuidadosamente las habilidades de sus oponentes y, en ocasiones, controlándolos para coordinar jugadas estratégicas. Itoshi Sae es su hermano mayor.

7 凪 誠士郎 NAGI SEISHIRO

Though he has only been playing football for half a year, he is an extraordinary talent with unparalleled potential. With his impressive physical abilities and his incredible trapping skills, which seem to freeze time, he continues to create artistic goals that no ordinary person could replicate. The genius who has finally awakened now waits for the ball in the penalty area.

ESP: Aunque lleva solo medio año jugando al fútbol, es un talento extraordinario con un potencial inigualable. Con sus impresionantes habilidades físicas y una asombrosa capacidad de control del balón, que parece detener el tiempo, sigue creando goles artísticos que nadie más podría replicar. El genio que finalmente ha despertado ahora espera el balón en el área penal.

5 雪宮剣優 YUKIMIYA KENYU

Despite his smart appearance and work as a model, on the pitch he is a powerful and speedy dribbler who takes on opponents with sheer strength. He has a particular obsession and confidence when it comes to one-on-one situations, and the U-20 Japan national team will likely be forced to respond with a more organised defensive strategy.

ESP: A pesar de su apariencia elegante y su trabajo como modelo, en el campo de juego es un driblador imponente que se enfrenta a sus rivales con potencia y velocidad. Tiene una obsesión y una confianza particular cuando se trata de situaciones uno contra uno, y es probable que la selección nacional sub-20 de Japón se vea obligada a responder con una defensa más organizada.

9 乙夜影汰 OTOYA EITA

He comes from a rare lineage as a descendant of ninjas. Using his high agility as a shadow attacker, he applies pressure with off-the-ball movements that exploit defensive blind spots. His partnership with Karasu in midfield is among the top-tier in Blue Lock, with a level of completion that stands out in a place where individual skills usually dominate.

ESP: Proviene de una rara línea familiar como descendiente de ninjas. Aprovechando su alta agilidad como atacante en sombra, ejerce presión con movimientos sin balón que aprovechan los puntos ciegos de la defensa. Su asociación con Karasu en el mediocampo es de las mejores dentro de Blue Lock, destacando por su nivel de perfección en un entorno donde las habilidades individuales suelen ser lo más destacado.

6 烏旅人 KARASU TABITO

One of the most eccentric players in Blue Lock, he dominates the distance between himself and his opponents with keen observation and impeccable handwork. With his high football IQ, he carefully analyses his opponents' abilities and marks their weaknesses with precision. He tears apart defensive lines with feints that seem to mock the defenders he faces.

ESP: Uno de los jugadores más excéntricos de Blue Lock, domina la distancia con sus rivales gracias a su aguda capacidad de observación y su impecable manejo del balón. Con un alto coeficiente de inteligencia futbolística, analiza cuidadosamente las habilidades de sus oponentes y marca sus debilidades con precisión. Desgarra las líneas defensivas con fintas que parecen burlarse de los defensores a los que se enfrenta.

B 蜂楽 廻 BACHIRA MEGURU

His unique dribbling style, almost like a dance, is truly captivating. Due to his overwhelming personality, he struggled with discord among his teammates in his youth and became somewhat isolated. However, his encounter with Isagi in Blue Lock marked a turning point, leading to his mental growth. The unleashed monster now takes to the stage, dancing through the enemy's territory.

ESP: Su estilo de dribbling único, casi como si estuviera bailando, es verdaderamente cautivador. Debido a su personalidad arrolladora, en su niñez sufrió de desarmonía con sus compañeros de equipo, lo que lo llevó a sentirse algo aislado. Sin embargo, su encuentro con Isagi en Blue Lock marcó un punto de inflexión, llevándolo a un crecimiento mental. El monstruo liberado ahora pisa el escenario, danzando por el territorio enemigo.

3 二子一揮 NIKO IKKI

His sharp gaze, peering through his long bangs, constantly surveys the entire field, guiding him towards the path to goal. Unlike many strikers in Blue Lock who rely on physical ability, he excels in cerebral play. A hidden key player, he serves as the catalyst for both attack and defence in this hastily formed team.

ESP: Su mirada afilada, que se asoma a través de su largo flequillo, observa constantemente todo el campo, guiando su camino hacia el gol. A diferencia de muchos delanteros en Blue Lock que dependen de la habilidad física, él destaca en el juego táctico. Un jugador clave oculto, es el punto de partida tanto para el ataque como para la defensa en este equipo improvisado.

2 蟻生十兵衛 ARYU JYUBEI

A narcissist with a high sense of individuality and a unique, creative aesthetic. His weapon is his unusually long reach, which sets him apart from the average Japanese player. He values his unique sense of "fashion" above all else and shows respect to those he recognises as "stylish." Can he launch an artistic attack from the unfamiliar position at the back?

ESP: Un narcisista con un alto sentido de individualidad y una estética única y creativa. Su arma es su inusualmente largo alcance, que lo distingue de los jugadores japoneses promedio. Valora su sentido único de "moda" por encima de todo y muestra respeto a aquellos que reconoce como "estilosos". ¿Será capaz de lanzar un ataque artístico desde la posición poco familiar en la parte trasera?

4 千切豹馬 CHIGIRI HYOMA

His weapon is his blistering speed, with a 50m time of 5.77 seconds. As Blue Lock's No. 1 speedster, he is expected to make explosive, vertical runs on the pitch as an ultra-aggressive full-back. His incredible acceleration could become an option in any attack. If vigilance slips, the red leopard will quickly invade dangerous territory.

ESP: Su arma es su velocidad deslumbrante, con un tiempo de 50 metros en 5.77 segundos. Como el velocista número uno de Blue Lock, se espera que realice desbordes explosivos y verticales en el campo como un lateral ultracompetitivo. Su increíble aceleración podría convertirse en una opción en cualquier ataque. Si se baja la guardia, el leopardo rojo invadirá rápidamente la zona peligrosa.

1 我牙丸吟 GAGAMARU GIN

A "wild child" boasting an incredible physical spring. With little experience in football, he relies more on his potential than his technique, making him a physical elite. He excels in unorthodox movements and physical confrontations, using his body’s spring to full advantage. His physical abilities were recognised in the national team, where he plays as a goalkeeper.

ESP: Un "chico salvaje" que presume de una asombrosa elasticidad física. Con poca experiencia en el fútbol, se basa más en su potencial que en su técnica, lo que lo convierte en alguien de élite físico. Destaca en movimientos poco convencionales y enfrentamientos cuerpo a cuerpo, aprovechando al máximo la elasticidad de su cuerpo. Sus habilidades físicas fueron reconocidas en la selección nacional, donde juega como portero.

Substitute Players

13 馬狼照英 BAROU SHOUEI

A confident individual who calls himself the king, possessing a strong ego. An innate striker who boasts incredible physical strength and flawless shooting technique, regardless of friend or foe. His fierce self-assertion, capable of disrupting team harmony, creates a destructive power that forces open a crack in any wall.

ESP: Un individuo confiado que se llama a sí mismo el rey, con un ego fuerte. Un delantero nato que presume de un físico increíble y una técnica de tiro impecable, sin importar si es amigo o enemigo. Su feroz autoafirmación, capaz de alterar la armonía del equipo, genera una fuerza destructiva que abre una grieta en cualquier muro.

16 氷織 羊 HIORI YO

His weapons are precise passing, ball control, and an exceptional ability to read the movements of opponents, making him an incredibly skilled player. He has a keen sense for the scent of a goal, reliably turning it into a team score. Therefore, he demands high technical standards from his teammates as well.

ESP: Sus armas son los pases precisos, el control del balón y una capacidad excepcional para leer los movimientos de los rivales, lo que lo convierte en un jugador increíblemente habilidoso. Tiene un agudo sentido para detectar el aroma del gol, convirtiéndolo de manera fiable en un pasador para el equipo. Por ello, también exige altos estándares técnicos a sus compañeros.

14 御影玲王 MIKAGE REO

The heir to the large corporation, Mikage Corporation. A versatile player with game-making abilities that make the most of his broad perspective, he is a rare all-rounder in Blue Lock. On the flip side, he lacks a standout weapon, and for him, the U-20 Japan representative match will be a tough battle to face his own challenges.

ESP: El heredero de la gran empresa Mikage Corporation. Un jugador versátil con habilidades para crear jugadas que aprovechan su amplia visión, siendo un tipo de jugador poco común en Blue Lock. Dicho de otro modo, no tiene un arma destacada, y para él, el partido de la selección Sub-20 de Japón será una dura batalla para enfrentar sus propios retos.

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Cross-Guild Masterlist

Navigation Masterlist Here

Art link

Buggy D. Clown:

You Kissed the Clown? (15/15 Series)

An upper-class tinkerer finds herself amongst the crew of the Staw-Hat pirates. Falling within the blast of a giant flash of red smoke and captured with her crew in the claws of the Buggy Pirates; she is confronted by her flight, fight and freeze response. Immediately, she finds another way of distracting the infamous clown-captain: a passionate and disarming kiss. As time and distance fall between them, feelings of romance, infatuation, fascination and longing cling to the clown and the tinkerer in each other's absence. How could they feel so deeply for each other; they only shared one single kiss?

Happy Birthday, Pumpkin (one-shot)

Buggy longs to kiss you but always shies away in case his affection is not reciprocated. Finally, an opportunity presents itself for a consequence-free kiss and he can barely hold himself back in anticipation. Happy birthday!

I Can't Do This Without You (one-shot)(smut)

Buggy attempted to use some unusual, waxy pollen to form into a "buggy-ball". He was an idiot. He can't manage the consequences without his loyal and ever faithful crewmate to help him out.

A Small Kindness (Smut One-Shot)

A blue-haired man with a round red nose is down on his luck. He's lost everything, not a single berry to his name after being defeated again by the straw-hat crew. A small kindness from a stranger propels him to get back on his feet. How could he repay you? Surely you needed something in return.

Headcanons & Drabbles:

Soft-Dom BuggyBratty BuggyCross-Guild InterrogationThe Clown Apologises

Buggy x Reader x Mihawk:

Swing, Sway, Shag, Smimmy (Buggy x Reader x Mihawk) (4/4)

Buggy is infatuated with his prized acrobat. He issues a dance night-off for his pirate crew, choosing to "make a move" in the hopes of charming his beautiful acrobat under the hawk-like gaze of his guest of honour. Unbeknownst to Buggy, the feeling of infatuation is mutual regarding the acrobat. Can they learn to 'play nice' to woo the acrobat? Yes, yes they can.

Dracule Mihawk:

The Apprentice (6/7 Series)

Mihawk is a bitchy boss, the apprentice is his bratty underling. Professionalism, sword-mastery and affiliation for wine consumption drives their relationship.Mihawk pushed his apprentice a little too far, prompting her to submit a formal resignation effective immediately. Calling her bluff, he attempts to chaperone her towards a cellar door to begin an afternoon of wine-tasting, only to find absence at his side as his apprentice simply walked away from him. And he was angry about it.Ongoing series.

You Should Be Sad (Completed Series):

Upon rising to the title of Warlord and Worlds-Greatest-Swordsman, Dracule Mihawk began to neglect his fiancé and her desires. Unable to provide her with the one thing she truly longed for, he remained apathetic as she broke from their lengthy courtship.A decade later, and many a bottle of brandy relinquished, he drifts to Baratie in hopes of drowning away the memory of her: only to have his hopes shattered as the hired band begins to play with his ex-fiancé singing her vengeance at him.

Let Me Take Care of You (one-shot)

The personal assistant to Dracule Mihawk notices he is not quite acting himself: a small wince as he reaches for his breakfast wine glass, a grimace as he draws it to his lips and the narrowing of his eyes as he begins to slouch. Luckily for the both of them, the assistant has a resume of many a skill: remedial massage being the key element provided to the broody warlord. He reluctantly accepts their touch, longing for the burden to be released from his shoulders.

El Tango de Mihawk (one-shot)

A talented thief manages to obtain an invite to the marine ball and decides to utilize it as a great opportunity to steal from the wealthiest members of the world government. Mihawk immediately recognizes them and decides to toy with their scheming, tango dancing ensues.

The Marine's Mistake (request) (one-shot)

Something horrible occurred to rid the warlord of his signature facial hair. Cadets had gathered and began whispering in hushed tones as Garp held a seated meeting with the warlord at a table in a run of the mill tavern. A new transfer does not recognize the sleek cheeks of the handsome gentlemen and immediately decides to approach to flirtatiously engage him over a drink or two. Mihawk is amused.

My Love Mine All Mine (request) (one-shot)

Mihawk returns to his castle in kuraigana nine days after he was due to return. He finds his lover sleeping in his bed, face falling to rest atop his pillow. Soft drabble, pining, longing.

Hanahaki: The Hawk and the Fledgling (request) (one-shot) Part 2

Mihawk notices his Fledgling, an apprentice he took under his wing, has become lazy in their training. Upon one final vocal reprimand, they collapse; sputtering a cocktail of saliva, blood and... petals? Is that petals in their hand? Surely not.

The Spear and the Sword (request) (one shot)

Drabble Part 2

Mihawk is required by Vice-Admiral Garp to obliterate an approaching armada of barbaric pillagers from their attack on a marine base. As this army was not enough for him to handle alone, Garp calls in another warlord, a ferocious warrior-woman armed with a spear, to aid in his ability to complete this task with as much succession as possible with as little damage done to the defenseless base. Both begin their armed ascension, showcasing their abilities in contest to see how many troops they best by the end of battle, against how many injuries they themselves acquire in the thralls of combat.

Little Sparrow (one-shot: drabble)

Mihawk has been up with your daughter, soothing her as she experiences her leap weeks. You spend some moments with your husband as he holds her in his arms.

Sapsorrow: (9/10 Series)

Upon receiving an invitation from the lord of Kuraigana to train his wards, you never expected your career as a governess to lead you here. As your tour of the keep was conducted, a ring was slipped onto your finger: invoking an ancient curse you truly did not understand. Setting three conditions for marriage, your newly betrothed immediately made haste to complete them with you blissfully ignorant that his life hung in the balance should be fail his task.

Macule Drihawk (drabble)

When Dracule Mihawk drinks, he becomes an entirely different person. That person's name is Macule Drihawk.

Pretty Bird (series)

Mihawk is an injured avarial trapped in his raven form while healing. You nurse him back to health, and he becomes smitten with you.

Obsession (one-shot)

Many believe Mihawk keeps the knowledge of his spouse a secret because he is a private man. Truth of it is, he is simply obsessed with you and doesn't believe any other pair of eyes is worthy of meeting their gaze with your majesty.

Happy Trail (mini fic)

Mihawk is not as well groomed as he usually keeps himself. You notice, and you can't help yourself.

Sir Crocodile:

My Favorite (Sir Crocodile x Reader)

Sir Crocodile has founded a league of highly trained assassins named "The Choirs" - all coded after the nine choirs of angelic influences. You are his favorite: his prized "Seraphim" who's ferocious brutality is only outmatched by your incredible beauty. Not truly knowing if your affection is all an act to continue being paid a wage in berry, he has not made a move of his own aside from calling upon you to sit on his knee of an evening, and have you utter praises into his ear. It is only when the two other members of the Cross-Guild begin flirting does he find his limit being tested. Will he bend, or will he break?

Sands of Time: Intentions of Series

Sir Crocodile thought he was safe from the intentions of the haunting Sapsorrow Queen. His soul has been laid claim, his time is running out. How can he have a stranger fall in love with his within the year? Would she truly take his sould should he fail?

When We Wake (one-shot)

Blissfully waking within the arms of your lover, you are both struck with the thoughts of how precious you have become to one another. Whispering confessions of adoration to one another while the other slumbers, you are both completely overcome with such deep devotion.

The Duality of Sir Crocodile (NSFW drabble)

The duality of a dominating gentleman. Spoiling and endearing, encumbering and brutal.

Warmth (One-Shot)

Misc Multiples:

Sir Crocodile is out for a walk in Arabasta with his pug, and he is stopped by a curious child who desires to pet them. As you, their guardian, approaches, Sir Crocodile is intrigued by your candor.

Intimacy (NSFW One-Shot)

Sir Crocodile is patient while you take him for the first time.

Get Well Soon (Drabble one-shot)

You're sick, and they do their best to support you through it. Zoro, Sanji, Mihawk

Please, I'll be good (one-shot)

After rescuing you in the heat of battle, he can no longer contain his desires for you. He was so good. He can keep being good if it means you'll keep kissing him.

Koby, Sanji, Corazon, Sabo, Buggy, Shachi, Ace, Penguin

How They Kiss (drabble)

Four different kisses with all of your favourites. Where would you place them in these categories?

Hallmark Piggyback (drabble)

Short piggyback on @indydonuts post about OP characters in a hallmark movie. Drabble is for Law x reader x Mihawk - amnesia trope

You're Angry at the Tall Men: Drabble (One-Shot)

He knows what he did to earn your wrath; your fury ignited in your eyes and the flames physically tangible and searing the room with your scorn. Your brow was furrowed, your lips curling into a snarl to bare your pearled teeth at him.Buggy, Shanks, Mihawk, Sir Crocodile, Corazon, Doflamingo.

An Affectionate Embrace: Drabble (One-Shot)

It was a simple reaction, an impulse you felt organic and out of your control. Their cheek was right there, and the swell in your chest and spike of adrenaline prompted you to lunge forward and capture their cheek beneath your lips. How do they react to such a soft touch? Do they shy away, or do they respond in kind?Buggy, Mihawk, Sir Crocodile, Shanks, Benn Beckman

Forehead Kisses (short drabble)

You're being a brat because they're neglecting you. Prepare to be greeted with the forehead kiss you crave from them.

Zoro, Crocodile, Kid, Killer, Beckman, Mihawk

Interrogation (crack dialogue)

Cross-Guild crack dialogue x reader

Dreaming of You (One-Shot) NSFW

They couldn't help it. You looked so heavenly in their dreams. The way they had you wrapped around their body as a marionette in their minds, dancing for them as they awoke to sticky blankets when they jolted upright. Their thoughts got the better of them, and they are wracked with guilt. Sir Crocodile, Buggy, Dracule Mihawk