#and her main comment was like

[thatscarletflycatcher]

Deeply funny to me that academia is like "the cloying romance of North and South ruins this otherwise fine social novel" and then people be out there like "I read the book after the miniseries and it wasn't romantic at all! The book had nothing of my favorite parts like when Thornton and Henry Lennox were having a manhood measuring contest at the London exhibition!"

[hey-heigo]

people will see a female character that made a mistake and go 'is anyone gonna hate her' and not wait for an answer

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[arovalentines]

time to make your choice only you can be the one

[blossoms-phan]

you don’t have to post if it’s like something that’s not talked about but I don’t know much about dan and phil’s personal life or what they have shared and I was wondering if dan was raised by his grandma? just cause out of everyone in his family she’s the only one that he mentions with regularity and fondness

hi! it has been talked about before a lot in past years (i just fell down a rabbit hole of some peoples tags before answering this lol), and disclaimer- family relationships are complicated and nuanced, i don’t claim to know the specifics of dan’s relationship with his family other than what he’s told us. but generally speaking, dan talks about his grandma (maternal) most often and with fondness because he has a really strong bond with her, and though i don’t know if i would necessarily say he was raised by her solely, he definitely spent a lot of his childhood with her. dan has spoken about his parents not necessarily being very present/supportive when he was younger, which isn’t to say they weren’t there to like, be his parents but to my knowledge they both worked a lot and he’s talked about calling his grandma on the phone or going to her house after school and things like that. there’s a lot to unpack as far as dan’s family goes if im being so honest but dan definitely fits into that category of “oldest daughter/girls who were raised by their grandma”

[spiritedstars]

The idea that some people still think Nesta’s main traits are supposed to be bitchy, mean, and a hater…idk what to tell you but the whole point of her healing journey is to not be those things because all it did was hurt everyone around her and herself.

[scherzokinn]

Btw I'm serious when I say Sarek has a human fetish. This is how those with a fetish for a certain group of people act. Sarek being disgusted by Spock's human side while also marrying human wives is 100% because of a fetish. Sarek is just the Star Trek version of Alma Mahler.

[fluxweeed]

Hii, I just discovered your fics and am reading my way through them. Love, love, love the ones I’ve read so far.😊 I was just wondering what your favourite Draco is you’ve written, and what your fave Draco is in fics written by others? ☺️

ACK thank you!! what a question!! i've considered this v carefully and it turns out i have………a lot of thoughts. i will keep them under a cut so nobody is accosted with a full 700 words of my Draco Opinions 😂 so my quick answer is:

my fave draco i've written: the taste of țuică my fave draco ever: rookie moves by peu_a_peu

draco is an interesting one for me bc i don't really LIKE him? but i have sooo many feelings about him. really not sure i could summon the same fervour for harry, for example, who is my number one boy forever and always.

(i saw a thing once that said a pairing becomes ur otp when u relate to one of the characters and want to fuck the other one, and 🙈 i mean, i think you're supposed to relate to the gryffindor, aren't you. whoops.)

OKAY SO HERE'S THE UNHINGED DRACO MALFOY ESSAY BY FLUX W. EED.

listen. i love and respect people who are Refined Draco enjoyers. connoisseurs of redemption arcs. appreciators of majestic malfoy bone structure and ethereal grey eyes and soft windswept hair. fans of dracos who insult harry (with hidden affection) and who are a bit snobbish (in a rich, sexy way) but ultimately have realised the error of their teenage years and have become a better person. perhaps this draco has built a potions business and helps the aurors. perhaps he IS an auror. either way, he has a biting sense of humour, maybe, but he's a good guy.

unfortunately, the draco of my heart is a horrid mean little rat man.

i've never actually managed to write him the way i love him. i tried to aim for immoral bastardy in what's mine is yours but i got so caught up in trying to nail the feelsforbreakfast-style humour in the narrative that i ended up focusing much more on that and much less on writing genuine bastardhood.

i've written him as reserved and clever (in the four doors – this draco was written entirely for @jovialobservationanchor, who had a weak spot for closed-off academics with soft centres) and as a traumatised self-loathing mess (in two to lie and to some extent for lack of wanting and say no to this) and hopelessly sexually/emotionally horny for one harry james potter (in, um, most things) but i've never managed to capture the genuine cruel streak and flawed personality that is sooo so important to me.

WHICH IS WHY i picked țuică!draco for my favourite of the ones i've written. he's still a bit too emotionally intelligent to be Just Right, imo, but i think he's maybe the closest? he's unrepentantly rude to people. he's not attractive. and he has a streak of self-destructive fucked-upedness that is some form of wartime guilt, but certainly not a pretty one.

HOWEVER. rookie moves?? NAILED it. i adooored how genuinely fuckin MEAN he is, even tho he's an auror. i love love LOVED that he's kind of bad at his job in a way that's in complete opposition to how drarry!draco is often written these days:

The look on Malfoy’s face was not only troubling, Harry realized, but familiar. At once activated and dead behind the eyes, like an invasive species in an ecosystem that could not check it. It was the look of the meanest fucking teenager Harry had ever known, giving in to his urge to bully.

-

What Malfoy wasn’t good with was people. Despite his repeated insistences that his upbringing had equipped him with impeccable manners and a facility with society intrigue, the truth was that he rubbed almost everyone the wrong way. He was, undeniably, annoying. Witnesses were put off by his snide, dismissive tone, and he didn’t know how to coax out information with curiosity, warmth, or strategic silence.

that's not to say unrepentant cunt draco is the only one for me!! i DO enjoy the classic redeemed drarry draco!! i love a quirky draco, à la wwpwcs or maya's drop dead gorgeous. gallaplacidia's draco is sooo painful for me to read (complimentary) that even though i adore her fics, i still haven't read them all bc i have to space them out, for my health. and i'm sure there are dozens more dracos that i'm forgetting how much i like – basically, as long as he isn't super suave, absolutely gorgeous and/or obviously tom felton, i'm on board.

[shayminlucario07]

It absolutely means EVERYTHING that the battle theme is named after one of Susie's abilities

[beloved-child-of-the-house]

i stand with you in the face of a defensive misunderstanding of what critique is.

i think understanding what a critique actually is is a skill that increasingly is not taught. i remember going through freshman art courses feeling the frustration that all negative, nasty, unhelpful, and missed-the-point-entirely feedback is so commonly conflated with critique, and then critique gets a bad name because everyone remembers the time someone said their painting looked like an asshole (true story, altho now i think i would take it as a compliment) instead of the time a teacher or friend or classmate helped them uncover a hurtful bias or think of new ways to explore the same idea or how to connect it to related ideas or how to look up and understand other people's ideas on the same topic.

anyway i think you're great.

ahhh you're so kind to me!! i appreciate your support, and i think you are great also.

i have experience with giving and receiving critique as a student myself, and i think it was the best part of my degree! i majored in creative writing in college, and critique was just a generally accepted part of learning to become a writer. i don't even remember people being especially worried about receiving critique on their work. we had guidance on what kind of feedback was useful, but we were still at liberty to give it as we saw fit as like messy 19 year olds. the standard was that we gave it both written on printed copies of the work AND aloud in front of the whole class, and the writer receiving it was not permitted to speak during the critique. understanding how people are perceiving your work is important!

i don't have any particularly negative recollections of the critique process, although once in a high school writing class, the boys in the class told me that my male characters touched each other too gently and real boys are more rough with each other. in particular, they took issue with me writing that one boy nudged another. nudging is too soft. nudging is for girls. that was more than 20 years ago, and i still think about it sometimes because it was such an interesting perspective! i did not take their advice, though.

i should dig up that piece and see if it reads queer in any other ways. i think that's what they were getting at. (actually i once had a non-fiction class tell me i was in love with my roommate after reading an essay i wrote about her)(i did not listen to that advice either, but having 12 acquaintances tell you that you're gay in 2006 before you realize it yourself is Truly Something!)

i think people have conflated criticism and critique and think that being more openly analytical is the same thing as being negative. but analysis is so fun to me! analysis is why i joined fandom in the first place, and it's why i write fic! can we trust each other to be respectful and to speak in good faith even when we're not singing each other's praises? for me fandom would be better if we could.

oh i also want to clarify that i don't think it's impossible to demonstrate that you've thought deeply about a piece of fanwork while remaining completely positive. people do it all the time and do it very well!

i know i sometimes have tunnel vision wrt my own perspective. in a lot of situations, i wish it were more acceptable to be more direct, and i know people sometimes find the way i express myself to be kind of shocking. i know a lot of people like to be spoken to more indirectly than comes natural to me, and i don't mean to imply that my perspective is the only correct one or that there's no good reason to err on the side of gentleness/politeness in our responses to amateur art and writing. i just think that at a certain level of circumspection, it feels like we're all holding each other at arm's length.

i think for people who can't bear to feel exposed, making and sharing art is always going to be painful and difficult, and maybe too painful and difficult to enjoy the process unless they're sure of a soft landing. but like. the rewards of being loved only come after the mortifying ordeal of being known, right?

[meg-noel-art]

Okay I have to get a single vent off my chest and then I promise I'll be quiet.

I need ya'll to please realize now (before backlash at Guerrilla gets hurled in three years) DLC characters/content do not become mainstay installments in the way you imagine.

DLC characters do not become main characters.

DLC plots can be removed from the main story and recited as exposition in a main entry.

It HAS to be removable, because not every consumer buys DLC. Whether for lack of resources, access, or principal.

I just really don't wanna see people griping that Guerrilla "dropped"... ahem, anything... in three years from now. Or that some kind of endgame was promised and then taken away.

We been knew, or we SHOULD know bc this is how DLCs have worked always forever.

Not to mention BS was even MORE exclusive by proxy of being literally exclusive to a console people STILL don't have easy access to.

Please everyone just be reasonable when the time comes, that's all I'm worried about.

[goldenganjj]

I am very proud of my Pizza Spaghetti

—

[ID: First image is a group chat screenshot. I say, “I saw this a few days ago but I still wanna share it with yall. "Luigi Mangione sounds like a name Jk Rowling would give an italian character".”

Blue says, “Honestly, that’s crazy accurate.”

Red says, “It really do though. This timeline running out of ideas. A guy named Luigi in New York murking a dude outside his job is def ChatGPT level plot writing it recycled from a 1940's mob story”.

I say, “"JK! we need a name! It's an Italian kid we're gonna frame for murdering a ceo!" she cracks her knuckles, her first draft Pizza Spaghetti and her second Luigi Mangione”.

Second image is from another chat with me and my partner who says, “Pizza Spaghetti lived in cupboard above a pizzaria, with his rotund evil mother and his string bean lanky evil father.” / End ID]

[risetherivermoon]

Part 5 - Sock's Fame Au

- Part 5: Tarty Crouch Jr

Part 4 <- -> Part 6

[skitskatdacat63]

My four main characters' dynamics if you were ever wondering 🥰

Little character bios + without text below the cut :)

Preface: There's 9 different planets in my AU, and each of them has different kinds of humanoids(ex. Neptune has bird-people, Mercury has dragon-people, Pluto has cat-people, Neptune has mammal-people, etc.) Most of my ocs are from Neptune or Pluto, cause I like them best haha. Each planet has their own forms of hierarchies/discrimination, so that's important to consider with character dynamics. So for example on Neptune, people who are pure-breds(so basically wild animals in their "original" form. Wolves, tigers, deer, etc, too many to name) are considered more noble. Whereas there are ubiquitous "dogs," traditionally the servants of Neptune's god, who are seen as typically being servile and lesser. But then if you were to travel to a different planet, you would be SO lost about these kinds of dynamics. I talked a lot more about my two main ships in these posts, Eclipoir here and Rünoir here !!

My main four OCs seen here are the DHE and Eclipse. The DHE are a friend group/unit, who met through being scouted for the god of Neptune's espionage/black ops unit. They are comprised of:

Anastassia "Rüß" Petrov - (the main leader of the operation, very tough but intelligent. She was scouted from Siberia and grew up very poor. She is a womanizer, loves money, and she was originally very standoffish but is now extremely charasmatic, and seems to know everybody. However she is a dog, but the complete opposite of what a dog is expected to be. Which is why she was scouted to be the leader in the first place!! She was originally more undercover, but now kinda functions as the handler to Noir's attack dog. She preferred to work alone before, but came to appreciate the team dynamic.)

Noir Mono-Loup -(Nepo baby!!! She is a wolf, and is from a very rich, influential family, so she's a pedigree pedigree. She is genuinely very strong and can be analytical, but struggles to manage herself and her bloodthirsty and possessive compulsions, AND she is very prone to craving submission. So even tho societally, she's seen as higher/more noble than Rüß, Noir is perfectly happy to be her subordinate and follow orders. However, while Rüß brings out the submissive side in her, Eclipse on the other hand brings out the possessive, territorial side.)

Seren Baumstark - (The brains of the group I guess, though they're all pretty smart, in different ways. She's not from Neptune, she's from Pluto! So she doesn't really factor in to the whole weird purebred-dog dynamic the other two have going on, which is for the better because she's very peaceful and there's no expectations. Very meek compared to the other two, but chosen because of her intelligence and cooperation skills. Has her own shit going on aside from the main plot, that's more involved with the gods. The main plot with the other three mainly is fucked in its own way, but Seren is lowkey going through that Spongebob hallway meme honestly, but its kinda impossible to quickly explain.)

"Eclipse" - (from a very famous/influential family from Pluto/Neptune. However she has been disowned, as she was seen as ruining the family image with her instability....and because her mother is a terrible person who couldn't accept that her child wouldn't be the heir of the family. She has a very codependent relationship with Noir, however they were separated for many years because Noir is technically the reason she was ultimately disowned, though she's pretty grateful for that. She's an assassin, who Noir is trying to track down, not knowing its Eclipse.)

I have like three seperate time periods I jump between, so it's a bit confusing I think. The first would be when it was just Noir and Rüß, since Seren came in later. Noir was very annoying and puppylike, and Rüß at that point was super cold. Rünoir(Rüß x Noir) are FwB with a very dom/sub relationship/dynamic. The second would be when Seren is now with them, and when Noir first meets Eclipse(she saved her from being kidnapped, and that's where their codependency began.) And the third would be when Eclipoir(Eclipse x Noir) are finally fully reunited, and not at odds anymore, and the DHE are now in different roles, but still best friends.

[deityofhearts]

good thing I am “that person” who acknowledges that characters aren’t one dimensional girlbosses who have zero flaws and make the right choices forever even when going through immense stress and trauma <3 unlike some people in manhwa comment sections 🤭

[iinryer]

i know tommy is a tertiary character or whatever but after rewatching all the begins i desperately want to hear him talk more about that time at the 118 from his perspective. i want to know if he was afraid! i want to know if he wasn’t! how much did he know about himself by then, an inkling? nothing at all? all of it?? i want to know about his guilt and bridging the gap to friendship and if having made amends back then feels any different now that he isn’t hiding anymore…