#and half the stuff kotoko does is not happening
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I hate Kotoko too. I canât stand her personality type and the worst part is that Kotoko never apologized to Komaru and Toko are for repeatedly trying to kill them and especially the incident that she did to Komaru. The only sort of good thing Kotoko did is stop Komaru from breaking the controller, but Iâd rather have Nagisa be the one to do that instead. I feel the writers only let Kotoko live is because sheâs a little girl character.
To be fair none of the Warriors of Hope died as I think if literal children were killed off, Spike Chunsoft would recieve hell.
What makes Kotoko espeically bad is that she's a prime example of the abused becoming abuser. Again since her backstory is all levels of uncomfortable, I don't want to talk about it here, but let's just say it makes what she does even worse.
I also hate how she had to go on a 10 minute explanation obviously kinda leaning on the fourth wall why this is apparently okay. Which felt like a case of "Please don't send the watchdogs on us."
I am so glad that she recieves actual consequences for this in DTFA and that Komaru does not forgive her one bit. Its to the point where while Komaru is often used to channel the spirits of the Warrior of Hope's parents, Future Foundation are thinking of someone else to ease Komaru the pain.
#review anon talks#danganronpa#dr#danganronpa another episode ultra despair girls#udg#kotoko utsugi#part of my au#is that ultra despair girls is getting a serious rewrite#as partly due to the survivors being different#but also because i felt some characters were only there to make sure the game sells#looking at you nagito#and i am gonna change the warriors of hope quite a bit#and half the stuff kotoko does is not happening#period
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Okay you asked for this one- So, letâs talk about Futa, Mikoto, and Kotoko and the escalation in violence portrayed through the three of them.
Futa is the first prisoner to be overtly violent during their interrogation. His violence may seem completely reactionary in nature, but a pattern presents itself when he is compared to the other two outwardly violent inmates.
Futa- Reactionary Self-justifiable violence.
If you come at him, heâll come back at you just as hard if not more. However, if you donât, heâs not likely to escalate the situation to violence first. This is something alluded to within his first trial written interrogation and Backdraft.
Q.12 Do you think the other prisoners should be forgiven for their âmurderâ?
Futa:Â People who resort to violence are shit! You only do stuff like that if youâre stupid.
âBust out, explode that counter uppercut!â
Futa will respond to violence with violence. Because he believes once someone has brought it to that level that person has essentially brought whatever happens to them next on themselves. Heâs justified in attacking because heâs just reacting to an attack. Even if what he does is worse than what was done to him.
This also plays a part in why he has to hype himself up so much before running at Es. Since Es has done nothing to attack him personally yet Futa has to come up with many justifications of his own to warrant him escalating it to violence. Even before entering the interrogation room-
20/09/18 (Futaâs First Trial)
Futa: HaaâŚâŚ haaâŚâŚ OkâŚâŚ
Kotoko: Whatâs up, Futa. âŚâŚyour breathing seems a bit uneven?
Futa: Huh!? Iâm getting ready to fight. That guard is looking down on all of usâŚâŚ!
Kotoko: âŚâŚhmm. Is that soâŚâŚ Iâm looking forward to it- To seeing what your âjusticeâ really is.
Then during his interrogation Futa only lunges at Es after Es taunts him with,
âNot used to lying, are you?â
After repeatedly reading Futaâs mannerisms/body language and stating aloud why they make him appear more guilty.
Futaâs response to Esâ admitted provocations was to lunge at him while yelling, âCut it out, asshole!â Giving us our first instance of the force that stops the prisoners from hitting Es being triggered.
Throughout his interrogation he brings up the many ways Milgram and Es through association to the facility has violated his rights and continues to look down on him. Culminating in,
âHey, hey, hey, hey! Donât go around evaluating people like youâre better than everyone else. Once I get outta here, Iâm going to sue this place! You as well! You better not be thinking youâll get off scot-free. Iâll never forgive you, bad guys. And, this place is called Milgram- Iâll crush it down as well!â
Futa is keeping track of every slight and he seems to be the one to pay it back in kind and then some.
Mikoto- Defensive Justifiable Subjugating Violence.
Pretty straight forward. Mikoto will do anything to defend himself from perceived threats whether they be mental or physical threats. Anything that can do harm to him will be met with a firm denial. He will escalate things to violence first if provoked enough. However, the fun part comes in during the second half.
Unlike Futa and Kotoko who will more than likely help someone meet their maker Mikoto will not be helping anyone get an early visitation pass to the next life. Instead, the purpose behind his violence is to get whatever is disturbing him under his control. Very similar to Amaneâs line in Purge March of,
âLetâs strangle his throat thoroughly, so he will never talk back.â
What some may have interpreted as hinting at murder here is actually Amane stating quite literally, she is going to strangle this person so thoroughly that they will never be able to talk back to her again. Since being strangled can lead to voice loss this doesnât necessarily mean sheâs going to kill who sheâs referring to. Just exactly what sheâs saying sheâs going to strangle them well enough that they wonât be physically capable of talking back to her regardless of if they still want/have the courage to after this or not.
X
The intention just like with Mikoto isnât to murder but to subjugate or teach the other party a lesson. This is implied in Mikotoâs voice drama when he says,
âYou prefer it when it hurts more, huh? Thatâs fine. Iâll beat you up all you want.â
The implication being Es' actions are causing him to behave this way and until Es learns how to act, he can do this all day. Something that is once again implied and played with through his birthday interaction with Kotoko.
(2022/12/15)
Mikoto: Ah, Koto-chan. It's been a while. We were isolated for some time but, how are you doing? Lots of things happened, but for now let's get along. Here, it's your birthday right? I figured that no one would come celebrate it for you, so I came to wish you a happy birthday.
Kotoko: ...What a carefree person you are. Someone as atrocious as you won't be forgiven next time too, surely. When that time comes, it'll be your last. Next time, I'll kill you.
Mikoto: Haah? Why don't you try it then, you lunatic. I'll crush anyone who tries to harm me.... I'll make sure to thoroughly beat you at your own game...!!
Kotoko: Hmph. The boundaries have gotten more blurred, it seems. Your existence itself is a crime. I will give you your punishment. This is MILGRAM's, Es', and also my own decision.
This is more than likely why he only fights Kotoko to the point of making her back down. Because her fleeing or needing to retreat is also a sign of him being the dominant force in that interaction. Meaning this conversation is the other guy literally just saying if we play this game again, I'll thoroughly beat some sense into you and leave you groveling at my feet.
However, when keeping control of the situation/outside influence is no longer a viable option he may resort to eradicating the source of the issue.
"Hurting it, holding it down, it doesnât change anything, does it."
Mikoto and Amane be like, "When all else fails removing it from this earth won't."
This means chances are he isnât really asking Kotoko to work with him. Heâs expressly asking for her to be a subordinate of his but disguising it as a partnership. Not too dissimilar to what Kotoko does with Es.
Speaking of-
Kotoko- Systemically Justifiable Violence
Kotoko unlike Futa and Mikoto is somewhat incapable of justifying her own behavior. Possibly because on some level she knows sheâs just doing it for her own fulfilment. So, instead she looks to systems to validate her actions.
Either saying that she is doing this to protect the weak and overlooked. A thing that someone in her position of privilege should definitely do in her own opinion. I mean if she has the power and access to resources needed to work against these systems it would be worse if she just did nothing, right?
Her and her access to martial arts training from a young age-
Q.04 When did you start learning martial arts?
Kotoko:Â When I was in primary school, I think? Without enough power, justice wonât be upheld.
Since she stated primary school, she started doing martial arts between the ages of 6-12. She has also been trained to the point at which she can self-study/train without an instructor present. Yet for some reason she is literally over the moon at a treadmill in the crossover. Though thatâs not too weird considering her instruction may not have involved that sort of equipment.
Q.05Â What do you do to pass time in the prison?
Kotoko:Â Training and meditation.
X
Couple that with such training not being free. She either went to a very well-off school or her family paid for classes.
It doesnât matter if she hasnât experienced the same hardships or misfortunes. She knows something bad when she sees it.
Q.18 Have you ever personally been persecuted in the past?
Kotoko:Â I havenât. But are you trying to say that if you havenât had those experiences you canât hate evildoers?
The system is flawed and needs strong people like her to fix it. Those who are weak and canât even protect themselves should just sit back and let her protect them.
Q.15 Which is more important, the objective or the means?
Kotoko:Â Objective. Does that not go without saying?
Q.16Â How do you feel about extenuating circumstances?
Kotoko:Â I think itâs important to consider. I donât believe itâs true that all crime is inherently evil, so obviously the situation should be taken into account.
Q.20Â What do you consider âevilâ?
Kotoko:Â The persecution of the weak and innocent.
"From the beginning I've never asked for your understanding! My actions, one by one, are bringing earth closer to peace. Useless weaklings should just shut up and let me protect them!"
If there is a system that aligns with her beliefs- It doesnât matter if pieces of it go against her or if the weak agree with her methods or not. If itâs for the sake of her goal, then anything is worth doing. Anything and everything goes as long as she feels that those actions are bringing her closer to the outcome she desires.
âLetâs give justice to the bad guys!â / âWhy? Why stop me? Donât stop! I need a good reason to give justice! Give me my next purpose!â
Even if Es says her actions are wrong Milgram has judged everyone within it as murderers. She knows that just by them all being there. So, whoâs to say she wouldnât just default to that.
âThis is MILGRAM's, Es', and also my own decision.â
Es is second to Milgram after all. Kotoko's whole thing is wanting someone or something to give her actions a reason. However, as soon as the source of that reason defies her well, we have a perfect example of her turning on one of those reasons right up there.
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Thank you for the recommendation! Ita 3am and I can't stop reading! I also haven't stopped crying ever since I started. I'm crying now and I mistyped your name in the search bar three times.
I'M SO SORRY KOTOKO. I READ EVERYTHING THAT'S OUT RIGHT NOW ONE MORNING WHILE DISSOCIATED WHEN I FIRST GOT INTO IT AND I CRODE SO MUCH. WHAT AONO-KUN DOES TO A MF (ă_ďźă) Omg. It is so gutwrenching and it touches on the themes it does so well and so realistically and it really hurts even if other times it's so funny it also just makes you ache. It has got me crunk somebody save me there's so much I could say about it. How the worst aspects of Aono-kun's life & his existence after his death become gradually unearthed, being driven to the brink and getting more and more heavily enmeshed with Yuri as his last link to humanity and being and happy even as he gradually destroys her. How consuming love can be and themes of one's self worth in relation to it.... The discussions of abuse and how different characters feel about it. The topic of grief omg. Somebody sedate me. The deep-rooted mother issues of it all. The dread thuis manga makes you feel.. the dread đ
I knew you would like it, because the creator of csm likes it and has drawn fanart for it... and... well... clearly it made you feel something. Even the romance between them tears me apart. Ah I could cry thinking about it too hard right now. And the horror that is so excellently pulled off? I actually felt unease so many times. The scenes that are intimate yet don't feel voyeuristic, but personal instead... bububu. Random screenshots of them that I like. I like when he is so detached from his true self and is something else entirely. What is his true self anymore, really?
It's so... real. You know? So sickeningly real. How desperate Yuri was that she just sort of jumped into that relationship with Aono-kun and yet they ended up like this. And what has become of him... bah. I miss fujimoto and horie a lot too. They're all so personal to me I hope I die. I love the dialogue so much and I dont mind the parts where they overexplain the ghosts even if I sometimes skip them because sometimes it's interesting to me and also thats just mio being autistic half of the time it's fine. How far in have you gotten? Have you gotten to the part with yuri's sister it does cocomelon shit to me. Also Her reliance on her relationship on aono and this dream yuri has even ifthis doest Actually happen and isnt reflective of their relationship in the real world... that sort of contradicts how aono feels about her... crazy stuff.
When you're done talk to me about it if you want.... sorry for any spoilers in these screenshots they're ones I had on hand they're not really spoilers without any context though. I'm also sorry I didnt give any tws considering its so heavy lol and I forgot to mention it's not a completed manga yet and the path it's going scares me but intrigues me too. The author is a woman by the way; did you know? It makes a lot of sense to me. uuu its so good. every character I like them. I like aonokun. abd I also want to hold him so badly I could die. Please drink water dear Kotoko!
#ę°đęą#I killed myself#something deeply wrong with aono-kun and yuris relationship from the start and its only gotten worse. Its okay guys.#The more freudian aspects are like. .... wtf#Ilike aono's hair and how its used as symbolism a lot. AAH a lot to be said.
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Tbh i still think a lot of things are being ignored about kazui. The current interpretation people have of him doesn't necessarily sit right with me because it still kinda makes him look better in conparison to the other characters, and when it comes to milgram i'm wary when people make certain characters look either better than others or worse than others prioritizing a certain interpretation of that character above others. This happened with haruka and mu which is why they're now guilty but it also happens the other way around with yuno, mahiru and kazui, especially yuno who a lot of people keep doing the exact thing she complained about in her first interrogation and through the entirety of her second trial, creating an idealized and accepatable version of her in order to decide wether what she did was wrong or not while ignoring a bunch of things in both her videos, something that she also mentioned to Es during her vd. Like these characters are not irredeemable monsters who deserve to suffer for their actions but they're also not just sweet and kind people who just made mistakes and therefore should be forgiven, and it's not fair to just look at one extreme of their characters and running along with it.
And i'm not even against the current theory of kazui being gay, because i do at least think he liked the bartender guy, but t bothers me that people are focusing so much on this one aspect of his storyline that they end up ignoring a bunch of other things in both his videos or not questioning more of the information we currently have. I don't see many people mention how kazui's wife now has eyes when she didn't in Half but that lady at the bar who did have them doesn't have them now? Cause this didn't happen with Mu's group, even though i was fully expecting them to get clear faces they remained eyeless in It's Not My Fault so why does she have a face now? What about the bar scene in Half and the way it's framed, cause the only times we see kazui, the lady and the bartender together we see them from behind, where we can't see kazui's waistcoat or the woman's face, and also the fact that he and the lady change seats between scenes? Or even stuff like how when kazui talks about fighting kotoko he explicitly mentions that in a situation like that it's usually the bigger person that wins which-
you know.
The worst part (or best dependong on what you think of this) is that i can't even be mad about this. Like i can, and i will but even so this is still part of the project. A big part of Milgram is testing the biases people have and what sort of information and framing of events people are willing to overlook in favor of others. That's what this line in Undercover refers to
"Even with accusations full of faults and mistakes. You will for sure, with a smile for sure, be pleased and satisfied"
#long post but i just wanted to get my thoughts out#anyways. i'm going back to keep analysing kazui's mvs to work on my post while waiting for mikoto's door later
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Could you do a director's commentary on "Are You In There" from Whumptober?
Heyo, kyanako! I'd be down to! Lemme pull up the fic and I'll be pulling out passages that I remember small details from. So, here we go! Mug's Director Commentary!!
First of all, the title "You in There?" That's basically the Whumptober prompt as its name, but the exact phrase is not used that often in the fic because I didn't feel like Muu would use that exact phrase? At least, she says something else on her birthday, so I decided to just reword the question multiple times.
Ever since the Wardenâs second interrogation, she was starting to feel on edge about everything. So, her sleep wasnât the best. She can probably deal with it eventually, though. Itâs not a big deal. Sheâs going to get forgiven again, anyway. They know itâs not Muuâs fault.
There's no specific time when this beginning scene occurs, but I have a feeling it's a few days after Muu's voting ends. I'd like to think all of the prisoners hear the Voices, so Muu is kind of just actively denying them because she can't be wrong.
âYou have to eat, Haruka.â âAah⌠I⌠I guess I doâŚâ ââŚYou have to come out of your room to eat.â ââŚ!! Yes, yes⌠Um⌠I canât do that.â
I wanted Haruka to still lean into what Muu wants because she shows him attention, but then suddenly realize he has to keep his promise first. His promise is the most important thing right now.
...also, it's kinda funny to see the quick switch back and forth.
Mikoto stands in the kitchen area, staring at something. Muu starts slowing down and looking away. Mikoto is a very nice guy, but ever since the end of trial one, heâs gotten a little scaryâŚ
I don't actually recall if Muu ever said this, but considering her reaction to Kotoko in trial 1, I kinda think she'd have a similar reaction to Mikoto in Trial 2.
As she turns away from Mikoto, he calls out to Muu one last time. âHey, tell Haru I hope heâs alright. Iâm glad heâs all confident now, but he seems upset now⌠Or something.â âI will.â âThanks.â When Muu makes it back to Harukaâs cell, she can barely hear Haruka inside. ââŚthey forgave me. They forgave me.â âHaruka! I brought you some food.â Muu calls out. ââŚo-oh! Thank you, Muu.â Something inside Harukaâs cell moves around, probably Haruka before the door slowly opens to half of Harukaâs face. âY-you can leave it thereâŚâ âCan we talk in your cell today, then?â âOh⌠um⌠I guess so.â Haruka fully opens his door and Muu finally can talk to someone who listens.
OOOH boy, here's a long one. breaking it down time we ball!!
I feel like, despite pulling away from the group a little out of fear of himself, Mikoto would still notice a few things, especially Haruka changing so much. Plus, I'm pretty sure he's noticed Haruka change even before Trial 2. He's noticed Haruka pulling away, too.
We never actually see Muu tell Haruka that Mikoto hopes he's alright, but I'd like to imagine during their conversation she does. (Not because I forgot that Mikoto had just done that. Definitely not.)
I enjoyed throwing Haruka murmuring that he was forgiven in because I thought it would be nice to include his thoughts on his verdict as well. He cares about Muu's, but he also cares about his because Es affirmed him, right? They said he was good and forgiven. So, why did they take it back? He was right, right? RIGHT??
oops sorry writer mug came in there (that may happen a lot, I like explaining my fics by accidentally writing more in character stuff), anyways.
Once again, going back to Haruka leaning into what Muu wants. He thinks that maybe it's not time just yet, that he has a little longer to think.
âYou havenât left your room in a few days, Haruka⌠Itâs not healthy to be inside all day.â
This sentence implies she's been doing what she was doing in the previous scene every day now. Also kinda funny considering they're inside a prison, but she's telling him that's it's not healthy to be inside all day. I know what I meant inside his room, but STILL!!
Also, side note, i really enjoyed this next passage, so yeah :D!
Yuno sighs. âFine, then. Even if Haruka clearly wants to be alone, do whatever you want.â âMuu is at least trying to be friends with Haruka. You stopped trying to be friends with anyone after the first trial verdicts were revealed! Canât you be happy you were forgiven by the Warden?â âForgiving everyone basically ruined the fun atmosphere here, so Iâm upset. The Warden can do whatever they want, but what theyâve done has caused MILGRAM to be entirely bothersome. I donât want to bother with any of it.â âUpset? Bothersome? What are you even talking about? Does it even matter if MILGRAM is bothersome? You were forgiven, canât you relax and enjoy it?â
Yuno's first line is kinda just a reference back to how she has opinions but doesn't act on them that often. She believes that Haruka should be left alone, but if Muu wants to do whatever, then so be it. It's all up to her.
Muu kinda makes a good point here where Yuno pulled away, but it's because of what happened after them. (Which is what Yuno mentions next.) (Also, "forgiving everyone" was an odd term to use here, I think it would've been better to say "Judging everyone," but "Forgiving" works considering how most people acted because they were voted FORGIVEN...
Muu wants to enjoy her... um, past forgiveness, I guess. It's because in that moment, it solidified the fact that she was right. That she was never in the wrong and it could never be her fault, right? So, she's finally able to relax. No one's out there actively trying to hurt her. (Actively look away from Muu's verdict please PLEAS)
âIt does matter when people almost died because of MILGRAM! Why are you acting like what happened to Fuuta, Mahiru, and Mikoto never happened? Because it did!â âWhat does that have to do with Muu? They deserved it after all.â Yuno stares at Muu. âWhat the fuck do you mean they deservedââ
OHH I needed this scene emotionally actually JAIODJOWIA I really wanted Muu and Yuno to fight, especially over this because they definitely have differing views on this. Yuno talks to Mahiru, who was severely impacted by Kotoko's attacks. She even mentions in her second voice drama that Kotoko is the type of person to make an assumption and not go beyond that.
On the other hand, Muu mentions that Kotoko's attacks were sorta deserved because Es did not forgive them.
so. woo D:!
âP-please stop f-fightingâŚ!â Haruka squeaks out. Yuno and Muu quickly turn to Haruka standing in front of his cell door. âI-I know itâs my fault for not leaving m-my cell, so⌠itâs okay⌠Yuno, um⌠Iâll walk with Muu. I love walking with her.â âSee! It was a good thing Muu didnât leave Haruka alone!â Muu grins. Yuno stares blankly at the two before shaking her head and walking to her cell. âOh, and, Muu⌠Just to let you knowâŚâ âEh, what does Yuno want?â âThe Warden said the forgiveness was temporary.â With a chill going down Muuâs spine, Yuno enters her cell without another word. Glancing at Haruka, they both already realize they knew that.
Looking back at this, I sometimes have like a fifty-fifty opinion on Haruka's lines, but I think they kinda work. (I don't remember if he's ever broken up a fight as well, so this could be a first for him and he doesn't want to mess up. Not after everyone thought he was being so good.) He wants them to stop fighting about him. He appreciates the attention, but he doesn't want to be the source of someone else's torment again. He blames himself because that's all he's ever known.
Also, I really wanted to drop that "Forgiveness is temporary line" because 1) It's coming from Yuno, who believes she can't even be seen as something other than forgiven and 2) it's towards the two prisoners who lost their forgiveness. That line drills in the fact that they weren't forgiven again. And, it's terrifying.
"Haruka?â Muu knocks on the cell door. There is no response. âI brought you some food.â Muu holds the food up higher as if he would see it through the door. âAre you alive?â There is no response. Sheâs⌠starting to get scared now. "You haven't grown mold or anything?â Muu tries joking. There is noâ Harukaâs cell door slowly opens with Haruka looking at the food and Muu. Haruka looks down. â.....Oh, thank you very much. Muu, I'm sorry, that ..... I..â Muu shakes her head. âDon't shut yourself up in that cell forever! You have to eat properly too, you know? I understand if you feel this way though, the recent atmosphere has been feeling bad lately.â "Um, I said it's okay..... I, thought of what I should do, a little.â Haruka mumbles.
You might recognize this! It's because it's Haruka's birthday timeline from a while back!! I really wanted to include it because this fic is very much based around Haruka pulling away to fulfill his promise and Muu checking in every time.
This is when anaphora my beloved comes in and I begin to repeat the phrase "There is no response." more often :D. You could actually see it in the last scene, too!!
âThought about what you should doâŚ?â Muu blinks before slowly nodding. ââŚoh, Muu remembers.â ââŚIâm glad.â He smiles. ââŚâ Muu exhales. âI think that you should⌠do what you want to do, Haruka.â âE-eh⌠What does that meanâŚ?â "I'm... worried, that's all." Haruka looks up at Muu, who, even if she still seems confident, has a bit of fear behind her confidence. âMuu, you⌠you donât have to worry⌠Iâm just thinking about what to do, for you, rightâŚ?â Haruka smiles. âYâŚyeah. Okay. Yeah.â Muu exhales before giving him a small smile, which he returns. She hands over some food which he takes with a nod. âMuu hopes she sees Haruka next time she drops off the food.â ââŚyeah.â Haruka nods. Muu looks around before finally leaving. âWhat do I do, what do I do, to keep... My promise. For Muuâs sake....â
I believe this is the only time I write in Haruka's POV? I kinda wanted to have a small glimpse into Haruka's side, but not too much considering this is a Muu-POV fic!
Here's also where I branch off from the original timeline but go right back to it. I really wanted for them to have a conversation about Haruka's promise. Although Muu seemed pretty nonchalant about what Haruka's promise was in Queen B, she also believes that friends are people who let you do what you want because they listen to you. She cares for Haruka. If she didn't, she wouldn't have done everything she's done for him. She's worried, and she doesn't want him to go through with it because she can't lose another friend, another person who listened to her because who else would?
âAre you there? Are you alive?â She tries joking. It worked a couple of times before, but this time, no response. Muu swallows; her fear is slowly rising. âYou have to come out⌠Itâs⌠bad for you! And, you have to eat, too!â Muu knocks on the door a little longer this time. She places the dish on the ground as she knocks even more. No response. âHaruka! Please!â Muu screams at the door. âMuuâ I miss talking to you. I miss talking to someone. The atmosphere has been feeling so bad lately and⌠Iâm scaredâ Please. Justâ Just come out this one timeâŚ! Or, write something to me and slip it under the door! Please!â No response.
Oh, here comes hell (and my friend anaphora!). Alright, so this is when Muu really shows how terrified of losing friends again. Last time that happened, she was left to deal with the bullying of everyone and she can't do that again.
She tries joking because that's what she believes will work first. Then, sorta telling him that he has to come out because it's not healthy because it worked last time.
Then, she loses it because she's terrified. She can't let this happen again.
She even stops using "Muu" (which, although I don't use it often when writing for Muu, it's an intentional switch). She just needs someone.
âHaruka!â Muu places her head against the door and begins banging the door with her hand. ââŚplease, pleaseâŚ!â No response.
This is a reference to her After Pain scene where she's banging from the inside of the hourglass. She's begging. She's back to where she once was and she can't have that; she can't have that.
âIâm begging you. Pleaseâ Please just leave your cell! Iâm scared. Iâm scared. I donâtâ I donât want to lose you. Youâre my friend, Haruka. Please donât leave meââ Muu sobs. No response.
This is basically a repeat of what I said, but Muu is terrified of losing Haruka. She's gotten "better" in her eyes and she can't go back to when she was on the ground, getting kicked around and ignored again. She can't lose someone who listens and cares. She can't lose Haruka because he's her friend. She can't lose someone to something stupid like judgment again.
âPlease⌠HarukaâŚâ Muu begs. âIâm scared. I canât⌠I donât want to lose a friend againâŚâ ââŚAre⌠you aliveâŚ?â No response.
She's terrified. She can't do this again. (It can't be her fault, right!? It was Rei's fault first. Is it hers? Is Haruka dying her fault? She didn't mean this. She didn't mean anything wrong. She was supposed to be FORGIVEN.)
She's in the same position as when she killed Rei, except it's worse because Haruka cared. He listened. He listened.
And, he's not listening, and he's not responding. Say something! Anything! Muu needs to know he's still alive.
ââŚyou in thereâŚ?â Muu quietly asks the door. There is no response.
Muu needs Haruka to be alive, in there, because who else would be there for her?
Anyways.
I mentioned this in the ending notes, but I was intentionally vague with how it ended, so you can interpret what really happened to Haruka. Is it a dream? Is he sleeping in? Did he fulfill his promise?
As a fan standpoint, good God, he has to be sleeping in. As a writer, honestly, let's see where MILGRAM goes.
So, that's my director's commentary! Thank you for reading through this longgg post ahah. Sorry for the moments where I blended commentary with writing, it helps me explain sometimes ;;
If anyone else would like to give some commentary (whether long or short, a whole fic or selected passage), I'd love to do this again ^^!!
#mug's commentary#mug writes#mug talks#hoo boy that took a bit#sorry about that! i got distracted multiple times JIDOWAOJ#thank you so much for asking though!! i really enjoyed rereading this fic#i think this might be a fan favorite of mine?? I'm not really sure lol
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ASOOT Timeline: December 2012 (Goodbye 2012, Hello 2013!)
Iâm splitting this update into two parts, since two months were covered. The January part shall be very short, but hereâs the December part. EnjoyâTimeline Anon
December 26:Â
Hajime and Hibiki have finished packing four bags for their ski trip. Hajime mentions that they should probably be careful with the relationship stuff while there, given that the Cuddle Puddle is supposed to be secret. Hibiki reluctantly agrees, but she still is planning on having sex with Hajime while at the resort, and Keiko has snuck some condoms into their luggage. Hajime and Hibiki say goodbye to Hiroshi and Keiko and are then picked up by Yoruko, Mikan, and Kotoko. After picking up Sonia, Gundham, and Hiyoko, Yoruko drops everyone off at the train station, and they leave on the hour-and-a-half bullet train ride to the Shinzen Resort in the Hida Mountains.
Nikei is happy because his latest article is ahead of five major news sites in terms of web traffic, while Iroha is waiting on a package that contains a Christmas present for Makoto and a birthday present for Maku. They are visited by Erina, who wanted to check on them upon hearing of their existence; sheâs concerned that theyâre living in a dirty old warehouse, and so she cleans it for them. Iroha, who is still planning out the mission to save her siblings, gets a call from Makoto asking to hang out while he runs some errands. As she leaves, she asks Nikei to wrap her package if it gets back before she does. Erina soon finds out that Nikei hasnât slept or eaten much today because heâs been so busy with journalism, so she insists that he eat an actual meal. He eats some noodles, they talk about their lives, and Nikei opens up a little about his parental issues. Erina tells him that he can rely on her from now on, and she even makes him some chicken cacciatore for dinner.
Makuâs doing some strength training at the gym when he gets a call from Iroha. She fills him in on Erinaâs visit, tells him that sheâs spending the day with Makoto, and asks that he stay out of the Void Warehouse for a while. He agrees and wishes her a good day before he gets another call, this time from Emma. She says that her flight back home has been delayed because of the weather, but he encourages her not to worry about it and to keep having a good time.
Itâs Makuâs birthday. He turns 16. Unfortunately, itâs also the 10th anniversary of his diagnosis, so itâs not a very happy day for him. He freaks out about it in the gym bathroom, worrying about what will happen to him if his illnesses do come back and whether or not the other Voids will be all right if worse comes to worst, but he eventually pulls himself together and resolves to talk to his friends about his problems.
Makoto and Iroha go to the local pet store so that Makoto can buy some birdseed, as heâs been tasked with taking care of a friendâs pet bird while theyâre out of town. He also wants to pick up some cat food for his mom, whoâs looking after the neighborâs cat. In the cat food aisle, Iroha runs into Tamami Furuichi, an expert in animal care, and she helps her find some quality cat food. Makoto comes over, meets Tamami, and recognizes her as being a future member of Class 78. They bond over their excitement to go to Hopeâs Peak, Tamami advises Makoto on what food is best to get for cats and birds, and Iroha, who remembers that Tamami will likely die if she goes to Hopeâs Peak, tells them that itâs best for them all to keep in touch. She has already developed a crush on Tamami, naturally, and she wants to save her.Â
Once they are done with their errands, Iroha kisses Makoto, and they both rejoice over having made a new friend. Then, Iroha tells Makoto everything about her family and begs for his help to save her siblings. Makoto comforts her and agrees to go with her to the charity event so that they can save the Nijiue siblings and expose the Nijiue parents once and for all. Upon finding out that Sayaka will be there, he admits that he would like to meet her again. He and Iroha go back home to investigate Class 49, and during this investigation, they find out that one of that classâs members, Sakura Chigusa, has since married and changed her name to Sakura Arima. She is Ayumiâs mother.
Hajime has been exercising more, since his therapist told him it was a good idea. He now has a six-pack.
The Cuddle Puddle arrives at the Shizen Resort and rides a gondola up the mountain. They have fun on the ride for the most part, although Mikanâs fear of heights makes her nervous, but the others let her hold on to them for comfort. They walk (Hajime carries Hiyoko) to the resort, where they meet Miwa Mori, who gives them a tour and thanks them for saving Fumio. Once everyoneâs been shown their rooms, Miwa takes Hajime aside and questions him about his engagement to Hiyoko, since he said earlier in the year that he was dating Chiaki and Mikan. Hajime says itâs complicated but that thereâs no hard feelings and theyâre all friends now, and Miwa accepts that explanation and hopes that they all enjoy their stay. Hajime reminds Hiyoko that they all need to keep their relationship on the down-low while theyâre here, only for him to discover that Keiko has put condoms in his bag. Everyone goes out to have fun on the slopes together.
Maku comes home to find the warehouse clean, Nikei asleep, and Irohaâs package on the doorstep. Erina has made him a carrot cake for his birthday. Iroha shows up right on Makuâs heels, takes her package, and goes to wrap it; shortly afterwards, Nikei wakes up, and Emma joins the party via Skype from the UK. Iroha returns and gives Maku his birthday gift, which is a gold bracelet with an infinity symbol on it to symbolize the Voids sticking together forever. This brings Maku to tears. He opens up to everyone about his past, his fears of his Divine Luck running out and his illnesses coming back, and his worries about if the other Voids will be all right if he dies. The Voids reaffirm their love and support for him, assuring him that theyâll be okay either way and that theyâre with him no matter what. They all share a group hug and agree to keep moving forward day by day. Iroha tells the Voids about her investigation and has a brainstorm in the process, and with that, the group celebrates what Maku considers to be his best birthday in a long time.Â
December 27:Â
At the Nanamisâ new apartment, Nikei, Iroha, Erina, Harumi, Tenmei, Mahiru, Kaori, and Hitoshi gather to discuss Class 49. Harumi tells everyone about her friends the Sakuras, three girls named Sakura who were major troublemakers and got expelled in their second year. These are Sakura Sakura, Sakura Fushimi, and Sakura Chigusa. Thereâs also Ernesto Gomez, who dropped out in his first year after racist bullying from Emina.
Kyoka and Hibito Mioda show up to the meeting, Kyoka happily reunites with her former classmates, and they instantly agree to help. Kyoka tells everyone more details about each of her classmates. Most notably, she relates the Sakurasâ story. Sakura Chigusa was an airhead who is now a PE teacher, Sakura Fushimi was an aggressive girl who is now a successful fashion designer, and Sakura Sakura was a troublemaking queen bee type with an eating disorder who orchestrated a plot to set off a bomb in the Kamakura statue in front of Hopeâs Peak a few days before her 18th birthday. Tenmei did his best to disarm the bomb, but it still knocked off the statueâs head, and the Sakuras were expelled as a result. Sakura Sakura has since cut off contact with everyone and seemingly disappeared off the face of the Earth. Nikei offers to track her down. He and Mahiru want to interview the Sakuras, while Kaori suggests checking out Big Sight, where the charity event will be hosted.
Iroha tells the group about her family, expresses regret that she ran away without them, and begs for help to save them. Everyone swears that they will. The former members of Class 49 are eager to reunite with their old friends as well. Iroha hugs Nikei and thanks him (and everyone else) for everything.
December 28:
At the resort, Hajime and Chiaki race each other on snowboards, Gundham attempts an epic snowboard entrance only to miscalculate the landing and end up in a flurry of snow, and Hibiki has trouble stopping and then falls down a hole. Meanwhile, Mikan is learning to ski in an effort to conquer her fear, and sheâs got the support of Hiyoko and Kotoko.Â
Sonia has finished Kikueâs book. She tells the others about it and offers to introduce them to Kikue when they return to school.
Later, Hibiki confides to Sonia that sheâs nervous about her upcoming first time with Hajime. Sonia, whoâs a bit more experienced in such matters, gives her advice on what to do, which turns into a short practical demonstration on how to initiate things. Gundham walks in on this, gets the wrong idea, and leaves all flustered. Hibiki thanks Sonia for her help.
Hibiki and Hiyoko talk, and Hibiki apologizes for her part in the ill-timed date. Hiyoko is currently feeling bad about all the bad things sheâs done in the past, plus she feels slightly smothered by her motherâs attempts to make up for lost time and wishes sheâd stop trying so hard. She even feels upset about her grandmother; apparently, Izumi looked very sad when Maiko last went to see her about custody paperwork, and despite everything, Hiyoko is having trouble letting go of her relationship with Izumi. Hibiki relates to that, since she herself couldnât let go of Kanade and agreed to the mindwipe because of it. Now, though, she understands that Kanade has to go back to jail once the list is done. Both girls agree that theyâll treat their kids well, and Hiyoko thanks Hibiki for taking care of Hajime. They hug. Hajime arrives, and they go to get dinner.
Mikan admits to Chiaki and Kotoko that dealing with Yumi has caused her to want to bring her own mother to justice for her crimes. Chiaki and Kotoko assure her that they can easily add Tsukasa to the list of people to take care of come January. Chiaki hugs Mikan and thanks her for inspiring her to be better. They share a kiss.
Setsuka and Umeko go to the Tokyo Detention House to talk with Mai, only to find out that she is due to be released today by order of the Steering Committee. Mai doesnât want Nagisa back, as she considers him a failed experiment, but not even Hideyoshi can keep her in jail, and she leaves with a few smug remarks to everyone present. Umeko breaks down in tearful anger.
Nikei has secured the details on Sakura Fushimiâs fashion business, and he has also found out that Sakura Arima is Aoi Asahinaâs swimming coach. He has yet to find anything on Sakura Sakura, though. As he and Iroha speculate on the missing Sakuraâs whereabouts, Umeko, Setsuka, and Ayame show up with the news of Maiâs release. Everyoneâs very upset about it until Nikei gives them all a pep talk to reassure them that they can easily take her down if she tries anything. Heâs even willing to team up with the 76 Squad if necessary, despite his issues with Masa. The group is revitalized by the potent mixture of hope and spite, and Nikei is already planning to write an article in response to this.
Iroha has a theory that Sayaka is the fourth time traveler, hence why sheâs going to the charity event and why she did that concert after the prison break. Umeko doesnât find it very likely, since Sayaka died in the Tragedy timeline, but she agrees to take a closer look at her long-range scanner and see if she missed something.
Taira is spending the night at the Fujimorisâ place to make sure that Ayumu gets enough sleep to help him recover from a cold.
Later, once Nikei has finished his article, he spends time with Ayame and confides to her that he was doing his best to be positive. The extra sleep heâs gotten thanks to Erina certainly helps. He thanks Ayame for all sheâs done to help them and for making Taira happy, and he admits that she makes him happy too. Ayame says that Taira often talks about how far Nikeiâs come. Sheâs also concerned about if sheâs girly enough and whether or not she could pull off wearing a dress, and Nikei tells her that she could if she wanted to. After Nikei tells Ayame that she has beautiful eyes, they kiss and cuddle on the couch, and she stays over the night.Â
Itâs Damianâs birthday. He turns 18.
December 29:
Chiaki, Mikan, and Kotoko are woken up at 2 AM by a scary message on the TV. It seems to be the Basilisk, threatening to kill them all unless they give up Ayumu. Fortunately, itâs just Etsuya playing a prank. With him are Naoko, Sunako, and Kaori Momota (Sunakoâs adopted daughter and Taitoâs best friend). The 2030 group has finally established a permanent connection with their counterparts in 2012, so they can talk with them whenever itâs needed. The rest of the Cuddle Puddle join the meeting, as do Taito, Kana, Itsuki, and Sayuri, and they all meet each other (much to their delight). Kotoko is also happy to hear that she does acting and charity work in the future.
After assuring the 2012 group that they are almost all safe at the Kisaragi Foundation now, the 2030 group gives Mikan the go-ahead to deal with Tsukasa if she so chooses. It also comes out that if the 76 Squad is left alone for now, they will eventually ally with the Quantum Crew on their own. Furthermore, the Quantum Crew must keep an eye out for someone named Himari Matsunaga, who they can also ask Kyoji about.
Talk turns to Maiâs release from prison, and an uncomfortable truth about her is revealed: she is pregnant with a child intended to replace Nagisa as the Shingetsusâ experimental subject. Said child is Naoko. Because of this, the Quantum Crew must leave Mai alone for now, lest they jeopardize Naokoâs existence.
Sunako and Kaori tell that 2012 group that they need to focus on stuff they can control, that theyâre doing great, that they shouldnât be too hard on themselves, and that everyone believes in them. The Quantum Crew thanks them and expresses their love for their future children.
December 30: At the Yamazaki Family Restaurant, Keiko talks to Sofia Yamazaki about how her lifeâs been going lately. Sheâs worried about Hajime, regretful over some of her outbursts towards him in the past, and wondering how best to support him and if sheâs even cut out to be a mom. Sofia talks about her own stepbrother, Asahi, who idolizes star soccer player Mitsuhiro Higa and has argued with her over that, but theyâve made up. She tells Keiko that you can have arguments with your family and still care about them, and she advises her to talk with Hajime more often. Keiko agrees that communication is a good idea.
December 31:Â
Itâs New Yearâs Eve. The Cuddle Puddle prepares for the party, and Hibiki (with extra cheerleading from Sonia) prepares for her first time with Hajime. Miwa stops by to express the hope that 2013 will be better than 2012. Meanwhile, Hajime is dealing with the bad memories he has associated with parties.
At the Shinzen Resort New Yearâs Eve party, Miwa greets the Cuddle Puddle, thanks them for coming, and wishes Hajime a happy early birthday. Everyone has fun, and although Hajime is still troubled by the mistakes he made in 2012, the others assure him that he has done good things as well. They all agree to keep improving. A revitalized Hajime takes the stage and sings âDonât Stop Me Nowâ to the ecstatic partygoers.
Itâs Harumiâs birthday. She turns 44.
//Finally, we have completed 2012. Great work! ^^
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with age comes wisdom ( or at the very least, entirely unneccessary celebrations )
Characters / Â Pairing: Fukawa Touko / Naegi Komaru ( focused ), Syo / Komaru, Warriors of Hope
crossposted on ao3
Notes: happy @tokomaruweek week everyone!! i love these funky wlw so i am going to try and have some stuff up this week, but i probably wonât manage to do the whole week / i'll go back to do the ones i miss afterwards? weâll see.
for today i decided to combine the birthdays + warriors of hope prompts.
iâm also just ignoring canonâs timeline bc god knows i did not want to figure out that bs sorry dr3 ily but i dont love you that much just know it is somewhere post sdr2 / pre dr3 probably?
i also use they/them for syo ( nonbinary hc ) and while there arenât any specific trauma mentions, given the group of characters this revolves around, thereâs refrences to the fact they have shit lives. and some lighthearted murder jokes and self-deprication?
Summary: nothing says happy birthday quite like babysitting her ( favorite ) group of brats
Itâs just her luck that this would happenâ a coincidence for sure, but that doesnât make Touko any happier about the whole thing.
This is the situation: they donât usually see the ( former ) Warriors of Hope much. The kids stay on their side of Towa, and her and Komaru tend to stick closer to the adults. The adults are the ones that need to be kept under supervision, in her opinion. Not that the kids are blameless, but is there much reasoning with brainwashed kids? No. Of course not. Are the adults also practically brainwashed and hard to reason with. Yes. Would this all be easier if Future Foundation was involved? Yes. Yes it would, but for obvious reasons they are not ( they have all agreed to omit some information from public record for the sake of those involved, and right now Naegiâs stunt with the Remnants have Future Foundationâs attention away from them ).
Sometimes Komaru takes some of the things that they get over to the kids because things are rough enough as it is, and Syo will go with her because they can keep the Monokuma off their tracks better. Or you know, because Syo is generally more helpful to Komaru when it comes to things like that. Sheâs not jealous.
Allegedlyâ Touko does not know this for a fact herself since she hadnât been fronting, and only learns this second hand while she is in the middle of typing up a report to send back to the foundationâ Kotoko is the one to bring it up, casually handing off some of her share of the cookies Komaru had made for them, to Jataro. An early birthday present, she had said ( pointedly ignoring Nagisa, whoâd pointed out she had given Jataro the ones he hated ), before turning to Komaru to ask if they could throw a party. A small one. With no murder, because that would be âtotally not adorbsâ. And no adults, because they stink ( it goes unsaid that Komaru and Touko themselves are the clear exception to this rule, which is some kind of progress, supposedly ).
That seemed like a fairly reasonable request, according to Komaru, whoâs only response was to ask when his birthday was. And then accidentally lets it slip that hey, thatâs the week that Touko-chanâs birthday is! And thatâs how Touko finds out that apparently, sheâs having a joint birthday party with the kids because Masaru managed to turn a party into a competition, somehow? Touko has no clue what that actually entails, because Komaru refuses to elaborate.
( Also, at one point before leaving, Komaru had tried asking Jataro if there was anything she could get him; to which heâd remarked, âA new mask?â
...Yeah, Touko canât blame her for not knowing what to say to that, even if Komaru had spun it as not the most self-deprecating thing he could have said, which was an improvement? She personally disagrees, but whatever )
Here, she should point out the obvious fact that she does not want to really celebrate her birthday, let alone have a party for it. Because those kind of things lean so far into the zone of things Touko doesnât really know how to handle, that it makes her close to uncomfortable. And ifâ if she had humored herself in imagining how she would ideally spend her birthday this year; quite frankly, it would be very quiet and boring and only with Komaru. Not with a group of ten year olds. Ten year olds that she might think of rather fondly, but ten year old brats all the same.
( Itâs not like she has any alive friends: if Touko acknowledges the other survivors, justifiably they are too busy with more important matters to fuss over a birthday. They arenât kids anymore. Some of them hadnât ever really been like normal kids to begin with, but thatâs besides the point )
âLook at the bright side,â She starts, and she bites back a snide what bright side and remark about how thatâs all Komaruâs good at ( itâs not. Sheâs more talented than she gives herself credit for ). âNone of you probably have really positive memories when it comes to birthdays or parties, so even if it isnât the greatest, at least the bar to please should be pretty easy to clear!â
Touko thinks she probably gets the point she is trying to make here, but Komaruâs complete and utter lack of tact doesnât make for the best delivery. âAre you trying to...to make me feel bad? S-So sorry my life was complete sh-shit growing up.â
âNo! Thatâs not what I meant at all!â Komaru pouts at her. âDoes that mean youâre not interested in having a party?â
Itâs not like sheâs so cold-hearted and selfish that sheâs going to say no to that. Well, no, thatâs not quite true, Touko might be just that; but it doesnât really matter either way, because Komaru gives her best kicked dog impression, so she says ( a less than enthusiastic ) no, she doesnât mind, yes you can have a party; even if she thinks sheâll probably regret that choice.
Okay, if you are to be honest with herself, some part of Touko that never got to be a normal child doesnât entirely mind the thought of a party, even if itâs...not the most ideal scenario, the impractical fantasy situation that lives in her head. But if she says that aloud, Komaru will either take it too seriously, use it as an excuse to celebrate things more often, or something else that probably has consequences that she doesnât want to think about. And also admittedly because if she says it aloud, she has to acknowledge it, and maybe she doesn't want to get her hopes up over something as stupid as a party.
( Thereâs also the fact that, deep in her extremely repressed memories of Hopeâs Peak before the tragedy, she does remember parties. Birthdays. Celebrating things with her classmates, if somewhat forcibly so. She has no desire to remember those things, so those feelings remain repressed with most of her trauma )
Itâs easy to not acknowledge any of that when she has to deal with the sudden onslaught of a headache that is Syo forcing themselves into their shared headspace, hand rubbing at her temples. Not trying to co-front, she can tell they arenât trying to snatch control from her ( for now ), just forcing her to pay attention to them. It works, even though Touko has told them to not do this specifically because of how irritating it is for her.
I could scare the kids into cooperating? Itâll save us a headache and a half! Syo offers, maybe too eagerly. Their ideas of scare and cooperate are probably different from her own. Still. She also knows Syo is aware of more than they are letting on, given that they had been present when this conversation had occurred, but she doesnât think sheâll get much out of them in that regard.
No. Touko tells them firmly. Itâll be counterproductive, Komaru wonât let you do that, and theyâre all traumatized enough without you adding to that.
Boo, you sure about that? Consider it a birthday gift from me!
No. She repeats herself sternly, and she feels them withdraw a bit after that. Ugh, Syo hasnât had a chance to front much recently, now that she thinks about it. Since they usually only take over when sheâs in danger, and she hasnât really been in ( as much ) danger now that things are starting to calm down. Well, relatively speaking. Syo is probably just looking for an excuse to be allowed to front, since itâs probably rough going from being very present to rarely getting the chance to be out: akin to going cold turkey on an addiction. Thatâs not exactly her fault ( or theirs ), but maybe sheâll ask Komaru if sheâd be okay with hanging out with Syo more, if only to placate them a little, before they try something more drastic.
âEverything okay? That was Syo, right?â She hears Komaru ask after a few minutes, and Touko rubs her eyes and blinks. âYou looked a little frustrated.â
She considers telling her the truth, but no point in getting her concerned over nothing. Sheâd like to figure out what she wants to negotiate with Syo firstm so sheâll leave that conversation for another time. âFine. They just...ugh, just wanted to make sure I was okay with it.â
âAnd you are okay with it, right? You arenât agreeing just because I asked?â Touko thinks she begged more than she asked, but sheâs pretty sure Komaru will only sulk if she brings that up.
âI wouldnât let you if, if I was really opposed to it.â Probably. She...trusted Komaru, or something like that, so she figures sheâd probably be more honest with herself and not mentally torture herself by putting herself through something she has no interest in. âBut...what are you even planning on doing to celebrate? I canât im-imagine weâve really got much around here that we can use for a party.â
âAh. Uhm.â Komaru looks a little embarrassed at that. âAbout that. I was kind of hoping you and Syo might help pitch in. You donât mind, right?â
Youâre hopeless, she wants to mutter, butâ
Yeah!!!! Syo wakes right back up upon being mentioned, no sense of self awareness at all, much to your annoyance, but itâs not like you completely disagree with the feeling that is shared between you two.
âYouâ You really bit off more than you could chew, hm...? Good thing this wasnât supposed t-t-to be a surprise.â She quips, leaning over to peer at the paper sheâd been making her notes on. âWeâll help, just tell us what we...what we need to do.â
âThank you, Touko-chan! And Syo too!â Komaru sounds somewhere mixed between grateful and relieved, and casually plants a kiss on her cheek as if itâs no big dealâ
She said my name last, so the kiss was for me! She knows Syo is intentionally trying to provoke her and get a rise out of her ( yeah, a rising sense of jealousy ), but puts that aside for the time being because Komaruâs blabbering on like nothing happened.
âI know we probably wonât have the whole day to ourselves to do whateverââ Correctomundo, Dekomaru! ââ but Iâll make it up to you on your birthday, okay? Weâll do something that you want.â
âYou don't...thereâs no need for that.â She forces out between gritted teeth, trying to ignore the flustered feeling in the pit of her stomach, chewing around a fingernail ( what an unattractive sight to follow that ). âBecauseâ ugh, donât repeat th-this, okay? What I want to do is spend time with...with you. Thatâs all. So donât go...you donât need to go out of your way trying to do s-s-something over the top. Stick to being normal.â
âReally? Youâre sure?â Komaru sounds a little uncertain, but happy enough to pull her into a hug, despite her grumbled complaint. âOh, but Syo has their own birthday, donât they? So I should probably ask them what they want as well, right?â
âDonât make me repeat m-myself. Itâs embarrassing...â Touko huffs, but lets herself be held against her side, just for a moment. Itâs nice, though she wonât admit it ( it is better than any real gift that she could receive ). Syo is kind enough to back off long enough to let her have this moment. âYou can ask them laterâ focus on, on what you need to plan.â
By something short of a miracle, they are able to pull together a party that is not a complete disaster, even if Komaru probably has a point when she says the bar to clear is a pretty low standard for all parties involved. The closest she has to an actual concern is the very narrowly avoided fight that almost breaks out when Masaru and Kotoko fight over which one of them should give their present firstâ which is apparently the competitive aspect of the party? Itâs probably meant to be heartwarming, if it were not such a foreign thing to Touko. Which Nagisa is quick to put an end to: because this is how they would treat Monaca, which is not inherently healthy, and sheâs glad that at least one of them can recognize that fact now. Jataro spends the entirety of the fight trying to hide behind her long skirt and, relatable kid, and rubs the top of his head while Komaru tries to both scold them for fighting and appease them because theyâre, well. Kids. Who still need to learn some things and have time to unlearn things.
So yeah, itâs a good partyâ for not being on her actual birthday, sheâll consider it one of the better memories Touko has associated with the day. The start of many, sheâd like to hope.
#tokomaru week 2021#tokomaru#toukomaru#komaru naegi#toko fukawa#touko fukawa#danganronpa#udg#dr:ae#* zhi writes#glad to have the excuse to finally post something w/ these girls.#i have several long wips w/ them w/ no motivation to finish :/
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Bookshelf Briefs 8/14/17
The not-so-brief edition!
Akuma no Riddle, Vol. 5 | By Yun Kouga and Sunao Minakata | Seven Seas â How much you enjoy this final volume of Akuma no Riddle may depend on how much you enjoy stories having a happy ending even if they have to pull the logic out of their asses somewhat. The anime finished long before this, but the beats are essentially the same, as is the result. That said, the manga is definitely making things a bit more âyuri,â and since that is the main audience for this series, I imagine fans will appreciate that if nothing else. Also, we have some really hot women in suits on the cover, and thatâs worth the price of the book in and of itself. In the end, this is the lesser of the two âassassination classroomâ titles, but that doesnât mean I didnât enjoy itâI had a lot of fun. â Sean Gaffney
Assassination Classroom, Vol. 17 | By Yusei Matsui | Viz Media â The first two-thirds of this is fantastic, as we see the class square off against each other to decide whether they will try to continue to kill Koro-sensei, or work on saving him. While lots of people get to show off their previously unseen chops, weâre all here for Nagisa and Karma, and we are not disappointed. Thereâs some backstory that mostly amounts to âwe were good friends but grew apart,â but they also represent two very different kinds of assassins. As you may have guessed, Nagisa wins the day. The last third of the manga is a bit ridiculous, or as ridiculous as you can get in this essentially ridiculous series, but Iâm prepared to shrug my shoulders and hum âPigs in Spaceâ while we power through it. Top-flight shonen. â Sean Gaffney
Food Wars!: Shokugeki no Soma, Vol. 19 | By Yuto Tsukuda and Shun Saeki | VIZ Media â Central continues its âmop-upâ campaign against Totsukiâs various research societies, and the volume begins with the last one of the day, during which Ryo Kurokiba manages to provide the only win out of 33 challenges for our heroes. That battle is interesting, as always, though there seems to be a bit more fanservice than usual, but whatâs really fascinating is the cliffhanger ending. After unwittingly helping in a Central-style lesson by serving as sous chef for Eishi Tsukasa (current first seat of the Council of Ten), Soma ends up impressing him so much that Eishi invites him to join Central. Of course that doesnât go well, and the volume concludes with the challenge: if Yukihira loses, he has to join Central as Eishiâs right-hand man, but if he wins, he gets first seat. Either way, itâs quite a big deal! â Michelle Smith
In/Spectre, Vol. 5 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics â This is based off of a novel, and Iâd be very interested to see what it was originally like. The manga does a very good job of managing to keep things interesting given that this is nothing but talk, talk talk the entire way through. The way this is done is by dramatizing the events that Kotoko is theorizing about as if they are happening (which leads to one of the few moments of humor in the book when Kotoko sets up Saki as the prime suspect) interspersed with Kuro fighting Steel Lady Nanase in the background, which is a well-choreographed if somewhat tedious fightâby its very nature itâs going to last the whole book. The next volume is the final oneâwill our trio pull it off? â Sean Gaffney
Kaze Hikaru, Vol. 25 | By Taeko Watanabe | VIZ Media â Every year, I am so happy when a new volume of Kaze Hikaru comes out and every year I get so annoyed with its main character. Itâs to the point now where the series would genuinely be improved by her sudden demise. But yet, I do so love the deep feelings of love and loyalty between Hijikata, Okita, and Kondo, and those are enough to overlook Seiâs foolishness. Sheâs once again getting all bent-out-of-shape over bushi discipline which, again, she shouldâve known to expect when she joined the troop. But she just canât help making an undignified scene trying to spare an accountant guy his fate when money goes missing. At least in the end, she sees that Hijikata is not actually cruel, the accountant shouldnât have been a bushi either, and the real culprit was a creep. If only itâd stick and sheâd mature some. Oh well. Iâll still be eager next year, Iâm sure. â Michelle Smith
Maid-sama!, Vols. 17-18 | By Hiro Fujiwara | Viz Media â As is appropriate for a two-volume omnibus, this is definitely divided into two halves. The first one shows us Misaki coming to Usuiâs rescue, and itâs as ridiculous as you might have expected, complete with her trying to jump off a great height because she knows he would easily do it. (She sustains light injuries herself.) The second half shows us that after all this time the true antagonist is still Misaki herself, and her need to be respected warring with the fact that she works in a maid cafe. Once she gets over this and is able to tell everyone how proud she is to do that, thereâs nowhere else for the series to go, so it ends with a wedding, albeit ten years in the future. Far more variable than expected, but overall I enjoyed it. â Sean Gaffney
Miss Kobayashiâs Dragon Maid, Vol. 4 | By coolkyousinnjya | Seven Seas â And this is where my enjoyment of the lead character and vague yuri is completely overshadowed by my dislike of stupid fanservice and annoying villains needing to be redeemed. Ilulu proved to be even more annoying than her introduction at the end of the last volume suggested, and I also groaned and slapped my head at the âletâs give Kobayashi a penisâ chapter. At times the series can still be intriguing, such as the chapter showing us how Kobayashi met Tohru on that drunken night, or the occasional depth Kobayashi receives. But itâs just not worth trawling through endless pages of ridiculous breasts and screaming lolis to get to it. Sorry, but this is the end for me. â Sean Gaffney
My Hero Academia, Vol. 9 | By Kohei Horikoshi | Viz Media â Over the past few months, itâs become clear that we have a new contender to take over the âBig Threeâ position now that both Naruto and Bleach have ended, and that contender is My Hero Academia, which has gotten staggeringly popular. And with good reason, as reading this volume shows us the author at the top of his game, with several villains infiltrating our heroesâ training camp and attempting to abscond with Bakugo. Things get very rough for a while, mostly as, being heroes, the kids need permission to fight back with all their strength. But once they do, great things happen, particularly with Midoriya, who remains the star of this ensemble. If you havenât read this series yet, please start now. â Sean Gaffney
Nisekoi: False Love, Vol. 22 | By Naoshi Komi | Viz Media â As expected, Marika is written out, though in the end sheâs not killed off OR married offâsheâs sent to Pittsburgh, the only place that can cure the unnamed Love Story Disease she seems to have. But not before we get a thrilling rescue attempt with lots of wild fighting and far more helicopters than youâd really expect. Meanwhile, in terms of the only two girls who matter (sorry, Tsumugi), Onodera is still not QUITE ready to confess, but is trying to warm Raku up to it. I doubt that will go well. And Chitoge and Raku have another disaster of a date where she keeps completely misreading what he wants, which isnât helped by his not really knowing. Weâve got three more volumes after this, so SOMEONE needs to get a clue soon. â Sean Gaffney
Scumâs Wish, Vol. 4 | By Mengo Yokoyari | Yen Press â Weâre just about midway through this series, and Iâm starting to wonder if itâs going to turn dark and tragic. Hanabi is travelling down a spiral that Iâm not sure sheâs able to control, and Minagawa is not helping there at all. Probably the most intriguing moment in the manga comes when Minagawa is bored out of her gourd on a date with Kanai⌠till he accidentally calls her Hana-chan, and itâs as if all of a sudden it matters to her. One thing that the author excels at is showing us the tempestuous fire of desire and sexual heat without ever, ever having it connect into anything resembling love. Itâs so sordid, and again, I wonder how long things can go without someone snapping and a murder or suicide occurring. Addicting. â Sean Gaffney
UQ Holder, Vol. 11 | By Ken Akamatsu | Kodansha Comics â Thereâs a lot of stuff happening in this book. Yukihime rejects Touta as she still loves Negi, we find out Negi was possessed by the big bad from Negima! and has been suffering the last 20 years, Fate and Eva are trying to save and kill him respectively, both thinking they carry out his true wishes, and finally far more of the Negima! cast are still around than weâd previously thoughtâindeed, Zazieâs even turned into a shipper. But no, at the end of the day this is the volume that tells us that Karin was actually Judas Iscariot, her immortality a result of betraying Christ, who Touta, seeing Karin suffering because of that, offers to punch in the face the next time he sees Him. I⌠donât know where to begin. What the what? â Sean Gaffney
By: Michelle Smith
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