#and getting no reaction like come on

[edains]

playing thru the citadel dlc (which works so much better as an actual epilogue thank you CEM authors) and as a whole: im ok with it, its got funny moments, nice moments and good opportunities for screenshots

but as far as a "love letter to the fans" as a fan of ashley and kaidan - i don't feel it

ashley's meetup is basically the same whether its a friendship or you're romancing her, kaidan gets weird ass hostility from traynor and both of them get dismissed when it comes to them being concerned over EDI'S body (cause it was the thing that landed them in the hospital for half the game) by joker and traynor (you know, the dev's mouthpieces for shitting on the VS lmao)

also i guess by the time i get to it i feel burnt out? nobodys fault and i know i can just take a small break and come back to it but i also feel like i'll have a nagging feeling like "oh gotta go back and officially finish this shepard's playthrough"

[atalana]

but seriously i do find it so funny that ford was like OH GOD MY PRECIOUS REPUTATION after bill possessed him around other people for all of one night

and then he gets back to this dimension after thirty years and this is now the photo the press associates with his name

[helpallthenamesaretaken]

i hate how sometimes people make out rachel to be this tragic heartbroken mess. WELL FRIENDLY REMINDER THAT

she was the one who dumped percy in the first place

and the scene after that she said "I don't have to tell you what you have to do now, right?" with the next scene being percy confessing to annabeth

she genuinely CHOSE to be the oracle, if she was really serious about percy she would have not have gone along with the whole thing without being a tiny bit sad about not dating percy

she flat out admitted percy was just a vehicle for her to be involved with the greek world

she is not august by taylor swift. she is not driver's license by olivia rodrigo. she did not care less about percy once he didn't reciprocate pls 😭

[bigfatbreak]

dad villain au: did emilie just. not consider at all that adrien was literally dying at the time. wow

she's in the habit of deciding when Adrien's suffering is acceptable, and if it is, she'll just fix it later.

[poorly-drawn-mdzs]

Have you seen my little lad?

[First] Prev <–-> Next

[tumatawa]

I wish she had more scenes... Whateva

[soarrenbluejay]

Supervillains for a community. (Well, except those jerks over in Gotham, insular lot, but they’re they’re one problem) Of course they do- supervillains are a group defined by strong opinions and a willingness to see them through, often with a healthy dash of societal failures and trauma as a catalyst.

The fentons, while not active even on the online message boards, are well known and explosive when they do show up, full of fascinating insights and hours long rants on mad science on hair pin turns courtesy of that ADHD attention span. Bit of the cryptids you feel honored to bump into kind of deal. Besides, like a good quarter of the community as it aged, they’d settled down and had kids (not necessarily in that order) and taken it very seriously! Out in the middle of nowhere, where even the most fearsome government outpost members, the local branch of the IRS, quake before them in fear. Out of the way.

Reveal gone okay-ish, Danny moves to Gotham still to get some air bc now things are Akward and he landed that engineering scholarship which is loads better than any other college would give him with his track record. So- the mysterious Fenton children are finally crawling out of hiding! Everyone is psyched! And roll in to Gotham en masse to witness the fireworks!

Except Danny is Determined To Be Normal. He’s had enough of the throwing himself into harms way shit for a lifetime- he wants to be free to peacefully built Rube Goldberg machines and unintentional increasingly complex bombs to his hearts content. JAZZ, on the other hand- the coveted token Normal One, has finally snapped! She’s watched her baby brother she practically raised throw himself into danger over and over and could do nothing, and now that she’s exposed to this whole network of superheroes outside of small town Amnity, some of those uglier emotions are coming out. And boy is she pissed! And can’t afford to show it much while filing the paperwork to have Arkham legally razed to the ground!

See I love this idea of like, niches in superhero society. A villain the heroes know they can plop their kiddo down with for an exciting afternoon brawl while they take care of a particularly grisly case and come back to a few hours later ranting about some new life lesson and a new move they really want to try. A villain who has a functioning moral compass despite their somewhat batshit long term goal and you can contact to fuck with another villains’s plan so they can laugh at them and you can have an easy afternoon. One who pries up hostile architecture and fills in pot holes, idk man. Get creative here, there’s such potential!

So Jazz becomes a Training villain- someone the heroes know their sidekicks will walk away from in a fight 100% of the time, usually with some new lesson to ponder and only a couple of bruises. Sometimes even snacks!

She also absolutely ambushes mentors to check that they’re worth the kiddo, which they appreciate once they get over being jumped in a dark alley by a 7 foot Amazon trained force of nature. They are not used to being on that side of the jumping, it’s a little unnerving.

(Yes, she low key adopts Shazam upon checking in with him on cursory ‘is the main hero of this city and asshole’ checkin. Yes, the super clones get yoinked out from under Superman’s negligent thumb to go have a blast with Ellie. What about it?)

This however only encourages more assorted weirdos to crawl out of the woodwork. It’s not often one of their own forfeits their potential spot for the running of the coveted Most Normal I Swear prize, but when they do it’s bound to be good! But jazz is off hounding various heroes and punching the faces in of pedophiles and shit whenever there’s no cape within easy reach, and so is a mite bit harder to contact than Danny, who has innocently gotten an apprenticeship under a clockworker for access to their workshop and is gleefully going about doing nerdy shit with great abandon.

Plus this is Gotham. No one gives a shit if someone in the Mad Alchemist uniform and still smoking from their latest experiment pokes their head in a window to bother the local shrimp teen- none of the usual social rules apply, everyone’s crazy here! So everyone drops any and all attempts at masking and just acts their genuine unhinged selves, much to the alarm of the Bats and frustration of Danny.

Bc he cannot get these mfers to go. Away. Even liberal use of the creep stick has little effect when the interloper is calibrated for an opponent with super speed or laser vision or whatever, and he’s trying to maintain his guise as a Normal College Student Do No Investigate.

So he calls in the big guns. He’s not super active in the supervillain kids group chat ever since things in amnity calmed the fuck down post becoming King and then immediately using a loophole that says he will not take the throne until he is grown, as defined by finishing learning his trade a la the medieval standards Pariah set up. So he can just take his sweet ass time with his graduate degree and out of inter dimensional bull shit that much longer! Point is, he hasn’t taken the chance to rant over there in a while, so his Crazy friends are getting a lil worried.

The change to come over and shout at their batshit crazy but (mostly) well meaning parent AND see Danny? Score!

The bats, however, are getting awfully suspicious about this one kid that villains from all over the country are flocking to, especially young and upcoming ones as of recently! And he’s acting his engineering course- all the worst rogues are known to have flown through their PhD studies prior to Cracking. They seem to have a real problem on their hands with this Fenton guy.

[divineandmajesticinone]

4 MINUTES (2024) I 1.01 "I'm sorry. My dad wants me to go home now. For dinner."

[puppppppppy]

Alex and my farmer Cosmo (he/him)

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.

[somegrumpynerd]

More dude and bruh texts

[nellasbookplanet]

Downfall has only just started, but already I'm deeply curious what Bells Hells reaction will be to seeing it play out. I've mentioned before that I suspect the dislike or outright disdain some of the party feels for the gods - most notably Ashton and Laudna, but also Imogen at times - is in part a product of the gods being so distant as to not feel like real people to them, and therefore being easy scapegoats.

It’s easy to see the mortal victims of Ludinus and the Vanguard as just that: victims. The Hells have met them, have been them. They have not seen or felt the gods suffer in the same way. Laudna even went so far as to blame the gods for mortal deaths and suffering after the solstice, even as the gods are the ones under attack. They feel uniquely abandoned by the world, and it's easy to blame these distant, powerful figures for their hardship. Certainly much easier than to see the mortal systems that enabled their harm, or to actively seek improvement on their own.

But to see the gods now, not just as people but as mortals, with all the flaws and vulnerabilities and fears of any of the Hells, with loved ones of their own and the same desperate sense of self-preservation as any living thing, will they be able to hold onto the disdain that they’ve clung to for so long?

[charlie-rulerofhell]

Pick up the pace, pack up the gear Gimme some face, a souvenir Here come the gays, here comes the fear Now we're having fun

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[syn0vial]

also, i love how astarion spends the entire time leading up to his confrontation with cazador fantasizing about how much he wants to kill him, snarling his name whenever he has to speak it, talking about how good it will feel to finally see him dead. you suggest that maybe he might experience some complicated emotions once the deed is done and he's like, "no, how dare you, it's going to be the greatest moment of my life!!! i can't even think of it without smiling!"

and then astarion finally kills him. and immediately bursts into tears.

love that for him. genuinely.

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."