#and from 2018 on the previous one

[theemeraldforestafterdark]

I don't know where to begin. I don't know how to begin.

I was thinking when I woke up that these blogs, in an ideal world would contain: my writing (fiction), text posts about stuff that isn't about me, my photography (with a new camera) and lots of themed reblogs. There'd be far less of posts like this. Which am beyond tired of writing. They're never made for attention or any of that, rather that they come from a place of sheer frustration. Especially in the wake of realising why everything is the way it is over the past 5-6 years. I'm just not happy and not content and haven't ever been free from those which have derailed me so severely. The constant year in year out anxiety is increasing and I'm getting more and more worn down. I am well and truly stuck. Any life I did have, scattered lightly through my time on earth, feels like it's ended, and yet I'm still here.

How do you even begin when the world is falling apart like it is, too. I don't think I'd get the right treatment from professionals at this point, because it spans my entire life, not just medical, but everything. Every part of me needs sorting out and untangling. I've lost years and years and years not realising what was going on. I kind of miss when I thought it was all on me and not really knowing the true reasons.

[rockabye-rinzler]

..don't ask why i decided to redraw this of all things...

(+ added a bonus "normal color" version for fun!)

[thedreadvampy]

wait no sorry one last quick immature bitch moment

the more I find out about how this person has behaved in both this relationship and a bunch of other relationships, the funnier it is how much they like to set themselves up as a like. authority on ethical nonmonogamy and consent and conflict management.

when like. they constantly sexually assault people to prove a point, pressure their partners into shit, got into enm by cheating on 3 people concurrently, and literally every time a problem in their orbit is brought up it gets explained away without anything actually changing, or they cry about how hard it is until everyone says OH NO IT'S FINE DON'T WORRY ABOUT IT

you know. very "call yourself a Community Organizer even though you're not on speaking terms with your roommates" energies.

[silleye]

waow... miku expo...........

[demonlorddante]

Seeing jesus christ superstar with graham this month I’m gonna be really normal about it btw

[citrlet]

i fear i may be entering my far cry 5 phase again

[eldritchmochi]

i have the seasons soup mugs from 2000, which are squatter and wider than your average coffee mug by a significant amount, and also dont have that eyecatching label design, so it doesnt really look like a novelty *coffee* mug

the thing that im so baffled by about it is the bit about how this mug (at one point mugs, but one got lost in a move) have always been with my bowls, always on a different shelf than my regular mugs, frequently in a different cabinet from both my regular mugs and my standard glasses, AND i pretty much always give specific directions on where to find glasses for water because my kitchen organization isnt quite intuitive compared to a lot of people's since, while im tall, i have hella joint issues that means common use items have to be as low as possible. how people always go to the wrong cabinet and without fail unearthed my damn soup mug from behind other shit where i stash it because its not common use, i havent the foggiest

i have much more eyecatching and goofy coffee mugs *right there*, and currently my glasses are really cool too so why??

[coatabyss]

shoutout to the longest lasting and only plant i own rn

i lov u joshua

[william-shakespeare-official]

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

[blueiscoool]

Tiny House with Elaborate Frescoes Unearthed at Pompeii

Archaeologists have uncovered a tiny house in Pompeii that is filled with elaborate – and sometimes erotic – frescoes, further revealing the ornate way in which Romans decorated their homes.

Situated in the central district of the ancient city, the house is smaller than normal and unusually lacks the open central courtyard – known as an atrium – that is typical of Roman architecture, the Archaeological Park of Pompeii, which oversees the site, said in a statement Thursday.

This change could have occurred due to shifting trends in Roman - and particularly Pompeian - society, during the first century AD, archaeologists said.

Pompeii was destroyed by the eruption of Mount Vesuvius in AD 79 when its buildings and thousands of inhabitants were buried beneath layers of ash and pumice. This coating perfectly preserved the city for millennia, making it one of the most important archaeological sites in the world as it offers an unprecedented insight into Roman daily life.

This latest discovery spotlights the ornate decorations that rich Romans enjoyed in their homes – several frescoes depict mythical scenes and others are decorated with plant and animal motifs on a white background.

One small square painting set against a blue-painted wall depicts intercourse between a satyr and a nymph, while another shows Hippolytus, son of the mythical Greek king Theseus, and his stepmother Phaedra who fell in love with him before killing herself when he rejected her in disgust.

One fresco likely portrays the Judgement of Paris, though it has been damaged by previous excavations, and another shows Venus, the goddess of love, and Adonis, her mortal lover.

Erotic and elaborate frescoes like this have been uncovered in Pompeii before. One house covered in erotic frescoes reopened to the public in January 2023 after being closed for 20 years while another fresco depicting an erotic scene from the Greek myth “Leda and the Swan” was uncovered in 2018.

Elsewhere in this newly excavated house, the last ritual offerings left before the eruption still remain at the household shrine, known as a lararium.

“We have archaeologists, restorers, archaeobotanists here to understand exactly how the ritual of the last sacrifice was carried out before the eruption,” said Gabriel Zuchtriegel, the park’s director, in a statement. “There are still the burnt remains of this ritual, there is the knife that was used.”

This excavation, Zuchtriegel added, “takes place under the eyes of the public” who can access the site on suspended walkways and watch archaeologists working.

By Issy Ronald and Sharon Braithwaite.

[rebirthgarments]

TW: Chemical w-rfare, Ab-rtion

Urgent Ask to evacuate Nara, a 🍉 disabled woman with MS who also has pancreatic cancer due to chemical w-rfare.

Support by financially contributing to her @FedUp4Palestine vetted funhnd-raizer (that I personally vetted): givebutter.com/NaraMedicalAid

+ resharing/ reposting this post!

I, Sky Cubacub- a Fed up 4 Palestine team member, have been in direct contact with Nara to get to know her and her story more over the past few days. We have become fast friends due to so many overlapping symptoms of our disabilities. Nara’s story caught my eye because I have post-viral ME/CFS which many times is a precursor to MS. I really want my disability community to show up for her to get this campaign funded that is so close to my heart so that she can continue medical treatment.

We have chatted extensively! During our chats, I found out from Nara that she had not previously had health issues until she was exposed in the white phosphorus attack in 2008. The long lasting damage and effects of phosphorus continue to compound and become more and more disabling to this day, even after 16 years.

Here is her story in her own words (edited for clarity):

“Hi I'm Nara,

I'm a cancer and multiple sclerosis patient. I need treatment, examinations, and follow-up on a regular basis, but the hospitals in which I used to follow up were bombed and the other one was turned into military barracks. All I need now is to leave Gaza for treatment, preserve my life, and live with my family in peace.

We're a family of 4, including my 12 and 7 year old children.

I had been diagnosed with a tumor in the pancreas as a result of inhaling phosphorus in a previous war. A couple years after being exposed to phosphorus, I became pregnant, and the fetus was pressing on the tumor, which drew the doctor’s attention to the cancer. My fetus was emergency aborted, and the spleen, 80% of the pancreas, and part of the small intestine were removed. I complained every now and then of a lot of pain as a result of the removal of part of the pancreas. I was having follow up care in the Turkish Friendship Hospital for hematology and tumors. But since the beginning of October, I have not been able to follow up because the hospital has turned into a military barracks.

The remaining part is talking about multiple sclerosis:

In 2018, I was diagnosed with multiple sclerosis. I had many complications, such as inflammation of the seventh nerve in the eye, the inability to walk with balance, movement with difficulty, and many symptoms. I was then required to take 12 injections every month and many medications and vitamins. I was following up at the Nasser Medical Complex in Khan Yunis, but unfortunately the hospital was out of service due to the war. So for a long time I have not received any injections. MS is truly difficult and it controls my life completely, and the attacks occur in many and varied ways.”

A note about her breathing apparatus:

Because people in displacement have to wait in long queues and pay to use the bathroom, Nara had started to restrict her water intake because of a UTI she never has been able to heal from. This has created a problem with raised levels of potassium, so doctors have placed her on oxygen for fear of the potassium affecting her heart.

Goals

she needs at least $15,000 to evacuate

2 adults at $5,000 each

2 children at $2,500 each

this price is subject to increase due to the cost of registration for evacuation continuing to go up

The other money will go to the cost of treatment and living costs.

Nara chooses to stay anonymous because she has had to mask her disabilities so much that only her family knows about her MS and Cancer, so we have not linked her instagram, but we are in direct contact with her and can verify that she is who she says she is! Because of this, she cannot promote her own fundraiser, so it is our job to collectively do it for her!

[Image Description: a digital illustration by @k8deciccio of Nara, a Pal-eh-stienian woman wearing a black hijab/outfit with purple highlights. She has a breathing apparatus that is bulbous that goes in her nose. Text Reads: Help Narawith Cancer and MS Treatment, She Must Evacuate with her family of 4. $30k goal givebutter.com/NaraMedicalAid . There is a QR code in the bottom right corner that goes to her support link. The @FedUp4Palestine logo is in the top left corner.]

[doyoulikethissong-poll]

The Rolling Stones - Paint It Black 1966

"Paint It Black" is a song by the English rockband the Rolling Stones. A product of the songwriting partnership of Mick Jagger and Keith Richards, it is a raga rock song with Indian, Middle Eastern and Eastern European influences and lyrics about grief and loss. Two months after it being released as a non-album single, London Records included it as the opening track on the American version of the band's 1966 studio album Aftermath, though it is not on the original UK release.

Originating from a series of improvisational melodies played by Brian Jones on the sitar, the song features all five members of the band contributing to the final arrangement although only Jagger and Richards were credited as songwriters. In contrast to previous Rolling Stones singles with straightforward rock arrangements, "Paint It Black" has unconventional instrumentation, including a prominent sitar, the Hammond organ and castanets. The song was influential to the burgeoning psychedelic genre as the first chart-topping single to feature the sitar, and widened the instrument's audience.

"Paint It Black" was a major chart success for the Rolling Stones, remaining 11 weeks (including two at number one) on the US Billboard Hot 100, and 10 weeks (including one atop the chart) on the Record Retailer chart in the UK. Upon a reissue in 2007, it reentered the UK Singles Chart for 11 weeks. It was the band's third number-one single in the US and sixth in the UK. The song also topped charts in Canada and the Netherlands.

"Paint It Black" was inducted into the Grammy Hall of Fame in 2018. In 2011, the song was added to the Rock and Roll Hall of Fame's list of "The Songs that Shaped Rock and Roll". It has seen commercial use in film, video games and other entertainment media, such as Full Metal Jacket (1987), The Devil's Advocate (1997), Wednesday (2022), as well as being used as a plot device in the supernatural horror film Stir of Echoes (1999).

"Paint It Black" received a total of 92,8% yes votes!

[finnlongman]

Dear Tumblr, I have been desperately wanting to share this news with you since May last year and now I finally can: Gollancz is publishing not one, not two, but THREE of my queer medieval retellings over the next few years! You'll have seen me posting little bits about these books in the past, but I'm so excited to get to share them with you properly.

First up in 2025: The Wolf and His King, a queer retelling of Bisclavret that uses werewolfism as a metaphor to explore chronic pain and illness. It's also very much about gay yearning, fealty, and the mortifying ordeal of being known. Partially in second person and partially in verse, you can see my previous posts about it under the tag the wolf and his king or, for the really early ones, werewolves and gay yearning.

In 2026, I'm bringing you The Animals We Became [working title], which is a queertrans retelling of the Fourth Branch of the Mabinogi, looking at gender, compulsory heterosexuality, and trauma, via nonconsensual shapeshifting. Lotta trans vibes, lotta trauma; I wrote a first draft of this last year because I got carried away writing the sample chapters for my proposal and I'm excited to get deeper into it in edits. Aka t4t shapeshifting and trauma; generally tagged as also owls are transmasculine now.

And finally, in 2027, which is the one I've honestly been most excited to tell you guys about, it's To Run With The Hound [working title]. If you've been following me for a while, you'll know that I wrote a book with this title way back in 2018… well, the one I've sold isn't exactly that book, it's a proposal for how I intend to completely rewrite that book from the ground up, but yes, this is it: my Cú Chulainn novel, my queer medieval Irish book, my (hopefully) magnum opus. Haven't written it yet, but the plan is to use a nonlinear narrative to explore why Táin Bó Cúailnge is a tragedy, featuring a great many feelings about Fer Diad, Láeg, and Cú Chulainn himself.

There's a bit more detail and some FAQs on my website right now, but the most important thing is QUEER MEDIEVAL BOOKS WRITTEN BY SOMEBODY WITH MULTIPLE DEGREES IN MEDIEVAL LITERATURE. If that sounds like your jam, stick around.

[joemama-2]

velvet lies

pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. wc: 7.4k (shorter chap woop) tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, (mentions of) cheating, scandals, death, blood, drugs, drama, family drama, miscommunication, blackmail, unhealthy coping mechanisms , depression, manipulation series masterlist < previous chapter < next chapter

Year: Early 2018

He hasn’t been answering your phone calls. Or your texts. A growing sense of anxiety and worry forms in your gut. You've trained yourself to push down the more insidious thoughts that threaten your already deteriorating relationship. It’s been a long day for you. From work, to your annoying mother, and now to your M.I.A boyfriend. You wanted to relax at home with a movie and soothing music, maybe even food. However, it’s been hard to eat for the past few weeks. 

The last place you wanted to be was at some house party with snobby people who probably never have realized the true meaning of a dollar. The music is loud and the blue lights do nothing but further annoy you, reminding you of just how much you hate parties. Pushing through the throngs of people, either too drunk to high to give your rudeness a huff. 

It’s not hard to spot him, but the sight makes you dig your nails into your palms. Feeling bile rise in your throat when a girl—one you’ve never seen before—is getting too close and personal with your man. And worst of all? He’s not even pushing her away. He’s obviously drunk. Still, you assumed he would have that much decency to push back flirting advances from random girls. He always did.  

But things have been changing recently, slowly but surely. Ever since that happened. 

Your feet work quickly, forcing yourself to stay determined and not break down and cry right now. You’ve been doing too much of that. “Satoru.” You call out, voice loud and firm enough that he swivels his head to meet your eyes on just the first try. The girl does so also, head tilting in a scrutinizing way that you hate. “Are you drunk?”

The tint on his cheeks is proof enough. But so is his lazy grin. “What do you think?”

The girl giggles, leaning into your boyfriend’s arm. Watching her do so sends a wave of fury down your spine. You would have stepped in if it weren’t for Satoru finally being a decent man and pulling away from her. “Sorry, you gotta go.”

“Excuse me?” The girl huffs, scowling in disgust. “For what? I thought we were having a good time.”

So, they were together the whole night, huh? They probably would have stayed together if you didn’t make an appearance. What if they would have taken things further? What if Satoru imitated something? You can already feel the familiar tingle at the back of your throat, turning around and heading back for the door. He follows, grabbing your arm in an attempt to stop you. “Y/N—“

“Don’t.” You grit, yanking your arm away and pushing your way back out to the front of the large house, ignoring some of a drunken couple’s protests as you ruin their make-out session. When you make your way onto the sidewalk, you feel a more insistent tug at your wrist that causes you to face him fully. Meeting his glazed-over eyes with your own teary pair, biting down on your quivering lip. “Why didn’t you answer your phone? Why are you ignoring me?”

He sighs, running a hand down his face when he lets go of you. “I’m not ignoring you, Y/N. I’m sorry, I should have told you I’d be out. But it was last minute.”

A scoff falls from your lips. “Last minute, huh? Is that what you call it? Hanging around some random girl and acting like you don’t have a worried girlfriend waiting for you?”

“Y/N—“

“Did you cheat on me?” You ask, voice cracking. Your tears now flow freely down your face, eyes red. The expression you adorn does nothing but break his heart. He hates seeing you cry, he always has. And the small, sober part of him is cursing at himself for being such a jackass tonight. But the dominant, drunk side wants no part of an argument tonight. 

“No, I didn’t. I’d never.”

“I don’t believe you.”

“I don’t know what you want me to say, Y/N.”

“I want you to be a good boyfriend for once!” You croak out, pushing him back by his shoulders. “Y-you know what I’m going through, you know how hard it’s been. And what do you do? You go out and party, you don’t tell me, and I find some random girl all up on you. And then you smiled like it was funny. D-do you know how much you’re hurting me even more, Satoru?” The trembling of your voice pokes at his heartstrings. 

Satoru stares at you, his expression faltering. For a moment, you think you see guilt flicker across his face, but it’s quickly replaced by something colder—defensiveness. “I didn’t mean for any of this to happen, alright? I was just...blowing off steam.”

“Blowing off steam?” you repeat, your voice rising as fresh anger bubbles in your chest. “You call this blowing off steam? Ignoring me? Letting some girl throw herself all over you? You’re unbelievable.”

He rakes a hand through his hair, frustration clear in his movements. “What do you want me to do, Y/N? Stay at home and sulk all the time? I can’t—” He stops himself, biting his lip, but you know what he was going to say. 

“You can’t what, Satoru?” Your voice cracks again, but this time it’s laced with more rage than sorrow. “You can’t deal with me? With everything I’m going through? You promised you’d be there for me. You said we’d get through this together.”

“I am here for you!” he snaps, but the slight slur in his voice takes the edge off his words. “But you’re acting like I can’t breathe without you questioning every little thing I do. I’ve been going through shit too, Y/N.”

You suck in a shaky breath. “That’s not fair,” you whisper, your fists clenching at your sides. “You know it’s not. If I didn’t care—if I didn’t love you—I wouldn’t be here, trying to fix this.”

He exhales heavily, his shoulders slumping. “I didn’t cheat on you, Y/N. I swear I didn’t. But I—” He hesitates, his gaze dropping to the ground. “I don’t know how to handle all of this, okay? It’s a lot.”

Your breath hitches, his words cut deeper than he probably intended. “You think this isn’t a lot for me too?” you ask, your voice trembling. “I’ve been trying so hard, Satoru. To hold on. To be strong. For both of us. But you’re slipping away, and I don’t know how to bring you back. I know how to handle things just as much as you do.”

He looks up then, his blue eyes clearer now, filled with something that looks almost like regret. For a brief second, you think he might apologize—might say the words you so desperately need to hear. But instead, he shakes his head and says, “Maybe we just need some space.”

The world tilts beneath you. His words echo in your mind, louder than the music still blaring from the house behind you. “Space?” you repeat, barely able to say the word. “You want to take a break?”

“I don’t know,” he admits, his voice quiet, almost defeated. “I just...I think we’re both hurting each other more than we’re helping.”

You laugh bitterly, wiping at the tears streaming down your face. “No, Satoru. You’re hurting me. You’re the one who stopped trying. You’re the one who’s giving up.” He flinches at your words, but he doesn’t argue. And somehow, that hurts even more. You shake your head, stepping back from him. “If space is what you want, then fine. But don’t expect me to be here waiting when you figure yourself out.”

You turn and walk away, your heart shattering with every step. This isn’t how you imagined the night would go. It isn’t how you imagined your relationship would go. But as you leave him standing there on the sidewalk, you can’t help but wonder if this was inevitable all along.

The same song begins to play. Because soon,  his arms are wrapping around you before you even know it, shoving his face into the side of your neck. “No, no, I-I’m sorry. I didn’t mean that. I’m drunk, okay? Please don’t leave, please. L-let’s just go home, my parents aren’t there. Please, Y/N. I’m sorry.”

And like a broken record, you give in. Because the broken part of you still craves him. His touch, his comforting hugs, his words. His everything. You feel like a puzzle with pieces too big or small to fit, some pieces lost. But with Satoru, he makes them fit. He finds those pieces of you; the ones you can’t find yourself. In a way, you know things are failing and falling apart. 

But you’re laying back in his bed, feeling the constant vibration of your phone. Texts from your mother and you have no doubt she’s blowing up your phone about the way you snuck out and demanding to know where you are. It’s interesting, you’re twenty-one but she treats you like a kid. All because you still live with her. 

Your heart feels heavy, your stomach twisting with nausea and you’re not even the drunk one. His hands hold your teary cheeks, meeting your gaze with watery ones of his own. Combined tears wet his pillow until there’s no more to give out. He’s been crying with you, but sometimes it feels fake. 

“Did you cheat on me?” You ask again, whispering in a shaky tone. 

His lips purse and he shakes his head. “…no, I didn’t. I told you, I’d never.”

You search his face, looking for cracks in the foundation of his words. His sorrowful eyes, flushed cheeks, and trembling hands—all of it feels sincere, but it doesn’t feel like enough. Not so much anymore. “You’re sure?” you whisper, your voice barely audible over the pounding of your heart. 

“I’m sure,” he says, his voice soft but firm. “I swear to you, Y/N. I’d never do that to you. Never.” His thumb brushes away a stray tear on your cheek, and for a moment, the warmth of his touch almost convinces you.

Almost.

You close your eyes, exhaling shakily as his hands cradle your face. You want to believe him. You need to believe him. But the doubt lingers like a shadow, clawing at the edges of your mind. “Then why do I feel like I’m losing you?” you ask, your voice breaking.

Satoru flinches, his hands momentarily faltering before steadying again. “You’re not losing me,” he says quickly, almost desperately. “I know I’ve been...different lately, but it’s not because I don’t care. I just—” He pauses, his gaze dropping as if searching for the right words. “I don’t know how to handle this, Y/N. I don’t know how to be what you need right now. There’s so much and I…” his voice trails off, fearing he’s saying too much and it’ll only make you feel worse. Make himself feel worse. 

Your chest tightens, his confession cutting deeper than you expected. “I don’t need you to have all the answers, Satoru. I just need you to try. To be honest with me. To stop shutting me out. You…you’re the only one—you’re all I have right now.”

“I’m trying,” he insists, his voice cracking under the weight of his emotions. “I swear I’m trying. But it feels like...like no matter what I do, it’s not enough. And I hate it. I hate that I’m hurting you.”

The rawness in his voice pulls at something in you, making it harder to keep the walls around your heart intact. You open your eyes, meeting his gaze. For a moment, the vulnerability in his expression mirrors your own. “I don’t want to lose you, Satoru,” you say softly. “But I can’t keep doing this. I can’t keep feeling like I’m the only one fighting for us.”

“You’re not,” he whispers, his hands tightening slightly on your face as if afraid you’ll slip away. “You’re not, Y/N. I know I’ve messed up, but I’ll do better. I promise. Just...don’t give up on me. Please.”

The plea in his voice, the tears in his eyes—they’re enough to make the broken pieces of your heart shift, trying to fit back together even if they don’t quite align. Against your better judgment, you nod, letting out a shaky breath. “Okay,” you whisper. “But this is your last chance, Satoru. I mean it.”

“I know,” he says, his voice barely above a whisper. “I won’t mess this up. I promise.” But Satoru isn’t the best at promises. He’s only good at making them for others, not keeping them for himself. 

As he pulls you into his arms, holding you as if you might vanish, you can’t help but wonder how many more promises you’ll let him break before there’s nothing left of you to give. But for now, you let yourself sink into his embrace, hoping—maybe foolishly—that this time will be different. Because he’s all you have. All you know. He knows you inside and out—the way your voice wavers when you’re holding back tears, the way your hands fidget when you’re nervous, the way you laugh like it’s the only thing keeping you from breaking. And you know him just as deeply. Every freckle on his skin, every scar that tells a story, every mole you’ve discovered in moments of intimacy. You’ve memorized him like a favorite book, reading him over and over until the lines blur but still feel familiar.

You two are like each other’s canvases—painted with touches, kisses, and shared memories, even the messy ones. Every fight, every tear-streaked night, every whispered “I’m sorry” adds another layer to the masterpiece that is you and him. But lately, it feels like the colors are running, bleeding into one another until the picture is unrecognizable. And you don’t know if you can fix it, or if you even should. Never did you think that things would change so much, and all because of one failed situation. 

What a weak body you have, what a weak person you are. 

He holds you tighter, his fingers threading through your hair as if grounding himself in your presence. “You’re everything to me, Y/N,” he murmurs, his voice so quiet you almost don’t catch it. “I know I’ve been a mess, but I swear I’ll fix this. I’ll fix us.”

But his promises feel like paint on a waterlogged canvas—fading, smudged, and far too fragile. Still, you nod, letting the comfort of his warmth lull you into silence. Because no matter how fractured you feel, no matter how much the doubt weighs on your chest, he’s all you have. You can’t handle the thought of facing everything alone now, can’t handle the thought of not having someone to hug you when you burst down in tears. 

You hate the way things are now, but you’ve sunk too deep into him. And him the same. Over time, you feel like he will retract his hold from you before you do so yourself. You can almost feel it coming, one way or another. It’s why you’re holding him tighter, pressing your body deeper into his. Because you know you wouldn’t be able to do it yourself. Awaiting the inevitable hurts so bad. Knowing that no matter what, your end is visible. You can see the finish line just a few yards away. It’s like a race, and you’re letting Satoru win. Envisioning him running his long legs to the checkered line with a smile on his face like he’s happy—relieved. You don’t want to hold him, that’s the last thing you want to do. However, you’re being as selfish as you can be right now. Before every privilege is stripped from you in a cold manner that will leave you shivering for warmth. But his presence is something. And for now, that’s enough to keep you here and sane. 

Little did you know, you'd win that race before he did. You just needed that little push. He's the hare, and you're the tortoise.

You stay in his arms, the steady rise and fall of his chest beneath your cheek a constant reminder of the closeness you’ve always shared. It feels almost like an illusion, the peace between you both. But underneath, there’s a tension that hasn’t quite loosened, a thread pulled tight between the two of you, holding you close but threatening to snap at the slightest tug. His grip tightens, his fingers threading into your hair, pulling you closer as if trying to fuse your two worlds together. The quiet hum of the room feels almost suffocating now. Your phone continues to buzz with your mother’s increasingly frantic texts, but you can’t bring yourself to care about that right now. Not with Satoru’s breath warm on your neck and his hands gently caressing your skin. Not when it’s easier to let him hold you in this fragile moment of peace. 

You close your eyes, your fingers curling around the fabric of his shirt. The quietness stays for a long moment, But when he speaks, it’s almost a whisper, like he’s afraid of the truth that might spill out.

“I’ll try. I’ll be here for you, Y/N. I swear it.”

You wonder if you can truly believe him this time. If you can let yourself hope that things might really change. But the doubt is a familiar companion, lingering in the shadows, waiting to remind you of the cracks in his promises. Still, for tonight, you let it go. You let yourself sink into him, giving into the small piece of comfort he offers, hoping that maybe, just maybe, this time will be different.

You wake up in a cold sweat, dried tears staining your cheeks. Your stomach feels sensitive, nails already digging into your palms so hard that the skin is growing red and prickly. Every emotion you felt from that dream—nightmare—whatever it was feels ten times more real. You don’t know why you’re having these weird dreams about something from years ago. 

But it still hurts all the same, nonetheless. 

You still feel hollow, drowned, and ready to pour your heart out into your pillow. But it’s morning and time to get up for bed. Christmas Eve is in three days and you’re just counting down until when you won’t have to go into work.  Going through your routine, getting Koji ready for the day, opening the door for Sana. Leaving your place of solitude, it feels like you barely even lived through this morning. 

The chill of the morning air hits your skin as you step outside, tugging your coat tighter around you. The weight of your dream lingers, like a fog that refuses to lift. You keep telling yourself it was just a dream, just a memory from a time you’ve tried so hard to bury. But it clings to you like a ghost, whispering doubts into your ear, even as you force yourself to move through the motions. you can’t help but glance up at the sky, the gray clouds reflecting the heaviness in your chest. Christmas Eve is in three days, and you can’t wait to take a break from not just work—from everything.

If only escaping your past was as easy as flipping the calendar to a new year.

Satoru texts you around the 2-hour mark that he’ll be going over to your place soon to see Koji and bring the gifts he got. You let Sana know of the change, she replies back with a simple ‘okay!’

You sigh, willing yourself to forget about the drama your life entails, and focus on your work. 

However, another thought is creeping in through the door, and this time—it’s not such a bad one. You feel a fluttering sensation in your gut, holding back a peal of stifled laughter as the memory of last night makes its presence known. After the whole shirt incident, Suguru stayed. He kept his word about not making anything weird, and you two ended with a simple chat and a movie. It felt nice.

Of course, there were hints of lingering peeks, that strange tension tossed up in the air that neither of you fully addressed. But it’s fine, it didn’t mean anything at the end of the day. Although, when it was time for him to leave, you did have a second of hesitation about whether you should hug him or simply say goodbye. He decided for you when he carefully opened his arms up, you followed suit. 

Inhaling his scent felt heavenly. Manly, but also feminine at the same time. An earthly scent that felt like hints of incense. The memory of his embrace lingers like the faintest trace of his cologne, warm and comforting. It wasn’t just the way he held you—it was the way he made you feel. Secure. Understood. Like you weren’t just surviving, but living, even if just for that moment.  

You haven't hugged a man in so long. You forgot how good they hug. 

You shake your head, a small smile pulling at your lips despite yourself. It wasn’t anything. It shouldn’t be anything. Suguru’s always been like that—gentle, kind, and just a little too perceptive for his own good. He knew exactly when to stay and exactly what you needed without you even having to say it. Still, you can’t ignore the way your heartbeat picked up when his arms wrapped around you, the way your cheek brushed against his shoulder, and how your fingers had almost lingered a little too long against his back. It felt natural, but also entirely new. 

Suguru’s presence was so easy, so effortless. It felt like slipping into an old favorite sweater, soft and familiar but with a spark of something you couldn’t quite place. You’d been so wrapped up in keeping everything together, in pushing through every day for Koji’s sake, that you’d almost forgotten what it felt like to be seen.  

You wonder if Satoru holds the same longing you do. 

You shake the thought away as quickly as it comes. Don’t think about him. There’s no point in overthinking any of this.  

“Hello, you must be Koji’s father.” Sana greets Satoru who stands in the doorway. With him, two armfuls of gifts. Even more on the floor next to his feet. 

Simply nodding and looking over her shoulder to see Koji eating his lunch. “And you’re the babysitter.” Without much else, he carefully pushes past her, bringing in the gifts. “Mind getting the rest? Thanks.”

She nods, grabbing what was left on the floor before bringing it in, closing and locking the door. When she turns back around, Koji is in his father’s embrace. She smiles at the scene. “Ms. Y/N told me you’d be coming. He’s been good so far, he’s just eating his lunch now.”

“That’s good to hear,” Satoru replies, pulling away from his son. Doing a quick scan of the place before his eyes land back on the young woman. “How long have you been watching my son again?”

“A couple of years.”

He hums, walking closer to her. “And you’re how old?”

Sana blinks, surprised by the question. "I'm twenty," she says cautiously, her polite smile wavering slightly under his scrutiny.  

Satoru raises an eyebrow, his gaze sharp but unreadable. "Twenty, huh? Pretty young to be taking care of kids."  

“I’ve been babysitting since I was sixteen,” she replies, straightening her posture. “I’m studying early childhood education, so it’s not just a job to me. I care about Koji.”  

His expression softens a fraction, and he glances back at his son, who’s happily munching away at his sandwich. “He does seem to like you,” Satoru admits, his tone less probing now.  

“He’s a great kid,” Sana says warmly. “Very smart, just like his mother.”  

That earns her a faint smile. “Yeah, just like his mother.” He crosses his arms, leaning casually against the counter. “So, Y/N told you I’d be stopping by today?”  

“Yes, she mentioned it when I got here this morning.” 

Satoru nods, tapping his fingers against his forearm thoughtfully. “Good. Thanks for helping out today. I know it’s probably not easy juggling school and babysitting.”  

“It’s manageable,” Sana replies, sensing a subtle change in his demeanor. “Koji makes it worth it.”  

Satoru’s gaze lingers on her for a moment longer before he straightens up. “I’ll take over from here. You can go ahead and clock out early if you want.”  

“Oh, are you sure?”  

“Yeah,” he says, waving her off. “Enjoy the rest of your day. I’ve got this.”  

Sana hesitates briefly, glancing at Koji, who’s still blissfully unaware of the conversation. “Alright then. Have a good evening, Mr. Gojo.”  

As she gathers her things and heads for the door, she feels his eyes on her. It’s not hostile, but it’s assessing. Like he’s trying to gauge something about her. She doesn’t dwell on it, though—whatever it is, it’s not her place to question. “Oh!” She turns around as if she just remembered something. “Ms. Y/N leaves a list. It’s taped to the—”

“I don’t need a list to take care of my son.” He cuts her off smoothly, his one eyebrow raising. “Thanks again, have a good day.”

She falters, once again caught a little off guard. This is her first time meeting him, and while she’s of course seen the articles and comments about the drama surrounding the small family, she has no bias. In fact, she sympathizes greatly with you for going through all this alone. As she’s leaving the apartment, she can’t help the small opinion of Satoru that he’s already given her. 

He’s so intimidating!

After she leaves, Satoru focuses back on his son—this shitty apartment. He hasn’t explicitly voiced his opinions out to you—of course you already know what they are. And as you said before, it’s all you could afford, and Koji’s happy. However, he can’t stop himself from grimacing at the so-called ‘decorations’. This place needs some serious revamping. 

“Hey, buddy?”

Koji looks over, wiping his mouth. “Yes, Papa?”

“When you’re done eating, want to help me with something?” And Koji doesn’t need to be told anymore. He loves helping—especially his mother and father. So he nods excitedly, practically scarfing down the rest of his sandwich. Bubbling with giddiness only a child could have. 

Satoru chuckles at his son’s behavior, heart warming. This is the first time he’s doing something festive with Koji. The bitter part of him tells him that he could’ve had more chances to do so if it weren’t for your cowardness. But he shoves that away, focusing on the jolly joy the holidays can bring. 

Today was more tiring than usual, with the cafe gaining more attention, there’s been rush after rush after rush. You can handle it, but that doesn’t mean it won’t wear you down by the time you clock out. And your day isn’t even done yet. Slugging your way to your front door, lazily opening it with your key. Tossing your coat on the nearby rack, your bag with it. 

“I’m ba—”

You sniffle. One. Twice. 

A pinecone-y scent fills your nostrils. Which is strange because you know you have no candles that house that aroma. Confusion, but wariness takes over your senses. Following the sound of laughter down the hall until you’re standing in the living room. 

The sight you see is more than startling. 

Your eyes dart around in a frenzy, landing on one new thing after the next. The small, simple Christmas tree you’d put up last week? Replaced by a towering, impeccably decorated monstrosity with shimmering lights and a star that looks like it came straight out of a luxury catalog. It barely even fits in the room. Luckily, the small picture ornament of you and Koji is still there. But it looks so out of place.

The garlands you’d strung across the walls? Gone, swapped for lush, sparkling ones adorned with oversized ornaments. Even your modest stockings have been replaced with personalized velvet ones embroidered with gold thread, hanging perfectly above a faux fireplace setup that definitely wasn’t there this morning.

It’s like a winter wonderland exploded in your living room, and you’re not sure whether to laugh or scream.

Koji is sitting on the couch, giggling as Satoru playfully pretends to tangle himself in a string of fairy lights. Your son’s laughter is contagious, but you can’t shake the growing irritation bubbling inside you. When Koji notices you, his eyes brighten even more. Gaping and rushing over to your leg, hugging it. “Mama! Mama! Look what Papa and I did! It’s so pretty and there are so many presents!”

There is. There’s a lot of presents. Practically stacking on top of one another under your refurbished tree. Hidden somewhere in the splurge are the gifts Suguru got for you and Koji. 

Gulping, you feel your throat tighten. You feel nothing but overwhelmed. But in the face of your son, you can’t exactly show that. You force a smile as you ruffle Koji’s hair, trying to push down the irritation clawing its way to the surface. “Wow, it’s… definitely something,” you say, your voice strained but managing to sound somewhat amused for Koji’s sake.

Satoru, now untangled from the lights, looks up from the couch with that boyish grin of his. “Do you love it or do you love it?” he asks, gesturing to the extravagant decor like he’s unveiling a masterpiece. 

You blink at him, incredulous—but still attempting to keep yourself calm.  “What… what happened to the decorations we already had?”

“Oh, those?” He waves a dismissive hand. “Let’s just say they weren’t really up to par. I mean, come on, Y/N. That tree you had? It was like something out of a Charlie Brown Christmas special. I couldn’t let Koji’s holiday spirit suffer like that.”

Your jaw tightens, the forced smile threatening to slip. “So, you just… decided to replace everything? Without asking me?”

He stands, brushing off invisible dust from his jeans as if the weight of his decision is nothing. “You were busy, and I figured you’d appreciate coming home to something nice for once. Besides, look at Koji—he’s thrilled!”

Koji tugs at your sleeve, his wide-eyed excitement piercing through your annoyance. “It’s so cool, Mama! Look at all the shiny ornaments! And Papa let me pick out the star!” Your son runs over to show off a few of the many, many presents he has. Showing extra excitement for the heavier and larger ones. “Papa says it’s magical. I want to have a magical Christmas every time, Mama.”

The words, innocent but heavy, almost make you physically kneel down. You feel your chest tighten, your throat closing up even more. The lump that forms is difficult to swallow down. The implication of Satoru’s and your son's words feels a bit degrading. And you don’t blame it on Koji, he means nothing malicious. But for some reason, being faced with the physical line of difference between you and Satoru, watching your son’s face light up in a way that you’ve never seen before…

It reminds you that your enough has never been enough. Each Christmas, it’s dull. Your Christmases aren’t magical.  Your life isn’t. 

You feel the weight of it all crashing down like the oversized star on the new tree is pressing on your chest. Satoru's extravagance, Koji's innocent excitement, and your own feelings of inadequacy swirl together into a storm you’re barely holding back.  

Your forced smile falters, but you quickly kneel to Koji's level, brushing his hair away from his glowing face. “It’s beautiful, sweetheart,” you say softly, voice trembling but steady enough to reassure him. “I’m glad you had fun with Papa.”  

Koji beams, and for a moment, his joy is a balm to your frayed nerves. “It’s pretty, isn’t it, Mama?”  

You bite the inside of your cheek. “So pretty.” Standing slowly, your hand lingers on Koji’s shoulder. “Really pretty,” you repeat quietly, not committing to anything. You can feel Satoru watching you, his casual demeanor only adding to your irritation. The worst part of it all is that it seems like he genuinely has no idea what he did wrong. 

In hindsight, maybe he didn’t. It wasn’t his intention to make you feel like a shitty mother, but Satoru is good at pointing out the differences in his own ways. 

When Koji bounds back to the pile of gifts, you finally let yourself meet Satoru’s gaze. “You really didn’t think to talk to me about this?”  

His grin fades just a fraction, replaced by a look of confusion. “What’s there to talk about? I wanted to do something special for Koji. And let’s be honest, Y/N—this is special.”  

“It’s not about the decorations, Satoru,” you snap, your voice low but sharp. “It’s about you making decisions without considering how I might feel about it. Again.”  

He tilts his head, the glower returning, though it feels sharper now. “You’re overthinking this. It’s just Christmas decorations, Y/N. Look at Koji—he’s happy. Isn’t that what matters?”  

You clench your fists, the tightness in your chest threatening to spill over into something you can’t control. “You don’t get it, do you? This isn’t just about the decorations. It’s about you coming in here and acting like everything I do is subpar. Like I’m not enough.”  

The words hang heavy in the air, and for a moment, Satoru’s expression falters. But he recovers quickly, shoving his hands into his pockets and leaning against the arm of the couch. “Y/N, no one’s saying that. You’re reading too much into this. I just wanted to make things nice for Koji, that’s all.”  

Your laugh is bitter, and it catches even you off guard. “Right. Because your version of nice is always the right one. I’m just the placeholder until you decide to step in and fix everything, aren’t I?”  

Satoru’s eyes narrow slightly, the playful spark he had with Kojidimming. “That’s not fair.”  

“Isn’t it?” you counter, your voice breaking despite your effort to stay calm. “You swoop in with all your money and your grand gestures, and I’m supposed to just smile and be grateful. But do you even realize how hard I’ve worked to give Koji a Christmas he’ll enjoy? How much I’ve sacrificed just to keep things normal?”  

His silence stings more than any retort could.  

Koji’s laughter in the background feels distant now, muffled by the sound of your own heartbeat pounding in your ears. He’s too distracted with the tree, his presents, everything. You inhale deeply, trying to steady yourself, before forcing a calmness you don’t feel.  You won’t fight in front of him. 

“I’m going to get changed,” you mutter, not waiting for a response.  

As you leave the room, Satoru calls after you, his voice softer but no less exasperated. “Y/N, come on. Don’t make this into a bigger deal than it is.”  

But to you, it already feels like a chasm. One that grows wider with every passing second.

You shut your door, leaning against it with your forehead. Breaths coming in short, hands trembling slightly. Biting your quivering lip, you maneuver your body to change into your uniform. All the while, tears are getting on your hands and clothes. Accidentally, you let out a small, broken whimper. 

 Quickly, you place a palm to your mouth, stifling and quieting your soft cries. Once you’re done changing, you fall back onto the bed. Curled up with knees drawn to your chest, as the burden of your own self-consciousness rains down on you. The room feels suffocatingly small, your emotions clawing at your throat, demanding to be let out.

The tears come harder now, soaking into the fabric of your uniform as you press your hands to your face, muffling the quiet sobs. You hate this—how easily Satoru gets under your skin, how he makes you feel insignificant without even trying. You thought you were past this. Past him. But somehow, he always finds a way to remind you of all the ways you’ve fallen short. Or at least, all the ways he makes you feel like you have.

There’s a soft knock on the door.

“Y/N?” His voice is muffled through the wood, quieter than usual as if he’s trying not to disturb you. “Are you okay?”

You don’t answer, biting down on your lip to keep from making another sound.

“Look,” he continues, his tone hesitant. “I know I upset you. I didn’t mean to. Can we just… talk?”

For a moment, you consider staying silent, letting him stew in his own discomfort. But the tension is too thick, and you know Koji is just down the hall. With a shaky breath, you push yourself to your feet, wiping at your face in a futile attempt to erase the evidence of your tears. Wiping your face and straightening your clothes, you open the door. “I have work.” You mutter, expertly enforcing a placid emotion. “Will you watch him?”

Without waiting for a response, you walk past him. But he grabs at your wrist, instinctively you pull away. “Stop, just stop, okay? Let’s not fight. We’re adults, we can talk this out. I don’t mean to make you feel less than, I just wanted to make Koji happy.”

“And do you think he’s not happy with me?” You snap back, looking up at him. Feeling your vision already beginning to blur. “Do you? Do you think he’ll be happy with you? I-Is that it?”

Satoru’s eyes widen slightly at your outburst, and for a moment, he doesn’t respond. The air between you feels like it could snap under the weight of everything left unsaid. His hand hovers near his side, as if he wants to reach out again but knows better now. “No,” he says softly, his voice steady but lined with regret. “That’s not what I meant. Koji is happy with you. He loves you more than anything.”

“Then why do you keep acting like what I do isn’t enough?” you whisper, your voice trembling as you maintain eye contact with him. “I’ve been doing this alone, Satoru. Every scraped knee, every fever, every night when he cries because he’s scared of the dark—I’m there. Not you. Me. So don’t you dare come in here, throw your money around, and act like you can just fix everything with some… Christmas wonderland.”

“But you didn’t let me come in sooner, Y/N.” He replies, exasperation in his voice. 

“I know that, and I’m sorry. I know I fucked up…”

“Then stop getting mad at little things.”

Your fists ball up, your expression growing firmer by the second. But so is the need to cry again. He’s right, everything he says is right. It’s your own fault that you’ve been forced to handle everything alone. But, don’t your feelings matter just a little bit in this situation? Is he allowed to just come in and fix up everything you have? What he thinks is a mess, it’s something that holds significance to you. What he thinks is a little thing, it’s a big one in your eyes. 

So while this scenario is blowing up into something bigger, your decorations are something you have control of. You only have control over so many things in your life. 

He exhales slowly, rubbing the back of his neck. “I’m not trying to take anything away from you, Y/N. I swear. I just… I wanted to give him something special. Something I never had growing up.”

It makes you feel even more guilty. You can’t find it in you to say anything else, turning back around and walking to the living room. “Goodbye, Koji. Mama will see you later.” Giving him a brief hug and kiss, you hurriedly grab your coat and purse, exiting your apartment just as fast as you came. 

Unbeknownst to you, Koji is left staring at the closed door. His head tilting in curiosity, while a frown pulling at the corner of his lips. He looks up at his father when he enters the living room again, the two owning matching guises. “Why’d Mama leave so fast? I wanted to show her the drawing we did.” The white paper in his hands pictures three figures. Each one smiling, the smaller boy in the middle holding hands with his two parents on either side of him. He even drew blue snowflakes. 

There’s a red heart around them with the words My family! at the top. 

Satoru stands there, staring at the door you just closed, feeling the weight of Koji’s innocent question settle on his shoulders. He sighs, running a hand through his hair as he glances down at his son, whose big, curious eyes are filled with disappointment.

“She’s just tired, buddy,” Satoru replies, crouching down to Koji’s level. His tone is softer now, more measured, as he tries to mask the turmoil bubbling under his calm façade. “She’s been working really hard, you know? Grown-up stuff.”

Koji’s frown deepens, his little brows furrowing. “But we worked hard too! We did the tree and the presents and everything!” His tiny hands gesture to the decorated room, his frustration clear. “Mama’s s’posed to be happy.”

Satoru feels his chest tighten at the words. He places a hand on Koji’s shoulder, squeezing gently. “She is happy, Koji. She just… needs some time, that’s all. Grown-ups can be funny like that.”

Koji looks down, fiddling with his fingers before glancing back up. “Is it my fault?”

Satoru’s heart aches at the question, and he immediately shakes his head, pulling Koji into a firm hug. “No, not even a little bit. You didn’t do anything wrong, Koji. Don’t ever think that, okay?”

Koji nods slowly against his father’s shoulder but remains quiet. Satoru pulls back, cupping his son’s face in his hands. “Mama loves you so much, Koji. More than anything in the world. Don’t ever forget that.”

“Okay…” Koji mumbles, still not entirely convinced. He inhaled deeply, then spoke again. “Do…does Mama love you too?”

The question catches him off guard, putting an even bigger weight on Satoru’s shoulders. He should’ve expected it, Koji is a curious kid who still doesn’t completely grasp the complexities of his parents’ relationship. Satoru smiles faintly, kissing Koji’s cheek. “Mama has a lot of love.”

The answer satisfies Koji. For now. 

Satoru ruffles his son’s hair. “How about we finish that drawing? We’ll save it for her when she gets back.”

Koji perks up slightly, nodding. “Okay! But you gotta color inside the lines this time, Papa.”

Satoru chuckles, relieved to see even a small smile return to Koji’s face. “Deal. But only if you promise not to make fun of me if I mess up. I’m sensitive.”

Koji giggles, taking his father’s hand to lead him back to the small table. As they sit down to continue their drawing, Satoru steals a glance at the door again, his smile faltering for just a second.

He’s trying—he really is. But he wonders if it’ll ever be enough. It’s like no matter what he does, you don’t like it; and vice versa. He’s being as understanding and nice as someone in his situation can be. At times, he feels he’s being even too nice to you. He knew things wouldn’t be easy, but he wants to spend time with his son. Make up for all the lost time, and even the littlest moments. It’s almost a little bit unfair of you to throw the fact that he has money and you don’t in his face like that. He didn’t ask to be born rich. Just like you didn’t ask to be born…like that. You’re the adults in this situation, there’s a kid involved. So truly, he wishes he could just have a single conversation with you that doesn’t feel anger-surged or bitter. Of course, it’s hard because of what has happened before, but there’s a time and a place, is there not? 

Whatever. He’s more than happy to color with Koji and do whatever the little boy asks while you have your own moment. Satoru knows best of everyone else you like having space. And while many years have passed and his feelings for you have grown less than savory, he stills wants to respect your wishes after an argument with him.

He can’t help but think the obvious, though. Is it even worth attempting to mend whatever little shards of semblance there is left with you?

Probably not. Because after all, he’s here only for Koji. 

Right?

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[threeacttragedy]

Entry 17: The One About All the Hot Air

Oh, hey, hey, hey – what is that over there?

No, not that –

That!

Ah, fuck.

Is that what I think it is?

Yeah, yeah, it looks like some sort of hot air balloon.

Ugh, it’s that fucking wannabe Wizard! Get that manipulative shit-fuck outta here!

Seriously, don’t let it set foot on land. It’s not welcome on this side of Oz.

Someone release the flying monkeys! Like, now. Knock it out of the sky.

Wait, I thought the Wizard liked green. This weirdo has a red balloon.

Bitch, I didn’t say it was the Wizard; I said it was a wannabe Wizard.

Oh, no wonder it’s steering that balloon like a fucking clown.

Hell, I don’t even think we need the monkeys. That idiot is going to crash and burn itself straight into the glass walls of the Emerald Palace.

Well, you know what they say when you start throwing stones in a glass house…

It is slightly amusing (and a tad concerning) to me that children are always led to believe that the villain of “The Wonderful Wizard of Oz” is that bitch of a Witch of the West when the worst character traits are actually portrayed by the Wizard himself. And, by “worst character traits,” I mean that he was a master manipulator who conned an entire city into believing he held some form of great power.

Did you know that in the original story the Emerald City wasn’t really that green? Sure, it was made from green glass and emeralds, but the Wizard required everyone to wear green-colored glasses so that everything appeared greener than it actually was. Weird, that. And, even more weird, people bought it! “Here, put these glasses on and you’ll see everything exactly the way I want you to see it.”

Yeah, yeah, yeah, I’m fully aware “The Wonderful Wizard of Oz” is a work of fiction, but the idea that people can be easily manipulated – especially by someone with “power” – is not fiction.

That’s what today’s piece of “hot air” is about – fandom manipulation and the power of suggestion. And who better than to manipulate an entire fandom than the media? It’s unfortunate that I have to give the media power in this story – and even more unfortunate that I have to give it to rag-mags and social media – but the reality is information is power, regardless of whether it’s misinformation. In fact, MIT Sloan did a study in 2018 demonstrating how false information spreads through social media, namely, Twitter, six times faster than true information. Disturbing, right? I don’t even want to know what the going rate for misinformation is in 2025.

And, of course, since I opened today’s story with a visit to the Land of Oz, we may as well take a day trip over to Australia. Remember how I told you Australia deserved an entry of its own? Well, this is it. No, not really. I did say this was a day trip, not a sleep-over, so it’s not going to be chucked full of shiny bracelets or ways to “keep a good girl down.” It’s just our starting point today.

In my first entry, I briefly described what brought me into this fandom. It was something Luke said – and not really what he said, but how he said it – that left me intrigued. He was being interviewed on the Bowral red carpet by “Gretchen from the Philippines.” Yes, that’s literally how she introduced herself! Could I instead refer to the nice lady by her real name (Gretchen Fullido)? Sure, but “Gretchen from the Philippines” is far more fun. Plus, it sounds kind of whimsical. Any ways, Gretchen (from the Philippines) asked Luke if, “in real life,” he’d support friends-to-lovers. Luke’s response was, well, a bit jumbled, which was what sparked my curiosity because his previous answers that day were, for the most part, articulate: “I would – I would support friends – I feel like it’s not something that – that I have in my li – that I resonate with – that I’ve experienced. But, you know, if my – if my friends wanted to explore a relationship with one their friends, go for it. I’ll support it.”

Something in the way Luke answered that question was like suddenly being able to see the forest for the trees. At that moment, I was convinced Luke had always been in love with Nicola, and everything else that went on during that particular red-carpet event (and thereafter) simply christened the USS Lukola. However, that comment by Luke – and a subsequent one he made in New York – would result in the addition of a lot of trees to our enchanted forest.

Now – I apologize – we need to borrow a hot air balloon, preferably one that can travel through time, and jump forward to November 5, London-time. I promise, we will return to Oz momentarily.

Oh, fuck.

What now?

That ridiculous faux Wizard is right behind us. I thought I told you to send in the monkeys!

Dammit, you said we didn’t need them! I left those fuckers back in Oz.

Well, umm, I think we might need them now.

Why??

Uhh, do you see those four-legged beasts on the ground chasing our balloon?

Oh, you mean those coyote-like creatures?

Yeah, but we’re not in the Americas – and those ain’t coyotes…

Ah, here we are: November 5, Claridge’s, London. This was the evening Nicola attended the Harper’s Bazaar Women of the Year awards. We’re only stopping in real quick to steal a piece of the speech Nicola gave that evening. Okay, got it! Let’s get the fuck out of here!

The part of the speech I wanted to share was this: “I did a six-month press tour for Bridgerton, the show which I love, and I’m so proud of. The amount of inappropriate questions I got asked about my appearance, about my relationship…”

Hold up. Relationship? What relationship?

Did she say “relationship” or “relationships?”

Does it fucking matter?

Well, I guess not. But what does it mean?

I could tell you what I think it means… Wait a hot-air-balloon-minute – where the fuck have you taken us? I told you we needed to go back to April 21, Aussie-time. This looks like Soho in January.

Shit, sorry. Let me fix that. Here we go…

>>> 

Umm, hey, where’s that weird little red Wizard? I swear it was just behind us…

Eh, probably got stuck in Soho, hahaha. Guess it missed its exit.

Do you think that’s a good idea?

Yeah, sure. It’ll be fine…

We’ve returned to April 21, Bowral, Australia. Now, at this point in the timeline, World Tour interviews were already well underway. In fact, the first two parts of EmEdits on YouTube are entirely pre-Australia interviews, making up roughly 6 ½ hours of screen time. I’m not the least bit surprised that “Gretchen from the Philippines” asked Luke what his thoughts were on “real life” friends-to-lovers. The chemistry between Luke and Nicola was hard to ignore.

The Australian red carpet also introduced the hand holding, which – if we took another magical mystery tour over to May 9, Italy – Nicola and Luke agreed was a sign of “love.” I suppose I could buy the excuse that one or both had so much anxiety they needed the other’s hand to remain calm on the red carpet. But, nah, I wouldn’t buy that at all – for one very specific reason. When Luke and Nicola were seen leaving (I believe) the Milton Park Country House on April 23, Luke instinctively reached for Nicola’s hand as they were descending the steps. Why? This reflex by Cool Hand Luke was as natural as a pregnant woman touching her stomach. I ask again – why?

There’s only one answer.

It’s the answer that fits with the Claddagh ring. It’s the answer that fits with the side jaunt to Galway. It’s the answer that fits with their natural chemistry, the hand holding, the canned “shared experience” and “unique relationship” responses, the playful sexual innuendos. It’s the answer that fits with Luke’s “the best foundation for love is friendship” bracelet. It’s the answer that fits with Nicola’s remark about “[t]he amount of inappropriate questions I got asked…about my relationship…” It’s the only fucking answer that makes sense.

But, the real kicker is, why don’t people believe that is the answer?

Why is it so hard to believe that Luke and Nicola could be in a real-life relationship?

That’s easy – because the Man Behind the Curtain told us so.

Who is the Man Behind the Curtain? Well, that’s also easy. It’s collectively the rag-mags and the social media creators on the prowl for a following. It’s the spread of misinformation at its worst and it’s so incredibly easy to do with, say, a pair of green-colored glasses.

Like I said, “…put these glasses on and you’ll see everything exactly the way I want you to see it.”

There was one major plot twist that came out of the World Tour, and you already know what that is. The seed was planted with a New Year’s Eve kiss, fertilized with blurry pictures, a compulsory hallway hug, and copycat photos, and encouraged to grow with a bit of junk news and a lot of social media innuendo. Now, I’m not saying the video and photographic evidence that was presented was fabricated; I’m simply suggesting the narrative that came out that evidence was skewed. The media, namely, social media creators, pushed us to plant Lutonia trees while Luke’s actions (i.e., not acknowledging the existence of Lutonia) told us to “pay no attention to the Man Behind the Curtain.”

Uh, so, what you’re saying is we shouldn’t have left that wannabe Wizard in Soho?

Ah, shit! I forgot about that fucker!

The unfortunate thing about the Lutonia narrative was that it was bolstered by insinuation that Luke would never be interested in Nicola. Now, whether these remarks were deliberately planted, or they were simply seedpods carried away by a storm, they were not overlooked by Lukolas – or Nicola. In fact, Nicola herself brushed upon it in her Harper’s Bazaar speech: “The amount of inappropriate questions I got asked about my appearance…” Yes, I’m referring to the suggestion that Luke preferred “brunettes” over “blondes.” Somehow this narrative was conveniently supported by the existence of – lo and behold! – the brunette “friend of a friend” Antonia, who happened to be slender. Again, whether it was intentional or not, the push by, initially, social media creators (and later gossip rags) to link Luke to Antonia inadvertently called the blonde in our story – Nicola – fat. I refuse to dance around that word because it is exactly what this disgusting narrative implied when it chose to compare Antonia to Nicola. Regardless of whether these gossipmongers “corrected” themselves by replacing “thin” with “brunette” and “fat” with “blonde,” the implication was that Luke would never be interested in Nicola because she had thick blonde hair. This was incredibly upsetting and confusing to many Lukolas because it was contrary to Luke’s behavior towards Nicola throughout the World Tour (and in Bridgerton behind-the-scenes clips).

I decided months ago that Luke was incredibly transparent. And, by that, I mean he’s terrible at keeping secrets. Luke himself admitted his “tell” to this was pulling at his ear – now go watch the World Tour with that information in mind. It’ll give you something to do, at the very least. Luke’s sincerity is also why the blonde versus brunette nonsense just doesn’t take flight for me. Any ways, as I hinted at earlier, Luke’s comments on the Bowral red carpet and his later comments in New York City about friends-to-lovers would – again, unfortunately – give the Man Behind the Curtain ammunition to debunk any real-life relationship between Luke and Nicola. Luke was quickly labeled as being “…dismissive of something ever happening between him and Nicola…” Those are literally the words The Tab used in an article dated May 22 to explain Luke and Nicola’s differing commentary about real-life friends-to-lovers. In fact, the article is titled, “Luke Newton has revealed the reason he’d never date Bridgerton co-star Nicola Coughlan.” Oddly – but not really given the source – Luke never actually said he would never date Nicola. But that fact didn’t stop it from becoming a theme of the World Tour – Luke didn’t believe in friends-to-lovers therefore he would never date Nicola – even though, by the end of the tour, Luke’s stance on this had seemingly changed. That’s not to say the rag-mags misquoted Luke – they didn’t – but the narrative they coiled around his words attempted to shut down the idea that Luke and Nicola would ever date in real life because Luke wasn’t interested. But what Luke was saying was that he believed in love-at-first sight. “I actually don’t think friends-to-lovers is something that happens in my life. If I meet someone, I know immediately.” Now, take that statement with the fact that Luke has repeatedly stated he remembers everything about the moment he met Nicola.

The above examples of gossip and innuendo are simply par for the course. The media manipulates facts all the time – whether it be through social media chatter or rag-mags putting their own spin on ordinary commentary – but this type of manipulation is not what puts the fandom in danger of itself. In fact, most of the gossip and innuendo that took root during the World Tour would have dissipated almost immediately after it ended – if it hadn’t been for Papsmear.

Yeah. That was disastrous.

Come to think of it, it was awfully convenient, too, don’t you think?

Absolutely. And you know what else was convenient? That little wannabe Wizard was –

Oh, yeah, I heard that, too! That clown has been trying to hand out green-colored glasses ever since!

Yep. Tried to give me a pair and I told it to go fuck itself and its little glass cat, too. I mean, they weren’t even name brand glasses. Fake ass, bitch.

All jesting aside, if you haven’t noticed already, I do, on occasion, use my writing to call out the fandom, usually as a whole. I mean, we are in this together, right? Actually, no; we ceased being Collectively Delulu after a few unsavory characters were bitten by the Hunter’s Moon and followed Nicola through the streets of New York and London. There was a major – and rather unexpected – shift in the fandom when the rabid Jakolas appeared from the dark corners of our enchanted forest. And I’m sure you’ve realized at this point in my story that I have one particular – oh, shit, I just realized I don’t even know to which fandom our wannabe Wizard belongs. Ruh-roh. Regardless, that motherfucker is in my peep sight because it is a perfect example of how fandom manipulation has reached a new level of toxicity.

Typically, I don’t care what part of the fandom you’re on. My general attitude is, to each their own. If you’re a Jakola and you find yourself spending an average of 15 minutes each week reading my Lukola blog, I applaud you for peeking outside of the den hole. Best not let Alpha find out, though. It’s all in good fun, right? I often find myself getting a good laugh from Jakola stories, especially when they theorize on the Woman Behind the Curtain. Question, though – did you find her? In all seriousness, if I didn’t consider Jakola and Lutonia perspectives, I would be borderline Conscientiously Stupid, now, wouldn’t I? After all, the desire for knowledge is what ultimately gave our Scarecrow his brain.

However, what I don’t find “in good fun” is when social media creators prey on more than one side of the fandom under phony pretense, namely, that they “just want Nicola to be happy.” Oh, these Cowardly Lions may argue that they’re simply being “neutral” – and, yes, I’m sure some instances of this do exist – however, neutrality does not embrace openly ridiculing one fandom over another, especially on a platform that is touted by its owners as being a “safe space” for everyone. The problem with these so-called “neutral creators” is that they’re only here for social media engagement – the clicks and the giggles – and they defect to the other side when the going gets tough. If you, too, take issue with this kind of creator, be soothed in knowing that when you play two sides, you find yourself with two-times the number of enemies.

What makes these so-called “neutral creators” – actually, let’s just call them the “Defectors” – so poisonous to the fandom is that they are made from the grease drippings found at the bottom of the barrel of the Conscientiously Stupid. The Conscientiously Stupid are one thing – they are the ones using their platforms to spread misinformation because they choose to ignore exculpatory evidence (i.e., they’re headstrong in their beliefs) – but the Defectors are typically the ones creating the misinformation and feeding it to the Conscientiously Stupid and then hanging them out to dry when the information proves to be false. The Conscientiously Stupid who refuse to “lose the battle” then resort to bullying (more so than usual) the Sincerely Ignorant of an opposing fandom. And in defense of their Sincerely Ignorant comrades (or simply because they’re sick and tired of the Conscientiously Stupid preventing anyone from having nice things), the Fact Finders – unceremoniously, I might add – have taken their own place on the battlefield (oh, yes, they are absolutely your tactical commanders). Now, the entire fandom is at war with each other – all because some wannabe Wizard – a Defector – convinced people to look through a pair of shiny, green-colored glasses. More than once.

Is it appropriate – or perhaps a bit catty – to put “ceasefire” here?

Ah, yes, well, uh, we have found ourselves a bit far from Oz at this point, haven’t we?

I suppose – but we are trying to help Dorothy find her way back home, and at least we now have an idea as to how she got lost.

Maybe one day we will get her back to Kansas.

Yeah, maybe.

Oh, silly me! I forgot to sneak in a sly reference to Dorothy’s third companion – the Tin Man! He’s perfect for the end of our story. You know, in the book, the Wizard was just an ordinary man who stumbled into his Ozian existence on a magnificent hot air balloon and took advantage of the power that Emerald citizens bestowed upon him. Yeah, yeah, yeah, the Wizard preyed on the naïve using deception and the power of suggestion and invoked fear in anyone who dared to question his authority –

Uh, where are you going with this?

Give me a minute!

Like I said – shit, where was I? – Oh, yes, the Wizard was just an ordinary man, and ordinary people are flawed. We all make mistakes. This is where our Tin Man comes in as he represents love and empathy. Yes, empathy; the ability to put yourself in someone else’s shoes, to understand and forgive, to take into consideration someone’s redeeming qualities –

You know that Wizard defected in his hot air balloon before taking Dorothy home, right?

Wait, what?

Okay, okay. It was Toto’s fault but the Wizard sure as shit didn’t come back for her!

Hmm, you’d almost think Toto knew the Wizard’s true colors all along…

“Au revoir, Wiz.”

[pasiveagressive]

Halloween Icons || M.V.33

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paddockgossip In honor of their 10th annual Halloween Party coming soon, we are counting down with Y/N and Max's iconic halloween costumes over the years!

liked by leclercfan, noverstoppen, and others

paddockgossip 2012 Halloween: Even before she and Max were showing us how to be the world's best couple Y/N was slaying halloween down!

liked by wagsgossip, maxfan33, and others

paddockgossip 2013 Halloween: Another slay without Max! This time with two of her besties!

liked by maxiel4life, wagupdates and others

paddockgossip 2014 Halloween: Max and Y/N's first halloween as a couple, looking absolutely adorable as Kim Possible and Ron Stoppable!

liked by wagsgossip, landonowins and others

paddockgossip 2015 Halloween: Ruh Roh Raggy, Y/n and Max in 2015 as Scooby and Shaggy!

liked by y/nfan, maxfan, and others

paddockgossip 2016 Halloween: Taking things a bit more sinister, Max and Y/N in 2016 as a Purge couple! This is also the first year Y/N and Max hosted what would become their annual Halloween Party!

liked by redbullracingupdates, paddocklove and others

paddockgossip 2017 Halloween: These killers will make you Scream! This years party hosted was the first one that was really popular almost every driver on the grid attended as well as some smaller celebrities!

liked by wagsupdates, 44love, and others

paddockgossip 2018 Halloween: Y/N and Max as Romeo and Juliet from the 1996 adaptation! Y/N has claimed this as one of her favorite movies in the past!

The 2018 party was the first one that really resembles what it still looks like today, they rented a club, a DJ, a photographer and more. The guest list was in the 100's for the first time!

liked by y/nfan, maxiel4life and others

paddockgossip 2019 Halloween: Hide your wallets and jewelry, Bonnie and Clyde are in town!

In 2019 Max and Y/N decided to charge admission into the party in the form of donations to Charities!

liked by checo11, russellfan63 and others

paddockgossip 2020 Halloween: First time they ever 'repeated' a costume, back as Bonnie and Clyde but this time after the shootout!

No Party this year because of the global pandemic! The couple still requested that their friends donate to charities to help support those that lost their jobs due to the pandemic!

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paddockgossip 2021 Halloween: Not much to say about this one, Catwoman and Batman,

Max and Y/N had their party in person again this year after taking the previous year off for the pandemic!

liked by noverstoppen, wagsupdates and others

paddockgossip 2022 Halloween: My personal favorite Max and Y/N costume, they absolutely killed it as Joker and Harley Quinn!

They asked everyone to dress up as heroes or villians at this years party:

Daniel went as Loki

Lando went as Darth Vader

George and Carmen went as Mr. Incredible and Elastagirl

Charles and Alex went as Superman and Lois

keep reading

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paddockgossip 2023 Halloween: Of course our Halloween Icons went as Barbie and Ken in 2023, with a first for Max and Y/N a costume change mid-party!

We can't wait to see what they dress up as this year!

liked by charles_leclerc maxverstappen1 and others

youruser We couldn't decide which costume to do this year so we decided why not both?

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paddockgossip brb got to add this to my list!