On the note of """"fandom colors"""", I just want all you artists to know that you don't have to come up with color designs out of your head in order for things to be valid. Referencing design, photos, etc for color pallets is an IMPORTANT part of character and graphic design. (Just like using references for poses!!!) I like to find photos of landscapes or flowers and mosaic blur them- then pick the colors I like out of those. Great way to make cohesive and we'll balanced pallets.
Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!
Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*
Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!
In the seventh episode of Percy Jackson and the Olympians, we see The Garden of Earthly Delights; a piece by Hieronymus Bosch with themes such as the fate of humanity and sin.
The panels depict the Garden of Eden, the Human World, and Hell (from left to right). We can see Sally Jackson reaching for the centre — the Human World — and her son, who is standing in front of Hell.
Okay I know this horse has been beaten to death but I've been chewing on this for a while and I still havent seen anyone mention anything--
Im running with the assumption the picture of Narinder on the Lamb's desk is a photograph due to the rendering being completely different than their drawings.
Judging by the phonograph, we can assume the more advanced technology in this world is on par with the latter half of the 19th century (or at least vaguely victorian era inspired; 1820-1914). During this time photography was growing in popularity. Many methods evolved to refine the technique but a popular format for capturing portraits specifically was a daguerreotype.
And, well, here's the thing about early photography
do what you will with this knowledge, but theres good reason why victorian era portraits always looked so stoic
Moreover, there's a good chance Narinder had to hold this pose for at least 30 seconds, and at most 30 minutes
Rewatching this movie and zoro's never beating the allegation i fear... (whipped af)
Something about zoro's reaction being the first one shown after luffy won his battle.. zoro sighing in relief and smiling softly at his captain... zoro glancing at sanji for a moment only to return his gentle gaze to his captain (need to look at his captain fondly just a lil bit longer!)
Also something about zoro being the closest person to luffy during his fight?? because of course, zoro'd be the first one to act if something real bad happened to his captain during the fight (just like luffy during zoro's fight against mihawk) like, yeah, sure, whatever-
"and then you look at it, and it looks... otherworldly. this is denis. he just creates this shape. it's not perfect. it's timeless. it reminds me of... do you remember arrival? you know those big alien creatures? that's the shape."
— rebecca ferguson in an interview with hollywood insider
you know. I think the reasons it feels so literally narratively wrong when people refer to charles as being straight (such as in interviews where his love life comes up and so on) are that A) he’s never deemed outright straight in the show, so it’s just an assumption that he must be straight by default (which is silly in a show like this), and B) what he says following edwin’s confession. I know I’m biased, but even when I try to look at it as neutrally as possible, the way he reacts in general and the specific words he uses just don’t sound right when you imagine them being said by a Totally Definitely Straight guy.
first of all if you actually listen to it instead of absorbing the scene superficially it’s not particularly a rejection at all, and the actors have stated that themselves– it’s not him saying no, it’s him saying “I can’t give you an answer right now, but I will eventually”. that’s not an interpretation, that’s literally just the truth of what he said (and again, the actors agree). can you imagine a straight guy saying that, or possibly even more damning, “we have literally forever to figure out the rest [“the rest” meaning anything that goes beyond the kind of love charles already solidly has for him]”.
imagine you’re a straight man who’s unwaveringly confident in his orientation and your gay best friend confesses his feelings for you. you would not respond with the implication there is a “the rest” to figure out. since the main, obvious obstacle would be your solid lack of attraction to men, that’d probably be essential to your response– it wouldn’t be a “I can’t say–“ it’d be a “I can’t be–“. and on top of all that, I feel like the whole thing would have to sound far more apologetic– “I’m sorry, I love you and that’ll never change, but I just can’t love you the way that you love me.” something like that, right?
tldr: this is a rare instance in television where assuming a character is straight by default makes Less sense than the alternative. and charles’ choice of words in the confession overtly suggest that he is, at the very least, unsure of his orientation.