#and feel like I'll still be taken seriously and respected in the way I Have to be to live but its so much easier with her

[dragonji]

been talking to my transfem coworker a lot more abt our respective gender (and sometimes romance) complications/plans lately and genuinely it like. simultaneously makes me feel pretty cringe and silly to admit i do in fact want things but also its smth I never thought I'd get to have and thus kind of mindblowingly really reasurring and lovely and special. No other point to be made here just that it rly is kind of lifechanging to be a trans person w trans friends👍

[hannahmanderr]

I haven't seen anyone else talk about this yet so I'm going to assume no one has (and if this is the millionth post about this I am so sorry), but apparently there was a leak at Viacom last month, and one of the things that got leaked was the original Danny Phantom pitch bible, and let me tell y'all, there is some interesting lore to be had. I've taken the liberty of summing up a few notable points, but feel free to read for yourself - it's pretty short.

Jack was originally written as an ex-spy, test pilot... basically if it was a daring job, he probably had it. His IQ was supposedly only one point off from Maddie's, and his bumbling was more of a result of him being more "brave than smart."

Maddie was originally written as "one of the world's most respected theoretical physicists" and the brains between her and Jack. Get this: her full name was supposed to be Madison!

Sam and Danny's psychic connection was actually a result of the accident. When he was in the hospital and still very much saturated with ectoplasm, she gave him a "get better" kiss on the forehead, which sparked the connection. The connection would've manifested in a number of ways, including a perpetual ability to "sense" the other, see visions, and hear each other's thoughts, though it was supposed to be somewhat unpredictable.

Jazz hid her brains from her cheerleader friends because she wanted to fit in with them.

Danny was supposed to be the only person able to see, hear, and interact with ghosts.

On the subject of Danny, his reputation for being a scaredy-cat was much more well-known, even to the point where Sam and Tucker gave him the nickname Danny Phantom before he even had his accident. This kid was scared of his own shadow, frogs, you name it.

Overshadowing was originally called "ghosting," and the more intelligent a person, the more difficult it would be to control them.

Jack and Maddie were hoping to break the barrier between the "Real World" (our world) and the "Unreal World" (the ghost world). They wanted to get through to the spirit realm to be able to communicate with the dead in order to help make the world a better place (think picking Einstein's brain a little more, seeing what other music Mozart has cooking, etc.). That dimensional barrier was damaged when they first tried out their experiment, and Danny - who was hiding out from Dash in the lab - would be caught in the middle.

Much like how fans have interpreted things and how the show tried to imply, Danny felt responsible for unleashing the ghosts into our world and decided to adopt the name Sam and Tucker had teased him with to help put a stop to their reign of terror.

Seriously, y'all should read this. There's a lot of interesting info in here, and really it sounds like such a cool concept?? Like I'll probably add my personal thoughts in a reblog, but there's a lot of potential for untapped creativity from the phandom here. Plus it's always nice to see what's technically official content almost 20 years after the show's premiere.

[tyttamarzh]

Missa and Tallulah

I adore the father-daughter bond that has formed between Missa and Tallulah, it reminds me so much of Missa's early days with Chayanne and it warms my heart.

But there is something very interesting in the way Tallulah accepted Missa as her father immediately, despite having lived very little with him and despite the fact that Missa never tried to impose himself on her as a father (even if he considered her his daughter since Phil told him that he adopted her).

And it is precisely that. Missa never imposed himself, he didn't try to push himself on as a father to Tallulah, unlike other people in the past who tried to "adopt" her or make her see them as a father. Missa always accepted his place in the girl's life and was fine with the "uncle" title she had given him.

He told her that he felt the responsibility of taking care of her, just as he takes care of Chayanne and he always behaved nice and friendly, but to a certain extent he kept his distance from the subject, he never wanted to pressure or make her feel uncomfortable attributing himself a role that did not belong to him.

Missa has always respected that Tallulah's father is Wilbur and although he knew that Phil had adopted her and that he directly referred to her as their daughter, Missa never intended to take that place (even in prison he referred to Wilbur as "her true father"), as much as he saw her as his daughter, he respected Tallulah's feelings and that was important for her, because she spent months anguished by Wilbur's absence, hearing jokes from others about it, like If her suffering was nothing more than a joke for everyone and although they were harmless jokes, every time that happened it seemed like it disturbed her, she was Wilbur's daughter and people didn't seem to take it seriously.

She had other people in her life, people she became very fond of, but despite that she has never seen them as a replacement for her father and she never liked that anyone wanted to see themselves as such. She has great appreciation for Quackity because she knows how important he is to Wil and out of all of them, it seemed that he was the closest to becoming her stepfather and therefore, her "second father" and in some way being close to him was a way to bond with Wilbur, but Q's presence in Tallulah's life was never stable and along the way there has been mistrust and bitter moments with him (that bond was not created, but she still sees him as someone important to Wil and is fond of him). Others have taken care of her and although she became fond of them, she always saw them as her "uncles" and although there were those who tried to be something more than her, she never felt comfortable with the idea.

It even took a long time before she directly started calling Phil dad and that was something that was born from her, Phil didn't come and tell her "now I'll take your father's place" he just earned his own place and that made the girl was the one who asked him to adopt her. But Phil already had a long history with her and a very solid relationship, so her asking him that was something to be expected but… Why did she immediately accept Missa?

The first things Tallulah heard from Missa were the wonders Chay and Phil told her about him and from the moment she met him, she realized that he was a sweet and kind man who made Chay very happy. In a way, she saw Chay's family as what she expected from a family, since they all had a very beautiful bond with each other. But still, she didn't see Missa as her father, nor as her "grandfather" (when she saw Philza like that), he was another of her uncles. But from that moment on, all the times Phil and Chay talked about him were different for her, because now she knew him and could understand how important he was to them, seeing a parallel between the longing they felt for him with the one she felt for Wilbur and that made her empathize with them, strengthening their bond.

So, the next time she saw Missa, she defended him from Foolish and Tubbo's taunts and followed him around the island, so he could reunite with Chay, because she knew that was important to her brother and that he would do the same for her. In some ways, the things that happened that day greatly influenced the way she felt about Wilbur's absence by then.

Even so, Missa was always sweet and kind to her and promised to take care of her like Chay, HIS OWN SON, without any kind of commitment, without expecting anything from her, or trying to be considered her father or take these place.

That must have been confusing for her in some way, because she didn't know how he saw her or if he considered her his family, but it kind of made her think about it: "Is he part of my family? Do I want that?" "Am I part of his family?"

Missa's absence and presence influenced the three of them in several ways, even if no one were not fully aware of it.

And this is where Phil's influence comes. For Phil there was no doubt that Missa had become another father to Tallulah from the moment he adopted her, but that could never be formalized because the three of them were never in the same room to talk about it and Tallulah never asked it directly.

Just as Missa didn't want to force Tallulah to see him as a father, she didn't want to force him to see her as his daughter. It was in the end Phil who directly made the decision to make it official, he had already talked about it with Missa before, but he didn't ask Tallulah, he just told her "he's your third father" and even at that moment, she asked him Missa was okay with it, because until then she only saw him as Chayanne's father and Missa's response was that he already considered her his daughter (which was similar to what Phil told her).

Missa was not someone who asked her to see him as a father just like that, he was someone who saw her as a daughter even if she did not consider him her father, he never fought for that title, he never expected anything in return, he was someone who unconditionally agreed to love her, even if he didn't know her, JUST LIKE A TRUE FATHER DOES.

That's why Tallulah accepted it immediately, she reciprocated that show of love in the same way.

I sincerely believe that she has been able to heal something within her heart and that being Phil and Missa's daughter makes her very happy, without displacing her love for Wilbur.

Tallulah's new side is quite important, I think that Missa's love does her quite well and was something that she needed for a long time, because now she feels part of a complete family and it is natural that she wants to protect that and now she have someone who makes her feel like she have the strength to take care of those she love.

It's incredible how both Missa and Tallulah needed each other to feel part of the family, because in some way, they were the ones who doubted their place within it.

I never expected this, but I love it.

Missa is a great father, he has always been a great father and I am willing to fight anyone who dares to say otherwise…

[gothamite-rambler]

Did Alfred just give Jason a gun as a gift? Aww, that's so sweet!

Alfred Pennyworth opened the door for Jason Todd with a warm smile, but Jason looked confused by the unexpected invitation.

Jason: Did you call me?

Alfred: Yes, wipe your feet and follow me.

Jason (suspicious): Okay.

Jason followed Alfred through the grand halls of Wayne Manor until they reached a door that led to a concealed room. Alfred calmly pulled out a handgun and held it out for Jason.

Alfred: You want this Colt M1911?

Jason (bewildered): You invited me over here to give me a gun? I always imagined Bruce would do this, but not you. Wow, this whole room is filled with weapons.

As Jason stepped inside, he took in the sight of handguns, knives, tasers, and a variety of other weaponry neatly arranged throughout the secret room.

Jason (surprised): Shit, this is quite the arsenal. Sorry for my language.

Alfred (waving away those concerns): You’re fine. Long story short, I have no need for this anymore. I used it back in my day. Shot a lot of racists with this… It was an undocumented war, mind you. Bruce whines about me owning it, but I don’t take his concerns seriously. Still, I respect that he doesn't want me to keep this particular weapon. It reminds him of the one that shot his parents.

Jason listened intently, slightly taken aback.

Alfred: I care about Bruce and have kept this hidden, and it helps that I have an affinity for shotguns over handguns.

Jason (questioning this): This… is a lot to take in. I knew you had guns, but you grew up in England. Aren't the gun laws there strict?

Alfred (half-joking): I had many reasons for moving to America, and it wasn't for your shoddy healthcare. That's for sure.

Jason nodded then chuckled.

Alfred: You have an affinity for guns, and I might not have long for this world… possibly. I’ve never been fully against your 'kill policy' when it comes to the type of people you take out, so why don’t we count this as a birthday gift? Don’t even feel the need to answer—just keep it. Here’s a box of bullets.

Alfred handed him the gun and a box of bullets, leaving Jason momentarily speechless.

Jason: Okay, um… I’m not sure how to process the fact that my father’s butler just gave me a gun as a gift—or that there’s an undocumented war. But I appreciate this. I wasn’t aware you cared about me this much.

Alfred patted Jason on the shoulder and locked his secret gun room before leading the still-confused but pleased young man back out.

Alfred: I care for all of you, Jason. As a gun owner myself, I understand the desire for quality weapons. That gun has served me well, and it can serve you too.

Jason: That crazy homeless person on the bus told me this would happen in a vague way… never expected it to come true.

Alfred (chuckling): Interesting, isn’t it? If Bruce ever sees that gun, just inform him I gave it to you. I'll confirm it. He can’t fire me anyway.

Jason (nodding): That makes sense. Can I hear more about this undocumented war?

Alfred (checking his watch): My break is almost over. Next time.

Jason: Damn, I can’t get the war story… were they Nazis?

Alfred: It’s a long story, Jason. They weren't Nazis though, just a different type of racists. Would you like to take some pie before you leave?

Jason: Someone I trust just gave me a gun, and now I’m getting dessert. The crazy homeless man on the subway was right!

Alfred: I’m someone you trust… I appreciate that, Jason. You know what, feck it, you can take the whole pie home.

Jason (eager): Yes!

[dreorig]

Taiju Shiba — headcanons ;

[ nsfw | sub bottom taiju x top dom male reader | reader is said to be as strong as taiju | ive had this idea for a while now heheh i need to rail him so bad it's not even funny anymore ]

Taiju is a total brat.

In front of the others he acts like he doesn't give a shit about you or like he wants you dead (depends on his mood) but he's actually very jealous and possessive.

Humiliation kink. Call him the dirtiest names you can think of and he'll sob while dripping wet.

Taiju loves punishments, seriously. He'll do the exact opposite of what you told him to just so you'll spank him.

He talks back to you because he actually values his pride but a few minutes later he'll be whimpering and behaving nicely to get what he wants. 

Taiju blushes more during aftercare than when you're degrading him and that's because he's not used to being taken care of. He secretly longs for it every time you have sex.

It might sound weird, but submitting helps him to slowly change into a better person — who would ever think he would apologise for misbehaving?

Is he stressed? Dumbify him until he's nothing but an incoherent moaning mess.

If you put a collar on his neck and tug on the leash, he'll be on his knees to suck you within seconds.

At first he thought you were dumb for reassuring him and apologising for degrading him, but he began to appreciate it as he slowly realised that's how you showed you considered him more than a sex toy.

"Imagine what people would think if they saw you like this. How would they react to the fact that you're nothing but a dirty whore? Um? To think you act so high and mighty yet you cry because the way I fuck you is just too good. Tsk. Don't you feel ashamed?"

Taiju held back a moan. "Fuck you."

You grabbed his face and made him look at you. "Who do you think you're talking to?"

"Who do you think you're talking to?" he snarled back, grabbing a fistful of your hair.

For fuck's sake, you really loved him.

You slapped his face, leaving a big handprint on his pretty face, and immediately he let go of your hair. "Don’t you fucking dare to talk back to me, slut. The only things you should do with this mouth of yours are moaning and sucking my dick, because that's all you're good for."

You pounded him harder, making every word he could think of die on the tip of his tongue. Taiju, like the little shit he was, tried to keep any sounds from leaving his lips but he just couldn't do it anymore when you leaned down to suck and grab on his chest with your free hand, still hitting his prostate like your life depended on it. Taiju closed his eyes and threw his head back on the pillow, exposing his neck full of love bites, then proceeded to let out higher moans, which at this point you already knew meant his orgasm was getting closer and closer.

“Woah,” you chuckled. “To shut you up all it takes is a slap? I bet everyone’s gonna love it when I tell them.”

Of course you'd never tell anyone but was it even sex if you didn't tease him?

 “I’m— fuck — I'm gonna kill you, asshole.”

You immediately stopped everything and just looked down at him with a bored expression. Took Taiju only a few seconds to open his eyes and protest, “Why did you stop?”

"Why the hell would I keep pleasuring a cheap whore who can't even respect his Master?"

Taiju was totally outraged, "But I was almost there!”

“Too bad, I guess.”

“C’mon, stop bitching and finish the job.”

“Keep talking like that and I'll just leave you like this. I’ll be fine if I just jerk off to some pics I took of you, although I can't say the same about you. So what do you say now?"

“Asshole.”

You loved Taiju, truly. He was such a brat, there was no way you couldn't love him. To see all his stubbornness slowly reduced to nothing but pure obedience because he just wanted you to rail him was a holy, privileged experience.

“That's not what I want to hear.”

Taiju tried to push down his hips in an attempt to feel at least something, but you were quick to hold his hips in place. Although he was the Taiju Shiba, one of the strongest men you've ever met, you matched his strength and he was too needy to try anything. Taiju was completely helpless under your grip.

You clicked your tongue. “I don't have all night, Taiju. Better decide what you want before I just leave you on your own.”

Took nearly an extra minute before Taiju’s deadly glare turned into the soft expression you always longed for. Reluctantly, he wet his lips before speaking, "Please, forgive me, Master."

A smirk quickly appeared on your face as you cupped his face and pecked his lips. “Such a good slut for me.”

[moodymisty]

Request; Guilliman's partner comforting him? He is so sad in 40k, and has so much on his plate. The Lord Regent needs cuddles when he has a break!

Author's Note: #LetRollarcoasterGhilliesuitRest. I'm having fun writing all these cute requests while I work on some Konrad stuff >:3

Relationships: Roboute Guilliman/Fem!Reader

Warnings: None apart from Cato Sicarius being an stick in the mud because that's just who he is ✨ he just born that way ✨

Word Count: 932

Guilliman's chambers remain unchanged from when he had last entered them, a massive room adorned with the symbols of his legion. It is all ornate, golden, tapestries hanging and filigree tracing the edges. It's all decorative, indulgent. But none of it is his; The room feels nothing but sterile, to him. There isn't a single remnant of his life, only his legacy.

"You look tired."

You sit small on his massive bed, Guilliman's gaze having turned to you upon hearing your voice. It's quiet in the massive room, nearly drowned out by the high ceiling.

He is tired. Incredibly so. Perhaps mentally more than physically. Though the sight of you serves to act like some sort of drug to give him a boost, abit only temporarily.

He works tirelessly, endlessly, with no goal or end in sight. The Imperium is no less rotten, galaxy no less plagued since he'd last looked. You serve to be a small candle for him, a hope for a future, but a candle can't light a cavern. But still, he hates to imagine his life without you now.

Though Chapter Master Marneus Calgar and the Commanders of the Legion had not taken well to it. To you. It seems their Primarch having wants and desires beyond his supposed godhood is upsetting. They seem to almost speak of it, of you, as if it's an illness- being in love. Wanting a life beyond war.

Gulliman still remembers Cato Sicarius' attempt to discipline you for referring to him as Roboute so casually, spitting venom at your supposed disrespect.

The holotable shined against blue painted armor and skin, sickly green blending with blue and gold. Guilliman had been expecting a moment alone with you, to voice his thoughts, though it has quickly seemed to have turned into a meeting of sorts. You moved to take your leave, as you know well you were unwelcome in the Ultramarine chapter's private dialogues. Guilliman doesn't disagree that you shouldn't overhear, but his chapter takes it much more seriously. Vehemently so.

You look up at him, holding your hands close to yourself.

"I'll be in the Librarium, Roboute-"

Cato Sicarius turned his gaze to you, searing even through his helmet. His stance across the holotable was firm and unmovable, one hand on the pommel of his chainsword. He is ever the epitome of Ultramarine valor.

"You will speak of Our Lord Guilliman with the proper respect-"

Guilliman turned to the Ultramarine, who's zealotry has been wearing on him like waves against a ragged shoreline. To him he can begrudgingly deal with it, but he will not let him trample you.

"She can refer to me however she wishes," Guilliman said, his armor making noise as he resisted balling his hands into fists. "Do not speak for me again."

The Primarch had shut the Astarte down within moments. But the burn still remains. Their overwhelming zeal has proven irritating, but in that moment it finally turned him to anger.

They treat him like a god, speak of him as such; You are the only one who still treats him like a man. Perhaps he might be far removed, but he is still human, underneath his overwhelming size and power. At least he feels he is. Sometimes he isn't quite sure anymore.

"Perhaps I am. Sleep is rare for us all." He finally responds to your comment, neither disagreeing or agreeing fully. Despite it, you look up at him with this soft, caring face- It reminds him of Euten. You gently pat the bed.

"Can you come here?"

The Primarch listens, coming closer. He gently sits on the bed to avoid jostling you, watching the way you curl your hand to gesture him closer. He furrows his brow.

"What do you have in mind?" Guilliman watches you intently, trying to read you and figure it all out. You just give him that same sweet look.

"Just come closer. Lay down." When he doesn't move, you sigh.

"Please?"

Then does the Primarch finally give in, laying back; Feeling your hands as you adjust until the back of his head lays across your thighs. Your hands brush through his hair, and Guilliman swears for a moment he could die right here and be satisfied. With such a simple gesture, you've healed him just a bit from the horrors gnawing at him.

His eyes are hooded, not quite closed as he looks off. He looks deep in thought, or tired. More than likely both.

"You have the time to sleep, if you want." If he returned here, it could only mean he finally had managed to obtain a moment to himself. He's looking away from you when he responds.

"I don't wish to weigh you down for so long." Your hand brushes across his cheek for a moment, brushing a chunk of short blonde hair behind his ear.

"I know you Roboute; You won't be asleep for that long."

The sentence makes him let out a dry laugh. You had him down to a science within months; His Legion barely knows him, and they worship him.

His hand reaches up to gently cup your face, and it swallows so much of it. You lean into his palm none the less. You put your hand on his own for a moment, before returning it to his head.

"Take a moment to yourself, Roboute. You've fought for everyone else for so long. The galaxy can spare you a minute."

He doesn't remember anything else, after. Just the soft look in your eyes and the feeling of your fingers against his skin.

[hollowed-theory-hall]

"gave Snape a stable job....despite being abusive to children (though he probably didn't perceive himself as such)"

I am a tad confused about this. How could Severus not possibly understand that he was being abusive to the kids under his care- especially Harry? Did he feel threatened by the children under his care to the point of viewing them as equals and thus justifying his behaviour to himself (why didn't the other teachers call him out on his shit)

Anonymous: am curious. You mentioned Snape likely doesn't realise that he is abusing the children under his care and mimicking his father. Does he actually feel powerless enough to justify his behaviours to himself? When he sees James in Harry and blames Neville does he see the boys as his equals/ someone above him in power that needs to be put down- thus allowing himself to continue acting the way he does? It's ironic all things considered. For all that Harry looks like James, he takes more after Lily.

Okay, so, I just wrote a post about Snape, but I'll cover here what I'm thinking about this specifically in more detail.

I'm not sure where the quote you mentioned is from, but I can say what I think about the way Snape treats Harry and his students and how he sees it.

So, Severus was abused by his father. From his behavior, what I guess is that a lot of his treatment of his students is him mimicking what he saw from his father.

Like, Severus became a professor at 21. It means his older students knew him as a student. Not to mention he was a terrorist, known Death Eater, who was saved by Dumbledore from being sent to Azkaban. And his students knew this.

So Severus felt like he needed a way to make sure his students would take him seriously. The main example he decided to draw from — his father, Tobias.

We don't know what exactly Tobias Snape did, he was a poor, working-class man who abused his wife and son. And I think when Tobias wanted to be taken seriously, he used fear, insults, and force. So this is what Severus knows.

Severus sees what he does as the only way students would treat him seriously, he doesn't really see it as abuse, as I believe he doesn't really see his father's mistreatment of him as abuse.

Severus always struck me as a character who doesn't want to get better.

I think Severus is one of the abused kids who rationalized his own abuse as something he deserved. He clearly wants to beat himself up about his mistakes. He wants to feel the guilt over pushing Lily away and then over killing her (in his mind). So, to him, in his mind, it's not abuse, it's what they deserve.

Is it good that's what he thinks? No, not at all, it actually sucks. Snape needed therapy.

Now, with Harry specifically, his treatment is different. With Harry, he really does see him as an equal and he needs Harry to treat him seriously. Like, Snape projects James on Harry way more than Sirius does. And Snape can't show anything resembling weakness to Mini-James Potter, so he goes back to his father's methods to be taken seriously. It's about Harry not seeing him as weak like James did.

And revenge, a little bit. Snape is very petty.

He still doesn't see his vengeance as abuse, because, as much as Severus wants to believe he's the one in power, he's scared of Harry more than he's willing to confess. He doesn't see a power imbalance between him and Harry, he doesn't actually see himself in a position of power, because he sees James in Harry. Harry doesn't treat Severus with the respect usually given to professors, which strengthens the way Severus doesn't really see him as a student.

Like, the fact Severus felt the need to remove memories he didn't want Harry to see when teaching him Occlumancy shows how much he fears Harry. Fears the possibility of Harry getting this information and using it against him.

Harry sat there staring at Snape as the lesson began, picturing horrific things happening to him. . . . If only he knew how to do the Cruciatus Curse . . . he’d have Snape flat on his back like that spider, jerking and twitching. . . . “Antidotes!” said Snape, looking around at them all, his cold black eyes glittering unpleasantly. “You should all have prepared your recipes now. I want you to brew them carefully, and then, we will be selecting someone on whom to test one. . . .” Snape’s eyes met Harry’s, and Harry knew what was coming. Snape was going to poison him. Harry imagined picking up his cauldron, and sprinting to the front of the class, and bringing it down on Snape’s greasy head —

(GoF, 300-301)

In the above quote, Harry has these thoughts while Snape is reading his mind — there's eye contact. So Severus sees these thoughts from Harry and doesn't separate this from James, he sees it and thinks that Harry very much might actually spill his entire cauldron on him — like James might've done. So, Severus is taking every instance like this to justify his fear of Harry and his need to keep him down.

With Neville it's different. He doesn't fear Neville the way he fears Harry, I think he does see Neville as someone weaker. In the case of Neville, Severus is, I think, doing what a lot of bullies do, picking on a weaker link to feel better about himself. More in control, more capable. Neville being next to Harry is kinda part of it, I don't think Snape would've been as harsh with Neville if he wasn't near Harry, who makes Snape kinda lose it and feel unbalanced and insecure in his position because he sees him as James more than as Harry.

And I agree with you second Anon, personality-wise, I think Harry isn't very similar to James at all. And he definitely has some of Lily's traits in him, but he's not her either, he's his own person. Something Snape willfully chooses not to see. It's easier for him not to see it, so he chooses not to, so he can keep up with his petty vengeance towards a dead man.

As for why other teachers didn't call him out, well, I think the Wizarding World has a very different approach to child care than the modern western world does.

We know corporal punishment was allowed at Hogwarts and the Wizarding World at large. One of the good things Dumbledore did as a headmaster was stop the use of it at the castle, but it was socially acceptable in the WW even in the 1990s. Actually, even in the muggle UK in the 1990s caning was still allowed in private schools, and Harry is clearly aware of this fact:

“Excuse me, Professor Flitwick, could I borrow Wood for a moment?” Wood? thought Harry, bewildered; was Wood a cane she was going to use on him? But Wood turned out to be a person, a burly fifth-year boy who came out of Flitwick’s class looking confused.

(PS, 109)

Because this is something that was still practiced in the UK. Harry actually had to lie to Aunt Marge that he was getting canned at St. Brutus school since that's something that happened there.

And it also happened in the Wizarding World until very recently, Molly says Arthur still has marks from what was most likely a caning when he was at Hogwarts:

Mrs. Weasley grinned, her eyes twinkling. “Your father and I had been for a nighttime stroll,” she said. “He got caught by Apollyon Pringle — he was the caretaker in those days — your father’s still got the marks.”

(GoF, 616)

Umbridge (and the Carrows) later returns corporeal punishment to Hogwarts, and it's quite clear there is no law against it in the WW:

“Approval for Whipping . . . Approval for Whipping . . . I can do it at last. . . . They’ve had it coming to them for years. . . .” He [Filch] pulled out a piece of parchment, kissed it, then shuffled rapidly back out of the door, clutching it to his chest.

(OotP, 673)

Molly actually beat Fred with a broom (or at least attempted to) and it's considered fine and legal and not abuse:

“Seen the Fizzing Whizbees, Harry?” said Ron, grabbing him and leading him over to their barrel. “And the Jelly Slugs? And the Acid Pops? Fred gave me one of those when I was seven — it burnt a hole right through my tongue. I remember Mum walloping him with her broomstick.” Ron stared broodingly into the Acid Pop box.

(PoA, 200)

Because the Wizarding World (and the UK) in the 1990s had a very different view on abuse and domestic violence. So, yeah, I don't think Severus considered what he did abuse, he considered it harsh discipline, like he himself received as a child. The way everyone ignores Harry's (and Snape's as a child) very clear signs of being abused is also telling. A rough hand and insults with disobedient children is just considered what you do, and not horrifyingly gross behavior like we see it today.

And the other teachers don't step in, because they consider it just as legal and acceptable as Snape. Because it is in the Wizarding World.

[nanomooselet]

Little but Fierce

Now, I might be mistaken, but judging by the number of bare pectoral muscles strewn over my dash at any given moment, I'm gonna say Wolfwood is pretty popular? And that's understandable (he's a loser <3) but it's a genuinely terrible shame that Meryl gets overlooked. Especially in Stampede. Orange have done some really amazingly cool things with Meryl.

And it makes me a little nervous to say so, but I think they only could have done them by detaching her from Milly, at least for a time. Milly's still going to show up and I'm confident from this precedent they'll treat her well, so I'm at peace with her absence for now.

Nightow is unexpectedly good in many ways. He treats sex workers as human, which is a low bar that many nevertheless fail to clear, and my only serious disappointment in Maximum was in how the girls vanished for long periods. I recall an interview where he said something to the effect of being reluctant to put them in harm's way, and while I'm disinclined to take anything Nightow says entirely at face value (I don't think he's a liar, but I do think he has a sense of humour that inclines him to kindly trolling, which I respect), that would line up, I think.

I think Orange are taking the opportunity to remedy this disappointment.

It's exciting. It's the kind of writing for female characters in genre media I've always craved. I will not be silenced on how extremely gay I am for Meryl Stryfe.

Unfortunately that means for this first entry, I'll have to talk about Knives. (Whom I also love, but not in a gay way. More an affectionate revulsion. He's fascinatingly horrible, this man.)

So. I've noticed a distressing tendency for Knives's... really almost anything that ever comes out of his mouth (seriously) to be taken as the honest, objective truth. After all, they didn't call him a villain.

And what an honest face he has!

As Knives has it:

Vash is pretty, but he's useless without his brother. He's a powerless, weak, pathetically naïve, blubberingly sentimental little baby who doesn't care about the Plants, too busy enabling humanity's abuse via performing his cringing, grasping abasement before them to notice how his brethren suffer. Knives himself is the more powerful (and much less human-like) of the twins; the strongest and most righteous activist for necessary change now that, sadly despite all good faith attempts at communication, non-violent solutions have failed. He truly has only the best and most altruistic intentions: the freedom of his people, and the happiness of his brother.

Here's the problem. This has always been the problem. Every one of the statements in the paragraph above is false. Except the one about Vash being pretty.

Once more with feeling: They are completely untrue. They are supported by literally nothing. All we have is his word that they're true and there's so much existing evidence to disprove his claims that even the thought of compiling it exhausts me.

However, I did say that Zazie is a truth-teller in this story, didn't I? So let's examine some of Zazie's conclusions.

Now, I've seen reference to the surviving human communities on No Man's Land as "colonisers", and that their treatment of the Plants even before the Fall is analogous to slavery. (My strong suspicion is that Knives is purposefully invoking those comparisons, in fact.) Those are both extremely loaded analogies, culturally and emotionally, and I just want to gently, respectfully caution those who make them against overlooking the more nuanced and purposeful analogies being made. Or maybe should I say, the actual individuals to whom they apply.

Zazie is very careful to say this: Knives told them humans can't be trusted to learn from consuming their home planet. Knives was the one who said humans will have Zazie's planet next, and that only Knives will "use" the Plants correctly - so Zazie should ally with Knives.

Here's what Knives meant by "using the Plants correctly":

I, uh, think Zazie may have made the wrong call on this one! And that Zazie thinks the same.

This is what makes the interaction with Wolfwood so funny and sad - the all-knowing, ostensibly unkillable Zazie is freaking the hell out, staggering under the weight of realising just how apocalyptically badly they have fucked up. Wolfwood, who also directly instigated this disaster but under duress, is grimly amused - he did everything he did fulfilling the contract to protect the kids, even as his conviction failed, even though he would rather have died, even after Livio... and thus he personally rendered all his own efforts and sacrifices moot.

And he's just like, "Heh, yeah. That tracks." This poor boy.

Afterwards, Zazie is confused and even a little saddened that Vash was demonised in the wake of July's destruction. Never let it be said the bug fails to learn from experience: Vash is the one everyone blames? Ah, so he was in fact spectacularly heroic and clever and it's entirely Knives's fault it turned out so badly.

Also, crashing on this specific planet wasn't exactly humanity's choice. Guess whose choice it was.

Go on, guess. Better yet, guess why.

Yeah. It was also Knives who said to Zazie that both he and Vash crashed the ships... trying to stop us. From doing exactly what Knives tried to do the very instant he got the chance.

The thing is, Knives does everything he can to look like he's right by positioning himself as the most authoritative source, but he isn't ever backed up by like... facts. Or evidence. Or reality. Or anything. Ever. He crowned himself king of the Plants. He speaks and acts for them by divine right, apparently. He didn't take a vote or anything - in his mind it's self-evident only he understands the world, and Vash, and the correct way to use the Plants. Because remember that it's not using Plants he gives a damn about, even using them to death in the Last Run, as long it's him doing it. It's being dependent upon humans; he views providing for our basic survival needs as wasteful and inherently, exclusively parasitic, even if we're helping the Plants to survive in turn. Because it's humans that he's frightened of, and he wants the yucky things gone.

The thing is, when he's not being purposefully manipulative (though Vash is the only one he manipulates in person, probably because Vash is the only one he pays enough attention to for his tactics to be effective) he's being a dense fucking idiot. At very few points do his delusions intersect with reality.

The thing is, Knives is a known, proven, and entirely unrepentant liar. It's the logical extension of the way he gaslights Vash. He is in no way a trustworthy source of information.

All that he says is part of a heroic narrative about being the specialest boy evar that he came up with to avoid taking any blame or responsibility for the consequences of his actions. Knives considers himself perfect, but he's made plenty of mistakes, which I do think he would consider mistakes - among them Rem's death, alienating Vash, cutting off his arm and rendering him disabled, and what I suspect to be the large number of Plants killed in the Fall, along with the ones consumed by the Last Run in the desperation that followed.

So he tells himself... little stories. Inside his head. It's how he reconciles it. It's how he copes.

Basically, if you want to find any truth in anything Knives ever says, look closely at what he says, and believe the opposite.

Now, onto my girl and how completely fantastic she is.

Part II

Part III

Part IV

Part V

Part VI

Part VII

Part VIII

Part IX

[aihoshiino]

LIKE SHITS AND GIGGLES ASIDE it just sucks like. Ruby really didn't... have a proper arc with a proper conclusion in the end. like. i don't mind that she aborted her villain protagonist arc and deactivated her Eternal Mangekyo Sharingan to become a brocon because, y'know, regardless of how you feel about that stuff there IS actual discussion to be had about her feelings, if they're understandable or not, the nature of her relationship to Aqua and Gorou and how for Ruby this new life is like just a continuation of her life as Sarina due to how young she died as opposed to Aqua... like maybe i'm biased but it feels really meh in particular that Kana and Akane got their chances to really showcase their grief while Ruby didn't. like the second main character doesn't deserve a chapter to break down???

but NOPE it just. happens? and then she just becomes Ruby 2.0 which is awful bc like. like you said it's SO not a fate that Ai or honestly i think even Aqua would've really wanted for her. it was not a fate she wanted for herself. like, Ruby surpassing Ai should've been about Ruby being an Idol in her own way that made her happy, and now she's just... a liar like Ai was? it's honestly like... a really horrible outcome for her it makes me sad just to think about it.

like ONK still has a really special place in my heart i'll always love it just. man this ending needed SO MUCH MORE TIME to make it work. i really think the bittersweet/tragic ending could've worked given it's been implied since day 1 but good lord that race to the end was just ugh. i feel like ONK with two more full volumes might've been able to fix this but idk. i'm just.... maaaaan Ruby my girl you at least deserved a full chapter just to grieve

IT SUUUUUUUUUUUCKS. I feel like I was constantly ragging on Ruby in like all of my chapter reviews lol but that was entirely because I was so mad that the narrative was treating her like such dogshit. I was so so SO excited about the arc she was being set up to have during the preproduction phase of the movie arc - the idea of her being faced with the abuse Ai went through and having that literally trigger her to such a degree that it causes a similar crisis of identity/split between her and Sarina that we've already seen in Aqua and Gorou was sooooo fucking juicy and I felt like it was exactly the kind of arc that Ruby really needed, especially if Akasaka wanted her to be the major focal point of the second half of the manga as he apparently did.

But the INSTANT the past life reveal happened, it felt like that stuff all just got wiped clean with no interest in letting her naturally reconcile with it. I think I said before that like... I can totally understand if Akasaka had just accidentally dug Ruby into a bigger hole than intended and wasn't sure how to more organically get her out of it, because sometimes that DOES happen, especially in a serialized story where you're at least a little bit writing by the seat of your pants. So if that reveal was Akasaka kind of soft resetting Ruby to get her back on her feet for the Movie Arc, I totally understand needing to do that even if it's frustrating.

But even once Ruby's back in her feet, the story just... isn't interested at all in her inner world? There's no time given to her having any kind of complicated feelings about Gorou reincarnating as her brother or how she might be processing the changes this necessitates in their relationship. She just instantly pings into wanting his dick and she spends the rest of the manga not having those feelings taken seriously while also being disallowed from actually processing and potentially moving past them, because god forbid a female lead in a manga have a life outside the male lead.

Idk! Ruby deserved better is all I can really say. As frustrated as I got with her & the way she was coddled and spoonfed by the narrative in the back half of the story, those are ultimately issues with how Akasaka was just failing to respect her as a character who could stand on her own as a protagonist and aren't inherent to Ruby herself. It just sucks that her story ends on such a crappy note for her, in more ways than one.

[spop-romanticizes-abuse]

i think i've mentioned The Magnus Archives before, but i wanted to talk about it again, in connection with Catra's redemption. The Magnus Archives is a fictional horror podcast with an overarching storyline and amazingly written characters.

[spoilers for TMA below]

one of the themes that was briefly explored in the final season was about forgiveness. it was a very brief moment but it really stuck with me so i'll share it with y'all.

this right here was so important. for context, one of the characters, Daisy Tonner, was a cop who frequently engaged in police brutality. there was nuance to this since she was an Avatar of the Hunt but simply put, she thought she was doing the right thing. regardless of her intentions, a lot of people were killed or grievously harmed by her. for similar reasons, she tries to kill Jon, the protagonist.

later after disconnecting from her entity, Daisy realizes her mistakes and feels painfully guilty about everything. she couldn't bring back the dead, she couldn't reverse anything that she had done. all she could do at that point was to just stop engaging in violence and try to be a better person.

she bonds with Jon after some time of mutual awkwardness. Jon, being lonely himself, wasn't entirely opposed to talking to her and they even form a friendship of sorts. for context, Jon has hurt people too and he could relate with Daisy's guilt and her attempts at redemption.

in the transcript i shared above, Jon is discussing her crimes with the other characters. the thing that was so refreshing about Daisy's redemption is that Jon wasn't forced to forgive her. she put him through an extremely traumatizing and agonizing situation that he couldn't forget. his trauma was taken seriously and while he had begun to consider Daisy as his friend, that doesn't mean he forgave her. and she knew that. she understood that she didn't deserve forgiveness, but she still worked on trying to be a better person.

and later on in the series, Jon even expresses his appreciation for her friendship and admits to wanting to say goodbye to her.

i feel like this is the best way to write a redemption arc. of course it's nice seeing the bad guy being forgiven and accepted by the other characters. but sometimes you have to acknowledge that some people go too far and while they deserve a redemption, they don't deserve forgiveness. the other characters can still appreciate and respect their attempts at redemption, and even become their friend but without being forced to forgive them.

contrast this to SPOP where literally all of the characters have to forgive Catra after everything she's done to them. it doesn't matter how much damage she caused, as soon as she expresses the tiniest bit of guilt, she is instantly forgiven. there's no question of how the other characters feel, their trauma is not valid.

also, i have a feeling that if any of the characters refused to forgive Catra, she would have immediately thrown a hissy fit and spiralled right back to square one. i mean, look at her reaction to Frosta punching her.

by the way, i want to add that Daisy was also a traumatized character. she was also a sympathetic antagonist and she was partially controlled by the Hunt (whether the entities controlled their avatars or not was an unanswered question but it was confirmed that the Avatars were at least 80% in control of themselves). but she still did what she did and no amount of tragic backstory could justify her actions. if only the writers of SPOP actually stopped to think this through, instead of just hyperfocusing on getting Catra and Adora together.

anyway, if you like cosmic/existential horror, lots of angst, deep psychological stuff, complex morally grey characters, and queer representation, i highly recommend TMA! it's the whole package.

[notablogtwiy]

Okay this is mostly just for fun and not meant to be taken so seriously. I think shipping is okay as long as it stays in fan communities and people don't harass the actual people about it. But even then, this is mostly just fun/wishful thinking:

For a long time, I had it the back of my mind that Spencer has a crush on Angela. And for a while I didn't think it was reciprocated. But with today's video and a few recent ones I'm starting to think that it is lol.

Thank you for this message and I'm also sorry because I'll probably ramble on now because I can't help but gush when it comes to them.

I agree with the shipping thing, and that's why I was hesitant to make that Spangela moments post. It might get misinterpreted. They are simply my favorite Smosh members and I love seeing them as a duo, that's all. Does the idea of them together sound great? Sure, but it's just an idea. And it's just like you said, as long as people are respectful and know how to stay within the fandom and not make it weird, then it's cool. You can have fun without being creepy or invasive. I'm so glad they're not a "popular ship" because I don't want people sending them stuff or having them see things that would make them uncomfortable and affect their friendship and how they interact. It's very important to remember that they are real people and we do not actually know them.

But yes, just for pure and harmless fun, I've had very similar thoughts to yours, hahahaha. Spencer was the whole reason I started noticing their dynamic in the first place. I really can't explain it, but the way he is with her is just different. The way he talks about her and hypes her up. Even the way he teases her is different to me than how he does it with everyone else. It feels like he really gets her and knows her very well. It's just a feeling, of course, I know that. But to me, it's so obvious how much he admires and adores her. In what way? Who knows. I only know that it's really adorable and I very much enjoy it. I feel like with Spencer, he doesn't hide how charming and funny he finds her. Now, Angela is a little harder to read and she has such a unique dynamic with everyone, too. But you can still see the difference in how she is with him as well, especially now. You can definitely tell that they appreciate each other and that they have gotten so close and become such great friends over time, best friends, I'd say. And it absolutely melts my heart. They're very different, but they're also more alike than people may realize, and I can write an entire essay about that. But I won't, I've already made this answer too long, I'm sorry, lol.

[hawkinsschoolcounselor]

It's so annoying to see people in the tag comparing Byler to other queer ships that didn't happen like no Byler is unique and wasn't made by bad writers. Idk if you were in one of those fandoms but it would be amazing if you could explain to all those people why Byler was written differently because I am tired of the classic: "they are queerbaiting you,deal with it". I am like :" wow they queerbaited the Lgbt+ community and the heterosexuals too then because a huge majority of the GA audiences who see Byler aren't from the Lgbt+ community". They also made the "main" ship do unlikeable that it lost at least 40% of their supporters between season 3 and season 4.

Well, I can see where they're coming from, even if I don't agree.

I have never been involved in a fandom before, but I have been a fan of shows/movies where I thought "so and so would make a good couple" only for nothing to come of it. I've said it before, and I'll say it again, though. This is the first time I've ever thought it was going to happen, and I've felt that way since season 2. Each season since has left me disappointed, as I don't want it to be a final episode "twist" in order to avoid losing fans, but it's still only become more and more obvious to me that it's inevitable.

I think a lot of fans get caught up in headcanons, particularly between seasons. As a result, they end up forgetting what is actually canon, and they create elaborate predictions that just don't fit the reality.

Yes, queerbaiting is a thing. I'm not familiar with many of the fandoms that this is used with, but I'll give the fans the benefit of the doubt on it. If a show hints at a queer couple, that's not enough for it to be queerbaiting. But if they continually build it up, only for it to go nowhere, then it might be. If they actively use it as a means to market the show, then it definitely is.

Without knowing more about specific fandoms, it's hard for me to make any direct comparisons. I suppose, should, somehow, Byler not be endgame, then I'll probably understand a lot better. However, I will also be extremely confused and will have lost considerable respect for the Duffers as writers.

However, Byler is a unique animals, as far as I can tell. It's something that has had seeds planted to it from the very beginning of the show. It's not some response to fans that the producers felt they could then exploit for marketing/merchandising purposes. It may not have been obvious back in season 1, but the clues were there. There was no retconning done to make Byler fit. There was no sly stoking of the flames in the fandom to get fans excited about it. That all happened organically as more and more people caught on.

I don't think the Duffers are dumb. They built a slowburn same-sex romance between main characters over the course of an entire top-tier series. As much as it annoyed me that it's taken this long, it does make the most sense, both in-universe and as a matter of mass appeal. Both the fans and the characters themselves had to come to terms with teen boys falling in love in the 80s. That's not something to be rushed if it's to be taken seriously.

Will, the one we've been told was gay, has come to terms with his feelings, only to come to the conclusion that it's not meant to be.

Mike, the one we've seen to have more-than-friendly feelings for Will, is still not ready, yet.

Season 5 will be the catalyst for Mike to realize what his deep feelings for Will really mean, so he can show Will that love is something for him to experience.

[marasschino]

hello! you said to ask about your femadachi thoughts and I would love to hear! when I've considered this, I wonder if she still kills people and if her victims would be men instead or a mix of men and women lol. also wonder who specifically. like she still sees mayumi on the midnight channel first considering everyone sees mayumi first but I'm wondering if she would feel inclined to do anything about that or not... much to consider...

before I start. uh obvious spoilers for p4 lol.

tbh I hadn't thought much about how different the situation or possibly even the different victims adachi would have as a woman before you asked. I'm a sucker for focusing on the changes in relationships first when I do genderbends of characters bc I like inspecting how people act w each other and being a woman would definitely affect adachi's relationships in this case (cough cough work place sexism cough but also nanako). but after giving it much thought I can say with like 83% confidence that I think fem adachi would still kill mayumi and saki. the catch? she's doing this specifically bc namatame becomes her proverbial lab rat she's torturing in the maze that is inaba and she likes the idea of being judge, jury, and eventually executioner for a man she thinks has proved that he is worse garbage then most men are. this is my thesis and I will explain in a long ass essay (under the cut) like the nerd I am.

to start I also wanna add the context that I agree w the tags you left on my art that fem adachi wouldn't be a misanthrope she is a misandrist and internalized misogynist (she's definitely been a misogynist for longer tho). also while she definitely doesn't like mayumi and didn't really have much an opinion on saki, they don't get pushed in the tv bc adachi was coming onto them, but rather bc one of her motives will not pass the bechdel test.

for mayumi in canon adachi calls her out to try and make her feel bad/punish her for being a home wrecker in a things are getting adult rated way, but for fem adachi she is doing it in a women hating women way. Obviously, I think mayumi would be way less standoffish to adachi here, and is like, "oh women that aren't taken seriously gang haha I appreciate a woman reaching out to support me??" until adachi is on mayumi's ass with, "fuck female solidarity. why, as a woman, are you so stupid and dense to let a man be the reason your life is ruined? you aren't taken seriously mayumi-san? oh, its because you threw your life in the trash for some stupid man who thought he could have his cake and eat it too. you give a bad name to women (like me) who actually try to make it in this world." obviously things get heated and mayumi gets scared, then oops! tv push! uh oh!

considering the lack of respect adachi would have for mayumi, she doesn't feel bad about pushing mayumi into the tv at all. as if it's like she gets to punish this woman for having an affair, and later when mayumi is found dead, its like punishing namatame for having an affair by killing his mistress.

for a brief sideline into man killing, once mayumi is found dead adachi probably briefly considers throwing namatame into the tv when she can get his hands on him, especially when she hears about how much this dude genuinely loved mayumi. it makes adachi sick to think that this dude had everything on a silver platter (in her pov) and STILL cheated as if he didn't have enough. but then she probably finds out namatame lost his wife, his job, any public servant opportunities, destroyed his reputation, AND adachi herself got to kill his mistress, and she thinks, "huh. maybe this dude will suffer more if he's actually gotta live with the consequences of his actions all alone. death is the easy way out for him. and if suffering alive is not good enough I'll do something about it later. (:"

so this is where saki comes in. obviously adachi still questions her bc she saw mayumi's body etc, but when she calls saki in a second time for questioning its probably to actually 100% confirm everything (at first) bc adachi here is a woman detective at an office with mostly men who do not take her seriously whatsoever (this also adds to the fact that I think fem adachi is definitely more of a workaholic then adachi in canon but not too relevant here yet). while going thru everything they went over in the first questioning saki brings up namatame and adachi is so all ears. saki says something about how he mentioned the midnight channel and he was being creepy, and adachi's first gut reaction is namatame is a freak (negative) for talking to a teenage girl, and the more she keeps badgering saki about it she realizes something.

namatame thinks he can save saki from being killed bc he saw her on the midnight channel.

now adachi cooks up a wonderful idea: what better way to make a man like him suffer then to keep making him feel like he's failing people who show up on the midnight channel? and adachi? well, she's a strong woman that isn't afraid of a little collateral damage for the sake of cruel and unusual punishment used on a man. even if the collateral damage is a whole teenage girl.

sometimes when adachi thinks too hard about it she probably feels some guilt about saki, but she justifies that by telling herself the girl was already a workaholic, she was struggling, facing the perils of rumors about her being a pathetic and easy girl (cough cough adachi is projecting cough). death was an easy way out for a girl like that. early on she tells herself she gave saki some kind of mercy killing, but the closer adachi gets to losing it near endgame she sheds any guilt she may have had about it and wholeheartedly believes that death was a better avenue for saki and it was necessary to ruin namatame (and by this point also to fuck with narukami bc whatever they got goin on is fucking weird). (a mildly relevant sidenote for saki's death: I'm not a yosuke hater, but fem adachi sure is)

regarding other possible victims, do I think adachi would kill anyone else by pushing them into the tv herself? hm probably not. Not bc she doesn't want to, or didn't derive some satisfaction or perceived usefulness out of the first two, but bc I see adachi as an opportunist killer. any version of adachi is smart as hell despite being a piece of shit, and although fem adachi would have no qualms about eventually killing namatame once he was no longer fun to mess with, getting more premeditated might leave more room for error in her eyes, specifically once she convinced namatame to kidnap people on the midnight channel. once namatame is kidnapping people she knows that means she would have to get to whoever shows on the midnight channel before he does, which is too much of a hassle. also killing someone who wasn't on the midnight channel means she would inadvertently break the pattern of the first two even if the body would be found in the same state. it could also discourage namatame, and if someone realizes the break in the pattern AND if anybody gets caught, authorities might realize there are two murderers AKA it's too risky. the other reason is it's a very tight window for adachi to kill anyone else anyway bc once yukiko is thrown in, anyone thrown in after that might get saved by the IT.

she still throws in mitsuo tho and that was probably her favorite tv toss. that kid definitely pissed her off more then mayumi, for obvious reasons, and (with the exception of narukami) I think fem adachi has a special hatred in her heart reserved for teenage boys.

for fem adachi, she is perfectly satisfied having her little rat namatame run around thinking he's playing hero and causing an absolute mess, she loves ruining a man's life <3 she also doesn't mind knowing dojima is getting put thru the ringer while they're at work, and once she realizes narukami's involved she is interested in seeing what he does bc she's got a weird thing about narukami that's way too much explaining here (but its definitely still got to do with her projecting her issues w men onto him btw). adachi's also enjoying it for the exact same reason as in canon as well. its fun to her, a miserable workaholic who hates her job and the town she lives in.

lastly, I want to thank you for the ask!! I love getting to talk about stuff like this. it's the highlight of my week, and if you personally have other thoughts to share about fem adachi, man I'd love to hear em. this goes for anyone by the way. come scream at me please. here's bonus art for making it to the bottom of this:

[masterjedilenawrites]

On this here February 1st, I'll be showing some love for the 21st Nova Corps, a unit lead by Marshal Commander Bacara and Jedi General Ki-Adi-Mundi. I couldn't find any other named clones from this unit outside of Bacara, and I haven't written for this guy before, so I'll do some headcanons just for him :)

The 21st Nova Corps

I did a quick dive on Wookiepedia first, and here were some things that stood out to me from what's apparently already been canonized:

The 21st Nova Corps has a reputation for being relentless and exceptionally conditioned/disciplined.

This is in large part due to Bacara having super high expectations, he will kick anyone who doesn't meet them out of the squad, even without Ki-Adi-Mundi's approval.

Actually described as being "at odds with" Mundi, though in another section was said to have a grudging respect for him.

Bacara utilizes aggressive tactics and is extremely strict. He ignores the recommended GAR practice for commanders to remain inconspicuous in battle, and instead chooses to lead his troops from the front.

He's described as a loner and stern. I saw somewhere he was besties with Neyo, too, and they developed combat techniques together.

With that foundation, here are some headcanons I have for him:

Doesn't talk much, but not because he's shy or emotionally constipated. He really only cares about war and rarely meets people who are interested in discussing the topic with as much passion.

Like seriously, he has no other hobbies or interests. Music? Never heard of it. Sports? Boring. Holo-films? Food? Knitting? Yeah no, he's already walking away from this conversation.

If he is comfortable with someone though, he can talk about battle strategies for daaaays.

Fucking hates milk.

Has a mind for improvement. Not quite a perfectionist, he just won't ever settle for "good enough" when something better is still achievable.

Thus, he's constantly working angles in his head, coming up with possible solutions, thinking outside the box. Even for common, everyday situations like getting out of traffic or folding the laundry.

Jason Bourne vibes.

Has one small tattoo on his foot, will never say what it is.

Natural at picking up languages. Fluent in Mando'a but can carry simple conversations in plenty of others. 

Spends his R&Rs pouring over wartime history/strategy books in the archives, with a beer.

If someone asked him on a date, he would straight-up say "why?" So confused.

He would be a pretty good partner, though, if he ever opened himself up romantically.

And if he could ever find someone who meets his high standards...

I also read that he was featured on a GAR campaign poster, and I firmly believe he secretly has a massive print of it taped to the back of his closet door.

Can not roll his tongue. Every other clone can and it pisses him off.

Has the best laugh you've ever heard in your life. He does use it occasionally, but very randomly. Not even his squad has been able to work out what exactly his sense of humor is.

His squad... All are just as intense and passionate as their commander. When they're not fighting, they're training to fight. There's no room for shenanigans or relaxing.

Other clones keep a respectful distance. They know the Nova Corps get sent to some pretty hardcore places.

Most of them have never set foot in 79s, or any bar for that matter.

Bacara goes every once in a while, because he does like a good beer, but he's very out of place. Just... kinda sits there... not doing anything...

He gets hit on a lot because he's smoking hot but has never taken anyone home. Not opposed to the idea of getting laid, but it would take a lot to catch his eye.

Eeeevery once in a while, when life gets a little too still and his thoughts wander past all the combat tactics and weapon factoids that are usually in the way, a deep and vulnerable feeling makes its way to the surface and almost cripples him: loneliness.

He has no idea what to do about it, so rather than face it like he would a charging battalion of droids, he instead pushes it right back down and moves on.

Okay but now I'm imagining Queer Eye showing up to help Bacara find some hobbies and a girlfriend 😂

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Other Clones Tag: @kaijusplotch, @lucyysthings, @marvel-starwars-nerd, @severalseashellsbytheseashore (it won't let me tag you), @lackofhonor, @flowered-bicycles, @foodmoneyandcats, @mishakoon

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🌟 2024 Clone Battalion Series Master List | 🌙 Master List of Master Lists

[galactic-glamour-girl-posts]

In celebration of Animaniacs' 30th Anniversary...

I'm gonna list some of my favourite segments/episodes from the franchise and explain why they're my favourites! The segments/episodes will be listed in order of their debut in their respective series.

I'll start with my favourite episodes from the original Animaniacs:

Taming of the Screwy

I see this episode as the turning point of Warners' and Scratchy's relationship. Before they'd drive him crazy and he'd want nothing to do with them, but because of his job he's forced to deal with them. This episode was the start of Scratchansniff realizing that the Warners' aren't all bad, which eventually leads to them to getting along a bit better later on. The Warners still mess with Scratchy a lot because, as they say in this episode, it's their way of showing affection, but he genuinely tries to tolerate them (key word being "try"), and they even help him a bit ("La La Law"), until eventually he starts acting somewhat like a guardian to them and he's even willingly choosing to hang out with them (like in "I'm Mad", "Fake", "The Party", etc).

This episode also puts the Warners' characters in a new perspective, being the first that tries to get the audience to genuinely sympathize with them. We knew about them being locked in the water tower, but that wasn't taken too seriously and (because of how "Newsreel of the Stars" presented their origin) you could argue the studio's treatment of the Warners was just a reaction to the Warners' antics. Here the Warners kept their end of the deal and were well behaved, yet were betrayed anyway. They had gone up against a "special friend" before this episode, but this episode was pretty much the first to firmly establish that the Warners are capable of behaving if treated fairly (although they'd rather mess about, not out of maliciousness, but because they just wanna have fun), but if not they're not afraid to fight back and wreak havoc.

A big reason why I like the Warners so much is that they seem like simple characters on the surface, but there is nuance to how they act, and this episode is a good example of that ("The Sound of Warners" also being a good example). It would've been easy to write the Warners as one-dimensional characters who all act the same, are completely incapable and/or unwilling to behave and do nothing but make anyone and everyone's lives worse for no reason, especially since it's a variety show, but they didn't and I appreciate that. I also think the way they're drawn in this episode is adorable! They don't look how they usually do when animated by TMS, but I still like it.

The Warners' 65th Anniversary Special

This episode gives a more detailed retelling of the Warners' origin story. This time it is presented as a "live" TV special, which is a unique premise for this show that helps this episode stand out. I like how "Newsreel of the Stars" tries to make the studio look as good and reasonable as possible, only for that to be flipped on its head in this episode which makes it clear that really the problem was that Memlo and Plotz were the unreasonable ones. The Warners' backstory itself expertly manages to be both comedic yet sad at the same time in a way that doesn't feel tonally inconsistent at all. I still find it hilarious that they took an actual Looney Tunes character and made them into a twist villain just because they were unpopular in real life (let it be known that Animaniacs did that joke before the 2002 Scooby Doo movie did). Combine all that with some fun cameos and beautiful TMS animation, and you've got one of the show's best episodes.

Episode 92

Yup-the whole episode. This episodes is a great summary of Animaniacs' strengths, because each segment is a perfect example of an aspect (or multiple) of Animaniacs that the show does expertly well. "It" has some of the best animation in the whole show, "Dot-The Macadamia Nut" is one of the best parody songs in the show, and "Bully for Skippy" provides some of the best meta humour, political satire, slapstick, and irreverent humour in the show. It's one of my favourite Slappy segments, and although I think the message isn't supposed to be taken seriously...I legitimately think it's a good moral? After seeing other shows/movies/etc (particularly since the 2010's) have their protagonists easily talk down and redeem multiple incredibly vile villains, or sometimes just outright let the villain get away for the sake of keeping them passive/non-violent, this episode's conclusion was incredibly satisfying.

Children's media will often tell kids to just ignore bullies or to constantly try to "get through to them" no matter what, because if they don't that makes them "just as bad" and I'm sorry but that's not something we should be teaching kids, and I'd argue they're not just bad but straight up dangerous messages. Ignoring bullies doesn't work most of the time, it just makes them try harder to get your attention, which often means acting more aggressive and malicious. I do think teaching kids to try and make peace with people non-violently is very important, but if the bully keeps harassing them, at some point you have to draw the line and stand up for yourself. Sometimes you have to yell. Sometimes you have to fight. It sucks but that's life...so anyway, back to Animaniacs. Duke seemingly does learn his lesson in the end, because he's seen helping Slappy, but only after getting his butt kicked, and it's not like him and Skippy are BFFs or anything.

I think this is one of the most well-balanced non-singular story episode of the show, quality wise that is. Most Animaniacs episodes with multiple segments have at least one that is mediocre or straight up bad in comparison to the other(s), but that's not the case here. They're all great.

Honourable Mentions: The Sound of Warners, La La Law, Meatballs or Consequences, A Christmas Plotz, Super Strong Warner Siblings, Morning Malaise, Season 3's Finale (Episode 82), Win Big, Puppet Rulers, Bubba Bo Bob Brain, Yes, Always, Bumbie's Mom, ...And Justice for Slappy, One Flew Over the Cuckoo Clock, Critical Condition, Woodstock Slappy, When Rita Met Runt, Smitten With Kittens, Phranken-Runt

Best Songs: Yakko's World, Wakko's America, I'm Cute, Yakko's Universe, The Ballad of Magellan, Variety Speak, I'm Nobody's Mama, Let's Try for Two, Humans Ain't What They Seem to Be, A Quake! A Quake!, The Senses Song, There's Only One of You

Now on to Pinky and the Brain:

A Pinky and the Brain Christmas

Yeah, yeah. I'm just gonna get this one out of the way now. You love it, I love it, and we all know why...but I'll explain anyway!

For one, this is the only episode TMS animated for the spin off, and it looks gorgeous. The writing's as good as ever. I'd like to point out the Donner Party joke for being clever; but Bill Clinton being unable to open the window is the joke that gets me to chuckle when I think about it. Although let's be honest, people mostly like this episode because of the ending. I get it though, it's touching! It shows just how much Pinky loves Brain and how selfless he can be, dedicating what was supposed to be his Christmas list to Brain. Then the smashing, the keychain, the credits, blah blah blah we know how it goes.

I mean if you're reading this then chances are I don't need to convince you; it's the show's most well-known episode, and it's really good.

Welcome to the Jungle

This episodes flipped Pinky and Brain's dynamic on it's head. Brain was out of his element, meanwhile Pinky took charge. This is the main reason it's one of the most memorable episodes of the show, although another is that Snowball makes his grand return in this episode, and is even more antagonistic this time by trying to get Pinky and the Brain killed, whereas last time he was really only trying to one-up Brain. I find it interesting that Brain’s more sympathetic towards Snowball this time around, insisting that he needs help and attempting to save his life. Perhaps he always missed Snowball as a friend (and still cares about him deep down), perhaps being so out of his element softened him, maybe both? And when Brain defeated Snowball towards the end, after what he went through in the episode that genuinely felt triumphant and deserved.

This episode really shows off how Pinky and the Brain is distinct from Animaniacs. The Warners don't take serious situations seriously, they're always on top of things and are ultimately winners. Pinky and the Brain are kind of the inverse; mice wanting to take over the world is ridiculous, but they take it completely seriously, and fail every time. Though it is exactly that that allows the protagonists to be vulnerable and struggle more often, hence allowing the characters and their stories to often times be slightly less zany and a bit more sincere.

Star Warners

This episode was just fun, what more can I say? It was nice to see many of the Animaniacs characters again, especially the Warners and Slappy, but we even got to see the more obscure characters like Pip, Zalgar, the aliens from “Space-Probed”, Sid the Squid and Beanie the Braindead Bison. Some Looney Tunes characters and Freakazoid appear too. I also like a lot of the "castings": in particular Yakko as Han, Wakko as Luke and Dot as Leia are perfect choices.

There's more to this episode than cameos though, like the interactions between characters who pretty much never interact. Dot and Brain, Wakko and Mindy, etc. My absolute favourite aspect of this episode is that the Warners, Pinky, Brain and Slappy all got to star alongside each other throughout the episode! The Warners have interacted with Slappy a few times, they've also interacted with Pinky and the Brain too, as has Slappy (very briefly in "Spell-Bound"), but they've never all interacted as a group for an extended period of time. I haven't kept it a secret they're my favourite Animaniacs characters (and also have pretty much the only segments I truly care about aside from maybe also Rita and Runt), so to see them interact as a group was great!

Also, the final credits gag was “Nympholepsy - To have a desire for an unattainable idea”. That's a perfect Brain’s Word to end the show on, and this episode was a pretty good way to end the show. Sure, something with higher stakes that takes place in the main setting of PatB (as in an episode where Pinky and the Brain live in Acme Labs in the modern day) like the "Brainwashed" trilogy would've made for a good finale too, but honestly having the final episode of the show essentially be a crossover between it and its parent series is cute. In fact it's probably...eh screw it, it IS the best Animaniacs-related series finale there is.

Honourable Mentions: TV or not TV, Snowball, The Pink Candidate, Pinky and the Brain…and Larry, This Old Mouse, A Pinky and the Brain Halloween, You’ll Never Eat Food Pellets In This Town Again, The Family That Poits Together, Narfs Together

Best Songs: Brainstem, Cheese Roll Call, Just Say Narf!, A Meticulous Analysis of History

And now, because I haven't seen "Pinky, Elmyra and the Brain" and don't plan to, the Animaniacs reboot:

Fear and Laughter in Burbank

I love that the Warners' Halloween costumes were the Marx brothers, it's a cute reference to the fact that Yakko and Wakko were partially inspired by Groucho and Harpo respectfully. That and I really like segments where the Warners torment some evil supernatural being. The fact that these literal children can not only hold their own against but outright best beings like a soul-sucking clown, the Devil or even Death himself is both hilarious and admirable. They're not just pests, they're powerful pests.

It's pretty interesting that Yakko is the only one of the siblings who falls victim to Nickelwise, before being narrowly saved by Dot. His encounter with Nickelwise reveals a few things about him: that he hates being alone, fears losing his voice, and is at least a little insecure about his comedic skills whilst seeking validation via comedy. It also implies that despite the fact that he acts as the most mature, experienced and the de facto leader, he may be the most anxious and have the most self-worth issues of the three. This would make sense since he's the eldest, and therefore presumably has a lot more worries on his mind than Wakko and Dot. I do like this segment overall, but this moment is what made it one of my favourites. It provides depth to Yakko's character like never before, which I appreciate given that he's my favourite.

Rome Sweet Rome

This segment had a lot of good gags, solid satire, a fun song, and each Warner shows off their skillset pretty well: Yakko using his words and not his fists in a fight, Dot weaponizes cuteness to blindside an opponent, Wakko has an endless appetite and is really destructive. Titmouse animated this one so of course the animation was great. Pretty much everything I like about the Warners' segments is here and in top form. Not much more to say other than that, it's just...really good!

The Island of Dr. Warneau

Titmouse animated so once again there's great animation (Jurgen's lab was wonderfully creepy), and I really liked how the Warners were written in this one. I like that Yakko has a picture of Scratchy in his wallet (I'll take all the "Scratchansniff is their dad" crumbs that I can get), the clones are adorable, and of course the comedy was as good as ever ("You're living beings, not unpaid interns!" in particular got me).

Jürgen seems to be depiction of what an abusive family member might act like (although obviously exaggerated, since this show is a zany cartoon and all). In addition to forcing them to do whatever he wants whilst giving no love in return, Jürgen makes the clones call him "brother" to condition them into thinking he's family so they'll feel obligated to associate with him, has convinced them that he's their "protector" so they'll feel helpless without him (unfortunately that worked because Ratto straight up says they're helpless in his first line), and when the clones finally do stand up for themselves he tries to bribe Ditto towards the end by offering her a strawberry, whilst claiming she was always the "sensible one". The ending was very satisfying, with Ditto refusing to call Jürgen "brother" anymore and switching to using his first name (basically disowning him) and calling the Warners her real family. The six of them hug and just before things get a bit too cute-Jürgen gets eaten by a whale. The ending, like the whole segment really, is a perfect mix of both wholesomeness and dark humour.

This segment essentially emphasizes the importance of who the Warners are as characters. It explored the idea of what the Warners would be like if instead of being chaotic and rebellious, they were meek and well behaved, essentially the opposite of themselves, and it made for an interesting watch! It shows the importance of being assertive, and why being "perfectly behaved" and "obedient" isn't always a good thing. In hindsight, had Scratchansniff actually managed to successfully "de-zanitize" the Warners, it might've been the worst thing to have happened to them.

The Warners aren't perfectly behaved. They're snarky. They're chaotic. They're insane(-y). They're a lot of things, BUT when they see something wrong they don't stand aside, they fight back and make it right, just in a comedic way (they're like the embodiment of karma). Their backbone is one of their biggest redeeming qualities, and although people in-universe give them a hard time over their chaotic and irreverent nature, they'll always be better than the corrupt authority figures (like Jürgen, or many of their "special friends") they tend to take down.

Honourable Mentions: Suspended Animation Part 1, Ralph Cam, That's Not the Issue, Future Brain, Roadent Trip, Yakko Amakko, Christopher Columbusted, Reichenbrain Falls, 23 and WB, Planet Warner, Talladega Mice: The Ballad of Pinky Brainy, Fantasy, Teeniacs, Animaliens, Global Warnering, Slappy's Return

Best Songs: Suffragette Song, The Cutening, Be Like Me, A Zit!, I Am The Very Model of an Ancient Roman Emperor, Yakko's Big Idea (Yakko's Big Song), Magna Cartoon, Warner's Ark, D.I.WHY?, Here Comes the Sea!, Some of Humanity's Wins

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.

.

Before Animaniacs, many syndicated cartoons (specifically ones from the 60's to the 80's) had either a) good writing but cheap animation or b) more expensive and impressive looking animation but were essentially over glorified toy commercials. Animaniacs had both witty, intelligent writing and downright beautiful animation (seriously, the segments animated by TMS are some of the best hand drawn animation I've ever seen in a TV show). This wasn't unheard of by the early 90's, but only a handful of other cartoons could claim the same at the time. It's higher budget compared to a lot of other contemporary cartoons also meant it could afford a 25-to-40-piece orchestra, and that (along with the extremely talented staff) allowed Animaniacs to have one of the best soundtracks from any cartoon ever. Not to mention it was one of the first TV shows to garner an interactive online audience. Animaniacs was one of the first examples of internet fandom culture. Think about that. That is huge.

The Warners, Pinky and the Brain and Slappy are unironically some of my favourite characters of all time. I love that that the Warners are chaotic, nigh-omnipotent beings who can do anything, but also non-conforming outcasts who look out for each other because no one else will, but also well-meaning rebels, but also cute silly little children all at the same time. And that's just what they have in common, that's not even getting into their individual personalities. To put it very briefly (because I literally already wrote an essay about Dot so if you've read that you know how long I can go on about them but this post is long enough already and I'm still not done) I admire Yakko's wit, Wakko's optimism, and Dot's confidence.

I love that Pinky and The Brain are complete opposites in every sense of the word yet still manage to have an unbreakable bond. I love Slappy's unapologetically violent but never too meanspirited sense of humour (even though she's only one in-universe I genuinely think she makes for a better female Looney Tunes character than most of the actual female Looney Tunes characters) and how despite how bitter and cranky she is, she never lets that get in the way of her bond with Skippy.

Both the original Animaniacs and the reboot are some of my favourite shows of all time. I love their sense of humour, I love the main characters, I love that they never hold back and go places/accomplish things that a lot of other kids shows wouldn't even dare to. Not only was Animaniacs heavily influenced by Looney Tunes but it (and a series of Looney Tunes television spin-offs) helped bring Looney Tunes back from a period of stagnation by popularising its sense of humour (particularly its type of snark, wordplay, slapstick and visual gags). I feel like not enough people talk about just how influential the original show was; not only did it have more pop culture references and social commentary than pretty much any children's cartoon had before it, it played a big part in popularising those two things as well as sharp satire, cynical irony, meta humour, self awareness, and just witty humour in general being in children's cartoons, if not TV as a whole.

And above all else...it was fun. It was a fun show that just wanted to make you laugh above all else. It knew what it wanted to do and was good at it, and sometimes that's all you need for success.

I love this franchise, and I can't wait to see what it does next.

[zoeykallus]

Hi here ♥ ! I hope you're all right. Thanks for all the Bad Batch contents you give us. You have no idea how much your texts help me feel better. Can you write something about The Bad Batch react/protecting their love interest from a grossophobic insult or insinuation ? Thanks and take care ♥♥

Aloha! Well, sure, still breathing 😁 I'm so glad I was able to make you feel better with my writing! Thank you for telling me that, it does me good too 😊

So I have to be honest, I had to google 'grossophobic', I have to admit I haven't dealt with this term before. Google first tried to convince me I was meaning glossophobia, which is the fear of speaking to people in public, like on a stage. Somewhere in between was a French article about grossophobia, also called fat-shaming. So I guess I'm on the right track now? Let's see what the boys have to say about that.

The Bad Batch x Reader HCs - Reactions To Body-Shaming

Warnings: Body Shaming/Hurt/Comfort/Fluff/Strong Language

____________

Base Situation:

While walking with your lover through the market grounds on Naboo, you are insulted by a passerby who comments negatively on your physical appearance as you look at something at a stall, making you feel super uncomfortable. How does your partner react to this?

_______________

Hunter

"Shut your mouth, or I'll shut it for you".

He has no patience for such idiots, and even less understanding. Hunter is angry, he would like to dish out a few good slaps, but he pulls himself together as long as he can, he doesn't want to look like a troublemaker in front of you.

It depends on how far the harasser is willing to go, if he doesn't stop or says something stupid, it could be that Hunter gets physical and pulls that idiot's ears out, pretty much literally.

Of course, Hunter will immediately take care of comforting you and assuring you how wonderful you are to him as soon as the troublemaker has cleared the field.

He grabs a little flower by the wayside and tucks it behind your ear with a smile.

"You must never take such idiots seriously, you are wonderful in every way".

No matter how insecure you are about the stupid comments, Hunter isn't deterred.

He gently caresses your cheek and solemnly says, "I love every inch of your body, every curve, every little wrinkle, every little hair, every fiber, and all your mannerisms that make you who you are"

Echo

As civilized and orderly as he usually approaches things, here, in this situation, a nasty word or even a heavy object flies quickly in the direction of the harasser.

Echo feels such people as the scum of civilized society, to pick on people because of their appearance, is really the lowest level. He is particularly sensitive to this, because since the Citadel he has not exactly belonged to the so-called norm and has already had to listen to one or two nasty comments. If it concerns him, however, he usually has the calm and strength to simply overhear and ignore it.

Here, however, it's about you, and he can see how uncomfortable you feel, how the disgusting words get under your skin.

"You better run as fast as you talk shit, asshole".

But in his anger, he doesn't forget to take care of you either. Once he's taken care of the idiot, he takes your hand in his, brings it to his lips and kisses it gently.

"My wonderful Mesh'la, I'm so sorry, I hope you don't give ear to this nonsense".

Echo appreciates you in every way possible, as a lover, as a friend, as a person. He shows you that every day, he has a profound, loving respect for you. All in all, you can't feel ugly or unloved with him as a partner, he has a gentle hand for picking you up when you doubt yourself. And honestly, who could ever resist his sweet little, winning smile?

"Come, my beloved, we need a few more things for our romantic evening together. We should get candles too, don't you think?"

Wrecker

He is honestly surprised, he didn't expect this ugly hostility towards you, and he can't understand it at all. Wrecker adores you, and as it is when you are in love, you believe that the whole world sees your partner as you do. Wrecker learns here and now that this is not the case, and is quite shocked at first.

But then the anger boils up. When Wrecker asks somberly, "What did you just say to my partner?", most people usually run away.

Who wants to mess with such a beefy giant? Unless you might be a Wookie or of similar stature, but a Wookie would certainly never stoop to insulting someone because of their appearance.

Wrecker is not afraid to get his hands dirty, should the situation escalate, to deliver a few bloodcurdling blows here and there. But in general, he's actually a laid-back guy who doesn't get rattled by superficialities. He does, however, see red when it comes to you and especially when he can clearly see how much the matter is taking you down.

As soon as the harasser is put to flight, he devotes himself completely to you again.

"Hey sweetie, don't look so sad, that was just some idiot spouting nonsense, nothing more. You are stunning, in every way, he's just pissed because he can't have you".

He shows you his most loving, broadest smile.

"Come on, let me do something good for you. What would you like to do tonight?"

Tech

He has a surprisingly short fuse in this case, even if he otherwise seems rather orderly and calm. Tech is sensitive when it comes to attacks and insults of this kind. Being raised among so many brothers, all the same, as someone completely different has left a few scars.

It is not uncommon for Tech and his brothers to hear stupid sayings, to be called abnormalities, even freaks, and other unpleasant things. However, this has also created a certain skin. Attacks of this kind directed at him hurt, but are not worthy of a reaction from him. But now it is about you.

As I said, his fuse is suddenly very short. You are startled when he tasers the harasser without hesitation and leaves him in the dirt without comment. Tech won't let such an idiot scar you the way he's been scarred, too.

He gives you his warmest smile, strokes your cheek, and finally reaches for your hand.

"You are beautiful just the way you are, Cyare, the most beautiful being in this and every other galaxy, don't let anyone tell you otherwise".

Crosshair

"What did you shithead just say?"

Crosshair reacts quickly and aggressively. His posture changes, you can really feel it boiling under his skin, even if you're not touching him right now. He is so tense that you could swear you see sparks flying.

His posture makes you so nervous that you almost want to tell him to just ignore the guy, you don't want Crosshair to flip out in public, especially since you're supposed to be keeping a low profile.

Contrary to your expectations, Crosshair doesn't go after the man, his sharp gaze is enough to make the man walk backwards, slowly moving away from you, as if Crosshair is a predator that could attack him at any moment. The comparison is not so far-fetched.

He mumbles a curse or two to himself before taking a deep breath and turning back to you.

"Don't pout, little kitten, you can't be taking what that idiot said seriously."

He points to himself and says, "Hey, I'm by your side, I desire you, day and night, you can't be anything that bantha-shit eater said"

As you look up at him a little unsure, he says, "For all I care we can go find a hotel room right now, and I'll show you my love, in every detail, mesh'la"

What you don't know is that Crosshair won't let it go. As soon as he can, he goes looking, tracks down the guy and finally beats the shit out of him like he wanted to do from the start. He might come back to the Marauder one evening with a few bruises, but the other guy sure looks a lot worse. He won't really admit what happened if you ask him.

Ko-Fi (If you feel like giving me some coffee)

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