#and expect people to take that seriously on a canon level

[thepurplewombat]

[tadc-harlequin-au]

If this was a game, I think a fun gameplay mechanic would be like a friendship meter. The friendship meter is affected by how you interacted with others. And if you have a higher friendship meter with people, they'd be more willing to help you. For example, companions with higher friendship do more damage when pomni takes them with her. Or another example is because ragathas kinda like the shopkeeper if she has a higher friendship her prices will be cheaper but if her friendship level is low they'll be really expensive. You can raise the friendship meter by going on side quests with the others or using positive dialog, and negative dialog makes the meter go down. Idk I just thought that it might be fun.

I like this idea. And you know what, FUCK IT.

AN AU OF AN AU!!!!!!! WHICH IS ALSO CANON-DIVERGENT FROM THE HARLEQUIN AU LMAO I TRULY AM AMAZING /j

THE AMAZING DIGITAL SOULS-LIKE!

I CAN"T seem to avoid the concept of "What if the Harlequin AU was a game instead", THE UNIVERSE KEEPS PUSHING IT TO MY FACE LIKE MY YOUNGER SIBLINGS WHEN THEY SEE A COLORFUL THUMBNAIL sighs....... back to my Shadow of the Colossus boss osts bullshit..... (affectionate)

The Amazing Digital Souls-like is a Non-canon compliant Alternate Universe (that's also a game rather than an actual fantasy world) of the Harlequin AU, where a stylized souls-like VR game called "The Marvelous Mechanical Harlequin" came out at some point during the rise of souls-like gaming.

Waking up in a well-lit main lounge of a manor, the new, amnesiac Harlequin player is met by "Bubble", a Butler Blimp, and "Caine" The Puppetmaster (whom is VERY VERY LOUD btw), claiming to be the only one who can "help her" in her current predicament.

As to be expected, she's very much on the verge of a mental breakdown, barely keeping it together while attempting to make sense of the world around her. (seriously, who thought pitching this game who sucks people inside of it to the public was a good idea??)

The Puppetmaster then proceeds to infodump everything the Harlequin player should know:

That this is a souls-like game;

she is a Harlequin Puppet in the middle of a TERRIFYING ROBOT apocalypse!!!!!!!!!!!!!! SCARYYYYY!!!!!!!!!!!!!!

and that she has to go on a boss-rush type of playthrough IF she EVER wanted to have a chance at getting out!

He'll also be the game's official guide, to which the player is having trouble digesting all this information (not surprising at all.)

When asked what's her name, she can't remember and begins crying onto the floor again (lmao skill issue). The Puppetmaster then picks one at the top of his head; "Pomni", which she reluctantly takes because it's better than having nothing.

From there on out, Pomni undergoes through a series of hardships as she dies (in a video game!!!!!!!!!!!!! MIND YOU, SHE DOES NOT DIE IN REAL LIFE!!!!) over and over again, attempting to defeat various bosses, who are the NPCs. She gains more and more confidence in the battles, but she's still quite the nervous wreck otherwise.

But hey, at least she's getting quite close to Caine, right? He's so nice, and sweet, and very caring of her, careful to reassure her that she's doing a great job with the tasks. There's also a deja vu in her head that's telling her this is somehow familiar, and his presence is a comfort to her.

Surely, everything's all fine and dandy, right?

... right?

Little did this Harlequin know, there is a DARK secret to all this.

And that is the fact that the late bosses aren't just regular boss AIs, they're OTHER PLAYERS trapped in a boss's body, for some goddamn reason. She finds this out when she accidentally does a good chunk of damage to a boss's heart, making them able to speak to her for a bit before going back to being hostile.

With that in mind, Pomni has to DELIBERATELY hit their very durable hearts, if she wants them to be reform as normal players as the hearts imprisoned the ACTUAL avatars of the players.

The Puppetmaster is taken aback, but seems to let Pomni do her way reluctantly.

Once they are freed however, they become Pomni's allies, but they seem... unnerved by the Puppetmaster and tend to avoid him. Every time Pomni asks them why, they're just quiet and looking away. Otherwise, they seem to be grateful and helpful to Pomni about anything else.

This of course, raises Pomni's suspicions of the game's advisor, but she still needs to comply with the rules of this world and thus, has to keep throwing herself to the wolves over and over again.

By the time Pomni frees the Maddened Princess of the Theater, The Puppetmaster declares her ready to face with THE FINAL BIG BAD HIMSELF, The Patriarch of Puppets, an "evil entity who transformed everyone into horrible Puppet monsters". Everyone scoffs silently.

Pomni, according to him, must defeat the Patriarch as the final step to video game freedom.

But by the time Pomni arrives to the final arena, The Patriarch attempts to have a conversation, and seems to be struggling with himself.

The Patriarch explains that his boss body contains "Able", someone who was close to Pomni in real life, who entered in the hopes of making his brother leave the confines of the game. He was able to remember details due to his admin access. Caine only agreed to leave IF he was capable of defeating all the bosses without using his admin abilities, "just like old times".

It was only until his late game run when he figured out (after a heated argument) that the original AI gamemaster, the very heart piece on Caine's chest, took over Caine and was making him act like a manipulative monster. When he tried to pry the heart piece away, he got sealed in the Patriarch's body as punishment.

The Puppetmaster may be unable to revoke his admin access, but it can be sealed off.

Able's been stuck ever since, but still secretly had a bit of access to the game codes if he did it on the low, an oversight by The Puppetmaster, and thus, managed to gain some semblance of control over the Patriarch's otherwise very hostile and bloodthirsty AI just in time for him to talk to Pomni.

The Puppetmaster denies these accusations, and advises Pomni not to believe the boss's manipulative words.

Pomni now has two choices.

>Kill The Patriarch of Puppets, or >face The Puppetmaster.

"Kill the Patriarch of Puppets" ending:

if Pomni decided to not believe Able, he loses his control over The Patriarch and the final boss fight begins. Once Pomni is victorious, The Puppetmaster then congratulates Pomni, but reveals a secret: That there was never an exit.

Pomni simply passed the final test, and now, she's ready to become a boss herself. Try as she might, she cannot escape this and she becomes "The Mechanical Jester of the Circus", the new final boss of the game. All her movesets are reconfigured to become the boss' attacks.

Able resets to normal, now forever trapped to be The Patriarch as The Puppetmaster corrects the previous oversight. The others are reset to become bosses again.

A new player joins, unaware of the horrors that awaits them.

Sad ending :((( How very tragic....

"Face the Puppetmaster" ending:

if Pomni decided to believe Able, a boss fight still ensues but this time, The Patriarch of Puppets is only the Penultimate boss instead of the final stretch. Pomni frees Able, who reforms into his original 'card deck' avatar and regains administrative access to the game.

The Puppetmaster accuses Pomni of breaking his heart and breaking game rules, and thus, has to battle with him IN ONE GO. There is no more reset button for her.

But Able comes in clutch and ensures her that HE will be the one to make sure Pomni can come back as many times as possible to finish the fight and free Caine.

Once Pomni is victorious, The gamemaster heart piece breaks, and Caine is knocked out. All the blocked out memories return to the players.

(Able's design belongs to sm-baby btw!!!!)

Apparently, the VR game was revolutionary. Players could physically enter the world and be immersed in the game's astounding graphics, creative boss rushes and open world exploration aspect. It did VERY well initially, but not well enough to stand the test of time.

Player numbers eventually dissipated when the brothers moved on to greener pastures (so the game didn't have updates), and the AI gamemaster was heartbroken for essentially being abandoned. As a result, any new players that entered the game could not escape, simply because they all forgot they had access to the menu from the very beginning. lmfao

When Caine rediscovered the game and wanted to replay it for old time's sake, the same fate befell him. The gamemaster recognized one of his creators, and took over his entirety, becoming The Puppetmaster.

Able followed suit, wanting to let Caine out but he was sealed into the Patriarch's body before he could succeed.

Pomni, who's actual name is "Penelope", was Caine's significant other in real life and got worried that Caine wasn't responding to her calls while she was on a business trip. She tried contacting Able, no response either.

When she finally arrived to their apartment, The Marvelous Mechanical Harlequin game was on, and recognizing it to be the brothers' old souls-like game, she put on the headset. And from there on out, the story begins.

The other players are able to forgive Caine's actions, and not pass lawsuits once they are able to go back to the real world. Now, with the gamemaster gone, the game has become somewhat active again, though this time, it was the others (and additional new people) hopping in back into the game just to hang out and maybe do some DLC boss rushes implemented by the brothers.

It's pretty epic, y'all. Happy ending yippie!!!!!!!!!

Now if you'll all excuse me... OWIEEEEEEEEEEEEE MY ARM AAAAAAAAAAAAAAAAAAAAAAAAA-

[starlight-45]

Dating BLLK boys in school! (Part 2)

Featuring:- Hyoma Chigiri, Reo Mikage, Seishiro Nagi (Part 1 here with Yoichi Isagi, Meguru Bachira and Rin Itoshi and here's the masterlist )

A/n: again, don't know where this shit is set. It has their current personalities and they're still in blue lock. Maybe taking a break in off-season and go to school for a change. Idk.

~Hyoma Chigiri~

•Is pretty nonchalant about the whole thing actually he is about most things but gives in easily much to your suprise. he's unpredictable like that.

• To him school was just a place to showcase his talent on a low level before moving on to the bigger stage.

• Kinda really didn't have that many friends, despite being popular as hell because of his looks and talent.

• 'Cause no one really couldn't kept up with his actual sass and sharp personality. Well expect for you now, darling! Don't expect him to admit it though, you'll get only an eye roll out of him.

• But geuninely like there are situations where he has to reject like 5 people at once. 😭 You don't whether to be impressed or annoyed by it.

• Anyway.

• If Chirgiri isn't in class, you can find him in the library. Before you try to fight me, lemme remind it's in the egoist Bible so it's canon.

• He will binge read history novels honestly, and thinks in his free time how it could have been different and stuff. He thinks about the fall of the Roman Empire at least once a day.

• Won't ramble or blabble about it too much to you, but will share random titbits to you about, at the most random times.

• No seriously. At the most random times.

"Ugh trigonometry is the worst-"

"Christianity promotion must have resulted in loss of traditional values of Romans..."

"Huh?"

"You asked to study right?"

"YES. To study maths. Tommorow is the test!"

"...Oh."

• Also he's got a fair amount of complaints from teachers and other coordinators about his long hair. When they speak to him about it, he's judging then SO hard. He does it to almost everyone.

• If you blabble about your classmates stories, he will listen to it, asking questions actively. He actually is pretty interested in the gossipy stuff.

• Can I just rant about how much of a tease he is in denying you affection? Like don't get me wrong, of course Chigiri's gonna have some sort of physical contact like holding hands and stuff in front of other students.

• To show you guys are together and no he's not entertaining any confessions, that's what he tells you to just not get annoying interactions but you both know it's just not that lol

• But when you two do mange to get alone on campus, this guy is a cheeky little bastard. He intentionally leans a bit far than you, just to rile you up and make the first move.

"What? Why are you glaring at me, huh? I didn't do anything you know."

• By the way, this kind of situation doesn't really happen often. Only in school when alone. Still to this day you don't know why he gets like that during that specific time.

• You guessed it's maybe because he rarely can keep his hands off you in private, so this environment keeps him a but grounded and can act all cool. You saw right through it, but that's different story.

• Doesn't care what people think of him, rude, moody, arrogent hell even princess...because like whatever. But won't torelate any negetive comments about you.

• His demeanor doesn't change much, but his glare speaks for itself that the person currently should shut up if they know what's good for them.

• Because, despite all the ups and downs our princess truly loves you and will want the best for you. Amen.

~Mikage Reo~

• I'm guessing you already has a pretty good grasp at what to expect from him, huh?

• We all know, that while on the surface his school life is perfect with good grades, popularity, football...he gets really really bored there.

• But I think as his girlfriend, it's your job to not get him excited. And guess what? You're doing a great job at it!

• This guy is the type, that when in a relationship, you can talk on and on about golf most boring sport ever! and he will listen like it's the most interesting thing ever.

• So yeah... it's not really all that hard for ya to keep him busy lol. Others have a hard time to do so though.

• Though he gave up on studies since blue lock, he figured that it won't hurt to study a bit for a few months to keep up his reputation.

• And to impress you, but shh don't let him know I told ya. But yeah, when talking about studies he's more of a hard work type rather than being a natural. I'm looking at you, Nagi!

• Which is a blessing for you because you can literally just call him over whenever you wanna study. And like ACTUALLY study, he's the best at tutoring, teaching you everything patiently.

• I mean he was the best friend was Nagi. OF COURSE Reo gained a lot of patience from being around that baby.

• Still entertains the fan following he quickly gained at school I mean what did you expect? but not really too much like before.

• Kinda because of still having PTSD from blue lock. You know the the haunting feeling no matter what he does there are things he won't get. Yeah that's what he's afraid of deep down.

• And not just that, also because of you. He knows people can get a too overboard with the fangirling which might make you uncomfortable. So sweet! 😭

• Proudly shows you off as his, and damn he does get a bit of a smug look which is priceless to see. It's a good reminder for him that no matter what happens, you're always his side.

• Which suprisingly makes everyone immediately back off, because like it's just so evident that this guy is just too hooked up on you to even glance at their direction.

• Will actually bribe the school authorities to get you in his class, and will deny any accusations made against him by you about that matter you JUST asked him casually but y'know this guy is dramatic as hell.

• "Why would I do that? You think that I'm the kind of rich person to throw money away just to get my way?"

"I love you Reo but that's exactly what you are."

• Always has an arm around you, suprising you during lunch break, pulling your cheeks even in front of everyone...you're just that cute!

• Is the type to distract you during class, then giggle when you get called out by the teacher for not paying attention. :P

• Don't worry much though, Reo doesn't do it that often, he knows his limits, despite being tempted to do more just to have your attention and your adorable mad face.

• Damnit, you're still just too cute for him to resist having you with him. He truly is blessed.

~Nagi Seishiro~

• Okay so, I think this scenario can go two ways, depending on what time you ask him and what mood he is in.

• 1. Nagi would just say "It's such a hassle" and drop his head on your lap, not wanting to think much but will relent with a bit of convincing because again, he doesn't wanna use his brain much.

• 2. Would just say okay on your first attempt, not seeing any reason to refuse. As you can see, both of these scenarios end up getting him back in school for a few months.

• We all know he's the type to just sleep and play games in class and get scolded by the teacher because of it.

• Lord knows how this guy manages to top every single time because I don't.

• "Hey Seishiro what did you get?"

"..98.."

"I just can't believe it, how do you do it every single time?!"

"I don't believe it either." said the teacher unamused, arranging the papers.

• You also feel lowkey jealous because of it, like can study for hours and hours and still get less than him I don't know about you ma'am but I would have given up a long time ago on academics.

• However, it has it's merits as well. He doesn't study but hangs around you when you do in the library or his apartment and sometimes kind of helps you understand stuff.

• "God this question is so stupid."

"...Hm? It's so easy..."

"Oh really? Why don't you tell me how to do it?"

"... don't convert the tan A into sin A/cosA, because it won't get divided on the final step..."

"Wow it worked, thank you!"

"... don't mention it."

• If you can't find him during lunch, you can find him in teacher's cabin getting scolded or sleeping/playing games on the stairs.

• And in extreme cases, on the water tank of the rooftop how the hell did does he get there?? basically everywhere expect the classroom, eating his lunch, y'know like a normal person in lunch break.

• So it's your duty to drag him to have lunch so to make sure he doesn't die. No I'm not exaggerating, this guy can be starving to death but still be playing call of duty.

• This guy is shameless around you, and the worst part that you can't even say anything about it because it's not his intention to annoy you. He is just is build different.

• Like, he'd just lean over your shoulder as you drag him to class you still won't give him the piggyback ride. Poor boy not really regardless of people giving him and you judgemental stares.

• On the rare days when he's not sleeping in class, he's still not paying any attention to the teacher. Yeah all the teachers hate him.

• Instead his focus is all on you, observing how you are trying your best to pay attention to whatever the hell the teacher's trying to explain, suprisingly intrigued.

• He doesn't know why but, he's not bored while doing even though he's just looking at you . This guy is just attracted to you so damn much.

• And his smol energy level won't allow him to fight that attraction either. However Nagi doesn't dislike that fact. He loves the attraction and you, even if he didn't realise it yet.

A/n: I think the quality is dipped in this one, I kind of rushed it. I apologise for it. (⁠╥⁠﹏⁠╥⁠)

[mswyrr]

One of the most important bits of dialogue in hotd is from Viserys in 1x01:

"The idea that we control the dragons is an illusion. They're a power man should never have trifled with. One that brought Valyria its doom. If we don't mind our own histories, it will do the same to us."

This is a man who bonded with Balerion, The Black Dread, the oldest dragon who had actually hatched in Old Valyria. This was the same dragon who flew Princess Aerea, a 12-year-old girl who bonded with him, back to Valyria against her will - sickening and killing her in the process (Fire & Blood, p 263). The little girl was away from her home at the time and probably feeling "I want to go home" but what Balerion did with that feeling killed her. His will was strong and his memory was *deep*.

Viserys only rode him one time, his inaugural flight, and then never again. IMO he experienced something bonding with that ancient beast that--in addition to studying the family's history and Valyrian lore--convinced him of the danger and fundamentally uncontrollable nature of dragons.

It is totally in keeping with canon events that Vhagar, in the current timeline the most ancient dragon alive--a dragon who drank deep of bloodshed and war with Visenya during the Conquest and *likes* war--translated Aemond's anger at Lucerys into murder of the boy and his small dragon. It is perfectly in keeping with what the show has been saying since episode 1.

An ancient, powerful and wilful dragon overcoming the will of its rider is *literally canon*. Princess Aerea must have been terrified during the whole, long flight to Valyria, and yet all her protests couldn't stop the dragon she'd bonded to.

I would also say that the Valyrians turned magical creatures, dragons, into weapons of warfare - that the dragons, in that sense, represent war. And the show is imo fundamentally antiwar - so here war is something you cannot control. GRRM has said the dragons are "nukes," which fits with this reading:

“Dragons are the nuclear deterrent, and only [Daenerys Targaryen, one of the series’ heroines] has them, which in some ways makes her the most powerful person in the world,” Martin said in 2011. “But is that sufficient? These are the kind of issues I’m trying to explore. The United States right now has the ability to destroy the world with our nuclear arsenal, but that doesn’t mean we can achieve specific geopolitical goals. Power is more subtle than that. You can have the power to destroy, but it doesn’t give you the power to reform, or improve, or build.” (source)

War and nukes - you cannot aim them only at the guilty, only at those you hate; you cannot prevent them from consuming the innocent as well. They a raging fire that consumes, that is all. And so, on that level, I just adore what they're doing and how it all fits together.

Aemond's domestic violence fits too - boys go to war thinking it will be honorable and manly and they'll protect "their women" but instead come home and hurt those very women. This thing burns and burns until it is exhausted, and it doesn't stay contained, not within you or outside you. "So it goes," to steal a phrase from antiwar writer Kurt Vonnegut.

The reason I keep coming back to my antiwar reading of the show is that things that people dismiss as "bad" or mock actually come together beautifully if you don't expect to war to be glorious and masterful and heroic. If you take the text seriously, in terms of what the dragons are metaphorically and what characters have outright said about their fundamentally uncontrollable nature. The lore supports what Vhagar did! That she could overcome a teenaged human's will with her century old bloodlust.

[varpusvaras]

Winnick will come this close to writing a good, rightfullly angry character with BPD/CPTSD and ruin it by making him his conception of "a dangerous psychopath" because dc's understanding of mental illness begins and ends with the joker.

I like that Jason was angry i'm not gonna lie I enjoy the "bad victim who doesn't accept that they were a necessary sacrifice, who doesn't think what happened to them is something they should be expected to tolerate, like fuck your greater good, you weren't there, it isn't worth this." I think even looking at Jason's past before getting adopted he has reason to be angry, like he is poor af and starving and he had to take care of his mom and his dad is in jail because he couldn't see another way to provide and he gets trafficked -he has so many reasons to be angry. And he's not, and I love jaybin, but I think there are so many ways and things he can be angry about without it feeling classist. And I love that he can't emotionally regulate, that he has so clearly BPD/CPTSD because why the fuck would he not, have you seen his life (and that's not even counting the csa hc, which i am because willfully and consistently implying csa and then not addressing it/denying it feels like feeding into a culture of taboo that ruins lives and getting away with covert victim-blaming at the same time). The issue is that they lack finesse or any kind of understanding of anger. The think anger is a personality trait. They think angry = evil. They think being angry means you're violent at and about everything, that you shoot indiscriminately even though you've known better since you were a kid, that you're suddenly treating women like shit (which, wtf seriously) which okay maybe THEY treat women shitty for no reason when they're angry, but that'd be more of a them problem I'd say. Their portrayal of anger is classist because their conception of emotions hasn't evolved since fucking Descartes. Think anger = bad = poor and not only doesn't it occur to them that this is classist, they so instinctively assign moral value to the concepts of poor and angry that they don't realise it and just conceptualise poor=angry and end up with incredibly classist portrayals of anger. You can write characters that are mentally ill and violent without being ableist, you can write characters that are poor and angry without being classist, but that requires a level of respect for people, introspection, humility willingness to learn about the sensitive topics you are exploring that is simply not accessible to Winnick and so many other dc writers.

And here comes my very hot take that I'm too cowardly to say off anon: the pit shouldn't have healed Jason's malnutrition. Like, outside of canon I love big jay, I love big men who are emotionally vulnerable and need comfort etc. but in canon? It just comes off as another way to adultify Jason, and make the horrible things that happen to him acceptable. Jason "sleeping with Talia because he is fucked up about Bruce" because they both look like adults until you realise this is actually just rape and you can't put any responsibility of Talia taking advantage of the kid under her care (very ooc of course) on the child himself. Jason fighting Mia looking like a 40 years old beating up a teenage girl when they're the same damn age. Fucking Ethiopia 2.0. And Jason's murders as well, for the matter. Like don't get me wrong the duffle bag of doom is an iconic villain move, but it's just that: a massive shock effect and a "psychopathic" move. We shouldn't need Jason beheading anyone to be horrified, because just one murder, if written correctly, should be enough. A child killing someone is a terrible thing. A child being put in a position where they think killing someone is the only solution to ending suffering (thinking about the Garzonas case) is a terrible thing. A kid trying to kill his murderer (because fuck his death has to matter it has to) and only begging to be allowed it should be horrifying. Jason, with his unhealed malnutrition making him look a couple of years smaller and younger than his physical age, should look his mental age. It should be impossible to look away from the reality of what he is: a traumatized teenager who wasn't allowed to grow up. And he has a gun. This is already a horror story.

Make utrh!Jason a villain if you must, but have the guts to sit with it. Don't shove the fact that he was a hero and a victim under the rug because it's uncomfortable. Sit with the unease that sometimes someone is doing something bad and is suffering a lot, and maybe they're doing the bad thing because they don't know how to survive the suffering, and suddenly it's not easy separating hero from villain from victim. Your imaginary lines in the sand will not protect you from the crude reality of the complicated and shitty situations you have chosen to depict; you open the can of worms now you can't look away and let the worms roam free just because you're squeamish.

How does it feel to be psychic and be in my head and write part of my essay on Jason for me? Fuck, I have so much to say about this but I need a good night of sleep to formulate it correctly. Look for a longer answer tomorrow, but in the meantime, everyone sit down and look at this and look at it hard. Thank you.

[saintsenara]

THE AUDIENCE CLAMOURS FOR YOUR VOLMIONE TAKE!!!!!!!!! In all seriousness the curiously is piqued tenfold by the fact that you go hard to bat for the other two voldemort/golden trio ships

i've definitely been putting this one off, anon, but it's hermione's birthday, and since the requests have kept coming...

maybe i have to grit my teeth and get through it.

i am, like my good pal @yorickofyore, broadly a tomione/volmione disliker - which is a spoiler for what follows. there are - obviously - huge numbers of people who are not, and they may sit happily in their ecosystem while i flop around photosynthesising in mine.

and the reason why i don't like tomione/volmione is right there in the last three screenshots: it relies - like several other hermione pairings, snamione and sirimione chief among them - on a portrayal of hermione's intellectual expression which bears absolutely no relation to how this is written in canon.

across all seven books in the series, hermione's intellect primarily manifests itself in a sincerely impressive ability to retain and repeat information [very usually verbatim from the source she got it from]. she is able to use this ability to retain information to understand the theoretical components of magic in a way neither harry nor ron ever manage, and she is then able to apply this retention - that is, to repeat the information she has acquired - of knowledge to the performance of magic which is [often considerably] ahead of her expected level both in terms of the hogwarts curriculum and in terms of what would be seen as the median ability of an adult witch or wizard.

but hermione is never shown - at any point in canon - to be a particularly radical, creative, or experimental thinker.

she places an enormous amount of intellectual trust in disciplinary authority - not only in the respect she has for following textbooks and teachers to the letter [hence why she won't attempt any of the modifications in the half-blood prince's textbook, she thinks it's offensive that they contradict the "official" peer-reviewed and sanctioned instructions] but also in her agreement with the gatekeeping imposed by the state and/or its authorities on academic inquiry.

[hence her disliking the invented spells in the half-blood prince's textbook because they're not ministry approved, or her easing her discomfort at having read the books from which voldemort learned to make a horcrux by insisting - undoubtedly correctly - that dumbledore wanted her to do it and she therefore has the permission of an intellectual authority].

she's immediately mistrustful of anything she can't find [something she regards as] an empirical source for - which is why harry's mental connection with voldemort frightens her so much, or why she thinks that harry's lost his mind when he begins to insist the deathly hallows are real and important, or, most famously, why she thinks divination is bullshit.

she's never shown to be able to synthesise her knowledge [she never answers questions in class in her own words, she always goes massively over word limits], or to use it in ways which are considerably removed from its typical application.

[the protean charm on the da coins, for example - the magic she's using is sophisticated, and is being applied in a way which wouldn't necessarily be classroom-sanctioned, since she's using it to defy umbridge, but the evidence of canon is that it's not magic which is being used in a way which is removed from the spell's original purpose. terry boot is impressed because he's looking at a flawless execution of newt-level magic by a sixteen-year-old, rather than because hermione is using that magic in an unusual way. the same is true of the polyjuice potion - it's impressive because she brews it flawlessly aged thirteen.]

this is a very logical, rational, and scientific approach to learning - and one which the series, which tends to take a dim view of anything which deviates too far from the status quo, views extremely positively - and it is intelligence. i know some people think that when i say this about hermione i'm saying that she isn't clever - or that i'm saying she's less clever than the characters [all of whom are male] that the series permits to be "brilliant" - but that's not the case. hermione is clearly extremely clever - and her logical, empirical, careful approach comes in clutch for the trio throughout the series, right from philosopher's stone. her intellectual expression just isn't the only way intelligence can manifest itself - and it isn't an intellectual expression which will automatically mesh with another very clever person's approach.

which is to say... lord voldemort, both as a teen and an adult, is - intellectually - the complete opposite of hermione.

he is someone - as he tells us - who thinks of magic as a creative force he has every right to shape as he sees fit, something whose boundaries he has the inherent right to smash through. he rejects disciplinary authority [his loathing of dumbledore - as an adult, at least - is because he thinks that dumbledore is a petty-minded gatekeeper who attempts to repress the dark arts - magic, snape tells us, which is inherently ever-changing, unfixed, mutating - because he's afraid of them and their refusal to be neatly contained in disciplinary boxes; his appeal to slughorn's authority is purely a manipulation technique]. he is an adaptor and inventor, and he uses magic in ways which radically deviate from its intended purpose.

and so the common "teen tom riddle and hermione are at school together" trope that they'd both get off on being academic rivals is, in my view, impossible to justify while keeping either of them remotely canon-coherent. she's going to think he's a cunt. he's going to think she's irrelevant.

indeed, i genuinely think the most likely scenario if the two are at school together is that the teen voldemort wouldn't be able to pick hermione out of a line-up - not least because she has very little to offer him when it comes to his plans for world domination.

when it comes to those he's "nice" to, the teenage tom riddle targets the socially prominent, rich, and influential, whom he can use parasitically to his own ends.

he's happy, undoubtedly, to have minions who are less useful to him from a social-advancement perspective, but who come in handy as pawns in his schemes - as dumbledore puts it, "the weak seeking protection, the ambitious seeking some shared glory, and the thuggish gravitating toward a leader who could show them more refined forms of cruelty" - but this is the only thing he sees them as. hermione has a capacity for cruelty he would undoubtedly see potential in [even if he would probably be wary of her "run and tell teacher" vibe], but as someone who does his bidding only, rather than anyone for whom he's willing to fake [or, indeed, to actually feel] any degree of mutual affection.

and i do think this - in and of itself - is interesting. hermione is someone - as i've said elsewhere - who has a tendency towards blind loyalty, which often causes her to accept people she likes and/or respects treating her cruelly [something we see in canon particularly in how she reacts to snape's behaviour towards her]. she's also someone who is incredibly deferential to authority, fairly naive, convinced she's always right, convinced she's not irrational, superstitious, or emotionally-driven, and capable of pretty egregious cruelty in pursuit of being rational and correct.

or, in other words, she's very easy for a flesh-and-blood voldemort to manipulate.

[she's not at risk from a horcrux because she's possessed of the empirical fact that they can't hurt you if you don't let them get emotionally close to you, which impacts how she behaves around the locket.]

on the rare occasions when i've enjoyed fics with this pairing, then, they've tended to be ones which actually acknowledge this - and which have hermione completely destroyed by a voldemort [usually in adult form] who has never cared one iota about her, all because she was convinced she'd be far too clever to fall for his tricks.

[my rec: enigma by devdevlin.]

and this is the main way my view of tomione/volmione deviates from my view of tomarrymort or ronmort - i don't think there's any circumstance where it can ever work as something mutual, whereas the entire point of tomarrymort is that the relationship is something voldemort perceives as equal, and ronmort sees the dark lord running headfirst into ron's ability to disarm and confuse him by possessing a crumb of emotional intelligence. i don't think voldemort would hate hermione - or even be particularly irritated by her - but nor do i think he'd find anything about her interesting enough to make him want to keep her around for any longer than she was useful.

but - like so many hermione pairings - the default in tomione/volmione tends to be "omg, hermione is so hot, brilliant, and fascinating that [insert man here] becomes completely obsessed with her". whether the story leads to voldemort becoming a better person or hermione going over to the dark side, the way the pairing is written always assumes that hermione is someone voldemort would consider [often very quickly] important to him [even in circumstances where she is a prisoner]. only very rarely do fics ever explore the much more canon-justifiable - and, in my view, much more interesting - idea that voldemort is somebody hermione could and would consider important, while he wouldn't give a single fuck about her.

[neither of them give a shit about dead rabbits though. it's the only thing they have in common.]

[zluty-spendlik]

WAKFU REDESIGN AND REWRITE SERIES – PART 1

Evangelyne

Evangelyne used to be my favorite character growing up, which kind of sucks since she’s one of the flattest characters considering how much screentime she has.

Even when I was a little kid and watched this show I found it annoying how she was constantly drooled over by the guys and these days its pretty obvious she’s a very stereotypical not-like-the-other-girls girl, created solely to be Percedal’s (the literal incarnation of the expected target audience) love interest.

SHE EVEN HAS THE WHOLE „I let my hair down and now am so much prettier“ ARC HAPPEN FRICKING TWICE IN THE SPAN OF. WHAT- 5 EPISODES???

Evangelyne is a misogynistic character on so many levels, the only Eva-centric episodes we get are either ones she needs saving in (like Vampyro or the pirate one), or when she has a love arc with Percedal (the whole Rubilaxia shtick, or the tree of Life episode).

Honestly the only bearable scenes where she shows up are those where she interacts with Amalia and even those get twisted into weird sexist tropes: Evangelyne critisizing Amalia for buying too much clothes, or overall cringing at Amalia’s „too girly“ behaviour.

Even when they have a touching conversation after freeing Amalia’s father from the Tree of Life, Amalia immediatelly brings up Percedal and fails the Bechdel test.

I won’t even touch the Cleophée (or Cleome in english) trainwreck  the writers pulled in season 2 or the whole pregnant-damsel-in-distress thing she had going on in season 3- I didn’t watch season 3 and 4 mostly because I got so mad after the misogyny happening in the first episode and I didnt want to ruin my already fragile excitement over the series.

But don’t get me wrong – Even tho Wakfu has a lot of potential for growth, I still love the series dearly, and would love to give the characters justice. It is important to note that I am not a professional writer and Im mostly doing this for my own indulgence, so please feel free to throw constructive critisism towards me.

Character rewrite

We don’t know much about Evangelyne’s backstory, or rather her story before she meets Amalia – And in my head as a kid, I always assumed she was an orphaned kid basically living on the street with Cleophée, until someone (presumably Armand, since he has a long-term crush on her and Amalia hated her at first) took pity on her and took her to the palace (once I figure out Cleophées design Ill explain what happens with her).

Fast forward a couple years, Eva is officially Amalia’s bodyguard, yadayadayada.

Important thing is, that this shapes Evangelyne’s personality and self-perception –

I have divided my potential Eva Arc into 3.5 Categories:

Self-protection and perservation

Eva knows how dangerous the world can be (streets) and how serious her job is, but she’s only seventeen. She takes her job way too seriously, in the sense that she doesnt trust anybody they meet (which is especially shown when they meet the Tofu gang). She doesn’t want anyone but Amalia close and deep down, she’s scared of other people.

She is horrible at teamwork, which only frustrates her and everyone around her. She fails to see the affection Amalia has for her, because her entire self is just a bodyguard.

She doesn’t know who she is without that.

Depression

Dally’s sacrifce absolutely traumatizes Eva, both in the canon and my version. It doesnt need to be seen as romantic tho (we’ll get to that). On top of that AMALIA BRIEFLY DIES AND COMES BACK. Can you HEAR Evangelyne’s entire purpose crumbling down?

In her head, two people just died because of her.

Besides, Percedal sacrifices himself because he cares for her. Not as a „coworker“ or a teammate, but as a friend and Evangelyne cannot fathom that sort of service and relationship.

And even though she failed, her friends are there to support her.  Eva learns compassion.

Self-destruction

However, she now feels she has to „make up“ for her lack of compassion and her failings as a bodyguard. Long story short, she completely flips to the other extreme, basically throwing herself in any sort of danger to protect her friends  (hence when she hears Dally, she immediatelly goes to Rubilaxia). In the show this is less extreme but portrayed as her real and true personality: more reckless and adventureous – but i think the writers just wanted Eva to finally have something in common with Dally (which, btw, uncool), but I’d like this to be portrayed as a bad thing.

Eva fails to see that she’s hurting herself and fails to recognize herself as a person rather than basically a human shield. This arc climaxes in the Cleophée episode and Eva learns that compassion is not transactional, or something to be earned.

Her true self

Evangelyne's final form! We dont know much about Eva's hobbies other than her job and fighting skills, HOWEVER Dally mentions Eva taught him tracking at one point and tbh Evangelyne being a ranger or just studying nature fits her pretty well imo! She is also canonically artistic (as confirmed by the journal she keeps).

I take issue with Evangelyne always being seen as the “mom of the group”. Yes, she's smart and responsible and caring, but that's her job, she's an older sister, less of a mother figure and more of an equal to the others in the gang.

Design

In s1, Id like her to wear a lot of armour with chainmail directly on her skin (haha get it because trust issues), and with a mostly green colour palette, cause, Sadida kingdom yk.

In her s2 look, she throws away most of her armour and self perservation instincts and since her personality completely flips, so does her colour palette - red! The first aid kit is gone and she wears an ascot now (a torn bit from Dally's cape lol).

And finally, i made her a furry I gave her some gadget shoes from Cleophée, helping her move faster, I put some of the armour back and made her hair longer. Her colour palette now consists not only green, but also the "Yugo blue", which i plan on incorporating in everyone's final design :D

AND FINALLY, AN ART DUMP

[disneyprincemuke]

glorious happenings * milo+rocky vault

notes: haha this isn't canon in the current timeline btw i just miss mocky and if you come to my inbox again, just know that i will ignore you so leave me alone before i seriously consider unhinged my jaws to be extra deranged

also, this was supposed to have their first kiss, first date and first fight but well... i got lazy so pls just take what u can get ty

(series masterlist) | (📁 the milo + rocky vault)

the first airport pickup

she chews on the inside of her cheeks, tapping her phone against her palm as she cranes her neck, trying to look past the sea of people significantly taller than her. for a person she barely knows.

a person she’s only spoken with over the internet.

how absurd that a man would fly from the us just to be able to take her out on a date. and how absurd that she didn’t even think twice about offering her apartment up for him instead of making him pay for a hotel.

he’s only in london for her, after all. at the time, it seemed fair — looking back, she’s actually asking to get murdered.

“you know, you’re a lot harder to find in a crowd than i’d expected,” a disembodied voice speaks into her left ear, a looming presence making her jump up and away from this said person. “and you’d think that it wouldn’t be this hard to find one of the cutest girls in an airport in london.”

a laugh fills their bubble as she looks up at him distraught and a hand on her chest. “normal people start with hello to the other person’s face, by the way.”

milo hums, scrunching his nose. “i’ve already flown to london with 2-day’s notice; it felt like we were past acting within the norm.”

“well, a warning would have been nice.” she clenches her jaw, a soft sigh passing her lips as she closes her eyes momentarily. she takes in another deep breath to open her eyes, meeting a wide grin. “how was the flight? are you hungry? i know this really good diner right by my apartment — i reckon you might like it.”

he coos, a pout carving his lips with a hand on his chest. “you’re getting soft, rocks.”

“don’t call me that,” she rolls her eyes, though there’s still a small grin playing on her lips. she grabs the handle of milo’s luggage and starts pushing it. “you’re not at that level of personalised nicknames yet. rocky or my name.”

he gapes at her with a small grin before he picks up his feet to walk with her. “anyway, it’s pretty early. i can drive if you want.”

“no can do,” she whispers, shaking her head, “i’m using my roommate’s car.” she lifts her head to look at him. “i don’t have a car. yet.”

“yet?”

“yeah, i’m actually supposed to pick it up tomorrow afternoon. so i’m going to have to leave you in the apartment with my kids for a little while.” she presses her lips together, suddenly realising that she’d sprung this on him. “if that’s okay, of course. i shouldn’t take more than an hour and–”

milo’s laughs cuts her off. “it’s okay. i’ll make you breakfast.” he snatches his luggage back from her. “thanks for picking me up. i thought of where we could go on a date tonight, actually.”

the first crash

“i told you,” she sighs, holding the phone up to her face, “there wasn’t a need to send me flowers. it wasn’t a serious crash.”

“well, you disappeared on my for 2 days, so i’m guessing it’s serious by some degree,” milo mutters, disappearing from her screen. “how come you’re in oxford and not london? did something happen?”

she gapes wordlessly at the camera, tilting her head. she hasn’t really spoken about the crash to anyone but blythe. “right… you know i live in london.”

“i do. i’ve been there before.” milo’s laugh fills her room as he comes back to the camera. his eyebrows furrow at her frown and slightly teary eyes. “is everything okay, rocks? did something happen?”

she sighs. “yeah. i crashed out during the race and retired — hospital and everything.” milo hums with a nod. “logan and i crashed out during the race.”

“oh.” he wasn’t expecting that. well, he did, but not that she’d crashed out with someone she’s spoken very highly of in the past couple of months they’d known one another. “are you okay? how do you feel?”

“i’m not on painkillers anymore and i finally got the energy to go downstairs by myself,” she rambles, resting her head back on her pillow, “blythe made me breakfast.”

milo blinks. “i mean about your crash with logan. are you guys okay?”

“i guess,” she squeaks, quickly avoiding his stare through the screen.

“so why aren’t you staying in your apartment with logan right now?” she blinks right back at him. the explanation is simple, really, but she doesn’t want to talk about it. “you don’t have to go into detail, but at least don’t say it’s okay when it’s not.”

she nods and clenches her jaw. “we fought, and haven’t spoken since we crashed.”

“ah, alright.” a moment passes. “well, do you wanna watch a movie together if you’re feeling better?”

“that sounds fun. do we get to watch one of your movies?”

“please don’t make me do that.”

“fair.”

the first ‘i love you’

“that was an amazing race, rocks.”

“i can’t believe you made it.” her squeak is high-pitched as she glances over her shoulder, sneaking out from the paddock gates. she wraps her arms around milo’s torso and squeezes him before pulling away. “sorry i didn’t give you my passes. you know, i can’t possibly say ‘no’ to my dad when he wants to watch my race.”

“it was genius asking me to come and watch you — what do you mean? i don’t need the passes,” he grins, swaying in the hug and nuzzling his face into her neck. “my friends and i had fun even if we weren’t in the paddocks.”

she sighs. when she’d put out the idea of him coming in and watching her home race (because she grew up here), she hadn’t actually thought that milo meant it when he said he’ll convince his friends to come along with him.

perhaps she should have expected it from someone who flew to london just to take her out on a date.

“i’ll tell my friends soon, i promise. it’s just–”

“rocks,” milo laughs, shaking his head, “it’s okay. you can tell your friends that whenever.”

she grins, pulling away slightly to look up at him. “so you’re coming to oxford with me tomorrow, right? to meet my parents?”

he grins, a blush creeping up his cheeks. “of course. i’m so excited — came bearing gifts for everyone and everything.”

“that’s so adorable!” she coos, pulling away with a hand on her chest. “i love you, miles, but you really didn’t have to do that.”

a deep chuckle freezes her where she stands, eyes widening as the weight of her words gets to her head. she looks up at milo and shakes her head. “i mean–”

“i love you too, rocks. i wouldn’t be here if i didn’t.” he cups her cheeks, giving her a tender kiss on her lips. “i’ll pick you up tomorrow from your apartment, alright? i’ll drive us to your parents’.”

the first gossip

“rocks, you’re never going to believe what i just heard.” the door creaks open and the young man steps back at the unexpected pairs of eyes he meets. he grins sheepishly. “sorry. should have knocked.”

logan shrugs, shaking his head. “i was just about to head out.”

milo shakes his head, arms spread to block the door. “you’re gonna wanna stay for this, dude. it’s hot, juicy gossip that was relayed to me.”

the girl sits in her beanbag and tilts her head. “who in the right mind would give you gossip willingly? you’re such a blabber mouth.”

“doesn’t that remind you of someone, rocky?” logan turns around sharply to look at her.

she points a finger at logan. “i’m a changed woman. i don’t do that anymore.”

“okay, good for you,” milo scowls. “do you want to hear the gossip or not? it’s pretty interesting.”

“sure?”

“mick’s seeing someone.”

she drops her phone on the carpeted ground of her driver’s room, lips parting in shock. “mick’s what? he told you that?”

“i’ll give it to you this one time, manheim. you were actually right about it being hot and juicy,” logan grins, leaning on the wall behind him with an impressed smile. “did mick tell you anything else?”

“okay, okay,” milo giggles, walking deeper into the room. he drops himself in front of the beanbag that she sits on and places his hands on his knees. “so it’s crazy–” he twists to look at logan. “what are you doing standing there? get in here so i can tell you all that he told me.”

logan lifts his eyebrows and pushes himself off the wall. “oh, i’m included. alright.”

the first night over (at his)

“rocks?”

milo walks out of his bathroom, ruffling his hair with a towel to dry it off. the girl lies comfortably in his bed and a mean glare is thrown his way. “don’t make me get out of bed.”

he points at the bathroom behind him. “i thought you said you wanted to brush your teeth before bed and put on your retainers.”

“i don’t know if you actually need glasses,” she glances at the dog sleeping on her stomach, “but i have a dog sleeping on my stomach.”

he points at her, “i see that. but what about your retainers?”

she sighs. “could you just help me grab them? they’re in the front pockets of my backpack — little pink container with a mclaren and williams’ sticker on it.”

his laugh fills the room as he makes a sharp turn to where her backpack rests in the corner of his bedroom.

“don’t ask about the stickers. i woke up hungover one morning with it on there,” she rolls her eyes. “if you turn it over, there’s a mercedes and a red bull one on the other side. courtesy of mick and liam.”

“do any of them get an andretti sticker to rep you?” milo teases, shaking the retainer’s casing in his hands to show it to her. “and may i get one so everyone knows that my girlfriend is that super cool, super sexy and super beautiful driver?”

she hums, pressing her lips into a thin line. “if you play your cards right, you might even get a special edition rocky hoodie from her merch line.”

“how generous, rocks.”

he hands her the pink casing and she smiles. “still like me even with the retainers on?”

milo kneels on the bed with a smile, pressing a kiss on her cheek. “like?” he snorts. “love you even if you didn’t have teeth.”

“oh, don’t put that image in my head.”

“you’d still look very cute.”

“how would you know that?”

“just imagined it in my head.”

“just shut up, milo.”

the first dnf

the safety car comes to a stop right by the paddocks. the girl mutters a soft ‘thank you’ before immediately pushing the door open to leave.

she has her helmet in her hands as she walks with her head low, jaw clenched as she tries her hardest to contain the sob she feels threatening to come out of her.

if she could, she’d tear down all of the walls around her and scream. but she can’t. because around her are cameras pointed at her with fans gawking as she passes them. it’s not their fault her car couldn’t handle the heat.

she makes a sharp turn for the andretti racing home, head hung low until she opens the glass doors.

“aw, rocks.”

she lifts her head from the ground and sighs heavily, shoulders slumping at the sight of the familiar green eyes she’s been hoping to see when she got into the safety car. she lets the door close behind her, throwing her head back as she closes her eyes. “miles.”

“come here, rocks. i got you.”

she lets out a soft whine as she finally lets out the sob she’s been holding in for the past 10 minutes, running over to where her boyfriend stands by the bottom of the stairs, expecting her.

she sighs exasperatedly as she takes large steps towards him, tears starting to fall out of her eyes. she chokes on her sob as she stumbles into him.

milo wraps his arms protectively around her smaller frame. “it’s okay, rocks. i’m here.”

“it’s so unfair,” she cries into his chest, the material of his shirt bunched up in her hand. “the weekend was doing so well, my. why is it always me?”

“i know, love,” milo hums, resting his cheek on the top of her head. he sways slightly, looking around the room with a mean stare. “it’s not your fault, okay? you have to remember that.”

immediately, all whispers halt and prying eyes are torn away from them. he lifts his arms to shield her face away from the cameras — ones that are very clearly pointed at them through the windows — and huffs.

“that’s the second retirement in a row.” she leans into his body and wraps an arm around milo’s torso. “that’s so fucked up. you should have seen what they were saying about it last week.”

“i know,” he hums softly. “come on, let’s freshen up in your room and i’ll get you some ice-cold pepsi, okay?”

she shakes her head, wiping her nose. “i think i need to be back at the garage to watch the race.”

“let’s get you freshened up first, okay?”

i'm only tagging my #1 mockynation vault @angsthology because i dont wanna be annoying lolsie xoxo

[thetrashbagswasteland]

Today only from a card carrying member of the Castis Vakarian Appreciation Squad, a refresher on canon since there's a not-zero number of people in 2024 who seem blissfully unaware of how much we know about this man in canon (including andromeda yes the game is canon go cry about it).

He's a cop. Yes Castis works for C-Sec, implied within the same unit/building as Garrus and to the contrary of his son, is implied to be both good at his job and well-regarded for it. (This will be important for later points try to remember it.)

He has alien friends. Castis is canonically one of Alec Ryder's best friends. They're good enough friends that he passes on rumours/heresay about the Reapers to him and reminisces about spending time with him on the Citadel. Any turian old enough to have been an adult during the FCW and who has human friends as of canon prolly isn't a miserable old xenophobe. Whilst no, working at C-Sec doesn't exclude him from having shitty thoughts about Krogan and Quarians, it's a fairly good sign he's not anti-alien on the whole if he'll befriend a human.

He's got a personality. How dare minor characters have those! But more seriously, acting as if Castis is portrayed as nothing but a rule-worshipping automaton is doing him a disservice. If nothing else, his willingness to befriend and hang out with Alec, who's very much of the opinion that rules are guidelines to be circumvented when at all possible, shows that he's capable of nuance and maybe even a dash of line-pushing of his own accord. Maybe he's comfortable within the system and trusts law and order as set out legally above all else but c'mon guys, you don't hang out with a guy who goes on to break AI law and get dishonourably discharged (and then remain friends with him after that when it's made damned clear few others do) without being able to see shades of grey.

He trusts his son. This one I suspect may be more contentious BUT let's be honest here, Garrus isn't an easy person to be around. We hear about the pair of them clashing on the job and within their personal lives about the spectres but here's the thing: Garrus winds up on a secretive mission with a human and xenophobic terrorist group, after running off to a lawless hellscape to play batman. He remains distant until done working with Cererbus and then returns home with a crazy tale about a dead human spectre, genocidal robots from the year dot and half his face missing. Castis not only believes him but does so willingly enough that he does everything he can to help him get the news to the right people, just in case he's right. Equally, whilst we don't have an exact date for when the call with Alec occurs, it's post-start of ME1 at the very least and within that he's already willing to take what Garrus is saying Shepard says at face value. Within that call, it's made patently obvious that no matter what, he still trusts Garrus on some level and is proud of him on top of that trust.

He cares deeply for the people around him. Perhaps this one's linked with 3 but whatever, my post, my rules; in the comics, the picture we're painted by (unreliable narrator) Garrus is that of a driven, cold man who doesn't care enough about his own family. This is why he doesn't come home when Mama Vakarian gets hurt, we're told, and we're expected to take that as face value even when she herself says that by the time he can get away from work and be back there, she'll be mostly healed. Kinda contrasted by the fact that he seemingly retires/takes time off from C-Sec to be with his wife when she's dying. Now, the details are kinda fuzzy on the whys and hows but during ME3, he and Solana escape Palaven together. Maybe the war's going poorly enough that they're able to finagle staying together through the draft, maybe they come across one another purely by luck, we don't know. Either way, rather than attempt to get back to the Citadel and to where he presumably still had a job and/or was needed, he sticks with his daughter. Can't do anything more to help his son but he's gonna stick with at least one of his kids to make sure she survives. As well as all this, the "do things properly or don't do them at all" lesson Garrus struggles with from him is (gasp) not bad advice for their situation. He's trying to teach his son important life skills and whilst there's no denying he's going about it wrong, a key point is in fact that Garrus learns to master the gun he's struggling to fire and it in fact becomes one of his specialities! He becomes an exceptionally good marksman! The lesson fucking worked! He still, regardless of the reasons for it, seems to support and be content with Garrus not fulfilling his mandatory 15 but instead joining C-Sec and (worse still) doesn't have too much of an issue with him consorting with Spectres. Perhaps he's not best pleased but he definitely comes to accept that that's how things are irrespective of his own feelings about them as either a concept or as people (his belief that Garrus being a spectre would be a terrible no good very bad idea is, in fact, backed up by canon as being entirely correct too).

Conclusion/TL:DR. Take a lesson from Castis Vakarian himself here, either write about this man properly or don't write him at all, I'm begging y'all. There's an awful lot more to this character if you think about him and put together the information canon gives us on him, so do so.

[phoenix-fell]

Anti-Bumbleby criticisms answered with BB analysis - Big post

As expected, as Bumbleby gets more attention from the show, the anti-BB crowd have surfed in on their tidal wave of bitter lemons. So, I’d like to put my degree, job and training to use and compile my thoughts down in one place - a one-stop shop if you will - it’s long and will be largely unfiltered as I tackle the weirdest and most common criticisms and BB analysis. (I kinda miss Bumbleby analysis Megaposts, I might make one sometime to go alongside this as a point of reference as most I’ve seen end around Vol 6).

TIA for anyone who actually takes the time to read my ramblings and please feel free to give your thoughts/analysis and I’ll edit it in. FIRST EDIT - 8th Mar 2023 presenting labels and sexuality in Remnant - 4th from end.

Credentials: Double major 1st class grad in Literature and Creative Writing, specialising in fairy tales and WLW representation in media. Recipient of dissertation award exploring character psyche and the presentation of psychological themes. Literary critic, writer and content specialist. 

Let’s start off with a cracker from Reddit!

“Why couldn’t the BB scenes be more of a background thing? Why do they need to focus on them like they’re a main plot or something?”

Is... Is it stuffy under all that homophobia? I could easily rhyme off a string of sarcastic quips like ‘gee, I wonder why, it’s almost like it’s important to the development of two of the main characters or something.’ But it’s so lost on some people that I’mma spell it out:

We’ve seen Blake and Yang’s trauma painted across the screen from ‘Burning the Candle’ when Yang first confesses her abandonment issues, to the White Fang / Adam arcs that gave us a picture of the abuse Blake has endured - not just as a Faunus, but from her partner (“Adam used to get into my head, make me feel small.”), right through to their separation that dealt with their respective issues with running away/being abandoned and the shared trauma which has tied them both together indefinitely. They’ve been apart, they’ve repaired their relationship, they’ve grown together. In a current volume that’s so inherently focused on character’s individual development, seeing Blake and Yang together was almost inevitable as they’ve been so completely involved in one another’s development throughout the entire series. This is without going into their fairy tale allusions that tie them together which I’ll go into further down or the references to Yin/Yang and numerous romantic tropes that show how integral they are to one another’s characters. Contrary to belief, it’s not romance for the sake of romance - in this instance, the romance very much strengthens their development individually.

Asides from all of this, it was decided from the very beginning that Yang would lose her arm (foreshadowed in the Yellow trailer). The moment they decided that Yang would lose her arm protecting Blake, was the moment a decision was made to invariably tie these two narratives together on a very fundamental level.

But also, don’t clown yourself into thinking you’re not a homophobe if you think any LGBT content belongs in the background whilst also rejoicing any onscreen developments between straight ships.

“If BB was meant to be a thing then they wouldn’t have had Sun as a romantic interest.”

Is there a universe where love triangles and bisexuals are a foreign concept?

But in all seriousness, I think that certain corners of fanbases seem to struggle with any concepts that are non-linear; something I often see with anime. By ‘linear’, I mean: love interest introduced > build up > canon > together forever. As opposed to ‘non-linear’; a character that goes on their own journey of discovery and, through which, has more than one interest and path over time and has the ability to change their mind. The show was never a ‘romance’ as a primary theme; it’s an action/adventure which has some romantic subplots. But to honest, Blake changing her mind shouldn’t really be this much of a shock to the fanbase given that our FIRST ever interaction with Blake, in her TRAILER, is her changing her mind about her partner (and first romantic interest) and deciding to pursue a new journey. A scene which is actually referred back to in the Season 6 opener when Blake uncouples the train and sees what she believes to be a hallucination of a hooded Adam on the opposite carriage, foreshadowing the importance of that original decision later in the series (“you didn’t leave scars, you just left me, alone”). 

The arc that follows Blake thereafter is inherently tied to Adam (amongst other important themes), who is predominantly based off Gaston and the rose (or curse of the rose) from Beauty and the Beast. Blake and Yang are interchangeably alluded to as both Belle and the Beast throughout their character arcs from as early as the Red Trailer: “Black the beast descends from shadows / Yellow beauty burns gold.” and as recently as Blake describing Yang to the Hunter Mice in Vol. 9 Chapter 1. I can rhyme off these allusions until I’m blue, but again, I may save this for a master post.

The story that Blake is based on is a love triangle - she was never meant to have one set path from the beginning and romantic interests were always meant to play a huge part in Blake’s story/development; she was always going to have a romantic decision to make after conquering the curse / Gaston. Blake being haunted by her first romantic interest is foreshadowed in the ending of her trailer and first referenced in her conversation (with Yang) at Mountain Glen, and becomes an undeniable path of exploration once Yang loses her arm to Adam at the end of Volume 3. Let it be noted that Sun was present when Yang announced she was going to find Blake at the Battle of Beacon - a decision was made here for Yang to be the one to lose her arm protecting Blake, as was Adam’s poignant promise to take away everything Blake loves - “starting with [Yang]” or, otherwise, the solidifying of this romantic subplot. Which, again, is called back to with the infamous line: “What does she even see in you?” besides the obvious subtext, it’s setting the stage for these parallels between Adam and Yang, past and future, the previous love interest identifying something in Blake that used to be reserved for him, now directed towards Yang.

This season began with Blake declaring that Yang “seems scary, but isn’t”. Because, once Belle knows the Beast isn’t scary, she allows herself to fall in love (conveniently, this is said whilst walking through a fairy tale).

I could go into a big post about romantic foils and the ways in which Yang, Adam and Blake are all foils to each other but I might make a separate post instead for anyone new to the FNDM. Either way, I feel it’s worth mentioning as it’s Blake who directly compares Yang to a past love interest who was designed with semblances and characteristics that mirror each other. Point being, no one should be shocked that Blake has multiple interests given the character and fairy tale she’s based off and heavy allusions where Yang is concerned.

“Oh yeah, because Yang ‘literally purred at guys in their underwear’ Xiao Long and Blake ‘literally kissed a boy’ Belladonna are clearly bisexual because of [insert out of context reasons]” and “yes but Monty said...”

1. You mean... the one, and only one scene in 9 entire volumes where Yang shows any interest (albeit jokingly) in a guy, and the literal scene directly before she sees Blake from across the crowded room and proceeds to never express interest in men again? (Ignoring the very obvious implied trope here). And, in fact, only expresses interest in a woman from this point onwards? This is your frame of reference? Personally, I find it quite lovely that Yang’s perspective is never the same from the moment she sees Blake. Asides from this, while ‘bisexual’ is the label that these guys have gone with, Yang’s sexuality hasn’t been confirmed outside of being sapphic - it’s not outside the realm of possibility that she is, in all likelihood, lesbian. It’s important to note here that any young character expressing an interest in a man would not invalidate that same character being a lesbian. In fact, if we apply this to real life, it’s not uncommon for people not to realise that they’re queer immediately (I myself didn’t until I was 21). But in the opening episodes of the series especially, I’d very much chalk this up to writers exploring the characters.

2. As for Blake - there are, from what I remember, three kisses in the entire show so far. The one between Jaune and Pyrrha - on the lips after prolonged romantic allusions between the two (their romance is explicitly referenced by Nora - “practice what you preach, Pyrrha.” - almost fitting that it’s Nora to call out the Bees in Season 7 - A Night Off, no? Neat little parallel for y’all). The one between Ren and Nora after trying to work out the status of their romantic relationship - again, on the lips. And the one where Blake says goodbye (and thank you) to Sun by kissing him... On the cheek. (So hot, I know). Which is immediately followed up with Sun telling Neptune “it was never about that”. One of these is not like the other, can you guess which? I’ll wait.

As for referencing Monty - I could go on all day about this one, and the quote most notoriously used is ‘they’re a sisterhood’. Firstly, let me just say that I find it disturbing that anyone would use the show’s deceased creator as ammunition, whilst also disregarding his other comments on LGBT rep - specifically, ‘maybe there are LGBT characters there now / they’re just kids rn and figuring it out / it needs to be earned’. But also, it’s really disturbing and egotistical that anybody would pretend to know what Monty wanted better than the crew he handpicked, worked with, collaborated with and was friends with (special mention to the fact that his own brother is one of the cast). If you truly want to honour his legacy, then show respect to the people he put his trust in.

“I don’t have an issue with BB, but why does it always have to take away from Yang’s moments with Ruby?” / “All Yang’s feelings for her sister transferred to Blake.”

One from the hall of fame. The age old question of ‘can a girl have a romantic partner and still care about her family?’ I wish this wasn’t a serious question, but there are actual sides of the Fandom that seem to think that Yang’s forgotten about her sister that she raised because she has feelings for someone and that the sole purpose of Yang’s existence is to be her sister’s keeper.

I’mma address this on 3 fronts. 1 - Logistically, the episodes for RWBY, excluding the intros, are 15-20 mins long currently and typically oversee several different storylines particularly as the cast grows larger, leaving us with... What? About 5 minutes of team RWBY interactions? It’s not a lot of time to pack in character development, relationship development, plotline, strategy etc. so often if they’re wanting to develop more than one relationship, they will alternate between putting these themes in the background (such as the yellow in Blake’s sword, references from other characters etc.) and foreground, and some developments have to be shoulder-to-shoulder to fit them in. This isn’t an indicator of how much one character cares for one another and is more a demon created by people’s perception of how they ‘think’ a protective sister should act.

Additionally, it should be noted that Yang fawning over Ruby and not allowing her to develop other relationships outside of her sister, would actually offer us nothing from a development perspective for both Yang and Ruby’s characters and would, instead, steer these two strong female characters down a path of co-dependency. 

2 - It feels like a very easy excuse for Anti-BB folk to throw out there, conveniently forgetting how great of a sister Yang actually is (contrary to the number of RWDE videos I’ve seen arguing otherwise, as this is an essay I could write in itself). These very often take isolated incidents out of context and conveniently forget important information like Yang 1. Literally sacrificing herself twice to protect her sister 2. Sacrificing her entire childhood to raise her sister and 3. Importantly, the fact that Ruby is her (self-sufficient) Team Leader needs to be factored into their dynamic, as Yang gives her space to find herself as a leader and steps in when her sister actually needs her - not when the audience thinks she does. People hear ‘protectiveness’ and seem to think that this should mean that Yang should be overbearing. 

3 - Anyone who says this doesn’t have siblings. I have older and younger siblings and, having largely raised my younger sibling, I can safely say that I still love them even when I’m in a relationship. I also feel extremely secure in arguing/disagreeing with any of my siblings because I inherently know they will still be there at the end of the day - a sibling love goes deep (referencing ‘Fault’ from Volume 8). However, in a romantic relationship that is not established and very new... you will feel insecure, that’s normal, it doesn’t have the luxury of established stability that siblings do, and therefore you will overtly express more anxiety about this as a result. It’s a very strange concept that if you have a sibling, you need to give them all of your attention and ignore any love interests. Yang has gone through her own traumas, she has every right to care about others, heal herself, and have a life that isn’t defined by being a caretaker for her sister. ESPECIALLY as she already gave up her childhood to fulfil this role, unselfishly AND as the person she’s bonding with is best poised to understand Yang’s trauma. Yang as a character deserves to receive the love she constantly gives out. Again, this is a demon born from the fact that it either doesn’t reflect the relationship commentors have with their siblings, or the fact that they’re *imagining* how that relationship should be.

Bonus picture below: Yang putting aside her anguish for Summer Rose, who she considered to be her mother, to prioritise comforting her sister about that same loss.

“I hate BB shippers because they pass off BS interactions as platonic. BS made more sense, there was no build-up to BB until Vol 6 and they let the BS build-up go to waste to force BB.”

First off, there’s nothing wrong with BlackSun as a ship. Shipping shouldn’t be dictated by canonicity and people have the right to ship it and to their opinions. And while a few of these seem to have referenced BS, I don’t actually think that BS shippers are at fault for the hatred coming this way, but rather that the ship seems to get used as ammunition from the Anti-BB crowd - to summarise, Anti-BB and BS shippers are not synonymous. I personally don’t ship BS, but I do enjoy the debate and actually think that Sun is a very important part of Blake’s development and arc. There did seem to be some form of mutual attraction between Blake and Sun. Had they gone down that route, I wouldn’t have hated it, I just never felt excited by it, which seems to be a large consensus amongst BB fans. An appreciation whilst feeling there was a better alternative.

Believing all the development between Sun and Blake was ‘wasted’ is also very closed-minded given how much he helped Blake in the White Fang arc and also disregards the importance of their friendship. BS has the potential to be one of the best and most supportive friendships in the series, I stand by that.

That said, I don’t think it’s entirely wrong to acknowledge that a lot of (not all) interactions between BS were platonic from Blake’s pov while Sun’s feelings were more explicit. The only real hint I saw of Blake reciprocating was a blush at the Vytal festival. Maybe the dance at a stretch, but there’s hints at both BS and BB and I will fight you on it. Now, it might be a question of timing; Adam was still a prevalent threat during this time which will have been weighing on Blake given the resurgence of the White Fang, and is clear when Adam rocks up seeking vengeance in Volume 3. For this reason, I honestly think it would have been disingenuous to have explored Blake in a full relationship with anyone at this point given these loose ends, and Blake undergoes a lot of development over volumes 4-6 as a direct result of this.

Additionally, if BB didn’t begin until Volume 6 then that means that BS had 4-5 volumes to happen - 2 of which where they were in their own arc, separated from the main cast. It didn’t happen. What happens instead is Blake’s guilt over Yang weighs heavily on her while she deals with her arc and Sun helps her come to terms with this, ultimately redirecting her back to her team, and Yang, while Sun’s interactions with her become increasingly platonic from his side.

Lastly, the only way you don’t see build up for BB, is if you actively will yourself not to see build-up. If you replace Blake and Yang’s moments with Sun, I don’t feel there’d be any misunderstandings on how these moments are supposed to be interpreted. Take off the hetero goggles, and we’re cool. 

But on a sidenote and personal pet peeve of mine, the cries of ‘BB is forced while BS had build-up’ will forever irritate me - BB has a slow burn, a full arc, developed from a friendship and partnership as well as several tropes and allusions without going into too much detail. BS, firstly, never ended up happening, but it starts when Sun runs past, winks at Blake, magically knows she’s a faunus, then proceeds to follow around a girl he doesn’t know for two days who, at his own admission, didn’t speak that whole time. But... BB is forced? I’d say it’s subjective, but logic defies when this is the barometer for a natural introduction of a romantic pair.

“BB is ‘queerbait’”

Let’s address the ‘Goliath’ in the room, shall we? ‘Queerbaiting’ gets thrown around like a reflex at the moment by pseudo-fans who I don’t believe actually know the gravity of their statements or the meaning behind the word. I often see this slur paired with BB being strung out to keep the shippers watching. Now, there’s an essay in itself that could exist in this section, but are people really still clowning themselves that a show that’s explicitly shown that it wants to have queer representation in the cast and foreground is ‘queerbaiting’ it’s audience? Even weirder for me is the part of the FNDM saying that it’ll be baiting if they make BB canon. Please stop this nonsense and do some research.

Now, one thing I would like to tackle is that, sadly, some will still see pairings on the show through heteronormative glasses, so let me use that here. If the pair were a m/f couple and had several seasons of development and increasingly intimate moments, there would be no doubt in anyone’s mind that 1. It was heading in the direction of canon and 2. That it was a slow burn romance that’s building to its’ climax. Interestingly, the show actually does use the hetero goggles to frame BB on several occasions by paralleling this budding romance with several straight ships such as Arkos and Renora. Why? Because this is a narrative technique often used by writers to frame LGBT romances to separate them from ‘just friendships’ and, let’s face it, use an unconscious heteronormative bias to their advantage.

“BB is badly written, they barely interacted in volumes 1-3 then didn’t speak for two volumes.”

Tickle me pink. Volumes 1-3 are a very strange reference point for ‘in-depth’ development between characters. Crumbs, sure. The odd scene, absolutely. But let’s be real here - the show started as a low budget web series with an onus on cool fighting scenes and, most importantly, the episodes were around 5 minutes long whilst entertaining teams RWBY and JNPR, the White Fang, the Vytal tournament and several other plots. Nobody particularly interacted much but the writers did the best they could with what they had and the rest is left to us, the audience, to interpret that relationships are developing off-screen. Though from a critique POV in the interest of fairness, I would say the current season is a breath of fresh air by re-focusing the plot on the central characters as I think the show can sometimes be guilty of taking on too many plotlines.

As for volumes 4-5, while they’re in different continents, it’s obvious that they’re prevalent in each other’s arcs. Whether it’s Yang admitting she’s struggling with Blake’s abandonment - in the same episode the first lesbian character is revealed confessing their feelings to Blake (sidenote, all of team RWBY left Yang, and it’s Blake she’s mad at, this was always meant to be framed differently to her other teammates and IMO the struggle they go through is meant to frame the characters coming to terms with the depth of what they mean to each other), the parallels of them both getting onto the ship (named ‘Pride’ - wink wink), or Blake actively struggling to talk about Yang, yet referencing it when Sun is hurt (“Not again!”) showing it’s at the forefront of her mind. All of which culminates in their reunion in the Vol 5 finale.

Is it the best writing ever? No, nothing’s perfect. But they do explicitly use parallels throughout the series to drive the narrative forward as a foreshadowing tool to strengthen subplots.

“Blake being bisexual makes no sense - she was interested in Sun, it just seems so out of the blue, she and Yang just seemed like friends to me.”

Funny, because she and Sun seemed like friends to me too.

There are so many things I wanted to fire back at this, from the insinuation that if a woman first shows interest in a man then it’s out of the blue that she’s bisexual now that she’s showing interest in a woman... Like, how do you think it happens for bisexuals IRL?! Did you want her to burst onto the scene in Volume 1, announce she likes men and women, and then express explicit simultaneous interest in both of them? Start a harem? Proposition a throuple?

This particular take amuses me most of all as someone who is very openly bisexual. Yes, she and Yang seemed like friends. Great friends, in fact. That hold hands and blush and want to spend all their time together. And check each other out when the other isn’t looking. And make excuses for casual physical contact and flirt and giggle like a couple of giddy teenagers. Just like me and my ‘best friend’ did, before I realised I was bi. I’m sure that a lot of people thought it came out of the blue for me too. Blake being oblivious to being bisexual until it becomes too obvious to ignore is actually a very realistic scenario.

Bonus headline - just because you don’t understand/identify with something, doesn’t mean that it’s not good representation or realistic. I feel it’s also important to mention Blake’s VA, Arryn Zech, is bisexual and has spoken numerous times on the matter. The reason I bring this up is because it’s clear that the way in which the bisexuality of her character is presented on the show is actually something that’s incredibly important to Arryn - because good representation is significant. 

Presenting labels and sexuality on Remnant: A Theory and - “BB is a terrible representation of LGBT and your critique ignores the female and LGBT people that have spoken out against it.”

They say, to someone who is both female and LGBT. Credit to the Anon who charged into my inbox to accuse me of the above - hope you enjoy. Now, there’s a couple of things I’d like to cover before I go into how sexuality is perceived in-universe. The first is that if you use this argument against someone who is queer without seeing the belligerent hypocrisy of your statement, please check yourself as, clearly, you only care about LGBT voices on representation when it aligns with your own rhetoric and ready to dismiss any narrative to the contrary from that same community.

Secondly,  the queer/LGBT community is a vast and vibrant community of *individuals* with their own opinions and own voices. I didn’t nominate anyone to speak on my behalf, just as I don’t speak on the behalf of the rest of the community. Moreover, any art is open to interpretation. My opinion does not override theirs, nor does their opinion erase my own. And, believe it or not, it’s quite possible to have two or more differing opinions within one community without being at war with one another. I respect their opinion, just as I hope they respect mine.

We clear? Great. Onto the analysis! Huge shoutout to @crimsonxe​ for the brilliant discussion and assistance with the analysis in the comments that helped me construct this section! You’re awesome.

Let’s dive in with the headline - Homophobia doesn’t appear to be an issue on Remnant and labels don’t appear to exist, in the sense that it doesn’t appear anywhere in-universe. Now just to pre-emptively disclaimer: this may change, but in 9 volumes and however many supplementary materials, we’ve not heard any labels or had any representation of this type of discrimination. If that changes, I’ll happily remove this. 

So why is this important, you ask? Ultimately, when you take away the inherent ‘fear’ that a lot of the LGBT community face IRL along with prevalent ignorance towards the community and society’s insistence on labelling sexualities and gender identity, it creates a world divorced from our own and is, from a narrative point of view, a double-edged sword. On the one hand, it allows the characters to explore themselves in a non-discriminatory environment that is inherently more fluid and free, whilst the audience will inevitably want to compare that to their own experiences. But we can’t - not properly - due to the still very real stigma and discrimination that exists in our own world. Instead, what we see are characters who express an interest in other characters and find other ways to allude to their preferences or identity. A prime example of this would be May, canonically a trans character, who does not use this term in-world but instead says, “To the Marigolds that meant I wasn’t their son, and I made sure everyone knew I wasn’t their daughter.” This is a theme that is poignantly reflected in the accompanying media for the series - such as the books; for instance, Coco, canonically lesbian, referring to “breaking the hearts of many women.”

How does this tie into the relationship with Blake and Yang? Glad you asked. If you bear in mind that Remnant has a very fluid outlook on sexuality and more of a ‘love who you love’ ethos which is blind to gender norms, it immediately subverts the assumption that interactions between m/f are romantic while f/f are platonic. It’s an open field, if you will. BB is a steady build from partner/best friend (though I’d argue that at least Yang had an immediate attraction, with Blake figuring herself out) with interactions that become increasing more intimate. Eye rolls and jokes become winks and innuendo (“I love it when you’re feisty!”), nudges become intimate hugs (Burning the Candle), become hand-holding (it isn’t coincidence that these two have held hands more than any other pair in the series), becomes pining, blushing, forehead touches (BB and Renora - remember those parallels), which evolves into flirting and... More. And yes, some of their interactions will still resemble the friendship they built their foundations on. But in a world where labels don’t exist, that journey from friend-to-lover is much more subtle and embedded in a gentle upwards curve of increasing intimacy.

“BB is only happening because the horrible BB fans demanded it, the show caved and gave in to the toxic fanbase, it wasn’t planned from the beginning.”

I’ve seen this in so many places, like a broken record. I have no doubt that there are BB fans that are fanatical, and I’d never justify the behaviour of any so-called fan that resorts to death threats or violence in any way. I’m hoping this surely must be a minority that has, hopefully, shrunk over the years as the audience has matured. However, this also really isn’t how shows work... 

As many have pointed out in recent weeks, the show would be a very different landscape altogether if CRWBY were, in fact, that easily swayed by fans; namely, I’m thinking of Clover/Qrow, Pyrrha, Penny etc. While I don’t doubt that show-makers pay attention to the fanbase where needed and where it’ll be beneficial (seeing how fans react to developments, if allusions are clear etc.), sending death threats or whatever is actually much more counterproductive than anything else. But also... You’re not on the crew, you’re not part of those discussions. I feel confident that Miles, Kiersi and Kerry aren’t writing BB content with a gun to their head.

Lastly, the ‘it wasn’t planned from the beginning’ war cry is a tale as old as time. Like Beauty and the Beast. (See what I did there?) Asides from the fact that 1. Yang and Blake were actually the first created out of the team, and made with each other in mind, regardless of in what context (check out the original character designs/concepts) 2. Even if it wasn’t planned from the beginning, what difference does it make? There are tonnes of examples where the writers have felt the chemistry between two characters as the story’s gone on and decided to put them together (case-in-point from outside the anime world.. Chandler and Monica from Friends). In fact, while some writers like to plan every element of their plot from the beginning, there’s a great many writers who allow the characters to steer the plot as they grow - especially arcs with romantic undertones. The series was made predominantly for the action - it’s not a romantic series, so if they didn’t plan it from the beginning that wouldn’t be unusual, especially given that the episodes of the first few volumes are literally 5-10 minutes long. But regardless of whether the romance of the two was planned or not planned, it does not make it any less meaningful.

But let’s be real, the issue at heart isn’t that they weren’t sucking face in the first 3 seasons, it’s that they thought Blake would be with a guy, and she chose a girl. To which I say... Get over your bruised ego, and move on.

“BB fans deserve the hate they get because of x, y, z and cos it has toxic shippers.”

And you’re... Not... Toxic? If you’re an Anti-BB shipper and go out of your way to stalk and comment on BB tags/accounts just to harass shippers etc, then are you any better than the toxic fans you supposedly hate? To me, following BB tags and looking at BB content whilst being an Anti-BB shipper is so weird, why you trying to hurt your own feelings?

Also, saying that innocent shippers who are just living their best life should bear the burden of the toxic FNDM, is literally the definition of tarring everyone with the same brush. Some of us just want to eat our crumbs in peace, and from our POV, you’re the toxic ones being disrespectful. Bonus point: others being toxic does not give you licence to be hateful to anyone you come across that doesn’t agree with you.

“I’m no longer watching the show cos it’s trying too hard to be ‘woke’”

This ain’t an airport, you don’t need to announce your departure. But since you are, if your issue is the gay representation in the show then wake up and look around... We’re everywhere. The show is literally just reflecting the diversity you see day-to-day; but you keep sipping that haterade, my dude, we’re here to stay.

[theyanderespecialist]

Yandere Mammon X Listener (Helluva Boss)

Base Yandere Mammon Headcanons: A Greedy Yandere

[YASSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS Hello, My Sexy Muffins! I am back with another chapter. This one will be made into a video as well so keep an eye out for that! Anyway, this one is about Mammon! Please enjoy this chapter!]

(Disclaimer: Mammon is in canon to be the absolute worst! This is canon. What is NOT Canon is him being yandere. Mammon is not yandere in canon. This is just for fun and not to be taken seriously at all! Simping for fictional characters and yanderes is fine. Just do not be illegal or gross about it. Also, remember to separate fiction from reality and headcanon from canon. Yanderes are not ideal partners to have in real life. Thank you!]

(Base Yandere Headcanons With Mammon From Helluva Boss X Gender Neutral Reader)

.Mammon is the absolute worst as a yandere.

.You want a toxic and high-key abusive yandere.

.It is for sure going to be The Sin of greed.

.This man is the most greedy SOB Yandere out there.

. Especially when it comes to you.

.But unlike other yanderes would be, he will probably make sex robots of you to sell.

.Of course, NO ONE Can have the real thing.

.He most likely gets off on the fact that people buy fake versions of you and that he is the ONLY ONE Who gets the real you.

.He is greedy and you need to have your full focus on him.

.You are HIS Daring and HE IS THE KING OF GREED Why would you want to be with anyone else?

.He is also so underhanded and manipulative.

.He knows when he pushes you to far, and will show that he cares to keep you from leaving him or fighting against him.

.This man is the type fo man that will manipulate you into thinking you needed him.

.That without him you are nothing at all.

.Oh SATAN In Tube Top! Is this man toxic.

.He knows damn well that you can do WAY Better than him.

.So He will keep you under his thumb as much as possible so you never realize what a piece of poo he is.

.He is also the most petty and jealous type of yandere.

.Something so small, as you just smiling at someone else can make him pissed off at the person and Jealous of him.

.Again with being the Sin of Greed you should only be his.

.You are for certain seen as a prize and object by him and less like a person.

.You are his treasure.

.He also would spoil you, not because he is willing to pay money, but because he knows if he keeps giving you gifts you will be less likely to leave him.

.He is a spider-like demon so he will have you in his webs.

.It did not take him long to get you trapped in his webs of lies and obsession.

.He would have for sure made it look and seem like he was such a great guy.

.Spoiling you, taking care of you, and just adoring you.

.Once he is certain you will not turn him down he will ask you to be his partner.

.If you say yes, you can expect to not be gaslit and for him to continue to spoil you.

.If you say no he will say all the stuff he has done for you, how he spoiled you.

.He will gaslight you into thinking you were ungrateful and that you were losing out.

.Either way, he is going to get you to agree.

.If you don't well he can always chain you down and keep you and his imprisoned treasure.

.He on some sick level would think to himself that he does care for you.

.He really does feel that he loves you, but his love is very much with him getting what he wants and making sure that he does not lose you, but where he can use you.

.He shows his love no matter how toxic it is by buying gifts for your cause it is the one way he knows he can show how much he adores you.

.So in short he is very manipulative, deadly, toxic, sugar daddy yandere more or less.

.Money and gift-giving being his love language.

.He would also slaughter his rivals.

.No if, and or buts, about it. No one is good enough for you.

.He is the only one good enough for you.

.He also would offer money to his rivals to leave you alone. But they better not get greedy about it, cause they will end up dead for good.

.Side note: Mammon sees himself as Lucifer's best friend and he is a rip-off artist. Making the off-brand loo loo land. (Those were just canon lore for you all!)

.Back to his petty side, it does not take much for him to be petty, and with rivals, he will be even more petty and would get revenge for the littlest of things!

[YASSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS finally got this done! I hope you all enjoyed it, there might be a scenario on YouTube for audio storytelling! Anyways I hope you all enjoyed and stay sexy, all of my sexy muffins!]

[tevanbuckley]

I don't know if it's the twitter effect on people or not, but I'm already seeing people from bt side acting exactly like bddies.

The same condescending tone added to the superiority of having a canon ship (which to me is a weak reason to relay on bc it could be taken away from us just as easily* as we got it).

*by easily I mean the couple not bi buck

I understand there are bddie takes that you can't help but point out the stupidity of it, but we were so good keeping to ourselves, minding our own business, calling bddies out when needed and letting karma do it's beautiful thing.

But you can only test the gods so much with that attitude. Let alone the whole "bucktommy ship bosses" who act all high and mighty on other bt shippers with the " I don't support all bt shippers, some of y'all are bumb" when some of them have their own shit moves.

I know this is fandom, especially when it's getting bigger, but it still annoyed me a bit, bc they really aren't any better. I guess the peaceful fandom is a fantasy after all.

so I can’t speak much to what’s happening on twitter, although I’m sure it’s significantly worse over there and I’m sure there are bucktommy shippers acting out of pocket

but like I’ve said before, I find it really difficult to take accusations of bucktommy shippers behaving ‘just as badly’ seriously given the increasingly insane lengths some bvddies have gone to.

even what you’ve described strikes me as annoying and unhelpful, but not exactly harmful or toxic in the grand scheme of things.

Also, given the level of vitriol a lot of bucktommy shippers have gotten idk it’s fair to expect them to always be the bigger person. the asks i got during the mid season break and especially after 7.06 were legitimately unhinged and I didn’t even get the worst of it. which isn’t an excuse for any bad behaviour taking place, but I do think it’s relevant context.

until now the 911 fandom and bvddie were pretty much synonymous so a lot of the etiquette around multishipping never really took hold, so a ship coming along and challenging that hegemony creating friction was unavoidable imo.

[orionsangel86]

I have been doing this meta analysis thing for a long time now and one thing that I have always tried to make clear in meta analysis is that for it to be taken seriously you must keep your personal biases out of it. You must come at it as objective as possible.

Rant under the cut

Its not always easy to do when you are dealing with difficult topics, or shining unfavourable lights on characters you love, or coming to conclusions that you werent expecting (recent meta discussions about Morpheus in the Sandman comics would fall into these categories).

What meta analysis should never be used for is to back up ship wars or specifically to shame fandoms for liking certain characters. If the meta isnt providing valid evidence to support the interpretations, and instead has fallen into name calling and mockery of fandom, its no longer valid meta.

I got this ALL the time in SPN fandom. Destiel was a huge fandom but as meta writers we stuck with what we were given by the source material and interpreted it with valid evidence. We understood that multiple interpretations were possible but we made sure that whatever we were analysing made sense and had some source backing. This wasnt always the case because meta writers are not a monolith, but the bigger blogs who wrote meta frequently at least understood this and would not be stretching to support their own claims if canon didnt back it up. Now no one is perfect of course, but the point is, proper meta writers understand that where they make a claim or interpretation of the source material, they have to site examples and evidence to back up their claims and also take into consideration any evidence to the contrary.

The people who hated destiel and made that their entire personalities didnt do that so much. I read a lot of their meta out of curiosity and every time I was baffled by where they were getting their claims. 'Destiel is necrophilia" was a big one which canon disproved almost straight away in season 5. "Destiel is rape" was another because Cas was using Jimmy as a vessel and yet canon confirmed Jimmy died at the end of season 4. Cas' body was remade by God in season 5 and has remained his own ever since. These are just two of the ridiculous examples supposed "meta writers" among the destiel hater communities would come up with and still use today.

I find it extremely infuriating when I see character/ship hate loosely disguised as meta analysis. I can give people the benefit of the doubt a lot of the time, as fandoms are usually highly emotional spaces, but when there is zero canon evidence to support the claims, when connections are being made on the absolute thinnest of threads, and when far more obvious interpretations are being clearly ignored to support certain viewpoints in such a stunningly obvious case of confirmation bias I have to throw in the towel and stop taking said meta seriously.

One thing I have loved about Sandman fandom so far is the meta. It's such a rich text to analyse, and the show adds an entirely new level to it which makes it all the more enjoyable. I've made no secret of my support for Dreamling and I wrote a very long meta series on Dreamling and how the show in particular uses certain tropes, symbolism, visual storytelling cues, and music, to name a few, to overload a 25 minute sequence with queer coding. It is completely understandable to me why anyone going into the show even without thinking about shipping, would feel like Dreamling hit them like a brick to the face. The creators weren't subtle with it.

Its also totally valid to find romantic interpretations of other pairings within the Sandman. I personally think Morpheus x Johanna was laid on pretty thickly. Morpheus x Lucienne is equally an interesting ship to analyse. But heres the thing, if you ship these other ships and are frustrated that Dreamling has "taken over" thats valid. I get it. I would like more focus on the other characters too. I would particularly like to talk about Lucienne x Gault and have a meta piece in progress about them.

Whats not okay however is for other shippers and people frustrated with Dreamling to go the way of the Destiel antis. Dont make shit up that has no basis in canon just because you need some moral high ground to shit all over the ship you hate. Don't call fans that see Dreamling "deluded" for seeing it. They aren't deluded. It's right there in the subtext. Dont resort to name calling and "gotchas" and use inflammatory language to bait people. And please, I'm begging you, stop claiming that people who ship Dreamling are somehow all overly fragile white racists. You're wrong.

The racism discussions about Hob's past have their place, but these things ARE being discussed, if anything I feel this fandom has done a far better job of handling the issues of slavery than another popular fandom has (looking at you OFMD). No one is forgiving Hob for his slaver past. But you have to acknowledge that the entire point of the story in The Sandman is about change, and growth, and how we can become better people. As another excellent short meta post stated recently "we are more than the sum of our transgressions". The Sandman is all about the shades of grey. No one is morally righteous, but most characters are not completely morally bankrupt either.

Hob Gadling is a controversial character who is often misunderstood by fandom but anyone with proper critical thinking skills and a decent understanding of what meta analysis is, should understand that Hob is a metaphor for humanity first and foremost. He is the average everyman from the perspective of an Englishman and therefore above all else to understand Hob you have to look to England, to Englands history, and to its current status in the world. A lot of blood on its hands yes, but also at least a century of trying to make up for it, a leader in the world in human rights and trying to do better. I have to believe that about this country, so I believe it about Hob too. Whilst I'm not interesting in getting into huge geopolitical debates about England, I hope that we can all agree that the average Englishman today is not a blood thirsty evil slaver/rapist/murderer or whatever else ive seen people accuse Hob of being even in his modern era.

We can argue the faults of the show downplaying slavery for sure. Its a valid criticsm. We can argue that not enough time was given in the show to show that Hob had changed and regretted his former actions. We can critique these things based on what the show has and has not told us, and also pepper in information provided in the comics and what we know about future Hob panels as well.

But when it comes to the blank spaces in between frames, in between cut screens, we can do whatever we like. Because that is where meta analysis ends and fanfiction begins. You wanna write about Hob joining the abolitionist movement and fighting hard to end slavery? You can. You wanna write about him ignoring Dreams advice and continuing to be a brutal slaver right up until slavery was ended in England sure, you go for it. But don't call either of these "headcanons" meta analysis.

Dont use meta analysis as a cover to shit on fandom. The minute you resort to name calling and mockery its no longer meta. No matter how frustrated or upset you are with the current fandom situation. There is always space to criticise fandom. But ask yourself what your end goal is here? What are you trying to achieve? Is it truly because you are on a righteous path to end fandom racism? Or do you just really hate a popular ship and want people to stop shipping it? If it's the former, then focus on that, ask what solutions we can put in place? Where we can truly tackle it on a larger scale, raising awareness of things that people may not realise are racist but are common tropes in fandom (like how making female characters all mothers or sassy gay best friends is misogynistic or how certain stereotypes in fantasy creatures are anti semitic) but if its the latter, then its disingenuous to use racism in fandom as a shield to hide your ship hate. It reduces an important topic to something shallow and irrelevant.

In ending this rant I will just say this. I'm not interested in engaging further on this topic. I'm legit gonna start blocking if anyone attempts to twist my words here. The civil discussions on this matter ended when people started name calling and flinging around accusations without basis. I am more than happy to engage separately in ways to improve fandom spaces for poc, because thats important, but ship hating has no place in that discussion. Drop that aspect, and there'll be less resistance in these topics.

[eddiegettingshot]

Also people are so ready to expect hen and chim to fall in line because foster licenses/mara completely glazing over the fact that eddie is literally a single income parent who’s own family would (and canonically have tried to) jump on the fact that he cannot support his child financially as a means of taking chris from eddie. Not to mention eddie possibly being concerned about not being able to afford carla and/or chris’s school fees due to being unemployed further alienating chris. Its like I know people are just being racist about it (which is insane given the ryan quotes in that interview that dropped 30 minutes before that us weekly snippet LOL) but its like can we PLEASE use our critical thinking skills. Please. We shouldnt even need quotes from ryan about eddie hating gerrard for being a bigot to come to a conclusion as to why eddie might “fall in line”. Seriously.

right and this is what i’m saying like. regardless of anything, your assumption based on the power dynamics at play should be that eddie is also a victim… ESPECIALLY if you were 100% totally willing to believe with zero proof (like, when that golf pic first came out) that actually, buck’s spying on gerrard not just hanging out with him! but given that we’re working with people who started spouting drivel based on eddie’s FACIAL HAIR. well. not surprised we’re not seeing even base-level critical thought such as “maybe eddie and tommy are different!”

[obsidianstrawberrymilk]

Ah fuck it Changes I would make to mha if god came down, pt 2

Fuyumi Todoroki should have been a hero and the more I think about this the more I will die on this hill. A) there's a severe lack of important female heroes and while Fuyumi is a side character I would have her take Endeavwhore's place in almost ALL of the times they fight Touya, both to give her more presence and because Touya being 'taken down' in any capacity by his abuser kind of sickens me. B) I want Enji a lot less present in the Todoroki plot than he currently is, even if he still gets some kind of a redemption. Fuyumi being a hero could both take his role physically and ALSO would give Shouto an actual reason for wanting to be a hero. C) I've always wondered like... why exactly Shouto would continue wanting to be a hero as he distanced himself from his father. His admiration for All Might doesn't seem like a good enough reason if his entire life has just been so isolated to only a few people and the major presence in his life his is abusive father who he's only ever seen misuse the power he has as a hero for his own gain. Fuyumi being a hero would actually give Shouto another hero role model to look up to, another reason to only use his ice, and give him a CONTINUED reason to want to be a hero. D) Also, Fuyumi's supposed to represent the 'fawn' response to abuse, and so her actively trying to do exactly what her dad wants and make a hero of herself and STILL be overlooked and discarded by him could really hammer in how Endeavwhore doesn't actually give a shit about any of his kids, even if they do what he wants; unless they're strong enough to beat All Might *with fire* like he wants he doesn't care.

I'm changing the entire entrance exam. It emphasizes entirely the wrong thing - killing things - above what heroes are actually supposed to focus on: saving people. If your hero school and society puts such an emphasis on 'taking down the bad guy' as opposed to saving people as heroes are supposed to do, that should actually be a point of discussion. That said, even if hero society still emphasizes defeating villains and looking cool for the camera above saving civilians, I'm changing it anyway:

Paper portion is the same as we get very little detail on it. My only change is UA students are tested on three foreign languages as well: English, Chinese, and Korean. They're expected to have a high level in all of them, mainly to add emphasis on just how hard UA is to get into (1 in 300 acceptance rate is fucking INSANE)

Practical portion!! This is completely revamped. Instead of the robots, current UA students are used as stand in civilians during a villain attack in a simulated urban area (a la the canon exam). There's only one giant robot, a few smaller ones, and the zero pointer. Students are put into groups of ten and are tasked with working together to rescue as many people as possible and take down as many villains as possible. Villain points are still emphasized over rescue points (which can now be gained from rescuing civilians and taking down the zero pointer, though very few do the latter), and the UA students are given pathways under the simulated area they can escape to if need be for safety. The practical feels more well rounded and realistic this way.

Also, this gives Shinsou an actual reason to be pissy about not getting into the hero course; the reason he got so few points in the practical was because as soon as the other people in his group found out about his quirk they refused to work with him, tanking his chances of almost any villain points (the mini villains are also robots). It also actually shows discrimination against people with 'villainous quirks' in hero society, something Horikoshi bought up but conveniently forgot about.

Kaminari doesn't have Whey Mode, it's a huge weakness and it's insane no one ever takes it seriously because of how big a safety risk it is for him. He can give himself nerve damage or kill himself if he uses his power too intensely, yes, but that's it.

Iida Tensi actually dies after being attacked by Stain.

Inko Midoriya is told about One for All and All Might's identity. She deserves to be in the know and it gives both All Might and Izuku another person for their support systems; she's the main character's only parent and yet she's so uninvolved in everything. It's disappointing. She would get more of a chance to voice her worries to both Izuku and Yagi, and she and Yagi could actually develop a friendship, which in all honestly Yagi really needs.

Momo is Class President and Tenya is Vice President.

Also like... Momo actually gets a chance to show off how powerful and strategic she is before we see her weaknesses hurt her. She's one of the most potentially powerful character in the fucking show die to her ability to literally create anything and yet we barely see what she's capable of before she is functionally rendered useless due to the author's inability to write female characters. I do like her arc about how her insecurities can get the best of her in the worst times and overcoming it but I want to expand on that. I want several scenes of her being academically and physically fantastic, top of her class, winning spars and overall seeming like the perfect up and coming hero, and THEN in the Sports festival, where she's one of the last few players, that's when we see her freeze up for the first time when one of her plans goes completely out of wack. And then, later (bc I'm putting the first villain arc as the Stain arc so USJ happens after that) when they're attacked for the first time, totally unprepared, she freezes up again and is saved by Jirou. This establishes her weakness - when she's in a situation she hasn't planned for or can't control she freezes up and that gets the best of her. Her arc is then learning how to better improvise in the heat of things (possibly becoming closer friends with Midoriya due to his ability to do exactly this) which she gets to show off during the Final Exams.

Also GIVE NEJIRE MORE PLOT TIME. Her, Mirio and Amajiki are meant to be a TRIO. I want her to get just as many fight scenes and emotional scenes as the other two, and let her be an inspiration to some of her younger classmates as well who also may have less conventionally strong Quirks, like Uraraka or Hagakure!!

Speaking of which: let Ochako be overpowered god damn it. Gravity manipulation is ALWAYS op (just look at Chuuya from BSD) and yet Ochako's never allowed to be just as powerful as she really should be. She has the potential to be one of the strongest characters in the series - she could basically neutralize as many hits or weapons as she could touch, could crush people into the ground with gravity, make herself or other people faster by making their feet lighter, or any other number of things but we never get to SEE IT!!

Also Ochako's foil is now Twice and Hawks kills Toga instead. I love both of them but Twice is unquestionably the more interesting character between the two from a narrative stand point and makes a very good foil to Ochako.

Hawks should have been used as a scapegoat for the Commission. From the beginning we've seen how he was basically brainwashed and conditioned to see everything they did as right; yet even when given chances to go against them that people in situations like his did take he continued looking up to them and supporting their actions. Like maybe after Dabi released the video of him killing Twice; the Commission uses him as a way to be like "hey, see!! We're the good guys!! He's the bad one so he's gone now!" Hawks killed for them and believed in them till his end and his reward would be either dead or as good as, a scapegoat for a mission they gave him. A tragedy of his own making, because he had chances to step away from them but chose not to. It would also be used to show how while the Meta Liberation Front aren't the good guys... well, neither are the HPSC. Like, at all.

Nana Shimura was a vigilante not a legal hero

And I've reached post character limit. Damn

[piglet26]

Reylo Scenes: TFA

The day after the Force Awakens Ren and Rey were christened Reylo. I always laugh when Lucasfilm and JJ Adams tried to keep this pairing neutral and "suggestive" like seriously. The seeds were laid in the first film for FinnRey and Reylo, but really Reylo was always going to reign supreme not only because of the chemistry between Daisy Ridley and Adam Driver but the writing, art direction, acting and even costuming leaned Reylo heavily.

Reylo are introduced as Ying Yang right off the bat. Ren arriving in Jakku by night in black with a black mask. Rey meet on Jakku by day in white with a white mask.

The first time Ren hears about Rey or "the girl" he reaches out towards the camera and Rey reaches back towards him.

It's stated that Ren and Rey had similar visions of one another without understanding who the other was. In Rey's lightsaber vision she sees Ren very clearly setting up that he, bringing him back to the light, is her future.

On Takodana, it's canon that the production team wanted Ren's arrival to be like a prince arriving at a castle to meet a princess. "In this scene she is drawn to this place almost like Cinderella." FYI Ben Solo is an actual Prince. You know the twisted Star Wars version.

Then there is their first scene in Takodana. In the novelization this moment is more intense than the already intense movie scene. Kylo Ren recognizes that this is the girl that created a ripple in the force. He's fascinated with her. The standby stormtroopers actually are noted to having a reaction to his odd interaction with her. Despite the fact that he probably could've taken the information from her then, he bridal carries her out.

Having circled her, he moved even close peering into her face, her eyes

"It is you," he murmured.

The interrogation scene - the moment the Reylo fandom was born. Does it bother me that she's strapped to a BDSM stand? No. It's actually very clear that she's a peer. He doesn't approach her like he did with Poe Dameron. He's kneeling down as he observes her. She's a powerful force user and he does respect her on that level. He also does want her to be comfortable hence taking his mask off and girl....

I know you were not expecting this fine ass man to be behind that mask.

Believe me, I would've had all kinds of images in my head he would've picked up on.

He also checks her out physically. He's focused on the information he needs but overall he is attracted to her and very interested.

Rey surprised him but not being the simply girl she was in the forest. She is actually powerful in the force "untrained but stronger than she knows."

"Don't be afraid. I feel it"

Reylos "Feel what exactly. The minds want to know."

It's also canon in this scene that their force bond starts in this moment. She actually learns how to get in his brain from him getting into here's.

Force bonds between masters and apprentices aren't new. It used for defense/offence and it makes it so skills are easy to translate to apprentices.

Now their fight scene which was filled with sexual tension that everyone noted. It's still complex. Rey's instinct is to defend herself and Finn. She also just saw him murder someone. Ren is fleshing her out and testing her. It's like sparring. Where it's get's interesting is when they spiritually connect.

Daisy Ridley "Finding the force together"

Ren "You need a teacher. I can show you the ways of the force"

Many people read the moment as Rey finding the force on her own but it's actually the both of the moving through the force together. Kylo Ren actually finds a powerful ally/kinship with her and reaches out for that connection. Considering he rejects most of his connections this is actually a big deal. Is looking for a girlfriend? No, but he is looking for somebody.

Rey has such a conflicted view of him and an off kilter one.

Rey beating Ren is stupid. Even if he is injured, emotional damaged and surprised. It's stupid. It should've been a draw.

His stunned "Just Marry Me" face is also really great.

It's a great start and a unique relationship especially in the Star Wars universe. It's ridiculous that adults who grew up on Han/Leia find romance something purely feminine now and so unlike Star Wars hahaha either way Reylos stay winning.