#and each other for comfort

[theskeletoninthegarden]

Sorry about the theater of emotions going on my face from across the room. I'm trying to resolve an argument that I made up between two fictional characters.

[swan2swan]

Whoever conceived and animated this moment, I hope they're doing well and thriving. This is S-rank romance stuff here.

[cheriafreya]

Ratio and Aventurine before Rota Fortunae's events

[cronchy-baguette]

When all this is over, will you stay with me? For good?

[artsymeeshee]

random doodles of the best boys of the sea 🌊

(Do NOT tag as ship please :T)

[cirrocula]

my rendition of the steven panel

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[redeemed-wren]

Thinking about. Stanley Pines. Once summer, not long after Weirdmaggedon. Sitting in his seat, staring at the tv but realising slowly he's not really watching TV, he's listening.

Listening to Soos, taking a tour group around the Shack, his voice confident and happy, eagerly telling tourists all kinds of tall tales. Soos, with his young son strapped to his chest, held close and dear to his heart, always knowing he is loved and wanted by his father.

Listening to Wendy and Melody, laughter turning to deeper conversations in the gift shop as Wendy pours out her latest dating drama and Melody listens sympathetically--not quite a mother, but an older sister figure is all Wendy wants at the moment.

Listening to a distant boom coming from the basement, a cause for some concern that fades quickly as three peals of laughter follow soon after. One deep and familiar, as comforting and close as the sound of a ship's motor and the open sea. One young and high, cracking with adolescent awkwardness. One loud and cackling, a hint of madness never quite leaving it but more settled than it used to be. And Stan figures it's probably time to send someone down to drag Ford, Dipper and McGucket upstairs before they forget what light is and get too nerdy.

Besides it's nearly dinner time, and he's listening to Mabel's steady, unrelenting chatter in the kitchen, punctuated by a few grunts of acknowledgment from Abuelita as they prepare a meal.

And Stan feels a strange, unusual sensation wash over him, something he hasn't felt for over half a lifetime, by a boat on a beach. A sensation of contentment, of security, of peace. And he realises that if he stood up and walked into any one of the rooms in the Shack he would be greeted with smiles and faces lighting up to see him and cheerful cries of his name.

And he looks down at the darned pig sleeping beside his chair and things, with oddly misty eyes, that he spent thirty years trying to find his brother again. And he succeeded--but somehow, he got more than that. He had formed around him, without even realising it, a family.

[narliee]

i just wanted to be alone with you.

[hairmetal666]

It's Wayne that goes with him when he buys the truck. He offers to go with him. Uses one of his few days off to do it.

On the way there, it strikes Steve that his own father would never do this with him. The man hadn't even bought the Beemer himself, just sent an assistant to take care of it. And here Wayne is, driving them to a used car dealership, humming along to some old country-western song on the radio.

It takes three dealerships for them to find it, but Wayne is patient, stoic, takes careful note of the cars that catch Steve's interest. He asks the salesman if he can pop the hood, peers at the engine, kicks the tires. He asks questions Steve would never think of, about adjustments to the odometer, history of repairs, if it was in any accidents.

Steve never considered wanting a truck, doesn't think it's his style. But he's walking the lot at the third dealership, and he sees it. It's a Chevy, blue and white, a few years old. It's in good condition, but was obviously used for work.

He walks towards it.

"You like this one?" Wayne asks. If he's surprised, he doesn't show it.

"Yeah, it's--yeah," Steve nods.

Wayne does his checks, asks his questions, gives a nod of approval.

It's the first car he takes on a test drive.

He barely has it on the road before he knows it's the one. It surprises him. He always thought he was his true self in the BMW, but now--the engine has a throaty grumble to it, can feel it rumbling through his foot on the pedal, and it's--it's--perfect.

"This it?" Wayne asks as they pull back into the lot.

"Yeah, yes. It's. Yeah."

"Well, let's get to hagglin."

Wayne is, of course, an expert haggler. By the end of it, he's got a couple thousand dollars knocked off the asking price, Steve more than within budget.

They drive back to Wayne's little house on the outskirts of Hawkins, the one the government gave him, the sun just disappearing behind the horizon.

Eddie stands on the small porch, wide smile on his face.

"Wow, Wayne," he says. He wraps an arm around his uncle's shoulders. "You really did a number on him."

"It's a solid vehicle, Ed."

"Never took you for a truck man, Harrington," Eddie teases.

"Can't you see how gorgeous she is?"

Eddie raises an eyebrow, his smile not faltering. "Wow, it's true love then."

"Looks like it. Wanna come for a ride?"

There's only a second where Eddie hesitates, but then he's running inside to grab shoes, tripping on his way to the truck.

---

It happened like this:

Eddie Munson died in the Upside Down in 1986.

He's reanimated by Vecna for the final battle, a puppet to do his master's bidding.

When they win, when Vecna is dead in a pile of dessicated vines, they can't find Eddie. Scour the Upside Down for him and come up empty. They have to assume he's dead, like everything else there, kept alive only by Vecna's power. None of them want to leave without him, but the world is destabilized, they can't stay, El has to close the gates.

That night, Steve pulls the battle vest from under his bed, sobs into the blood-soaked denim, the grief from the loss just as fresh as March of '86.

He and the kids, they go visit Wayne. It becomes a regular thing.

Two weeks after the end of Vecna, Wayne calls him. He's panicked, near hysterical, nothing like the man Steve's come to know.

He goes, fast as he can, to Wayne's house. All the lights are off, the front door ajar, and he runs, clattering into the living room.

Wayne is in the recliner, face pale and strained, and on the couch--on the couch--

Eddie Munson.

His hair's lank, his skin sallow, the light in his eyes dim, but it's him. Unquestionably.

Steve does the only thing he can think of, calls Hopper. He shows up a little while later with El and Will.

"I called Owens," Hopper says.

"Why would you do that?" Steve is angry.

"Look, kid, I get it. But none of us are equipped to deal with this."

He's right, so they wait.

It doesn't take the doctor, El, and Will long to figure that Eddie is Eddie, even though his heart beats a little slow and his skin's always cold and his blood is slightly the wrong color. He's still at least 75% human, and that's enough.

Only those six people know. It's dangerous to tell anyone else when the world still thinks Eddie Munson is a serial murderer. Owens asks for time to clear his name, and they have no choice but to agree.

After two days, Steve thinks he should give Eddie and Wayne space, but as he rises to go, Eddie's hand grips his wrist. "Stay?" He asks. Steve doesn't leave.

It's hard, keeping the secret from the rest of the kids, Robin. He wants to tell her, more than anything. About how they share a bed most nights, how he's memorizing the shape of Eddie's body in a way he shouldn't, how the gentle desire turns to profound longing--but Eddie's safety is the most important thing, so Steve keeps it to himself.

---

They go out in Steve's truck almost every night, always on backroads. It's the only way Eddie can leave the house.

It's Steve's favorite thing, the only time Eddie seems truly happy. They roll the windows down, turn the music up, and whip around deserted farm roads. Sometimes, Eddie will stick his head out the window, shout out into the night.

Steve is in love with him.

He has no idea if Eddie feels the same, figures it doesn't matter. He'll harbor this flame for the rest of his life without complaint because Eddie is alive.

He thinks he's done a good job at hiding his feelings, thinks he's able to avert his gaze, hide his blush, when Eddie comes out of his room in only his boxers, thinks Eddie hasn't noticed how Steve's eyes linger when they share joints lying in the bed of the truck.

Except tonight--tonight--they're driving back home, and Eddie, he's been quiet, distant, fidgety, and now he reaches out to turn down the radio, which has Steve's stomach in a knot.

"You--Steve, you've been so great. To me and Wayne, and--you're family, you know? To us, you're--but--"

And Steve thinks this is it, that Eddie noticed, that he's being let down easy, and he wants to throw up, cry, but Eddie's still talking.

"You have a life to live, right? You're--you're 23 and you're not stuck here like me, and I know Robin is ready to go and the kids are--they're going to college soon, and you shouldn't stay here for me, I'm--"

"What?" Steve says.

"What?" Eddie echoes.

"I don't want to leave," Steve says.

"But--"

"Where you are is where I want to be."

"I'm in love with you," Eddie says. Cover his face with his hands.

Steve pulls the truck to the shoulder. His hands are shaking.

"You love me?"

"I'm sorry." His apology is muffled. "I didn't mean--I know this fucks up--"

"Eddie." He says, soft. "Look at me?"

One deep brown eye peers up at him. "Eddie, I--I'm hopelessly in love with you."

Both eyes now, mouth a bright curve. "You mean it, Harrington?"

"Fuck, can't get enough of you, Munson."

"You know, if I thought for a second anything like was possible, I would've--fuck, I would've made a move ages ago. I would've--"

"Shut-up," he whispers against Eddie's mouth. "Kiss me."

---

And later, Robin will ask if he has someone, and he'll say yes, and she'll ask, soft, "is it him?" and he'll nod, and they'll both cry.

Later, a news report, Eddie Munson's body was recovered from the bottom of Sattler Quarry, bearing the same wounds as Vecna's other victims.

Later, Chief Powell will hold a press conference, say they're looking for a man named Henry Creel, wanted on suspicion of killing his mother and sister and the aggravated assault of his father with an MO that matches the 1986 killing spree.

Later, Steve will shave Eddie's head, Eddie crying softly as the hair tumbles to the bathroom floor. Steve will kiss the tears away, one by one, say, "I know it's hard to let go. But we'll move away, to a place where people say 'you look like that guy, that Eddie Munson,' and you'll say, 'I get that a lot,' and your hair will grow back, if you want it to."

Later, they'll invite everyone to Wayne's , everyone except Dustin, busy in Boston with an internship, and Eddie will be there to welcome them.

Later, he and Eddie will take the truck, drive up to Boston. And Eddie, he'll spy Dustin first, walks up to him and says, "Pretty metal tattoos, little dude," and they'll all cry until Dustin stops to yell at them for keeping the secret.

Later, Steve and Eddie will leave MIT--Dustin screeching that they have to call him every night promptly at 8pm still ringing in their ears-- in search of their future.

[noodles-and-tea]

For the twins in time AU, I genuinely wonder what kind of people the young twins grow up into because of Stan’s/Ford’s influence. Especially if it takes years for the portal to get fixed.

(Sorry if it seems like I already sent this question, I don’t know if it got sent the first time I asked)

I haven’t fully fleshed out how Ford grows up in the past but I do have thoughts on Stan presently

[akiiame-blog]

was in the mood to draw some desperate brotherly comfort

[magicicephoenix]

</Gives Moon & Sun plushies of themselves>

Enjoy!

they traded :)

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[poorly-drawn-mdzs]

Cite your sources.

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