#and didn't really care

[codenamesazanka]

Maybe a hot take I dunno, but I feel like the way Deku handled Shigaraki could've been "justified" or at least a bit easier to accept if Shigaraki had actually killed Bakugou during the final fight.

That, or if Deku only found out Bakugo survived during the epilogue so he could have a moment of self reflection about giving up on saving Shigaraki because he thought someone he cared about got hurt.

Hm. On an emotional and story level, I get it! At first thought, it makes sense - Bakugou on the Heroes' side gets killed by Shigaraki, so narrative karma means Shigaraki has to die too. Would definitely help 'explain' Deku's cold attitude (tho I argue he was already pretty cold before).

But thinking about it more, I feel like it still wouldn't have worked? Shigaraki had already killed a bunch of other heroes and caused lots of destruction - so singling Bakugou out as the justification/last straw for Deku, him essentially killing Shigaraki as revenge for Bakugou, feels unfitting of him as a Hero - too personal, not him acting as impartial law enforcer. I know readers cared much more for Bakugou than Crust, but for the story, this different valuation of lives would look bad. imo.

Plus, Bakugou was truly dead. Shigaraki did kill him! It just didn't stick because of the greatest and weirdest asspull of story history, but that already happened. Bakugou was mangled and Deku did get really mad at that—for two seconds until Mirio spoke to him and Deku calmed down in order to ask about whether Shigaraki was still inside ShigAFO - to focus on his goal of saving Shigaraki.

Bakugou died, and Deku made the decision to still "not ignore the crying child". Which is a point towards him for sticking to wanting save Shigaraki despite this new evil thing Shigaraki has done! (But I guess it's just that his 'save' has always been reliant on his sympathy for a ghost child? Whose name he didn't know, so he had to have called Shigaraki 'Shigaraki', and I guess that made it seem like he wanted to save all of Shigaraki; but even at the moment, it was clear that Deku was focused on The Crying Child, given the visuals and Mirio speaking of Tenko's outburst.)

So while I get what you're going for, whether your first possibility or the second, it still does damage to the story of Deku being a Hero.

[thefirstanomally]

In the opposite direction: One time I accidentally stole a cheese stick bc my card declined while I was getting a drink at the register and I forgot it was in my hand. So I just ate it and didn't really think about it except that it was a nice consolation prize for not being able to get my coffee.

Tfw you are at taco bell and you grab the wrong size lid for your drink and you dont want to throw it away bc that's wasteful and just adds more plastic into the worlds landfills but you can't put it back bc you dont want to spread germs and how would you feel if someone did that to you plus no one is vaccinated any more so who knows you might end up killing some small child, but throwing the lid away is basically on par with killing thousands as you do nothing to fight global warming, I mean what are you doing in taco bell anyways? Dont you care about the environment? Dont you care about your own health? You should be drinking water from a glass that was washed with earth friendly soap. Why can't our government get anything right ever? It's all money and power! Corrupt money and power! Money should be abolished. We should have global communism! Would that mean no more taco bell tho?

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[mourn-and-watch]

ekko describing jinx from his timeline to powder as someone who's just different but whose ideas change the world. jayce saying to machine herald!viktor that his imperfections are a part of everything that made him so admirable. powder getting mesmerized when she sees different timeline!ekko before he leaves. jayce building his whole life around the idea he got from different timeline!viktor when he saved him. love does transcend reality after all

[ryllen]

[ x ]

[booigi-boi]

Ooh, Teddy bear 🧸🐐💛

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[nelkcats]

Strange courtship gifts

The last thing anyone would expect is for the Joker to believe in the supernatural, but apparently Gotham was in luck, because the clown was about to make a deal with the King of all ghosts to revive his prized foe.

Said King was not happy about the request, nor did he care about the clown's feelings, but he knew it was a necessary evil. Or at least, that's what Clockwork told him; of course, Danny didn't intend to do anything for free.

The Joker got his wish, Bruce came back from the dead and Danny wondered what he should do with the clown's soul. With a shrug he decided to put it to the best possible use and wrapped it in a little bow before handing it over to Jason Todd.

Jason thought it was a joke, a cute guy giving him a gift out of nowhere and claiming that the frozen ball in his hand was the Joker's soul? Yeah, right.

However, John Constantine came through Gotham and it became obvious that it wasn't a joke and that the cute guy was more than just a regular guy. It also came with the feature that Bruce returned to the living, which made him strangely relieved.

And fuck, reckless or not, Jason needed to find the guy again and steal the air out of his lungs, because that weird ball was the best gift he'd ever been given in his life and it might as well be an engagement ring.

[bietrofastimoff23]

criston with aegon:

unlike your father, i will always be on your side.

unlike your grandfather, i will always defend your honor.

unlike your mother, i will not spare your enemies.

unlike your brother, i really care about you.

the only person who sincerely supported aegon, treated him with respect, glorified his name with conquests of castles and was eager to avenge jaehaerys. and how determined he was to get to the fallen aegon at any cost, even though he could barely stand on his own feet ?? criston, you're not just the dad that stepped up, you're EVERYTHING.

[uncanny-tranny]

Basically, my philosophy around disability fakers is: I would rather a thousand people fake a disability than have one disabled person suffer without care, aids, compassion, or any help.

[gracefireheart]

A few sketches of these guys :]

[deadsetobsessions]

Your name is Tim Drake and you are nine years old.

Today, tomorrow, and soon, you're going to save Robin.

----

Tim stares at his reflection on the sink tap. It trembles, along with the plane, as he contemplates his situation.

His face is rounder, now, with unfamiliar baby-fat rounding out the sharp lines he'd come to expect. Even with the subpar reflection, Tim can tell that his dark eyebags are all but gone, replaced with youthful skin.

Magic. He's being quite literal, seeing as he's been tossed into the body of his younger self at the hands of a crazed magician.

He could find a way back... or he could create a completely different timeline by fixing everything that went wrong. It's not like he has anything to go back to, anyways. That crazed magician was actually competent and killed everyone he ever cared about. Tim barely got away with his life. He could go back to save that shell of a world- surrounded by people whose minds were broken beyond magical and medical repair- or stay here, fix his own personal troubles and cut off the magician before he could start with his world domination bullshit.

Well, Tim already has an idea of what he wants. So he begins a list, after having oriented himself.

Save Robin

There's no point trying to convince Bruce that he knows where Jason's being held. So, Tim finds himself on a plane to Ethiopia a day before Jason's meant to die. This was long before Barbara even thought of being Oracle, and the tech is ancient in his hands. In short order, nine year old Tim has a trust fund with millions in it, all siphoned from billionaires like Lex Luthor and his own parents.

Tim toddles back to his seat, after washing his hands because he still can't shake the extra bit of paranoia that came with a missing spleen. Oh. Tim blinks guilelessly at his seat neighbor, smiling like Timothy Drake, Angel of a Son as he reels from the realization that he still has his spleen.

Tim adds another box to his list:

Keep Ra's away from my spleen, creepy bastard.

What else...? Ah, the League of Assassins.

Damian

Tim pauses. Holy crap. Damian's only six right now. Tim moves Damian's box upwards in urgency. Tim might have a mildly antagonistic relationship with his younger brother back then, but he wants baby pictures of his siblings, dammit. He's gonna put that photography expertise to good use if it's the last thing he does.

Watch over Z, Owens, Pru

'They're alive!' His mind screams. Cold rationality slaps the sentimentality down with a quick 'But they won't be if I fail.'

His mind wanders to Dick Grayson. He scowls as something pops up in the back of his head.

Catalina Flores

Contact Nightwing- in space

He's gotta call Dick back from that Teen Titans mission, Jason's gonna need all of the support he's going to get.

Find Cass

Train Steph

Save Duke's family from Venom

Tim taps at that last point. He'll save them. But that might mean Duke might never join their family.

But he'll be happy and Tim... will deal with it. He'll be the only one mourning, anyways. To end on a lighter note, he adds something that he should have done ages ago.

Give Tam a raise.

Tim sighs as he gets out of the airport, the hired escort he found and vetted, delivering him to a predetermined hotel. They think his parents are already inside. He laughs and does not say anything to make them think otherwise. He has so many things to do, Tim laments as he settles down to track the Joker's movements. Here. That's where Jason's being held. Being tortured.

He can, however, knock two things off his list in one go. Tim picks up the burner phone he acquired. He doesn't have time, or else he would have done this sooner and saved them all the trouble.

[RR: Are you in Ethiopia yet?]

[Deathstroke: Payment confirmed. In Ethiopia.]

[RR: Third building by the docks.]

An hour.

[Deathstroke: Confirmed. Target spotted.]

Ten minutes.

[Deathstroke: Target eliminated. Bringing Robin to Safehouse.]

Twenty minutes.

[Deathstroke: Basic first aid applied. Leaving.]

[RR: Secondary payment sent. Confirm?]

[Deathstroke: Confirmed. Pleasure doing business with you.]

Tim sprawls on the king bed. He sighs a breath of relief. He'd check on Jason in person, if he weren't paranoid about leaving traces that would get back to him. Tim's pretty sure that Deathstroke's going to get hunted down in the near future, regardless, so he made sure to add a huge tip on top of the extra fees for burning one of Deathstroke's safe houses and the emergency first aid. He taps into the rudimentary camera Deathstroke had given him the access codes to, to stare at Jason's rising and falling chest. On a further table, the Joker's head laid in a preservation box.

He bypasses all of the security on the Teen Titan's tech to send Dick a message.

[Robin has been retrieved from the Joker. Contact Batman for details.]

Then, he sends Bruce the location of the safe house. Tim spends the rest of the day staring at Jason and watching his father in another timeline break as he huddles close to the broken body of Tim's Robin.

Timothy Drake destroys the burner phone.

[ineffably-human]

So here's my problem.

And it's not about Nandermo, not exactly anyway. Because I didn't expect Nandermo to become textual until the very end, if at all. The show kept making it clear that they liked their ambiguity to keep the relationship on the razor's edge, and Paul Simms made it clearer and clearer that for some reason (put a pin in this) he just couldn't see their connection as a sexual one.

But I frankly don't care about that, because if anything is canon in this show it's that the vampires will eventually fuck everything, and Nandor canonically fucks his other friends. More importantly, their connection was always the emotional core of both characters. And Paul always did say he saw their relationship as a romance, if a strange and non-sexual one.

So I figured we'd maybe get Nandor confessing that Guillermo meant a lot to him (and immediately walking it back a little), or Guillermo confessing how lost he feels without his vampire dream and Nandor offering him a place. Maybe an ambiguous, could-just-be-queerplatonic-partners 'I love you'. Maybe just the hug they kept teasing for three or four seasons and never got. We got like...half of two of those, in episode 10, so I guess that's a wobbly semi-fulfilled thing by my definition of it.

But it's not the Nandermo of it all. It's the Guillermo of it all. And how this final episode seemed to almost mock Guillermo's place at the emotional core of the show.

And the Guillermo of it all is why we never got the Nandermo of it all.

Shadows has vampires doing absurd-ass things, but every character also has things they want and feel, and there are various amounts of emotional ink spilled about it. The show has found space, sometimes very poignant space, to take that seriously in between the piss and sex jokes. The vampires change very slowly and in spirals, they repeat a lot of their old issues that stem back even to their mortal lives. But they always try.

And things do change in the vampire house; that is not the same household from the first season. Every single character, right down to the Baron and the Guide and Derek, are in different and better places than they were before the show began. They've made progress in their individual desires, and a lot of that is due to the improved connections they have with each other, connections we've watched them foster. A lot of the time it's because they're talked about as a found family, something Guillermo started and Guillermo believed before any of the rest of them did.

---

So where is Guillermo this season? Our human point of view, our dynamic character, the character who has a dream and wants something more than any of the others? Whose dream drives the storyline of the entire show?

Guillermo has chosen to be human, and he thinks he can't be part of the household if he's not a vampire. We watch Guillermo try to throw himself back into the human world trying to make up for lost time - to the point that he forgets the person he called his best friend, the people he called his family, in a way I think we never fully resolve. He thinks he's thriving, and he doesn't even seem upset about leaving the others behind.

We watch him revert (and that's fine, people revert sometimes) to the same waiting lapdog he was when we started the series. We watch him realize that and he says no. Nandor stands up for him, and feels better and more fulfilled in doing so, and that's a great capstone for Nandor and Nandor's own tendency for selfishness. And that's excellent. Episode 10 was a great start for all the ground they had to cover.

Nandor offers for Guillermo to be his partner in crime. His sidekick, but Guillermo expressed that desire back in season one so it's not an insult inherently. But here's the problem. Here's the part of Guillermo that has frankly always been a problem, because I thought it's something the show was eventually going to cover respectfully, and instead it was always part of the joke.

---

Guillermo is someone who made a decision sixteen years ago as part of a very young man's desire, to be respected and have cool powers, to live forever, to see the world. (He somehow thought being a vampire, and only a vampire, could get him those things but that's a rant for another time.)

That young man has grown up. He's in his mid-thirties, he has a body count. We've watched him at various times be empathetic, clever, cunning, and brave. Also extremely sexy in bodyguard gear. (And for some reason, the show keeps wanting us to forget that for a season he was extremely competent and badass and sexy pretty much all the time, and he seemed thrilled to be in that role, and he didn't even care about being a vampire if he could protect Nandor in that way and be regarded as 'part of the team'.)

Then Nandor dresses him in a stupid cowboy costume, and gives him a sidekick name ending in 'Kid', which he seems less than thrilled about. They all still talk about him the entire episode as if he's a disobedient child. The vampires speculate if Guillermo is having a fling with the crew, but no - Guillermo's had one boyfriend, who we saw him hug once and nothing more. Despite living in a house for fifteen years that is openly raunchy and shameless, he seems like a character designed to be both desexed and humiliated, and they never expand on the reason why.

(And if Guillermo were ace it'd be amazing, hell it's my headcanon at this point, but I don't think that's what they're going for. I think the show just desexualizes Guilermo. As a matter of praxis. For some reason.)

And the show has done this more and more to Guillermo in the later seasons. Nandor says he could steal original!Freddie easily from Guillermo if he wanted to. The vampires laugh at the thought of him being a vampire - "a little bat pooping everywhere," and Guillermo's time as a vampire has him basically feeling no different in his sexuality or, after a very brief moment, his confidence. Even Nandor's big climactic moment in Episode 10 has him saying that just because Guillermo isn't as cool or hot or interesting or strong as Jordan (or Nandor) doesn't mean Guillermo deserves to be treated poorly.

Look, I don't know if it's because Harvey Guillen is babyfaced, or because he's fat, or because he carries a different energy to his masculinity. Or because it's great to talk about gay sex and being horny, but writing a gay relationship is just too hard. Or some fun combination of all those things.

But I keep thinking about everyone freaking out when Nandor swooped into the collapsed floorboards to save Guillermo in season 4, and everyone freaked out and swooned. And Paul Simms expressed that as "[Nandor] has to save his little buddy."

Guillermo is a grown-ass man, with a desire to feel powerful and special and accepted, who Nandor sees as his little buddy. (Who everyone in the house sees as their little buddy, and it's nice he's part of the family, but...) After every emotional beat that makes them seem like equals with a special connection, he reverts to the less-cool sidekick who makes Nandor feel special and important. And Guillermo's prior devotion to Nandor - not to vampirism, not to a job or promotion, to Nandor - changes to other things, but Nandor never figures out why that hurts him so much. And for some reason the deepest bond of the series just isn't sexual, the showrunner just can't see it that way, in a house where everyone's fucking but not you Guillermo.

We're at the end of the story, and that's our punchline.

---

And we don't end on one of the points where Guillermo is asserting himself as someone who deserves to be taken seriously, and given the things he wants - and the show has had plenty of those moments, all of which seem to be building and evolving his relationships over the years.

We end on Guillermo being told that suddenly, the documentary is packing up without any fanfare or clarity on what they were looking for in the first place. We get Guillermo stumbling for clarity on what it all meant, what the point was for him and what his life is going to be now. We're told over and over again the documentary (and Guillermo, and the viewers) needs a satisfying capstone, needs emotional closure.

And the vampires tell him to shut up. And they tell him this has all happened before, and none of it is special to them. ("No human is special," Nandor said several episodes ago, and never went back on it.) And they tell him to do a little dance for their amusement, and Colin recites some pithy lines. And every attempt to take a moment to care about Guillermo's journey, or the core of his character and what he needs, is turned into a joke for him and for us.

Guillermo's looking for a point to it all, for some kind of fulfillment, and there wasn't one. And everyone is satisfied in that but him. And even if there were times Guillermo got the chance to be respected, to have cool powers (which he kept, but the vampires keep forgetting them), to live forever (he will die and leave Nandor someday!), to see the world - none of these things are going to come to him now.

It would make absolute, complete, and devastating sense for Guillermo to feel he's outgrown them and to leave. Nandor doesn't even seem upset enough to try and stop him. We never really get a clear reason about why he decides to stay.

I mean, it's for friendship or something, with a line about how they can still be close but he needs 'his own thing'. But in six seasons, over and over and over, we've been driven back to the idea that the most emotional part of this story is Guillermo's desire to become accepted in this family, and the effect he has on Nandor. That Guillermo needs this home and he consistently makes Nandor softer, kinder, less selfish and more fulfilled when they're together.

But those parts of their relationship, the love story parts, don't matter. Guillermo is going to find 'his own thing' when it's been clear how entrenched in this world he is (right down to his DNA), but Nandor will drag him back into shenanigans anyway, probably keeping Guillermo from whatever 'his own thing' is.

And Guillermo will always be Nandor's sidekick, his little buddy, never to be taken seriously. And one day, Guillermo will die, and he'll be someone they all forget. And for some reason, he'll be just fine with that, because he belongs with them but will never really be in a better position.

And he'll be satisfied with that. For some reason. But I won't.

[eerna]

it might be my dislike for the "in every universe yadda yadda" trope speaking, but I just. don't see why Ekko had to go to an alt universe and see Powder grown up to figure out he could still share with Jinx what he'd shared with Powder. Like don't get me wrong I loved the dance and the cuteness and the pretending like it's the first time... but he already figured most of it out in s1. And it was a much better, more nuanced scene - of course seeing a physical reminder that she is Powder with the capacity to love him would change his mind, but it's much more powerful when it's shown through their shared memories and behaviors. The coexistence of gentleness and violence in the bridge scene is the heart and soul of why their dynamic is so interesting. She will play their childhood game, she will look at him softly, and then try to blow them both up. We could have had an episode that continues that story, that shows us how they would find their way back to each other now that the main obstacle, Silco, is removed... But instead, Ekko went through it with a separate person, while Jinx went through it offscreen, and nothing more was ever said about it. Man. I am sad.

[chronicowboy]

we as a collective do Not talk about this line delivery nearly enough and for good fucking reason, i'll kill bradley james for this one line alone. he's just a little boy :'((