#and darcy even more so

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[anghraine]

Speaking of the social context of P&P and Austen in general, and also just literature of that era, I'm always interested in how things like precisely formulated hierarchies of precedence and tables of ranked social classes interact with the more complex and nuanced details of class-based status and consequence on a pragmatic day-to-day level. I remembered reading a social historian discussing the pragmatics of class wrt eighteenth-century English life many years ago and finally tracked down the source:

"In spite of the number of people who got their living from manufacture or trade, fundamentally it was a society in which the ownership of land alone conveyed social prestige and full political rights. ... The apex of this society was the nobility. In the eyes of the Law only members of the House of Lords, the peerage in the strictest use of the word, were a class apart, enjoying special privileges and composing one of the estates of the realm. Their families were commoners: even the eldest sons of peers could sit in the House of Commons. It was therefore in the social rather than in the legal sense of the word that English society was a class society. Before the law all English people except the peers were in theory equal. Legal concept and social practice were, however, very different. When men spoke of the nobility, they meant the sons and daughters, the brothers and sisters, the uncles and aunts and cousins of the peers. They were an extremely influential and wealthy group.

"The peers and their near relations almost monopolized high political office. From these great families came the wealthiest Church dignitaries, the higher ranks in the army and navy. Many of them found a career in law; some even did not disdain the money to be made in trade. What gave this class its particular importance in the political life of the day was the way in which it was organized on a basis of family and connection ... in eighteenth-century politics men rarely acted as isolated individuals. A man came into Parliament supported by his friends and relations who expected, in return for this support, that he would further their interests to the extent of his parliamentary influence.

"Next in both political and social importance came the gentry. Again it is not easy to define exactly who were covered by this term. The Law knew nothing of gentle birth but Society recognized it. Like the nobility this group too was as a class closely connected with land. Indeed, the border line between the two classes is at times almost impossible to define ... Often these men are described as the squirearchy, this term being used to cover the major landowning families in every county who were not connected by birth with the aristocracy. Between them and the local nobility there was often considerable jealousy. The country gentleman considered himself well qualified to manage the affairs of his county without aristocratic interference.

"...The next great layer in society is perhaps best described the contemporary term 'the Middling Sort'. As with all eighteenth-century groups it is difficult to draw a clear line of demarcation between them and their social superiors and inferiors. No economic line is possible, for a man with no pretensions to gentility might well be more prosperous than many a small squire. There was even on the fringe between the two classes some overlapping of activities ... The ambitious upstart who bought an estate and spent his income as a gentleman, might be either cold-shouldered by his better-born neighbours or treated by them with a certain contemptuous politeness. If however his daughters were presentable and well dowered, and if his sons received the education considered suitable for gentlemen, the next generation would see the obliteration of whatever distinction still remained. The solid mass of the middling sort had however no such aspirations, or considered them beyond their reach.

"...This term [the poor] was widely used to designate the great mass of the manual workers. Within their ranks differences of income and of outlook were as varied as those that characterized the middle class. Once again the line of demarcation is hard to draw..."

—Dorothy Marshall, Eighteenth Century England (29-34)

(There's plenty more interesting information in the full chapter, especially regarding "the poor," and the chapter itself is contracted from a lengthier version published earlier.)

[stopper-my-heart]

Nothing like Heartstopper S2E8 removing some of Taylor Swift's "seven" lyrics just so that the singing can specifically come back in at "Or hide in the closet" while Isaac is processing difficult emotions related to the book he's reading (i.e., Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen).

Did I mention "Or hide in the closet" hits just as the camera focus finishes shifting away from Isaac?

This is fine

[lazyveran]

currently stewing an azula/katara political marriage au in the brain solely bc ik azula wld act a fool the whole time

[darlenicy]

my bb girl i love her so much also why is her design so pretty?? Why does she have such long silky hair it's unnatural how beautiful this witch is 😭😭😭😭🥹🥹🥹🥹🥹

[true-bluesargent]

literally kicking my feet and giggling over pride and prejudice like i am from the 1800s

[aroaessidhe]

2023 reads / storygraph

Sheiné łénde

prequel to Elatsoe, following her grandmother as a teen in the 1970s

after a devastating flood and loss of family members & their traditional home, she works with her mother & their ghost dogs, tracking down missing people

when a local boy goes missing - and her mother, when trying to find him - strange fairy rings (not the usual, reliable ones used for transport) might be to blame, and she and her friends, brother, and lone (unreliable) grandfather have to try find them

friendship, family, ecology, no romance, ghost bugs :)

(title pronounciation: Sheh-ee-neh lehneh)

arc from netgalley, out 16 April 2024!

[sezja]

oh it's so fucking stupid I love it

[aintitfierce]

u ever just want to make a huge post detailing Everything even tho you're trying so hard to keep some secrets about your OC and original lore.......................

[anghraine]

It's kind of fascinating to me that towards the end of P&P, Elizabeth has become protective of Darcy and either a) actively tries to insulate him from Situations or b) wishes that she could and gets stressed that she can't.

Darcy deeply loves her and is very ready to do whatever he can to secure her happiness, but narratively, I think the emphasis at the end is very much more on Elizabeth's protectiveness towards him.

It's like:

When Bingley and Darcy first come back to Hertfordshire, Darcy is very quiet and Elizabeth can barely bring herself to say anything—until Mrs Bennet insults Darcy. Then Elizabeth speaks up.

Mrs Bennet enlists Elizabeth to separate Darcy from Bingley with another insult to Darcy. Elizabeth finds this both convenient and enraging.

That day, Elizabeth decides to privately tell Mrs Bennet about her engagement to Darcy, specifically so that Darcy will be spared Mrs Bennet's first unfiltered response.

Elizabeth fiercely defends Darcy's character and love for her, as well as hers for him, to Mr Bennet. She not only says she loves Darcy but that it upsets her to hear Mr Bennet's criticisms of him.

Elizabeth is both relieved by Mrs Bennet's ecstatic reception of the engagement and a bit disappointed by how completely shallow she's being about it, and 100% sure she made the right call in keeping Darcy away.

Elizabeth defends Darcy against Darcy himself, repeatedly.

There's a period where Elizabeth seems to unwind and laugh, but this passes, especially after Charlotte and Mr Collins show up. Darcy manages to stay calm around Mr Collins (I think this is framed as a significant and admirable achievement for him), but Elizabeth does not like him being in a situation where he has to deal with Mr Collins in the first place.

Elizabeth tries to shield Darcy from being noticed by Mrs Phillips and Mrs Bennet, who do seem to make him pretty excruciatingly uncomfortable.

Ultimately, Elizabeth ends up trying to keep Darcy to herself or to shepherd him around to relatives he can handle more easily, and is so stressed at this point that she just wants to get married and escape to Pemberley.

After their marriage, things are actually great at Pemberley and in their married life, despite the occasional complication.

Lydia writes a congratulatory letter to Elizabeth, asking for Darcy to get Wickham a promotion unless Elizabeth would rather not bring it up with him. Elizabeth really does not want Darcy to have to deal with this and handles it by privately setting aside a Lydia fund out of her personal expenses. (IIRC, it's not clear if Darcy even knows about this.)

Elizabeth also is the driving force behind Darcy's reconciliation with Lady Catherine.

This could read as an unsettling, unbalanced dynamic and a very odd ending point for the arc of a woman like Elizabeth, but in the context of the overall novel, it doesn't feel that way. Or maybe I'd see it more that way if I interpreted Darcy (and for that matter, Elizabeth) + their arcs differently? But as it is, I do think that by this point in the story they are genuinely doing the best they can, independently and for each other, and they've both come a long way. They shine in different contexts and support each other as much as they can in the circumstances that do arise.

It seems very them, in terms of their temperament and abilities, that Elizabeth would put all this effort into shielding Darcy, while at the same time, Darcy completely cuts off Lady Catherine for insulting Elizabeth and only ever speaks to her again because Elizabeth wants him to.

[homoeroticvillain]

angie had a jane austen phase when she was younger, around 12 i think, which came as a surprise for most the people that knew her. but even now you can tell she has a certain fondness for the regency period, and she continues to read a lot of romance novels

[soupdreamer]

tao x elle (explodes)

[silouvertongues]

finally finished pride and prejudice 🫡

[decidueyedreamerdetails]

I’ve been wondering something about Rayne’s world. Is it like another dimension, or a different universe entirely? I remember reading that she traveled between worlds. How does she do that?

Also a semi-related question. Do Legendaries in that world function the same as in other worlds? Like do they fulfill the same roles, or do they differ in any way?

Lastly, are Legendaries in your universe(s) immortal? I know that Rayne killed a bunch of them, but would they have died eventually anyway, or are they functionally immortal and can only die by a deliberate act? Is there a special technique you have to use? (I’m not planning on killing any of them I swear)

Sorry if that’s too many questions, I started thinking of more and more as I wrote this XD

What is Rayne’s World?

As a pre-warning I’m going to apologise for my blatant misuse of the word ‘Universe’. I know what it means, and the space and physics loving side of me hates that I’m misusing it, but I cannot think of a better term to explain it, so sorry in advance.

Okay, so to start with I’m going to explain what I consider Universes and Worlds! A Universe is a collection of Worlds (and some inbetween space, such as the Distortion World, Ultra Space, etc) and each Universe only has one Arceus and Creation Trio.

A World, however, is more comparable to the ACTUAL definition of universe - like the one we live in! The Pokémon, Pokémon Mystery Dungeon, and Poképark games would all be three separate Worlds for example! Furthermore, Pokémon Diamond and Pokémon Pearl would always take place in seperate Worlds, due to conflicting events.

Basically, if something would count as an alternate universe or alternate timeline, it’s a new World! If you’ve seen my Toyhouse, Canon Compliant and Hydra’s World (or as we’re calling it here, Rayne’s World) are both different Worlds in the same Universe, whereas Gods and Servants is another Universe entirely!

How does Rayne travel between Worlds?

Well, to answer that, I’m going to have to talk about another character entirely, as Rayne’s story does not begin with herself.

It begins with a Hisuian Decidueye, partner to the main character of Canon Compliant’s events of Pokémon Legends Arceus. This Decidueye is called Tansy, and after the events of PLA, she was frustrated that Arceus did not send her Trainer back to the present, and decided the reasonable course of action would to be to fight Arceus to show them that they were in the wrong.

This did not work, and Tansy was killed by Arceus after a hard battle. Impressed by her strength, however, they decided they could use her to help subdue rogue gods in others Worlds. Tansy was reborn as an Alolan Decidueye, and given a blessing so that she could not truly die - she would instead travel to another World when she was either killed, or subdued the rogue god in that specific World.

However, Tansy eventually stopped enacting Arceus’ will, and yet the god was not ready to lose out on her strength just yet. Tansy’s corpse had remained in Arceus’ realm, and so they decided to make an artificial soul to inhabit it and use its power. A soul that had Tansy’s skills and her blessing, but none of her personality, only a desire to make sure the gods did not step out of line and cause major problems. This being, now inhabiting inside of Tansy’s repaired body, was sent out into a random World to wake up. Initially, they did their job very well, but eventually became jaded by the amount of rogue gods they saw, and decided the obvious solution was to kill all of the gods before they turned rogue.

As I’m sure you will have guessed by now, this being was Rayne, although she is fully unaware of her origins. As far as she knows, she woke up in a field with amnesia, and has always been able to travel between Worlds either through death, or killing the ‘correct’ god.

However, after she became determined to kill every god in the World that we know as Hydra’s World, Arceus limited her blessing, and she was no longer able to travel between Worlds. Instead, she now returns to that same World, after a period of a few days to a few months.

Legendaries in Rayne’s World

Short answer to that; the Legendaries & Mythicals in Rayne’s World are actually recruited from other Worlds, and although they typically have the same powers as the others of their species, in their new World they are expected to be doing the jobs of multiple gods.

Long answer: there were eight gods who travelled to Rayne’s World (a Meloetta, Shaymin, Landorus, Tapu Fini, Hoopa, Celebi, Jirachi and a Yveltal), as well as Lilith the Darkrai, the sole known survivor, due to allying with Rayne. Furthermore, there have been three gods born (a Marshadow named Darci, a Jirachi named Goose, and a Hoopa named Currant) and a single demigod born (Sotis, Rayne’s child), making the total number of divine beings thirteen.

The Jirachi, who is called Shallot, is currently sleeping, but their job was to take the light from Luci’s corpse (a Necrozma who assisted Rayne during the mass deicide, and later betrayed her) and redistribute it. However, some of that light was already used up, leading the world to have shorter days and winters of darkness.

Shamin, Landorus, Celebi and later Goose are in charge of making sure enough plants are growing in the world for food, as winters are extremely cold and lack sunlight, easily killing the majority of plants. Additionally, Landorus is in charge of making sure storms do not become too destructive.

Tapu Fini is in charge of making sure the seas do not become too violent, as well as currently holding the objects housing the souls of Treasures of Ruin to prevent them from reincarnating - their seals did not last forever, and they eventually broke free, causing a lot of death and destruction to a world that is already very sensitive to that. The reason why she was chosen to be the holder of them is that none of them can get access to their element underwater, so they are unable to reform their bodies!

The Yveltal, Mara, and her son Sotis, are effectively performing the role of the full Aura Trio by ensuring both life and death stay in balance, rather than just death, as they normally would as Yveltals. It is their job to monitor how many have died, prevent unnatural revivals or gaining of immortality, and in the worst case scenario deliberately revive Pokémon to avoid their World from completely dying out - humanity is already extinct, as well as a few Pokémon species, and the population is very low in general.

The Hoopa, named Allium, and his daughter Currant, are in charge of obtaining any objects someone may need from another World! Furthermore, if you want to leave this World, you will need to talk to Allium and convince them to use their rings.

As an adult, Darci uses his powers to both deliver messages between the gods, as well as explore the world, both surveying the state it is in and bring anything he finds worrying up to the others, and trying to find items that may be useful! She also provides Z-Crystals, as her body naturally forms them!

Lilith, both due to not being fully trusted due to her past (although is she is trusted far more than Rayne, due to her genuinely being kind, and as far as the other gods are aware, never actually killing another god, only helping Rayne and Lilith plan) and causing nightmares as a Darkrai, does not officially have a job. However, she is often the one the other gods elect to talk to Rayne, as they are close friends.

Meloetta basically works as the overseer of both the gods, making sure no one is having any interpersonal issues (which is very common, unfortunately) and that they are both doing their job and not abusing their powers against mortals (something Rayne has made clear that she will not tolerate). Basically she’s their manager!

Overall, they are doing a LOT more work than they typically should be doing - either by covering domains related to theirs, or a much larger territory than they would usually. It is apparent that the gods are stretched thin, as their World is far less habitable than others, but fortunately the remaining Pokémon have adapted to these harsh conditions!

Legendary/Mythical Immortality

Arceus and the Creation Trio are the only ones who are truly immortal in every sense of the word, as they are less living beings and more part of the Universe itself, and need to uphold its order.

However, Mythicals and Legendaries lifespan range from long-lived to immortal to being able to revive themselves! They are all able to be killed, but how difficult a task that is depends on who you are killing, especially if you need them to stay dead.

Generally, Mythicals tend to only be long-lived, and will eventually die by natural causes, whereas Legendaries are immortal and have to be killed by outside means.

You’re correct in that some of them do need a special method to be truly killed though! Victini, due to being the Victory Pokémon, is very hard to kill in direct battle, as that is a situation where there is a winner and a loser. However, indirect confrontation, such as poisoning or natural hazards, would circumvent that issue!

Furthermore, Xerneas and Yveltal have to be killed twice to avoid them simply reviving themselves, by destroying their tree and cocoon respectively.

Most of them, however, only require you to be strong.

Thank you for asking all of these questions by the way! It’s nice to know what may need elaborated on explanation wise, and all of your questions I have genuinely thought about before!

[le-panda-chocovore]

I'm reading Heartstopper after watching the Netflix show several times (yeah I know I'm a scam for doing it in this order) and it's absolutely DELIGHTFUL !!! Now I can say that there was some unnecessary drama in the show that was added (because Netflix, obviously) yet it still respect enough the original story. And the comic is BEAUTIFUL and ADORABLE and all FLUFFY AND CUTIE AND AAAAAAAAAAAAAAAAH

I love them & I love Alice Oseman, what an amazing woman, I mean, a goddess !!

[thefabelmans2022]

"oh are you busy writing your master's thesis" no i'm writing lord of the rings fanfiction