#and certainly not in front of people

[starry-bi-sky]

mmm throwaway conversation between Dan and Danny that popped into my head that I had to write out:

"You spent ten years being a one-man mass extinction event, then went back in time and fought me, and lost." Danny snarls, arms crossed and throat tight. His mouth pulls back to bare dagger-sharp teeth, and his eyes burn with the familiar thrum of ectoplasm heating up behind his eyes. "If I didn't believe you were half of Vlad before, I do now."

His other self -- and really, can he even call him that? He's half of Vlad too. Two halves severed from each other and welded together to make a new whole, -- snaps his head over to him. Wild-eyed and furious, he looks unlike the man Danny fought before, the one unruffled and untouched, unbothered by the world around him. It's familiar, but not like the way a reflection is.

"What's that supposed to mean." The Other hisses, matching Danny's scowl one-for-one with fangs much bigger and sharper than his.

But there's a reason lions fear hyenas. Danny matches the rumble in The Other's chest with one of his own, and shoves his face close to his. "I don't lose."

[ethan-acfan]

I love writing merlin and arthur as less *servant and king* and more *two best friends who do a lot of favors for eachother* just because I feel like after spending 10 YEARS with the same guy every day, the formalities would just kinda slowly fall away and now their just two doofuses who show their love in opposite ways so it balances out

[ninkaku]

“they had something” and it’s gihun and frontman ?? im sick

[tanadrin]

Do you think that people who invent things with very destructive consequences are blinded to the downsides of it more by money or more by scientific curiosity?

I think the downsides are not always immediately obvious. Coal-fired electricity looks a lot more attractive in 1882 when there's literally only one such power plant and the global population is like 18% its present value. TNT was invented as a yellow dye, and it's so stable its usefulness as an explosive wasn't discovered until thirty years later.

We have this collective mental image, promoted by simplifications of historical narratives, that the inventor is a lone genius who through his labor produces an artifact and all its consequences in a single moment in time, and without which the thing would never be invented. Pretty much every point in that narrative is wrong. New technologies are the culmination of many different discoveries; there are enough very smart people working at the cutting edge of these fields that if one of them did not discover the principles behind these inventions, another almost certainly would sooner or later; and the exact applications of new technologies, nevermind how they will change society when those applications are utilized, often take years or decades to discover.

Now, I think there is an extent to which, as a working scientists, you can reasonably be held to account for the work you do. If you work at the Acme National Horrible Death By Chemical Weapons Laboratory, and invent a new, horrible chemical weapon, you do not get to go "oh no!" in shock when somebody dies to your horrible chemical weapon. And sometimes scientists do have a pretty good idea of how their technology will be used--the Haber Process was originally invented to manufacture fertilizers, but its application to the manufacturing of explosives was pretty clear to Fritz Haber, and he joined the German effort to develop deadlier chemical weapons pretty enthusiastically.

Men like Haber seem historically to be motivated not by intrinsic greed, but by the things which motivate us all: the desire to provide for their loved ones, the approval of their peers and the respect of their colleagues, and their status in society. The problem with respect to scientists who know damn well what they're doing isn't that everybody working at the Acme National Horrible Death By Chemical Weapons Laboratory is greedy and the job pays too much; the problem is that society, by and large, respects you and looks up to you and fetes you at public events and talks about what a patriot and a community leader you are if you do really well at inventing new, horrible chemical weapons.

[gaylittlebillionaires]

thinking about when rupert murdoch first met david cameron and didn’t like him because he was talking too enthusiastically about brokeback mountain

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[gothsuguru]

i can talk about satochoso freely now :3

[wheelie-sick]

people who know nothing about organizing: that front lines is when you're in a soup kitchen

[compacflt]

When it comes to historical research, do you research for things that DON'T exist? For example, foods that are common now but didn't exist in the average American restaurant or grocery in the '80s or '90's? Words, phrases, and entire concepts that are commonly accepted today but unheard of to the average American when Mav and Ice were at Top Gun?

Your writing is so unbelievably good.

not really because I don't care about food, I care about the literary device that is "taking communion." i.e. it doesn't matter what they eat, it only matters that they're eating together, for the plot.

And, okay, showing my little-kid bias, but was there actually stuff in grocery stores in the 80s/90s that wouldn't be there today/vice versa? brands might change, like okay Pringles might not exist but you still have potato chips; and obviously specialty stuff like what you find in your average Asian market might not be commonplace, but, like, were the 90s all that different from today, American-food-wise? its my assumption that they weren't, but I also wasn't alive in the 90s, so. Um, ectocooler Hi-C, maybe? that's the one 90s food I know.

attitudes of course are what change. today's concept of being so QUICK to publicly label sexual identities would be extremely foreign, for instance. obviously people did label their sexualities in the 80s & 90s, people were definitely calling themselves bisexual and such, but probably not the people ice & mav would be hanging out with, in the Reagan-era navy. which is what my fics are about. that's the whole point.

and, also, COMMUNICATION changes. I have never used a payphone in my whole life so I actually have no idea how they work. but they were ubiquitous "back then," and lend themselves to amazingly interesting conflict (omg I don't have enough change to call my boyfriend maverick who's mad at me!!!) which is why I lean on payphones so much in my writing. honestly, im gonna be real, the invention of the cell phone makes telling stories about miscommunication so much harder. instant-speed communication would make certain stories less interesting, which is why a lot of horror movies default to the "no cell service" trope to isolate their characters, or why some teen dramas have the characters reject cell phones on principle (Alyssa or James having a phone in 2017's "The End of the F***ing World" would solve most of their problems, which is why Alyssa smashes hers in the first five minutes and James basically says he views them as a cancer to society--if they had phones the story would be boring, so the writers took away their phones).

I also feel like people used to treat society differently "back then," i.e. Going Out was much more of a thing when there were 10 channels on TV and no one had cell phones, so you Went Out and had drinks & met strangers & interacted with general society to an extent im not sure we do anymore. So that experience is way more fun to write about in the 80s than today. (u can't see me but im seething with jealousy over ppl who were born in ~1965)

idk. im not sure I did a great job reproducing the zeitgeist of the 80s/90s in my fics, bc I wasn't there to have knowledge of what they were like. I got most of my presupposed knowledge about that time period from reading Calvin & Hobbes anthologies as a kid. oh well.

[glimblshanks]

I rewatched the season two final recently and Mariner literally like,,, slides up to Ransom while telling the bridge crew about Freeman's transfer and steals his drink and sips from it and he just takes it back like it doesn't even bother him, he doesn't seem grossed out by it at all. Is this just normal for these two? Are they really truly 'share drinks without asking' levels of comfortable with each other? It's making me insane

[teamsasukes]

listen i get where people are coming from when they say that nobody should have expected a radical overhaul of the shinobi system considering the series very squarely set up its main theme as not abandoning friends. that certainly was the setup. but i also think it would be inaccurate to say that the story as it evolved affirmed that refusing to abandon one's friends was the be-all and end-all fix for everything. i cannot emphasize this enough: it's not as though the prior generations we saw lacked devotion to their teammates. the problem was that the larger sociopolitical circumstances obstructed their ability to connect in one way or another. even naruto acknowledges at the land of iron that his and sasuke's positions made it impossible for them to reconcile. so for the series to do a 180 and assert that actually friendship was the solution all along (even though there have been no meaningful systemic changes, even though the source of these intergenerational conflicts has not been addressed) rings hollow. it's especially glaring that being violently beaten in a fight makes sasuke desert his quest for justice without any reservation -- therefore no ideological or political separation was bridged, sasuke was just made to forget what motivated him for the entire series' run. naruto and team 7 succeeding where their predecessors failed was not a function of anything they did differently, but mere narrative convenience.

[astralleywright]

oh, when Orym looked right at Imogen, days after his talk with Fearne abt what to do if she switches sides, and tells her, "I'm not worried about you." and Imogen didn't insight check him, or push into his mind; she just believed him. and I believed him as well, even though it could have easily been a lie, and then Liam confirmed that Orym really did trust her when he said that. he really did believe that Imogen would stand by the Hells, and she did. she looked her mother in the eye and she didn't waver. and it's not specifically because Orym trusted her, but his trust really does mean something to Imogen. she sought him out that night for a reason.

and now the solstice is still happening but things are so different, and Imogen is one of the most vocally opposed members of the Hells to Ludinus, and the Ruby Vanguard, and Predathos. they're bad. they need to be stopped. she'll kill her mother, kill herself, if that's what needs to be done. her questions and her doubts are gone- or at least, hidden away.

and if they are not, if she's suspicious in any way, Orym has personal orders from the wise and benevolent Tempest (and she is wise and benevolent, is the thing!!) to remove her from the situation however he sees fit. to "do the thing," in the parlance used in Orym's conversation with Fearne, a phrasing acknowledged as vague even at the time. Orym, who loves Imogen, and who shows her kindness and empathy, and who stared the fathoms of nuance and pain defining the actors in this conflict in the face and rejected it in favor of revenge just last week. Orym, who told Fearne she would have to "do the thing" because he couldn't - I always assumed it was because he knew he couldn't match up to Imogen on his own, but it could just as easily be that he couldn't bear to do to her what he thinks would need to be done. Imogen still doesn't know they had that talk. the leash has been held so loose that she didn't even know it was there.

[unproduciblesmackdown]

(genderly) chill as hell if i was only ever glimpsed / detected like this

[ciderjacks]

ok but making someone like Dulcie join choir is evil. She’s so tall and awkward and she moves like she just bought her body and hasn’t figured out how to work it yet. Why would you put her in that setting. Cath needs to have her own five year crushing guilt arc over specifically the choir stuff and anytime they get into a fight Dulcie’s gotta just be like “remember when you made me join choir” but she brings it up with the same tone that Cath has when bringing up the affair

[mayonaisalspray]

Fanart of Enoch Drebber blowing up jimmy mr beasts stupid fucking torture city because I was forced to watch the beast games and it pissed me off

[alicepao13]

Okay, so akin to giving credit where credit is due, let’s put blame where blame should be placed. Dear Shaftesbury, did you seriously fire a background actor who has been working on Hudson and Rex from day one for throwing the fandom a bone, nay, a morsel, every once in a while? Which by the way should have been your job and CityTV’s in order to generate hype within the fandom, and you’ve both dropped the ball on that for the last 2-3 seasons? How low can a production sink? Are you guys taking lessons on how to make the fans hate you by CityTV?

And what kind of show do you guys think you’re making, anyway? What is there to spoil? Is there an actual plot that should not be spoiled this season?