#and by this year i mean

[omatoxin]

fish song

[despazito]

Sooner or later leftists will have to deal with the issue that capitalism has made many people used to wanton excess and sooner or later we'll have to legit tell everyone we can't have plastic treats and luxury produce or cruises instantly available year round and it's gonna make so many people mad and call you a big meanie worse than stalin over it. It will not be popular at all but someone's gotta hold a firm no or the planet will never stop collapsing. We can't save the planet by living exactly how we do now just with a communist banner over it we have to take a loss sorry, shein product cycles shouldn't have been normalized to begin with.

[doccywhomst]

[normal-thoughts-official]

Please stop seeing politics as an identity and start seeing it as a collective means for change

[shitty-check-please-aus]

What we need to do is convince all the disney adults in america that high speed rail would be a preferable way of getting to disneyworld compared to driving or flying. We could maybe harness their fondness for the monorail or something, but this is a group of people that has time, income, and passion that we could leverage. If we could direct 5% of the enthusiasm they have for limited edition popcorn buckets into calling their representatives and demanding high-speed interstate rail, we could get it by 2030

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[incredubious]

MODERN AU ACESAN !!!! first impressions with a guy who barely passes the No Shoes No Shirt No Service rule

[bet-on-me-13]

Bruce owes Danny money. He does Not want to pay up.

So! Danny had to run away from Amity Park when his parents discovered his Powers. But every time he tried to stay in a single place in America, they somehow managed to find him.

Turns out, they were working with the GIW to track him using the GIW's resources and the Fenton's Genius to find him everywhere he ran to. Eventually, Danny figured he had had enough and ran to Europe where the GIW had no Jurisdiction.

After wandering for a while, Danny was found and recruited by the League of Assasins. He was powerful, skilled, and connected to the Lazarus Pits, so they approached him with a job offer.

They would hide him from the Fentons, who had began to search for him in Europe independently, and in return he would work for them as an Assasin.

Considering his situation, Danny agreed.

He began training to be an Assasin, supplementing his Ghost Abilities with the abilities of an Assasin to become even more Stealthy.

While training under the League, Danny met another recruit simply known as Bruce. They trained together for years, even going on a few missions together gathering intel, and using disguises to hid in plain sight.

On one of these missions, Danny lent Bruce some money with the promise to get paid back when they returned to the League. That same night, Bruce left the League of Assasins and never came back.

...

Bruce was sitting in the Batcave going over a case with Tim, Jason was off to the side cleaning his Guns, and Dick and Cass were holding an acrobatics competition in their Obstacle Course, with Damien, Steph, and Duke cheering them on.

Suddenly an Eldritch Emerald Light sprang to life in the center of the Batcave, and everybody dropped what they were doing and sprang to action.

Slowly, a glowing green figure emerged from the Light. He appeared Eldritch in Nature, as if he existed in multiple layers of reality at once and looking at him gave them minor headaches. Then, the figure spoke up.

"BRUCE. ITS BEEN 15 YEARS. YOU STILL OWE ME 16 DOLLARS."

Recognizing Danny, Bruce took a moment to compose himself before responding.

"Fuck Off."

[chloesimaginationthings]

Purple Michael is the best FNAF Michael

[hmslusitania]

Origins: the world is ending and you and your one remaining coworker are the only option left to save it.

II: the unavoidable tragedy of a queer friend group/polycule trying and failing to save their fucked up city

Inquisition: you went to a conference and accidentally ended up in charge of saving the entire world (again) with a team of colleagues who are (mostly) professionals and outstanding in their fields.

**

Veilguard:

Rook: hey, I suffered from “sudden field promotion” after “fucking everything up worse than it already was.” I’m putting a team together to kill at least one, maybe three, Gods

Seven of the most unwell people in Thedas: say no more, I’m in

[wasyago]

Can you draw that snail? You know the one who got out of Grian's power and started to eat Gem's lighthouse?

little guy <3

alternatively: big guy.

[fakecats]

20th username change this year Sorry . neoseraphism → fakecats

[several-breathing-eyes]

I saw somebody say that watching the Percy Jackson show made them realize that in the first books Percy doesn't even say half the stuff he thinks and he's just a quiet kid silently judging everyone, like they're so right.

Think about it from Grover's perspective. You know Percy as a quiet boy who certainly has his judgy thoughts but (aside from telling them to you) keeps them to himself. He's just trying to make it through school, for his mom.

Then his mom dies. And he loses the ability to give absolutely any fucks. He starts saying all this shit he never said out loud and to people who could do infinitely worse things to him than anything Nancy Bobifit ever even tried. And it only gets worse as he gets older.

Like bro went from quiet kid in the back of the class to fist fighting a god in the span of like a week. Then he openly told the gods to pay their child support. Grover was having heart attacks every other minute.

[vaggieslefteye]

VEROSIKA MAYDAY, Succubus Pop Star | 2x09 - Apology Tour

"Blitz, there is a crowd full of people here who cared so much they throw an entire fucking party about hating you every year! Do you know how much you have to care to do something as stupid as that?"

[raccoonscity]

Animal Crossing: New Horizons - Museum Scenery (Fish Exhibit)