#and boy does the character limit make things interesting
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I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.
Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.
Himiko is a really interesting subversion of her trope for two reasons:
She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)
She’s not possessive. Like at all.
I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?
You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?
You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?
Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.
But Izuku… ohhhh Izuku…
He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.
Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.
So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.
Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.
I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.
So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.
A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.
#they’re such freaks and that’s why I love them so much#and so are ochako and Katsuki in their own special ways#just never in the way people think#ochako is a little freak who may or may not think it’s hot when Izuku is a bit beat up.#Katsuki may also be a freak for being weirdly aggressive and so viscerally himself at all times. not even necessarily bc he wants to be a-#jackass but that it’s just who he is to call people asshole nicknames based on appearance or to scream mid battle#ntm my boy was bullied before he got his quirk so like. yk. makes sense that he’s so quick to think that izuku’s been playing the long game#bkdk#togachako#midoriya izuku#mha deku#bkdk brainrot#bakudeku#bnha deku#bakugou katsuki#mha analysis#deku midoriya#uraraka ochako#himiko toga#ochako x himiko
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Fontaine Characters with Violinist Reader!
A/N: This disappearing thing of mine is annoying, I'm trying to stop it. However, I finally got a bit of spare time to play Genshin and I am so, so in love with Fontaine. I think it's gonna be a wonderful arc. I haven't felt this much jubilation since Liyue or Inazuma!
Warnings; None, really.
Lyney, Lynette, Neuvillette, Navia, Furina, Wriothesley (no particular order)
Lyney
First off, this boy is no stranger to performing, an activity he loves. Naturally, he's going to be most interested in fellow performers, including you!
If you're the type to get anxious before, or even during a performance, say goodbye to that with him. He'll guide you through plenty of destressing rituals to help you relax beforehand.
(This included, but wasn't limited to; Taking deep breaths, doing tongue twisters, asking you to play meme songs on your violin, or tickling your sides because 'laughing is a great way to be loose'.)
Even during, should you freeze up and he's in the audience, he'll do a quick but loud magic trick to get everyone's eyes off you. Even one that makes him look like a fool, so long as you have time to put yourself together.
He'd LOVE to have you on stage with him! He adores your music and would ask you to sync it up with dramatic moments in his magic.
If you compose you own stuff, he's pretty much your biggest fan. The guy who never misses a concert. The loudest clapper. The biggest braggart.
"That gorgeous, graceful violinist we had the pleasure of watching? What if I told you that they're coupled up with an equally electric performer? That is, me~."
Lynette
It's easy to think that her brother outdoes her in terms of being your fan, but quietness hides a lot. If you think she doesn't care as much, you're so, so wrong.
She learned several music skills just to be closer to you, including sight-reading. BTW, she's got a killer voice and loves to sing out your compositions. Sometimes it helps you come up with alternative movements within them.
She can also play piano, to a good level of accompaniment. With time, one would think she is also a music assistant; It's not uncommon for her to be on your stage.
Lynette is VERY attentive to your instrument. Does it need rosin? A new bow, perhaps a re-hair? You just say the word, and she'll happily take it to the repair workshop if you have no time.
"By the way, Y/N prefers real horse hair, the thinnest you have. Don't worry. They're talented enough to thrive on it.".
She makes it a point to let you know how much she loves what you do: "All other music in Fontaine pales in its beauty next to yours. Please, keep playing.".
Neuvillette
You play the violin? (he crosses his legs and assumes his royal position). So when are you going to get married? Will you be okay playing a few pieces, even while being the spouse? /Half-joking, tbh.
For him to say that he is the lover of a music pioneer as important as you... Will never not be a moment of joy for him.
First off, what a sugar daddy. I hope you made a list of the expensive violins you wanted but couldn't afford. Because now, it's yours, never mind the Mora. Your very case may as well be coated with gold.
He won't die on this hill, but he would love it if you could play a bit during the parties he hosts. He loves live music to begin with, but after hearing you, it feels like no other pro could hope to sound as good as you.
(And side note, he likes how mesmerized everyone is with you lol)
If you're the type to remember your patron's personal preferences, and compose/play in accordance to that, just for him? Put hearts in his eyes. He's no longer joking about the wedding thing.
While he loves showing you off, he'll never force you if you're shy/nervous. If anything, he would also feel very special if he got to heard songs not out yet, compositions just for him...
"Perhaps this is Lady Furina's way of rewarding me for my years of service. Bless our Archon for giving me such a talented, show and heart-stopping partner.".
Navia
She likes that the Spina del Rosula is represented by passionate, talented people!
If you like sweets, I say just join her team. It's guaranteed pastries after each request lol.
Her detective work is cool, but can get a bit drab after a while. She likes asking you to play some violin ambiance, partly because it makes her feel cool, and partly because your music changes the atmosphere for much better.
Navia is a woman of decorum, but she'll often have trouble staying still during your concerts. It doesn't matter if there are rules to how loud a woman can cheer, she's happy for you and will make sure you know that.
She becomes even more proactive than usual. If a concert of yours falls on the same time as her work, she'll scour the ends of Teyvat for its solution, so she can see you.
With time, she might request you to play pieces that her father loved. Once they're brought back to life, through your own strings, she can't help but be a little emotional. She must have done something wonderful to have you.
"How beautiful, how poignant as you, my dear Y/N! This calls for macaroons! Which flavor would you like today?".
Furina
"Yes, Neuvillette, I know they perform and all, but why can't I keep them to myself! They're so darn great, I want that everyday!"
Of course, she's not gonna stop you, but beware; I feel like Furina would almost turn you into her own personal violinist lol.
She'd keep requesting your presence over her other personal entertainment and somewhat bombard you with song requests. Buuut if you're looking for a varied repertoire, she's your gal!
One reason she requests so much is because she so impressed with how you not only fulfill them all, you do it so creatively and beautifully. You don't just follow the note as it is... Once you're acquainted with what she likes, you modify the tune a bit to be more her taste.
She's so cute when she claps; The way her hands go so fast and she's about to get up from the seat, the huge eye and smile... Why, you might start reconsidering her offer.
"Bravooooo, Y/N!! Bravo! That was everything, I can't go on without an encore!"
If the tune is more happy-go-lucky, she will get up and dance along. Will also do it in circles around you because she's your little orb :3
Wriothesley
"Forgive me for intruding... But I was overhearing, and your playing is terrific. Electrifying. Do you happen to perform on Saturday nights? That's when I can leave the Fortress for a bit.".
Of all your fans, Wrio is one of the quieter ones, but not so much that no one knows it. For one, he's a Duke, he's bound to enjoy good music. And heavens knows he needs some fun in his life.
Here's a fun thing (ngl this is what I was excited to write): At first, it doesn't sound like he can make it to your recital. You see him on his desk, surrounded by paper mountains that only ever seem to grow. He doesn't want to make you sad, but his remark lets you know that he's not coming: "Would it kill some of these people to tone it down for a bit so I can go see my partner perform?".
So imagine your shock when you step on stage, and see him on the first row, sitting tall and handsome, shit-eating grin on his face and waving. You really bought it for a moment.
"Hehe... Did you really think I can't even make a bit of time to see Fontaine's best violinist in action? You actually bought that?".
I HC that he has insomnia, and has tried any things to cure it, but to no avail. It's rumored in Fontaine that his is incurable, but little do they know about how he lays down next to your sitting form. Little do they know of the soft lullabies you composed just for him, or how peacefully he dreams afterwards 💜
#genshin impact x reader#genshin impact fontaine#lyney x reader#lynette x reader#furina x reader#neuvillette x reader#navia x reader#wriothesley x reader#genshin impact fanfics#genshin impact fluff
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Lorraine Baines McFly and Female Autonomy
Hello. I have spent the past month slowly losing my mind about Lorraine Baines McFly, Marty's mom in Back to the Future, so I am finally trying to articulate some of the reasons I'm so feral about her.
There's a quote from Lea Thompson, the actress who played Lorraine, that goes, "The three parts that women usually get to play are virgins, whores, and mothers, and in Back to the Future Part II, I got to play all three." While this is commentary on Hollywood and the limited roles that fictional women get forced into, I think it's also interesting to think about it in terms of how these roles are reflected onto actual women and used to limit their personhood and confine them to a very narrow range of acceptable behaviors . . . and then in turn to think about how the character interacts with these roles on a Watsonian level. They're affecting not just Lorraine the character as she was written, but Lorraine from an in-universe perspective trying to navigate life as a woman in a patriarchal world. Some of the sexism she faces is a deliberate narrative choice and some of it is a result of the writers' blind spots, but for the purpose of this essay I'm less interested in teasing out which threads are which and more in looking at it holistically.
Because the thing about Lorraine is that she's aware of what the acceptable roles and behaviors for women are, and the versions that we see of her across the various timelines alternately fight against and capitulate to these constraints. What is a woman allowed to be? How much is Lorraine willing to break from those restrictions? How much does she allow other women to break from them? Does she resent her role or embrace it? I have a lot of thoughts specifically about how the different iterations of her interact with concepts of female agency and autonomy.
(Putting this under a cut because it is. Long.)
I started thinking about this when I was talking with my partner about 50's Lorraine. She's extremely active and driven and planning to Get What She Wants (in a way that is very scary, if you are Marty) . . . but at the same time she's clearly aware that she isn't supposed to be. A Good Fifties Girl is demure and passive. Lorraine isn't--but she's still trying to toe the line. I think constantly about the scene where she shows up at Doc's garage to be like "I followed you home . . . so that I can ask you to ask me to the dance." The girl can embrace borderline stalking but she draws the line at directly asking a boy out! She's exercising a lot of agency but views doing so as rebellious and subversive--and risky.
And I also want to talk about the whole "boy crazy" thing because like . . . society (especially in the fifties) tells women that the most important thing they can possibly do is find a good man and become wives and mothers, that this will define the success or failure of their entire lives (and given how many things were unavailable to single women at the time this is in many ways true) . . . and then relentlessly mocks and punishes anyone who actually takes an interest in pursuing this instead of just sitting back passively and waiting. She is trying to do what society says will make her happy! And even her desire for a white knight is very much based in the reality of her situation! She's getting sexually harassed at school and around town and she's doing exactly what she's supposed to and standing up for herself and saying no and fighting back--and this is not enough. She does need backup! Biff harasses her in the middle of a crowded cafeteria and Marty is the ONLY person who does anything! No fucking wonder she latches onto him as hard as she does! (There's. I promise this is related but there's a BttF parody musical on YouTube where when Strickland comes to break up the lunchroom fight he says, "Now, I can excuse sexual harassment, but LIGHT SHOVING?" and like it's a haha funny joke but also?? Yeah?? That IS how it works. The way Lorraine's being treated is so overlooked and normalized that the authority figure isn't going to step up the way he will when it's a physical altercation between two guys. Screams.) I wonder if part of the reason she stuck with George in the original timeline even though they didn't have a lot in common is that "I have a boyfriend" is a boundary that some people might actually take seriously whereas "I'm not interested" is not.
But. In general 50's Lorraine is very much about grabbing as much agency as she feels she's allowed to . . . and then Twin Pines Lorraine is what happens when she regrets the result of those choices (because while we don't see it, it's pretty obvious that in the original timeline she pursued George as aggressively as she pursues Marty in the new one), and so she decides to deny, not just her own agency, but female agency as a general concept. She leans so heavily on the idea that her relationship was "meant to be" because it absolves her of any culpability in creating a life she's unhappy with. She's rewritten her own past to view herself as a passive participant in something inevitable. (Exactly the view of womanhood that she was fighting so hard against in the 50's!) And she extends this idea of female passivity to the women around her: telling Linda that she should sit back and wait and a relationship will "just happen," actively resenting Jennifer for doing something as simple as calling Marty on the phone. It's a really interesting form of internalized misogyny, perpetuating these sexist ideas as almost a misguided form of self-defense.
And then for Lone Pine Lorraine this is completely flipped! She loves Jennifer for the same reason she disliked her in Twin Pines: because she reminds Lorraine of her younger self. And like . . . this is something of an extrapolation, but while obviously her husband and kids are still very important to her, it also feels like she has interests and friends and other things going on in her life, whereas part of the isolation of Twin Pines is that her life has shrunk down to the point where she's ONLY a wife and mother with nothing else to define herself by. And it also matters that in this timeline she has a partner that supports her, not just in the big dramatic moments (although also that), but you can easily see the dance as a catalyst for George actually learning to listen to her and stand up for her about smaller things as well. George McFly feminism arc. (I'm being slightly facetious but like. George starts off kind of shitty. The spying is actively Bad and I hope Marty chewed him out for it offscreen, but also his reaction to the harassment scene being "I think there's someone else she'd rather go with," implying that he sees what Biff is doing as like. Normal flirting that he expects to work. He doesn't GET it. Unsurprising because he is. A teenage boy in the fifties. But I do believe that saving Lorraine was something of a wakeup call and after that he listened to her about things that make her uncomfortable and gave her the support that she needed. Which would also give her a lot more freedom in this timeline because she has someone with more societal power who has her back!)
And then. Hell Valley.
If Lone Pine is the version of Lorraine who has the most freedom, the most opportunities to make decisions based on what she wants instead of What Is Expected Of A Woman, Hell Valley is the opposite. The things denying her agency in Twin Pines is largely societal forces (and herself); in Hell Valley she is actively being denied autonomy by her evil husband who functions as the personification of a bunch of sexist ideas.
She's been objectified to the point that she doesn't maintain control over her own body; Biff pressures her to get cosmetic surgeries so she can continue to look attractive to him because that's the only value he sees in her. Her physical appearance is entirely tailored to his preferences.
Biff's view of Lorraine is wife-as-possession. He treats her like a prize he's won and her kids like parasites. And he is NOT subtle about this. But Lorraine is still desperately clinging to the idea that she's wife-as-family. She calls Biff "your father" to Marty when he arrives, and talks about "our children" because she wants so so badly for this to be something different than what it is. It's especially terrible because this is a timeline where she got seventeen years of being happy with George, she knows what she's missing, and she keeps trying to force this new relationship into a similar mold even though Biff is openly contemptuous of her and especially her kids. It's been twelve years and she's still trying to pretend. To call back to that Lea Thompson quote: it's obvious where Biff thinks Lorraine fits on the virgin-mother-whore axis, while Lorraine is actively trying to centralize her motherhood partially because the kids really are that important to her and partially as a defense mechanism.
(And it's also such a bleak cautionary tale about how fragile women's stability can be when they're dependent on their husbands; Lorraine was happy with George and had a fair amount of freedom, but he was the only one with an income so when he died she was suddenly forced into a truly horrific situation because she had no other means to support herself and her three young children. Especially given that the Hell Valley universe is also worse in some broader political ways that mean there were probably even fewer social supports available than in real life 1973)
And god. It kills me the way that we see her lash out, the way she's clawing for autonomy when she threatens to leave . . . and then exactly how Biff levels all his axes of control against her. It's very interesting that his first tactic is consumerist (Who will pay for all your things? Who will take care of you?) and that doesn't work even though not being able to support herself is a very real concern. It's only when he threatens her kids that she folds. And then she immediately crumples and pivots to rationalizing Biff's behavior and blaming herself for her own abuse (in a way that is both HEARTBREAKING and also? surprisingly sympathetic and realistic for an 80's movie?). It's similar to the passivity we see in Twin Pines, but here we see exactly where it comes from. She doesn't have any way out so she has to pretend. It's the only way she can keep going. She has these flashes of rage but they're immediately snuffed out by despair and denial.
There's not a lot of talk about Lorraine and what there is tends to reduce her to "well she's Marty's mom" as if she's a boring character who doesn't have a lot going on. But even though most of her role in the movies has to do with her relationships with the various men in her life, those relationships are really interesting if you actually pay attention to them! She's not just (in the 80's) a wife and mother--she's someone who has a complex relationship with marriage and motherhood and the societal expectations surrounding them. She's not just (in the 50's) a vapid boy-crazy girl--she's doing her best to go after what she wants in a world that doesn't want her to (the fact that one of the things she wants turns out to be her time-traveling son from the future is unfortunate but not something she has any way of knowing!). She's stuck in a society that doesn't want women to be people, and she knows this, and because we see her across two different time periods and three different timelines you can watch how sometimes society grinds her down until she gives in and tries not to be a person. And also how, sometimes, she fights back.
#back to the future#bttf#lorraine baines mcfly#this is what i mean when i say that lorraine has SO many interesting things going on and i do not think that most of them were on purpose#but i'm here and i have a shovel.#anyway. i would kill for her.
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Here we go. It's time to talk about my personal fave. As I said before, this is my Main. In Dragon Ball fighting games, this is the character I seek out to play whenever the roster allows. Also arguably the character who's been done the most dirty by just about every form of Dragon Ball, manga included.
The vanguard of a brand new status quo and a brand new direction for what Dragon Ball would even be, washed away by the tides of a status quo resetting to zero.
We're here to talk about the champion of Satan City who carries the spirit of Dragon Ball in her heart: Videl.
(And that is one cookie to @jcogginsa who guessed it.)
Videl was a kid with a chip on her shoulder. I mean. How could you not be? Her father was the legendary world martial arts champion who famously defeated Cell seven years ago.
Don't pay attention to that. He just tripped for a moment. Once he got his second wind, he came right back and showed Cell what for! It was due entirely to Mr. Satan and nobody else that the Earth was spared from the apocalyptic horror that is Cell.
Look, he even said so himself.
Are you gonna call that man a liar? The man who defeated Cell!? I think we can trust Satan's word over yours.
This is the shadow that Videl grew up under. Raised in what had previously been called Orange City, but was renamed Satan City in honor of the world's greatest hero.
Or "Hercule City/Herculopolis" in the versions that edit out Satan's name.
As his daughter, Videl has a perspective on Satan that neither the world nor the audience gets to see: He's a womanizing playboy who cashes in on his world-savior fame for booty.
He also forbids his teenage daughter from dating by putting up the stipulation that any boy interested in her has to be stronger than him, the world champion - A stipulation naturally designed to weed out any possible suitors through intimidation. Wanna date Videl? FISTFIGHT THE MAN WHO DEFEATED CELL.
Oh, but he doesn't teach her a goddamn thing; At least, not anymore, as she does suggest there was once a time when he was her mentor. She's forced to study martial arts entirely on her own because her dad is utterly disinterested in her development in the art.
This is an angle on Satan we never get to see onscreen. Apparently he's pretty shitty about women. You know, I can believe that.
Videl, when we meet her, is trapped in an unenviable position as a martial artist. She hates what the fame of being a legend has done to her dad and wants to knock him down a peg, but she has no foundation to develop her abilities from. The one man who's supposed to be teaching her isn't doing it, and she's been passively discouraged from pursuing more esoteric martial arts because the world champion said that stuff's all fake.
Videl makes for a fascinating foil to Gohan, because they're both children living in the shadows of legendary fathers.
Gohan is expected to be Goku's successor, but wants to live a peaceful life of academia. Meanwhile, Videl is being denied the ability to become Mr. Satan's successor, but craves the opportunity to prove herself.
Nonetheless, both of these kids are prodigies. Videl has a wealth of potential. She doesn't even realize that, despite these limitations, she surpassed her father long ago. Despite being a self-taught teenager with zero comprehension of ki cultivation, Videl hones her skills and developers her art the only way that's available to her: By punching it out with armed robbers in the region.
Backpack Town isn't even her city! She's a one-woman SWAT team for the tri-state area.
As ambitious and driven as she is, Videl is also clever. The anime extrapolates the adventures of the Great Saiyaman into a several-episode arc as Gohan deftly avoids detection by Videl over and over again, but this has the knock-on effect of depriving Videl of one of her best moments.
Because she pegs him instantly. She was already suspicious of Gohan being the mysterious "Golden Warrior", when he tried to use his Super Saiyan form to disguise himself as a superhero.
Which also showed that she was open-minded about the other people who fought Cell. Satan says they were doing a bunch of tricks, but Videl's willing to consider the possibility that there exist people who can turn blond on command.
And then Gohan did this shit.
Because he was raised in the woods by the devil and Goku. Despite trying to keep a low profile, he has absolutely no idea what the baseline for ordinary human ability is.
So. Y'know.
That's pretty fucking suspicious.
Which brings us to Gohan's second outing as Great Saiyaman, and his first meeting with Videl under his new identity. Whereupon she, uh....
Plays him like a fucking sap. It's a great moment that doesn't get its due if it takes several episodes and misadventures for her to reach this point. Videl is exceptionally skilled in the field of paying attention to that time Gohan jumped thirty feet in the air and naturally drawing conclusions from it.
And also his voice and posture and other dead giveaways. Gohan sucks at secret identities.
He's just. So obviously Gohan. There's no way anyone would be fooled by this.
But she's not only adequate at seeing things with her eyes; She's also a legitimately brilliant martial artist in her own right. Due to her upbringing, she's had zero experience with ki cultivation for obvious reasons.
And yet she's talented enough and smart enough to pick up the basics of Bukujutsu in one day.
Oh, don't mind her; That's just Videl making a mockery of Tsuru-senryu by effortlessly devouring their signature technique. This is Goku's first Kamehameha all over again.
She may have started small but Videl learns fucking fast. She has all of the drive and the ambition that Gohan lacks. She wants to be part of this world, she has a ravenous hunger for self-improvement, she's clever and observant, and she picks up concepts insanely quickly.
Videl is fucking primed to be a key player in Dragon Ball's next generation.
...
So now we need to talk about what happened to Videl.
Videl has one major fight in the entire series: Her 25th Tenkaichi Budokai bout against Spopovich.
Which she absolutely dominates. She's stronger, better, and faster than Spopovich. Even the experienced martial artists agree that she's infinity times better than him in every way.
But there's something wrong with Spopovich. He's a decent martial artist, far from the top; He'd competed in the 24th Tenkaichi Budokai and made it through the qualifiers, but was eliminated in the first round. So, y'know, he had no chance in hell against Videl; She's already surpassed Mr. Satan, who won the 24th legitimately.
Uh, by virtue of none of the Kame-senryu or their rivals attending. Mr. Satan is top dog of the same weight class as Pamput from the 22nd.
But, despite being outclassed in every category, Spopovich is also a dead man walking.
He's similar to the Androids in a sense. Spopovich has no ki signature at all, nor does he get worn down by the damage he's taking. This is Vegeta vs. 18 and Piccolo vs. 17 all over again; He isn't feeling the pain from the hits she's landing on him, and so he's able to outlast.
But Spopovich isn't an Android. He's more like a zombie?
At one point, Videl cuts loose and breaks his goddamn neck. Because he's pushing her hard enough that she realizes she needs to go harder, but his body can't take harder. He isn't a match for her. He just. Isn't going down despite not being a match for her.
He can't take this level of force. But he and his ominously vacant absence of ki can put his head right back where it was and continue the fight, no problem. That's honestly scarier than if he'd regenerated.
Also despite not even having the barebones ki signature of a normal person, Spopovich can perform Bukujutsu and fire ki attacks.
Which a fighter of his meager ability shouldn't even be capable of.
All of this adds up to an unwinnable fight for Videl and the setup to... Something. This match has been criticized pretty heavily in the fandom because it gets pretty gruesome and doesn't have a payoff.
We've seen fights go fucking bad for our heroes before. Piccolo once broke all of Goku's arms and legs as well as shooting a hole in his chest, right here in this same arena.
But it's typically building to something. When our heroes get trashed, it's the lead-up to a reversal down the road. Maybe in the same fight. Maybe in a later one. And we seem to be heading in that direction?
After Spopovich and Yamu leave the tournament, we get VIdel a Senzu and she's right as rain.
Spopovich and Yamu steal energy from Gohan and fly off to Babidi's Ship so they can awaken Majin Buu. Kaioshin recruits the various protags to make that not be a thing that happens. And then. Something switches in the narrative flow of this arc.
You can feel it happen.
As our heroes prepare to pursue Spopovich and Yamu, Videl volunteers to join in as well. She's had her eyes opened to a whole new world or possibilities and is hungry to develop her abilities.
And. Then. One chapter later. It's suddenly decided that Videl will not be a part of this storyline after all, and she basically leaves the plot forever.
WHOOPS! Never mind! Didn't want this character here after all. Go home, Videl.
While her adversary Spopovich is unceremoniously unwritten from being a thing that exists.
Babidi just. Kills him. For no reason. Even though his job isn't done yet. Babidi's like, "Oh good, you collected a fraction of the energy we need; That's fine, you can be fired. I don't need anyone to finish the job."
We're just. We're not telling that story anymore. We already threw Videl in the trash; we don't need her nemesis. We're doing a different thing.
Also, because we still have too many characters in this scene, Dabra erases Krillin and PIccolo with magic spit that never comes up again or is meaningful in any way.
You'd think this would be, like, setting up something? Like. Having witnessed it ahead of time, Gohan's able to figure out something about the way Dabra's spit works. So when he fights Dabra in a climactic battle, he can turn this around.
Like when Goku was able to counter Tenshinhan's Taiyoken/Solar Flare in the 22nd Tenkaichi Budokai, because he'd seen it before and understood how it works. That's usually what Dragon Ball does with this sort of advance notice of opponent abilities.
But. No. The most this ever comes up again is that it momentarily costs Gohan one of his gloves. It's just here to winnow down the cast because Toriyama brought too many characters to this scene.
You can feel the burnout taking hold. As janky as the Android arc was, the Buu arc's level of jank is through the roof.
And that became it for Videl. Denied any sort of payoff for her one fight and instead relegated to background character, Videl never got a chance to live up to the intriguing potential she was introduced with. She was the face of a new direction for Dragon Ball, a direction that ended up strangled in its crib as the series reverted to old ideas and old formulae - strangling her along with it.
Videl is a character I look at and can't help but wonder what could have been. What could have been if Gohan got to keep his focus, and Videl got to remain a key player in a story about him? What could have been if we got to see Videl developing her skills at the same fever-pace that she learned Bukujutsu with? What could have been if she got that rematch with Spopovich she seemed to have been promised by the narrative, and then got to stay involved throughout the Buu arc?
But I guess we'll never know.
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whirlpool's personal MOTA fic recs!
I've actually been dying to put this together for a while now...today is as good an excuse as any! I might not know everyone's tumblrs vs ao3 names so I will NOT be offended if you tell me to correct something!! <3
the big list = going alphabetical order in my folder because YES I do download my favorites, it's like having your own little bookshelf!!
non-clegan fics:
nine mothers' sons by @reallylilyreally (truly beautiful, breathtaking, and **THE** John Brady bible for the fandom so make sure you pray to it every night)
at your heels by @reallylilyreally (this one is Ev Blakely, another really beautiful story that helps you understand just why Crosby's memoir speaks of Blakely with such love and affection)
clegan (or gale-centric, or john-centric) fics:
A Direct Solution by @sweaterkittensahoy (Gale & Marge proposition Bucky...so cute and so hot)
ain't it easy? by @stereobone (dom/sub with john as the dom but ohhh man it's so much more than just that!!!!! this fic is so full of FEELS. and it's also HOTTTT. and also the FEELSSSSS.)
all the rest of what I want with you by @london-cowboy (the level of care that went into writing this fic is insane and impeccable. down to its own internal timeline, little egan kiddos, and the ANGST. but it's all worth it, I promise!!)
back home where you're from, that's the measure of a man by wolfhalls (nice little oneshot of the bucks, I love the back-and-forth of their dialogue in this one, it really does feel like two people who know each other well)
bittersweet between my teeth by @blixabargelds (post-war adjustment...love when the two majors are a little messy and a little sad and also john calls gale the prettiest thing he ever saw so there's that <3)
bluebirds singing a song by ourdarkspirits (Marge jumps Bucky's bones. Then Gale joins. Super fun, super hot!)
Close and Yet Closer by Anonymous (LITERALLY THE MOST!!!!!! FIC OF ALL TIME!!!!!!! Gale is a little bit mean and John is a lot bit sweaty. Like all the time. it's amazing and you should read it and it WILL change your life.)
Corpse Song by birdwif (oof. john is miserable in the stalag he's scratching at the door he's gnawing his own leg off.)
deep breath baby by @defnotanarc (um FISTING. yeah. intense and delicious. side note sometimes the world isn't fair and people who are really talented and amazing at drawing are also really good WRITERS too LIKE WTF!!)
DOG DINNER by @wompire (super interesting writing style, extremely poetic and striking. hits you right in the gut.)
everything and the kitchen sink by @swifty-fox (YEAH THIS ONE WILL CHANGE YOUR LIFE TOO. modern au where gale is a professional dom and john is a journalist who hornily consents to both (1) fucking around, and (2) finding out. in top ten fics of the decade in general tbh)
Freed From Desire by @feyd-meowtha (yoooooo such a fun and free and sexy fic!!! such a great writing style and such a cool remix of all the characters we know and love!)
He wears his love around his neck by kasugayamaisforlovers (Gale character study, he tries to run his little gay thoughts away which is always so fun to see)
hold me like a knife by storm_warning (tw: self-harm, this REALLY gets into John's self-destructive stalag spiral and it's super visceral and wet and heart-wrenching and written with such, such care and precision)
Hound Within the Heart by Anonymous (fairy-tale esque, gets super crazy and pushes the limits of reality but in the best ways possible)
I Don't Wanna Be Alone Tonight by @johnslittlespoon (cuddling for warmth <3 and then a little more <3 <3 so sweet and intimate!!)
I Like A Bad Boy by @nicijones (modern college AU and bucky is a fratty fuckboy type & in this fic he DOES punch a guy for Gale and it's all very hot and sweet and a delight to read)
i wish you wouldn't tell me (about your hawaiian party) by @whitetrashjj (when the fuckbuddies thing gets messyyyyyy because gale catches feelingsssssss, so delicious and meaty!!)
if that isn’t love, it’ll have to do by @irregularcollapse (ALWAYS such incredible character reads from this author, never misses. also facefucking. also FACEFUCKING <3)
i'll be seeing you by @puffanities (a quick 1.6k oneshot but still packed with some really great characterization and powerful language!! 'when the numbers of planes don’t match...')
i'll find you before the dust settles by butidontreallycare (a Westworld AU!! super cool)
in our bedroom after the war by @stereobone (one of those fics that's just like. a pillar of the community, y'know? iconic. classic. eternal.)
Into the Unknown by Melanie_Mikaelson (big win for john whump enjoyers. BIG win. like 20+ chapters of winning)
it ain't for meatball by @meyerlansky (Curt/Bucky. Curt puts the dog collar on Bucky....and it's HOTTTT arf arf i'm barking just like bucky is in this fic...)
It's Not Love, but It's Fun by @sweaterkittensahoy (Curt/Bucky, 500 words so it's short and sweet just like Curt ahahahaha, ANYWAY still such an interesting little read regardless!)
judgment by the hounds by @puffanities (PG, very visceral and tender apology after the stalag fight scene <3)
level-off maneuvers by wormringers (sweet little oneshot of the Bucks in London)
little fix by ForASecondThereWedWon (Algeria <3 <3 you just kNOW those two gay pilots were sniffing and huffing and licking each other's sweat.....this author GETS it)
love means nothing (in tennis) by @irregularcollapse (fics that make you go WEEEEEEEE!!!! every word, every physical action that these characters take is SO precise and well-written. truly like wrapping a soft bathrobe around yourself and also the bathrobe is incredibly sexy and also they're sucking each other off post-game but PRE-shower. also gale's dad!! also margie!! truly such a well crafted AU)
make you feel alive by @sig-nifier (really sweet little oneshot of gale being a little protective of john. and i am ALWAYS a sucker for the 'call off your dog' trope... and it's done perfectly here!)
meet me at the chapel by @swifty-fox (still in-progress and SUCH a creative, inventive universe!! outlaw john you will always be famous to me!!!!)
my kingdom for a kiss upon your shoulder by @swifty-fox (swift can really weave a story like no one else. so many lines that pack a punch. and in the end, they make it <3)
my type by @spaceshipkat (this one is SOOOOO well-written, I always go so crazy for the dialogue!!! such a great push-pull dynamic in this fic)
night terror by @antiquitea (hot! and sweet! and HOT! and angsty!!!!! highlights include: gale gives john a literal countdown deadline to get off)
Obligate Mutualism by bowhuntress (Gale-centric story of trying to get John through the stalag, then returning the England without Bucky, a fic very obviously written with a lot of care and love)
obsessions, and other things by @sig-nifier (the Bucks cope. really great pacing and dialogue, and I always love when fics take the care to delve into john's struggle with alcoholism as well)
of all the gin joints in all the towns in all the world (he walks into mine) by @whitetrashjj (really fun parallel universe where Buck owns a bar, just a great read all-around!)
Oh, I do, do I? by @defnotanarc (DIRTY TALK, like the most delicious, incredible dirty talk you can imagine, this fic nails it!!)
One of your Girls by @soliloquy-dawn (9k oneshot and it's great all the way through, Gale is jealousssss of John fucking around, don't worry they resolve it <3, definitely captures that innocence of pre-Bremen MOTA episodes)
peacetime like a liminal space by @spaceshipkat (this one is PHENOMENAL. post-war, John goes to New York City and turns out it doesn't fill the emptiness. luckily Gale shows up. <3)
Putting Words to It by @impalachick (YEAH THIS ONE IS REALLY HOT. John is a snoop and reads Gale's letters to Marge <3)
Reunited by Flowersandthings (PG, cute & funny oneshot of the Bucks being reunited after Gale makes it over from Greenland!)
Reverie by @avonne-writes (REALLY creative, well-crafted story. Gale and John are soulmates and can visit each other's dreams since adolescence. INCREDIBLE journey and arc in this story, the stalag part is just wow. truly such a gift to the fandom!!).
Rugire by Anonymous (umm omegaverse-ish but with deer dynamics. messy. and SO good.)
SHOTGUN. by pornogirl (YEAH this one is awesome, it's not safe it's not sane but oh boy it is consensual)
Song of Songs by @swifty-fox (sweaty sex sweaty sex sweaty sex)
Spin, Sit, Roll-Over by @glumbabie (Gale is a little mean to John and it's VERY sexy of him tbh. 'DOGS DON'T TALK'???? 'YOU CAN EAT'???????? yeah. read this.)
the chimneys hardly ever fall down by @redbelles (another Gale/Marge + John, and it's HOT. it's SEXY it's awesome!!)
the hand of a good man by @stereobone (John rewrites Gale's daddy history <3)
the jacket by @dogmetaphors (REALLY great sense of dialogue and characterization even in 1.6k words, also shamelessly horny and SO yummy)
The Major’s Wife by tryingmyhandatwriting (John/Original Female Character but like. give this one a chance, I'm telling you!! I'm always soooo compelled by sex scenes that like. are actually a little bit unhappy. and this one SERVESSSSS.)
this must be the place by @blixabargelds (BIG win for Gale whumpers. broken bone and LOTS of blood and super well-written)
To be alone with you by Damn_Illusive (THIS ONE IS SO, SO SPECIAL AND CREATIVE!! freaky army experimentation gives gale and john telepathic communication. incredible separation arc while gale is in the stalag. really, really unique story that is such a staple in my mind as one of the the most incredible clegan stories ever. I think about this one A LOT!!!)
To the Moon and Back by @rambleonwaywardson (iconic astronaut AU, written with SUCH care and love, it's so obvious!! and BIG win for john whumpers. who said that -)
Tough And Sweet (Like You And Me) by @johnslittlespoon (sooo fun and creative and inventive, Bikeriders-esque!Gale and a sweeter, more innocent John. really well crafted)
trading paper dolls by ForASecondThereWedWon (Alex draws Gale pinup girl style in the stalag.....John swipes it.... super great fic!)
two slow dancers by everywordnotsaid (unrequited love, John for Gale, through their journey. I genuinely, actually sobbed for a long time at the conclusion of this fic. I am always thinking about this fic. I think it really captures something about the experience of watching the show and realizing in that hopeless, lovesick kind of way that there's no way to go back in time and save all of them. I still get teary whenever I think about this story or hear the song. It's one of those fics that's not just good, not just great, but somehow also really fucking IMPORTANT. this story MATTERS. you should absolutely read it and save it and imprint it onto your heart. I know it's imprinted onto mine.)
Un Chant d’Amour by @counting0nit (really intriguing take on the interrogation center time frame!)
unicorns, and other extinct animals by @spaceshipkat (really, really incredible reading experience. something that actually touches other aspects of my life, even now. I see planes overhead and I think about this fic. I see letters on a table and I think about this fic. just. this author GETS IT, you know? just absolutely nails every aspect of this kind of fic: post-war adjustment, the pain, the LOVE. this fic will make you FEEL it. let it happen.)
Up In Our Bedroom by @steeseman (ICONIC. really one of those pillars of the community type fics, y'know? it's funny and it's sweet and it's painful and the hot parts are HOT. clearly written with SO much care, and SO much love, and SO much precision. every single word packs a punch. absolutely one of my top reads of all time, across time, across fandoms)
When the bones are good by @aramblingjay (a really incredible post-war fic, such a beautiful, rich writing style!! isn't afraid to dig at the hard parts - john's relationship with alcohol, their nightmares from the war. stunning visuals -- the author uses setting and place and motion in such a tangible, real way. I can still see the little hideout spot in my mind's eye, even now. one of those fics that's just. such a treasure to the fandom.)
your dreams, whatever they be by @drylite (this one is super new, and it's just SUCH solid writing!)
You're A Dog (I'm Your Man) by @johnslittlespoon (one of those fics that's a pillar of the fandom for SURE!!! definitely a classic)
#mota fic#clegan#john egan#gale cleven#I LOVE U ALL SO MUCH#you're all so talented and creative!!!!!!#post
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Mischaracterization in the CCCC fandom: a yapsesh (alternative title: Erm... What the Gore is Going On?)
Hi. Woaw. I'm actually making that post I talked about.
So. One thing I've noticed in the CCCC fandom is this weird fixation on gore, torture, violence, etc. Usually a level of graphic content that makes your average horror flick look... pretty tame!
Don't get me wrong, I enjoy horror! I even think a horror story based around psychological conflict similar to CCCC could work well!
But is it just me, or has this fandom COMPLETELY lost track of what the characters are like in the source material?
Like. Let's be real. Nowhere in the album does Soul do gruesome surgeries on Mind, nowhere does Mind go ripping people to shreds like Doomguy, et cetera. The closest thing we have to an implication of violence is what most of us call the "Juno incident"- as even "tines stabbed through eyes" is clearly a metaphor with the next line: "that the sides have condemned."
Im gonna talk ab the characters themselves under the cut
I feel the biggest victim of this mischaracterization is Soul. In the album he's... kind of a victim, really. He toughs out being dismissed and fought over and pushed aside and outright dehumanized for so, so long. Are we seriously just... going to characterize him based solely on his lowest point in TSE? Spring and a Storm and Mucka Blucka are also songs where he's present- along with his presence in Just Apathy that the fandom seems to outright deny to keep their characterization of him as some violent, abusive monster. (Which, again, is quite literally never alluded to! He's honestly kind of a victim, if anything!)
Ohhkay. Next topic. Mind. Oh boy I have thoughts on how people characterize Mind.
He's not emotionless. If you believe this, you've fallen for his stoic facade. All of his songs are just. So full of so much rage. Maybe even a little bit of grief and sadness and fear, masked by said rage. He isn't some emotionless robot- (Heart calls him an automaton as an insult, but that's another rant.) and honestly it feels like such a disservice to such an interesting character with so much unexplored depth to portray him as such.
Heart. Oh boy. Where do I start. Heart what did they do to you.
Heart is the emotional side, yes, but that isn't just some... smol innocent uwu baby who cries all the time. Emotions aren't small and cute and timid. They're INTENSE and PASSIONATE and EXHAUSTING. Strong emotions leave you so, so drained, good OR bad. This is so much more interesting than portraying him as some "uwu hai dere!!" type of character. Which is nowhere in the album.
Whole is hardly even a character. Soul worshipping and praying to whole is fanon.
This fandom's weird obsession with creating shock gore and one-upping each other in a violence competition has spiraled pretty far out of control, and it's honestly crazy. How do you go from an album about internal conflict to violence that would make even the cast of Resident Evil cringe? Brah.
Final notes uhhh. Soul is a victim who got pushed to his limit, not an evil heartless abuser. Mind is angry and unstable and hurt, not some emotionless robot. Heart is the entire emotional spectrum, not some innocent baby. Ok i . I think that's all. Have a good one
#chonny jash#cccc#cj heart#cj mind#cj soul#chonnys charming chaos compendium#cccc heart#cccc mind#cccc soul#character analysis#guh. Guhhhhh#im especially mad ab how this fandom treats soul. what a shocker#hey guys did you know hes my favorite. did you know hes my favorite. did y#i want to see GOOD ANALYSIS OF HIM not him uncharacteristically acting like some mad scientist
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Harry is an orphan, so nothing has to be more important to him than his own sense of what is right. And having always had to rely on himself to get through life, he is self possessed and self directed enough to have a very strong sense of right and wrong. And he holds himself to that scrupulously. He always does what he sees as the right thing; he will not be talked out of it. There isn’t anybody he wants to make happy more than he wants to do the right thing.
For Draco, his obligations to others, his family specifically, is the sum total of his idea of the right thing to do. From his perspective, his social and even moral obligations are limited to safeguarding the wellbeing (and when possible the prestige) of his family.
People think of Draco as a bad boy, but he’s actually very conventional. He’s a dick, but his views are not at all controversial in his social circle. When Draco realizes that toeing the party line has brought him to a place where he has to face MUCH more violence than he is capable of tolerating, he has to start thinking for himself and. Well he gets his shit absolutely rocked.
He’s working his ass off trying to protect and uplift his family, but they didn’t show him the same courtesy, not in the ways that matter. Like he got seven top of the line broomsticks when he was twelve, but also. His parents brought home a mass murderer to live in their house and taught him that this was a consummation devoutly to be wished.
And once he meets Voldemort and gets put to work for him, it’s clear that Voldemort is volatile and capricious and his goodwill cannot be counted on as reliably as his explosive anger and vengefulness. And if Draco can see it now, he must think that his parents had to have seen it before.
He has to confront the fact that his parents will cheerfully witness and participate in a level of violence and destruction that he cannot countenance. He can’t be directed by them anymore. He can’t be like them anymore. So what’s his guiding star? Who can he be? What is he supposed to do with his life if not what they’ve asked of him?
There is such an interesting contrast between the two of them! Their characters are at odds in such a fun and fascinating way! After the Battle of Hogwarts, Harry has discharged his most significant and pressing obligation, and it’s time for him to heal and regroup and figure out what he wants to do with the rest of his life. And Draco is in the same place but arguably with an even more significant blow to his sense of self. Neither of them can go back to the way things were, but for Harry that’s a huge relief, and for Draco, it’s terrifying.
Harry is an extremely empathetic and generous person, and I think he would see himself in Draco’s rudderlessness and feel impelled to commiserate. And I think Draco would no longer have much reason to pretend that he hasn’t always found Harry incredibly magnetic, before he even knew who he was.
#Harry trying to help Draco figure out what to do with his life like#Step one: don’t be a coward#Drarry#Draco Malfoy#Harry James Potter#I guess this is what queen of the weeds is about#I like rambling about them it’s fun to me#Usually I would put a post like this on Peach#Which is silly because almost none of my peach mutuals care about drarry at all
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Some people have been saying this, but I don't think it's been said enough and I'm just going to add my voice to the mix.
Nimona's nomination is being framed as an example of "Look at what Disney missed out on!" and I get it. It's a nice, tasty schadenfreude situation and we all like to see The Mouse get taken down a peg.
But I think we need to be very clear; Disney did not miss out on anything because they were never going to take that sort of risk.
Disney was never going to release anything close to the Nimona we got. It would have been sanded down until anything obviously queer or controversial was as faint and unnoticeable as possible by the casual viewer. And then they would still be too scared of any potential backlash. So they would have given the film a limited release at theatres, with no advertising, or social media or support.
Like what happened with Strange World.
You remember Strange World, right?
No?
That's because no one does.
And I believe that was deliberate, because that way Disney can go "Weeellll... obviously we would LOVEto take more risks and have more inclusive stories but that's clearly not what the public wants!"
Look at the original concepts for Wish. The evil royal couple? The peter-panesque star boy that would have made the gen zers go feral the same way millenials went feral for Jack Frost? These could have been the best things about the movie, and even they were scrapped, and replaced with something more homogenised. And those ideas are nowhere near the level of the concepts and discussions Nimona brought to the table.
Disney can barely have explicit gay people. Nimona has a gay south Asian man in a relationship with an east Asian man. As a protagonist! But more than that, you think Disney could ever come up with a relationship as complicated and difficult as Boldheart and Goldenloin's? They would never have the guts to show one love interest cutting off the other's arm in a straight relationship. Let alone a gay one! And then for them to be on opposite sides of the conflict, shifting between feelings of betrayal, and questioning each other motives? That's some adult dark shit for a kids film.
Asha as a character was forced into the quirky girl role that Disney has already flogged to death with Anna and Rapunzel. You ever think they would allow a Disney princess to be as dark and violent and nuanced as Nimona? You ever picture the titial character of a Disney film AS the third act conflict, rampaging through a city in a self destructive rage? Nimona is anti authoritarian, vengeful, bloodthirsty, a pretty explicit trans allegory, and even, by the climax, openly suicidal. You KNOW that terrified Disney.
I had a thing about the Director here too but I was shocked by how long that got so I'll have to save her for a different post.
My point is the things that make Nimona art, that make Nimona a great story, that make the film important and Oscar worthy, are all things that Disney has become too chicken shit to produce. If Disney had released a film called Nimona it wouldn't have been Nimona. I fully believe that if the film hadn't had been 90% finished it wouldn't have been shelved. It would have been lobotomised and vivisected. Everything special and vital about the movie and its message would have been removed, and no one would have known what could have been. Once again we would have gotten scraps and been thankful for them.
It makes me think about films like Wish (and others we don't know the name of, and never will) and think of what they could have been if studio's like Disney were braver and let their artists make art, instead of content.
tl;dr Disney didn't miss out on Nimona because they are incapable of making Nimona. If they had produced it the real Nimona wouldn't exist. We didn't miss out on Nimona. And that's purely by luck.
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Gotta make a post about my best DunMeshi neurospicy boi
Lotta content out there about Laios' autistic traits but where o where is the Senshi rep?
Senshi's dedication to Dungeon trophic systems makes Laios' special interest look like a well-thumbed pamphlet. (Granted Senshi has had significantly longer to cook; Laios is a baby).
Senshi's limited emoting is baked-in to his character model- that thousand yard stare, most of his face occluded by his habitual helmet (masked, even...... How many folks pine for covid masks obviating the need to manage their faces constantly?)
He overheard someone mention his special interest and Walked Right Up to a Group of Strangers to brazenly asplain them a thing. Marcille makes a bridge-mending bid regarding the mosses in the scorpion hotpot (after her previous truculent outbursts) and he totally deadpans her, because he didn't even notice.
He is VERY COMMITED to his ethical position on dungeon ecology. More than once he's disrupted Marcille Right at the point of release of a spell, after she's been chanting for like a paragraph, because she's going to contravene some principle of his.
Also
Speaking of Marcille, he demonstrates some pretty rigid, black-and-white thinking around magic, that doesn't seem internally consistent. He's repeatedly reanimating magical constructs (golems), an explicitly controlled magical act, but is Very Very reluctant to submit to being charmed with WaterWalk; his spoken reasoning about this just doesn't hold water.
Oh and he's totally neglected his personal hygiene for basically ever. He's averse to cleaning up for the sake of being bespelled, but other than magic, seems fine with getting the salon treatment. This isn't a Toph Beifong 'protective layer of earth', he's just forgotten to care about not being covered with monster gore.
PDA? The fellow has one (1) social skill, namely, he exercises any discretion on opening his mouth to argue. But that holds him back exactly NONE when he decides he's done listening. The first time we see this is gathering Mandrakes, when he doesn't SAY he's done with Marcille's opinions, but he Does just go ahead and exercise his damn autonomy. a MUCH stronger example is when Chilchuck is guiding them through the trap rooms. Senshi gets roundly (and rightly!) chewed out by Chilchuck, and his response isn't the sensible 'sorry Chilchuck, maybe I could walk more directly behind you so I can more closely match your steps', but to BRAZENLY DANCE ALL OVER THE TRAP FLOOR! the only reason that doesn't kill the whole party is The Plot. It's not even that he doesn't appreciate Chilchuck's skill- he just don't like getting chastised! Same with Anne the Kelpie! Senshi's gonna do what Senshi's gonna do! He WILL not be rushed, he WILL not be chastised, he WILL not be directed! How do we think he came to be living in a dungeon all by himself in the first place!!
AND THE BREAD!
THIS IS NOT THE DEMAND OF A NEUROTYPICAL DWARF
Look there's more. After Chilchuck's impassioned and heartfelt plea, Senshi suggests they should return to the surface because they're 'low on seasoning'.
He's a dwarf who turned his adamantium shield into a cookpot.
He can meticulously maintain his mithril cooking knife but not his axe.
He responds well to other characters meeting him halfway but initiates few (no?) such bids himself. There's rarely any guile in Senshi, and when he is being shifty, he's Bad At It- and again, usually its in service of demand avoidance, like when he capitalises on Marcille's toilet break to reanimate his golems.
Senshi is the monomaniac that society has spent Decades trying to iron out of my wrinkly brain.
I hope to see him also find a place in the neurosparkly constellations.
#why no tism love for Senshi#I'm worried it's cos he's ambiguously/fantasy POC-coded#all power to ppl seeing themselves in Laios tho#lotta brain weirdos in this show#dungeon meshi#senshi#autism#autistic senshi#neurodivergent#delicious in dungeon#endless gratitude for the giffers
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Lil rant abt Caine
Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.
The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked
The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!
Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.
This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.
Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.
My favorite Caine lines/line deliveries so far:
"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."
"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"
"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"
"Kaufmo abstracted? Why didn't anybody tell me?"
"Bubble you can't say that"
"-ZOOBLE WAIT!"
"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]
"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."
That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~
"Who knows what could happen..."
Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.
Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]
but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!
#tadc caine#tadc#i'm just here for the free food.#the amazing digital circus#digital circus#tadc theory#tadc thoughts
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Title for the ask game!
"Good Graces"
lmao prim why does this feel like I'm seeing beyonce at the grocery store??? i love your fics!
okay hm content warning for angst, major character death, bad end
Shenbros that grow up alongside YQY and that somehow makes everything worse.
YQY still makes the unforgivable mistake of saving Shi Wu, Shen Jiu still steps in, but now he has Shen Yuan attached to him too. The two get taken into the Qiu household, QJL still develops an obsession with torturing Shen Jiu but now uses Shen Yuan as collateral.. If he doesn't behave, if he isn't perfect, well then, QJL will just see how his little brother does instead. Throughout this all, the two grow even closer, SJ doesn't let the resentment fester because SY is the only thing he still has, the only thing that keeps his sane. SY bandages his wounds in the night, holds him close, brings him into QHT's circle of safety with clever words whenever possible. He is the only good thing in the world now that Qi-ge is gone. They just need to wait for him to come back, and things will be fine.
And surprisingly, he does! This universe smiles down on SJ for once and shows him mercy. YQY looks like a prince standing behind his shizun, regal in his fine robes, and handsome in the way that well fed nobles can be. SJ tries to focus on the negotiations, but his eyes keep drawing back him yqy's face, awe and hunger at war. It's because of this that he misses the way SY goes stiff, head swiveling between the cultivators in silently growing horror.
The negotiations are easier than SJ ever thought they would be, his and SY's lives are traded from one hand to another like any dirty coin. The only difference being now they are indentured servants, their contracts having an actual time limit, the conditions of which only require them to be CQMS disciples until YQY becomes the new peak lord.
Which is...fine. More than fine, even! SJ is convinced that if he really wanted to, he could convince YQY to runaway with them afterwards. When he tells this to SY he's shocked by his insistent refusal.
"No, we have to stay at CQMS. No matter what."
Whatever.
For 15 solid years, SJ's life is good. He stakes his claim on YQY as soon as he realizes there are people interested in him, shamelessly making himself at home by his side. SJ excels at QJP, determined to be the one YQY can rely on. If SY insists on staying at CQMS, then SY will just have to make it theirs.
(years down the line is experiences gleeful joy at seeing people's face twist when it's revealed he's yqy's spouse.)
SY in all of this, is living in crisis mode! His brother is the scum villain and is going to get qi-ge killed! Why the FUCK did Airplane never mention any of this!!??? No matter how badly he wants to fuck off to the beast peak, he doesn't! He stays firmly on QJP, taking on all the duties that deal with the new disciples to keep them as far as fuck as he can from Shen Jiu's clutches!! When YQY and SJ finally ascend as peak lords, naturally he continues handling any responsibilities of SJ's that deal with one-on-one contact with kids. And honestly? That's the ideal! SY's cultivation has never been as strong as SJ's, he's not the one meant to be the protagonists' narrative foil after all! He can coast by on teaching the fundamentals!
In SJ's eyes, SY continues to be his filial younger brother, taking on the burden of the tasks SJ hates. He spoils him, when possible, in the way only SY and YQY ever seem to understand. They are the only two good things that have been and always will be his. He doesn't need anyone else.
And then NYY arrives, and no one is more surprised than he is that he looks forward to teaching her the guqin, delights in how quickly she picks up the erhu. He doesn't understand why SY looms nervously whenever she's near, is irritated when he starts to suspect why. It's their first huge blow up.
And then the boy arrives.
He can't explain why this particular disciple is so repulsive. Why the dirt seems to stick to him, no matter how clean he is. Filthy fingerprints on grasping hands. Wretched thing has a certain look in his eye, a hunger SJ knows will be ruinous, insatiable. Just the way he trails after SY is enough to make him spit! And SY has always been a soft-hearted idiot, falling for the urchin's sob story! Just as obsessed! If they don't nip it in the bud now, they'll be rumors about them. The kind of things that pull righteous cultivators down from the heavens!
YQY listens to all of this indulgently, combing oil through SJ's hair and kissing his temple. As always, no matter how hard SJ tries to hold on, yqy always manages to pull him from his mood.
"What's wrong with having a favorite?" "It's not the same and you know it!" "He's just a child, if you let Liu-shidi back on QJP, it won't even be an issue."
Lots of grumbling about toads wanting swan's flesh. They both know the root of the issue is just that SJ can't let anything that's his slip out of his grasps. His love is all consuming, kept close to his chest in the fear that it will be stolen away.
LQG is not allowed on QJP, instead, SJ starts to teach more. Tries to test LBH relentlessly, waiting for him to fail so he can prove a point. This makes things worse between the brothers, more and more arguments come up until they resort to childhood tactics of wrestling across the floor of the Bamboo house and ripping out hair. SY breaks a hair pin he knows YQY gave him, SJ tears one of SY's manuscripts on abyssal fauna in half. The fallout is ugly enough that Binghe and NYY run all the way to QDP, breaking past the sect leader's chief of staff about the impending death of YQY's husband and/or brother in law.
Kneeling in front of an amused yqy, bruised and with bald spots, both brothers Shen explain their case, each threatening YQY not to show favoritism to the other. The proposed solution is to have LBH spend some time on Qiong Ding Peak, at least until he's qualified to go on night hunts on his own. SJ is fully convinced he's won, is ready to smugly denounce any comments about Qi-ge's blatant favoritism.
Neither expect SY's eyes go wide, for him to lean forward until he's crawling to yqy's side in excitement. Luo Binghe's praises fall from his mouth like honey. SY's running to his room for a brush and paper, outlining lesson plans and tasks LBH can take on to learn about all the good CQMS does for the realm. To SJ's revulsion, SY badgers YQY until he promises to include one on one lessons. QDP already has a head disciple, there's no harm in it, right?
In Shen Yuan's eyes, a light from the heaven's has shined down on him. Invisible to all, the system flashes an exclamation point above yqy's head, offering an alternative option to saving the sect.
[MISSION OBJECTIVE: SHIBOS GOOD GRACES]
[DO YOU WISH TO ACCEPT? Y/N ?]
It's perfect! No matter how much SQQ hates LBH, the combined forces of SY and YQY will stand united against him! The sect will be saved and SY will never see his white lotus darken! Maybe, and he's nearly salivating at this point, LBH might even consider staying at the sect and becoming the next QJP lord! It will take, of course, years to soften up SJ to that point. But really, when has he ever said no to SY when it truly mattered? He just needs to suck up and live in Shen Jiu's pocket for a little, it's fine! This will be easier than the time he accidentaly came back with several short haired monsters after a mission with LQG and needed a place to keep them! And now they farm them for brushes!
SY sleeps soundly for the first night in years, comforted in the knowledge that LBH's work ethic and stubborn tendencies will surely endear himself to YQY eventually. And then, one day, he knows with certainty, that if he's not there to protect LBH, YQY surely will.
The Immortal Alliance Conference is as disastrous as it was always going to be. There is a countdown floating ahead of Shen Yuan that only he can see. Sweat is pouring down his face as he fights his way after demons he once dreamed about. SY lost track of his brother ages ago, the two separating to different crisis points to save as many disciples as possible. At the three minute mark, bright blue laughing kaomoji offer their congratulations, informing him that the inmun requirements for SHIBOS GOOD GRACES have been met.
SY nearly collapses with relief, his steps slowing down a fraction, just enough to catch his breath. Fuck teaching the fundamentals to scholars nerds did not help him retain cardio! The times is in it's final seconds when he makes it into a clearing, eyes blinking rapidly in disbelief when he passes Xiu Ya embedded into the forehead of a Black Moon Rhinoceros Python's skull. Then, just further ahead, Shen Yuan's heart falls nearly out of his chest.
There are tears streaming down Luo Binghe's face as he tips backward off the cliff. The huadian beneath his messy hair shines a bright red, the soft glow reflecting off Yue Qingyuan's black pauldron. The sect leader, his da-ge, is slumped against Luo Binghe, arms in a tight embrace, an unfamiliar sword piercing him in the back as the two tumble towards an abyssal rift.
The wail of a dying beast pierces through SY's stupor, SJ stands with a blackened hand outstretched, only steps away from following the only man he's ever loved. Shen Yuan moves faster than he ever has before, half blinded by notifications he's never seen before. Something about heartbreak points, swords, and narrative foils. He doesn't care! He doesn't care! SJ is writhing in his hold screaming like a madman, over his shoulder Luo Binghe is getting smaller and smaller, Yue Qingyuan's robes fluttering around them like broken wings. Screams echo through the clearing long after the rifts have closed.
"I'M SORRY I'M SO--"
"QI-GE YOU BASTARD! YOU PROMISED YOU WOULDN'T LEAV-"
-
Five years later, Luo Binghe returns to Cang Qiong Mountain Sect, notably missing the great Xin Mo sword. The protagonist kowtows in the bamboo house, forehead touching the floor and arms extended out to present a mahogany box of bones and a long sword with a plain scabbard before an alter. Shen Yuan kneels next to him, chest shaking with labored breaths, he follows suit with is forehead pressed to the floor. From his peripheral, he can see the way Binghe's shoulders have started to shake, a puddle of tears collecting just beneath his face. A tally of points starts to flash above the boy, Shen Yuan closes his eyes, another useless apology passes through his mind.
"Gege was right, Qi-ge came home."
#lmao wow this got way out of hand#i'm not rereading this these typos are between you and god now#ask game#svsss#yue qingyuan#shen jiu#shen yuan#ignore all the plot holes i just wanted angst as soon as i read the prompt#10thmusemoon fics#muse talks#xuan su helps lbh eventually escape#he doesn't go insane from xin mo after finding it#instead choosing to use his shibo's sword#this saves his sanity despite the close calls with grief#the demon realm remains unconquered#lbh just wants to go home just wants to lay yqy to rest and beg for forgiveness he'll lead a quiet life after this he'll fade into obscurit#if the shens wants nothing to do with him but he HAS to bring yqy back it's the only thing that kept him from lying at the bottom of da aby
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thinking about book 6 battle simulations
I was thinking a lot about book 6 lately! (Not for any particular reason, I was just ruminating, haha...)
During the examination segment, Riddle, Azul, and Vil were put into one group and Jamil and Leona were put in the other group. Idia then put them into VR simulations in which (simulated) Trey, Jade, Rook, Kalim, and Ruggie approached the subjects to upset them. This is for the purposes of STYX to gauge their combative capabilities and blot accumulation. What I noticed on another read of these parts was that Idia makes sure to inform all the subjects they are about to enter a VR simulation BEFORE they dive in... and yet despite this, group 1 (Riddle, Azul, Vil) was still caught off-guard when Trey, Jade, and Rook attacked them. Meanwhile, Jamil in group 2 automatically defers to Kalim but Leona is the one who notices something is fishy about the situation. Now, now... this is interesting 👁️ Why might this be, I wonder~ (You bet I'm going to analyze the heck out of these small details!)
***Main story spoilers up to book 6!!***
First thing to consider: it's possible that perhaps the characters don't fully understand what "VR simulation" is, as most of them did take a while to come to their senses. Of the 5 subjects, Riddle is the most likely to fall into this category. He seems to be slightly confused by the concept of a "virtual space" when Idia explains the examination to them (which likely conflicts with Riddle's very traditional understanding of "tests"). Furthermore, Riddle has expressed in Endless Halloween Night that his mother did not allow him to play video games or to watch TV so he'd usually do crosswords or solve other puzzles for fun. He's not completely technologically inept (like Malleus), but Riddle does have a somewhat limited scope of how items and procedures are to be used, especially if it lies beyond its normal means. It's likely that he has not thought of VR simulation being used in the scenario in which he finds himself in now.
The other 4 subjects, however, most likely understand what VR is and shouldn't be confused by the simulation. Azul is very savvy and keeps up with trends, which can factor into his business(es). He even brings up streaming as a potential source of revenue in book 6; man has his fingers on the pulse of pop culture to know what will sell. Vil, being a celebrity and the leader of the Film Research Club, must have an understanding of various technologies used to achieve certain effects (especially as director of his own projects). Jamil constantly deals with Kalim's requests and, being in Kalim's social bubble, must get exposure to all kinds of crazy technologies. Leona, being a knowledgeable prince, surely must understand the concept of VR simulation.
Okay, so... why did they (mostly) still get "tricked" by the simulation anyway? The key words today would be "trust" and "dependence".
Thinking about it, there's one thing that separates group 1 from 2: the boys in group 1 have a tendency to rely on others for support and validation whereas the boys in group 2 are consistently shown to be more independent than their peers (even if they, too, seek validation). Let's go through them one by one!
GROUP 1
Riddle
Riddle is presented as a tyrant that rules with an iron fist, particularly in book 1 where he stars as the main antagonist. However, it's also pretty blatant that Riddle has become increasingly aggressive due in part to others enabling him. Ace specifically calls out Trey for this, saying that his failure to intervene or to quell Riddle's temper has resulted in Heartslabyul students suffering for it. Cater is also complacent, as he and/or Trey often follow Riddle's orders and remove Adeuce from the dorm multiple times in book 1. Riddle relies on these upperclassmen to listen to him and carry out his bidding, and he feels validated when they do. It's a lesson he has learned from his mother. He is the most powerful, and therefore he should be the most correct. Notice how Riddle is quick to anger when others refuse to obey him and how often he demands for them to conform. He becomes enraged when the Heartslabyul mobs rebel and chuck an egg at him. But what hurts him most of all is, perhaps, Trey turning too. Riddle was mad about the mobs acting up, yes, but he still did not overblot. Not yet, at least. No, Riddle overblots only AFTER he tries to attack Ace with the rose trees... and Trey steps in with his UM to overwrite Riddle's collar, turning it into cards. Trey's relationship with Riddle cannot be understated here. In this very moment, Trey, Riddle's childhood friend (one of his first friends), vice dorm leader, silent yes man, his most trusted confidant, has betrayed him. He is proving Riddle wrong, that the most powerful mage is not the most correct. "Are YOU going to tell me that I'm wrong too? After all I've done to protect the rule of law?! [...] I... I refuse to believe this!"
From these examples, we can clearly see that Riddle is someone who is reliant on others--not that he isn't a capable mage, but rather he is reliant on others for his own sense of self-worth. Indeed, even in his post-OB flashback, he indicates feeling proud and excited when his mother praises him for good grades or successfully performing a spell. This is reiterated many times over in book 1, in which Riddle feels satisfied and even smug when his students fall in line, and spirals into uncontrollable rage when they don't. There are a select few whom Riddle has chosen to place his faith in, and Trey is one of them. Trey, who gave him his first slice of strawberry tart and has been supporting him as his vice for over a year now (since Riddle became dorm leader in his first week as a first-year student; now is the start of Riddle's second year). That's why he feels so hurt when Trey is suddenly chastising him, telling him that he's behaving irrationally.
If we reexamine Riddle's post-OB flashback, you'll notice that Riddle says he is lonely without every outright stating the word "lonely". The phrasing makes it sound as though Riddle does not understand his own loneliness, like he doens't even know the word or want to acknowledge it as reality. He is awkward and unsure around Trey and Chenya, who invite him out to play. He follows his mother's rules because he believes that is what will bring him happiness. He wonders why, in spite of following all those rules, he still feels hollow inside. Then, once Riddle has awoken, he confesses that he always wanted to play more with Trey, and that he wants to talk with everyone after a meal. Riddle. at his core, craves companionship rather than dominating his peers. Trey was one of the few friends he ever had, and so Riddle puts a lot of stock into his support. This may be why he was quick to believe the fake Trey in the simulation, and why he looked so shocked when Trey started attacking him. Here is a boy who has already been betrayed once, experiencing that same betrayal again at the hands of his childhood friend. How scared must he be of losing his oldest friend, of Trey turning his back on him or seeing him as a monster? 😭
Azul
Due to the bullying he experienced in his childhood, Azul works very hard to maintain a new image of someone who is cool, confident, and composed. Part of that is passing himself off as someone who is large and in charge, while posing Jade and Floyd as his lackies who do whatever he tells them to. The reality of the matter is that the twins are very much... there to do their own thing, and they just kind of go along with Azul's schemes because they seem to be a lot of fun. When you stop to consider it though, Azul definitely puts a lot of trust into the Leech brothers even though they're both shady and can be flippant at times. It's the twins going around and advertising Azul's services to the student population. It's the twins who help him expand his business and acquire new items (as all three's Dorm Uniform vignettes are about the Octatrio conspiring to acquire the rights to and/or advertise their new drinks). It's the twins who are asked to run the Mostro Lounge whenever Azul is absent. Time and time again, Azul falls back on Jade and Floyd. They've been with him since middle school.
In book 4, both Azul and Floyd insist that they aren't really "childhood friends", but they do consider each other "equals". As Azul describes it, "I strongly doubt Jade or Floyd have any binding allegiance to me. This is all and elaborate game of pretend to them. [...] If I made a poor choice as leader--or even simply a boring one... They would turn on me instantly and seize the dorm leader seat for themselves." Floyd follows with, "We ain't got any plans to challenge him, either... for now, anyway. Aha ha! [...] We stick with [Azul] now 'cause it's fun. If it stops bein' fun, we drop him like a bad habit. Easy." The twins and Azul are both very aware that their relationship is a temporary and transactional one. Azul himself has even fully considered the possibility that Jade and Floyd may one day turn on him. This is all true--however, I also believe it's possible that the Octatrio are not being entirely truthful to themselves and do actually care for one another beyond the confines of their business ties or "having fun". In book 3, Jade and Floyd sense that something is wrong, and their immediate thought is to go check on Azul because of this gut feeling. Jade warns Azul of the consequences of misusing his UM. They are also the first to check on Azul after his OB and insist that he rest and find it within them to gently tease him over the situation. Even the way they address each other is "special". Jade and Azul have a tendency to be polite and use the honorific "-san" after everyone's name... except for each other and Floyd. Floyd, meanwhile, tends to give everyone a nickname... except for Jade and Azul. They drop these naming conventions within their group because that's how much they know and trust each other. Further proof of this is that when Floyd first meets Azul in the post-OB flashback of book 3, he calls Azul "Octopus-chan". Azul used to have a nickname, but no longer has one. This implies that a lack of a nickname actually indicates that Floyd is more intimate with someone than if he had nicknamed them. The same goes with Jade and Azul, who are usually so formal and polite.
I've already established that Azul acts in ways which indicate that he is close to the twins, as much as he tries to deny it and come off as tough. He drops the honorifics for them and he trusts them to do his bidding. What I find most telling, however, is when Jade and Floyd check up on him right as he's about to OB. "Jade! Floyd! Ahhh, you've finally come back to me," Azul says (if you listen to his voice, he sounds SO relieved). "Would you believe that thanks to these FOOLS, I've lost all of my contracts? Which is why I'm going to need your powers now. Come on, give them to me!" This is notable because, prior to this, he was forcibly ripping powers out of mob students. But now with the twins--Azul makes a CONSCIOUS decision to ask Jade and Floyd for them to willingly give up their powers to him. Azul is emotional and acting without tact here, but he STILL stops to ask the twins for them to surrender their magic. He cares about getting their consent specifically. When the brothers deny him and Floyd says Azul has become lame, that's when Azul snaps. His loyal henchmen are refusing his request and he's lost all his accumulated wealth. He's going to become the weak, friendless crybaby he once way all over again.
Knowing all of this, it makes sense why Azul was as startled as Riddle was when the simulated Jade attacked him. Azul claims that he anticipates this day--but he still seems to disturbed when it actually happens. It's true that perhaps this surprise comes in part from Azul having no indication that the twins were getting bored of him, so this is coming out of left field in his perspective. But... it could also be that he's hurt by the sudden shift, even if he and the twins have been telling themselves all along that they'd toss each other out without a second thought once they lose interest. This calls back to Azul's concerns right before he overblots: that his "business partners" (whom he refuses to call his friends) have lost interest in him and will now leave him alone and with nothing. He relies on the brothers not only for labor, but as his company and his confidants. When that's taken away from him... what does Azul have left that's worth anything?
Vil
Vil is another person who typically passes as very independent. He looks after himself quite well and is often the one nagging others to do the same. The thing with him is... he's still a celebrity at the end of the day, and a celebrity like him is always aware of his public image and the eyes on him. That's Vil's Achille's heel: as a celebrity, he is constantly concerned with how others perceive him. This is a lesson he learns in book 5--that he shouldn't let other people's judgment of him or a silly popularity contest determine his self-worth. Ah, but let's remember... book 6 begins like a mere DAY after book 5. Sure, Vil's character arc may be over, but that does not mean that he has suddenly completely changed. Up until yesterday, he was aggressively training to overcome his rival and to show the whole world his true beauty. Vil still, to some degree, finds value in how he looks and how others see him, as it strongly ties into his career. To this end, he sees Rook as a valuable individual.
Now, there's a lot of contention about whether or not Rook is a good influence on Vil or not, as some interpret his commentary as derogatory or unnecessarily critical. I'm not going to get into that; here, I am going to speak plainly about how Vil himself views Rook's feedback. In Vil's Labwear vignettes, he confides in Trey that he relies on Rook's keen observational skills to reflect the truth back to him. A celebrity must look at his best, and he can count on Rook to not mince his words and point out even the most minute of changes at a quick glance. (Vil himself is also extremely strict with himself, but lacks the superhuman abilities that his vice dorm leader does.) Rook has been doing this since long before he even transferred to Pomefiore, critiquing Vil's performances and such, not just his looks alone. This led into long discussions and debates between the two, which demonstrates how much Vil values Rook's perspective. Even back then, Rook was one of Vil's greatest supporters, but not exactly a totally blind "yes man". He is offering the kind of feedback that Vil seeks, not empty, sugar-coated niceties. This is why, in spite of his betrayal at the end of book 5, Vil eventually accepts it, as he trusts Rook's keen eye and judgment. What's interesting about book 6's examinations is that Vil seemingly takes charge of his group. When approached by the simulated classmates, Vil steps up and, after a moment of silence, says, "No... It's nothing. Let's go." (Vil is known as a skilled actor and can easily sniff out an act himself. Was the silence hesitation as he, Azul, and Riddle reevaluate the scene? Hard to say, but I'm assuming that STYX's state-of-the-art tech was able to perfectly simulate Rook, and thus confused Vil and co. for a while.) Rook strikes him with a spell, and that invokes a great emotional reaction from Vil, who seems to be the most aghast of the group. The fake Rook then declares that he's going to claim the dorm leader seat from Vil, which shocks him. "As you know, I appreciate beautiful things. Hence... I can hardly allow someone who's acted as ugly as you to occupy the Fairest Queen's throne!" The scene then cuts away to a battle. Now, while we don't get any extra dialogue from Vil to show his reaction, one interpretation could be that he was stunned into silence. Why is this a believable occurrence? Because the fake Rook called Vil out for "ugly" behavior. This is significant because back when Vil was overblotting, he was desperately shouting for people to "not look at him" because he's "so ugly". Here, ugliness does not mean literal ugliness or something that is visually unappealing. The "ugliness" being spoken of refers to being morally rotten, as Vil was speaking on his guilt after resorting to dirty tactics to try and take out his rival (when he had previously sworn to win on his own merits alone). The simulated Rook might be referring to this, which induces great shame in Vil, who is aware of the weight of his sins. Heck, book 6 even starts with Vil taking accountability and sincerely apologizing to the whole NRC Tribe for causing them trouble. Vil blames himself for their team losing, as it was his OB that forced them to fight and physically wore them out before their big performance. "What does it matter who forgives me?! I can't... I can't forgive myself!" He may still have lingering guilt regarding this incident, hence why he's the one predominantly reacting when the vice dorm leaders betray group 1. His mirror and huntsman, who speaks only the truth to him, now tells him of his ugliness. What else can that be, if not the truth reflected back at him?
GROUP 2
Jamil
To be clear, Jamil did not automatically go after the simulated Kalim. He automatically defers and tries to go along with his dorm leader (and only starts fighting once Leona declares the simulation for the sham it really is). Why? Surely Jamil is sharper witted than that. To this, I say... of course, it's just that Jamil's so used to being a servant that he reverts back to submissiveness as soon as he's put in a circumstance where there's a power dynamic. He’s not the one relying on Kalim—Kalim is often the one relying on him. You need proof of Jamil's servile mindset? He was intentionally talking down his own skills ever since book 4 and, according to Azul, has been purposefully maintaining painfully average grades (which, in of itself, takes a lot of effort). Admittedly though, those are conscious choices, not unconscious ones. But how about back in book 5, when Vil announces him as one of the lead vocalists and Jamil's immediate reaction is not to accept it, but to humble himself and insist that Kalim would be better suited for it (when Kalim actually isn't)? Jamil has to stop himself, back up, and accept the nomination, which he has earned for himself, rather than relinquish it to someone less deserving. Years and years of serving someone else, forced to play the part of the inferior servant, will beat that attitude into his mind, regardless of how much he resents the position.
Even now, Jamil feels like he usually has to follow someone else's lead. Leona, the upperclassman and dorm leader, provides that lead for him in the VR simulation. This leadership + independence is something they would butt heads over later in book 6, as Jamil begins to act overprotective of his current charge (Leona) as he does with Kalim. While Jamil has played the part of Kalim's attendant and childhood friend, the reality is that Jamil cannot stand those roles. He desires to stand out and to be recognized--something which is evident in book 4. Before he brainwashes the Scarabia students, he's always framing himself in a positive and helpful light to them and speaks humbly about his abilities. After he brainwashes the Scarabia students, he has them heap him with praise that he had never gotten in his childhood. In the post-OB flashback, we see Jamil's parents scolding him for outperforming Kalim, even in something as simple as a game. The headmaster of a great arcane academy overlooks him in favor of someone far less capable.
Jamil knows he can be great, but he's intentionally being told to not reach those heights. He feels stifled and trapped, and no one understands his plight that he cannot escape from. This results in Jamil distancing himself from others and coming to rely on himself and himself alone to make his wishes come true. He can't rely on his family, who are beholden to their legacy of being servants to the Asims. He can't confide in friends because none of them are quite like him, and Kalim would ignorantly brush it off. He can't tell third parties because, as Crowley as demonstrated, they dismiss him outright. Jamil, as he acts throughout book 6, is doing so in an effort to find his own strength and to be able to act on it with the freedom he seeks. To play support not because he has to, but because he, the individual, wants to. As Jamil states before overblotting, he wants to "be free" from these precarious circumstances where a wrong move could doom him and his family... but he only has so many liberties to work with. This leaves him in a strange limbo situation where he still isn't fully independent but desperately wishes to be. We see him fighting against the restraints, and to varying degrees of effectiveness depending on the context and his state of mind within that context.
Leona
From a young age, Leona seems to have worked tirelessly to obtain recognition. Like Jamil, Leona was in such a position (second-born prince) that, despite his efforts, he kept being rejected and beaten down again and again. As we see in his post-OB flashback, this is what eventually broke Leona’s spirit and made him develop a pessimistic outlook on his prospects for the future. The thing is, even though Leona does not really have hope for himself, he still manages to inspire hope in other people, from underclassmen to the students of his dorm. Book 2 is entirely about Savanaclaw looking to Leona to save their own futures, and him trying to do so for their sakes. His club mates extol how he can so quickly hone in on their best skills and advise them on how to sharpen those skills. Jack admires Leona’s plays, so much so that he wished to one day play alongside Leona. He’s even able to get beastmen of different species to get along and live peacefully under his rule when this has historically been difficult for his older brother to manage. All in all, Leona has all the makings of a leader. He stands out from the crowd, knows when to leverage his power and intelligence (playing smarter, not harder), and commands with ease.
… That being said, Leona’s presence can be so powerful at times that it’s also isolating. This was the case for his childhood, which is depicted to us as many palace servants being fearful of Leona’s devastatingly strong magic. He also uses this strong magic against his dorm mates when their intentions clash in book 2–and he comes close to killing someone in the process. He’s also just notorious in general for being grumpy or unfriendly toward others, including one instance in book 5 when he seems upset that you’ve showed up in his classroom. Leona drives people away from him, whether because of his strength or because of his prickly attitude.
At the same time, i would also describe Leona as a tactician that keeps some degree of distance from those he commands. He makes it clear he's willing to use others to achieve his own goals and does so many times over. Book 2, when he tries to take out Malleus to help his dorm leaders while also trying to prove to himself that he's capable. Book 3, when he helps Yuu and co. dissolve the contracts including one of his own he made with Azul, etc. Leona knows how to best use his own abilities, as well as those of others. That's what makes him so formidable--he can read others and judge the situation extremely well, and he knows when it is smart to fight and when to tactically retreat (such as in book 6, when he immediately surrenders to STYX agents rather than make a scene). Leona is a self-sufficient man.
There’s the question of Ruggie, of course. Leona is often depicted as lazy and relies on Ruggie to do many daily things for him, such as laundry or fetching food. This obviously throws a wrench into the claim that Leona is more "independent" than those in group 1, doesn't it? He doesn't even come close to Jamil, who actually does all of these tasks himself. Well, not exactly. I don't think "independence" here really comes down to that alone. Riddle, Azul, and Vil all relied on Trey, the twins, and/or Rook to some significant degree to inform their own senses of self. Jamil had this belief of deferring to his "betters" (the Asims) instilled in him, regardless of his personal feelings on the matter. And Leona? Leona does not significantly rely on Ruggie for his self-worth (dude was 100% going to sand him in book 2). Yes, Leona was likely looking to help his dorm members in part to prove to himself he is capable of leading a pack, but he gives up when he realizes it was a fruitless effort. He doesn't become reinvigorated to keep it up or to try again, even when his dorm members (Ruggie included) plead to him. Leona is acting selfishly, and he refuses to acknowledge their perspectives--he's set in his own ways and is driven by his own thoughts, not those of the people around him. Perhaps this is what allows him to discern truth from lies with such clarity, as it is Leona who rouses Jamil to his senses and leads the charge against the VR simulation Kalim and Ruggie.
#twst#twisted wonderland#Riddle Rosehearts#Azul Ashengrotto#Leona Kingscholar#Jamil Viper#Vil Schoenheit#Idia Shroud#disney twisted wonderland#disney twst#book 6 spoilers#notes from the writing raven#Trey Clover#Ruggie Bucchi#Cater Diamond#Jack Howl#Savanaclaw#Octavinelle#Tweels#Jade Leech#Floyd Leech#Kalim Al-Asim#Scarabia#Rook Hunt#twst analysis#twisted wonderland analysis#twisted wonderland character analysis#twst character analysis#Ace Trappola#Dire Crowley
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The Heart Killers EP1: Early Hints into Kant's Backstory
Kant is shaping up to be a very intriguing character in my opinion, and no doubt more so thanks to Khaotung's gushing. We've already been given a number of early signposts towards Kant's backstory, so this is my recap and speculations on what we know so far.
THE SKILLS OF A THIEF
We're shown through a flashback that Kant used to steal cars and sell them on - a series of crimes which Captain Chris agreed to disregard in exchange for Kant's previous assistance on his cases.
The natural question to ask would be why? Why was Kant stealing cars? If I were to hazard a guess, possibly due to dire financial straits where this was his only means to support his family. Bison comments, "from your car and how you dress, you don't look like a typical tattoo artist, you know? More like those uppercrust tattoo artists." Kant retorts he just makes enough to get by. I wouldn't be surprised if he and his brother did grow up in some form of poverty or limited means. It would then make sense then why Kant is so driven to support his brother's dreams - because they've felt so out of reach.
The other big question on my mind is why involve Kant? Did Chris see this as a form of charity or rehabilitation for a wayward youth, or an opportunity to exploit a boy who happened to possess valuable skills? "Keep your eye on you and your brother's future. You're a smart brat. You'll find a way." Either Chris is a dubious cop with questionable methods (including coercion), or Kant is a budding criminal mastermind whose too slippery not to be kept on side by the police. (If anyone remembers the Leonardo DiCaprio film 'Catch me if you can', the film's young protagonist is extremely adept at fraud and once caught, is then hired as a fraud detective due to his knowledge and experience of such crimes).
There has to be more than just Kant's history of stealing cars that has Chris so confident in his ability to help with this specific case. And to tackle hitmen of all things where Kant's life could be in serious danger.
AN ELUSIVE FATHER
Kant's parents have not been explicitly mentioned, but references to his father have been implied. They certainly don't live with parental figures so Kant appears to be Babe's sole legal guardian. As he's now 29 years old, Kant may have taken Babe with him once at legal age, or after reasons that kept their parents out of the picture.
In Kant's first scene, he gets a call from a contact named "old fart". My immediate hunch is this could be his father. Moreso, Kant looks visibly exasperated so they're clearly not on the best of terms.
I may very well be jumping here, but something has me speculating if Kant's father had any influence on his car theft; whether his father was the one who taught him how, or was in some form of trouble that Kant stole cars to fend for him and his brother out of desperation.
On a contrasting note, Kant does mention that his father left him his car, a possession that seems particularly dear to him as he's constantly warding off Style's attempts to pry it from his hands. It later becomes the very demand Style bargains for in order to agree to help distract Fadel, and Kant is visibly reluctant to let it go. Needless to say, his relationship with his father may be complicated.
BROTHERLY AFFECTION
We haven't been told Babe's age, but he's been seen wearing school uniform in some BTS photos - so late teens would be my guess. Babe expresses an interest in English literature and Shakespeare, vowing to visit the UK eventually to see his plays in person. If the two brothers did grow up under difficult circumstances, it would be safe to assume that such academic pursuits and going overseas would seem like a luxury, and very much aspirational rather than realistic.
Despite this, Kant is clearly very supportive of his brother's interests and wellbeing. He's very fond of him, and Babe is the sole motivation for why Kant is blackmailed into assisting Chris. This love goes both ways. Babe doesn't ask too many questions about what Kant gets up to as long as he's being safe. He looks happy for him when he spots Kant and Bison together.
I wonder if he has any idea of Kant's criminal history or that he's been assisting the police. My instinct would be no, as Kant would likely be inclined to protect his brother or to prevent him from worrying.
If anyone knows Thai and can translate, I'd be interested to know if there are any notable tidbits visible on Kant's criminal file (above).
You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs. Probably worth reading my analysis on the FK's character interviews where some of these points are touched on.
#the heart killers#the heart killers the series#THK#THK meta#kantbison#kant pattanawat#first kanaphan#no novel spoilers pls!#khao: i love p'kant even more than yok#me: ERM that's saying something BUT WHYYYY i need to KNOW#i'd like to see babe become captain of the kantbison ship#i would also welcome babe and bison bonding time#just babe and bison being kant's favourite kiddos
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WAKFU REDESIGN SERIES PART 3 - ADAMAÏ
Hiya, Im back lmaooo - took me long enough
I have been struggling with Ad's and Am's design so much. I dont know why. With Amalia, Im going to have to start over- again- 4th times the charm Im sure - but I finally finished this little guy!
ADAMAÏ IS MY FAVORITE CHARACTER GUYS IM SO EXCITED ABOUT THIS I LOVE HIM SM
But anyway, here is the final (human form) design:
Im aware he has multiple forms since hes, you know, a shapeshifter, and Im going to add them i promise but im like super tired and burnt out from the rest of my mortal life rn
Anyway, to the DESIGN.
Honestly, Adamais og design kinda sucks. Im sorry (not rlly). He doesnt look similar to Yugo at all - YES I KNOW HES A DRAGON - which bothers me a lot, even his color scheme is a lot different from his literal twin...
In my version, I wanted Ad to look deer-like at first, since I gave Yugo deer features, but then I drew him over and over again until I got this fusion of a moth and a lamb or smthing..
I don't know, but I really like it!
The outfit he's wearing is actually what I plan to be an official eliatrope/dragon robe? Both Grougal and Qilby will be wearing it and - potentially - Yugo in season 3. It has some portal imagery (the spiral on the back), and I don't know I just think it's neat!
ALSO WAKFU FRECKLES-
Season 1
Ad has been raised by Grougaloragran (least complicated name ever, wtf Ankama :3) and with Eliatrope/Dragon traditions, so hes very knowledgable of the now dead culture and values it very much. He loves talking to Yugo about it (he gets almost bored sometimes, but he would never admit it to Adamaï).
He, just like Yugo, is extremely curious and loves studying the way Wakfu works and its limits.
And mainly, he loves Grougal, whom he sees as an idol and a father figure. Which is why hes so hurt when he gets killed by Nox.
It feels like the whole world is collapsing on him. His mentor, care-taker, father, LITERALLY THE ONLY OTHER "PERSON" HE EVER INTERACTED WITH AND THE ONLY OTHER DRAGON ALIVE, is gone.
Adamaï has noone. Well- almost noone. Theres this little 12 year old Eliatrope, his only hope, his only anchor.
And he asks you: "Uh, sorry, whats your name again?"
Season 2
HAHSHA LETS TRAUMATIZE THE BOY!! (Even more than he is) Like I said, Adamaï values his culture and people very much, so I assume he would get very, I mean extremely attached to Yugo. However, Yugo is not actually interested in the same things Adamaï is interested in, which makes him a little bit more avoidable of Ad than he should be, given his emotional state.
Not that we blame him. So instead Ad seeks out a new anchor, a new mentor, a new... idol. Who is that you may ask?
Well, it's Qilby of course. Now here's where the funny trauma part happens, because Adamaï starts blurring the line between Grougal and Qilby.
Qilby's mistakes suddenly don't matter as much because Adamaï cares about him as much as he cared about Grougaloragran even though they don't know each other that long (which is the core of the problem).
Anything he'll be does that is morally questionable suddenly isn't bad, because that's not the mentor that Adamaï was raised with ‐ he trust Grougal completely, so why should Qilby be aby different?
So when Qilby betrays him, Adamaï is all the more surprised and hurt. It doesn't help that he really doesn't want to hurt Qilby: Even though he finally realizes that Qilby is a bad person, Adamaï still sees him as an anchor. He might be bad, but other than Yugo he's the only other person Adamaï has.
So of course he loses the fight, of course he gets captured – he doesn't actually want Qilby to get hurt.
Season 3-4 (5?)
Okay let's make one thing clear, I'm a bit of a hater.
Like I genuinely really dislike season 3 and what it has going on with making Adamaï a villain? I really don't think it fits his character, and I would much prefer for the story to have Yugo and Ad grow closer and revive their culture despite all the horrors and terrible things that have been bestowed up on them - But the writers have decided to go the obvious evil twin route which honestly makes my blood boil..
so I don't think I will be even considering rewriting season 3? I think to make it likeable for myself - as this is a self-indulgent project - I would just have to make my own season 3?
If that makes sense?
Art dump!! (Seriously my sketchbook is filled w this lil guy, these r hand picked) And- woah, is that Cleophée redesign? Maybeee~
@saturnyukaa i was looking forward to ur reaction 👉👈
#LOOK AT MY POOKIE ISNT HE SUCH A LITTLE GUY???#HE HAS SO MUCH ANGST POTENTIAL!!!#Anyway i might lose track again and make some art of Adamai and Qilby#theyre my favorites#can you tell#ok enough rambling#wakfu#wakfu redesign#wakfu adamai#wakfu adamaï#pinpainting#long post
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Used my limited graphic design skills to make a chart of all the characters Rosalie has romanced in (almost) every farming sim I've played with her. Lol I'd always wanted to do something like this and I'm pretty happy with the result.
I made a free to use template of it on the right if anyone else wants to show off who they romanced. Feel free to decorate/doo what you like with it- just link back here if you use it so other people can find it o/
Brainrot Below<3
Now, though many of these games involved premade mcs- I've played as some variation of Rosalie in games for as long as I could remember.
I noticed there's a trend that popped up in her choices that I think is as interesting as it is amusing. Ofc, most of these choices were just my personal favorite bachelors of that game, but they were still used to devlop her, and I hadn't realized how much she leaned towards certain professions, personalities, ect. I've concluded my girl loves a hardworking boy whose brooding but sweet- or a golden retriever Marlin: Harvest Moon: A Wonderful Life was my first Farming Sim. I didn't get to play the female version until much later in life. So my choice of who'd I/Rosalie married had been pretty decided lonnng before I finally got to play it. But honestly even though I like Marlin, he's kind of the default choice because I didn't care for Rock and Gustafa- and Rosalie wouldn't either. I think if I had ever gotten to play HMDS:Cute I might have liked him more- or she would have married Griffin-
Blue | Harvest Moon: Magical Melody / Friends of Mineral Town: Loved Grey/Blue. (Let's face it their pretty much the same character). Upset the remake took away his hat. Little off topic, but even though character customization wouldn't be a thing in these games for years- I'd used to imagine my character had pink hair like Popuri LOL
Vaughn | Harvest Moon: Sunshine Islands: Vaughn was the first time I ever was head over heels for a character in one of these games- I just adored everything about him and I don't think it's hard to see why. Once she got to know him better, Rosalie def would have been hella smitten for this cowboy- (Also Vaughn walked so Logan could run-)
Owen | Harvest Moon Animal Parade: So Owen is an unexpected deviation. Most of these choices are also my favorites, but when I first played through HM:AP Gil was actually my favorite bachelor. I could have made him and Rosalie work, but it just didn't feel right. So after looking them all over I think she def would have preferred Owen
Dylas | Rune Factory 4: One of my favorite games from the genre- and I think the cast of romanceable characters was STACKED. Dylas was my favorite because he was seriously SO damned cute in all his events 🥰 Also think it's kinda funny he's a horse guy and Rosalie has a lot of horse motifs herself-
Alex | Stardew Valley: REALLY unpopular opinion incoming! I've put over 500+ hrs into SV 😭 but in all that time, I've just never clicked with any of the characters. Which really sucks because this is the first game I ever got to play as Rosalie. Alex and Sam were my favs, but I think Rosalie would lean more towards Alex.
Logan | My Time At Sandrock: Logan 😍💖🥰Just, guh- I LOVE everything about him and MTAS so damn much. Especially because the hyper fixation I had with this game/character was what led me to finalize Rosalie's design/character at long last. I developed so much content for him and Rosalie I never got to share 😭hope I can someday!
Mark | Coral Island: God I love big men who love animals- and Rosalie does too. 💦🥰 Honestly, even though he started out as one of my favorites (later to be replaced by Shark man hoo hoo haw), I wished more of his heart events focused on his relationship with the player instead of the dog. It was really cute at first but like 6 of the 8 cutscenes were about it and most of the time he never even interacted with your character. Was disappointing ngl.
Nokk | Roots of Pacha: Now- Nokk is not currently a romanceable character, but I'm hoping the future update will add him to the roster. 🫠💔Cause this is another case where I LOVE the game to pieces but none of the characters speak to me- aside from the one I can't have- Hayden: Fields of Mistria: and last but not least- Hayden. He just completely encapsulates so much of what Rosalie finds attractive, it's a little funny. I'm waiting until the game is finished to continue playing and I can't wait to see what the future holds for him.
The following will include some honorable mentions that I didn't include because I didn't have anymore room on my template/they weren't a farming sim/ect.
First up! Nathaniel from Sunhaven!<3 Feel like this responsible captain of the guard would work well with Rosalie. Honestly, there weren't really any choices that felt right for her, but for once in many years my main playthrough of the game ended up being with a different character and I had someone pre-picked out for her. So there lots of great choices, just none that suit Rosalie well.
#artwork#ren posts#artists on tumblr#t: ren posts#digital art#art#mine: artwork#mtas#my time at sandrock#oc: rosalie wilde#illustration#art: rosalie wilde#character meme#meme#farming sim#farm sim#sunhaven fc#sun haven#sunhaven oc#sun haven farmer#sunhaven#harvest moon#story of seasons#rune factory 4#coral island#g: coral island#game: roots of pacha#roots of pacha#fields of mistria
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I HAVE BEEN READING ZDARSKY BATMAN, AND I HAVE DECLARED: I FREAKING LOVE IT!!
I'm reading the Batman Zdarsky run in reverse. That way if I see any bull I can back out at anytime: and to be honest--besides a few things. I really enjoy it
LIKE YO, THAT IS JUST STRAIGHT UP TIM DRAKE RIGHT THERE. It knows who he is as a character. his motives, it's great.
Screw the people complaining "oh why is tim still robin :((", THIS IS WHY HE IS STILL ROBIN. Because this is when he's at his BEST. When he gets to hit his character purpose, WHEN HE GETS TO BE HIM AT HIS MOST HIM. It's FANTASTIC.
Reading in reverse because I know I hated the first story, it was so contrived and ridiculous.
But this--this is some good shit.
Tim being an underdog fighter, having to use his wits to win the fight? MY DAWG, MY DUDE, MY GUYS, MY GALS, MY THEMS, MY THEYS, THIS IS SO TIMMY DRAKE. This is so damn Tim Drake, guys. Oh, my gosh, I am loving this so far.
Dick has his temper back? And trust me, he isn't normally like this. But he's hitting a limit AND IT'S SOMETHING NEW, NOT JUST A REFERENCE. HE'S ACTUALLY DOING SOMETHING HE'D DO, 'CAUSE HE'S AT HIS LIMIT. That's wonderful, man. That is so wonderful.
Plus Tim is the heart of the Bat-Family again? This feels like someone actually went back to read these characters before writing it. I'm not saying everything is perfect of course, but these high marks are exceeding all my expectations. And I STOPPED reading comics because of how the beginning of this run destroyed any hope I had.
You guys have no idea how much I'm enjoying the few issues I've read. Besides the cussing (I remember after a bit they decided Tim was someone who used funny words instead of proper cusses), this feels like the Tim I know and love during the era I especially loved him.
Tim comparing himself to his predecessors? Tim not being a natural? A WRITER REMEMBERING THAT?? It's been so long since I've seen that! Most writers treat him like he was another prodigy when he wasn't. AND THIS GUY REMEMBERED THAT!
I shouldn't be so happy at just seeing Tim do Tim things, and serving his character purpose. BUT YOU GUYS HAVE NO IDEA HOW LONG IT'S BEEN SINCE A WRITER KNEW WHAT TIM WAS SUPPOSED TO BE LIKE.
Only complaints I have is that Jason feels like a typical Bat-Family member, and not the sketchy outsider that he is. Making him so close makes his character more bland in my opinion. And Steph is--also generic af unless she's wacky quirky...which is a characterization I hate for her, because she started off so damn interesting, but they made her a freaking trope instead, which is such a disservice to her, but she barely does anything so far, so whatever I guess. Doesn't mean much.
--
This is the first honest thing I've seen that I hated.
No
Not this
This isn't the Bat-Family
This is a sitcom world the fandom wants to be the Bat-Family and some comply with
They're not a sitcom. The conflicts, and uniqueness of the characters is what makes things feel alive and well.
This stuff is cheap fanservice for the fanon demographic that doesn't buy comics to begin with.
Fanon doesn't belong in canon.
--
I mean sure Tim could be drawn smaller, the gag of him looking 12 when he's nearly 18 doesn't work when he's bigger than Damian who is 15 (and contrary to some bullshit comics isn't meant to be small. that was a random thing added for writers who aren't clever to write better humor. it actually contradicts things that were already established).
Don't see the big deal though for most of this.
Can't wait to find it, though. Oh boy.
This whole obsession with Zur Batman, is way over done though. So--I wouldn't be shocked if that was the problem, because my golly does that plot point not seem to be stopping--and it was there from the start and part of the reason why I didn't read it 'til now.
Good Tim tho, at least. So heehee, yey for that--I think--I guess.
Oh, well.
It let me peak at a pseudo-version of an AU I made up years ago. So that's pretty freaking cool.
Always a plus.
And redoing Red Robin story beats but better? Normally I'd hate references to Red Robin, 'cause that changed the perception of so many characters for the worst, but ayy, a bit of redemption isn't bad.
Man, just seeing simple stuff like Tim and Bruce being good ol' classic Batman and Robin warms my heart. It's been so long since Batman and Robin has acted like a proper classic Batman and Robin. It's dynamic that's been sorely missed by many.
OH, MY GOSH, WHY DID THE FIRST STORY HAVE TO STINK SO BAD. THIS STUFF IS GREAT.
Like, DUDE, this is such a Tim thing for him to do!!
And he's showing emotion?? He's crying like how he does?? Because he's not a typical Bat-Family member who just angsts his way through?? THEY'RE MAKING HIM STAND-OUT AGAIN BY MAKING HIM, HIM??
WHY DID THE FIRST STORY HAVE TO SUCK SO BAD?? THIS IS GOOD SHIT.
Like this part is why I originally stopped reading, not because Bruce should think Tim is his soldier, and not his son, THE FREAKING OPPOSITE.
But because the original story has Bruce acting weird when unneeded, just to say this was so unneeded, and adding in all these stupid corny Bat-Family moments was so groan worthy.
This run started off with a story that was a total turn off for me.
To end up being a run that could've kept me enjoying DC, rather than running away from it from as far as I have.
Chip Zdarsky started off awful, but really, he ended up great.
And I've seen people complain about his run, and TRUST ME, there's stuff to complain about. But I have only ever seen the stuff worth complaining about, or stuff I WOULD complain about.
WHEN MOST OF THE RUN IS GOOD
At least when Tim is around.
Go figure.
Maybe I should've paid sole attention to how he wrote Tim and nothing else at the very least for that first story.
'Cause even in the first story, Tim was well-written--it's how cheap the rest of the story telling was in that first story that turned me off--and the weird knew about the movie plans that I am still fully judging harshly. (Love the new Superman film suit, though)
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