#and boy does the character limit make things interesting

[if-you-soul]

Mischaracterization in the CCCC fandom: a yapsesh (alternative title: Erm... What the Gore is Going On?)

Hi. Woaw. I'm actually making that post I talked about.

So. One thing I've noticed in the CCCC fandom is this weird fixation on gore, torture, violence, etc. Usually a level of graphic content that makes your average horror flick look... pretty tame!

Don't get me wrong, I enjoy horror! I even think a horror story based around psychological conflict similar to CCCC could work well!

But is it just me, or has this fandom COMPLETELY lost track of what the characters are like in the source material?

Like. Let's be real. Nowhere in the album does Soul do gruesome surgeries on Mind, nowhere does Mind go ripping people to shreds like Doomguy, et cetera. The closest thing we have to an implication of violence is what most of us call the "Juno incident"- as even "tines stabbed through eyes" is clearly a metaphor with the next line: "that the sides have condemned."

Im gonna talk ab the characters themselves under the cut

I feel the biggest victim of this mischaracterization is Soul. In the album he's... kind of a victim, really. He toughs out being dismissed and fought over and pushed aside and outright dehumanized for so, so long. Are we seriously just... going to characterize him based solely on his lowest point in TSE? Spring and a Storm and Mucka Blucka are also songs where he's present- along with his presence in Just Apathy that the fandom seems to outright deny to keep their characterization of him as some violent, abusive monster. (Which, again, is quite literally never alluded to! He's honestly kind of a victim, if anything!)

Ohhkay. Next topic. Mind. Oh boy I have thoughts on how people characterize Mind.

He's not emotionless. If you believe this, you've fallen for his stoic facade. All of his songs are just. So full of so much rage. Maybe even a little bit of grief and sadness and fear, masked by said rage. He isn't some emotionless robot- (Heart calls him an automaton as an insult, but that's another rant.) and honestly it feels like such a disservice to such an interesting character with so much unexplored depth to portray him as such.

Heart. Oh boy. Where do I start. Heart what did they do to you.

Heart is the emotional side, yes, but that isn't just some... smol innocent uwu baby who cries all the time. Emotions aren't small and cute and timid. They're INTENSE and PASSIONATE and EXHAUSTING. Strong emotions leave you so, so drained, good OR bad. This is so much more interesting than portraying him as some "uwu hai dere!!" type of character. Which is nowhere in the album.

Whole is hardly even a character. Soul worshipping and praying to whole is fanon.

This fandom's weird obsession with creating shock gore and one-upping each other in a violence competition has spiraled pretty far out of control, and it's honestly crazy. How do you go from an album about internal conflict to violence that would make even the cast of Resident Evil cringe? Brah.

Final notes uhhh. Soul is a victim who got pushed to his limit, not an evil heartless abuser. Mind is angry and unstable and hurt, not some emotionless robot. Heart is the entire emotional spectrum, not some innocent baby. Ok i . I think that's all. Have a good one

[scribefindegil]

Lorraine Baines McFly and Female Autonomy

Hello. I have spent the past month slowly losing my mind about Lorraine Baines McFly, Marty's mom in Back to the Future, so I am finally trying to articulate some of the reasons I'm so feral about her.

There's a quote from Lea Thompson, the actress who played Lorraine, that goes, "The three parts that women usually get to play are virgins, whores, and mothers, and in Back to the Future Part II, I got to play all three." While this is commentary on Hollywood and the limited roles that fictional women get forced into, I think it's also interesting to think about it in terms of how these roles are reflected onto actual women and used to limit their personhood and confine them to a very narrow range of acceptable behaviors . . . and then in turn to think about how the character interacts with these roles on a Watsonian level. They're affecting not just Lorraine the character as she was written, but Lorraine from an in-universe perspective trying to navigate life as a woman in a patriarchal world. Some of the sexism she faces is a deliberate narrative choice and some of it is a result of the writers' blind spots, but for the purpose of this essay I'm less interested in teasing out which threads are which and more in looking at it holistically.

Because the thing about Lorraine is that she's aware of what the acceptable roles and behaviors for women are, and the versions that we see of her across the various timelines alternately fight against and capitulate to these constraints. What is a woman allowed to be? How much is Lorraine willing to break from those restrictions? How much does she allow other women to break from them? Does she resent her role or embrace it? I have a lot of thoughts specifically about how the different iterations of her interact with concepts of female agency and autonomy.

(Putting this under a cut because it is. Long.)

I started thinking about this when I was talking with my partner about 50's Lorraine. She's extremely active and driven and planning to Get What She Wants (in a way that is very scary, if you are Marty) . . . but at the same time she's clearly aware that she isn't supposed to be. A Good Fifties Girl is demure and passive. Lorraine isn't--but she's still trying to toe the line. I think constantly about the scene where she shows up at Doc's garage to be like "I followed you home . . . so that I can ask you to ask me to the dance." The girl can embrace borderline stalking but she draws the line at directly asking a boy out! She's exercising a lot of agency but views doing so as rebellious and subversive--and risky.

And I also want to talk about the whole "boy crazy" thing because like . . . society (especially in the fifties) tells women that the most important thing they can possibly do is find a good man and become wives and mothers, that this will define the success or failure of their entire lives (and given how many things were unavailable to single women at the time this is in many ways true) . . . and then relentlessly mocks and punishes anyone who actually takes an interest in pursuing this instead of just sitting back passively and waiting. She is trying to do what society says will make her happy! And even her desire for a white knight is very much based in the reality of her situation! She's getting sexually harassed at school and around town and she's doing exactly what she's supposed to and standing up for herself and saying no and fighting back--and this is not enough. She does need backup! Biff harasses her in the middle of a crowded cafeteria and Marty is the ONLY person who does anything! No fucking wonder she latches onto him as hard as she does! (There's. I promise this is related but there's a BttF parody musical on YouTube where when Strickland comes to break up the lunchroom fight he says, "Now, I can excuse sexual harassment, but LIGHT SHOVING?" and like it's a haha funny joke but also?? Yeah?? That IS how it works. The way Lorraine's being treated is so overlooked and normalized that the authority figure isn't going to step up the way he will when it's a physical altercation between two guys. Screams.) I wonder if part of the reason she stuck with George in the original timeline even though they didn't have a lot in common is that "I have a boyfriend" is a boundary that some people might actually take seriously whereas "I'm not interested" is not.

But. In general 50's Lorraine is very much about grabbing as much agency as she feels she's allowed to . . . and then Twin Pines Lorraine is what happens when she regrets the result of those choices (because while we don't see it, it's pretty obvious that in the original timeline she pursued George as aggressively as she pursues Marty in the new one), and so she decides to deny, not just her own agency, but female agency as a general concept. She leans so heavily on the idea that her relationship was "meant to be" because it absolves her of any culpability in creating a life she's unhappy with. She's rewritten her own past to view herself as a passive participant in something inevitable. (Exactly the view of womanhood that she was fighting so hard against in the 50's!) And she extends this idea of female passivity to the women around her: telling Linda that she should sit back and wait and a relationship will "just happen," actively resenting Jennifer for doing something as simple as calling Marty on the phone. It's a really interesting form of internalized misogyny, perpetuating these sexist ideas as almost a misguided form of self-defense.

And then for Lone Pine Lorraine this is completely flipped! She loves Jennifer for the same reason she disliked her in Twin Pines: because she reminds Lorraine of her younger self. And like . . . this is something of an extrapolation, but while obviously her husband and kids are still very important to her, it also feels like she has interests and friends and other things going on in her life, whereas part of the isolation of Twin Pines is that her life has shrunk down to the point where she's ONLY a wife and mother with nothing else to define herself by. And it also matters that in this timeline she has a partner that supports her, not just in the big dramatic moments (although also that), but you can easily see the dance as a catalyst for George actually learning to listen to her and stand up for her about smaller things as well. George McFly feminism arc. (I'm being slightly facetious but like. George starts off kind of shitty. The spying is actively Bad and I hope Marty chewed him out for it offscreen, but also his reaction to the harassment scene being "I think there's someone else she'd rather go with," implying that he sees what Biff is doing as like. Normal flirting that he expects to work. He doesn't GET it. Unsurprising because he is. A teenage boy in the fifties. But I do believe that saving Lorraine was something of a wakeup call and after that he listened to her about things that make her uncomfortable and gave her the support that she needed. Which would also give her a lot more freedom in this timeline because she has someone with more societal power who has her back!)

And then. Hell Valley.

If Lone Pine is the version of Lorraine who has the most freedom, the most opportunities to make decisions based on what she wants instead of What Is Expected Of A Woman, Hell Valley is the opposite. The things denying her agency in Twin Pines is largely societal forces (and herself); in Hell Valley she is actively being denied autonomy by her evil husband who functions as the personification of a bunch of sexist ideas.

She's been objectified to the point that she doesn't maintain control over her own body; Biff pressures her to get cosmetic surgeries so she can continue to look attractive to him because that's the only value he sees in her. Her physical appearance is entirely tailored to his preferences.

Biff's view of Lorraine is wife-as-possession. He treats her like a prize he's won and her kids like parasites. And he is NOT subtle about this. But Lorraine is still desperately clinging to the idea that she's wife-as-family. She calls Biff "your father" to Marty when he arrives, and talks about "our children" because she wants so so badly for this to be something different than what it is. It's especially terrible because this is a timeline where she got seventeen years of being happy with George, she knows what she's missing, and she keeps trying to force this new relationship into a similar mold even though Biff is openly contemptuous of her and especially her kids. It's been twelve years and she's still trying to pretend. To call back to that Lea Thompson quote: it's obvious where Biff thinks Lorraine fits on the virgin-mother-whore axis, while Lorraine is actively trying to centralize her motherhood partially because the kids really are that important to her and partially as a defense mechanism.

(And it's also such a bleak cautionary tale about how fragile women's stability can be when they're dependent on their husbands; Lorraine was happy with George and had a fair amount of freedom, but he was the only one with an income so when he died she was suddenly forced into a truly horrific situation because she had no other means to support herself and her three young children. Especially given that the Hell Valley universe is also worse in some broader political ways that mean there were probably even fewer social supports available than in real life 1973)

And god. It kills me the way that we see her lash out, the way she's clawing for autonomy when she threatens to leave . . . and then exactly how Biff levels all his axes of control against her. It's very interesting that his first tactic is consumerist (Who will pay for all your things? Who will take care of you?) and that doesn't work even though not being able to support herself is a very real concern. It's only when he threatens her kids that she folds. And then she immediately crumples and pivots to rationalizing Biff's behavior and blaming herself for her own abuse (in a way that is both HEARTBREAKING and also? surprisingly sympathetic and realistic for an 80's movie?). It's similar to the passivity we see in Twin Pines, but here we see exactly where it comes from. She doesn't have any way out so she has to pretend. It's the only way she can keep going. She has these flashes of rage but they're immediately snuffed out by despair and denial.

There's not a lot of talk about Lorraine and what there is tends to reduce her to "well she's Marty's mom" as if she's a boring character who doesn't have a lot going on. But even though most of her role in the movies has to do with her relationships with the various men in her life, those relationships are really interesting if you actually pay attention to them! She's not just (in the 80's) a wife and mother--she's someone who has a complex relationship with marriage and motherhood and the societal expectations surrounding them. She's not just (in the 50's) a vapid boy-crazy girl--she's doing her best to go after what she wants in a world that doesn't want her to (the fact that one of the things she wants turns out to be her time-traveling son from the future is unfortunate but not something she has any way of knowing!). She's stuck in a society that doesn't want women to be people, and she knows this, and because we see her across two different time periods and three different timelines you can watch how sometimes society grinds her down until she gives in and tries not to be a person. And also how, sometimes, she fights back.

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.

[funficwriter]

Fontaine Characters with Violinist Reader!

A/N: This disappearing thing of mine is annoying, I'm trying to stop it. However, I finally got a bit of spare time to play Genshin and I am so, so in love with Fontaine. I think it's gonna be a wonderful arc. I haven't felt this much jubilation since Liyue or Inazuma!

Warnings; None, really.

Lyney, Lynette, Neuvillette, Navia, Furina, Wriothesley (no particular order)

Lyney

First off, this boy is no stranger to performing, an activity he loves. Naturally, he's going to be most interested in fellow performers, including you!

If you're the type to get anxious before, or even during a performance, say goodbye to that with him. He'll guide you through plenty of destressing rituals to help you relax beforehand.

(This included, but wasn't limited to; Taking deep breaths, doing tongue twisters, asking you to play meme songs on your violin, or tickling your sides because 'laughing is a great way to be loose'.)

Even during, should you freeze up and he's in the audience, he'll do a quick but loud magic trick to get everyone's eyes off you. Even one that makes him look like a fool, so long as you have time to put yourself together.

He'd LOVE to have you on stage with him! He adores your music and would ask you to sync it up with dramatic moments in his magic.

If you compose you own stuff, he's pretty much your biggest fan. The guy who never misses a concert. The loudest clapper. The biggest braggart.

"That gorgeous, graceful violinist we had the pleasure of watching? What if I told you that they're coupled up with an equally electric performer? That is, me~."

Lynette

It's easy to think that her brother outdoes her in terms of being your fan, but quietness hides a lot. If you think she doesn't care as much, you're so, so wrong.

She learned several music skills just to be closer to you, including sight-reading. BTW, she's got a killer voice and loves to sing out your compositions. Sometimes it helps you come up with alternative movements within them.

She can also play piano, to a good level of accompaniment. With time, one would think she is also a music assistant; It's not uncommon for her to be on your stage.

Lynette is VERY attentive to your instrument. Does it need rosin? A new bow, perhaps a re-hair? You just say the word, and she'll happily take it to the repair workshop if you have no time.

"By the way, Y/N prefers real horse hair, the thinnest you have. Don't worry. They're talented enough to thrive on it.".

She makes it a point to let you know how much she loves what you do: "All other music in Fontaine pales in its beauty next to yours. Please, keep playing.".

Neuvillette

You play the violin? (he crosses his legs and assumes his royal position). So when are you going to get married? Will you be okay playing a few pieces, even while being the spouse? /Half-joking, tbh.

For him to say that he is the lover of a music pioneer as important as you... Will never not be a moment of joy for him.

First off, what a sugar daddy. I hope you made a list of the expensive violins you wanted but couldn't afford. Because now, it's yours, never mind the Mora. Your very case may as well be coated with gold.

He won't die on this hill, but he would love it if you could play a bit during the parties he hosts. He loves live music to begin with, but after hearing you, it feels like no other pro could hope to sound as good as you.

(And side note, he likes how mesmerized everyone is with you lol)

If you're the type to remember your patron's personal preferences, and compose/play in accordance to that, just for him? Put hearts in his eyes. He's no longer joking about the wedding thing.

While he loves showing you off, he'll never force you if you're shy/nervous. If anything, he would also feel very special if he got to heard songs not out yet, compositions just for him...

"Perhaps this is Lady Furina's way of rewarding me for my years of service. Bless our Archon for giving me such a talented, show and heart-stopping partner.".

Navia

She likes that the Spina del Rosula is represented by passionate, talented people!

If you like sweets, I say just join her team. It's guaranteed pastries after each request lol.

Her detective work is cool, but can get a bit drab after a while. She likes asking you to play some violin ambiance, partly because it makes her feel cool, and partly because your music changes the atmosphere for much better.

Navia is a woman of decorum, but she'll often have trouble staying still during your concerts. It doesn't matter if there are rules to how loud a woman can cheer, she's happy for you and will make sure you know that.

She becomes even more proactive than usual. If a concert of yours falls on the same time as her work, she'll scour the ends of Teyvat for its solution, so she can see you.

With time, she might request you to play pieces that her father loved. Once they're brought back to life, through your own strings, she can't help but be a little emotional. She must have done something wonderful to have you.

"How beautiful, how poignant as you, my dear Y/N! This calls for macaroons! Which flavor would you like today?".

Furina

"Yes, Neuvillette, I know they perform and all, but why can't I keep them to myself! They're so darn great, I want that everyday!"

Of course, she's not gonna stop you, but beware; I feel like Furina would almost turn you into her own personal violinist lol.

She'd keep requesting your presence over her other personal entertainment and somewhat bombard you with song requests. Buuut if you're looking for a varied repertoire, she's your gal!

One reason she requests so much is because she so impressed with how you not only fulfill them all, you do it so creatively and beautifully. You don't just follow the note as it is... Once you're acquainted with what she likes, you modify the tune a bit to be more her taste.

She's so cute when she claps; The way her hands go so fast and she's about to get up from the seat, the huge eye and smile... Why, you might start reconsidering her offer.

"Bravooooo, Y/N!! Bravo! That was everything, I can't go on without an encore!"

If the tune is more happy-go-lucky, she will get up and dance along. Will also do it in circles around you because she's your little orb :3

Wriothesley

"Forgive me for intruding... But I was overhearing, and your playing is terrific. Electrifying. Do you happen to perform on Saturday nights? That's when I can leave the Fortress for a bit.".

Of all your fans, Wrio is one of the quieter ones, but not so much that no one knows it. For one, he's a Duke, he's bound to enjoy good music. And heavens knows he needs some fun in his life.

Here's a fun thing (ngl this is what I was excited to write): At first, it doesn't sound like he can make it to your recital. You see him on his desk, surrounded by paper mountains that only ever seem to grow. He doesn't want to make you sad, but his remark lets you know that he's not coming: "Would it kill some of these people to tone it down for a bit so I can go see my partner perform?".

So imagine your shock when you step on stage, and see him on the first row, sitting tall and handsome, shit-eating grin on his face and waving. You really bought it for a moment.

"Hehe... Did you really think I can't even make a bit of time to see Fontaine's best violinist in action? You actually bought that?".

I HC that he has insomnia, and has tried any things to cure it, but to no avail. It's rumored in Fontaine that his is incurable, but little do they know about how he lays down next to your sitting form. Little do they know of the soft lullabies you composed just for him, or how peacefully he dreams afterwards 💜

[tobiasdrake]

Here we go. It's time to talk about my personal fave. As I said before, this is my Main. In Dragon Ball fighting games, this is the character I seek out to play whenever the roster allows. Also arguably the character who's been done the most dirty by just about every form of Dragon Ball, manga included.

The vanguard of a brand new status quo and a brand new direction for what Dragon Ball would even be, washed away by the tides of a status quo resetting to zero.

We're here to talk about the champion of Satan City who carries the spirit of Dragon Ball in her heart: Videl.

(And that is one cookie to @jcogginsa who guessed it.)

Videl was a kid with a chip on her shoulder. I mean. How could you not be? Her father was the legendary world martial arts champion who famously defeated Cell seven years ago.

Don't pay attention to that. He just tripped for a moment. Once he got his second wind, he came right back and showed Cell what for! It was due entirely to Mr. Satan and nobody else that the Earth was spared from the apocalyptic horror that is Cell.

Look, he even said so himself.

Are you gonna call that man a liar? The man who defeated Cell!? I think we can trust Satan's word over yours.

This is the shadow that Videl grew up under. Raised in what had previously been called Orange City, but was renamed Satan City in honor of the world's greatest hero.

Or "Hercule City/Herculopolis" in the versions that edit out Satan's name.

As his daughter, Videl has a perspective on Satan that neither the world nor the audience gets to see: He's a womanizing playboy who cashes in on his world-savior fame for booty.

He also forbids his teenage daughter from dating by putting up the stipulation that any boy interested in her has to be stronger than him, the world champion - A stipulation naturally designed to weed out any possible suitors through intimidation. Wanna date Videl? FISTFIGHT THE MAN WHO DEFEATED CELL.

Oh, but he doesn't teach her a goddamn thing; At least, not anymore, as she does suggest there was once a time when he was her mentor. She's forced to study martial arts entirely on her own because her dad is utterly disinterested in her development in the art.

This is an angle on Satan we never get to see onscreen. Apparently he's pretty shitty about women. You know, I can believe that.

Videl, when we meet her, is trapped in an unenviable position as a martial artist. She hates what the fame of being a legend has done to her dad and wants to knock him down a peg, but she has no foundation to develop her abilities from. The one man who's supposed to be teaching her isn't doing it, and she's been passively discouraged from pursuing more esoteric martial arts because the world champion said that stuff's all fake.

Videl makes for a fascinating foil to Gohan, because they're both children living in the shadows of legendary fathers.

Gohan is expected to be Goku's successor, but wants to live a peaceful life of academia. Meanwhile, Videl is being denied the ability to become Mr. Satan's successor, but craves the opportunity to prove herself.

Nonetheless, both of these kids are prodigies. Videl has a wealth of potential. She doesn't even realize that, despite these limitations, she surpassed her father long ago. Despite being a self-taught teenager with zero comprehension of ki cultivation, Videl hones her skills and developers her art the only way that's available to her: By punching it out with armed robbers in the region.

Backpack Town isn't even her city! She's a one-woman SWAT team for the tri-state area.

As ambitious and driven as she is, Videl is also clever. The anime extrapolates the adventures of the Great Saiyaman into a several-episode arc as Gohan deftly avoids detection by Videl over and over again, but this has the knock-on effect of depriving Videl of one of her best moments.

Because she pegs him instantly. She was already suspicious of Gohan being the mysterious "Golden Warrior", when he tried to use his Super Saiyan form to disguise himself as a superhero.

Which also showed that she was open-minded about the other people who fought Cell. Satan says they were doing a bunch of tricks, but Videl's willing to consider the possibility that there exist people who can turn blond on command.

And then Gohan did this shit.

Because he was raised in the woods by the devil and Goku. Despite trying to keep a low profile, he has absolutely no idea what the baseline for ordinary human ability is.

So. Y'know.

That's pretty fucking suspicious.

Which brings us to Gohan's second outing as Great Saiyaman, and his first meeting with Videl under his new identity. Whereupon she, uh....

Plays him like a fucking sap. It's a great moment that doesn't get its due if it takes several episodes and misadventures for her to reach this point. Videl is exceptionally skilled in the field of paying attention to that time Gohan jumped thirty feet in the air and naturally drawing conclusions from it.

And also his voice and posture and other dead giveaways. Gohan sucks at secret identities.

He's just. So obviously Gohan. There's no way anyone would be fooled by this.

But she's not only adequate at seeing things with her eyes; She's also a legitimately brilliant martial artist in her own right. Due to her upbringing, she's had zero experience with ki cultivation for obvious reasons.

And yet she's talented enough and smart enough to pick up the basics of Bukujutsu in one day.

Oh, don't mind her; That's just Videl making a mockery of Tsuru-senryu by effortlessly devouring their signature technique. This is Goku's first Kamehameha all over again.

She may have started small but Videl learns fucking fast. She has all of the drive and the ambition that Gohan lacks. She wants to be part of this world, she has a ravenous hunger for self-improvement, she's clever and observant, and she picks up concepts insanely quickly.

Videl is fucking primed to be a key player in Dragon Ball's next generation.

...

So now we need to talk about what happened to Videl.

Videl has one major fight in the entire series: Her 25th Tenkaichi Budokai bout against Spopovich.

Which she absolutely dominates. She's stronger, better, and faster than Spopovich. Even the experienced martial artists agree that she's infinity times better than him in every way.

But there's something wrong with Spopovich. He's a decent martial artist, far from the top; He'd competed in the 24th Tenkaichi Budokai and made it through the qualifiers, but was eliminated in the first round. So, y'know, he had no chance in hell against Videl; She's already surpassed Mr. Satan, who won the 24th legitimately.

Uh, by virtue of none of the Kame-senryu or their rivals attending. Mr. Satan is top dog of the same weight class as Pamput from the 22nd.

But, despite being outclassed in every category, Spopovich is also a dead man walking.

He's similar to the Androids in a sense. Spopovich has no ki signature at all, nor does he get worn down by the damage he's taking. This is Vegeta vs. 18 and Piccolo vs. 17 all over again; He isn't feeling the pain from the hits she's landing on him, and so he's able to outlast.

But Spopovich isn't an Android. He's more like a zombie?

At one point, Videl cuts loose and breaks his goddamn neck. Because he's pushing her hard enough that she realizes she needs to go harder, but his body can't take harder. He isn't a match for her. He just. Isn't going down despite not being a match for her.

He can't take this level of force. But he and his ominously vacant absence of ki can put his head right back where it was and continue the fight, no problem. That's honestly scarier than if he'd regenerated.

Also despite not even having the barebones ki signature of a normal person, Spopovich can perform Bukujutsu and fire ki attacks.

Which a fighter of his meager ability shouldn't even be capable of.

All of this adds up to an unwinnable fight for Videl and the setup to... Something. This match has been criticized pretty heavily in the fandom because it gets pretty gruesome and doesn't have a payoff.

We've seen fights go fucking bad for our heroes before. Piccolo once broke all of Goku's arms and legs as well as shooting a hole in his chest, right here in this same arena.

But it's typically building to something. When our heroes get trashed, it's the lead-up to a reversal down the road. Maybe in the same fight. Maybe in a later one. And we seem to be heading in that direction?

After Spopovich and Yamu leave the tournament, we get VIdel a Senzu and she's right as rain.

Spopovich and Yamu steal energy from Gohan and fly off to Babidi's Ship so they can awaken Majin Buu. Kaioshin recruits the various protags to make that not be a thing that happens. And then. Something switches in the narrative flow of this arc.

You can feel it happen.

As our heroes prepare to pursue Spopovich and Yamu, Videl volunteers to join in as well. She's had her eyes opened to a whole new world or possibilities and is hungry to develop her abilities.

And. Then. One chapter later. It's suddenly decided that Videl will not be a part of this storyline after all, and she basically leaves the plot forever.

WHOOPS! Never mind! Didn't want this character here after all. Go home, Videl.

While her adversary Spopovich is unceremoniously unwritten from being a thing that exists.

Babidi just. Kills him. For no reason. Even though his job isn't done yet. Babidi's like, "Oh good, you collected a fraction of the energy we need; That's fine, you can be fired. I don't need anyone to finish the job."

We're just. We're not telling that story anymore. We already threw Videl in the trash; we don't need her nemesis. We're doing a different thing.

Also, because we still have too many characters in this scene, Dabra erases Krillin and PIccolo with magic spit that never comes up again or is meaningful in any way.

You'd think this would be, like, setting up something? Like. Having witnessed it ahead of time, Gohan's able to figure out something about the way Dabra's spit works. So when he fights Dabra in a climactic battle, he can turn this around.

Like when Goku was able to counter Tenshinhan's Taiyoken/Solar Flare in the 22nd Tenkaichi Budokai, because he'd seen it before and understood how it works. That's usually what Dragon Ball does with this sort of advance notice of opponent abilities.

But. No. The most this ever comes up again is that it momentarily costs Gohan one of his gloves. It's just here to winnow down the cast because Toriyama brought too many characters to this scene.

You can feel the burnout taking hold. As janky as the Android arc was, the Buu arc's level of jank is through the roof.

And that became it for Videl. Denied any sort of payoff for her one fight and instead relegated to background character, Videl never got a chance to live up to the intriguing potential she was introduced with. She was the face of a new direction for Dragon Ball, a direction that ended up strangled in its crib as the series reverted to old ideas and old formulae - strangling her along with it.

Videl is a character I look at and can't help but wonder what could have been. What could have been if Gohan got to keep his focus, and Videl got to remain a key player in a story about him? What could have been if we got to see Videl developing her skills at the same fever-pace that she learned Bukujutsu with? What could have been if she got that rematch with Spopovich she seemed to have been promised by the narrative, and then got to stay involved throughout the Buu arc?

But I guess we'll never know.

[whirlpool-blogs]

whirlpool's personal MOTA fic recs!

I've actually been dying to put this together for a while now...today is as good an excuse as any! I might not know everyone's tumblrs vs ao3 names so I will NOT be offended if you tell me to correct something!! <3

the big list = going alphabetical order in my folder because YES I do download my favorites, it's like having your own little bookshelf!!

non-clegan fics:

nine mothers' sons by @reallylilyreally (truly beautiful, breathtaking, and **THE** John Brady bible for the fandom so make sure you pray to it every night)

at your heels by @reallylilyreally (this one is Ev Blakely, another really beautiful story that helps you understand just why Crosby's memoir speaks of Blakely with such love and affection)

clegan (or gale-centric, or john-centric) fics:

A Direct Solution by @sweaterkittensahoy (Gale & Marge proposition Bucky...so cute and so hot)

ain't it easy? by @stereobone (dom/sub with john as the dom but ohhh man it's so much more than just that!!!!! this fic is so full of FEELS. and it's also HOTTTT. and also the FEELSSSSS.)

all the rest of what I want with you by @london-cowboy (the level of care that went into writing this fic is insane and impeccable. down to its own internal timeline, little egan kiddos, and the ANGST. but it's all worth it, I promise!!)

back home where you're from, that's the measure of a man by wolfhalls (nice little oneshot of the bucks, I love the back-and-forth of their dialogue in this one, it really does feel like two people who know each other well)

bittersweet between my teeth by @blixabargelds (post-war adjustment...love when the two majors are a little messy and a little sad and also john calls gale the prettiest thing he ever saw so there's that <3)

bluebirds singing a song by ourdarkspirits (Marge jumps Bucky's bones. Then Gale joins. Super fun, super hot!)

Close and Yet Closer by Anonymous (LITERALLY THE MOST!!!!!! FIC OF ALL TIME!!!!!!! Gale is a little bit mean and John is a lot bit sweaty. Like all the time. it's amazing and you should read it and it WILL change your life.)

Corpse Song by birdwif (oof. john is miserable in the stalag he's scratching at the door he's gnawing his own leg off.)

deep breath baby by @defnotanarc (um FISTING. yeah. intense and delicious. side note sometimes the world isn't fair and people who are really talented and amazing at drawing are also really good WRITERS too LIKE WTF!!)

DOG DINNER by @wompire (super interesting writing style, extremely poetic and striking. hits you right in the gut.)

everything and the kitchen sink by @swifty-fox (YEAH THIS ONE WILL CHANGE YOUR LIFE TOO. modern au where gale is a professional dom and john is a journalist who hornily consents to both (1) fucking around, and (2) finding out. in top ten fics of the decade in general tbh)

Freed From Desire by @feyd-meowtha (yoooooo such a fun and free and sexy fic!!! such a great writing style and such a cool remix of all the characters we know and love!)

He wears his love around his neck by kasugayamaisforlovers (Gale character study, he tries to run his little gay thoughts away which is always so fun to see)

hold me like a knife by storm_warning (tw: self-harm, this REALLY gets into John's self-destructive stalag spiral and it's super visceral and wet and heart-wrenching and written with such, such care and precision)

Hound Within the Heart by Anonymous (fairy-tale esque, gets super crazy and pushes the limits of reality but in the best ways possible)

I Don't Wanna Be Alone Tonight by @johnslittlespoon (cuddling for warmth <3 and then a little more <3 <3 so sweet and intimate!!)

I Like A Bad Boy by @nicijones (modern college AU and bucky is a fratty fuckboy type & in this fic he DOES punch a guy for Gale and it's all very hot and sweet and a delight to read)

i wish you wouldn't tell me (about your hawaiian party) by @whitetrashjj (when the fuckbuddies thing gets messyyyyyy because gale catches feelingsssssss, so delicious and meaty!!)

if that isn’t love, it’ll have to do by @irregularcollapse (ALWAYS such incredible character reads from this author, never misses. also facefucking. also FACEFUCKING <3)

i'll be seeing you by @puffanities (a quick 1.6k oneshot but still packed with some really great characterization and powerful language!! 'when the numbers of planes don’t match...')

i'll find you before the dust settles by butidontreallycare (a Westworld AU!! super cool)

in our bedroom after the war by @stereobone (one of those fics that's just like. a pillar of the community, y'know? iconic. classic. eternal.)

Into the Unknown by Melanie_Mikaelson (big win for john whump enjoyers. BIG win. like 20+ chapters of winning)

it ain't for meatball by @meyerlansky (Curt/Bucky. Curt puts the dog collar on Bucky....and it's HOTTTT arf arf i'm barking just like bucky is in this fic...)

It's Not Love, but It's Fun by @sweaterkittensahoy (Curt/Bucky, 500 words so it's short and sweet just like Curt ahahahaha, ANYWAY still such an interesting little read regardless!)

judgment by the hounds by @puffanities (PG, very visceral and tender apology after the stalag fight scene <3)

level-off maneuvers by wormringers (sweet little oneshot of the Bucks in London)

little fix by ForASecondThereWedWon (Algeria <3 <3 you just kNOW those two gay pilots were sniffing and huffing and licking each other's sweat.....this author GETS it)

love means nothing (in tennis) by @irregularcollapse (fics that make you go WEEEEEEEE!!!! every word, every physical action that these characters take is SO precise and well-written. truly like wrapping a soft bathrobe around yourself and also the bathrobe is incredibly sexy and also they're sucking each other off post-game but PRE-shower. also gale's dad!! also margie!! truly such a well crafted AU)

make you feel alive by @sig-nifier (really sweet little oneshot of gale being a little protective of john. and i am ALWAYS a sucker for the 'call off your dog' trope... and it's done perfectly here!)

meet me at the chapel by @swifty-fox (still in-progress and SUCH a creative, inventive universe!! outlaw john you will always be famous to me!!!!)

my kingdom for a kiss upon your shoulder by @swifty-fox (swift can really weave a story like no one else. so many lines that pack a punch. and in the end, they make it <3)

my type by @spaceshipkat (this one is SOOOOO well-written, I always go so crazy for the dialogue!!! such a great push-pull dynamic in this fic)

night terror by @antiquitea (hot! and sweet! and HOT! and angsty!!!!! highlights include: gale gives john a literal countdown deadline to get off)

Obligate Mutualism by bowhuntress (Gale-centric story of trying to get John through the stalag, then returning the England without Bucky, a fic very obviously written with a lot of care and love)

obsessions, and other things by @sig-nifier (the Bucks cope. really great pacing and dialogue, and I always love when fics take the care to delve into john's struggle with alcoholism as well)

of all the gin joints in all the towns in all the world (he walks into mine) by @whitetrashjj (really fun parallel universe where Buck owns a bar, just a great read all-around!)

Oh, I do, do I? by @defnotanarc (DIRTY TALK, like the most delicious, incredible dirty talk you can imagine, this fic nails it!!)

One of your Girls by @soliloquy-dawn (9k oneshot and it's great all the way through, Gale is jealousssss of John fucking around, don't worry they resolve it <3, definitely captures that innocence of pre-Bremen MOTA episodes)

peacetime like a liminal space by @spaceshipkat (this one is PHENOMENAL. post-war, John goes to New York City and turns out it doesn't fill the emptiness. luckily Gale shows up. <3)

Putting Words to It by @impalachick (YEAH THIS ONE IS REALLY HOT. John is a snoop and reads Gale's letters to Marge <3)

Reunited by Flowersandthings (PG, cute & funny oneshot of the Bucks being reunited after Gale makes it over from Greenland!)

Reverie by @avonne-writes (REALLY creative, well-crafted story. Gale and John are soulmates and can visit each other's dreams since adolescence. INCREDIBLE journey and arc in this story, the stalag part is just wow. truly such a gift to the fandom!!).

Rugire by Anonymous (umm omegaverse-ish but with deer dynamics. messy. and SO good.)

SHOTGUN. by pornogirl (YEAH this one is awesome, it's not safe it's not sane but oh boy it is consensual)

Song of Songs by @swifty-fox (sweaty sex sweaty sex sweaty sex)

Spin, Sit, Roll-Over by @glumbabie (Gale is a little mean to John and it's VERY sexy of him tbh. 'DOGS DON'T TALK'???? 'YOU CAN EAT'???????? yeah. read this.)

the chimneys hardly ever fall down by @redbelles (another Gale/Marge + John, and it's HOT. it's SEXY it's awesome!!)

the hand of a good man by @stereobone (John rewrites Gale's daddy history <3)

the jacket by @dogmetaphors (REALLY great sense of dialogue and characterization even in 1.6k words, also shamelessly horny and SO yummy)

The Major’s Wife by tryingmyhandatwriting (John/Original Female Character but like. give this one a chance, I'm telling you!! I'm always soooo compelled by sex scenes that like. are actually a little bit unhappy. and this one SERVESSSSS.)

this must be the place by @blixabargelds (BIG win for Gale whumpers. broken bone and LOTS of blood and super well-written)

To be alone with you by Damn_Illusive (THIS ONE IS SO, SO SPECIAL AND CREATIVE!! freaky army experimentation gives gale and john telepathic communication. incredible separation arc while gale is in the stalag. really, really unique story that is such a staple in my mind as one of the the most incredible clegan stories ever. I think about this one A LOT!!!)

To the Moon and Back by @rambleonwaywardson (iconic astronaut AU, written with SUCH care and love, it's so obvious!! and BIG win for john whumpers. who said that -)

Tough And Sweet (Like You And Me) by @johnslittlespoon (sooo fun and creative and inventive, Bikeriders-esque!Gale and a sweeter, more innocent John. really well crafted)

trading paper dolls by ForASecondThereWedWon (Alex draws Gale pinup girl style in the stalag.....John swipes it.... super great fic!)

two slow dancers by everywordnotsaid (unrequited love, John for Gale, through their journey. I genuinely, actually sobbed for a long time at the conclusion of this fic. I am always thinking about this fic. I think it really captures something about the experience of watching the show and realizing in that hopeless, lovesick kind of way that there's no way to go back in time and save all of them. I still get teary whenever I think about this story or hear the song. It's one of those fics that's not just good, not just great, but somehow also really fucking IMPORTANT. this story MATTERS. you should absolutely read it and save it and imprint it onto your heart. I know it's imprinted onto mine.)

Un Chant d’Amour by @counting0nit (really intriguing take on the interrogation center time frame!)

unicorns, and other extinct animals by @spaceshipkat (really, really incredible reading experience. something that actually touches other aspects of my life, even now. I see planes overhead and I think about this fic. I see letters on a table and I think about this fic. just. this author GETS IT, you know? just absolutely nails every aspect of this kind of fic: post-war adjustment, the pain, the LOVE. this fic will make you FEEL it. let it happen.)

Up In Our Bedroom by @steeseman (ICONIC. really one of those pillars of the community type fics, y'know? it's funny and it's sweet and it's painful and the hot parts are HOT. clearly written with SO much care, and SO much love, and SO much precision. every single word packs a punch. absolutely one of my top reads of all time, across time, across fandoms)

When the bones are good by @aramblingjay (a really incredible post-war fic, such a beautiful, rich writing style!! isn't afraid to dig at the hard parts - john's relationship with alcohol, their nightmares from the war. stunning visuals -- the author uses setting and place and motion in such a tangible, real way. I can still see the little hideout spot in my mind's eye, even now. one of those fics that's just. such a treasure to the fandom.)

your dreams, whatever they be by @drylite (this one is super new, and it's just SUCH solid writing!)

You're A Dog (I'm Your Man) by @johnslittlespoon (one of those fics that's a pillar of the fandom for SURE!!! definitely a classic)

[beloved-child-of-the-house]

Harry is an orphan, so nothing has to be more important to him than his own sense of what is right. And having always had to rely on himself to get through life, he is self possessed and self directed enough to have a very strong sense of right and wrong. And he holds himself to that scrupulously. He always does what he sees as the right thing; he will not be talked out of it. There isn’t anybody he wants to make happy more than he wants to do the right thing.

For Draco, his obligations to others, his family specifically, is the sum total of his idea of the right thing to do. From his perspective, his social and even moral obligations are limited to safeguarding the wellbeing (and when possible the prestige) of his family.

People think of Draco as a bad boy, but he’s actually very conventional. He’s a dick, but his views are not at all controversial in his social circle. When Draco realizes that toeing the party line has brought him to a place where he has to face MUCH more violence than he is capable of tolerating, he has to start thinking for himself and. Well he gets his shit absolutely rocked.

He’s working his ass off trying to protect and uplift his family, but they didn’t show him the same courtesy, not in the ways that matter. Like he got seven top of the line broomsticks when he was twelve, but also. His parents brought home a mass murderer to live in their house and taught him that this was a consummation devoutly to be wished.

And once he meets Voldemort and gets put to work for him, it’s clear that Voldemort is volatile and capricious and his goodwill cannot be counted on as reliably as his explosive anger and vengefulness. And if Draco can see it now, he must think that his parents had to have seen it before.

He has to confront the fact that his parents will cheerfully witness and participate in a level of violence and destruction that he cannot countenance. He can’t be directed by them anymore. He can’t be like them anymore. So what’s his guiding star? Who can he be? What is he supposed to do with his life if not what they’ve asked of him?

There is such an interesting contrast between the two of them! Their characters are at odds in such a fun and fascinating way! After the Battle of Hogwarts, Harry has discharged his most significant and pressing obligation, and it’s time for him to heal and regroup and figure out what he wants to do with the rest of his life. And Draco is in the same place but arguably with an even more significant blow to his sense of self. Neither of them can go back to the way things were, but for Harry that’s a huge relief, and for Draco, it’s terrifying.

Harry is an extremely empathetic and generous person, and I think he would see himself in Draco’s rudderlessness and feel impelled to commiserate. And I think Draco would no longer have much reason to pretend that he hasn’t always found Harry incredibly magnetic, before he even knew who he was.

[kookygobbledygook]

Some people have been saying this, but I don't think it's been said enough and I'm just going to add my voice to the mix.

Nimona's nomination is being framed as an example of "Look at what Disney missed out on!" and I get it. It's a nice, tasty schadenfreude situation and we all like to see The Mouse get taken down a peg.

But I think we need to be very clear; Disney did not miss out on anything because they were never going to take that sort of risk.

Disney was never going to release anything close to the Nimona we got. It would have been sanded down until anything obviously queer or controversial was as faint and unnoticeable as possible by the casual viewer. And then they would still be too scared of any potential backlash. So they would have given the film a limited release at theatres, with no advertising, or social media or support.

Like what happened with Strange World.

You remember Strange World, right?

No?

That's because no one does.

And I believe that was deliberate, because that way Disney can go "Weeellll... obviously we would LOVEto take more risks and have more inclusive stories but that's clearly not what the public wants!"

Look at the original concepts for Wish. The evil royal couple? The peter-panesque star boy that would have made the gen zers go feral the same way millenials went feral for Jack Frost? These could have been the best things about the movie, and even they were scrapped, and replaced with something more homogenised. And those ideas are nowhere near the level of the concepts and discussions Nimona brought to the table.

Disney can barely have explicit gay people. Nimona has a gay south Asian man in a relationship with an east Asian man. As a protagonist! But more than that, you think Disney could ever come up with a relationship as complicated and difficult as Boldheart and Goldenloin's? They would never have the guts to show one love interest cutting off the other's arm in a straight relationship. Let alone a gay one! And then for them to be on opposite sides of the conflict, shifting between feelings of betrayal, and questioning each other motives? That's some adult dark shit for a kids film.

Asha as a character was forced into the quirky girl role that Disney has already flogged to death with Anna and Rapunzel. You ever think they would allow a Disney princess to be as dark and violent and nuanced as Nimona? You ever picture the titial character of a Disney film AS the third act conflict, rampaging through a city in a self destructive rage? Nimona is anti authoritarian, vengeful, bloodthirsty, a pretty explicit trans allegory, and even, by the climax, openly suicidal. You KNOW that terrified Disney.

I had a thing about the Director here too but I was shocked by how long that got so I'll have to save her for a different post.

My point is the things that make Nimona art, that make Nimona a great story, that make the film important and Oscar worthy, are all things that Disney has become too chicken shit to produce. If Disney had released a film called Nimona it wouldn't have been Nimona. I fully believe that if the film hadn't had been 90% finished it wouldn't have been shelved. It would have been lobotomised and vivisected. Everything special and vital about the movie and its message would have been removed, and no one would have known what could have been. Once again we would have gotten scraps and been thankful for them.

It makes me think about films like Wish (and others we don't know the name of, and never will) and think of what they could have been if studio's like Disney were braver and let their artists make art, instead of content.

tl;dr Disney didn't miss out on Nimona because they are incapable of making Nimona. If they had produced it the real Nimona wouldn't exist. We didn't miss out on Nimona. And that's purely by luck.

[elisabethdeep-blog]

Gotta make a post about my best DunMeshi neurospicy boi

Lotta content out there about Laios' autistic traits but where o where is the Senshi rep?

Senshi's dedication to Dungeon trophic systems makes Laios' special interest look like a well-thumbed pamphlet. (Granted Senshi has had significantly longer to cook; Laios is a baby).

Senshi's limited emoting is baked-in to his character model- that thousand yard stare, most of his face occluded by his habitual helmet (masked, even...... How many folks pine for covid masks obviating the need to manage their faces constantly?)

He overheard someone mention his special interest and Walked Right Up to a Group of Strangers to brazenly asplain them a thing. Marcille makes a bridge-mending bid regarding the mosses in the scorpion hotpot (after her previous truculent outbursts) and he totally deadpans her, because he didn't even notice.

He is VERY COMMITED to his ethical position on dungeon ecology. More than once he's disrupted Marcille Right at the point of release of a spell, after she's been chanting for like a paragraph, because she's going to contravene some principle of his.

Also

Speaking of Marcille, he demonstrates some pretty rigid, black-and-white thinking around magic, that doesn't seem internally consistent. He's repeatedly reanimating magical constructs (golems), an explicitly controlled magical act, but is Very Very reluctant to submit to being charmed with WaterWalk; his spoken reasoning about this just doesn't hold water.

Oh and he's totally neglected his personal hygiene for basically ever. He's averse to cleaning up for the sake of being bespelled, but other than magic, seems fine with getting the salon treatment. This isn't a Toph Beifong 'protective layer of earth', he's just forgotten to care about not being covered with monster gore.

PDA? The fellow has one (1) social skill, namely, he exercises any discretion on opening his mouth to argue. But that holds him back exactly NONE when he decides he's done listening. The first time we see this is gathering Mandrakes, when he doesn't SAY he's done with Marcille's opinions, but he Does just go ahead and exercise his damn autonomy. a MUCH stronger example is when Chilchuck is guiding them through the trap rooms. Senshi gets roundly (and rightly!) chewed out by Chilchuck, and his response isn't the sensible 'sorry Chilchuck, maybe I could walk more directly behind you so I can more closely match your steps', but to BRAZENLY DANCE ALL OVER THE TRAP FLOOR! the only reason that doesn't kill the whole party is The Plot. It's not even that he doesn't appreciate Chilchuck's skill- he just don't like getting chastised! Same with Anne the Kelpie! Senshi's gonna do what Senshi's gonna do! He WILL not be rushed, he WILL not be chastised, he WILL not be directed! How do we think he came to be living in a dungeon all by himself in the first place!!

AND THE BREAD!

THIS IS NOT THE DEMAND OF A NEUROTYPICAL DWARF

Look there's more. After Chilchuck's impassioned and heartfelt plea, Senshi suggests they should return to the surface because they're 'low on seasoning'.

He's a dwarf who turned his adamantium shield into a cookpot.

He can meticulously maintain his mithril cooking knife but not his axe.

He responds well to other characters meeting him halfway but initiates few (no?) such bids himself. There's rarely any guile in Senshi, and when he is being shifty, he's Bad At It- and again, usually its in service of demand avoidance, like when he capitalises on Marcille's toilet break to reanimate his golems.

Senshi is the monomaniac that society has spent Decades trying to iron out of my wrinkly brain.

I hope to see him also find a place in the neurosparkly constellations.

[marshmellowzz]

HIII! I wanna be the first one to request on your blog(I hope I am😭😭) YOU DIDNT HAVE IN YOUR RULES,HOW MANY CHARACTERS YOU CAN REQUEST AT THE SAME TIME BUT I'D LOVE TO HAVE KISSING HEADCANONS(female reader) WITH MUZAN,GYUTARO,DOUMA AND AKAZA!! Thank youu :))

Uppermoon Kissing Headcannons 💞

A/N- Hi anon!!! I'm really sorry about the character request limit thing, I'll fix that right away. and yes! you are the first person to request, thank you lovely! i had a lot of fun with this request! I really hope you like it <3 (^з^)-☆Chu!!

Muzan:

Very rarely gets romantic with you, but oh boy when he does...

Muzan is a megalomaniac, he has a very inflated ego and a delusional sense of self worth, he sees no value in any life other than his own, so naturally, he even surprised himself when he took interest in a human—a lowly being like yourself. You are EXTREMELY lucky that you even caught his attention, and because of that he feels that he is entitled to you, he is your ultimate superior, your god, you should be groveling at his feet and thanking him for bestowing his affection onto you. From the very moment his eyes set on you, your fate was sealed.

Even so, he is a man that you've come to love, and because he's had many wives in the past he is extremely adept, and he knows exactly how to get you head over heels in love with him.

He is a traditional kisser, he's more into deep, heavy kisses to show intimacy. Although sometimes his kisses seem more demanding and rough. In short, he wants to show you what he really wants - he wants you to be his.

You are always left breathless and flustered no matter how many times he kisses you.

It gives him great pleasure to watch you gasp and pant as you desperately try to catch your breath. It makes him feel empowered, as he could go on for hours and he'd still be okay.

He'd probably be the one to initiate the kisses, that sense of superiority and need to exert power in any situation shines through in your relationship, he will kiss you when he wants to kiss you, and that's final.

Whenever he's in the mood he'd grab your cheeks and pull your face closer to his, until eventually your lips are feverishly against each other.

He'd grab your hips and pull you closer to get rid of any distance between you two, he wouldn't be very touchy-feely, but if he's in the frame of mind he'd be more teasing — squeezing your ass, rubbing his hands along your waist and hips, fondling with your breasts, etc.

Although he doesn't really like PDA, he is a very possessive man, and will sometimes bring you to meetings and kiss you in front of his subordinates to make clear that your his, and his alone.

Gyutaro:

His behavior would initially be extremely hesitant. He would pull away from you, insult you, mock you, whatever he could do to scare you away.

He would be very convinced that you were trying to tease him or were making fun of him.

Gyutaro is not very fond of himself. He usually compares himself to others and greatly envies/despises those who are fortunate or possess things that he longs for. Standing next to Daki, he has grown accustomed to being the unattractive sibling -- he just never imagined being loved the way you love him.

Daki doesn't help the situation very much either, she'd probably be reinforcing Gyutaro's thoughts of himself, she'd be like "Big brother, don't kid yourself! Y/n's probably just messin' with you!"

The truth is that he doesn't understand why you like him. He thinks it's silly when you compliment or lean in for a kiss, it's hard for him to accept that you're attracted to him, and at times he thinks you're trying to 'save him' or 'bless him'.

"Your pity doesn't matter to me, stupid girl."

Yeah...It'll be hard to convince him that you truly like him, and he probably wouldn't show you much affection initially.

After some time, he will grow to love your touch and kisses, even if they are small. It gives him comfort to know that you are not bothered by his appearance.

Gyutaro is more sloppy when he's kissing you, he completely abandons any rhyme or reason and simply lets his body take control.

He's newer to kissing so he might be a lil' inexperienced and inconsistent (please be patient with him he's trying 😭)

Sometimes he'll miss your mouth and plant a kiss on your cheek instead, he plays it off well, most times you don't even notice.

Gyutaro's kisses are more gentle and relaxed, he values a passionate kiss more than a harsh one.

It's difficult for him to express his tenderness, so he appreciates it when you initiate the kiss.

He's a sucker for knuckle and hand kisses. He has cold hands and he gets really blushy when you kiss his knuckles or try to warm up his hands.

The reason Gyutaro prefers small pecks and short kisses is not only because he finds them most comfortable, but also because he also struggles to commit to a long and sensual kiss because he is afraid you'll leave him and abandon the relationship you two have built.

If you want him to settle in and feel comfortable, you'll need to give him a lot of reassurance. At times he will pull himself away or withdraw from any affection; he does not believe someone like himself is worthy of your touch or your gentleness.

He likes PDA but only because you're something he can show off, you are like a boost of self-esteem for his emotionally-constipated-self, he likes to flaunt that even someone like him managed to bag a diamond like you.

Gyutaro loves cuddling and kissing, he loves being able to hold you close to him and just all around touching you, he's a very touch-starved individual—he will seize any opportunity he gets to feel your skin against his.

Douma:

Oh goodness...

Douma is definitely the most affectionate among them, which is ironic because under his carefree and outwardly friendly air the man is clinically apathetic, the concept of emotions being completely foreign to him, his love for you would be more of a source of amusement for him—something that he can play and toy with.

The only reason he kept you alive was because he found you pretty and grew quite fond of you.

Let's start off by saying that...Douma has zero concept for personal space, like...none.

He's always holding you, he loves placing you on his lap and just kissing you as he pleases.

His kisses come in wide variety and he gets very unpredictable at times.

For example, sometimes Douma places light and feathery kisses on your face, gently peppering them all over your face. Just cute small pecks!

He'll probably wait about ten minutes before jumping you and pulling you into a slow and savory kiss, the kind that always leaves you breathless.

Like, what happened to 'hello'? 'how are you'? 'my name is...'? what happened to that...?

He's extremely handsy as well, whether it's gently cradling your cheeks, his hands running down your inner thighs, or simply cupping your breasts in his hands. He just can't keep his hands off of you, you're too adorable!

He's very flirtatious and he loves to tease you, he just loves to see you get flustered or embarrassed.

"What's wrong, dearest? Cat got your tongue?"

Douma's favorite type of kiss would definitely be the French kiss, he likes the tongue work involved, he loves the sensation of his tongue on yours and he feels that it is very intimate.

Douma completely spoils you rotten, he buys you tons of chapstick flavors and colorful lipsticks and then kisses you to test which one tastes the best.

If you think he only does this in private then you are sorely mistaken.

In uppermoon meetings, Douma may just spontaneously invite you to a steamy make-out session just to annoy the rest of the group.

He's a sucker for PDA, he isn't jealous, he just wants to show you off. You are one of his most polished gems, and there's just no way he's going to keep you hidden from the world, he wants everybody to see your beauty.

Akaza:

He's probably the most appropriate and sensual with his kisses.

Akaza would also be hesitant with kissing. He is not a gentle man in the slightest, and he cherishes strength and takes pride in it. However, emotionally, as much as he wants to deny it, he is weak.

Akaza also has a weak spot for women, he'd like to tell himself that he doesn't eat them because they're simply helpless beings, but in reality the man cannot bring himself to harm them.

Generally, Akaza's kisses are deep and meaningful, his kisses have a lot of raw emotion behind them, and he doesn't just pass them around like they're charity.

It takes him an extremely long time to trust, he believes that showing love also showcases vulnerability, and he needs to be sure that you're going to be as committed as he is.

Although, once he falls, he falls HARD.

His kisses are a good representation of that. Akaza doesn't mind quick pecks, but he isn't a huge fan of them, he prefers to draw out his kisses for as long as he can. He lets his lips linger on yours, his arms tenderly wrapping around your body as he pulls you close enough that your foreheads lightly bump against each other.

He's a firm believer that the lips is the most intimate spot to kiss, he likes to kiss you there the most, and he likes it when you do the same for him. He wants to let you know that only you have access to that spot, and that you've gained a permanent spot in his heart.

Akaza is not one for PDA, he dislikes it and often avoids doing even the littlest things like holding hands or quick kisses in front of anybody. He feels that those are reserved for when you two are in the privacy of each others company. Not only that, but because he has an image he needs to maintain.

Akaza isn't unnecessarily handsy, but he's not afraid to get all touchy-feely with you.

Akaza also quite enjoys forehead kisses, he thinks it's a good way to show care, and affection. He uses it as a way to tell you 'I've gotcha,' or 'you're safe here,'.

An all around very sweet kisser! He uses it as a way to express how much he loves you without saying it out-loud.

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[raven-at-the-writing-desk]

thinking about book 6 battle simulations

I was thinking a lot about book 6 lately! (Not for any particular reason, I was just ruminating, haha...)

During the examination segment, Riddle, Azul, and Vil were put into one group and Jamil and Leona were put in the other group. Idia then put them into VR simulations in which (simulated) Trey, Jade, Rook, Kalim, and Ruggie approached the subjects to upset them. This is for the purposes of STYX to gauge their combative capabilities and blot accumulation. What I noticed on another read of these parts was that Idia makes sure to inform all the subjects they are about to enter a VR simulation BEFORE they dive in... and yet despite this, group 1 (Riddle, Azul, Vil) was still caught off-guard when Trey, Jade, and Rook attacked them. Meanwhile, Jamil in group 2 automatically defers to Kalim but Leona is the one who notices something is fishy about the situation. Now, now... this is interesting 👁️ Why might this be, I wonder~ (You bet I'm going to analyze the heck out of these small details!)

***Main story spoilers up to book 6!!***

First thing to consider: it's possible that perhaps the characters don't fully understand what "VR simulation" is, as most of them did take a while to come to their senses. Of the 5 subjects, Riddle is the most likely to fall into this category. He seems to be slightly confused by the concept of a "virtual space" when Idia explains the examination to them (which likely conflicts with Riddle's very traditional understanding of "tests"). Furthermore, Riddle has expressed in Endless Halloween Night that his mother did not allow him to play video games or to watch TV so he'd usually do crosswords or solve other puzzles for fun. He's not completely technologically inept (like Malleus), but Riddle does have a somewhat limited scope of how items and procedures are to be used, especially if it lies beyond its normal means. It's likely that he has not thought of VR simulation being used in the scenario in which he finds himself in now.

The other 4 subjects, however, most likely understand what VR is and shouldn't be confused by the simulation. Azul is very savvy and keeps up with trends, which can factor into his business(es). He even brings up streaming as a potential source of revenue in book 6; man has his fingers on the pulse of pop culture to know what will sell. Vil, being a celebrity and the leader of the Film Research Club, must have an understanding of various technologies used to achieve certain effects (especially as director of his own projects). Jamil constantly deals with Kalim's requests and, being in Kalim's social bubble, must get exposure to all kinds of crazy technologies. Leona, being a knowledgeable prince, surely must understand the concept of VR simulation.

Okay, so... why did they (mostly) still get "tricked" by the simulation anyway? The key words today would be "trust" and "dependence".

Thinking about it, there's one thing that separates group 1 from 2: the boys in group 1 have a tendency to rely on others for support and validation whereas the boys in group 2 are consistently shown to be more independent than their peers (even if they, too, seek validation). Let's go through them one by one!

GROUP 1

Riddle

Riddle is presented as a tyrant that rules with an iron fist, particularly in book 1 where he stars as the main antagonist. However, it's also pretty blatant that Riddle has become increasingly aggressive due in part to others enabling him. Ace specifically calls out Trey for this, saying that his failure to intervene or to quell Riddle's temper has resulted in Heartslabyul students suffering for it. Cater is also complacent, as he and/or Trey often follow Riddle's orders and remove Adeuce from the dorm multiple times in book 1. Riddle relies on these upperclassmen to listen to him and carry out his bidding, and he feels validated when they do. It's a lesson he has learned from his mother. He is the most powerful, and therefore he should be the most correct. Notice how Riddle is quick to anger when others refuse to obey him and how often he demands for them to conform. He becomes enraged when the Heartslabyul mobs rebel and chuck an egg at him. But what hurts him most of all is, perhaps, Trey turning too. Riddle was mad about the mobs acting up, yes, but he still did not overblot. Not yet, at least. No, Riddle overblots only AFTER he tries to attack Ace with the rose trees... and Trey steps in with his UM to overwrite Riddle's collar, turning it into cards. Trey's relationship with Riddle cannot be understated here. In this very moment, Trey, Riddle's childhood friend (one of his first friends), vice dorm leader, silent yes man, his most trusted confidant, has betrayed him. He is proving Riddle wrong, that the most powerful mage is not the most correct. "Are YOU going to tell me that I'm wrong too? After all I've done to protect the rule of law?! [...] I... I refuse to believe this!"

From these examples, we can clearly see that Riddle is someone who is reliant on others--not that he isn't a capable mage, but rather he is reliant on others for his own sense of self-worth. Indeed, even in his post-OB flashback, he indicates feeling proud and excited when his mother praises him for good grades or successfully performing a spell. This is reiterated many times over in book 1, in which Riddle feels satisfied and even smug when his students fall in line, and spirals into uncontrollable rage when they don't. There are a select few whom Riddle has chosen to place his faith in, and Trey is one of them. Trey, who gave him his first slice of strawberry tart and has been supporting him as his vice for over a year now (since Riddle became dorm leader in his first week as a first-year student; now is the start of Riddle's second year). That's why he feels so hurt when Trey is suddenly chastising him, telling him that he's behaving irrationally.

If we reexamine Riddle's post-OB flashback, you'll notice that Riddle says he is lonely without every outright stating the word "lonely". The phrasing makes it sound as though Riddle does not understand his own loneliness, like he doens't even know the word or want to acknowledge it as reality. He is awkward and unsure around Trey and Chenya, who invite him out to play. He follows his mother's rules because he believes that is what will bring him happiness. He wonders why, in spite of following all those rules, he still feels hollow inside. Then, once Riddle has awoken, he confesses that he always wanted to play more with Trey, and that he wants to talk with everyone after a meal. Riddle. at his core, craves companionship rather than dominating his peers. Trey was one of the few friends he ever had, and so Riddle puts a lot of stock into his support. This may be why he was quick to believe the fake Trey in the simulation, and why he looked so shocked when Trey started attacking him. Here is a boy who has already been betrayed once, experiencing that same betrayal again at the hands of his childhood friend. How scared must he be of losing his oldest friend, of Trey turning his back on him or seeing him as a monster? 😭

Azul

Due to the bullying he experienced in his childhood, Azul works very hard to maintain a new image of someone who is cool, confident, and composed. Part of that is passing himself off as someone who is large and in charge, while posing Jade and Floyd as his lackies who do whatever he tells them to. The reality of the matter is that the twins are very much... there to do their own thing, and they just kind of go along with Azul's schemes because they seem to be a lot of fun. When you stop to consider it though, Azul definitely puts a lot of trust into the Leech brothers even though they're both shady and can be flippant at times. It's the twins going around and advertising Azul's services to the student population. It's the twins who help him expand his business and acquire new items (as all three's Dorm Uniform vignettes are about the Octatrio conspiring to acquire the rights to and/or advertise their new drinks). It's the twins who are asked to run the Mostro Lounge whenever Azul is absent. Time and time again, Azul falls back on Jade and Floyd. They've been with him since middle school.

In book 4, both Azul and Floyd insist that they aren't really "childhood friends", but they do consider each other "equals". As Azul describes it, "I strongly doubt Jade or Floyd have any binding allegiance to me. This is all and elaborate game of pretend to them. [...] If I made a poor choice as leader--or even simply a boring one... They would turn on me instantly and seize the dorm leader seat for themselves." Floyd follows with, "We ain't got any plans to challenge him, either... for now, anyway. Aha ha! [...] We stick with [Azul] now 'cause it's fun. If it stops bein' fun, we drop him like a bad habit. Easy." The twins and Azul are both very aware that their relationship is a temporary and transactional one. Azul himself has even fully considered the possibility that Jade and Floyd may one day turn on him. This is all true--however, I also believe it's possible that the Octatrio are not being entirely truthful to themselves and do actually care for one another beyond the confines of their business ties or "having fun". In book 3, Jade and Floyd sense that something is wrong, and their immediate thought is to go check on Azul because of this gut feeling. Jade warns Azul of the consequences of misusing his UM. They are also the first to check on Azul after his OB and insist that he rest and find it within them to gently tease him over the situation. Even the way they address each other is "special". Jade and Azul have a tendency to be polite and use the honorific "-san" after everyone's name... except for each other and Floyd. Floyd, meanwhile, tends to give everyone a nickname... except for Jade and Azul. They drop these naming conventions within their group because that's how much they know and trust each other. Further proof of this is that when Floyd first meets Azul in the post-OB flashback of book 3, he calls Azul "Octopus-chan". Azul used to have a nickname, but no longer has one. This implies that a lack of a nickname actually indicates that Floyd is more intimate with someone than if he had nicknamed them. The same goes with Jade and Azul, who are usually so formal and polite.

I've already established that Azul acts in ways which indicate that he is close to the twins, as much as he tries to deny it and come off as tough. He drops the honorifics for them and he trusts them to do his bidding. What I find most telling, however, is when Jade and Floyd check up on him right as he's about to OB. "Jade! Floyd! Ahhh, you've finally come back to me," Azul says (if you listen to his voice, he sounds SO relieved). "Would you believe that thanks to these FOOLS, I've lost all of my contracts? Which is why I'm going to need your powers now. Come on, give them to me!" This is notable because, prior to this, he was forcibly ripping powers out of mob students. But now with the twins--Azul makes a CONSCIOUS decision to ask Jade and Floyd for them to willingly give up their powers to him. Azul is emotional and acting without tact here, but he STILL stops to ask the twins for them to surrender their magic. He cares about getting their consent specifically. When the brothers deny him and Floyd says Azul has become lame, that's when Azul snaps. His loyal henchmen are refusing his request and he's lost all his accumulated wealth. He's going to become the weak, friendless crybaby he once way all over again.

Knowing all of this, it makes sense why Azul was as startled as Riddle was when the simulated Jade attacked him. Azul claims that he anticipates this day--but he still seems to disturbed when it actually happens. It's true that perhaps this surprise comes in part from Azul having no indication that the twins were getting bored of him, so this is coming out of left field in his perspective. But... it could also be that he's hurt by the sudden shift, even if he and the twins have been telling themselves all along that they'd toss each other out without a second thought once they lose interest. This calls back to Azul's concerns right before he overblots: that his "business partners" (whom he refuses to call his friends) have lost interest in him and will now leave him alone and with nothing. He relies on the brothers not only for labor, but as his company and his confidants. When that's taken away from him... what does Azul have left that's worth anything?

Vil

Vil is another person who typically passes as very independent. He looks after himself quite well and is often the one nagging others to do the same. The thing with him is... he's still a celebrity at the end of the day, and a celebrity like him is always aware of his public image and the eyes on him. That's Vil's Achille's heel: as a celebrity, he is constantly concerned with how others perceive him. This is a lesson he learns in book 5--that he shouldn't let other people's judgment of him or a silly popularity contest determine his self-worth. Ah, but let's remember... book 6 begins like a mere DAY after book 5. Sure, Vil's character arc may be over, but that does not mean that he has suddenly completely changed. Up until yesterday, he was aggressively training to overcome his rival and to show the whole world his true beauty. Vil still, to some degree, finds value in how he looks and how others see him, as it strongly ties into his career. To this end, he sees Rook as a valuable individual.

Now, there's a lot of contention about whether or not Rook is a good influence on Vil or not, as some interpret his commentary as derogatory or unnecessarily critical. I'm not going to get into that; here, I am going to speak plainly about how Vil himself views Rook's feedback. In Vil's Labwear vignettes, he confides in Trey that he relies on Rook's keen observational skills to reflect the truth back to him. A celebrity must look at his best, and he can count on Rook to not mince his words and point out even the most minute of changes at a quick glance. (Vil himself is also extremely strict with himself, but lacks the superhuman abilities that his vice dorm leader does.) Rook has been doing this since long before he even transferred to Pomefiore, critiquing Vil's performances and such, not just his looks alone. This led into long discussions and debates between the two, which demonstrates how much Vil values Rook's perspective. Even back then, Rook was one of Vil's greatest supporters, but not exactly a totally blind "yes man". He is offering the kind of feedback that Vil seeks, not empty, sugar-coated niceties. This is why, in spite of his betrayal at the end of book 5, Vil eventually accepts it, as he trusts Rook's keen eye and judgment. What's interesting about book 6's examinations is that Vil seemingly takes charge of his group. When approached by the simulated classmates, Vil steps up and, after a moment of silence, says, "No... It's nothing. Let's go." (Vil is known as a skilled actor and can easily sniff out an act himself. Was the silence hesitation as he, Azul, and Riddle reevaluate the scene? Hard to say, but I'm assuming that STYX's state-of-the-art tech was able to perfectly simulate Rook, and thus confused Vil and co. for a while.) Rook strikes him with a spell, and that invokes a great emotional reaction from Vil, who seems to be the most aghast of the group. The fake Rook then declares that he's going to claim the dorm leader seat from Vil, which shocks him. "As you know, I appreciate beautiful things. Hence... I can hardly allow someone who's acted as ugly as you to occupy the Fairest Queen's throne!" The scene then cuts away to a battle. Now, while we don't get any extra dialogue from Vil to show his reaction, one interpretation could be that he was stunned into silence. Why is this a believable occurrence? Because the fake Rook called Vil out for "ugly" behavior. This is significant because back when Vil was overblotting, he was desperately shouting for people to "not look at him" because he's "so ugly". Here, ugliness does not mean literal ugliness or something that is visually unappealing. The "ugliness" being spoken of refers to being morally rotten, as Vil was speaking on his guilt after resorting to dirty tactics to try and take out his rival (when he had previously sworn to win on his own merits alone). The simulated Rook might be referring to this, which induces great shame in Vil, who is aware of the weight of his sins. Heck, book 6 even starts with Vil taking accountability and sincerely apologizing to the whole NRC Tribe for causing them trouble. Vil blames himself for their team losing, as it was his OB that forced them to fight and physically wore them out before their big performance. "What does it matter who forgives me?! I can't... I can't forgive myself!" He may still have lingering guilt regarding this incident, hence why he's the one predominantly reacting when the vice dorm leaders betray group 1. His mirror and huntsman, who speaks only the truth to him, now tells him of his ugliness. What else can that be, if not the truth reflected back at him?

GROUP 2

Jamil

To be clear, Jamil did not automatically go after the simulated Kalim. He automatically defers and tries to go along with his dorm leader (and only starts fighting once Leona declares the simulation for the sham it really is). Why? Surely Jamil is sharper witted than that. To this, I say... of course, it's just that Jamil's so used to being a servant that he reverts back to submissiveness as soon as he's put in a circumstance where there's a power dynamic. He’s not the one relying on Kalim—Kalim is often the one relying on him. You need proof of Jamil's servile mindset? He was intentionally talking down his own skills ever since book 4 and, according to Azul, has been purposefully maintaining painfully average grades (which, in of itself, takes a lot of effort). Admittedly though, those are conscious choices, not unconscious ones. But how about back in book 5, when Vil announces him as one of the lead vocalists and Jamil's immediate reaction is not to accept it, but to humble himself and insist that Kalim would be better suited for it (when Kalim actually isn't)? Jamil has to stop himself, back up, and accept the nomination, which he has earned for himself, rather than relinquish it to someone less deserving. Years and years of serving someone else, forced to play the part of the inferior servant, will beat that attitude into his mind, regardless of how much he resents the position.

Even now, Jamil feels like he usually has to follow someone else's lead. Leona, the upperclassman and dorm leader, provides that lead for him in the VR simulation. This leadership + independence is something they would butt heads over later in book 6, as Jamil begins to act overprotective of his current charge (Leona) as he does with Kalim. While Jamil has played the part of Kalim's attendant and childhood friend, the reality is that Jamil cannot stand those roles. He desires to stand out and to be recognized--something which is evident in book 4. Before he brainwashes the Scarabia students, he's always framing himself in a positive and helpful light to them and speaks humbly about his abilities. After he brainwashes the Scarabia students, he has them heap him with praise that he had never gotten in his childhood. In the post-OB flashback, we see Jamil's parents scolding him for outperforming Kalim, even in something as simple as a game. The headmaster of a great arcane academy overlooks him in favor of someone far less capable.

Jamil knows he can be great, but he's intentionally being told to not reach those heights. He feels stifled and trapped, and no one understands his plight that he cannot escape from. This results in Jamil distancing himself from others and coming to rely on himself and himself alone to make his wishes come true. He can't rely on his family, who are beholden to their legacy of being servants to the Asims. He can't confide in friends because none of them are quite like him, and Kalim would ignorantly brush it off. He can't tell third parties because, as Crowley as demonstrated, they dismiss him outright. Jamil, as he acts throughout book 6, is doing so in an effort to find his own strength and to be able to act on it with the freedom he seeks. To play support not because he has to, but because he, the individual, wants to. As Jamil states before overblotting, he wants to "be free" from these precarious circumstances where a wrong move could doom him and his family... but he only has so many liberties to work with. This leaves him in a strange limbo situation where he still isn't fully independent but desperately wishes to be. We see him fighting against the restraints, and to varying degrees of effectiveness depending on the context and his state of mind within that context.

Leona

From a young age, Leona seems to have worked tirelessly to obtain recognition. Like Jamil, Leona was in such a position (second-born prince) that, despite his efforts, he kept being rejected and beaten down again and again. As we see in his post-OB flashback, this is what eventually broke Leona’s spirit and made him develop a pessimistic outlook on his prospects for the future. The thing is, even though Leona does not really have hope for himself, he still manages to inspire hope in other people, from underclassmen to the students of his dorm. Book 2 is entirely about Savanaclaw looking to Leona to save their own futures, and him trying to do so for their sakes. His club mates extol how he can so quickly hone in on their best skills and advise them on how to sharpen those skills. Jack admires Leona’s plays, so much so that he wished to one day play alongside Leona. He’s even able to get beastmen of different species to get along and live peacefully under his rule when this has historically been difficult for his older brother to manage. All in all, Leona has all the makings of a leader. He stands out from the crowd, knows when to leverage his power and intelligence (playing smarter, not harder), and commands with ease.

… That being said, Leona’s presence can be so powerful at times that it’s also isolating. This was the case for his childhood, which is depicted to us as many palace servants being fearful of Leona’s devastatingly strong magic. He also uses this strong magic against his dorm mates when their intentions clash in book 2–and he comes close to killing someone in the process. He’s also just notorious in general for being grumpy or unfriendly toward others, including one instance in book 5 when he seems upset that you’ve showed up in his classroom. Leona drives people away from him, whether because of his strength or because of his prickly attitude.

At the same time, i would also describe Leona as a tactician that keeps some degree of distance from those he commands. He makes it clear he's willing to use others to achieve his own goals and does so many times over. Book 2, when he tries to take out Malleus to help his dorm leaders while also trying to prove to himself that he's capable. Book 3, when he helps Yuu and co. dissolve the contracts including one of his own he made with Azul, etc. Leona knows how to best use his own abilities, as well as those of others. That's what makes him so formidable--he can read others and judge the situation extremely well, and he knows when it is smart to fight and when to tactically retreat (such as in book 6, when he immediately surrenders to STYX agents rather than make a scene). Leona is a self-sufficient man.

There’s the question of Ruggie, of course. Leona is often depicted as lazy and relies on Ruggie to do many daily things for him, such as laundry or fetching food. This obviously throws a wrench into the claim that Leona is more "independent" than those in group 1, doesn't it? He doesn't even come close to Jamil, who actually does all of these tasks himself. Well, not exactly. I don't think "independence" here really comes down to that alone. Riddle, Azul, and Vil all relied on Trey, the twins, and/or Rook to some significant degree to inform their own senses of self. Jamil had this belief of deferring to his "betters" (the Asims) instilled in him, regardless of his personal feelings on the matter. And Leona? Leona does not significantly rely on Ruggie for his self-worth (dude was 100% going to sand him in book 2). Yes, Leona was likely looking to help his dorm members in part to prove to himself he is capable of leading a pack, but he gives up when he realizes it was a fruitless effort. He doesn't become reinvigorated to keep it up or to try again, even when his dorm members (Ruggie included) plead to him. Leona is acting selfishly, and he refuses to acknowledge their perspectives--he's set in his own ways and is driven by his own thoughts, not those of the people around him. Perhaps this is what allows him to discern truth from lies with such clarity, as it is Leona who rouses Jamil to his senses and leads the charge against the VR simulation Kalim and Ruggie.

[thattimdrakeguy]

I HAVE BEEN READING ZDARSKY BATMAN, AND I HAVE DECLARED: I FREAKING LOVE IT!!

I'm reading the Batman Zdarsky run in reverse. That way if I see any bull I can back out at anytime: and to be honest--besides a few things. I really enjoy it

LIKE YO, THAT IS JUST STRAIGHT UP TIM DRAKE RIGHT THERE. It knows who he is as a character. his motives, it's great.

Screw the people complaining "oh why is tim still robin :((", THIS IS WHY HE IS STILL ROBIN. Because this is when he's at his BEST. When he gets to hit his character purpose, WHEN HE GETS TO BE HIM AT HIS MOST HIM. It's FANTASTIC.

Reading in reverse because I know I hated the first story, it was so contrived and ridiculous.

But this--this is some good shit.

Tim being an underdog fighter, having to use his wits to win the fight? MY DAWG, MY DUDE, MY GUYS, MY GALS, MY THEMS, MY THEYS, THIS IS SO TIMMY DRAKE. This is so damn Tim Drake, guys. Oh, my gosh, I am loving this so far.

Dick has his temper back? And trust me, he isn't normally like this. But he's hitting a limit AND IT'S SOMETHING NEW, NOT JUST A REFERENCE. HE'S ACTUALLY DOING SOMETHING HE'D DO, 'CAUSE HE'S AT HIS LIMIT. That's wonderful, man. That is so wonderful.

Plus Tim is the heart of the Bat-Family again? This feels like someone actually went back to read these characters before writing it. I'm not saying everything is perfect of course, but these high marks are exceeding all my expectations. And I STOPPED reading comics because of how the beginning of this run destroyed any hope I had.

You guys have no idea how much I'm enjoying the few issues I've read. Besides the cussing (I remember after a bit they decided Tim was someone who used funny words instead of proper cusses), this feels like the Tim I know and love during the era I especially loved him.

Tim comparing himself to his predecessors? Tim not being a natural? A WRITER REMEMBERING THAT?? It's been so long since I've seen that! Most writers treat him like he was another prodigy when he wasn't. AND THIS GUY REMEMBERED THAT!

I shouldn't be so happy at just seeing Tim do Tim things, and serving his character purpose. BUT YOU GUYS HAVE NO IDEA HOW LONG IT'S BEEN SINCE A WRITER KNEW WHAT TIM WAS SUPPOSED TO BE LIKE.

Only complaints I have is that Jason feels like a typical Bat-Family member, and not the sketchy outsider that he is. Making him so close makes his character more bland in my opinion. And Steph is--also generic af unless she's wacky quirky...which is a characterization I hate for her, because she started off so damn interesting, but they made her a freaking trope instead, which is such a disservice to her, but she barely does anything so far, so whatever I guess. Doesn't mean much.

--

This is the first honest thing I've seen that I hated.

No

Not this

This isn't the Bat-Family

This is a sitcom world the fandom wants to be the Bat-Family and some comply with

They're not a sitcom. The conflicts, and uniqueness of the characters is what makes things feel alive and well.

This stuff is cheap fanservice for the fanon demographic that doesn't buy comics to begin with.

Fanon doesn't belong in canon.

--

I mean sure Tim could be drawn smaller, the gag of him looking 12 when he's nearly 18 doesn't work when he's bigger than Damian who is 15 (and contrary to some bullshit comics isn't meant to be small. that was a random thing added for writers who aren't clever to write better humor. it actually contradicts things that were already established).

Don't see the big deal though for most of this.

Can't wait to find it, though. Oh boy.

This whole obsession with Zur Batman, is way over done though. So--I wouldn't be shocked if that was the problem, because my golly does that plot point not seem to be stopping--and it was there from the start and part of the reason why I didn't read it 'til now.

Good Tim tho, at least. So heehee, yey for that--I think--I guess.

Oh, well.

It let me peak at a pseudo-version of an AU I made up years ago. So that's pretty freaking cool.

Always a plus.

And redoing Red Robin story beats but better? Normally I'd hate references to Red Robin, 'cause that changed the perception of so many characters for the worst, but ayy, a bit of redemption isn't bad.

Man, just seeing simple stuff like Tim and Bruce being good ol' classic Batman and Robin warms my heart. It's been so long since Batman and Robin has acted like a proper classic Batman and Robin. It's dynamic that's been sorely missed by many.

OH, MY GOSH, WHY DID THE FIRST STORY HAVE TO STINK SO BAD. THIS STUFF IS GREAT.

Like, DUDE, this is such a Tim thing for him to do!!

And he's showing emotion?? He's crying like how he does?? Because he's not a typical Bat-Family member who just angsts his way through?? THEY'RE MAKING HIM STAND-OUT AGAIN BY MAKING HIM, HIM??

WHY DID THE FIRST STORY HAVE TO SUCK SO BAD?? THIS IS GOOD SHIT.

Like this part is why I originally stopped reading, not because Bruce should think Tim is his soldier, and not his son, THE FREAKING OPPOSITE.

But because the original story has Bruce acting weird when unneeded, just to say this was so unneeded, and adding in all these stupid corny Bat-Family moments was so groan worthy.

This run started off with a story that was a total turn off for me.

To end up being a run that could've kept me enjoying DC, rather than running away from it from as far as I have.

Chip Zdarsky started off awful, but really, he ended up great.

And I've seen people complain about his run, and TRUST ME, there's stuff to complain about. But I have only ever seen the stuff worth complaining about, or stuff I WOULD complain about.

WHEN MOST OF THE RUN IS GOOD

At least when Tim is around.

Go figure.

Maybe I should've paid sole attention to how he wrote Tim and nothing else at the very least for that first story.

'Cause even in the first story, Tim was well-written--it's how cheap the rest of the story telling was in that first story that turned me off--and the weird knew about the movie plans that I am still fully judging harshly. (Love the new Superman film suit, though)

[thurio-edau]

SBG GANG MENTAL ANALYSIS

yup, him for part two. funny thing despite Aiden being my favourite character I'm most excited for the other three posts I'll make, especially the last one. there's a lot to unpack here so

also im writing this with a migraine pls read it-

Part 2: Aiden Clark

ah, yes. the obviously-mentally-ill from the start fan favourite Aiden Clark. let's go.

first, I want to start with something I find really important about his character, what makes him heavily mischaracterized in the fandom. the 'psychopath' cliche.

the terms 'psychopath', 'insane' and 'unstable' are often confused with each other due to media stereotypes, such as Aiden here. one, he is not a psychopath. psychopath literally means a self-centered person who lacks sympathy, affection and care; making them far from most other characters in their franchise. their lack of sympathy/empathy often makes them criminalized, here

disturbing content warning, for an example of a psychopath.

let's take Gressil from Homesick for example since a lot of SBG readers also read Homesick. so, here, Gressil is a perfect example of an actual psychopath. his lack of empathy makes him torment others, he's very self-centered. and when asked why he's doing this? he says he was bored. let's look at Aiden here. what does Aiden do when bored? probably dumb ideas or annoy Tyler. not torturing people for fun. Aiden is just a boy who likes thrills, but he has a sense of empathy, care and justice.

you wanna see a psychopathic Aiden?? the canvas is it

(our local Logan hater is publishing the canvas eps go checc beachy out)

but that's him, not our Aiden. canvas does not equal originals y'all

alright, now since we got that cleared out!! firstly, ADHD.

I think everyone in the fandom is already aware that Aiden is ADHD but I'm still going to talk about it just like Ashlyn's autism. Red has also said that she wrote Aiden with ADHD in mind but hadn't canonically confirmed anyone as neurodivergent. let's start with the main symptoms of ADHD, also known as Attention Decifit and Hyperactivity Disorder.

I know about 5 different ADHD people myself and did some research, it probably won't be extremely accurate since I'm not ADHD myself, but I'll try to do whatever I can. first with the AD part, Attention Decifit.

now as seen, he doesn't exactly have any problems with theorizing itself. but the problem is that his attention just goes away easily.

i mean cmon bro was making memes on the job

he tries to do work, but can't. he has a low attention span which makes him not able to concentrate. he can't keep it up for long, he'll get distracted or bored too easily about things that doesn't interest in specially.

it's just distracting. what his attention is on constantly changes, there's more to that after the ADHD part but we're here for now.

the hyperactivity... it's a lot more apparent. but I should explain the insane-unstable thing before that.

insane means that someone's mental health is not in an okay situation, where it prevents the person from thinking normally, acting rationally, very often found together with delusions. the person is seriously mentally ill where it might count as a disability.

unstable, however, where someone is prone to psychiatric problems, has moodswings etc. they're not exactly the most sane person, but they aren't insane either. Aiden here, obviously falls on the unstable side. maybe just a little bit insane if you squint. this will be brought up later too, but it mixed well with his hyperactivity too.

and as we all know, our boy isn't exactly the most stable person. (sorry for the collages, but since there is a tumblr picture limit i have to keep on collaging. yes i learnt from the last time) his hyperactivity mixes with his unstable mindset which makes him incresingly vulnerable to danger- which he likes. from when the first shift happened, he's been really careless about stuff but it's been all about his love for thrill.

and it irritates Tyler, too.

the main subplot about his character is that he's a person of excitement. guess what? ADHD people like the excitement, they like new things, they like the adrenaline and thrill. now, Aiden's main characteristic of being unstable mixed with ADHD makes him an even more reckless person. another thing mixing with the hyperactivity, is boundaries.

this part will mostly be about Ashlyn since the boundary issue only happens with her.

I talked about this on Ashlyn's side on my Ashlyn analysis, now it's time for Aiden's side.

he's really annoying to her at first. Ashlyn is someone with lots of boundaries, like high walls. and who tries to climb them with his dumbass? Aiden of course.

she kept rejecting his efforts to befriend her for some time, until the night they stole the jeep. then she managed to actually bring the walls down, and accept them all into her life. but damn was she blunt.

felt that honestly

and Aiden understands her that night, too.

Ashlyn was hesistant to hug him, yes, he was aware. but she still did which made him realize she was also trying. i have to tell you, people with ADHD and people with autism either have trouble getting along, or go perfectly well. my ADHD sibling for example, I have to push them away for a lot and tell them to lower their voice. but once they remember my boundaries it actually becomes a normal, even pleasant hangout. which, Aiden realizes and tries to get along with. he tries.

seeing his efforts on her boundaries makes something click in her mind. and she starts to be a lot nicer when they hang out in the arcade.

Aiden eventually learns and remembers what she's like and what she loves to do. he already tried to watch her ballet sessions once -got slammed-, he's been to her room where he remembered the mat from and her fighting makes it obvious. I'm sure he knew he'd get cooked by betting that. but he still did,

because he knew it'd interest her. which he succeeded, he saw her smile again. the arcade day went great until Barron and his gang pulled up, but if we ignore that part it all went well. Aiden started to understand and respect her boundaries.

anyways then Tyler fucking dies

he knows that Ashlyn feels guilty. Aiden wants to comfort her through it, but also do it correctly. without going over any boundaries. which makes him really,

really,

really surprised when she responds.

also including this pannel cause its hilarious

here we see that he's still trying. hell, I'm sure he spent minutes thinking if he should come close physically to help her. that's probably why he just nudged her softly before anything else. he's not used to it, he has to conciously make an effort to not cross said boundaries. keeping his voice lower, try to not be so reckless, not doing anything physically close unless she reciprocates. wow how i wish another someone i knew irl tried that hard instead of blaming it on me cOUGH COUGH COUGH

also other small things to include

he's yapping a lot

he has a comically large amount of puzzles in his backpack for one single trip

and sticks his head into lamps for some reason

but that's just Aiden and his little neurodivergent brain for ya.

now the part I wanted to get to the most.

Borderline Personality Disorder.

first, what is Borderline Personality Disorder?

shortened as BPD, borderline is when someone's mood is inconsistent and swinging. think of it's name; the person's mental state is in the border, in the border line, switching up fastly. the most easily understood and common type is when the person goes from a depression to a happy state. but no matter which state they are in and/or go to, one thing stays the same: it is unstable.

one thing about borderline is that it is frequently mixed with bipolar. however bipolar is a neurodivengercy which means it is what someone is born with and cannot be changed. but borderline is obtained later in life. it usually happens with depression. bipolar is much more random and the episodes last longer in comparison. it may last up to hours, and the person's memory might have trouble remembering their episodes. borderline, on the other hand, is a short-lived mood swing.

now here. here's the catch; people with BPD during mood swings can have reckless behaviour, suicidal thoughts -in his case as far as we know, lowered sense of protecting himself- or a loss of understanding danger. sounds familiar?

borderline's recklessness and dangerousness, sometimes self-destructive acts combines with ADHD's love for thrill and excitement, combined with Aiden's own personality all make up for a great condition of instability.

Aiden's behaviour constantly goes crazy, I think his most frequent mood swing might be his normal self (at least, as normal as he could be) to this more maniac way of acting. I noticed it from his eyes, when he's in a more calm-ish normal state his pupils are a bit more dilated. in the pictures above, you can clearly see that he's still in the episode; filled with the adrenaline, the unstable way of thinking.

but, what causes that? surely a mental illness such as borderline doesn't happen on it's own.

right?

cause it didn't.

it never works that way.

but it can get better.

eventually.

but what happened to him?

personally, as much as a large amounnt of people seems to believe it's something like family abuse I don't think so. maybe neglect, maybe withdrawal, maybe maybe. but we've seen his parents. I don't think they would hurt him like that. I can't put any more pictures, but this is the last part anyway. his parents seem to be kind and gentle, despite that picture in his house. I'm thinking the picture was only for the dramatic effect. his parents said that he used to be really calm and quiet during Lily's birthday, and both Aiden and Ben seem comfortable around them. they were happy taking Ben in too, any kind of abusive parent wouldn't do that at least that's what I believe. also there is that Aiden got serious and concerned when he learnt that their parents were also in the facility, most likely worried for his own as you would have thought.

there was a post that I've been trying to find for like half an hour, I commented on it but I can't find the post now. the person talked about their own theory. if I remember correctly it was that when Aiden was depressive as a child, his parents took him to a thrilling activity like the ones he's been talking about (bungee-jumping, skydiving etc.) and the thrill made him actually get excited. which is why his parents allowed him to go even more reckless, because they are aware of how prone their son could be to the depression.

what happened? let's ignore the parents factor. someone can have a loving family and still be traumatized, someone can be taken care of and still feel abandoned, someone can never have confronted a situation they are terrified of.

one of my theories is that, the loneliness. it must get to a child heavily considering children need to not be left alone, but Aiden was. he didn't have any actual friends since they always moved from one place to another from his parents' business, and they might have not had enough time to make for him (which I believe is bullshitting, every child deserves to be taken some time out for. some people quit their jobs entirely for their child.) and be unaware, and that doesn't change that he was still depressed and alone. his depressive state was seemingly before Ben was taken in. now here one thing with borderline, at least from my experience, is faking actions. smiles, laughs, friendships, conversations... almost as if there's two different lives; one fake, and one real. you keep on switching, you keep on swinging between the sides where you're yourself and where you're just mimicking 'normal human behaviour'.

it starts from faking a happy state during their depression, and by time you're faking it it becomes an automatic adition to your personality. to your mind. once it furthers, it becomes the disorder. Aiden we see is always smiling. it becomes a habit that only breaks sometimes. now, I'm not saying his smile is fake- I think his face is literally just stuck like that. it breaks ever so slightly sometimes. fake it till ya make it yanno? that kind of thing. and when he swings from his calm mood to his borderline-d mood, his pupils get small and his smile gets worse. noticably worse. I'll be rereading the series (AGAIN) and this time look at all the small details since Red loves putting them and I love theorizing so

which, wraps up the Aiden thing! im actually really proud of how i could put my thoughts into text which i never could. i'd love any additions because i love other opinions as well.

and you know what? im glad Ash and Ai are out of the place because the rest are what I'm actually looking forward to >:)

...and i should sleep. really.

(wow sorry yall i finished this hours ago and said 'alright reread to make sure its good before sleep' and fell asleep through it lol sorry for 4 hour delay ig)

(leaving for school rn see yall 8 hours later 🫡)

[thepersonperson]

Autism in JJK Part 1 (Isolation and Movies)

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

3) Read the light novels.

(Click images for captions/citations.)

Preface

Dungeon Meshi is heralded as The ultimate story of incompatible autisms. Everyone recognizes Laois and most of his party as autistic. Each of these characters are able to use their specific types of autism to solve problems throughout the series.

Laois’s autistic traits in particular have drawbacks when it comes to others’ perception of him. To directly quote one of the best Dungeon Meshi text posts on this site:

“Dungeon Meshi is about a quirked up white boy on a quest to save his sister and perhaps indulge his special interest along the way. He's a man of pure heart who has done nothing but help anyone he's met. Then part way through the story you start seeing other pov characters and it turns out every single person who has met him outside his party has read his awkward social skills and love for grilling as a sign of something deeply evil and has vowed to kill him on sight.”

Using Laois as a reference, I want to argue that Jujutsu Kaisen is the penultimate story of incompatible autisms.

Addendum/Disclaimer

I’m heavily drawing from experiences with my particular brand of autism for this analysis, so I’m bound to not properly consider everything. My words should not be taken as gospel since autism is a wide spectrum that manifests differently for each individual. Certain autistic traits will show up for one person and be completely absent in another. (And I personally think JJK does a great job of showcasing this variation.)

There is also significant overlap between Autism and ADHD which I’m not qualified to make connections with. (Basically if you have ADHD feel free to explain how you see yourself in these characters too.) There’s probably other readings that have flown over my head, but please understand I’m not trying to be malicious.

The main traits I’ll be referencing are:

Social Unawareness

Bluntness (and it being perceived as rudeness)

Taking Things Literally

Double Empathy Problem (the non-autistic and the autistic have a hard time understanding each other’s way of thinking and therefore struggle to communicate with each other)

Emotional Blindness/Alexithymia (difficulties with understanding and articulating one's emotions)

Hyperfixations

Special Interests

(Stimming is left out because of Tumblr's 30 image limit. Someone else can make that post for me.)

Mahito’s Autism

Strange title section right? Allow me to defend it. Mahtio’s Domain Expansion (DE) Self-Embodiment of Perfection is localized from 自閉円頓裹 (Jihei Endonka). The first two kanji 自閉 (Jihei) create the Japanese word for Autistic. Where 自 (Ji) is self and 閉 (Hei) is close/shut. The Japanese word for Autism is 自閉症 (Jiheisho) where 症 (sho) means disease. A very literal translation of Jiheisho is “self-shut disease”.

Equating autism to an illness that causes one to shut themselves inwards is flawed in its framework, but not wrong in describing the unique isolation autistic people face. If the kanji used didn’t clue you in, Japanese society is much more hostile to the autistic than English speaking countries. This is in part due to many autistic traits being seen as socially unacceptable for deviating too much from the norm.

There’s been a whole study on this if you want to know more. (This study allowed for self-diagnosed people to participate and included non-binary gender options, so I’m comfortable using it.) Quoted directly from the source: 

“Many autistic individuals engage in social camouflage and attempt to use social interaction to obtain job opportunities and other benefits. The aforementioned ‘need’ of autistic individuals to engage in social camouflage forces them to continuously pretend that they are non-autistic. This is associated with significant manifestations of mental health deterioration, such as depression, generalised anxiety, social anxiety, suicide attempts, and burnout because of exhaustion and fatigue.”

“Markus and Kitayama refer to Japanese and other East Asian cultures as ‘cultures of interdependence’. In these cultures, the primary challenge faced by individuals is to conform without standing out and pay more attention to others than oneself. Thus, the ‘uniqueness’ of autistic people can be perceived negatively, and it can threaten relationships and interpersonal harmony within the community.”

Now what does discrimination against autistic people have to do with Mahito? Well, everything. Mahito manifested as the hatred between humans, making them unique within the Natural Disaster Curses group. This causes friction in their relationships with the other curses, mainly Jogo.

When Dagon dies, Jogo mourns. When Hanami dies, Jogo and Dagon mourn. When Mahito learns about this? They react like this.

Totally not appropriate for the situation. You could chalk it up to them being a curse, but the other curses have already shown they’re capable of caring deeply for each other. 

This isn’t the only instance of it either. In the light novels, Mahito really gets into movies to better understand humans which results in this.

Jogo simply does not know what to do with Mahito becoming a filmbro. 

Jokes aside, Mahito is using movies and other forms of media to better understand people not like themself. And despite their efforts to better grasp emotions, this causes Mahito to become even more alienated from his peers. He’s in his own little bubble and his way of thinking is boon when fighting but a bane for his relationships. There’s something very autistic about that. 

Shared Special Interests

On the flipside, Mahito’s movie and book fascination causes them to create a bond with a blind homeless old man that lives under a bridge. But it’s only because the two of them have this interest in common.

As stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 3: Allegory in Darkness, Mahito has canonically read Kafka. 

And that line at the end. “It makes talking to you easy.” This is the same phrase Mahito uses when grooming Junpei. Though Mahito’s relationship with Junpei is one of manipulation, it started as something rather innocent—they both went to the theater, saw the same movie, and were annoyed by the people disrupting their viewing experience.

That small connection, their shared interest in movies caused them to bond quickly and Mahito used it for manipulation. (This is not unlike how minors in fandom spaces can be groomed by the adults around them.)

Mahito learned how to be this way in part by studying media and applying it to their actions. They can’t interact with most humans 1-on-1, so their main source of understanding them is media, which gives them this warped sense of reality. Think Plato’s Allegory of the Cave. Mahito doesn’t know better because this is all they know.

It’s no wonder they conclude that humans at the core are creatures that eat, sleep, and rape (Ch 49 Pg 18 Sorry I ran out of image space). Think of how many “the joke is sexual assault” type characters there are in Japanese media alone. (Let’s not ignore how bad it gets in American 80s comedies too.)

Mahito is essentially a blank slate with no frame of reference for morals, critical analysis, or media literacy in general. It’s not very surprising they take everything at face value and then use it for evil.

And that’s why I wanted to discuss them first. Mahito is a reflection of humans and their reaction to media has echoes in how other characters, who are probably autistic, navigate their relationships with themselves and other humans. 

Itadori Yuji’s Autism

When I say Yuji is pure and the goodest boy in the world, I’m referring to the unbridled autistic joy in which he interacts with the world. He’s not much different than Laois from Dungeon Meshi. The way Yuji introduces himself to others is unhinged. He frequently does and says things that are not socially appropriate in the slightest. Whatever comes to mind first he acts on, no filter.

But being unhinged isn’t necessarily autistic. What gives this the ‘tism is the socially inept internal logic that goes into Yuji’s decision making. Dudebros may refer to it as locking in, but it is better known as hyperfocusing. You give Yuji a task and he Will complete it, anything in his way be damned.

Ijichi gave Yuji a task. Figure out if this person is an enemy and make sure nobody gets hurt. Interrupting a convo and pantsing a guy to complete this task is Yuji autistically logicing his way around setbacks. What’s a non-violent way to get someone to leave? Stealing their pants, probably. Things like social rules don’t matter if lives are at risk. 

Don’t believe that’s socially-blind autistic logic? Let me give you this guy from 4Chan and myself as an example. As a child I was told I should never lie no matter what. At 8 years old, I did something that upset my teacher. I didn’t know I had upset my teacher until I was asked to write an apology letter by my parents. So in my little pea brain, I had no reason to apologize because that would be lying. I then wrote something along the lines of, “I’m only writing this apology because my parents are making me.” (I got yelled at for this which confused me even more. What do you mean you want me to lie, mother???)

You can see this kind of logic with the finger eating especially. Yuji took Megumi’s words very literally and ate a mummified human finger because that’s what was needed to save lives. This isn’t a one off thing either, it keeps happening over and over—Yuji taking the most literal interpretation of the words spoken to him and acting on them in the most autistic way possible.

I love the Nanamin alert especially because only Idatori Yuji would think to do that. It also a neat showcase of the double-edged sword that can come from autism. Yes, Yuji effectively and quickly relays important information to his allies, but to their enemies as well. He also does it in a way that gets him bopped on the head by Megumi. Kind of like how going along with Gojo’s plans has him bullied by his classmates.

This happens a lot too—Yuji doing what others tell him to do, filling in the blanks when they fail to elaborate on the how to, and it backfiring.

There is nothing more autistic than doing exactly as you are told and getting punished for it. 

Nanami tells Yuji not to call him Nanami-sensei. But he doesn’t tell Yuji what exactly to call him instead, so he guesses. And since Yuji is socially unaware to a degree, he comes up with Nanamin instead of the Nanami-san that would’ve been more polite.

Megumi and Panda tell Yuji to lie. But lying isn’t in his nature so he really sucks at it. Pretending he doesn’t know who Gojo is because 1) he was told to lie and 2) Gojo is a part of the group Yuji is was explicitly told not show any familiarity with, is peak autism logic.

It’s all a part of Yuji’s charm though. Despite his autistic traits getting him into plenty of trouble, they also are a big reason as to why everyone loves him. 

Yuji’s Autistic Rizz

Yuji seems to mirror other people both to better understand them and because he’s relying on them to show him how he’s supposed to act. (More on that here.) Most of the time this is played for comedic effect, but sometimes it results in instant pair-bonding. I think that’s the autism-to-autism connection being made. (It’s also known as the morphogenetic field if you’ve played 999.)

Just like how Mahito used movies to bond with Junpei, Yuji does it too. But he uses this shared interest for good and provides a counter to Mahito’s grooming.

And lookie here, he can even utilize his love of movies to bond with people who aren’t into them at all. Junpei’s mom may not get it, but she’s endeared by it. This unparalleled autistic rizz is fundamental to Yuji’s character. And in my opinion, his relationship with Todo Aoi best showcases this.

Everyone knows that Todo and Yuji’s shared love of tall women with big butts is what brought them together. But what’s most overlooked is the specific tall woman with a big butt that made this possible in the first place. Before Todo even asks Yuji for his type, Yuji makes it known he is aware of who Takada is. (He happened to see her on TV as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Ch 4 Pgs 89–90. Ijichi is the secret Takada fan.)

Takada is who prompts Todo into asking. She is also the one who appears in Todo’s delusions, guiding him to victory and driving most of the reasons behind his actions. With great confidence I can say Todo’s special interest is Takada. (And most of the fanbase assumes he’s autistic, so I don’t feel the need to explain that more.)

And what’s crazy about his special interest of his is that it fudging works. Takada and his love for manga help Todo create successful strategies. I include his love of manga because his fakeout with Mahito is a Hunter x Hunter reference.

It’s a bit spoilers to discuss how exactly this is genius, but you’ll have to trust me when I say it’s very clever. Rather than simply nodding to the source material, Todo is using the twist reveal from that scene and subverting it to help Yuji win.

This is nearly identical to Laois utilizing his special interest monster knowledge to create victories out of what would be defeats for other characters. Todo weaponizes his autism in a way that works perfect for sorcery.

But when it comes to interpersonal relationships? It destroys them. Everyone who isn’t Yuji hates Todo. 

Todo Aoi is second to Gojo Satoru when it comes to characters considering him the greatest source of stress. (Momo, Mai, and Kamo with Kokichi dedicating pages 43–46 of CFYOW JJK Thorny Road at Dawn, Chapter 2 to how much Todo stresses him out.)

They’re most annoyed with him when he talks about his special interest—Takada. She is a huge reason as to why Todo is such a good sorcerer, you could even call her The Reason he’s so good. People rely on him quite literally weaponizing his autism. But when he starts being autistic outside of sorcery? They don’t tolerate it. 

This is a recurring problem for autistic sorcerers. The very people that depend on their weaponized autism will scorn it the moment it no longer serves them directly. It’s a very Not In My Backyard (NIMBY) mentality. Sure they want all the benefits but keep the drawbacks out of their sight.

Yuji’s Loneliness

Just like Todo, Yuji suffers from social disconnect due to his autism. He feels like he struggles to understand and connect with others on a deeper level. His own feelings and other people’s feelings are sometimes a mystery to him.

On a surface level Yuji seems to be on the same wavelength as Junpei through their shared love of movies. That is until they fight each other. Yuji doesn’t understand that Junpei is acting out of grief at the start of their fight. He says something insensitive at first, but he eventually asks Junpei to spell things out so he can understand what’s going on.

It takes until the end of the Sukuna fight for Yuji to truly connect with someone—Megumi. But it’s only because they both make their feelings known directly to each other. Before that though? As discussed earlier, the autistic traits that make him good at sorcery are often off-putting to others.

I mentioned how Yuji mirrors others in what seems to be an attempt to understand others in that post I linked. In the same one I also discuss how Yuji is able to decenter himself and sync up with just about anyone. With respect to his autism, this really reads like masking to me. 

When Yuji lets that mask slip and indulges his personal hobbies, it’s a toss up on whether or not he’ll be accepted or rejected. The movies that allowed him to pairbond with Junpei don’t work for everyone. Just like Mahito with Jogo…being a filmbro causes friction with Megumi and Nobara. 

Though Yuji otherwise gets along very well with Megumi and Nobara, there is something so very relatable and sad about seeing this particular hobby of his being trashed. What’s worse is that the 2 people who would’ve matched his freak in this regard are both dead: Junpei and the one who intensified this interest of his in the first place—Gojo Satoru.

Gojo Satoru’s Autism

I must confess, this entire post got written because of this anonymous ask I was sent a while ago. I was surprised to get it since I assumed everyone understood Gojo to be autistic by default like Laois Dungeon Meshi. So I’m going to copy and paste this anon’s words because all their observations are correct.

"As someone with Autisim, I heavily identify with how he was raised (the gifted child who is too observant vs the prophesied child who was raised to be a weapon first) and the way other react around him (treating everything he says and does with disdain)

I find the way he clings so strongly to the idea of strong and weak even after Geto and Toji yet still having a sense of justice/ noticing the unfairness of it all, his sensitivity issues, his ability to notice emotional cues yet not having the means to respond in an allistic way, his tendency to take his jokes and teasing too far/ act too close to people, and the general othering of him just screams autism to me. Like can see a lot of those traits which is usually tamped down by society being exasperated because, what are you going to do, he is the strongest, you can't just tell him off in a serious way, not when, in your society, the strong rule.

I see it especially with his students, where he's taken in all the misfits and is so casual with them in day to day life. Even him throwing them in the proverbial deepend with missions is probably how he was taught by his clan before entering jujitsu tech."

And directly from Gege via the special Gojo Booklet. 

"Q25: born and raised as a high-born, he is regaled by both himself and others are the strongest, and he seems to have want of very little, but what would you consider Gojo's weakness?

A25: His personality.

Q26: what would you consider Gojo Satoru's most intrinsic strength, when you put aside his innate abilities, influence, and physical prowess? 

A26: His personality."

Thank you Gege for stating it so bluntly. The part of Gojo’s personality that is both strength and weakness. Something that makes him a great sorcerer and socially isolated. That’s the autism.

Now that we (that anon) has established that Gojo Satoru is definitely autistic, let’s go over how this has affected his interpersonal relationships.

Improper Socialization

The Gojo Booklet has forever ruined me. Deep in my heart, I knew this was going on, but to have everything confirmed so bluntly is something else. To summarize:

Gojo was born and raised in Kyoto by an extremely closed-off traditionalist family. His Clan treated him as an investment rather than a person, focusing on his education as a sorcerer and neglecting him emotionally to create the perfect living weapon. It’s implied he was educated privately and did not attend a school with other people until high school. It’s also implied that the Clan kept Gojo under strict watch while his powers developed because of the assassination attempts. Regardless, the isolation, training, and exploitation he endured was severe enough for him to break out and run away multiple times. His attendance at Jujustu Tech in Tokyo was his first time being allowed to interact with others on his own terms rather than his Clan’s.

This means that until Gojo was 15, he likely never had friends. His interactions with other humans amounted to deification, a type of objectification where he was expected to be a tool to further other people’s comfort. Essentially, up until he met Geto, he only knew how to exist as a living weapon. 

I don’t think I need to explain why this would negatively impact socialization. Anyone raised by extremely strict/abusive parents or a cult will tell you how difficult it is to try and interact with normal society after having social skills deliberately stunted for most of your life. This lack of socialization is only compounded by autism. Not only is a sheltered autistic person inclined to be socially unaware, they have no frame of reference to what is socially acceptable.

I’ll use myself as an example. The only reason I’m not completely unpalatable in conversation is because public school allowed me to observe what normal human interactions and mannerisms look like. Otherwise, I’d be like Mahito—learning about the world through the limited media I was allowed to consume. (And even then I still took it at face-value for a pretty long time.)

Gojo is sort of in the same situation as Mahito. His Clan reportedly spoiled him rotten, so he was probably allowed to have all the toys, TV, movies, books, and games he wanted between obligations. This means that it is very likely his ideas of the world at large come from media. And boy does it seem to have affected the way he is.

Trying to Connect with Others

Nanami directly compares Gojo to Mahito. Megumi straight up thinks Gojo and Yuji are the same kind of person as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 1: Kiyujitsu Kaisen.

So like Yuji and Mahito, Gojo will use media he’s familiar with to make sense of the world around him and hold conversations with others. (In the anime they have Gojo do the tornado kick which straight up appears to be him doing an in-verse reference to Code Geass's Suzaku Spin Kick aka the Spinzaku Kick. Please do not ask me how I recognized this.)

And would you look at that. Most people do Not know how to handle this. Not even Geto who is more visibly confused by his Digimon metaphor in the anime.

I can’t really blame them for their reactions either. Gojo is such a special combination of unfortunate circumstances and experiences that you might as well be listening to someone speak an unknown language. 

This goes both ways too. Gojo himself has a very hard time understanding others and tends to take the words of others Very Literally. (Just like Yuji!) This leads to him experiencing the Double Empathy Gap the most when compared to other autistic characters.

The Geto stuff is the most tragic to me. Gojo checked in on him and Geto lied about his feelings. To Gojo, Geto is his best friend. Why would he lie to him? Geto says he’s ok so Gojo thinks he’s ok. (That’s not even getting into the higher ups overworking them both and keeping them separate on purpose.) His upbringing and his autism made it impossible for him to read between the lines, so Geto's betrayal very much comes out of nowhere for him. 

The same happens with Shoko okaying the desecration of his corpse, Nanami calling him a pervert and everyone agreeing. Gojo truly believes that the people close to him see him in a very one-dimensional way and there’s nothing he can do about it. After all, he was raised to be a weapon and nothing more.

Funnily enough, Gojo’s Alexithymia is so bad that parts of the fandom have seemingly done the double empathy gap thing to him with respect to his flower metaphor.

“There was always a gulf between me and other people, even if they adored me. You can admire a flower and help it bloom…but you can’t ask it to understand you.”

To me, all Gojo is doing here is explaining his feelings as best he can. Floral language is a big thing in Buddhism which is probably why he makes the comparison. However…I’ve seen interpretations of this that conclude Gojo believes himself so far above others that they might as well be non-sentient plants. To them, this metaphor speaks to his arrogance rather than a clumsy/poetic attempt to communicate his feelings.

I’ll use myself as an example to explain why I think it’s just the autism in action. I often like animals way more than I do other people. Snakes, birds, lizards, spiders, and scorpions are amongst my favorites. Sometimes I compare people to these animals.

What I mean: I think highly of you! You share traits with my favorite animals and that makes me happy.

What others can hear: I think you’re stupid (lizard/bird brained), untrustworthy (a snake), and lesser than me (a bug/arachnid).

Now I could be projecting because I see my autistic traits in Gojo, but I do find it fascinating that how you view Gojo’s flower metaphor is highly dependent on how you feel about him.

Regardless, it does a great job at illustrating how isolated Gojo feels from others. Sometimes my autism makes me feel like I’m a completely different species because I can’t interact with people normally. And in Gojo's case, he can't even refer to himself as a human. The disconnect from others and his dehumanization is so strong he feels he can no longer identify as human.

No one’s autism is exactly the same, so this rift can even exist between autistic people. This is how you can get Yuji and Gojo bonding over their shared autistic traits but not fully understanding each other and feeling isolated for it.

But it’s still really sweet that they connect with movies so well that Gojo’s filmbroness rubs off on Yuji.

It’s also a little concerning that Gojo refers to these movies like a catalog for emotions. Like the proper way to experience emotions is through media and not in person.

The training Gojo subjects Yuji to with movies is likely how he was trained as a child. This suggests that for the first 15 years of his life, movies and other media might have been his only frame of reference for everything not Jujutsu Sorcery. And I mean Everything.

Combine this with The ‘Tism and this could possibly explain exactly what is wrong with Gojo Satoru. (You already know where I’m going with this.)

Gojo’s Racism

Here’s a list of movies for sure Gojo has watched. And for no reason in particular I’m going to include if they have a black person (like myself) in them.

Sourced from a Gege Interview.

Léon: The Professional (1994): Yes

The Descent (2005): No

The Host (2013): No

The Emperor's Naked Army Marches On (1987): No

Deep Blue Sea (1999): Yes

Extra movies from the anime. (Aka probably canon.)

Juggernaut (1974): No

Lord of the Rings: The Fellowship of the Ring (2001): No

That's only 2 movies with black people in them. I went ahead and watched them to confirm my suspicions...

Léon: The Professional (1994)

Not much to say about the black characters here. From what I saw and the IMDb list, they're all men and they're all background characters. Also I couldn’t finish the film because of how creepy it is towards the 11 year old actress. (It's really bad. Like really, really bad. Traumatized the actress, Natalie Portman, kind of bad. Wish I had a content warning!)

Deep Blue Sea (1999)

Gojo wasn't lying, the heroine died spectacularly. However in terms of spoilers, he glossed over the actual twist death. There's also someone who dies by being bit in half by a shark. And the way those legs looked like Gojo's...

There are 2 black characters in this movie. One is a jovial goofball chef who somehow survives to the end. (Miguel calls this trope out specifically in JJK 255.) There are so many points in this movie where he should've died. His name is Preacher and he has a parrot that is a Red-Crowned Amazon by the way. The other is a rich investor played by Samuel L Jackson who does Not fall into the Scary Black Man trope for once. Preacher doesn't either, he's more of a Gentle Giant.

Both of them function in the film as a subversion of the Magical Negro trope. And after watching this movie, I think Gege was inspired to make Miguel Odol fill this role too.

Anyways, the takeaways from this are 1) Black people are underrepresented in media. 2) What is representing black people in popular media isn't all that varied.

This means if media is your only exposure to black people, those representations will be internalized if you're uncritical about it. (You're reading this on Tumblr I assume you believe racism is real.) It's unconscious most of the time. People usually don't actively go, "Wow black people are all like this!" What happens is they run into a black person irl, are reminded of their impressions via visual similarity, and then say or do some out of pocket nonsense. (I have personally experienced this at the hands of Japanese tourists.)

And what does Mr. Gojo Satoru say to Miguel first? He says Miguel looks like he’ll be trouble. Later he says Miguel's strength and build are because of his race and what makes him dangerous even though Gojo knows several Japanese men with similar physiques. 

If he's never met a black man irl before...he must have gotten that idea from somewhere else. He does mention knowing the MMA star turned comedian Bobby Ologun (a big strong and goofy guy) when comparing him to Miguel.

Bobby Ologun is Nigerian. Miguel is Kenyan. Do you know how pissed East Africans get when lumped into the same category as West Africans and vice versa? (For the less informed please see Western Europe’s hatred of Slavs and other Eastern Europeans.)

But as far as Gojo knows from his media, black men are big, strong, and funny. The media he consumes also doesn’t bother to distinguish the different cultures of Africans. Dark Skin=Black and that’s it. And his dismissal of Miguel's distress over the loss of his rope only highlights that apathy towards individual cultures.

All this has terrible consequences for Miguel in the form of Benevolent Racism. This is where a prejudice that can be perceived as positive has negative outcomes for the target. Aka Gojo commits a racially motivated beatdown because of his ignorance that was fueled by the media he consumed growing up. (Miguel's Cursed Technique reminding Gojo of Toji not withstanding.)

Now I’m not saying autism makes you racist. It’s that Gojo’s isolation from the outside world, being raised by emotionally distant conservatives, and consuming media uncritically with his unique brand of autism creates the disaster that are the words coming out of his mouth.

Gojo being this kind of racist. Where he idolizes a type of strength in black people he learned from stereotypes in his movies, is great actually. I really like that Miguel calls it out and is sick of it. He even sarcastically tries to throw back the stereotypes about Japanese people to make his point too.

And guess who else only knows of black people through movies? Sukuna. He’s an art freak, there’s no way he didn’t watch some of those films Yuji was watching. And Miguel can smell it a mile away. Sukuna gives him that look and Miguel is already done with it. Honestly the way Miguel enforces his boundaries is great. He knows his limits both with risking his life and tolerating racism.

Anyways, Gojo Satoru has been running on 3 hours of sleep, sugar, and Reverse Cursed Energy like a madman for years. I don’t think he’s ever sat down and gone, “Huh? Why do I think the way I do? Why do I believe this?” Miguel is probably the first person to ever tell him, that’s racist my dude. (This is an explanation not an excuse btw.)

And that’s kind of the problem. Gojo is willing to learn and do better, but he hasn’t had the time do it on his own. Some outside force has to tell him bluntly, “Yo this isn’t socially acceptable.” (Think of how Geto influenced his morals and manners by telling Gojo exactly what he should do.)

This leads me to believe his mind is a hodgepodge of things he’s uncritically absorbed as a child and that has influenced his questionable beliefs/actions as an adult in ways he’s unable to recognize.

Gojo’s Other Problems

Outside of racism, Gojo’s most unpleasant traits include mild sexism and child endangerment. The sexism comes from how he speaks to Utahime and how treats Shoko compared to Geto. Though he otherwise does not outwardly discriminate against them, it is sus that he sees Rika, a girl transformed into a cursed spirit, and goes "Dang, women are scary." (The child endangerment is self-evident.)

For some reason, Gojo truly believes for some reason that the woman (Shoko) in his life isn’t emotionally capable of being on the same level with him as a man (Geto). This could just be a strength-based thing since Geto told him that’s why they can’t be together anymore. It’s really hard to tell. But if it really is a sexism thing, media in general being misogynistic could explain it. (On top of being raised by a traditionalist family in a society that is very sexist.)

Well-rounded female characters whose complex emotions and inner lives are explored in depth can be very hard to come by, especially in popular media. (If you want media that primarily focuses on female characters GO READ UMINEKO NOW.) A lot of the movies and manga Gojo consumes treat women as love interests first and people second. And since you’re reading this on Tumblr, you’ve probably seen posts that complain about this and how this feeds into irl interactions.

This idea comes into play with Utahime in a different way. Gojo doesn’t understand that Utahime actually hates him. This is a bit odd given that he usually takes people’s hostility towards him to heart. But a place where he could get the idea that her anger is secretly affection is…the tsundere archetype in the mangas he’s so fond of. (Gojo reads a lot of Shonen Jump, it’s no wonder he has negative rizz with women after they get past his good looks.)

Yuji does it, Todo does it, Mahito does it—they use the media they’ve consumed as a baseline for sorcery. They’re the best at what they do for it. There’s no way Gojo isn’t doing the exact same thing, especially when he’s teaching his students. He tries to fit the quirky mentor archetype who uses tough love to guide his students. (His blindfold might be an actual in-verse Kakashi Naruto reference.) And he falls into faulty logic where everything will work out if he leaves it all to his students which fulfills most Shonen story beats.

The stunt with Megumi that kickstarted this series is a 2-for-1 special. Gojo eating sweets is needed to maintain his technique. Him eating them is acting as a responsible adult. However, getting them several hundred kilometers away from his student who is in a dangerous situation is irresponsible. It may speak to how much he trusts Megumi to handle things on his own, but as an adult in charge of a child? This is very poor judgement on Gojo's end.

I also understand that Gojo's upbringing and Japan's culture (aka it's generally safe for a child to be outside alone) is probably why he's so comfortable leaving a roughed up looking child by herself. But like...he should've called someone for Hana. Maybe he did later? (Another case of is this Gege underdeveloping Hana/Tsumiki or is Gojo truly that careless towards little girls...)

Shonen is pretty notorious for uncritically putting children in situations. It probably doesn’t help that Gojo’s own family was violating multiple Japanese labor laws when putting him to work as a kid. I’m not joking about that either.

Per The Constitution of Japan (May 3, 1947) Chapter III Article 27 Paragraph 3: 

“Children shall not be exploited.”

What constitutes child labor exploitation are outlined in Japan’s Labor Standards Act (LSA) or Act No. 49 of April 7, 1947.

Per LSA Chapter IV Article 56 Paragraph 2:

“…an employer may employ a child of at least 13 years of age in an occupation…which involves light labor that is not injurious to the child's health and welfare…”

Additional protections for workers are outlined in Japan’s equivalent of OSHA, aka the Industrial Safety and Health Act (ISHA) or Act No. 57 of June 8, 1972. 

Per ISHA Chapter VII-2 Article 71-2:

“An employer must endeavor to create a comfortable work environment in order to improve the level of safety and health in the workplace by continuously and systematically taking measures as follows:

measures to manage the maintenance of a comfortable work environment;

measures to improve work methods for work in which workers engage;

providing and streamlining facilities and equipment for workers to recover from fatigue suffered in the course of their work;

the necessary measures to create a comfortable work environment, beyond as set forth in the preceding three items.”

I think it’s safe to say that Gojo not including any of his Clan members in his afterlife scene and being so overworked that he doesn't have hobbies or think much outside of sorcery is proof of this exploitation. Gojo’s self-reported best years of his life were high school and those were still exploitative as hell. The man is a walking and talking human rights violation.

The only time we see child Gojo is from the perspective of assassins staking him out. Gojo himself never willingly recalls his childhood, only his teenage years. He looks so serious and miserable compared to his older self too. (It kind of reminds me of how I was a very quiet, obedient child that blossomed into the yappy evil creature I am now thanks to obtaining legal rights and freedom as an adult.)

This exploitation of children at the hands of adults in Jujutsu Society is normalized in and outside of fiction in their universe. Gojo can tell something is wrong with how he was treated and doesn’t want his students to hurt for it. But he can’t recognize that child labor in or itself is bad, so his solution is to make them strong enough to stand up for themselves. (Aka trying to make a labor union without knowing what a union is. Still breaking child labor laws though.)

Might makes right is a Shonen staple (please see Dragon Ball Z or Baki the Grappler). And though taking that idea to heart seems to be the most of Gojo’s problems as a teacher, there’s an additional issue this genre has—neglecting emotional development and care for the most part.

Characters in Shonen or action movies will go through extremely traumatic events and have little to no reaction to them. (PTSD who? Unless you're goated like Steven Universe Future or Vinland Saga.) It can give people a false sense of invincibility. They also rarely ever discuss the steps that can be taken to handle these emotions. You’ll see characters have panic attacks but rarely how to coax someone out of it. Heartbreak is rampant, but the solutions are to never let go and let it consume you, never how to move on or mourn. (If outright ignoring it like nothing happened isn’t what occurs.)

You can see these kinds of ideas with Geto. A second love is not possible for Gojo. He was his one and only and will always be his one and only. That’s the type of romanticism that has always been in his media.

If Gojo has relied on media to teach him how to feel out his emotions, effectively and healthily coping with grief and breakups is pretty hard to find. Most of the time when media handles those topics directly, it does so in a way that promotes reflecting on your own experiences instead of instructing you how to deal with it. Something Gojo didn’t really have time for. 

In the light novels Gojo greatly laments his own inability to deal with grief. He wants his students to learn how to do that effectively and even employs outside help with this.

The result of all this is a really overworked weird guy that feels like there’s no way to process his emotions. He puts on a mask when he talks to others and still winds up alienating himself. He’s tolerated for his labor and dehumanized for what makes him good at it. This is all extremely autistic. 

Exploiting Autistic Labor

I want to emphasize again, not all autistic people have these traits. The best sorcerers just happen to all have these traits in common.

Hyperfixating on the task at hand without rest.

Not having a typical reaction to dangerous situations.

Taking words at face-value.

Disconnect from emotions and other people.

Unique perspective for problem solving. 

These are all things that make for the ideal worker. Autistic people are often compared to machines for their behaviors and what is better for the capitalist than a person that behaves like a machine? 

But autistic people are not machines. They’re humans with flaws subject to burnout, emotional dysregulation, meltdowns, off-putting behavior, and isolation.

Jujutsu Society has no incentive to help with these things, especially the emotional dysregulation or isolation. In fact, it encourages this outcome because isolated people are easier to manipulate and exploit. But this also results in the friction these characters have in their relationships.

It’s a situation where they try to have their cake and eat it too. Everyone loves when Gojo is a Jujutsu Pervert in battle. They make him do everything for it. But the second he starts being weird outside of work, they want nothing to do with him. Or they’ll even insult him for the very traits they’re more than happy to use him for. (It’s exactly like Todo. Everyone depends on his battle intuition and reliability. And that all stems directly from his special interest Takada that no one wants to hear about.)

This creates a very uncomfortable dynamic where Gojo is seemingly bears the burden for everyone and everything while the people he’s servicing refuse to acknowledge it. He’s like some kind of public emotional punching bag or hatesink for other characters because they think he can take it as The Strongest. I don’t know if this is because of the autism, but it is scarily similar to how myself and my other autistic friends get treated by others irl. I think this is why I had such a visceral reaction to JJK 269. I too have experienced allistic people exploiting my labor and then acting like I’ve never done anything for them.

And speaking of JJK 269…Kusakabe has always been that kind of dickhole. He’s been in favor of Yuji’s execution since the start. But that’s not what makes him so aggravating. It’s that he’s too cowardly to do it himself. He once again, pushes the burden onto Gojo. He’s not going to be the child killer even though he wants this child dead, that’s Gojo’s job. Gojo is the tool he and everyone else uses to do the things they don’t like. 

This includes the teaching Kusakabe thinks Gojo is bad at. Per that one flashback, Gojo had to instruct Yuta more because Kusakabe didn't do an adequate job. Gojo had to send Yuta to Kenya to be trained by Miguel because neither of them were doing enough for Yuta. Gojo recognized his own limits and enlisted help. Kusakabe projected his own shortcomings onto Gojo and waited for everyone else to find a solution for him.

I also want to remind everyone that Kusakabe is wrong about Yuji needing to be executed. Yuji and Sukuna were Kenjaku’s backup plan. Kenjaku would’ve sealed Gojo and started the Merger anyways. In fact, Gojo, Yuji, and Sukuna are the only reason Kenjaku didn’t win. Plus the remaining Sukuna fingers were getting stronger All By Themselves. This means that Kusakabe would just be kicking the can down the road and making it a problem for the younger generation. Gojo was the only adult with enough foresight to do something that would solve the problem.

We’ve also got Ui Ui calling himself the MVP of the Sukuna fight while failing to acknowledge the only reason he could warp in and out without dying was Gojo exhausting Sukuna in the first place. Gojo’s contributions seemingly don’t count because he’s not a person. He’s a tool they used. So all his labor counts as theirs instead.

And because he’s dead, Yuta really is the new Gojo. Please see how Yuta was treated before and after Gojo’s death side by side. 

(I can’t tell if this is character assassination or the point. But the only person here allowed to criticize Yuta is Todo as far as I’m concerned.) 

Yuta is their new Strongest hatesink who happens to be autistic as hell. And yes, Yuta’s autism is second to Gojo Satoru’s. 

(Yuta's leans much more into socially unaware straightforwardness and taking things literally. He doesn't have a special interest or infodumps at people and I think that's neat.)

Everyone grills into Yuta so hard over his plans for the Sukuna battle that he experiences the quintessential autistic experience as described by Twitter User PenGwenWithLC:

"The autistic trait that bites me in the ass most frequently is my impenetrable belief that if I show people the truth they will believe me."

Mind you, Yuta is the main reason they won after Gojo died. This boy had Back Up Plans A through Z and they worked. The only person who had valid input on his planning was…Gojo (and possibly Todo). The finger resonance with Nobara was Gojo’s idea (JJK 267 Pgs 4-5...Also let's talk about how if Gojo wasn't a hopeless romantic and scheduled this fight a day or even an hour later, he might have lived based on Nobara's wake up time.). Once again, these are all autistic characters using their unique ways of thinking to solve problems others are too cowardly to address.

And then these same people turn around and disparage them without acknowledging their efforts or emotions. Sure you can call it lashing out because they secretly care about them. (Aka tsundere behavior.) But both Yuta and Gojo take other people’s words at face value. They don’t understand that this is a very fudged up display of affection and internalize it. Gojo died convinced everyone except maybe 3 people hated him and even in death he couldn’t escape it. 

This is also why Gojo leaving Yuta in Miguel’s care was a good thing. Miguel seems to be the sole person in this series who knows how to avoid labor exploitation. Nanami may see work as nonsense and have an overtime mechanic, but Miguel simply does not work overtime. He sets his boundaries and sticks to them.

It’s very ironic that Yuta took flack for respecting the boundaries of a black man that refused to be exploited by the very people that would treat him poorly.

How to Not Exploit Autistic Labor

CW: Discussion of Suicide

The last time I examined the tragedy of Gojo Satoru I wanted him to live and be loved. But I’m not sure if I want that now. It doesn’t really seem like the systemic issues that caused his exploitation have been addressed, and the people he’s helped refuse to acknowledge they are standing on the shoulders of giants. Him becoming suicidal over this exploitation and choosing death because he saw no end to this is a particularly harsh reflection of what happens in reality.

Yuji notices that Gojo is acting out of character during his final talk with him. The arrogant, self-aggrandizing chipper he's used to has been replaced with this timid optimism. Gojo tells Yuji and everyone else to forget about him because he's confident they'll be living longer than him. Before this, previous chapters have shown that Gojo went around apologizing to others and preparing letters in the advent of his death. These are all warning signs associated with an imminent suicide attempt.

When Gojo tells Yuji this is confidence he's never had before, it seems like he means both his plans to go through with dying and that everyone really will be fine and better off without him.

Gojo also makes sure Yuji doesn't catch on to this. (Probably why he didn't do the soul swap too.) Even with his suicide, he's doing his best to make sure it doesn't negatively impact anyone. His final letters to Megumi and Nobara being so unserious is another attempt to make sure their hearts don't break. ...And nobody he devoted himself to in life or death noticed.

This rather bleak ending for Gojo does have a purpose I think. It’s an example of how hypercapitalist work culture doesn’t value your life. You can bend over backwards and put your all into work, but in the end, you’re just another cog to be used. Gojo’s dehumanization was inevitable under this system. This man was born to be used as a tool and discarded once he served his purpose. And because he’s not a person, people get really mad when he does anything outside of what benefits them directly. Since to them, it’s like a machine malfunctioning.

It’s unlikely these people will ever mourn him properly, let alone even acknowledge his efforts (outside of Yuji and Yuta that is). His closest “friends” in death thought of him as a self-serving pervert you know. (Once again, not sure if that’s character assassination or showcasing what Jujutsu Society does to people, but wow does it suck to see.)

But you know who did acknowledge Gojo as a human who did his damned best and is worth remembering? Sukuna.

Sukuna stopped the whole battle to lavish praise on Gojo and mourn him. He’s done that for everyone who has put up a decent fight against him. The other sorcerers? They do no such thing, even after the battle.

And you know who takes the time to cherish and mourn his comrades no matter what? Jogo.

I excluded Mahito from the autistic labor exploitation discussion for good reason. The natural disaster curses treat Mahito better than most humans have ever treated Gojo. Jogo doesn’t exploit Mahito’s autism, he embraces it. And despite their weird behaviors and beliefs stressing him out most of the time, Jogo does nothing to stop Mahito from being themself. He expresses his distaste, sure, but Jojo otherwise acknowledges those traits are what makes Mahito good for their cause. Mahito is his equal, not a tool.

Jogo doesn’t tell Mahito what to do or feel. He rolls with their shenanigans while wearing his heart on his sleeve. He takes time to mourn his comrades no matter how dire the situation. He acts with their interests in mind at all times—even in death his first concerns are his comrades. 

Even though Mahito is alive, Jogo worries for them while still having faith in their abilities. He looks forward to seeing Mahito again via reincarnation. I cannot say the same of Gojo’s allies. 

I’m not really sure how to end this discussion since I’m continuing it in another part. But if there’s anything you take away form this incomplete analysis, please let it be this one thing:

Jogo is best girl.

[cythaeria]

People who don't view Jotaro as misogynistic are so annoying. I wanted to give these people the benefit of the doubt because "Oh what if they're just not educated enough on misogyny and how versatile it is." But no! We should be able to recognize misogyny in this day and age!!

You people can't recognize misogyny if it isn't in your face "Women should die" kind of bullshit and it's tiring!!

It's tiring to see people coddle Jotaro and treat people who think of him as misogynistic as unreasonable and media illiterate as if it doesn't 100% make sense why they'd think that.

Before I continue this sporadic ramble I need to say that I love Jotaro so damn much, he's my second favorite character in the entirety of Jojo! But I can accept that he has his faults and that's completely okay in my eyes, sometimes characters have unlikeable traits and are assholes and we just have to accept that. Your favorite character is fucked, accept it, and keep on going with your day.

This is none of that "gen z is trying to cancel eminem?" Shit. Accept him for who he is!!! Let him live his misogynistic truth!!!!

Jotaro stans truly do not wanna believe he's ever done anything wrong and I love him the most when he's doing wrongs! I loved you when you left your family and became a deadbeat just to protect them, I saw you and I loved you. Separate thing but. Whatever. Anyways.

"How can people call Jotaro a misogynist if the people he's done the most for are his mother, wife, and daughter?"

Does the misogyny suddenly disappear from men simply because they care for their family members who are women?? The men in my family would do anything to keep me safe but in the same breath, they'll apply stereotypes to me and make it known that I am not on the level of men just because I'm a woman. I'm sure this is the case for most people. Being a misogynist and loving the women in your life are things that coexist! It's their views on and behavior towards women overall that are fucked.

"People forget that he was just 17 when introduced and going through an edgy phase."

So suddenly that absolves him of the misogyny?? Just because he's a 17 year old boy?? And this is stated as if part 3 is the ONLY time he's misogynistic when in part 4 he's assuming Kira is unmarried because if he had a wife he wouldn't need to go to a tailor shop?? What the fuck does that mean Jotaro.

Like it's so clear to me that in his head the right way for women to exist is if they're the traditional housewife type that is submissive, modest, quiet, gentle, etc etc. And this is stated in his character bio! "Favorite type of women: traditional Japanese (hates women who don't shut up)" We can make so many educated guesses off of that And the way he treats women! But maybe I'm just looking at it from a limited point of view, maybe traditional means something completely different in Japan, which if it does, please let me know what it means exactly because I'm not Japanese so I don't know what "stereotypically Japanese girls" quite means.

"He's autistic and hates loud people."

He's autistic and his special interest is calling women bitches! And I'd argue that even when no noisy commotion is happening, he's still just...an asshole? Like when they were in that Café(?) After they got him out of jail and Holly is clinging to him, expressing her relief, he just calls her an annoying bitch?? And it seems like he isn't uncomfortable, he could've shoved her off if he was(as he does) so.....?

"He's gay."

Jojo fans will bring out 200 headcanons before just admitting that their favorite character is a misogynist. Little edit: :0!!! Someone in tags mentioned that gay men can be misogynistic and yes, that part! Just because you hc him as only liking men that means it's...suddenly ok for him to be an asshole towards women? I didn't go too much into detail originally bc I felt like I was repeating myself too much but yessss!

"He's mean to everyone."

So true but especially to women in particular. And like I said, misogyny comes in so many different forms and not just being "mean to girls". He thinks women are inherently weak and because of that, they should be protected.

"She's no mere woman." Jotaro stumbles upon a woman stronger than him and he just can't fucking. Comprehend it.

IT'S OKAY. It's okay to like a character who is misogynistic, I just think it's weird to act like "My Jotaro would never!! He's just a baby boy!!🥺🥺"

Personally, I like it? I really like the idea of building off of that. Jotaro later on in life becoming comfortable with femininity and possibly exploring his gender identity more and transfeming all over the place. A little Dave Strider moment.

There are some opinions that I disagree with though. I saw someone bring up the fact that he abandoned his wife and Jolyne as a counterpoint to him not being misogynistic and I just feel like that's clearly...something completely separate from him being a misogynist.

Also I'd add when he discovered Anne was a girl in here if I wasn't so on the fence about it buuuuuut thinking thoughts.

I dunno, it just upsets me little bit. Learn about the many ways the world oppresses women, be in the known, and all that before you go to war for Thee Jotaro Kujo.

Don't know if this is any good, it's very all over the place and badly written but I just needed to get it out and stuff. Maybe I'm in the wrong and I don't know Jojo like That. Anyways, if you have any thoughts and such, mayhaps reply, I'd like to read them!