#and as someone who still considers the main timeline canon as canon? basically everything bad he's said about loki is.....not right exactly

[beecreeper]

Since I'm completely out of the loop; what's the deal with all your Tavs and Durges? Who are they? What are they like? Do any of them belong in the same timeline?

(Basically go ham and tell me everything, I wanna knooow)

I have the basic rundown of my main three OCs in my pinned post but I'll also give you the lowdown on everyone under the cut because I looooooooove yapping

SO I got five Tavs/Durges, but I do way more with the first three than the other two. Briar and Ferox are durges and Molli, Myrala, and Poppy are tavs.

Briar is a spore druid and full evil. She finds her urges to be the only thing that gives her a purpose and identity, ESPECIALLY after the lobotomy memory wipe leaves her with practically nothing but the urges left in her head. She loves manipulating and messing with people and is just the wooooooorst I love her so much. Loves mold so so much. She also loooooooved being a toxic messy bitch with Gortash >:3

Ferox is my redeem durge. He's an oathbreaker paladin (broke his oath pre-tadpole when he durge murdered his wife). He's fuuuuuuull of guilt and considers himself a monster and is constantly yearning to be someone different but feels like he can't (spoiler: he can!). I still haven't actually uuuuh played him past the prologue yet but I'm probably gonna have him romance Lae'zel

Molli is my most self indulgent oc and a blatant self insert. She's a silly little guy! A bard who made a warlock pact while panicking and trapped in the nautiloid. Also she used to be held captive by Gortash because uuuuuhh don't worry about it. Normal reasons. She's got two alternate romance paths -- either Karlach or Astarion depending on whether she leans towards her good ending or her bad ending.

Myrala is actually Ferox's dead wife! I loved her so much I decided to make an AU where she never meets him and thus doesn't get durge murdered. She's a cleric/rogue. She grew up as a street rat thief in Menzoberranzan (lost her hand as punishment for stealing) until she hit rock bottom and converted to Eilistraee and fled to the surface. In her tav AU she moves to Baldur's Gate to try and establish a branch of Eilistraee worship there and help out drow refugees and stuff but she has a haaaaaaard time of it because of discrimination from the citizens and apprehension from the refugees who low-key believe that Lolth is gonna strike them down if they openly switch religions. She swore off stealing when she converted, but things are getting so difficult that she's getting a little tempted to take Nine Fingers up on her recruitment offers... And that's roughly where she's at when she gets tadpoled. She's gonna romance Wyll!

Poppy is my last tav and the least specific to BG3 because she's actually an old D&D character of mine but I am DETERMINED to play in BG3 eventually because this is exactly the type of BS she'd get pulled into. She's mostly a rogue with like one or two levels of ranger (in D&D proper she was the scout rogue subclass but we don't have that here). She was raised by a group of misfit outcast mercenaries that all treated her like their adopted daughter (her mom was the group's resident weaponsmith). At round about 17 she left the group to go "find herself" and is essentially traveling as far and wide as she can. She has the vibes of someone taking a gap year to backpack around Europe but she's been doing that for like 7 years. She also collects surrogate parents like playing cards and is going to LOVE Jaheira and Minsc so so so much.

Officially their "canon" universes are all separate, but I love to throw around aus in my head all the time. Particularly with Molli crossing over with either of my durges, because her past with Gortash means that she would recognize them and that changes A LOT of things.

Also thank youuuuuuu for asking. If you wanna DM me about OCs I would LOVE to hear more about Aurora and Jay 👉👈

[worstloki]

A few, yes.

Mobius is being kind, yes, but, more importantly, he's being tactful because he wants to gain something in each scenario* from seeing what information he can get from the kid at the church to wanting to manipulate Loki into working on the case to still having something to gain on his case by keeping Loki around or getting C-20 safe bc she knew relevant info to needing Loki to help bring the TVA down.

While he's said these things which are decent, he has also spoken/acted less morally well, and on more occasions (I won't put all the instances in or we would be here for a long while).

Which is completely understandable.

He's doing his job, and that requires being apathetic towards pruning off timeline branches, it requires dealing with dangerous Loki variants, and it requires being a grade-A jerk who has no issues with using the information he has to psychologically mess with anyone if that's what it takes to do what he has to for the TVA because that's what he believes in.

And he does this stuff (notably: 'breaking' Loki, twice), and comes out completely unaffected. The guy is remorseless. We saw him gaslight/lie to Loki back in Episode 1. We've seen him interact with his coworkers. We've seen the TVA. They really don't care if the Variants have any autonomy (re: your Loki, Variant pet, stripping them down, the entire show of putting on a trial) because they're Variants. The second you're off the Sacred Timeline you're damage control with an upcoming expiration date and no longer have any importance, one could even say you're a cosmic mistake.

WHICH IS WHY MOBIUS FINDING OUT HE IS A VARIANT IS SUCH A COOL THING BC IT'S A MILDER VERSION OF LOKI FINDING OUT HE WAS JOTUN IN THOR 1--

Overall I really enjoy his character because he isn't inherently good, in fact he leans heavily into bad, but he does show the ability to put effort and be/do nice. Even if he is, as episode 4 showed us, selfishly motivated by what he himself personally has an interest with.

He's essentially what people make Loki out to be and I find it incredibly interesting how so many people miss that Mobius leans on bad where Loki leans heavily on good and it is, to my knowledge, because of the likeability of the actor playing him. I love meta stuff and it's the ULTIMATE turn table because that's quite often a reason Loki fans get accused of making Loki out to be better than he is :D

*Except, in my opinion, the "These people are scared" "They're about to die. They should be scared." "Okay. Not of us." scene but that was so unnecessarily placed I legitimately thought everyone considered that the narrative blatantly trying to paint Mobius as a guy with sympathy, who is different to the others, look he's even got a close friend, like a cop except a nice one because we humanized him by showing he cares. <3

It is of worth to note that Loki has been present for, and arguably was the reason for notable behavioural changes in Mobius, such as when he convinced him to go against the norm and take him to Pompeii, though that also was to further the mission. I'm undecided on whether Mobius was being sincere with Loki towards the end of Episode 4 or not, but I do lean towards him believing in the good things he says of Loki because he's seen his life story, and we've seen Loki in the other movies. This does, however, depend on what state of retconning Marvel plans to settle on with Loki :(

Mobius: It's just a kid.

Mobius: Don't worry, that devil's afraid of us. We're gonna take care of him. And we're gonna put you back where you belong.

Loki: What is this place?

Mobius: Come on!

Mobius: You do know yourself.

Loki: A villain. ( Sighs )

Mobius: That's not how I see it.

Ravonna: But Loki is an evil, lying scourge. That is the part he plays on the Sacred Timeline.

Mobius: Maybe he wants to mix it up. Sometimes you get tired of playing the same part. Is that possible? He can change?

Loki: Okay. Why are you in there sticking your neck out for me?

Mobius: I'll give you two options, and you can believe whichever one you want. A, because I see a scared little boy, shivering in the cold. And you kinda feel bad for that ice runt. Or B, I just wanna catch this guy, and I'll tell you whatever I need to tell you.

Loki: I don't need your sympathy.

Mobius: Good, 'cause I'm runnin' out of it.

Mobius: Hey! These people are scared.

Hunter D-90: They're about to die. They should be scared.

Mobius: Okay. Not of us.

Mobius: Look at me.

Hunter C-20: It's real. I wanna go home.

Mobius: We're gonna get you there. Call the TVA, let the infirmary know...

Mobius: You were right, about the TVA. You were right from the beginning. And if you wanna save her, you need to trust me. Can we do that?

Loki: Yes.

Mobius: Okay. You could be whoever, whatever you wanna be, even someone good. I mean, just in case anyone ever told you different.

[autisticandroids]

sorry about this. i don't know if it's worth apologizing for this shit anymore but this is a particularly bad one. anyway. #mpregpocalypse.

okay so like. before i start this post. here's some background reading. not all of it is directly related but all of it has to do with vibes.

x / x / x / x / x / x / x / x / x / x / x / x / x / x / x / x

anyway. been thinking about a really horrible mpreg au, as is my trademark apparently. in this case it's like. okay. season six. dean and lisa break up. we're assuming that cas is doing like. a good amount of deanwatching so he's like. paying attention. monitoring.

so like. at time of breakup, lisa was like. two weeks pregnant. it is dean's. so cas is like..... well i don't want dean to be tied to this woman since he clearly doesn't want to be. but i don't want to just destroy what is technically his progeny. so what if i just. yoinked it. and kept it in stasis in my grace. for the future. when dean is Ready To Retire And Be A Father. yeah. i think i'm being called to do that.

anyway once he goes godstiel he's like. well, dean can retire now :3. in fact, he will retire :3. nothing will ever touch or bother him again :3. also i am god and can do what i want :3. so why not :3. why shouldn't i have dean's baby :3. so he sort of. impregnates himself with the stolen fetus. but like, he isn't godstiel for that long. less than a month probably. and then of course he walks into a lake.

now, i'm going to play a bit fast and loose with the timeline here, such that cas comes back somewhat earlier and then stays catatonic significantly longer. but like. okay.

cas comes back as emmanuel and he is not like. really visibly pregnant. not obviously so. his clothing is baggy and comfortable so you can't really see it. and emmanuel didn't know he was pregnant.

then cas gets his memories back and is like ooh! how about i lie to dean about this and don't tell him that i stole his and lisa's fetus and impregnated myself with it. i can leave that as a problem for later-me to deal with. and then he takes on sam's hell memories and goes catatonic, without ever telling dean.

but now like. now it's time for reading is fundamental. and cas is now like.... eight or nine months pregnant (or like, the equivalent, whatever that is). like he is visibly, obviously pregnant. he is also like. avoiding things in a different way than he was before.

so when dean shows up cas is immediately like, hi dean! look i'm having your baby isn't that wonderful? and leaps into dean's arms bridal style.

and this is like, a whole nightmare. because like. first of all dean didn't know cas was pregnant and dumped him in an insane asylum. second of all dean is like. so angry with cas. and he desperately wants to take that anger out on him. but in canon reading is fundamental, he can't, because cas is too vulnerable and too avoidant, and it makes him feel guilty. this is intensified hugely here, because cas is all the things he is in reading is fundamental and also pregnant.

dean also can't really demand that cas fight for them, either. i mean, he could, but it's a significantly more uncomfortable proposition.

and also like, cas won't really give an answer when asked how this happened. or rather, he does give an answer: "dean gave me a child when he made love to me under the beautiful moonlight." but that's... obviously untrue. like, dean and cas have never had sex. like cas would really like it to be true, and he's in a mental state where he can make himself believe something if he really really wants to. but dean knows it isn't true, so he's like. what the hell is going on.

dean decides that it belongs to someone else, and cas has just decided that dean is the father because maybe he wants to please dean, or maybe the circumstances of conception were bad in some way. he suspects crowley as the actual father. the other option he considers, that cas somehow acquired dean's dna and impregnated himself on purpose, is too uncomfortable to consider. it suggests among other things too much... knowing queerness, on cas' part.

anyway the main purpose of this au is the literalization of cas being corrupted and made vulnerable by dean in reading is fundamental, like. the literalization of "it took everything to get me here." and thinking about how dean would react to a cas who he absolutely cannot be angry with, who he absolutely cannot force to fight. like, the honey cas shtick actually fully working and deflecting dean's anger. but there's some other notes.

one: if they actually end up in purgatory, cas still runs away from dean. he gives birth alone in purgatory, and when dean finds him, he has the baby with him. they don't really talk about it, and cas still doesn't tell dean where the baby actually came from. like when he eventually tells dean it will definitely be post purgatory.

two: the baby is going to be like. fairly monstrous. like technically it has two human genetic parents, but there are several factors that make it not very human. first of all, cas, when he was godstiel, did alter it to make it more his own. because he wanted it to be his and dean's baby. so it's definitely a nephil. in fact, more than a nephil, since cas is significantly more than an angel at the time. second of all, it did share a womb with a LOT of leviathans so there is some... leftover effect from that. it's a little bit leviathanish, definitely. not to mention all the monster souls. third of all, there's the whole thing of cas spending most of the pregnancy with hallucifer (which is imo a chunk of lucifer's grace) in his head, so that must have some effect. basically that baby is a fun new species and has many terrifying traits. it's probably a flesh eater.

consultants on this post: @seragamble, @smokerdean, @kenobians

[lazyliars]

/rp

DreamXD actually slots very nicely into a working theory I've had for about two or so months now, mainly centering around one question:

What happened to Dream?

Namely, why did Dream change, when exactly did it happen, and was it solely an internal change, or was there an external force at play, specifically a preternatural one?

I think with DreamXD, we might finally have an answer.

Or at least some clues to follow. DreamXD presents a shift in every single paradigm the Dream SMP has had. Like, I think most of it is just being so utterly blind-sided by George Lore Real, but part of it is the massive ramifications of an Actual God* being present in the storyline.

((*On the other resident god of the server, Foolish:

DreamXD is different than Foolish, in that his characterization is so dramatically inhuman - Foolish talks and acts like a (somewhat eccentric) person, and his powers are, as far as we know, limited in comparison to the creative-mode godhood that DreamXD occupies. And whether that is because Foolish is not a "full" god (having been referred to as a demigod) or simply because he's spent so much time around humans, we don't know, but we do know that either way, DreamXD is NOT that.

DreamXD's voice is marked by glitches and dramatic shifts in tone, he seems to lack control over the different aspects of his personality, like the more "Dream" part vs. the darker one that threatens to eat peoples souls. The "normal" part even displays confusion when George references things that the "darker" part said, implying that it may not be fully aware of itself.

TLDR: Foolish acts more human than DreamXD, who has a very eldritch personality.))

To get right to the point:

The Dream we knew before November 16th, and the Dream we know now are not the same. Something changed, and it changed for the worse.

Consider: Dream was always antagonistic to the L'manbergians - he was always imperious to them, and he was responsible for starting a number of fights between his faction and theirs, just as many if not more than they were.

But, he was also not... evil. He'd pick fights with Tommy, the disc wars were still a thing, but the gravity of the spats they had weren't dire. They were fun. They were... actually a game. He wasn't like the way he is now. While in hindsight we can look at these events and detect a serious undertone knowing what's to come, at the time they were far from it.

There is an argument to be made that he had the same tendencies as now, just not expressed as loudly, and while I believe it's a valid argument, I disagree that it's proof of Dream always being the way he is now.

Sapnap, Badboyhalo, Sam. They all remember Dream as their friend - they remember someone who was, maybe a little aggressive and a lot competitive, but not cruel. Not needlessly murderous. Not someone who steals sentimental items and lines the walls of a disgusting museum to use against them.

Dream cut them out. Sapnap was totally blindsided. Bad doesn't seem to fully believe it. Sam blamed himself for not realizing and tried to take the weight of that crime on his own shoulders by becoming the Warden.

There's also the competing theory that what happened to Dream was purely psychological - either the circumstances slowly isolating him from his friends driving him to the do things he's done, or a desire for control that started early and continued to fester until it overshadowed everything else, or any combination of both.

And those theories are still valid, they could still be the case, but I haven't been able to shake the idea that there is something deeper at play. I can't overstate how the exile arc and everything after it have been so inhumane, so cruel, and... not exactly out of character in the sense that I could never see Dream doing them, but in the sense that I could never see him doing them for no reason.

And there really doesn't seem to be one. Dream says himself, it's like a game. He sees people as toys, puppets. And there just doesn't seem to be an inciting incident that could explain how he made the leap from semi-authoritarian leader who, despite being a warmonger, does love his friends, to heartless murderer who wants to reduce everyone he knows to dolls.

There's... ways, he could get there, but nothing that we've seen makes sense. There is a missing piece, something that must have happened from his POV that we didn't get to see because he doesn't stream.

And DreamXD could be it. This godly entity that claims that it is "a part of [Dream]" but that it isn't him entirely. That seems to share the lack of understanding of humanity that Dream has been displaying like when he asks if resurrecting Tommy was “cool.” But that still loves George. He still, despite apparently not having the same history as Dream, desperately wants to be George's friend.

If I had to pinpoint the moment Dream changed, it would be the day that he revealed that he switched sides, and was going to be fighting against Pogtopia. He was paid for this betrayal in the Revive Book.

I mark this as the turning point in my theory because it is the first time Dream mentions his affinity for chaos in the context of hurting others. However, we also know that this likely wasn't the day he actually made the decision to betray - as he revealed that there was a traitor among the Pogtopians, a fact that he likely would have learned before this.

Now, I mark George's lore stream as the introduction of DreamXD proper, and I want that on the record because it isn't technically his first appearance on the server.

Most people will remember him from Techno's stream, where he logged on to break the End Portal in a panic. I doubt the character was properly written into the lore at that time, but it fits neatly with the rest of what we know about him - a guardian of the server, and the keeper of it's rules. No contradictions.

What less people might know, is that DreamXD has made an even earlier appearance, and it's this one where things begin to get... interesting.

Around roughly October of 2020, Tubbo and Fundy did some improv'd streams centering around Demon Hunting, or rather, "Dreamon" Hunting, and it's during the first of these two streams that DreamXD makes an appearance.

The bare bones of it was - Tubbo is an experienced "Dreamon Hunter" and teaches Fundy his ways. They find Dream, and realize that he has a Dreamon inside of him, which is basically an evil version of him. They attempt to exorcise the Dreamon from Dream via various shenanigans, and eventually, they do a ceremony to free Dream. However, they apparently botch it, and unleash the Dreamon within. After more shenanigans, one attempt to fix it utilizing Fundy and Dream's wedding appears to work, but then DreamXD logs on, flys around at Tubbo and Fundy threateningly, and they end stream on the idea that there are probably more Dreamons to hunt.

Now. There's a lot to unpack here. I'm not gonna go into the nitty gritty details in this post, but I do recommend watching the Dreamon streams, as they have A LOT of details that, if this is getting incorporated into the main story line, could be important - especially the focus on duality, having TWO versions of Dream, which end up being potentially separated from each other.

(Also, they're just really funny streams. Tubbo and Fundy are at PEAK chaos and Dream plays along with their inane bit perfectly, it's just good content.)

At the time of the Dreamon streams airing, they were explicitly non-canon. IIRC Tubbo and Fundy referred to them as taking place In an “alternate universe,” which makes sense considering they would have been on opposite sides at the time (Manburg and Pogtopia.)

However.

And this is where I show you my wall of red string and newspaper clippings.

My singular piece of evidence for this comes from one line DreamXD drops. He simply says: “At least you're not hunting me.”

The Dreamon streams take place around early October. Dream reveals his betrayal of Pogtopia around November 6th-7th. The timeline of the Dreamon streams would line up perfectly with the idea that there was a catalyzing event that put Dream on the proverbial path to hell.

I do not believe that they intended the Dreamon arc to be anything other than a side story at the time, but considering that DreamXD himself was barely canon until now, I don't think it's out of the question that they took a look back at a fan-favorite minor arc, saw an opportunity to co-opt it into the current story line, and potentially fill in some holes regarding Dream's characterization all in one move.

On the question of whether this would be a GOOD storytelling move?

The Dreamon theories were prevalent during the exile arc, and I've got to say, I was never a huge fan. The detachment of Dream's actions from his intentions, and by extension his morality, never sat right with me. It feels cheap to make him a victim and say “a Dreamon did it!” in regards to all of the horrible things that he's done. It strips his agency and makes everything that happened less impactful in my opinion, and I stand by that reading.

BUT. With DreamXD introduced, I feel like it's necessary to look at this from all angles. And with the way DreamXD was characterized in George's stream, I don't think it necessarily ruins Dream's character to say that an external force was involved with his descent into evil.

Namely, the idea that whatever happened to Dream was not really a “possession” so much as a gradual loss of humanity, could be an interesting way to look at this. It implies that Dream was always capable of his actions, but grants us understanding as to why he would actually perform them, and why he might have become isolated enough from his friends that they would let this happen.

The Dream we know now could be an expression of his “worst self” brought to the surface by a Dreamon/DreamXD/other. It also begs the question of what would happen if that force were to leave him, and how it might cause yet another shift in character, especially if it were to be portrayed as less of a switch being flipped, and more of a withdrawal, with a gradual process of realizing how far gone he was.

To close this out, I've been stewing on the idea that Dream hasn't entirely been himself since the climax of the Exile Arc.

I think this theory holds water, but it's also not waterproof... there are plenty of holes, and a lot of that comes from the fact that Dream doesn't stream. We're left in the dark when deciphering his character, and what might appear to be the key, could just as easily be revealed as a red herring, or even nothing at all.

Regardless of the validity of the Dreamon theory, I think that DreamXD is one of the most interesting developments we've had on the SMP in a long time, if simply because his arrival coincides with fucking George Lore Real. God. I still don't know how to deal with that.

I always appreciate people adding to the discussion by the way! Feel free to reblog with additions if you like or leave them in the replies.

And if a single one of you comes to my blog on THIS. THE DAY OF MY DAUGHTER'S WEDDING. And calls ME a c!Dream Apologist to MY FACE..... I will be v sad.

[worstloki]

The Sylvie Show

this got a bit long so i'm putting it under a cut but basically it's episode summaries of what i would do if the loki show had sylvie as the main character instead, since I do think the plot of the show would be better suited to be focused around her rather than 2012 loki. I've tried to keep it so that a lot of existing canon shots/sets/scenes can be reused.

episode 1: the show opens up with young Sylvie on Asgard. The TVA appear and drag her towards a temportal. She wakes up from the apparent nightmare, gasping heavily. cue title card and cool music. a portal opens within a church, sylvie interrupts the man giving a talk on religion, questioning what he's saying with roundabout logic and being generally witty, even managing to incorporate giving a bar of gum she had in a pocket to a child sitting on an aisle seat who is really happy about it. the man is still coming up with an answer to what she said when the doors of the church are broken open and TVA agents start to file in. Sylvie says "about time," and proceeds to have fun slaying the unit and stealing a tempad. She picks up the charge on her way out, sending a blow kiss to the devil mural on the wall on her way out. cut to stepping out of a temportal, throwing the charge behind her over a shoulder (it lands on a mattress) and taking a heavy seat in front of a set of screens which show the inside of a mall. the cameras are mostly empty and where there are people it does not fascinate her (one of them shows someone reloading shelves). she scrutinizes the screens, drumming fingers on the table, but quickly sighs and pulls out her tempad: it flashes with low battery and she rolls her eyes, throwing it into a bin filled with likewise empty devices. she's about to get up when the cameras show a group of agents walking into the store. among them is one with a jacket reading VARIANT in bright orange. "Sh*t," she says, getting up and going to the mattress, rifling through a pile of clothes on the floor next to it "sh*t sh*t sh*t where is it". She pulls out a dark brown jacket, and the camera pans over to the screens again, where the VARIANT turns: it's Loki. A golden portal opens on the beige walls of the TVA, Hunter C-20 stepping through holding a man in 1940s army uniform by the arm and dragging him towards a desk. the man protests but she places a grenade on the counter and tells the deskworker to log it. "it wasn't a dummy," is the explanation she gives. In the background a single guard steps through a portal, looking around and proceeding to the doors out of this room. It's Sylvie, and she walks alone past other guards and rooms labelled Court and Memory Chamber. A group of people run past her saying a variant is loose and she walks faster. She walks past one court room, catching the words "trust me, you can smell the cologne of two Tony Starks," but continues looking around. An analyst (Mobius) rounds the corner in the direction of the court rooms and seems to be in a hurry, and Sylvie takes a sharp turn opening the closest door to her to avoid being seen. She is in a room with a Sacred Timeline screen, and zeroes in on the man closest to her, "what are you--" she places a hand over his mouth and pushes him down into his desk area behind his trolley, shushing him. "Do you know where the Reset Charge Storage Chambers are?" "Why?" *deep breath* *serious face on* "Tell me where the storaGE CHAMBer iS or I'll GUT YOU like a goAT!" "is that... like a fish?" *confusion* "how do you not know what a goat is?!" she spots a poster on the wall with a location guide and pushes Casey away with a hand to the face. "Nevermind." - We see Loki monologuing "the idea that your little club decides the fate of trillions of people across all of existence at the behest of three space lizards, yes, it's funny. It's absurd." an agent walks past in the background pushing a trolley but no attention is brought to it "I thought you didn't like to talk," mobius says. Sylvie pushes a door reading "Storage: Units" open, but looks and finds bodies in little cyro pod chambers lined up. "wrong door," she says, and pulls the trolley across the hall to the door reading "Storage: Charges." She's in a room with shelves filled up with reset charges, and opens the trolley drawer to find it already filled up with useless junk like infinity stones and such. to which she has no reaction. She shoves all that stuff to the side and out of the drawer, making space to

carefully place reset charges there. She individually picks up the two Tesseracts in it though and admires them, saying they're shiny and placing them on lower shelves in the room instead of on the floor. While she loads up the trolley ("a few more should do it") Loki walks past the door in full TVA outfit, happy and carrying a stack of papers that read RAGNAROK in bright red letters. She closes the drawer, takes her Hunter helmet off to shake out her hair and wipe sweat from her forehead, then puts it back on, pushing the trolley towards the door. Mobius has a hand at Loki's back, guiding him out of the Memory Chamber, Loki has clearly been crying and Mobius comforts him "it won't be so bad, you love being useful. and wearing suits." Sylvie walks past, pushing the trolley in the background. Sylvie continues down the hall, and when she sees no one behind or in front she pulls out her tempad and opens a portal, pushing her trolley and herself through. She's already gone and misses Classic Loki with a collar around his neck being escorted through the hall. - Sylvie and her trolley push through the portal and are in a mall, the lights dim and flickering above. Thunder is heard and lightning strikes as she places a reset charge on a shelf, flicking open a panel on it's side, and then walking a bit further and placing another. "May I help you?" a store employee asks, startling her. She considers. "Actually..." and places a hand to the person's temple - it takes a few seconds of effort but her fingertips glow green, and so does the person's eyes and temple, "don't mind if you do." She walks away from the trolley in a rush, and the store worker behind places a reset charge on a shelf. "I'm a bit short on time," she says to herself, pulling out her Tempad. Suspenseful music as the screen fades to black. - Everything cuts to a desert, with a small town in the background. A portal appears high up, and Loki falls from it to the ground. the words "twelve miles east of Puento Antiguo" appear on screen, and we see Loki formed a small crater in the ground, reminiscent of Mjolnir and the one in Stark Tower. "Ow," Loki says, taking the muzzle off with one hand, and then pulling the cuff chains off. The dust settles around him and he's still extricating himself from the hole in the ground and groaning about sand being irritating and getting everywhere when a golden portal opens up (we get a high shot, showing that Loki did indeed land within a larger crater too). Loki puts his hands in the air. "Appears to be a standard sequence violation. Branch is growing at a stable rate and slope. Variant identified." "Beg your pardon but I--" "On behalf of the Time Variance Authority, I hereby arrest you for crimes against the Sacred Timeline." "I didn't meddle with time, that would be the Avengers." "You're coming with us." *agents point pruners at him* "It's been a long day, I'm afraid you'll have to make me." *loki's hands start to glow green but B-15 presses a button, freezing him in place. Any sand blowing in the wind or any dust rising has also now stopped. There is a bird stuck mid-flight. B-15 pulls out a collar and places it around his neck. An agent places a reset charge on the ground and activates it, it starts to fizz purple. Time unfreezes and B-15 drags Loki going "hey!" through a temportal, and it closes, leaving the audience to watch a few seconds of the charge going off and the radius of the charge increasing, washing the ground in a bright neon-ish light.

Episode 2: this one is a combination of the Loki episodes 1 and 2. Basically, Loki goes on trial, the TVA has no reason he's committed a crime, but Mobius who had been at the church crime scene saves him and takes him to the memory chamber to break. What gets him to stop acting as if he actually wanted to rule all of space and whatnot is Mobius bringing up the topic of choice in Avengers 1, and asking if Loki knew the mind stone was effecting him too, along with him explicitly asking about the torture which happened before, even during - he pulls up footage - the invasion. Mobius pulls up footage of Frigga and Loki pickpockets the collar remote etc. everything else remains the same, including most of episode 2, with Sylvie fighting to "I need a hero" etc, but C-20 is left behind after being enchanted. When the TVA show up C-20 is tied up hastily in leather belts and rope. She's mostly out of it saying stuff like "it's real, it's all real" but she also says "we're variants, we're all variants" which Mobius obviously brushes over casually. Loki narrows his eyes though, and says stepping out of the renaissance fair tent would have them winding up dead like the agents scattered around here, B-15 calls bluff and Mobius says to wait but the people walking in front of the ones holding C-20 up to take her to the TVA for medical help fall dead upon stepping out. Loki was stalling for time with the wold anecdote, and doesn't tell how he knew the death thing would happen ("I see a scheme, and in that scheme I see myself" "bullsh*t" "it's true. my reflection looks quite good, too." "you *sshole." *he smiles softly, as if t'were a compliment*), and everyone gets back by opening portals from within the tent. The dots between the gum and the apocalypses is drawn, they see Pompeii, end up going to Roxxcart, where we see Sylvie watching the screens, now in her leather gear. B-15 and Loki split up together, the guy at the 'hurricane sale' placed a charge on the shelf but no attention is drawn to that bc Loki and 'Loki' are talking. Sylvie emphasizes that she holds a grudge because he's a traitor, specifically for working for the TVA because they're "condescending time fascists." Loki assures her he knows, and that he's seen the charges around the place. She comes to the realization that he's been undercover/faking. We're shown Mobius and co. finding the room with screens but it's just got Sylvie's random junk, nothing really useful. They talk some more, no physical fighting but the vessel sizes get bigger and Loki calls it 'real mature'. While they still disagree on what to do with the Time Lizards (destroy or overthrow) Sylvie settles on leaving the portal open for him at the end and giving him a chance. She waits for him to go through first, with Loki looking back at Mobius meaningfully determined and then walking through.

Episode 3: Young sylvie is going through the stripping/signing/temporal aura process. She's sent into the court room. she bites and runs out of the room, putting distance before fiddling with the tempad she took, figuring it out, while Renslayer gets stuck answering the Judge. Sylvie appears back on Asgard, but there's already a Sylvie there playing with her toys. a TVA portal opens and she presses another "Asgard" on the device to escape quickly. "I just want to go home," she says to herself, appearing in the same room, but the child is a bit older (a teen?) and a boy and black and reading instead of playing but he's clearly also in green/gold and a loki. the kid turns after hearing her and she panicks and goes through another portal. another one with adult loki in the same room, she looks hopeful as if she could ask for help but then sif walks in with insults and slaps him but spots her. "who's the kid," sif asks and a portal opens up next to her. Agents step through and Sif punches one that does, asking Loki what trick this is now. Sif/Loki fight them while they're still coming through, sylvie presses another asgard but sees a knocked out agent has a tempad on his belt and takes it before running again. no loki in the room, it's empty, but a group of people rush across, talking hurriedly about 'the goddess of death' and 'odin's real heir' and 'thor and loki dead' and 'seeking refuge in the moutains.' Sylvie looks lost. Cue titlecard and cool music. They step into the TVA. Sylvie is determined, telling Loki to hurry because they won't have much time the TVA remains in disarray from the reset charges everywhere, but stops when he says he needs to get a weapon. "Why didn't you use magic to get some earlier," she asks. "Spares," he smiles, "magic doesn't work here after all." Sylvie notes that it explains her last attempts to infiltrate failing so badly. They fight some guards together on the way to the elevator rather than fighting each other. The elevator to the time keepers opens but Renslayer and a bunch of guards are in it waiting. Sylvie grabs Loki and tries to use him as a bargaining tool. Doesn't work, obviously, and Sylvie is shaken upon coming face to face with the same Hunter who had caught her as a kid, she doesn't react in time to stop Loki taking her tempad and dropping them somewhere. Same plot from here, the two of them fighting over the tempad, with Sylvie wanting to go back and Loki telling her they clearly already failed and she should explain what's going on first. She says she doesn't need to and if he wants to help defeat the TVA he needs to trust her and give the tempad back. He makes it vanish and she gets frustrated, asking if he gives up on everything that easily, and maybe that's why he's the first Loki she's seen working with the TVA. Etc. They need a power source anyway and get to the train hoping it'll lead to the ship that won't get off-planet anyway. Loki acts a fool Sylvie naps, wakes up to singing. Sylvie calls him out for not actually being drunk and also he downs a glass and offers her one, and when Sylvie asks how he's paying for it he says it's on the house and points to the barkeeper (male. we're implying/showing flirting. maybe a wink at him or a cute wave.). It's blatantly clear he's trying to get info on her backstory along the way and she's not falling for it but allowing him to know a bit of stuff. (eg. "I know everything is watered down ale for an Asgardian," "watered-down watered-down, more like. But you know of Asgard? Do go on...") She softens at hearing his backstory, and shares hers too. The people appear and ask to see their tickets, everything is the same from here forward. The episode ends with them watching the ship getting destroyed.

Episode 4: different music when sylvie and loki look into each others eyes since i didn't like that. cue titlecard and song after the TVA portals open on Lamentis. this episode remains the same mostly with Sylvie and Mobius driving the plot. No narcissist comment but Mobius gets to act jelly of what Sylvie and Loki have going on. Instead of it just being a bad memory loop with Sif we get her three times and then it alternates to Thor who is also angry. If he's not already down Thor will punch him (even though Loki is just happy to see him bc he didn't think he'd see him again--) and then tell him to hold still so it'll hurt less. It's framed as bad and Thor will imply it's only a fitting punishment. Thor is only shown twice, the first time the scene cuts at Loki being hit and held down, the second is Thor leaving the room, chuckling about how Loki didn't need to talk to anyone anyway bc he's alone, says he'll heal soon anyway. Loki isn't shown, but Thor's fingers have blood on them where they hold mjolnir. the loop resets and Loki is back to standing in the middle of the room and ghosts a hand over his mouth and then Mobius arrives. Loki calls the repeated memory boring and cruel, says he hates when Thor is drunk and feeling rash, with Mobius saying at least he didn't send him to Thanos or something and gave his crotch a break. Sylvie asks what her nexus event was and Renslayer doesn't remember. The end of the episode is the same, with Sylvie 1v1-ing Renslayer and beheading a Time Keeper, Loki getting pruned. The credit scene remains the same.

[himbo-buckley]

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog  option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact  Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which  is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it’s Eddie who makes the  plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred,  and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he��d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck. 

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it’s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main „Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

-  I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

 Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it’s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118 

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X) 

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!

[kittyprincessofcats]

RWBY Volume 6

So, I pretty much binge-watched this one in a few days because I really needed to know how things go on after Volume 5 and it was just so good! Lots of messy thoughts to come!

[There will be spoilers for RWBY up to Volume 6 in this post (duh). Please don’t leave any spoilers for anything after Volume 6 on this post, or I will block you.]

Thoughts under the cut because this ended up getting a little long.

- The character short for Adam was really cool! It was cool to see how the White Fang began, to see Sienna, Ghira, Ilia and Adam in action, to see the irony of Sienna being a mentor to Adam and encouraging his ways when you know he’ll end up killing her, and to see a glimpse into Adam and Blake’s past relationship (and how the stuff he said to her was textbook emotional abuse). However, I do have one criticism, and it’s something that really bothers me: There’s a continuity mistake with Ilia’s age. Let’s think about this: Ilia was always implied to be the same age (or around the same age) as Blake. In the part of this short where Ghira was still leader of the White Fang, Ilia appears and doesn’t look younger than in canon. But we know Ghira stepped down at least a few years ago. If Blake is meant to be a teenager in volume 1… there’s just no way Ilia could have been there and already been an adult. She’s supposed to have still been a kid when Ghira was leader, unless she’s at least a few years older than Blake – which I don’t think she’s meant to be? Yeah sorry, this kind of stuff just bothers me. I get that timelines can be hard to keep track off, but that was a really obvious mistake and it ruins my immersion a bit.

- I loved the whole opening fight on the train and just seeing team RWBY fighting together again.

- I’ve got to say, I do feel bad for Weiss: After everything she went through to leave Atlas, she now suddenly has to go back there. I mean, that must suck.

- I’m a bit sad they just but Ilia on a bus, but I get that her main conflict is pretty much over and they had to go back to focusing on the main characters’ quest. I still wish we’d have at least gotten a scene of her interacting with the other members of team RWBY, though.

- I really liked Ilia and Blake’s goodbye at the train station, though. (And the whole “wrong tree” moment with Neptune really made me laugh 😂)

- Also just wanted to say I love Ilia’s new outfit (and the fact that she has spots on her belly – this is really important information, okay?)

- There’s a certain irony in the Faunus becoming more accepted because they STOPPED Adam’s attack on Haven.

- I think Jinn and the whole concept of how asking her questions works is super cool.

- I totally get why everyone’s pissed at Ozpin both before, during and after Jinn revealed his and Salem’s backstory. He has been hiding an awful lot from everyone, even after promising not to anymore, and he actively tried to stop the team from finding out the truth. Plus, the whole fact that he doesn’t have a plan for defeating Salem and is potentially risking everyone’s lives for nothing. (That said, can they not take it out on poor Oscar, please? None of this is his fault.)

- Oscar fighting Ozpin from within and telling them how to summon Jinn was a really badass scene. And I feel super bad for Oscar overall. Not only is he kind of at war with someone who lives in his brain now, but he also just found out that he’ll eventually only become a part of Ozma. And on top of that, people are punching and blaming him for stuff that’s not his fault. That’s super harsh.

- I’m kind of glad Cinder’s alive, because as I said, I was hoping they’d develop her more and make her a more interesting villain… but I don’t feel like this volume did that. Right now, she’s still pretty superficial, unfortunately.

- And now, time to get into one of the highlights of this volume for me: Salem’s backstory! Because holy shit, that was one hell of a backstory! When I said back in my post about volume 5 that I hope Cinder’s alive because I would like to see them make her a more interesting villain, I didn’t expect them to do just that, but for Salem. I love villains that are interesting, but I didn’t expect Salem, the literal big bad of the show, to be the interesting one here! I am pleasantly surprised by this, though! (And just to be clear, because some people love to misunderstand this: When I say “interesting”, I don’t mean “She has a sad backstory, this excuses everything she’s doing”, I mean “She has a sad backstory, this makes her more compelling as a villain”.)

- So, about that backstory: Do we all agree that the gods are major jerks, or what? I mean, initially not bringing Ozma back to life was fair, death is a part of life, they can’t upset the balance, I get that – but making him repeatedly disintegrate in Salem’s arms after she just thought she’d gotten him back? And then making her immortal just to make sure she couldn’t be with him? And then killing ALL of humanity just because of the actions of a few? But still not letting Salem die? And then bringing Ozma back after all (because now it suddenly doesn’t ‘disrupt the balance’ or what?) and kind of tricking him into that whole relics task because he wanted to be with Salem? The god are jerks, I rest my case - and I’m not sure if bringing them back is a good idea.

- Also… I get that she’s like… evil and all… but am I the only one who thought Salem got way sexier after jumping into the pools of grimm? Is that just me? Because damn… I’m kinda into that version of her. (Come on, she’s a sexy goth witch and I’m a simple lesbian, what do you expect?)

- So yeah… in an unexpected turn of events, Salem might be one of my favourite characters now? Oops? (*insert obligatory ‘this does not mean I condone her actions in any way’ disclaimer here*)

- I feel super bad for Salem and Ozma’s kids, though. I hate kids getting hurt in media in general. (I imagine the grief over them stayed with Ozma forever. And I like the theory that he gave the original four maidens their powers because they reminded him of his daughters. In general, I don’t consider him to be the bad guy in this backstory at any point. His only mistake is not being honest with the people who are helping and protecting him in the present.)

- I am now convinced that this entire show has to end with Salem and Ozma dying. That’s the only way all of this can end. Salem will have to either be killed somehow or learn the lesson the gods tried to teach her and die. Ozma will have to fulfill his task and die as well – either through Oscar dying with him (😢), through only Ozma dying but Oscar getting to live without him, or through the reincarnation cycle ending and Ozma/Ozpin recognizing that Oscar is going to be his last life. Something like that would be my prediction.

- Speaking of interesting villains: This volume also did a great job with Emerald and Mercury! With those two, I’m actually hoping for a redemption now. (And Hazel is a great guy as well. The fact that he was willing to take the blame for their failure at Haven to protect Emerald and Mercury is something I really respect.)

- I also I want to say I find Tyrion super entertaining.

- It was great to see Neo again! (I’ve gotten so used to Chibi!Neo it was almost weird to see regular Neo again.) Her fight with Cinder was EPIC.

- (I basically feel like this volume did a great job on all villains except for Cinder. But hey, maybe that’ll still happen.)

- This was an interesting volume for Qrow. On the one hand, I get why hearing Oz’s backstory drove him into a sort-of depression and made his drinking habit worse and I feel bad for him, but from the point-of-view of Ruby and the others, it must have also been super frustrating that the one proper adult in the group couldn’t keep it together and everyone else had to keep doing the hard work.

- Maria is a super cool and epic character! I really hope she sticks around with the team for Volume 7 because she’s amazing and I love her. She was super badass in her backstory (that moment where she lost her eyes was painful just to watch), I love the fact that she was Qrow’s hero growing up (and that he based his weapon on hers!), that we finally met another character who has (well, had) silver eyes, and that she’s that funny, cranky, but also wise old lady now who mentors Ruby and is just super funny all around. Good stuff, I hope we see more of her!

- The Apathy are the creepiest grim yet. The whole concept of them draining you of your will to live without you even noticing is just SO scary – I love it, but I’m also low-key terrified. The crew’s trip to that farm estate could have easily gone very wrong. Pretty much nothing but Ruby’s silver eyes even worked on them. I like how those episodes set the whole thing up – Team RWBY having emotional conversations while they were in the house, everyone having doubts (which makes sense at that point in the story, so you don’t really question it at first), and then the sneaking realization of what’s going on. Also, the guy who sealed in those Apathy grim in in the first place was just so dumb. How could you think that was a good idea? Good job getting everyone killed, dude.

- I’m glad this volume gave us more on Ruby’s silver eyes! I like that she finally got to use them before the season finale (though I loved that joke on RWBY Chibi), and I also like that she first used them to protect Blake. (I don’t ship them as much as Bumbleby, but I feel like Ruby and Blake’s ship/friendship is super underrated.) It was also nice to learn more about how the Silver eyes work in general and how they came to be. (If they came from the god of light, I’m assuming all the people with silver eyes are the descendants of Ozma’s past lives? TV Tropes kind of helped me out here: Apparently if you freeze the picture where you see one of his past lives with his kids, you can see the kids have silver eyes.) People with silver eyes being hunted also comes as no surprise to me, that’s kind of what I was assuming already. (Which raises the question: Just how did Summer Rose die?) Also, interesting fact that they only work on the Grimm...

- That moment where they reunite with JNR in Argus was really sweet. I also loved the design of Argus as a whole.

- I LOVE Saphron, Terra, and their son!!! I love that we got to meet one of Jaune’s sisters, I love that we got some more LGBT+ representation, and their baby is adorable!! (I loved that scene of everyone cooing over the baby. Also, that moment where Ruby realized Jaune and Saphron were siblings. Also, that moment where the baby helped them distract the guards by crying.) Basically, I just love the Cotta-Arcs. (Also, I just want to say that Saphron is super pretty.)

- Cordovin and her two goons are hilarious. I mean, I also hate them because they’re overly patriotic Atlas-people and Cordovin was racist to Blake – but they’re also super freaking hilarious. Every little line of Maria and Cordovin’s beef with each other had my dying with laughter 🤣 (mainly it was Maria’s lines that had me dying with laughter).

- That whole scene with the statue of Pyrrha was such a tearjerker 😢. First the leaf, then the sad music, then Jaune talking to that red-haired lady (I’m guessing she’s either Pyrrha’s mom or sister?), and then Ren and Nora joining and giving Jaune a pep-talk 😭 😭. I think this was a really important moment for Jaune, not just to get closure, but also to stop blaming himself and putting himself down. I’m glad Ren and Nora told him they don’t want to lose him too, and that the red-haired lady said she’s “glad Pyrrha was surrounded by such amazing people”. Gosh, now I’m tearing up again writing this 😭. I miss Pyrrha 😭 😭.

- I love Oscar’s new outfit. It was time for him to finally drop the farm boy look.

- I love how Jaune is so down for crime that his plan is just “They only let Atlas airships though, so we steal an Atlas airship.” I mean, makes sense.

- I think their whole plan to steal the airship was super cool and although I get why things can’t be that easy in shows like this (and I love that we got the showdown with Adam), I still kind of wish it had worked just because it was a really cool plan and everyone had their part to play in it. Heck, even the baby got to help (and it was awesome)! But yeah, Adam just had to ruin everything, nothing new there.

- So, about Adam: First of all, he’s a major creep for victim-blaming Blake (again) and stalking her. I like how creepy his behaviour is from a story-telling perspective (and from an angst-loving “I like seeing my faves suffer” perspective), but his story was getting a little old, so I’m not too sad they killed him off now. It was a good point in the story to do it. (That said, holy shit is he a creep! “I wouldn’t have to be doing this if you just behaved”? Wow. I get that he’s meant to be abusive and controlling; that’s the point of his character (and like I said, I’m here for the angst), but… yikes, poor Blake.)

- And then we had Blake and Yang’s rematch with Adam. EPIC STUFF. First of all, I like that Blake was able to hold her own against him for a bit (and same for Yang later). I also love the whole dramatic setting by the waterfall and the fact that Blake lost her coat (this is important, okay? it symbolizes vulnerability – and also it just looks cool), the scar on Blake’s belly (from their fight at Beacon, right?), the face reveal of Adam – I just love how all of this was set up in such an epic, dramatic way. But the most epic moment, at least from the start of the fight, has got to be Yang just jumping down there with her motorcycle hitting Adam and that amazing music. I’ve said before that Yang is just too cool for words and I will stand by that. The fight itself was epic too, though I was so stressed the whole time I couldn’t completely pay attention. Blake and Yang fighting Adam together was definitely the best part, though. And I loved the irony of Yang’s metal arm saving her. In general, I like that Yang and Blake got to fight and defeat (and kill) Adam together because he’s been a demon for both of them, and I like that they clarified they’re doing it as equal partners. “We’re protecting each other” was a nice callback to earlier when Blake tried to reassure Yang she’d protect her, and to even earlier when Yang was protecting Blake at Beacon.

- Let’s talk about my other highlight of the volume: Bumbleby! Because sorry not sorry, there’s no way you can deny their romantic subtext anymore at this point. Early in the volume, there’s the conflict of things being weird between them, and Blake not knowing how to deal with her guilt and thinking she needs to protect Yang (and do stuff like getting her bag down for her) – while Yang feels insulted by this and thinks that Blake sees her as being incapable of doing anything now that she lost an arm. Then, when Blake first leaves to disable the comms, they give each other those really sweet, loving looks. And of course, it all leads up to them confronting their nightmare together, holding hands, and declaring that they’re protecting each other. Add Adam’s jealousy to that (He was making comparisons between himself and Yang and asking “What does she even see in you?” – that’s not a sentence you just say to your ex’s friend) and you’d have to be willfully ignorant to not see the subtext. And those soft moments after the fight just killed me: Blake breaking down crying, Yang immediately running to hug and comfort her, Blake’s promise not to leave, Yang reassuring her and wiping away her tears – I LOVE hurt/comfort stuff and I’m so soft for these two! They love each other so much!

(Pretty much the only downside of all this is that a few major parts were spoiled for me in advance. Look, it’s pretty impossible to follow lots of blogs that post wlw ships and not see that picture of Bumbleby holding hands, or the one of them hugging (or the one of them killing Adam) at some point. So yeah… I’d seen all three of those pictures before and knew this would happen. But it was still really nice to see it all come together and see how we got there!)

- The fight against Cordovin and her giant mecha was also pretty cool! It reminded me a bit of the Legend of Korra finale. Ruby going inside the arm canon was an especially epic moment. And I also liked that small moment when they were flying on the Queen Lancer and Ruby had her arms around Weiss’ waist (a bit of White Rose, yay!).

- I like that moment when the Grimm attack and the team first realizes they just destroyed the only thing capable of stopping them – but to be honest, that was mostly Cordovin’s fault. She brought out that mecha for something it wasn’t meant for and started the fight that attracted the Grimm in the first place. Also, how exactly did she think the people of Atlas would take it if she had actually hurt Weiss? So yeah, most of that mess was on her, tbh. I’m glad she at least came though to help in the end, though.

- Back to Bumbleby: Honestly, the strongest romantic undertones weren’t even in the fight with Adam or directly afterwards for me, but in the last episode when they’re all on the ship together. So, Blake is blaming herself for the plan going wrong, and Yang has an arm around, her, still half holding her and reassuring her. And then – and this one really gets me – Ruby hugs Blake and gives Yang that knowing look over her shoulder while Yang suddenly looks away shyly. They’re communicating without words and Ruby totally knows what’s up. She’s basically saying “So you and Blake, huh?” and suddenly Yang – YANG – is feeling shy. This isn’t subtle. And then later Bumbleby hold hands again and look at each other like that… they’re in love, I don’t make the rules.

- And finally, we of course have Ruby’s epic silver-eyed moment in the finale, which was AMAZING. I loved all the flashbacks and how they’re drawn pictures and not just stills from the episodes, I love how the memories of her friends motivate her, I love how much of Penny there was in there (bit of Nuts and Dolts, yay!), I loved seeing adorable little!Yang, and of course the first look at Summer Rose! (I still want a Team STRQ backstory episode at some point.) Also, the music during that scene was so good!

Gosh, now I’ve talked for way too long again, but there was just so much to say about this volume! Long story short: Loved it, can’t wait to continue! (I know exactly 1 major spoiler for volume 7 because it was unavoidable on social media, but that’s it. And it’s a spoiler I really didn’t mind knowing, so…)

[fayesdiary]

For the Awakening asks: 7, 12, 14, 16, 17, 29, and 30! ❤

Somehow I knew you'd be the first to send me an ask😂

Awakening Ask Game

7) What stuck with you after finishing this game?

What else but the ending? Even if I got spoiled on it way before playing Awakening myself, it wasn't any less stunning! Everything between the scene of the battlefield being Grima's back soaring through the ocean that manages to look awesome even in Heroes (imagine if this game had smooth battle transition like Fates and Echoes, gosh), Id(Purpose) being an absolute banger of a track and obviously the narrative moment!

Also the moment when you fight Grima for the first time, they lift their arm and their dragon head turns around to attack? Amazing, I would love to turn it into a gifset if I could run Awakening upscaled on the Citra emulator.

12) Your favorite cool details?

Well, since I brought up that moment anyway... You know the humanoid face that Grima shows if you damage them too much at once? It always made me curious since the bit about Grima having human blood and looking like a human fetus when they were created wouldn't be a thing about Echoes, so I wonder how much of the backstory about Grima basically being Frankenstein's monster was considered but ultimately rejected due to time constraints, only to be added in Echoes and Heroes than they got a chance to get back to it!

14) Favorite supports/couples?

Well, Chrom/Robin for starters and I'll be honest, that's mostly your fault😂

Others are Robin/Cordelia and Robin/Tiki (mostly because I've read really good fics for both of the pairs and really that's the easiest way for me to start liking a couple), Lissa/Maribelle and Maribelle/Olivia! Oh, and Basilio/Flavia. I can't believe those two don't have an S support ingame since their every interaction is filled to the brim with sexual tension.

16) Favorite platonic relationship?

Bedtime Stories opened my mind to the concept of Lucina and Morgan being the most chaotic siblings ever and I'm all for it

Another one would be Nowi and Tiki, main reason being that they both have someone to share their long, long life with and be a bit less lonely together. Besides, have you seen their art together? They're adorable!

17) Two characters that should have supported each other?

I'm just gonna cheat and say I wish we had supports between Gen 1 and Gen 2 characters without having the former be the parent of the latter😅

29) What’s an Awakening alt you want in Heroes?

I would love to see a young Lucina from the present timeline! Mostly because I'm curious about what would she be like since she hasn't had to deal with all the traumatizing stuff from the bad timeline unlike her future counterpart.

30) Freebie! Talk about anything Awakening-related that’s on your mind🔮

So, um, I haven't actually planned the rest of Blinding Light since the whole thing came out on a whim😅 But as I'm brainstorming the whole thing (and by that I mean daydreaming or thinking about it while I'm trying to sleep), I realized something a bit funny about context.

Take Walhart, for instance, and suppose he has the same goal in there as he has in canon. In the game his motivations are pretty flimsy, trying to conquer the world to prevent the alleged threat of Grima (when it's really just him fueling his god complex). But in this world, where it's abundantly clear that Naga is a threat to humanity as a whole (even if it's not in the usual extinction sense) and would have already started conquering Valm had it not been for her devoting her whole attention towards the "threat" of Plegia...

Then wouldn't he be slightly more justified in trying to gather an army, unify Valm by force and end the gods' influence once and for all, even if in truth it's just for a selfish reason? (Emphasis on slightly, he's still a brute who understands very little of what makes mankind truly strong, is cruel for no reason and had things been even a bit more realistic, his empire would have collapsed onto itself within seconds given his bigbrained strategy of "if there's a problem, just crush it with brute force", no matter how much the game tries to make him look like a nuance, morally gray complex villain. Huh. Reminds me of someone.)

Same deal with Validar! Without changing a thing about him, he still has more of a reason to want to restore Grima's true form, because here Naga is quite literally breathing down their neck and threatening to destroy all of Plegia, and the only reason she hasn't done so yet is because she is lacking her true form as well, and is preparing her army, so he has a point in wanting to get every advantage they can. Although he's still a prick in here and Grima still hates his guts, because some things never change.

[miraculouscontent]

Ask Explosion #9:

Asks answering previous posts:

Sabrina, I have one word of advice for you...

R U N

“Chat, please stop talking.”

“But that’s my thing!���

“YOU JINX EVERYTHING!!”

Ayyyyyy~

Well, it’s something, I suppose?

Answered this here.

It absolutely did. Bless you, kind and hilarious citizien. ;P

I’m torn because... on one hand, I want to give proper mythology and such for like--anything that’d be put into the show, but on the other, I liked the idea that Alix’s brother was just sort of a conspiracy who thought of stupid stuff (which is why I kept the concept for MC Jalil Kubdel).

Zoe did it really well in Scarlet Lady where Alix knew the actual mythology and started blurting it out whenever Jalil got it wrong.

New Asks:

Considering “Ikari Gozen,” I imagine Alya and Kagami don’t get along as well. I agree with basically everyone that Marinette and Kagami not getting along is bad, but Alya and Kagami not really getting along makes more sense and is more tolerable.

Since Alya is Marinette’s “““BFF”““ (supposedly), I could see her kind of being like, “You’re competing with my girl over the same guy,” and keeping Kagami at arm’s length, worried that keeping Kagami close will allow Kagami to be closer to Adrien since Adrien is an extension of their friend group (kinda, sorta, not really, but Marinette calling him a friend so technically--)

You know, Alya trying to be a good friend and help Marinette with Adrien in more subtle ways. It’s the wrong way to go about it but she’s trying.

LUKANETTE IS AMAZING IN TERMS OF PROGRESSION KDJNGJDFG, I ADORE IT. Every episode they share together, we either learn something new about them or see more details on their relationship.

I think I was already all-in before “Silencer,” but man, that episode just sealed it even more. I was like well dang, why does the love square even EXIST???

jfdngjkfdjgfdg

Incredible. Only problem is that the creator doesn’t know how to use it properly.

You mean fourteen year olds aren’t perfect human beings???? :o

(no, but really, that’s me all the time; like, she’s barely a teen!)

He’ll believe it if it’s Chat Noir who’s doing it. If Marinette ever does it though, he’ll be sure to shut it down. ;P

Ugggggh, the worst part is that I have the same exact fear that they really are going to be like yeah Ladybug you silly fool Chat Noir has been with you since the beginning!

I mean, we’re already basically getting that with the New York special; Chat was supposed to protect Paris and then didn’t tell Ladybug that he “had to” leave for New York (and the New York thing is inadvertently Marinette’s fault and parts of the fandom actually did blame her for it even though it was Chat’s choice not to say anything), then Ladybug gets upset with him when she discovers it mid-battle, which leads to Chat being distracted and Cataclysming someone (another thing that Ladybug can be “inadvertently” blamed for), then Chat gives up his miraculous so Ladybug isn’t even allowed to be angry and cue the later line of “I can’t imagine being Ladybug without... him.”

So clearly that’s saying something. Adrien doesn’t get anything close to that level and Marinette is chewed out for not asking him to stay when Nino had already asked him too.

It’s like--Marinette chooses to go after Adrien and then gets either nothing in return, or humiliated by the narrative, and then in the New York special, she decides to do nothing and everything still goes wrong while Alya yells at her for it. The “damned if she does, damned if she don’t,” on display is stunning. The girl tries to confess and it’s like, “no, not allowed, but Chat is allowed to confess.”

I still don’t understand this logic of his overarching plot but also “there’s not much of a timeline.” I think the only solid thing we’ve ever gotten was something about all the episodes in one season coming after all the episodes in a previous one, but there are still things that don’t add up? The only thing the season 3 production order will give is making sure the hero debuts work out (so no Viperion or Pegase before “Party Crasher,” for example).

It’s not really reliable. I mean, like--I’ve been experimenting with timelines for a while, and stuff like “Miraculer” baffles me. It’s basically non-canon with no value whatsoever. All it does is make “Heart Hunter” look even more confusing and treats Marinette even more horribly for not picking Chloe when she explicitly told Chloe that she wasn’t getting it back.

I’m not familiar with that one! Is it any good?

(Okay, I actually was too curious and ended up looking it up; fancy! I couldn’t have guessed that it was a webtoon! I started reading the 1st issue and before I knew it, I was on the 6th! Oops~)

Lila is totally Rashta, 100% agree. The fact that the comments have a nickname of “Trashta” for her, equivalent to Liar Rossi, says as much ;P

Because lessons that involve telling someone that they’re valid and allowed to feel a certain way don’t apply to Marinette. Isn’t it nice? :3

Not that I know of? Though I also don’t look for that kind of thing, so it’s possible that it exists and I just don’t know about it.

Even if it did exist thought, I don’t see a problem with you doing your own regardless. Good luck if you do!

No. No I do not. ;P

GREETINGS FELLOW INTJ!

And yeah, I’m not really capable of not analyzing shows. There are some small exceptions, but they’re usually not full shows in the normal sense. If there’s an ongoing plot, my mind tends to be working at all times.

In terms of Miraculous, Season 1 was harmless enough where I was bothered but pretty quiet about it, but then it just got progressively worse. It really feels like one of those things you can’t unsee when it finally hits you, y’know?

I’m glad I was able to help you get that satisfaction you need (and appreciate Lukanette, of course ;3)!

Non-Miraculous Asks:

(some heavy Puella Magi Madoka Magica salt below)

Wow, this is a really dedicated ask! Nice!

Gonna go point by point here:

1 - Yeah, the whole thing with Homura not “being able” to save everyone... kinda questionable, and I didn’t really buy the arguments they used to explain it away. I think there was this one PSP game or something with Madoka Magica where you could kind of choose what happened (like, there were bad ends where Sayaka didn’t get her soul gem back in time and her body was partially decayed; ick) and I think there’s a good end where Homura saves everyone but--yeah, not canon.

I just don’t care for twisted stories like that unless there is actually a good end on the horizon (and I mean like “Everyone Lives and is Happy” good end). Angst is just so exhausting so the second I saw Mami’s head being bitten I was just like, “Ah, okay, so we’re doing this then.”

2 - Eugh, the sexism thing. It’s so... yeah, and especially this because the whole “girls are emotional” thing, I don’t really care whether or not the show is trying to “subvert” or “explain” anything, it just feels like poor taste and I don’t like it. (I also didn’t know about that Death Note thing because I didn’t watch it, but geez.)

3 - Wow, I’ve been away from the show for so long that I forgot what Mami’s wish was; I thought it was to “not be alone” or something (or maybe not die alone?? I really don’t remember), but either way, the fact that it follows some sort of genie wish logic is just--*sigh*--they’re teenage girls, come on (plus, the “genie wish logic” is really overdone to me anyway).

4 - The other thing about Sayaka is that it’s really predictable that she’d “die so quickly.” Basically everything was pointing to her just being annihilated at some point, and being Madoka’s best friend, it was pretty inevitable that she’d go.

((semi-unrelated, but someone also asked me which character’s name was lied about before episode 3 hit and they wondered if it was Sayaka’s; it was Kyubey’s))

Yikes. Sorry you had to experience that.

Anyway, I guess I’m not experienced enough in multiple fandoms to say for sure? If I was ever in a fandom, I would just blacklist the people/stuff I didn’t like, so I didn’t get to see a tong of “bad things” going on.

+ I try really hard not to generalize fandoms into one thing.

𝓖𝓮𝓷𝓭𝓮𝓻 𝓝𝓸𝓻𝓶𝓼 𝓐𝓻𝓮 𝓢𝓽𝓾𝓹𝓲𝓭 𝓪𝓷𝓭 𝓑𝓸𝔂𝓼 𝓐𝓻𝓮 𝓐𝓵𝓵𝓸𝔀𝓮𝓭 𝓽𝓸 𝓛𝓲𝓴𝓮 “𝓖𝓲𝓻𝓵𝔂” 𝓣𝓱𝓲𝓷𝓰𝓼

Oof, uhhh, shows, huh? That’s tough.

I think the main ship from Given (Mafuyu and Ritsuka) is really adorable (you might’ve seen the amusing video of their love being mutual before), and while I would’ve said the same thing for the kinda-sorta side ship, it gets--uh... really bad during the movie/rest of the manga, I’ll just say that much.

Mafuyu and Ritsuka though, totally adorable.

Inuyasha kinda? Though Inuyasha and Kagome are definitely not the kind of romantic chemistry that I lean towards (I find “the bickering couple” to be rather exhausting). Plus, Cardcaptor Sakura did the “male tsundere” better than Inuyasha did (though the Clear Card Arc was terrible, at least it’s not canon kinda-sorta? idk it seems like a mix of the anime and manga so...).

After that there’s...

uh

...

hm.

I mean, there’s probably a couple more examples somewhere, but--yeah, I’ve got nothing. Maybe if I thought back to all the generic children shows I watched when I was little (like those old Disney live-action shows; I had no taste when I was younger), there might’ve been something that satisfied kid me but idk.

I don’t remember what post inspired this, but I have no problem answering regardless, ahaha~

My main issue is Aang’s attitude about the whole thing. I’m not saying it was right of Katara to go out and get “revenge via murder” exactly, but I also think that Zuko had the right idea with allowing her to go and face the man who killed her mother so she could get some form of closure (also note that Zuko doesn’t express any sort of opinion when Katara decides not to kill him; he just wanted her to have whatever she thought she needed to heal).

It’s also the episode where Zuko directly confronts Aang on his “violence isn’t the answer” rhetoric which then goes completely ignored as Aang lionturtles his way out of the conflict. Aang is also not confronted on his point of “forgiveness is the first step to healing” (when Katara has a right not to forgive and Aang isn’t challenged outside of Katara commenting on it) and was permitted to ride his high horse when Katara “steals” Appa like, “It's okay, because I forgive you... that give you any ideas?” which is just--

reaaaaaally "holier than thou”-esque when Aang is like, ten, and Katara is a sort of motherly figure to him. The episode even has Sokka praise Aang for how “wise” he is and I groaned through the entire thing.

Another smaller thing is that it sort of makes the air kingdom look way too “perfect” by having Aang be the “source of wisedom,” especially when it’s like “violence isn’t the answer” while all the other airbenders are dead.

[orange-meringue]

Lost And Found Q & A

(The Q&A is here! Yeah, I’m not sure exactly how many of you ended up coming over from AO3, but I’ve decided to do the Q&A for my fic here -sorry to those of you who are uninterested in my writing life, I’ve been really invested in Lost And Found lately. 

The first question was submitted here on Tumblr, and the rest are all from AO3. I hope you’re satisfied with my answers, and if you have any more questions after this or just want some elaboration, please feel free to ask! I’ll add them on in a reblog! 

Anyway, enjoy! I’ll put everything beneath the cut) 

How does Donnie adjust to physical touch/affection in the future?

-Donnie is definitely touch-starved. No way around it. As mentioned in the fic, Draxum, Huginn, and Muninn never really gave him more than a few one-sided hugs, fist-bumps or handshakes. He’d never been fully hugged or held until he met his brothers, and it’s still very weird and new to him. But obviously his brothers (as well as April and Splinter, once you get to know them) are pretty touchy, but a few of them are better at picking up on Donnie’s thing with touch than others. Overtime I feel like they would be able to get him more and more acquainted with things like casual hugs and friendly touch, and the more he gets used to these things, the less they startle him every time. Though I do imagine he has a few relapses in the future (which I do plan to write about) where touch goes back to being startling and scary, and it takes him a day or so to warm back up to it. Mostly good things, though! Donnie truly does love the familial affection, though he’s not likely to admit it

When did the boys prepare Donnie’s room?

I imagine they made his room during the last chapter, after Splinter’s apology and after April and Mayhem left, when everyone began to split up to do their own things. The timeline is a little questionable, but I like to think they had a good hour in there, and most of the materials were already there and ready -the room was likely empty, too, and was acting as some sort of storage room that they never knew what to do with. I tried to make it obvious that they’d been pressed for time and hadn’t been able to do much, hence the hastily made bed frame and why there were only two other pieces of furniture

Will Donnie ever feel comfortable enough to remove his tech around the lair in the future?

I feel that, much like canon Donnie, wearing his tech is a bit of a habitual thing. He doesn’t really see a reason to take it off, even if he’s technically safe in the lair, especially because it was ingrained in him via Draxum that his tech is everything keeping him safe. His tech is his armor and his safety blanket, and even if he knows, logically, he’s not going to be ambushed in the middle of the lair, it’s hard to take it off. Eventually, though, I feel like his brothers help with that. At one point Raph probably starts trying to train him to build strength and muscle on his own so he doesn’t have to rely on his limb clamps, and, as Donnie gets more comfortable with his brothers, he starts feeling relaxed enough to remove his battle shell when lounging around with them

Would Splinter try to bond with Donnie and attempt to form a better connection with him?

Splinter really does love his son and wants to spend time with him! But...uh...as of the story’s ending...he doesn’t know very much about him. He knows he was raised by Draxum to be a soldier and is very good with technology, but other than that...next to nothing. But it’s a great motivator! Splinter 100% wants to know Donnie as well as he knows his other boys, so he pulls out every stop to try and bond with him, making sure not to rush him despite his curiosity and family-oriented nature, because Donnie is currently pretty skeptical of adults (even Splinter) for...obvious reasons. But he wants to get to know Splinter, too, and, yeah, he’s willing to sit through his 5+ hour Lou Jitsu monologues to let that happen

How does Donnie feel about the boys’ future plans to capture oozesquitos and sabotage Draxum? Does he still have conflicted feelings about humans?

After the initial adrenaline and shock of everything subsides, I feel like it was Donnie’s idea to go after the oozesquitos. He probably wakes up in a cold sweat one night remembering oh yeah, Draxum and I unleashed a swarm of carrier bugs upon New York that are set on turning people into mutants and immediately feels the need to remedy his past mistake. So he builds a device to track the oozesquitos, which leads the boys to Big Mama’s hotel, and the rest is history (though slightly different than it was in canon, considering Donnie’s knowledge of Big Mama’s schemes and the Battle Nexus). But in terms of Draxum, Donnie would definitely be far more hesitant about trying to sabotage him. Donnie is still afraid of Draxum, after all -a small part of him feels like everything with his brothers is only temporary, and eventually he’s going to be stuck with Draxum again, and the further on his bad side he gets now, the worse it’s going to be when that does happen. He never directly challenges or fights Draxum whenever they run into him, and if there’s a way to avoid clashing with him altogether, he’ll take it

As for humans, Donnie’s definitely still conflicted about them. It’s been ingrained in him his whole life that humans are evil and selfish- that they forced his whole race underground and that’s the reason they now live in secrecy. And honestly, not even Splinter actually knows if that’s true. So Donnie remains skeptical, but overtime he’s able to do a lot more things around the city without fear of humans. They’re not actually that dangerous, he discovers, and maybe -just maybe- they’re alright. But there’s only one human Donnie grows to fully trust, and that’s April. In his eyes, she’s already proved her loyalty and compassion and, y’know, desire not to out him and his brothers to all of human-kind, not to mention she’s super badass and someone Donnie does not want on his bad side again. She’s a good friend, he realizes. He can definitely understand why she’s part of the family

How much does Donnie know about the Hidden City? Does he know about Big Mama and her hotel? How would the boys’ interactions with Big Mama change with this version of Donnie?

Considering he was raised with Draxum (who is apparently a well-known public figure in the Hidden City) he definitely has a fair amount of knowledge about the place, as well as a few ins and yōkai to go to when he needs something done. He’s very well-known himself, and actually has a reputation as a very intimidating soldier. He’s also well-versed in Big Mama’s tricks, because she and Draxum have done business before and she’s 100% tried to kidnap him for the Battle Nexus (emphasis on tried). Harking back to the question about Donnie’s oozesquito-capturing plan, the episode would definitely go differently with him there. It would be a great Leo and Donnie bonding episode, because neither of them trust Big Mama in the slightest, and Raph and Mikey would be far more cautious around her, though still intrigued by the concept of a mutant hotel and her apparent interest in helping them. But I think Donnie would manage to slip out with Leo before their brothers are captured, then it would be a race with a hilarious amount of arguing until they rescue Raph and Mikey, then everything would likely proceed as normal for the rest of the episode

Is Donnie jealous that April gets to attend school? What would his relationships with the Purple Dragons be like?

Donnie has no idea what school is. He’s heard mention of it in shows he’s pirated, but it isn’t until April comes to him one day complaining about her workload that he asks what she’s talking about. Once she explains it, he’s ecstatic! A place you can go to learn about math, science, history, and any other subject you could ever want? How much does it cost? ...It’s free?! He’s begging April to smuggle him in. She absolutely does not want to deal with that, but Donnie did make her a whole laptop and upgrade her phone a whole bunch, so how can she say no? She agrees to take him the next day, but it doesn’t fully occur to Donnie that the school is crowded with humans until he gets there. He’s on-edge the entire day, and it doesn’t help that he’s a weird green-skinned new kid no one’s ever seen before. I imagine it would be a great chapter for some good old fashioned Donnie and April bonding, and I’m 100% going to write it now, so anything else would be considered a spoiler

As for the Purple Dragons, I imagine their relationship wouldn’t be too different. The Purple Jacket episode would go relatively the same way, though I imagine Donnie would be a little more reluctant to actually join the Dragons, and way more irritating throughout the rest of the episode. But the plot and their feelings toward each other would likely remain the same

Does Donnie still eat bugs?

The whole thing with the bugs is basically...Draxum didn’t know what to feed Donnie as a baby, so he went to a local animal expert who recommended things like fruits, veggies, bugs, etc. So, considering that Draxum’s main priority was rebuilding his lab and he didn’t really have the resources to get food for anyone but himself (and maybe Huginn and Muninn- though they probably stuck to dumpster diving), Donnie’s appetite ended up consisting completely of typical turtle food, and only when he got older did Draxum started adding in things like nutrient bars and protein shakes, just to help him build more strength and muscle. So Donnie never really had anything else before he met his brothers, and it feels weird to him to jump straight from turtle to human food, so he slowly incorporates more of the latter into his diet overtime. He does still eat bugs, though. Splinter started getting him things like bug chips and seasoned bugs to make it less unsettling, but now he just eats those all the time and none of the others care for it. If a live bug happens to get in his way, he definitely won’t hesitate to eat it, and, yeah, sometimes it’s startling and almost made Leo throw up once, but it’s also really helpful if there’s a bug in the lair and none of the others want to deal with it. Donnie has eaten a spider before. The others just pretend it never happened

[lumilasi]

I haven't read Reanimate, but I'm curious as to why you grew to hate the original take on it so much, to the point you chose to revamp it? What things did you change then? Most authors I know wouldn't necessarily bother doing such a big rewrite(?) So I'm also curious why you chose to go ahead anyway. I hope my questions aren't bothersome or anything, I'm just curious like said! Keep up the good work!

Ah, I guess it might be a bit unusual for somebody to re-write parts of a fic so much while not completely starting from scratch? Especially fic that is already some years old. (or maybe it does happen commonly, IDK honestly haha)

Well, the main reason why I chose to revamp the second half of the fic instead of maybe rewriting the whole thing, was because the first half was totally fine for me. It was just the league parts I disliked, and the same time I still really loved Reanimate's story as a whole, hence I ended up doing a partial revamp instead of full rewrite. (also I guess I had a lot of time in my hands at the time heh)

(Also that fic was my first ever on the fandom meaning it's nostalgic, and served as an origin story for my favorite bnha oc's, so I wanted to make sure I was happy with it)

But yeah, to go more into detail about why I disliked the league portrayal, as well as what I did with my character in the story (this is gonna be a long explanation so please bear with me lmao) ;

Tomura's portayal felt too much like being stuck in his first impression, when timing vise he should already have matured quite a bit

His interactions with the league, albeit kinda funny, also felt too OOC at this point. He was acting too childish for what I wanted/the point in time the fic takes place at

Basically I felt he was too much of a manchild when at this point in time he's already matured quite a bit in canon (and some more in the fic au given it's timed some years AFTER canonical timeline)

In Kain's case, I kinda got too stuck on his source of inspiration (a horror game villain) and made him too one-dimensional and creepy from what I really wanted to do. He's very stoic and cold yes, but not THAT level of psychotic.

I basically felt Kain needed more nuance and humanity, because including an oc in a fic was ALREADY kind of tricky, so I wanted to make absolutely sure I actually liked what I wrote with them, and that it's of good enough quality to not feel too jarring and out-of-place among the canonical characters. (of course how well I managed to do that is up to the reader)

Kain's original take didn't really work for how I wanted it to affect the civilian Tenko. He was too, well, monstrous/felt nonhuman even as a kid for what I really needed. I needed him to be somebody Tenko could kinda sympathize with/someone who could sympathize with Tenko. My original take kinda failed miserably at that OTL

To go back to Shigaraki, he was also being too harsh/mean to his friends. Basically everything about his portrayal lowkey sucked for me lmao

As for more detail about the changes...well there's too much to describe, but for Tomura and others the biggest change was with their interactions; Tomura is still jumpy and snarky, but less so. Also while his friends do goof around and tease him like in the original, they turn serious as soon as he leaves, discussing and mulling over why he's acting so strange. Tomura also has picked up on the fact he feels "off" in some way, and wonders why he's acting so freaked out all the time/seems to struggle to think straight. (the reason for this is part of the revised plot)

There are two significantly changed scenes in mind though that I could mention, as they have a big impact on the narrative in a way;

First one is the flashback Tenko has about his time kidnapped by Kain's dad. The moment where Kain ends up killing bunch of people working (unwillingly) for his father. In original version Kain kills them on purpose, because their terrified/traumatized thoughts were causing him mental strain. While this latter is still the case, in the new take on the scene Kain does it accidentally, as he loses control of his quirk. This change was highly important IMO, because it shows better why Tenko might've sympathized with him, and tried to convince Kain to come with him and All Might later when Tenko was being rescued. It also better establishes that Kain's not some inhuman evil/creepy horror villain, but more typical origin story for a BNHA villain. Basically what I originally wanted out of his character, but failed to do lmao

Second one is at the end, when the league are taking their leave. This deals more with the foreshadowing for Reclaimed, but basically in the original Tenko gives bad Dabs something to use potentially to take Kain down if he plots something. Given I completely changed my mind about his potential role in the follow-up story later, the new version of the scene has Tenko telling bad Dabs to consider if AFO really has his student's wellbeing in mind. (this will be relevant later in reclaimed as one of the things pushing Dabi to question Tomura about this, and eventually having an effect on Tomura as well, further helping him break free from AFO's mental influence)

Sooo...yeah. I know this is a long-winded explanation, but I couldn't really explain this in simpler terms as the reasoning was quite complicated in a way? I just felt like it could be better with just some minor tweaks, instead of needing to rewrite it completely, and it bothered me too much to not do anything about it lmao. I hope this did satisfy your curiosity about this whole deal and didn't confuse you too much!

(Side note: I probably won't bother doing anything like this with any other fic of mine ever again, the closest I could consider is Soul Duality, but the issue with that is I can't pinpoint exactly what my issue with it is. It just feels like something that has potential and good parts, but ended up kind of messy somehow.)

[ghostmartyr]

So if you, like me, have nothing to do but wonder about the state of my inbox, you might rightfully be wondering how I plan to deal with the obscene backlog I have spent so many years failing to deal with.

If you have never wondered that, fear not, that doesn’t exclude you from finding out.

Today we’re just going to go through my entire slew of unanswered asks, and instead of answering them, I am going to provide excuses for why I didn’t do anything with them.

For added fun, several of the asks were in my Drafts.

I will not be cutting out the comments I started to make.

I will no doubt regret this.

Let’s have a time, shall we?

I don’t even know what year this is from. If I remember correctly, I didn’t get back to you because I thought about trying to reason out who would legitimately win, and there were too many points for both sides. I kept intending to come up with a proper answer, then time went by and this got buried.

Though the actual answer is probably “it depends on who gets the main character sticker at the time.”

...

..

.

Well.

I can tell you this is multiple years old.

We, as humans, aren’t equipped for time travel.

I didn’t answer this one because I didn’t feel like it was asking for one, and I’m only reproducing it here because it is really, really funny now.

Two years old. Plus change.

I think the entire reason I never replied to this one is that it cheered me up whenever I scrolled down enough to see it, so thank you.

You know, I entered the link at the time. Really, I did. But then came trying to come up with a comment and what can you really follow that with?

(Click the link.)

Okay then.

I still feel no need to respond to this, so that’s probably why I didn’t to start with.

Historia and literally anyone.

I don’t remember why I didn’t answer this, which usually means some combination of feeling tired and not being in the mood to scroll down to where it was.

Oops.

The thing is, this crosses dangerously close to being a fic idea. Fic ideas take time and effort. You can imagine the absolute dread I felt at having to engage with either concept.

It would have been a lot of fun to do, though. Hats off.

See, again. This is a very interesting concept that requires thought. I can tell you when I received it I was in no mood for anything that required anything of the sort.

I wrote a fic that is possibly never going to see the light of day now where they hang out in a kitchen with hot chocolate together and bond through unstated trauma and Frieda attempting to make things better.

That probably contributed to interfering with imagining how they would actually get along.

Anyway, I ship them slightly in that fic AU. Don’t @ me.

Oh dang. I remember this.

I actually really wanted to answer it, but the problem is that I wanted to come up with a good answer. Every character, tiered by their chances. A full Hunger Games edition of what went down and who killed who.

Then I didn’t.

Anyway, turns out the answer is that no one feels the need to chop of rocking chairs in a hurry, so she’d last a long time!

I didn’t answer this because I try to avoid responding with, “I don’t know.” My secondary answer would probably have been, “By being killed.”

Not that there’s anything wrong with those answers, but unless there’s been a tonal trend in asks, I assume that pithy answers that don’t actually have any meat behind them would not be appreciated.

I would stick to him probably being killed, though. But some signs do point to him being relatively immortal.

Hm.

Hmm.

I don’t know why I didn’t answer this, but I would guess it had something to do with me caring very little about Ymir’s thoughts on anything outside of her little clutch of people. And ongoing trauma of repeated dead/alive Ymir commentary killing off my desire to come up with a good answer.

Sorry?

I... have no idea why I didn’t answer this? Maybe I didn’t see it?

Anyway, yes.

There’s a longer version behind that yes, and I’m sure that might have contributed to never getting around to answering this. ...Assuming a past where I did actually see this one.

I have a confession.

I don’t really like crossovers.

There’s a sliding scale of degree, but that’s basically why this didn’t get a response.

Ah, we’ve landed on a recurring theme.

Sometimes, answers involve me thinking about the entire cast.

The usual consequence of that is I don’t have the energy for that, so nothing ever happens with these.

Oh, this one’s easy.

I had no fucking clue.

No ideas, head empty.

That didn’t seem like a good answer, so here we are, probably around a year later. I still have no clue. If I were forced to write a singing duo AU, I would probably just put some adjectives and nouns into a blender and flip a coin.

Names are hard.

I think I didn’t answer this one because I felt like I’d answered similar asks before. And I’m not really sure when this is from, but it’s possible canon complicated coming up with an answer that wasn’t distressed screeching.

Something something give Connie and Mikasa hugs, not partial about where they get them from.

Apparently not. Oops.

I can’t remember why I didn’t respond to this one. It’s possible the oodles of bad parenting proved too distracting to formulate such a post.

Sometimes I get an ask, and my immediate, gut reaction is, how the fuck should I know?

If I can move past that, the ask is answered.

If I can’t, the ask continues its descent through scroll hell.

I am sorry. There are no answers here.

Yeah, this is just the same as the above, just with I have no idea.

It’d probably be a Madoka Magic deal.

Huh. I don’t remember passing this one over. If I were to guess a timeline, I was probably too bitter over potential post-timeskip looks that I never got to be interested in focusing on the characters lucky enough to get good ones.

Go Connie for being less short, I suppose.

This clearly belonged to something that I was doing, but time has eroded the context, so I am simply left with failure and disappointment on all sides. Sorry.

Aw, we’re getting into the boring part of the inbox now, I think. Not because of the questions; you guys are always great. But I can’t think of a reason why I wouldn’t have answered this, which leads me to think that the reason was I was too tired to put words together.

That’s a boring reason, so maybe I should go into Drafts for the next few...

Yeah, still unfairly prejudiced against crossovers. I am no fun, etc. etc.

I have no memory of it, but I feel like I didn’t answer this because there was no way I could match this kindly anon’s enthusiasm.

You go, random internet person.

You have good ideas.

Oh no.

Uh.

See.

I know exactly why I didn’t answer this one.

I am so sorry, Anon.

I really didn’t care.

I am filled with affection for you because you clearly do, but uh.

...I basically put this on Read.

This has a very simple, ie boring, explanation. Any time someone asks about the cast as a whole, I want to think about the cast as a whole, and that takes a lot more thought than most of the asks I get. Cue putting it off. Cue it getting lost in scroll hell. On and on we go until we end up here.

Anything that opens with kilometers is something that requires more brain power than I have had in the past year.

Also I think I got this during a spoiler week, so I saw it, but I was trying not to look at it, and then it got lost in the post-chapter asks.

That happens a lot.

We might see it more soon.

If I can’t come up with words more than “-shrug-” I try not to answer.

...Good news, though!

The manga did my job for me!

I feel like I answered some variation of this. That might be why I didn’t answer this specific one.

The wiki does a better job keeping track of the timeline than I ever have. I probably didn’t answer this because it would involve trying to remember which volume actually name-dropped a number of weeks or months. Searching for lines I know a character said is pretty easy, but searching out lines I have a vague feeling of someone providing? That tends to hit the frustration button with the force of a truck.

But yeah, if you ever want to know how long something took, the wiki is absolutely your friend. They do good work.

Consider: “What if” questions are hard, and I am lazy.

This is actually one I really did mean to get to, sorry. It’s an interesting thought, and I miss Sasha.

...I clearly did a magnificent job answering your asks, friend.

Prediction asks are hard for me; I feel like I’m throwing darts randomly into the air and the dartboard is still deciding if it’s going to show up. So uh. I guess I just kept putting this off until it didn’t get answered.

This post is going to have so many apologies. Implied and otherwise.

I continue to be the No Fun Police who accidentally-on-purpose avoids crossover commentary.

I feel like I didn’t answer this one entirely because seeing it in my inbox gave me far too much joy to have it lost in a sea of posts.

This is what my inbox was made for.

I have no idea when this was from, but I see your emotions and appreciate them, Anon.

...Did I not see this one?

Hey, Anon who probably doesn’t remember sending this: This is a good ask and deserved some good attention, and I’m sorry I missed my shot at it. Good thoughts.

I didn’t answer this one entirely because I knew I couldn’t match the energy of it, and responding with anything less felt heretical.

That is one hell of a mood, Anon.

This is definitely from the era of, “Can’t think, brain empty.” Sorry about not getting back to you, I just really couldn’t organize my thoughts well enough to come up with an answer.

I feel like I didn’t know what this was continuing from and was too exhausted to ask.

LOOK YOU CAN SEE I WANTED TO ANSWER THIS BECAUSE IT’S A DRAFT.

Too many things, Anon.

I liked so many things about all of that. Trying to turn that enthusiasm into words wasn’t agreeing with me, so I put it in Drafts and told myself one day I’d do the most awesome post detailing everything.

Intentions, huh?

Every time I tried to take a normal screenshot with formatting Tumblr just laughed at me, so that might have been a contributing factor.

Dang, I’m really sorry. This is another one of those cases where I wanted to take my time with a response, and I took too long.

I, uh.

Am guilty of not being too interested in pondering Ymir’s thoughts on Levi or Erwin.

That’s it, that’s the explanation.

Yeah, I just couldn’t come up with an answer here? Or someone else asked? Or several of my friends decided to be annoying about lists on Discord? I don’t even know.

Presumably there could be a list.

There is not.

Honestly, I just couldn’t figure out how to follow that starting sentence up. A thought exercise on Armin, Historia, gender, and themes sounded really interesting, and I put it in Drafts so as not to forget it being interesting.

Then, you know. This post sort of paints the picture.

Ah.

Man, I really was looking forward to putting some proper thought into this. That’s the problem with having so many things I love in one place, I guess. Symbolism? Historia and Ymir? Mikasa? So many good things! Where do I start!

With paralyzing indecision that results in not a lot. Sorry, Anon. This really did light up my day when I got it.

Here’s the thing about me and writing:

I often fail to.

(I love both these ideas, though.)

Yes.

Do I know why I didn’t get around to answering this?

Absolutely not.

But yes, I’d agree with that.

GOOD NEWS!

The manga actually gave us some of them together in the future.

I occasionally giggled over their shared distaste.

It was a good time.

And this is another one I just do not know why I didn’t answer, whoops.

This never got answered because I couldn’t come up with an answer.

Broad questions are scary because they can go just about anywhere and I didn’t know how to handle that level of commitment.

I think I didn’t answer this one, A), because words are hard, and B), because mostly I just wanted to listen to more of your wondering and less of mine.

I probably could have answered this by saying I don’t have any, but that seemed rude, so I didn’t respond to it at all.

Yep.

Frieda is worthy of my time and effort.

Landing this in Drafts instead of my inbox.

Where the lighting makes it more obvious that hope has gone there to die.

I think about it so much too.

I find the answers fundamentally upsetting.

That is probably why I did not provide an answer here.

That is a lot of kids to make up headcanons for.

So I didn’t.

She’s eaten by dogs before she develops a personality.

Since that seemed like the wrong thing to say, I said nothing, and into Drafts this went.

‘I have no earthly clue’ seemed similarly unhelpful.

At this point, we understand that there is no mystery to my backlog.

This one hurts.

-sees the 112 reference-

Wow does it hurt.

As I hope is obvious, I really, really loved this question, and kept meaning to carve out time to work on it specifically. What went sideways was trying to put words to how EMA functions. I knew the feel of what I wanted to express, but every time I tried to write it, it came out wonky.

I’m very sorry I couldn’t do anything for this, because I was thrilled to spend time with it.

I didn’t answer this because Fuck Marley.

It’s nothing against you. At the time, I simply wasn’t in any mood to consider any version of Marley. Even the canon version was too much for me, so giving it my time in a roleswap AU had me hissing.

Roleswaps in general are amazing, and I love them a lot. A dedicated person could make a fantastic one based around Marley and Paradis. I think it would probably be cool af.

But I was so tired of Marley when I got this, I just couldn’t make myself think about it. Sorry. It’s a fun idea.

I didn’t answer this one because I kept trying to extend my response past, “I think he just really likes baseball.”

I think he just really likes baseball.

My feelings on that as a quality answer are derogatory.

Mm. The ones where I actually tried to get something started hurts.

Ultimately, this ask was a larger demand than I could make my brain work through at the time. I made sure to write down the tl;dr version of Sasha’s, because I found that desperately important, and not something that people talk about much, but the additional weight of trying to think of themes for multiple characters made it hard to progress.

Me, looking at the prompts: Hi my brain left me.

Sorry, Anon. Too many gears were moving for me to get a proper feel for what I wanted to do with this one, so I ended up ditching it. ...I was planning to finish it, though. Eventually. See, I even put the quote in the Draft version as a reminder of what I was doing, so I could get back to it right away.

Yeeeeah, this is just one more to the “I will give this wonderful thing all the time it deserves!” pile.

The pile is stored in the Failure Corner.

Perfectionism is the enemy of progress.

You guys really like crossovers.

I love that for you.

-spends two years ignoring you-

I mean, I just didn’t know what to do with the rainbows.

They sure are there.

They sure are pretty.

I sure couldn’t come up with a comment to add.

...I don’t know why I didn’t answer this. Possibly because I think it’s fine? I’m not too attached to it, and spent the whole manga period wanting to watch an anime version instead, then we got an anime version.

I’d guess that my general “meh” feelings interfered with responding here.

No idea why I didn’t answer this.

Yes, and good for you.

I support all thoughts on giving the Reiss kiddos personalities.

I think I didn’t get back to you on this because I wasn’t sure how to encourage you to keep going so I just sat awkwardly on my hands and felt weird about not saying anything.

...Thanks for sharing!

I love how it’s the little things that date these.

Unfortunately, we’re now at the point where 90% of the reason I didn’t answer was because I was too sick to muster up anything approaching enthusiasm.

Or because I’d just finished answering a bunch of chapter-specific things and was burnt out.

This felt pretty self-explanatory to me, so I felt like that gave me permission to ignore it.

Also, it mentions Marley.

I might be slightly petty.

Really though, I think what stopped me from giving a proper answer is that the question of what an author is trying to say throws me off a little. I work better thinking of it in terms of what the story is saying, with the author just happening to be the hands that wrote it all down.

I don’t know. This was probably another case of feeling like I should give this more of my time than I was able.

I couldn’t decide.

That’s it.

That’s the reason.

Everyone needs to give Mikasa a hug.

My blog title for a hug.

-the crossover snake hisses and consumes another-

I am so sorry.

This is fun.

I probably should have just gone with posting and saying so, because I am genuinely charmed by this. I tend to feel like I have to add something to asks to justify the post. That policy maybe didn’t need to be a thing.

I love my anons.

I want that to be clear.

Really, I do.

I especially love their willingness to embrace my crackpot logic.

Still.

Sometimes, the only response one can have to Schrodinger’s Ymir is to ignore its existence, find a pillow, and scream into it for the rest of time.

This replaces typing.

-looks at Armin-

-looks at Eren-

Yeah, don’t know why I didn’t answer this one, either. I blame tiredness? Sorry about that.

I feel like I didn’t answer this one because it felt like work.

This is where I start considering that making this post was a mistake.

I could have just agreed with you and gone about my day.

Probably should have.

Did not.

Another one for that, “had nothing to add so I just left it in a corner, abandoned and unloved,” pile.

There is an apology section at the end, but we’re not there yet.

This one I don’t think I noticed.

Alternatively, I did notice, and wasn’t sure “Yes,” would pass as a good enough answer.

--------------------------------------

Okay, time to really just get into it: I think for the remainder of my inbox, I didn’t answer because physically, I was just too damn exhausted, and I kept waiting for a point in time where I’d feel better. Sorry to put a limit on the personalization, but in the end, that’s all there was to it, and rephrasing it a dozen times will make me crazy.

And here we are.

Well.

Good grief, do you guys even have any clue how much I like all of you?

Obviously there’s a lot of guilt in the above, because I can’t tell you how much I wanted, each time, to give a great answer that would make you thrilled you messaged me. I am so sorry to all of these I didn’t get to. There were days when the alerts in my inbox were the best thing to happen to me, and I never wanted to let any of them go without acknowledgment.

I try to say thank you as often as I can in my responses, because that’s as close as I can get to reminding you all, constantly, that I am grateful for your participation. The only times I don’t say it is when I worry that it’ll look like it’s being done out of habit, not genuine gratitude. Or when I think you might take it the wrong way if I say thanks for a basic conversation. Because you provide me content and make me interested in things I might not normally look twice at.

There are so many instances of people saying hi, and thank you, and wishing everyone well here.

I haven’t been active in the larger fandom in two years, but I have always been so happy that you guys kept dropping by my space anyway.

You are a pleasure and light in my life, no matter how much snark I might throw about.

Thank you all.

[megamannt125]

After thinking about it I’m convinced the real “Death” of Homestuck was not the ending or the epilogues or homestuck 2 but [s] Game Over.

Every single major issue with the IP occurred immediately following that.

Let’s take a look back:

-At the point of [s] Game Over, Homestuck is at a slog with constant hiatuses as the story progresses slower than ever

-If the story continued in this timeline, it could likely still be going TODAY because it was still setting up plot-lines and story arcs (some of which are still unresolved)

-Hussie was also simultaneously trying to make a video game, a video game that also had a turbulent development cycle. It’s my “hypothesis” that at this point Hussie understood that Homestuck needed to end. Soon. Thus, [s] Game Over

-Immediately after Game Over Homestuck undertook one of its biggest retcons in its entire history, years and years of character development and story was wiped away in only a few months. Major characters like Terezi and Vriska whose character arcs were a prominent part of the story up until now (Vriska’s death and redemption, Terezi coping with her decision leading to her healingher eyes) had their development wiped away. 0 Consequence for Vriska’s actions, 0 pay-off for Terezi’s trauma. They later tried to rectify this with Terezi: Remem8er, to imply that even retcons can create ghosts (which basically contradicts the entire premise of the retcon ability as NOT being normal time travel that creates doomed timelines). As if to say “Look guys, those characters are still here!!! And they’re in LOVE!!! Just forget about them now, alright??”

-What was this major retcon FOR? It had 1 purpose: Revive Vriska. No matter how you feel about the character, you should agree that this is arguably one of the worst narrative decisions in their entire series. Not only was Vriska’s entire character arc scrubbed away and she had no repercussions for her actions, but the way she would be used is even worse.

-Vriska’s entire purpose of being re-introduced was to speedrun all the years that were retcon’d and ensure that Everything Bad that ever happened Didn’t Happen. Hussie realized he had written himself into a hole and didn’t want to climb out (which would’ve resulted in satisfying payoff) So he just erased the hole. So with Vriska, we get a short flash that montages all the shit she’s stopped from happening and then boom, we’re getting ready for the final battle. What???

-I, like many people felt unsatisfied with how Homestuck ended. In retrospect I don’t feel this is necessarily because of HOW it ended but moreso the lead up to that. Nothing felt earned. Nothing felt gained. Nothing mattered. Hussie pressed the fast forward button to get it over with. That’s not even considering all the plot strings left completely unanswered that remained unanswered until the Epilogues glossed over them in a few paragraphs.

-So how did this happen? In my opinion, this is entirely because of Hiveswap. After all that’s happened, I can safely say I feel like I wish that Kickstarter never happened. Not only did it put enormous pressure on Hussie (who was ALREADY working on Homestuck stuff CONSTANTLY) but as a result took away from the main comic. I can’t really BLAME Hussie for wanting to get it over with quick. He had many more obligations now. And if certain leaks regarding the funding of the game and the studio they hired are true, it makes it even worse. Does the finished product justify all of this? Hardly, especially considering we haven’t even SEEN the finished product yet. I loved Hiveswap Act 1, don’t get me wrong. I enjoyed the characters and the soundtrack and getting to dive into the Homestuck world again, but its ramifications for the history of the franchise are a deep wound.

-The feelings that people feel about the Epilogues and Homestuck 2 are just remnants of these issues. People were SO unsatisfied with the ending that Hussie and his team knew that no matter what they did with the Epilogues someone would be upset, and at this point Hussie was ready to retire. He’d been drawing panels every single day, all day, for 10 years. Hence, the Candy Meat thing. Some people like shipping and drama and characters, here’s Candy. Here’s Meat for the plot/lore people.

-Don’t get me wrong, that’s not all the issues. The Epilogues and Homestuck 2 are well written from a technical view, but very poorly written from a narrative point of view. No one enjoys this meta nonsense. Things like trying to make “canon” a narrative tool. “Beyond Canon”? Really. It’s an official sequel. It’s canon. I don’t think there’s a single person that enjoys the meta. Anyways, not to continue re-regurgitating things about HS2 and the Epilogues that have already been said recently, this post is mainly about Homestuck

-So what is the takeaway here? Homestuck would be a better comic if Hiveswap never existed.

[queenangst]

I am TRYING to pick a scene from Secondhand for the commentary ask but there are just. All of it is my favorite. But I think maybe...the scene where Midoriya and Nana talk about going to fight villains, and the USJ attack?

me, rereading secondhand for this: wow i love this

i was going to start with just nana & izuku, but i’m so soft for nana & gran, so i included fighting villains like you asked with a little bit of that dynamic! so of course this is going to be a long one i hope no one minds, i couldn’t help myself.

let’s go

[Sorahiko] paused to look at Nana. "And you'll come, of course," he said, but it was half a question. From here, Midoriya couldn't see Sorahiko's face—almost pleading.

"I'll come, of course," Nana said softly to her friend. She turned back to smile at Midoriya. "Don't worry."

Nana and Sorahiko were partners, so this part is Sorahiko tentatively reaching out in this familiar-unfamiliar relationship. But of course Nana will go with them. The “don’t worry” is directed at both him and Izuku.

Midoriya finally started working again as they stepped through the door, and ran to catch up, bursting between the two of them. He apologized hastily, and then looked at both of them with wide eyes.

"Don't- worry?" He looked at Sorahiko, flippant, and Nana, who was used to this kind of thing. "Wait, wait, what do you mean, don't worry? We're going to, you're taking me to fight, villains?"

I thought the first line here was a little bit funny, like Izuku.exe had stopped working once he heard they were going to go seek out and fight villains. Obviously, as we see upcoming in this scene, Izuku has a very different definition of villains, so he sort of shut down for a second. 

He’s super incredulous, while Nana knows Sorahiko is just Like That. She’s not fazed at all, because they’ve known each other for years, and it’s certainly something he made Toshinori do.

His voice grew small on the word villains. He was scared.

Nana frowned at the look on his face.

"Have a little more courage than that," she said, patting him on the shoulder. He flinched, and she pulled back. "I mean— Sorahiko used to make Toshinori do it all the time, when they were training without me. And I used to take Toshinori on patrol with me when I could. It's good experience."

Here’s the part where Nana almost-disapproves a little bit. It’s okay to be scared as a hero, but because a large part of it is fighting villains, she doesn’t understand why Izuku has such a strong reaction. It actually concerns her, because right now it seems like he might not be brave enough. They don’t know each other very well, so I thought this was a reasonable reaction, especially with how important One for All is.

But Nana is also very attentive. 

"Villains?" Midoriya said again. It was like he'd gotten stuck on the word and was now circling it, tethered by a line. "Don't you think that's a little— I hardly have any control over— I mean..."

"That's why we're going with you," Nana said soothingly. "We'll make sure nothing goes disastrously wrong. Chin up."

On the other side, Nana knows a scared child when she sees one. She’s definitely a mom, and someone who cares, so after she tells him he shouldn’t be scared she also tries to reassure him that she and Sorahiko both will be there.

And a little peek of Izuku’s inner thoughts, as best as I can show them through Nana’s perspective. He’s freaking out a little.

"Villains," Midoriya mumbled. He wrung his hands together; he looked a little reassured by Nana's offer of safety, but not by much.

"Oh, get that look off your face," Sorahiko said, spinning around. "It won't be as bad as you think. You'll be fine—you might not be able to take me, but you can handle a crook or two. It's not like we're facing S-Rank villains."

Color returned to Midoriya's face. "Okay," he said quietly, and that was that.

Now, Sorahiko does know about USJ (of course), so after Nana only semi-succeeded at reassuring Izuku he finally gives up and just tells Izuku it’ll all be fine. No S-Ranks here. It’s the reassurance that he really needs. ‘Course, Sorahiko has to sound grumpy-old-man while doing it. 

She'd seen the way his brow had creased when Sorahiko had mentioned the villain classification ranks they all followed. Most villains, of course, tended to be on the lesser scale—petty crime using Quirks was much easier, but there was always going to be the villains lurking in the shadows. All for One, looming, the puppetmaster of a whole organization of crime that haunted the streets and back alleys of Japan. That crept its roots of corruption into every crack it could squeeze through.

She bit the inside of her cheek and closed off her expression.

A tiny bit of “worldbuilding” to slip in there, though this is more-so based off of what we already have in canon with the classification. Also, it makes sense to me that it would be common to have a lot of petty crime, such as the bag-snatcher or the thugs the League hired. People who don’t get to use their Quirks in the system and resort to crime, etc, etc, because the definition of villain is so loose. 

But then of course there are villains like All for One. Nana hates him. Deeply. So much that sometimes it frightens even her how angry she is, but she doesn’t want to show it in front of Izuku right now, so she closes herself off.

"I don't know about you," Sorahiko started, "well. I don't care what you do, but leave me alone."

He glanced at the time, then nodded to himself and disappeared. Nana laughed.

"I don't suppose you’re leaving me alone, too?" Midoriya asked, a little sullen, and Nana shook her head. She'd hardly done anything all morning.

Sorahiko just doesn’t care. He’s done with people younger than twenty for now. In case anyone was wondering, he went off to take a nap, leaving Izuku and Nana to their own devices. 

I just thought it would be a small light-hearted break in the somber tone of the conversation, before we go back to it.

"Would you," Midoriya began, then dropped his gaze. "Would you spar with me then?"

Nana shook her head.

"I shouldn't." She shrugged at his pleading look. "Sorahiko's right. You need a break before we go out tonight. You don't want to be in a real fight and be dead on your feet."

When Izuku asks, Nana doesn’t agree to spar with him. Here, it’s because she believes she’s not his teacher. His training should be Toshinori’s responsibility, and then Gran Torino because of the internship. Nana will help eventually, but to her, it’s not her main role in the relationship with Izuku. 

They walked to the kitchen together. "I still don't understand why we're going to go fight some villains," Midoriya said offhandedly. "I mean, getting experience, sure—all my other friends are doing some light patrols, I think, but seeking out a fight?"

"Sorahiko can't just train you for the rest of the, what is it, the week? You'll get too used to his fighting style, and you'll get stuck. It's better if you're out there experiencing things yourself."

"If you say so," Midoriya said. She didn't think she was meant to hear that.

A little more slight disagreement, though of course from misunderstanding. Izuku’s a little disrespectful at the end there (and even, a little hypocritical considering the way he gets himself into things) but his point stands - that he’s concerned about a pro hero sanctioning him to go seek out villains, rather than how other pro heroes might work by assigning interns to light patrol, learning about agencies, etc.

"Can I ask you something?" Nana leaned back against the counter and watched Midoriya fill a glass of water. He handed it to her, then took another one out, and she nodded in thanks.

"Uh-huh," Midoriya said, filling his own glass.

"Why did you react like that?" Nana asked. "When we were talking about villains earlier."

Midoriya's face darkened. He stared into his glass, like he was looking for an answer in the way the water distorted his vision.

"You don't have to say," Nana said. "I understand being scared of villains. Everyone's scared. But you seemed to have a..."

She didn't know how to describe it. But she'd seen that look before on a few faces—and she'd seen it on Shinroku's face, struck pale.

Like I said, Nana gets that villains are scary. Of course they are, but it is a hero’s job to face them. So she still doesn’t get why Izuku is acting like this, and why he’s so scared, to the point where it reminds her of her own mentor facing All for One. (Haha, fun reference, yeah? Successor facing successor and predecessor facing predecessor.) 

"I don't think you know much about Class 1-A, do you?" He peeked at her face. "I guess you wouldn't know. Er, well... earlier this year, when we- when we went to the Unforeseen Simulation Joint, for training... the League of Villains attacked us. It was— bad."

"The League of Villains?"

The League didn’t exist, to Nana’s knowledge, and she’s basically been given the Cliff Notes on everything happening. So here’s the start of the explanation... she hasn’t had a chance to learn much about 1-A or USJ or the League.

"That's.. yes," Midoriya said, "and they weren't just a— I mean, it was planned. They targeted us specifically. And the Nomu... Shigaraki..."

"Shigaraki," Nana said. She couldn't say she'd heard the name before; actually it was entirely unfamiliar to her. "He's a villain?"

God, I’m terrible, truly. Haha. The mention of Shigaraki... just a little bit of dramatic irony here where we’re all like “he’s your grandson!!!! He’s your grandson!” and Nana does not recognize the name at all. And this sets up for later: the only identity Nana knows of Shigaraki is that he’s a villain.  

"The leader, I think," Midoriya said. He tugged his lip between his teeth. "He was directing the others. He gave orders. And he hurt— it was re- really bad."

What Izuku was going to say here was how badly Shigaraki and the Nomu hurt Aizawa, but he couldn’t get the words out. It was really bad. I mean, timeline wise, Aizawa only got his bandages off basically after the Sports Festival, so the memories are still very fresh.

He tipped his head back and drank from his water deeply so that he wouldn't have to keep talking. Nana paused. She hadn't expected that.

"You're a first-year student," she said. "You..."

And now Nana is absolutely horrified because he is a Baby, U.A. He’s a baby!

"They want to kill All Might," Midoriya said suddenly. He set down the glass, and it rang dully. Water sloshed against the side. He gripped the edge of the counter with both hands. "And they— it wasn't human, it was- it was- strong... I couldn't do anything!"

A chill ran down her spine as more and more of the story unraveled. A creature, barely human if at all, that Midoriya referred to as a Nomu. A creature that had been built to kill All Might.

And she’s even more horrified because that’s Her Baby. It does not matter that Toshinori is like, four decades older or so, because he’s still her boy and they were trying to kill him. Specifically. 

Good day slowly turning to bad day.

"He beat it," Midoriya told her, but he seemed less happy about it than she would have assumed. "But... it was a real threat. It withstood him at a hundred percent of One for All.

“And that- that leader, Shigaraki, he would have killed… ”

Nana set down her empty glass. She lifted a hand, then remembered the way he had flinched when she had put it to his shoulder earlier and dropped it again.

Shigaraki would have killed Aizawa, and Tsuyu, and probably him and his classmates, and All Might. 

Here, Nana assumes Izuku would be happier because of the victory, but Izuku really isn’t. All Might won but the Nomu was a real threat to him, and his time limit was already so dangerously low. Izuku remembers All Might pushing himself past his limit. 

And back to earlier, Nana notices Izuku’s reaction. She wants to comfort him, but she thinks he might flinch away if she does.

“I’m sorry,” she said, though it didn’t quite feel like enough. “You shouldn’t have had to go through that.”

He was a kid. Strong, yes. Smart, yes. But in the end, Midoriya was at most fourteen or fifteen—no one his age should have encountered and seen what he had just earlier this year. He was already carrying enough of a burden, she thought, the legacy of the number one hero and the heroes before him.

Not much to say about this part besides it reads as it is on the tin, you know?

Midoriya shrugged uncomfortably. “Anyway, that’s all.”

That's all, like it was fiction, just a tale recounted. Nana didn't feel it. Horror was coursing through her veins. She couldn't even imagine what it must have been like for him.

It was true Nana had lived a rough life, but she had never faced anything like that so young and almost alone.

Nana adopts a child again. I think USJ was a really sad event, too, of course it shouldn’t have happened. And it was a bunch of kids who wanted to be heroes suddenly thrust into an extremely dangerous and traumatizing situation, their teachers were dying, and they were split up and scared and very much in danger. 

I tried to express that too, how horrifying it is as someone who is older than Izuku, to try and treat such an event so casually as a way of dealing with it. Like it’s over, it’s done. But it’s really not.

She certainly has a hard time in life, but Nana sympathizes a lot because she’s never lived something like USJ. No one should have to.

"I'm sorry," she said again.

"It's over," Midoriya said. "Everyone lived, and recovered. So I'm grateful."

"It's good to be grateful," Nana murmured, bowing her head. Not everyone lived. Not everyone recovered.

And cut, here at least. Izuku doesn’t really want to talk about it too much more. He’s ready to move on from USJ, and get stronger... for himself, his classmates, and especially for All Might. And he really is grateful everyone came out alive though not unscathed. 

Not everyone lived, not everyone recovered. Tadao didn’t live, and Nana hasn’t recovered. 

send me your favorite scene/chapter from one of my works + i’ll write commentary on it!

[pinayelf]

Cullen’s Revised Redemption - my take

This was previously an undetectable read more but decided to update it and also make it (more) public since people have asked for it. This is very wordy, so grab a bag of chips or something lmao.

Disclaimer and Request (PLEASE READ)

I am putting this above the read more because I need people to see it before they do anything with this post. The reason I had the first version of this basically invisible is I’m genuinely not here for people yelling and fighting in the notes so that being said:

I wrote out the first one so I had something to link to people in the case someone asks me why I’m romancing him with an elven mage

This is a hot button issue and I know people have feelings varying from either extreme sides or in the middle so

If you vehemently hate Cullen and find him irredeemable that is fine and valid, but please do not come onto this post and reply why. To be frank, you won’t make me dislike him considering I hated him initially

If you think his redemption is perfect that is fine and valid, but please do not come yelling at me for this post.

Let us agree to disagree NOW.

I love Cullen. If the URL wasn’t obvious I’m saying it now. But I am also allowed to feel that his redemption wasn’t fully realized and lackluster and wish it didn’t happen off-screen. 

I believe Cullen does want to change. Failing and slipping at first is realistic. What didn’t work is that it wasn’t fully realized. If you disagree that is fine.

Cullen’s PTSD is a reason for the things he did. It is a reason NOT an excuse. Mental illness is not an excuse to do bad things. You can say that while acknowledging his trauma. Said by a person who also suffers from mental illness

“Ellie why do you care so much about a white dude, he doesn’t deserve your time and energy!!!” - because he is a comfort character of mine, he is fictional so I have the ability to make him safer for me and for my OCs and I think that’s more than fair

This is NOT the only right way to write a fix-it for him you can 100% write your own, this is just mine and an example of one

Now...let’s go!

This is meant to have been a longfic, but I can never finish anything I write so you’ll get a condensed version. This is for my worldstate where Imryll (my main Cullenmance) is the Inquisitor, but I also use this same redemption in all my timelines, just tweaked a bit for whoever the characters are.

DAI starts and Cullen has just stopped taking lyrium. He wants to change, , he is full of regret and ready for it but is obviously harder than he anticipated. Especially since the Herald, Imryll, wants to ally with the mages. He and Imryll do not get along, Imryll doesn’t trust him and they have had a couple of public fights. 

Imryll allies with the mages. Cullen is worried abominations might occur. The ones from Kirkwall see Cullen and refuse to interact with him. Some hate him and look at him with disdain. He’s made an announcement saying he no longer operates under the Templar Order and denounces what Meredith did. But they still don’t trust him.

He is frustrated by this and Leliana calls out the fact that he still doesn’t trust them because he believes they’ll turn into abominations, so why should they trust him? Cullen says he’s seen it happen, like in Kinloch, especially if they’re exposed to power. Leliana points out how the same thing happened to Meredith. Cullen snaps out of his frustration, admitting he knows he’s wrong but it’s hard to accept it. Leliana tells him he must accept he is wrong if he wants to really change.

(Note: In my canon Leliana becomes his support for this rather than Cass. I love Cass but she is too static in her beliefs and will just enable or stunt Cullen from growth. They are still close friends but it’s Leliana who he confides in with about this - they both have the same faith but Leliana is more open-minded and will help him grow)

The Templars and the Mages clash at Haven and Imryll demands Cullen to do something about it. Cullen is hesitant and doesn’t do much, he doesn’t want to believe his comrades are acting this way. This sours his relationship with Imryll and the mages.

(This idea is taken from a text post that I can no longer find :c) One of the mages give birth and the others are overjoyed and crying. They need supplies and Cullen offers to help but they all refuse to speak to him until he arrives back with Josephine. Cullen wonders why they are celebrating and crying and Leliana says that most mages never stay with their family because they are separated. Another realization hits Cullen.

Cullen joins Cassandra in looking for rogue Templars and when they encounter the group, Cullen attempts to reason with them but they don’t relent. He sees his old self in the leader and realizes what he sounded like. After dealing with the Templars he and Cassandra see a group of young refugee mages starving and hiding in a small cave. They quiver in fear when they notice his Templar gauntlets and refuse to come to Haven despite them being in near-death from starvation. Luckily, Varric is there and convinces them to come. 

The encounter dawns on Cullen what the Templar Order truly looks like to mages. This haunts him. It is the same fear he had for years after Kinloch - the difference is, the order protected him but no one truly protected the mages. He finally accepts that the order he once romanticized so much is corrupt.

The next time he sees that his Templars are the ones who start the altercations. He does something about it - but at the same time angering his lieutenant. 

During the fall of Haven, the Red Templars show Cullen anyone is apt for corruption, seeing the people he once trusted become the army for a magister breaks his heart. He witnesses the mage recruits give their lives for the Inquisition. He watches Imryll sacrifice herself for the sake of the Inquisition. When have the Templars ever done this? He’s never witnessed this. He must make amends. He must. 

Upon arriving at Skyhold he requests to be judged by the mages and Fiona - the ones from Kirkwall especially. He tells them it’s time he answered for his inaction and the things he enabled. Surprised, Imryll calls Fiona to form a council of mages to judge him. 

Cullen prepares for whatever sentence they are to give him. All the while after owning up to what happened in Kirkwall, the Inquisition loses some support, including soldiers who leave due to their disillusionment in him. The day of trial comes and to Cullen’s surprise they sentence him with reparations. He is to do the Inquisition mages’ bidding and to work with Fiona along with his Inquisition duties.

Besides the loss of support, many begin to look at Cullen differently and turn cold towards him, like some staff and people who have joined the Inquisition. He helps build a mage tower and joins Fiona in doing small missions  to help the refugee mages. While some mages warm up to him, some don’t and while hard he accepts they never will.

One day a missive arrives at Skyhold stating that mages from Starkhaven are taken hostage by Red Templars for a hefty ransom. Josephine insists they pay the ransom and plans to take a loan out from an Antivan bank - however Cullen sees the situation as time sensitive. He is afraid that if they wait too long, the Red Templars will kill the mages. Josephine, and Leliana surprisingly argue against this, seeing it too risky. But Cullen has a terrible gut feeling, and after finding the location of the abandoned keep they are located in, he takes some of his troops who are willing, and mages who are looking to save their brethren.

The raid goes all right, and the troops manage to retrieve the hostages without any casualties, however at the last minute, one of the templars set off hidden explosives that begin to set the the keep ablaze. As it falls into ruin, Cullen makes sure everyone makes it to safety. But then he sees a young mage girl trapped under rubble, and in spite of his lieutenant demanding he leave her, he doesn’t. He runs to her rescue and seemingly dies as the castle crushes both of them.

The troops return to Skyhold with the news that Commander Cullen has died in the rescue. Shocked, the remaining advisors and Imryll set off to find a new Commander.

Surprisingly, Cullen and the young mage girl, who introduces herself as Lyra, survives. Lyra mustered up her remaining strength to put a barrier around them as the castle fell. Cullen and Lyra then set to Skyhold in order to get her to safety. Cullen does everything in his power to make sure she is safe, and shocks everyone at their return. 

After this event, Imryll begins to warm up to Cullen. They form a friendship as Imryll often spends late nights at the mage tower doing research. Cullen initially stayed there to make sure nothing happened to Imryll (as she was not very popular with his troops or certain Orlesians). Despite them being from separate worlds they find they have a lot in common. 

When asked how he feels about the Dalish, Cullen tells her that in the Circle, elves were not treated differently and it does not matter who you are. Imryll tells him it’s a very blind way to view discrimination, as despite her existence not revolving on her being a Dalish elf, her being a Dalish elf is how people will always view her. Cullen finally understands when he accompanies her to Val Royeaux to deal with Josephine’s assassination contract and he sees how Orlesians treated Imryll in spite of her title. He speaks to her about it, and apologizes, saying he will never understand how it feels, but he will make sure she and the other elven members of the Inquisition feels safe. 

And all the while, Cullen begins to see what protecting those who need it is truly like. 

Cullen opens up to Imryll about his withdrawals. She tells him she supports him not taking lyrium again and encourages him not to. While suffering from a terrible spell, Imryll uses a healing spell to alleviate his headache and it triggers a memory from Kinloch. He freaks out at Imryll, who he scares off. He and Imryll don’t speak for a few days until he goes up to her and explains what happened. Imryll then says that if they are to be good friends they must always remain transparent with each other and learn boundaries and communicate well. Cullen agrees.

Cullen quitting lyrium inspires some of his troops to leave the order and quit lyrium. To be able to cope and deal with it, Cullen asks if they can have a rehab clinic in Skyhold. Imryll agrees.

As Cullen’s friendship with Imryll deepens he realizes he’s falling in love with her. Unsure what to do and already assuming she will never feel the same way he tries to shove the feelings aside despite Imryll showing signs of reciprocating. 

As time goes, Imryll’s relationship with Cullen’s lieutenant worsens because of the decisions she makes as the Inquisitor. The Lieutenant and Imryll get into a fight when Imryll allows the mages to make their own separate army group, as the lieutenant feels it will make them corrupt with power. He calls Imryll slurs and tells her that she has no right being a leader because of who she is. Cullen publicly calls him out, to which the lieutenant responds he is only doing because he wants something from Imryll. Cullen tells him he is doing it because it’s the right thing to do, and that the lieutenant should not speak or Imryll or any elf or mage in the way again. When he refuses to apologize, Cullen kicks him out of the Inquisition. 

Meanwhile, Imryll struggles with learning how to be a Knight-Enchanter. She questions her self worth and her bravery. Cullen comforts her, telling her she is the best person he knows. He tells her she is brave because of how she still continues to fight and to lead the Inquisition, not in spite of who she is, but because of who she is. He offers his support.

During the Shrine of Dumat, Cullen is hurt badly after attempting to keep a Red Templar Shade from Dorian. He refuses care, saying the others need it more. Imryll insists he does and asks if she can use a healing spell to alleviate the pain of his bruised chest. He lets her. Amidst this, they share a kiss and cements their romantic relationship.

Cullen and Imryll’s romantic relationship flourish and for the first time in his life, Cullen feels he’s found someone he can have a healthy love with. He also finds he has friends - real friends, which he hasn’t had in a long time.

During Samson’s capture - memories flash back and threatens Cullen to slip. This makes him realize that his say on the matter is biased and lets Imryll and the others choose what to do with him. (Imryll conscripts him but doesn’t have Cullen handle him, she has another recovering ex-Templar work with him and spend time in the rehab they’ve built in Skyhold).

When Imryll chooses Leliana as the Divine, Cullen shocks his former colleagues when he says he approves of the choice.

After Corypheus’ defeat the idea of the rehab clinics begin to spread and open up in other places - which begins to open conversation about how the Chantry exploits their own Templars.

Following the events of Trespasser, Imryll disbands the Inquisition. With land Cullen inherited from his parents he and Imryll build another rehab clinic as well as a place for former Circle mages to find a home in, and learn how to live lives outside the Circle (this post is Cullen-centric so I’m not gonna write a long thing about it but in my canon Divine Leliana and Vivienne find a middle ground and build centers/schools where abandoned and former Circle Mages can find a home in and learn, without them being prisons)

And scene! If you reached this end thank you for reading all that. A lot of the later stuff is mainly skipped over because this focused more on how Cullen changes - the repercussions from his actions and how he actively shows the changes.

[ambitionsource]

Front Nine “Life Playlists,” or 10 Songs That Define Them ♪

Each track on a Life Playlist represents a song that left a major impact on your life, whether it’s a visceral memory, an important event, or something that connected you to someone or something else. For the F9, songs featured are up through the canon timeline, so through the summer before senior year.

Lucas James Friar (born September 3, 2001) ♫ Playlist

1. “Desperado” by The Eagles || The earliest song Lucas can remember, because it's one of Grace's favorites. She's a fan of the Eagles and would play this album pretty often, especially when Kenneth was away. Lucas has a really distinct sensory memory from when he was like 4 or 5, where this song was playing in the living room on this shitty speaker. It was spring and the windows were all open (which they rarely are) and so the room was way brighter than normal. It smelled like spring and fresh air and his mom was singing along in the kitchen, and it was the only time he really heard her sing. He doesn't listen to it much now because it makes him emotional (and we know how he hates that), but in the future he'll come back around to it and it will become one of his favorite songs too. Maybe someday, his kids (should he have them) will develop a similar sensory memory, only it'll be their stable suburban home and it'll be their dad singing to himself in the kitchen when they've never heard dad sing before. Mom, sure, but dad? And the cycle will continue...

2. “Car Windows” by The Main Drag || This album, Yours As Fast As Mine by The Main Drag, is to this day the only album Lucas has listened to in full. When he was like in third grade he was playing Rock Band 2 with some friends (classic), and they played the song "Jagged Gorgeous Winter" from this album. Lucas really liked it and even asked about it when they were done playing. While the other kids didn't really know much about it, the mom of the friend (who knew all about Lucas's home life and was semi-friends with Grace until they moved away) explained that she actually had the original album on CD and gave it to Lucas to borrow. Lucas took it home and listened to the entire thing, and he still has the CD to this day as he never gave it back (although the mom figured she probably wouldn’t have it returned when she handed it over). Over time, “Car Windows” became his favorite song, and it (along with the album) is something he would go on to share only with Riley as music that's actually important to him.

3. “Down With the Sickness” by Disturbed || Pretty self-explanatory, but this song was somewhat of a meme in the late 2000s in a lot of like popular Youtube videos and stuff at the time. Lucas tangentially heard about it that way while at school in like 5th - 6th grade (when his anger and behavior was starting to get bad), and considering the song is pretty heavily representative of having an abusive parent (the chilling bridge being indicative of that), Lucas immediately latched onto it. It's basically his go-to track on his "shut up shut up shut up" playlist, when he needs to tune out the world. But depressing. Very depressing.

4. “My Songs Know What You Did In The Dark” by Fall Out Boy || Lucas's introduction to Fall Out Boy, and the rest is history. He first heard the song in a post-detention hang-out when he was in 7th grade, tailing around some reckless 8th graders who agreed that he was cool enough to kick it with them considering the reason he had detention (vandalism of school property and for flipping off a teacher), and he was basically the same age as them anyway. One of them was playing the recent FOB album on their phone, starting with this song, and while Lucas also tried weed for the first time afternoon and wasn't a fan, he was a pretty quick disciple of Fall Out Boy.

5. “Gives You Hell” by All-American Rejects || Also featured on Asher's playlist, this track bonded Dylucasher the most while they were building their new friendship. This is the song they would play while shit-talking performers in the booth, what they'd blast through Dylan's car speaker while setting off bottle rockets, what they shout-sing while dicking around the skate park, etc. Gave Lucas a sense of empowerment when everything else felt out of control, and watching Asher and Dylan sing along full-throttle with him also made him feel like they might actually be friends who were there to stay. Also convinced him that Asher was way more crazy than his perfect polished exterior let on...

6. “Misery Business” by Paramore || Lucas and Isadora's favorite song in freshman year. While Lucas didn't hold many opinions about music and thus basically begrudgingly listened to whatever Isadora wanted to when they hung out, this is the song that both of them agreed was a hardcore bop. Although neither of them were singing along from experience, both of them learned all the words in no time and there were plenty of booth afternoons spent talk-singing along to the angry Paramore hit. As Isadora puts it in Cruel Summer, “Lucas and I would just sit around and listen to it on repeat to the point that we both knew the all the words—and that’s a big deal when it comes to him, because he doesn’t know like any music.”

7. “That Would Be Enough” from Hamilton || Riley's performance at the Jacob's Gala was impactful enough on Lucas that he proceeded to listen to the track the entire weekend after the event. Even though he abruptly stopped listening after the massacre that occurred on Monday when he tried to wipe everything about Riley from his memory, he would still find it stuck in his head at random times. It's the only song to stick with him so pointedly in such a short amount of exposure, and to this day he might occasionally ask Riley to sing it -- only if no one else is around, naturally.

8. “Quiet” by Rachael Yamagata || A selection from the playlist Riley made Lucas in sophomore year that essentially became Lucas's mental breakdown track. Any time he found himself burnt out of anger (which is what he predominantly used throughout junior year to numb the overwhelming emotion of everything else), he would end up either crashed in his nook in the booth, on his pathetic bed, or hidden away in his closet if he was really crashing and burning and without fail he would turn to this song. Just searching for quiet... some actual peace and quiet...

9. “Alive” by Pearl Jam || In the midst of junior year, Jack and Lucas had many conversations. One of those ended up being about music, as Jack wanted to know if Lucas really hated every single performance his classmates put on, or if that was all part of the defense mechanism. Jack shared some of his favorite artists from when he was his age to today, including Pearl Jam, which he claimed got him through some of the toughest parts of his life. Lucas absorbed the information but didn't do much with it until the later part of junior year, after everything went to hell, and he decided to look up what the big deal with Pearl Jam was anyway. Hearing about two minutes of Alive was all it took to stick with him, and he continued to listen to it as the rest of the chaos year unfolded. And yeah, maybe it makes him feel more connected to Jack... so what. Who asked you? Whatever. Who cares. I'm still alive, oh yeah, I'm still alive...

10. “As Lovers Go” by Dashboard Confessional || One of the songs Riley consistently plays when they're hanging out and driving around together during the summer of love, and so it instantly becomes associated with her in Lucas's mind. Not only is it like, a good song that he also actually likes, but it's like every single note of it is infused with Riley and memories of her. Might be likely that a lot of songs are going to start feeling that way...