#and as someone who grew up on

[dead-dove-dolly]

"Oh, Dubbed animes are the same as the dubbed animes! You can watch either one, you'll be watching the same thing!"

Newer anime MIGHT BE MORE ACCURATE in the dub, sure! But older anime? No. Some hot localized and mistranslated so bad, they are completely different.

Newer anime fans, I beg of you, WATCH YU-GI-OH. WATCH BOTH THE ENGLISH DUB AND THE ORIGINAL JAPANESE. OH, HOW ABOUT YOU WATCH THE SEASON THAT NEVER GOT AN ENGLISH DUB! SEASON 0! In which we see some pretty gruesome shit, especially those last few episodes with Bakura, where Yami Bakura literally stabs the sharper parts of the millennium ring into Bakura's chest! Oh, and stabs his hand on a DND castle.

I'm so serious, the dub of Yu-Gi-Oh took out SO MUCH. They cut at least 40 Episodes! The Shadow Realm wasn't even a fucking thing in the original! You just straight up died! Never forget that Marik developed DID from extreme trauma because his father carved a tattoo into his back with a burning knife! Amongst so much more.

How about Yu-Gi-Oh GX! Where 4!Kids literally took out the LGBT+ rep! And 40+ episodes to boot, an entire season that gave context to Yubel and Jaden's relationship! How about the fact the protag is bi or pan, is poly, and has a NONBINARY LOVE INTEREST AND A MALE LOVE INTEREST! Oh, don't forget, they made the nonbinary Duel Monster spirit a female in the English dub.

I'm begging you, PLEASE, if you're going to watch older anime, especially those dubbed by 4!Kids, just watch the original Japanese instead. It is NOT the same thing.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[manzanamarim]

Guess what I finally got to play! I had a blast I wish lawyers were real

[meamiiikiii]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[danielnelsen]

while i get where this comes from and it’s true to an extent, i reeeaaaally don’t like how people try to explain “trans men don’t [necessarily] have male privilege” with things like “some trans men don’t pass”.

like sure that’s the most obvious example (someone who is seen as a woman won’t have the privilege that comes with being seen a man) but you’re still acting like being a passing trans man is just a free opt-in to male privilege which is………kinda the issue.

[nevermeyers]

I find it very realistic that Megumi wants to try to live for someone else again instead of for himself directly. I mean it. It will take him a long time to recover from what he has suffered, which was too much for a child (because he is still a child!!). At first I thought Megumi was going to pick himself up, but looking at it from another perspective and analyzing my own experience with mental health: it makes sense. Megumi needs help. And he will get it. Yuuji and his friends will teach him to live for himself. The ending of Megumi's character is a new beginning, unlike the others.

Btw, did y'all notice his scars are Sukuna's? The way i'd kms on the spot, poor boy :( he's going to live with the curse of remembering every time he looks on the mirror

[bloodpen-to-paper]

Jungryeok being an extrovert is so funny to me because in the west there's a bit of a stereotype of Koreans being very shy and quiet (Acau and Tina sometimes fit this but I'd argue its cause of nervousness and them being put next to Latines who are literally Extrovert Supreme) and then here comes the new guy with a steel chair and a voice level that can rival Tubbo calling the creator of the server trash and doing kickflips with Baghera two minutes after meeting her

[aroaceleovaldez]

apparently pjotv twt was being weird about book!Percy's eyes being green because they don't think the ocean can be green (???) so consider this a sequel to my Grace siblings eye colors post and here is some visual references of green water for all your Percy inspo needs:

And for reference, the water around New York-ish where Percy is usually is somewhere around this color:

or some alternatives:

or here is a nice hazel green if you want his eyes more on the brown side, which is very common in freshwater ponds and streams:

or if you want him to have totally brown eyes - water rich in tannins will appear brown, greenish-brown, or very dark brown - this is sometimes called "blackwater" due to often appearing very dark or having low visibility:

[sirhinkjinks]

dick grayson but he has the cringe older brotherisms of son gohan as the great saiyaman send tweet

i think they're kind of stupid (affectionate)

[somnimagus]

My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!

[id in alt!]

[machinemimi]

Mouthwashing Spoilers//

-

Thinking about how Anya confides in Curly and tells him about what happened to her after he insisted she could tell her anything and that he would make sure everyone is safe, only to (in her perspective) attempt to kill everyone after talking with her perpetrator.

And despite everything, Anya still takes care of him. Even though it's uncomfortable, even though she hates it, even while dealing with her first trimester because that's her title. Nurse, caretaker,

Woman.

[ratatatastic]

vanha kauppahalli date but the dessert edition aka the more enjoyable edition if not because sasha has a sweet tooth so we can like these foods freely

sasha in the midst of eating merengue and almost choking to death because he thinks any comment out of maffhews mouth is funny maffhew sweetheart we have to think about the effect we have on the people around us for a single second here

[sassydefendorflower]

Something I don't see discussed often is the absolute genius dichotomy between dialogue and background scene during the conversation between Roy and Hughes in Ishval.

No, not that one.

I mean the one where they talk about the letter Hughes got from Garcia - one of the only "comedic" moments in all of episode 30 (and issue 15 of the manga).

Because it's horrendous.

In the anime (which unfortunately cut most of the juiciest and most fucked up stuff out of the chapters about the Ishvalen genocide) the scene begins with an establishing shot of Roy in which we see this:

Blood on the ground, covering an Ishvalen garment (and probably a body just out of frame) with a smiling Roy in front of it, since Hughes just got mail and Roy probably knows what his best friend is about to talk about. The conversation continues, the camera focused on their faces as if to make us forget just where we're at, and then, as their banter comes to a close we get this:

A wide shot of Roy and Hughes next to each other, now from the other side of the camera. Where before, we could only see their faces, alight with a rare smile, talking about the love of Hughes' life and joking around, we now see what scenery this is happening in front of. One of destruction. One of death.

Just as they ignored the dead body on the floor as they started talking about Hughes having to defend his girl back home, neither of them are really looking at Ishval in the end either. Hughes and Roy are still looking at the letter in Hughes hand - not the buildings Roy himself probably burned down only hours earlier.

It's framed a bit differently in the manga, though not by much. If anything the implications are only much darker.

(please excuse the German text, I only have the manga in German and Japanese)

But in the manga, this scene is not framed by a destroyed Ishvalen town, but by literal mountains of dead people. The speech bubbles in the left corner reference Hughes asking Roy when he'll get a girl to write home about.

I think it is very telling that Arakawa focused on the dead bodies in the foreground. I think it is incredibly clever and smart to show us Hughes and Roy only as dark shadows, as we see arms and faces stick out of the dirt.

Because as much as this moment of levity both in the manga and anime is a human one (people adapt to all kind of horrors, and most soldiers are known for a rather dark sense of humor), it is also a reminder that Hughes and Roy get to go home.

They both survive the war (even if Hughes dies later on), unlike the people over whose dead bodies they are sharing jokes.

It is a haunting imagery, but an effective one.

It's not overly aggressive, and it's easy to miss the bloody garment, especially in the anime version, but I do think it is a deliberate part of storytelling.

Because no matter how much Hughes claims he fights to survive (and i believe him, I really do), there is a difference between the Amestrians fighting and the Ishvalens they are killing.

And it's probably the fact that only one side is getting letters from back home, promising them a family and a future once they get back. Because the other side is lying dead on the floor, their blood a backdrop for two people to reminisce about humanity.

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[reasonsforhope]

"The Environmental Protection Agency (EPA) finalized a rule Tuesday [April 9, 2024] that will require 218 chemical plants to reduce toxic and carcinogenic airborne pollutants, aiming to reduce the number of people with elevated cancer risk by 96% nationwide.

The rulings principally address chloroprene: used to make rubber products, and ethylene oxide, used primarily for sterilizing medical supplies. Long-term exposure to these chemicals and their manufacturing have been identified as possible carcinogens, or cancer-causing agents.

According to a report in the Washington Post, this can include lymphoma, leukemia, breast cancer, and liver cancer.

Across a strip of Louisiana and Texas where half of the 218 chemical manufacturing facilities set to be affected by the new regulations are located, cancer rates of these kinds are substantially higher than national averages, leading it to be colloquially called “Cancer Alley.”

EPA Administrator Michael Regan visited Cancer Alley during the open-comment period of the proposed ruling, and said that across the 85 miles dotted with communities, he failed to meet a single person who didn’t know a loved one or friend who had either developed cancer, died of it, or knew someone who had.

Once implemented, the ruling will reduce more than 6,200 tons of toxic air pollution each year, according to the Post."

-via Good News Network, April 15, 2024

[jojo-schmo]

my attempt at Fleurina 🦢🪽🩵