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gillian anderson at the 1998 golden globes save me. save me gillian anderson at the 1998 golden globes

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Polar bears on the abandoned island of Chukotka | Ph: master.blaster

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Fish-Work: The Bering Sea, Corey Arnold

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"I'd woken up early, and I took a long time getting ready to exist."

-Fernando Pessoa

Photo by Esperanza Manzanera Velmock

source: Memphis Muse

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Alberto Martini (1876–1954) - Tears of Love / The Seduction, 1915

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'human' by asta gröting, 1990 in tense conditions: a presentation of the conetmporary art collection - staatsgalerie stuttgart

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versace FW 1998⭐️

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Outpost, Cambria -- June 17th, 2023

Etsy

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Up late.

Tokyo, Japan

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Veijo Rönkkönen (Finnish, 1944-2010, b. Parikalla, Finland) was a recluse who spent 41 years between the paper mill and his farm, tucked away in a Finnish forest. He didn’t like to talk to people, and he never took an art lesson in his life. But by the time of his death in 2010, Rönkkönen had covered his land with around 550 sculptures. Most depicted human figures: people of all ages and ethnicities, frozen in moments of play, athleticism, and even agony. Some  sculptures have mouths filled with real human teeth, while speakers buried inside their bodies emit incomprehensible sounds. Others are blanketed in green moss, or sprout flowers from their stomachs. My question is where did he get all the human teeth?

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Sean William Randall (Canadian, born 1965)

"Light Flight", 2023.

Acrylic on Canvas, 91.4 × 121.9 cm.

Private Collection.

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(x)

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Arnold Mesches (American, 1923-2016, b. Bronx, NY, USA, d. Gainesville, FL, USA) - Shock and Awe series, 2011-2012, Paintings: Acrylic on Canvas

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i don’t know who this woman is. but these two nameless photos of that i think are both of her have shown up in two separate threads of photos of lesbians, a month apart. and i picked them out to attach to without even realizing it was the same woman at first. and i am hopelessly attached to her

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edit — her name is asia. both photos were taken by chloe sherman in san francisco, in 1996. [x] [x]

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Louise Bourgeois, What Is the Shape of This Problem?, New York: Galerie Lelong, 1999