#and as i was i realized it was probably more appealing than the other stuff

[yanderefarm]

i wish more people would write like really mean sadistic readers. i always see bully reader x yandere fics and the reader is never a bully enough. its not enough to force a yandere to grind himself on your knee you should punch him in the face and then make him kiss your knuckles and say thank you. you should be a real bully make him suffer so much the only way he can cope with how horribly cruel you are is by convincing himself you're in love with him.

[chiiroptereh]

[Please zoom in, there's a lot of detail! And a massive file size...ouch]

Hi guys, long time no post! Been working on Art Fight and life stuff, but I've got something kinda fun for you.

This is a compilation exploring how a mortal Bill may interact with our world if there were still some kinda Euclidean instincts buried in there. Y'know, before the Book of Bill ruins all my headcanons >:P (EDIT: IT HAS BEEN READ. YAHOOOOOO)

Also quite an experimental piece as you can probably tell. Lots of details on both said headcanons and the art stuff under the cut, but I invite you to study the colorful texture yourself beforehand and think about what it might be representative of, just for fun because I got some really cool answers from my friends when asked :]c

TL;DR: the headcanon is that Euclideans have exceptional eyes for geometry. They find things like symmetry, tessellating patterns, graphs and fractals very aesthetically pleasing. If pushed into our 3D world, they feel comforted by the familiarity flat objects/spaces bring, as well as high-contrast patterns. Shadows especially are a familiar dimensional reduction that may bring them much comfort.

Bill would surely not be happy about these inclinations, constant reminders of a past long gone, but I'm not sure he's even aware of them here :P I think his ego gets in the way to the point where he just views these interests as common sense, which, of course, us lame humans just don't understand because we aren't nearly as cool as him. Of course he likes perfectly symmetrical leaves and staring at the kitchen floor, it's called taste, look it up!

And yet, he can't seem to shake the strange sense of melancholy he gets from viewing his own shadow.

~ End of TL;DR, long version below! ~

🔺 Headcanon Development

So, the catalyst of this idea was in relation to my friend and I's AU ( @love-triangles-au ). TL;DR, Bill's brought back mortal, meets another triangle named Y.V. (it's his hand holding the paper in the piece, actually), at some point they fall in yaois together, you know how it is. And, in writing a pair of triangles (or, more broadly, writing from the perspective of a different species), something I've had to consider was that you really can't get much further removed from a human being than sentient geometry.

The anatomical aspect was mostly figured out (see my piece on Bill's eye-mouth), but I wanted to consider what psychological differences might be at play. I wanted them to be weirder, more alien, double-so for Bill. At first I explored these possibilities through the lens of Bill and Y.V.'s relationship, specifically the question "what might a triangle find appealing about another triangle?"

Well, really the only things that came to mind were straight lines and symmetry, anything related to the geometric form of such a creature. That's more-or-less where that ended until the thought struck me that there's no reason this aesthetic appreciation couldn't extend to the rest of the environment, and then further when I realized, "wait, this is a species that is designed to live in a 2D environment. Like, they should seriously be really weird. I need to push this like 200% more."

So...yeah! I did some thinking and brainstorming with others and came up with a pretty long list of things a Euclidean in our world may be inclined to enjoy or find some level of comfort in. It's worth noting again that in this piece specifically this is a mortal/powerless Bill, so he can't really escape this Earthly environment. IF he's aware of these instincts at all (and that's a big "if"; when have you last been cognizant of your own instincts let alone known where they were stemming from?) I think he'd have snuffed them out in immortality and/or purposefully gone against them; he doesn't take kindly to being told what to do.

In order from left-to-right, top-to-bottom, here's an explanation for each!:

Flat objects such as paper are something he may find particularly engaging. It's basically 2D!

Tessellations are especially fascinating, and our world has them everywhere in the form of tile floors. Symmetry and such a predictable pattern...as the infinity of the starry sky might for us, the infinite potential of tessellations might invoke a similar sense of awe in him. Add on the maximum contrast of black on white kitchen tiles and the forms are only even better defined! A sensitivity to contrast would be very helpful for a 2D being navigating their environment.

Fields are flat and open, much like Euclydia itself. Laying flat may make him feel a little more at home.

More tessellation in the honeycomb of hymenopterans (bees, wasps and friends)! It helps that pain is hilarious.

The city is an absolute treasure trove. Rectangular buildings, precise architecture, square sidewalks and straight lines abound...he may as well be looking at a rainbow or an art gallery! I think a Euclidean's brain is very fine-tuned to mathematics, especially in regards to trigonometry. What may appear to be a straight painting might appear obnoxiously crooked to him.

Zebras are high-contrast :]

Another flat surface, another relaxing space <3

I think graphs are about as high as high art gets to most Euclideans.

I've touched on shadows before, and for good reason; truly they must be something borderline magical to the Euclidean and perhaps bitterly nostalgic.

This one kinda speaks for itself. Dweeb.

🎨 The Artsy Stuff

Lately I've been trying to find ways to fit more color into my work, as color is perhaps one of my favorite things in the world. My wardrobe is rather garish; my dad jokes that you could see me from space. My fursona is obnoxiously bright for a reason -- I feel my soul is a very colorful one!

I also realized recently that I don't actually know the exact style that speaks to me. I could talk about the phenomenon of the "style crisis" that many artists have all day, but in my mind the best cure for this feeling is to go against it entirely and begin stealing as much as possible.

So, I've tried to keep an eye out for more sources of inspiration everywhere I go, physical and digital. I've tried to train my mind into making a habit of considering, "can I do anything with this?" everywhere I go, and it recently paid off!

The glittery rainbowy texture you see plastered all over Billiam is this one, a photo-manipulated set of fruit stickers. I must confess I've been obsessed with this image for the past 72 hours, and this seemed like a good excuse to try it out!

I worried throughout the process if it might be so abstract that it loops back around to being horribly deliberate, if that makes sense -- like each sparkle was not a piece of a whole but rather an object in itself -- but it seems like that hasn't been a problem, so I'm grateful for that :Dc

I hope it can dazzle and delight you as it does me, but as long as you find it fascinating at the very least then I consider it a success! I really enjoyed hearing my friends' interpretations while workshopping it, and got tons of amazing answers from opal to kaleidoscope to fossilized bone marrow! I truly believe that the best art has some room for interpretation and it really excites me to be surrounded by that kind of creative energy that follows said pieces. That definitely adds to my pride in this work. It's weird, it's colorful, it's detailed and yet ambiguous. I'm feeling pretty autistic about it

Alright, I think that's about it. Thanks for listening!

[starrbright]

Mindless Thoughts

Mild dubcon. Filth. Nonsense. That's it. Inconsistent patterns. A teaser to a full works that hopefully i'll do soon. Abrupt ending.

Matsukawa Issei: He gets off on watching a specific category of porn, forced gangbang, that is. He's the ceo of it, idcidc. One woman being used by multiple men, urgh, he's an addict to it. Is he guilty? Somehow he finds himself at least barely so. He does not give a fuck!!!! When has he ever did. The man has his countless favorites of videos to choose from whenever he wants to let himself loose. He's picky as well. This man has gone deep in a lot of sites and he's seen a lot of things he didn't like. Does he like watching more than four men ruin a woman, duh, he still has a few bits he doesn't like though. Which is when they're really pushing it too much, such as a man putting his foot on her head—he fucking hates that, idc. Sexual filth he loves it, duh, but miss him with any—it's what he thinks to it—bullshit of scat, even watersports especially when it's directed at her, or just straight up disgusting of running a woman's face on a bathroom floor, smother her face with a dirty mop—because what the fuck, he still regrets coming across to a certain few videos then. Anywaysssss, urgh, he likes to see the struggle. The blatantly literal power imbalance. The taunt of men. The degradation. The submission. The screams and whimpers of one woman against men as they use her.

He thinks about pulling off such a thing with the three more than often. And when he meets you with them—well.....he gets to fill his fantasy. This man is a straight up predator, I'll always stand by that. With his horsecock, no less!

Kuroo Tetsurou: Fuck this mannnnnnnnnnnnnnnnnnn. Disgusting. Hate him. I need him to do this to me. Urgh. This suit and tie bastard reeks of chikan. Consuming porn and hentai when he was in his late teens, he didn't really like it whenever he comes across it, sticking to some other generic but good stuffs he finds. But of course, what do you fucking know. Ever since he started his career, always taking the train like he hasn't before, prim and proper with his crisp suits and the small suitcase he has—he's never seen, more so felt the appeal of it more than ever after being into his surroundings while he's deep in his mind as well. The rush hours of getting home from works always has the train filled. It makes him remember, think of it. Right, there's the thrill of doing something so wrong in public yet still hidden, the chances of being caught high, and just the scenario of being seen and watched quietly to their perverse indulgence of the fleeting moment. That's what's it about then, he realizes.

Fuck himmmmmmmmmmmmmmmmmmmmmm. He went home that day and immediately made himself comfortable in his bedroom, browsing for porns and hentai of it, fucked his mind and cock raw.

What a bitch the timing was, just when he purchased a car by installment a few days ago, he suddenly has no eagerness now that much in using one. And really? What confusing luck he has. How come he's never seen you before around in the company? Given that you most probably work in different sections, but now after that revelation of his to himself, really? There he stands in front of you after being cramped in haste just when the doors were starting to close as he hurried for the last train in that time. Wearing the same lanyard of your company, he's a bit surprised as he immediately knew. He stands tall in front of you as he looks down at you while your eyes just stay barely on his chest. Given that you're probably uncomfortable from the tight space you have on each other, but he didn't want to bear an unbearable commute and make it even more awkward between you two if you somehow see each other again and especially in the company, nor keep you feeling uncomfortable. Sure. He greeted you. Said you're both in the same work despite that was obvious, made you laugh a little from how easy it was to be at ease with him. You talked the whole ride. Behind Tetsu's friendly demeanor, or rather the suitcase he holds hides and prevents his hardened cock that's suffocating in his slacks for you to see and feel. Damn him, he knows.

Sickening man. Sickeninggggggggggg. You became the muse of his desires, one would say. Oh, you did see each other again in the company then, at least because he made it so. Did all the unsuspecting ways for him to get himself be at your section. Coincidences, he says to you. You became close. He always tagged along with you in lunch, or drop by with what free time he had, and of course, with you when it's time to out from work. It's the same thing for a month now, taking the train together, talking or not, his mind was on one thing only; him on you. Thinking of how many times he's already thought of you, imagined you as he watched his loved choice porn and hentai, groping you through your clothes or just straight up fucking you there.

A guy could only have so much patience. And why not be fully a bastard then? You think it's just natural accidents when he's suddenly too close to you, bodies firm on one another, or when he grasps on your round waist to keep you steady, his breathing on your neck, feeling more entrapped not by how cramped it is inside the vehicle but because of him, or the hardness below him sometimes you get a feel from all it.

It's not intentional, you always tell yourself when doubts and possible guesses arise in you—until one day your eyes are held on each other as he has you on your back against the doors and he has his smirk.

"Took you long enough."

Bokuto Koutarou: Darling sweet man. Baby boy. This sweet angel. How could anyone immediately guess he's still a man at the end of the day? You didn't. And that's on you. Thinking rather too much of how a light he is, you forgot anyone still always has their needs. Especially the boisterous man that he is.

But then again, blame shouldn't be too much on you when he was just always simply nice to you. Koutarou always used that to his advantage. It's fun. People thinking he's such an angel when he's just like any other guy that would fuck anyone with a hole. He's a destroyer!!!!! As unserious as that is.

He's a connoisseur of forced gangbang as well. Thanks to him being an athlete with always all of the players, his teammates having their builds, the time in the lockers, showers, just overall as an athlete—when he found such a thing the first time he knew any explicit medias, that was what he became into. Fantasies of just taking a cheerleader or a fan with his teammates always plagued his mind before or after the games, or even just in training.

Now he's a pro. That didn't change at all. If anything it made him want to do something more about it now he's a lot grown. And you're one of who works with msby. The amount of times he's indulged himself to the thought of using you with the rest of the men is.....concerning.

And when he just brought it up randomly to them, as shocked as everybody was....they weren't against it.

On a random day of their training. You hadn't got a clue why Meian asked you to stay after just as you were about to leave and almost everyone has already left.

Image used. I indulged this with @shaisuki before like on may jsjwjdjjw and bc issei has been bugging me a lot lately again and just seijoh4, really, i had to do it. I'm on an agenda with this gangbang nonsense!!!! @seijhoeist, mwuah.

[fumifooms]

Kabuholm

For me the main appeal of Kabru x Holm is that Holm is 1) dependable and 2) casual.

For 1, we see it throughout the manga and whatnot, with his healer role but also with his composure, so relaxed it’s in turn soothing to hang around him. He’s a bit like a turtle, gentle and takes it at a relaxed pace, slows down your frenzied pace, retreats into his shell if too much is happening hehe… The Mick & Kuro bath comic is a favorite of mine on that front! In that one he complains and shouts, but he still lets Mick crash, he still helps, he still makes them tea and makes sure they have a trashbin and makeshift beds and whatnot lmao, and it’s late too… Reliable dependable Holm.

But also he freezes up when too much is happening <3 Gotta protect him a bit teehee, Kabru coming to his rescue and it’s his chance to show off. Except he doesn’t need to show off, it’s not strategical or needed, neither for his plan or to win Holm over as an ally, but he still will <3 Because he wants to and that on its own, wanting to, feels novel to Kabru… Dungeons is the place where he feels like he can show off the most to Holm because he seems so unaffected in general by his charms, and protecting him is one of the things Kabru knows he can do, and the showing off is because…

… of 2! He has that huge casual vibe to him. Holm still has expectations of Kabru as a leader yes, but he won’t voice them unless prompted and on his face you’ll find the same unbothered calm smile as always. Being around him feels like having no pressure. It feels like being trusted entirely even if your actions seem shady at first, because it’s not a vibe or a persona he trusts in you but it’s you, however you are like in the moment.

Kabru spends time with Holm, around this other repressed guy that has his shit put together (even if Kabru does know about Holm’s flaws, and he feels a special kind of way about that… Collecting that info like pokemon cards and finding that he wished he knew even more <3 so so intrigued and "It’s probably just curiosity. If anything I’m just infatuated" when he realizes it feels a twinge different than with everyone else), and he finds that he feels like he can unwind and show himself a bit. Show some flaws too. Holm being so unconditionally casual AND quietly supportive, even if he doesn’t say anything, would be soo important to Kabru in a kabuholm timeline… A telepathic sort of thing would form where Kabru learns how to read his face, and even if it’s always the same droopy eyed smile he starts understanding how he feels, what he’s thinking, what it means when he nods at him in silence and aughh…

Holm DOESN’T push his emotions onto Kabru!!! Holm keeps that shit to himself!!! Kabru doesn’t have to manage Holm’s emotional needs & states for him, when that’s what he usually has to do for everyone!!! Charm them and keep them happy and if this or that happens then you need to anticipate their needs with this and blahblahblah. Holm is low maintenance, he doesn’t take much emotional energy to deal with, he has his own deal figured out!

Kabru in canon knew about the way Holm freezes up in surprising intense situations, a rare time he’s had to cover for him in any way and he was so quick about it, and again, battlefield with humans both physical and mind games is his specialty so if it’s just protecting him from enemies he’s the man for the job <3 Holm’s the healer to his warrior after all, with an impressive dose of defense and offense thrown into the mix too. I will say also, that scene where Holm hesitates when Marcille says not to hurt Faligon… Kabru stepping in and giving Holm the decisiveness he needed to not falter.

With all that said about Holm’s feelings being something he doesn’t make Kabru’s problem to deal with, in Kabru getting infatuated it should be something that eventually gets him like "I wish he’d rely on me a bit more…" Kabru should massage the stress out of him <3 Always keeping himself composed and being dependable and stuff wears down on Holm (and Kabru)… I do think Holm represses to some degree so 1) the pent up stress he hasn’t been letting out 2) "bro, let’s learn to show our real emotions more together… Bro…"

I’m not sureee how the Holm side plays out in my mind yet but either he falls much later than Kabru or he’s just really good at hiding and being casual about his crush which tbf would be thematic lol. But idk if he’d be that good as that… Thinking. Because with the comic about his sister or even the one about Dia’s fiance or Mick crashing at his place, Holm does like, show a lot of emotion and distaste, some anger, he doesn’t repress that much/everything. He has a sense of duty that makes him want to help where he can, he does have desires like say, Kabru not getting it on with his sister, but also he’s not gonna force himself to be a solemn saint always either… Kabru would also find that fun methinks, figuring out the exact duality in Holm, where he cracks and why. Oh nooo I fell in love with my enrichment and coworker. Them just hanging ouuuut at a tavernnn after everyone else leeeeft… Haven’t done a full Holm analysis yet but I’ve started giving him more thoughts bc of kabuholm and diaholm. Because his religion is important to him and it bars him from meat for example, it’s reasonable to think he sticks to an upstanding moral code with awareness and purpose. Despite having been to jail he’s never shown scorn or shittalked elves or alluded to it, either he doesn’t resent easily or he keeps that part of his past on the down-low for whichever reason. His maturity is actually something that’s often pointed to about him, he’s only the equivalent of like 30, but being close in age (as in they’re both older bc they’re long lived races) is cited as the reason for why he gets along with Dia the most in the party for example. He can be lively, but when he is it’s usually because something’s happening that he doesn’t like lol, also usually off the job, wether it be because of being in a different mind state, doing different things in different situations, or because Kui make so him more expressive in Daydream Hour extras haha.

So kabuholm to me is the casual quiet feel-good get-to-know-each-other slow burn ever. They prob never confess if we’re being honest but even just hanging out around each other fills up their battery somehow, like being at a sauna and feeling refreshed.

So yes sort of, the want to show off someone hard to wow and impress someone who’s very well put together and unfazed, in duality with how that person makes you feel like you shouldn’t or don’t have to try so hard, that you can just catch a break and take it easy for a moment, socially.

Holm’s observant and composed. I like that he’s able to keep up with Kabru and engage with his points. I do always like when a partner has the capacity to be critical or skeptical, reign in a bit or balance, but Holm is easily swayed with his trust in Kabru, and easily reasoned with to a satisfied degree. He’s low maintenance but still engaging.

Kabru is not only the main character of the group but also his main character point is being good at reading and remembering people: It’s no surprise that the majority of what we learn about Holm is done through him one way or another, but I still like that he’s got Holm’s quirks down pat, like the freezing up thing. Allow me to find that cute idk. And then the reverse of that too below… Underrated how all of his party knows about how he sucks at taking care of himself and his space.

I tried compiling all of their moments but I’m sure I missed some, especially Daydream Hours ones. So yeah my kabuholm manifesto. I’m casual about them but they creeped up on me randomly and have refused to leave my heart. Bromance idk idk

[theresattrpgforthat]

As someone who designs games, are there any specific games you've read that do interesting things with the Forged in the Dark or Powered By The Apocalypse systems that get you excited to write your own stuff?

(Asking those two since Protect the Child is FitD, also excited to hear if another system is excited rant worthy)

My friend, thank you so much for giving me space to ramble lovingly about games and mechanics. I don’t know if anything suggested here will be new exactly, but I am relishing the chance to talk about how the games I’ve read and played have impacted my design journey.

This is going to be a walk-through of various games that have given me a lot of tools to work with. Right now my head is full of Protect the Child, so I'm not really thinking about any other design projects, but I hope you enjoy this nonetheless!

Brinkwood, by Far Horizons Co-Op, Slugblaster, by Wilkie’s Candy Lab, and Moth-Light, by Dissonance.

I knew of a few Forged in the Dark hacks before I heard about Brinkwood, but when I realized that the Masks were basically communal playbooks, my mind was blown. Both Slugblaster and Moth-Light appealed to me because of their setting, but when I read the rule-books I was also impressed by how they were able to take the base Forged in the Dark and change it to make the rules work for the proper genre and tone.

Brinkwood takes the playbooks with special powers and makes them communal. You can pick up a new set of powers every time but still play the same character, so you can have variety while still pursuing the same character’s storyline. Because the Masks are shared, the “crew playbook” doesn’t look the same as it does in a lot of other Blades hacks, as no matter what Masks you take, you’re still engaging in a rebellion against vampires. Brinkwood also gives the GM a lot of guidance on how to flavour the antagonists in a way that is challenging, interesting and dangerous, while also giving the players a way to veto any subject matter that bleeds too much into real-life boundaries. Honestly, I think Brinkwood probably directly influenced my game A Terrible Fate more than Protect the Child, but the initial moment of realizing how much you can play with the game was a really important step in my development.

Slugblaster re-organizes your dice resources as Boost & Kick, and shifts Stress into a currency (Trouble) that you have to spend, rather than a time bomb. This gives your characters more longevity and takes away a lot of the gritty trauma that works for Blades, but doesn’t make sense for hover-boarding teens. Additionally, Slugblaster gives agency of faction creation over to the players in a way that’s way more personalized than it is in Blades. Specific questions are meant to be answered by specific playbooks, which I think is a great way to speed up crew relationships, as well as ensuring that each player at the table has a piece of the world that they contribute to. When setting decisions are left up to the group as a nebulous whole, one player may have more say over setting creation just because they have the loudest voice or the most ideas. By giving specific choices to specific playbooks, you’re ensuring that each player has a piece of the world they can point to and claim as theirs.

Moth-Light takes the CATS safety tool and embeds it into Pact creation, allowing the genre and tone to shift the way the game is played slightly to reflect the kind of story the group wants to tell. The core setting is the same - a planet with gigantic bugs - but the ways the characters interact with the setting changes depending on the Pact that you choose. I think this is a genius way to give a group a way to use Safety Tools without them necessarily realizing it, and it ensure that the group enters the story on the same page. This mindset fuelled my choice to present the world-building as a series of questions for the players to answer, establishing some truths about the technology levels and the use of magic before players make their characters, setting some basic limitations to make sure folks are on the same page. Currently however, I don’t think I’ve achieved the seamless translation of CATS into a game-appropriate setting exercise - I’ve just ported CATS into the game.

External Containment Bureau, by Mythic Gazetteer.

External Containment Bureau minimizes a lot of their character options and does away with playbook options in order to make character creation customizable while still quick, and one of the primary ways they did this was by changing the way gear rules work in the game. In standard Blades, you can only use equipment to improve your Effect, but in ECB, you can use your equipment to add +1d or improve Effect. This is primarily because ECB doesn’t use stats in the way Blades does, but I liked the way that little tweak gave the player an additional resource.

Additionally, ECB doesn’t care about load. Instead, the character comes with some gear associated with their department, and a few gear slots that they can fill themselves. You can always have everything in your Gear section on you - the limitation is in what’s available. I really liked how the game provided a balance between gear that made sense for your department and gear that reflects the way the player wants to portray their character, so I did the same thing in Protect the Child.

Antiquarian Adventures, by acegiak

I heard about the way Stress works in Antiquarian Adventures when I was listening to the Dice Exploder podcast, and it sparked a lot of thoughts about what Stress can be used for, especially since I knew that I didn’t want to give the characters Trauma in Protect the Child. Thematically, it doesn’t make sense to imply that parenting is inherently traumatic, and I don’t want to cast the Child as a source of trauma for the parents.

Antiquarian Adventures solves this problem by allowing Stress to re-set every time you fill it, as long as the player is able to dictate how the character suffers some kind of setback or brings about some form of trouble as a result of getting too stressed out. The exact trouble is attached to the playbook, adding to the distinct flavour of each trope. In Protect the Child, I made sure to add one Reaction that was unique to the playbook, to reflect the same kind of thing.

Last Fleet, by Black Armada Games.

Last Fleet blew me away with the Pressure mechanic. It’s a physical manifestation of stress that exists in the setting, that doubles as both a player resource and a ticking clock. You can spend Pressure to give yourself a better chance at success, but once it hits its cap, your character is forced into a situation that that they cause themselves.

In many ways, Last Fleet is doing something similar to Antiquarian Adventures, but the one thing it adds is that it gives the player options in terms of how they’ll cause trouble. Some options overlap across playbooks, but each playbook has a unique collection that helps keep it somewhat distinct from the others. One of the best moments I had in play was when one of my players realized that he had the option to actually turn on the group - the reaction was like a little present he’d just unwrapped for the entire group, and it made for an extremely memorable moment for the table.

Last Fleet also inspired me to shorten the Stress Clock in Protect the Child. Base Blades has a 8-mark Stress track, but in early play-tests, I felt like it was difficult for anyone to fill up their clock in a single session. The Last Fleet Pressure track can only hold 5 marks of Pressure, and re-setting it doesn’t empty the track, but rather puts it at 2. I think that constant Stress provides a bit of a friction point for players, which is needed since it’s easier for players to achieve bigger dice pools in Protect the Child.

Beam Saber, by Austin Ramsey

When I was agonizing about how to encourage more roleplay between players, someone recommended that I read through Girl By Moonlight. Unfortunately, I don’t own a copy of Girl by Moonlight. I do, however, own a copy of Beam Saber, so when I decided to comb through other Blades games for relationship mechanics, I stumbled on the relationship clocks of Beam Saber.

In Beam Saber, you write down beliefs you have of each other character in the party, and attach each belief to a slice on a Connection clock. During downtime, you have the option to Cut Loose, which helps two Pilots relieve stress with each-other at the same time as filling the Connection clock. Filling the clock awards XP as well as provides the characters an opportunity to confront each-other about the way they see each-other.

I liked the idea of using time together as a chance to relieve stress. As far as I understand, this moment of connection is also seen in Girl by Moonlight, but I decided to limit the amount of stress you could relieve in Protect the Child because I’m still operating under the ethos I was introduced to in Last Fleet - I want to keep the characters under a lot of pressure, making room for them to make terrible decisions, and therefore giving them room to grow.

Lady Blackbird, by John Harper.

I returned to Lady Blackbird when I realized that the way I’ve set up runs in PtC means that it may be hard for players to do things like engage in long-term projects, or train for XP in a regular Downtime session. I also noticed that it was hard to get the players to roleplay with each-other with the way that Downtime is written in base Blades - it’s often navigated through in a very procedural way. Finally, I wanted to make the game a bit more one-shot friendly, with a way to present a Downtime-like section partway through the game without bogging down play too much.

Lady Blackbird has moments in between Action scenes where it explicitly encourages players to engage in flashbacks or character interactions in ways that allow them to clear conditions and provide a bit of exposition into their backstory. This, coupled with the Impressions in Beam Saber, gave me the tools to both encourage the players to role-play while also giving them the tools to foster relationships with each-other.

Right now, Rest Stops only have two moves: Bond with the Child and Bond with Each-Other. By reducing both of your options to moments where your character interacts with other characters, and encouraging both of these options to reflect your character’s ideals and history, I’m hoping to provide some of the maintenance of Downtime while encouraging the role-play that happens in Lady Blackbird. Longer downtime actions are relegated to Time Passes, which will only come up in campaign play.

I still haven’t perfected this stage though. For example, I haven’t figured out what to do about wounds.

Apocalypse Keys, by Rae Nedjadi / @temporalhiccup.

It’s kind of hard to quantify or describe the influence Apocalypse Keys had on my design, but I’ll give it a shot.

In Apocalypse Keys, your character never has to fail. There’s always options to give yourself a success, it’s just a question of how much you want to sacrifice parts of who your character is in order to get what you want. Apocalypse Keys is itself an amalgamation of a number of different mechanics from various places, such as the way you use tokens to improve your rolls, as originally found in Libretè, or the Theorize roll, popularized in Brindlewood Bay but originating in Codex: Moonlight.

The character playbooks are also centred on different struggles that the player has decided to wrestle with. The Summoned has a lot of moments centred on fighting destiny, while the Last wrestles with grief and loss. Some of the themes in these playbooks give you a lot of freedom to explore struggles and traumas that affect people in real life, but are flavoured in a way to give your monsters great power and extremely interesting backstories.

Finally, the way your character looks is completely up to you, and is irrelevant to the things your character can do. If you want a thousand glowing eyes, it doesn’t matter which playbook you choose. If you want to be the spirit of all werewolves that came before you, it doesn’t matter which playbook you choose. If you want to carry a golden spear that can listen to the regrets of the restless dead, I don’t think it matters what playbook you choose. I think that there’s a bit of a carryover from what I love about Changeling: the Lost to be found in Apocalypse Keys, in that your character’s origin and presentation can be as varied as whatever you can imagine, and can fit into the themes of whatever playbook you decide to wrestle with.

Protect the Child doesn’t directly borrow any mechanics from Apocalypse Keys, but I think the ethos behind the design is there. I want the players to experience the same creative freedom, while tying down specific themes to specific playbooks. I want to enable conversations about real issues that affect real people, while allowing the table to situate those issues in whatever setting makes the most sense for the group. I want the players to feel powerful, and at the same time recognize that the biggest obstacles to being good parent are generally incredibly personal.

I also admire the way that Nedjadi designs, from the rigorous play testing, to the purposeful openness about his inspirations, to his careful documentation of who has inspired him and where his ideas came from. I think being able to provide a clear through-line to the ways your were influenced by other design works is good for the historians of our hobby, and it also reinforces a culture in which game designers influence and allow themselves to be influenced by each-other.

[dykeyaoi]

I feel like a lot of fanon tends to miss what seem to be three pretty crucial things about Teru, and it's weird because they are easy to miss, but they're also so important that without them he's very superficial. it's part of why he gets so yassified almost every time he's adapted (see: manga into anime into fancontent)

one is that this kid is smart. on my first watch of his debut arc I assumed he was psychically cheating to be one of Black Vinegar's top students. now though I don't think so: firstly, I'll admit, because he doesn't actually seem to have a way to do that except blackmailing other kids for answers or something; but secondly because throughout the series he's just good at figuring stuff out. he picks up complicated psychic techniques more quickly and frequently than anyone else, including Mob. he was the one who almost beat Shimazaki. he figured out that Psycho Helmet was Dimple from the fact that he was a spirit who knew Teru's name, not a lot of info to go on. he draws conclusions in the somewhat haphazard but very clever way a detective does.

two, he's motivated so much by anger. this one's something of a hot take but it's so there to me that I can't leave it out if I'm Teruposting. before meeting Mob yeah he thought he was special and important for having powers but he was also extremely lonely and subconsciously mad at everyone else for not having them. he's the only one who has to deal with Claw he's the only one who has to live alone because his powers make it dangerous for his parents, he's the only one strong enough to be the shadow leader. he'll do it because he's the Protagonist but god he's gonna be pissed the whole time. it's not what he wants (we only get to see what he wants later with Mob and Reigen and everyone else) but it's all he has for a long time. seventh division shows the intersection between I Should Be Satisfied Now Teru and I'm Better Than These Guys Teru very nicely

last and kind of most important is his thing for Mob. I absolutely believe ONE wrote Teru to be queer and he definitely had or has a crush on Shigeo, but I also think that at least part of said crush is him misconstruing his adoration and the pedestal he's put his friend on. until after the Confession Arc, the two of them getting together would be really tricky and probably not good. Mob still feels bad about what he did at Black Vinegar for most of the rest of season one, and the only reason Teru changed in the first place was because of the cavernous gap in power between the two of them. until he declares Shigeo his rival and realizes that he has faults and any destruction he causes isn't perfectly righteous, Teru can't love him.

there's as much to his character as there is to the other main characters, and I get the easy appeal of the flattened version of him but when he's flanderized into this sparkly gayboy who's also sad sometimes, it makes me sad.

[benjineedssleep]

more stardew valley headcanons but this time i'm feeling better (still brainrotting though)

pt 1!!!

this time there's more than just ass trio. i love ass trio so much though so they're still the majority here sorry not sorry SDFGSDFKJH

sam is a midnight snacker. he'll go into the fridge, pull out a slice of pizza/piece of fried chicken with his bare hands, and eat it right there, cold, with the fridge still open. jodi has yelled at him for doing this multiple times because he leaves crumbs behind and she ends up sweeping them up at the crack of dawn. bonus points: sebastian is horrified by this. abby doesn't do it, but she gets the appeal. she sites the number of times she's improperly microwaved leftovers and found the cold spots to be pretty alright.

sam sings in the shower. it's quiet, like thinking out loud, and usually it's one of his own songs. after conjuring up the riff to the best song he's ever written (in his own words) while in the shower, he's a firm believer showers are for deep thought. does he feel guilty about all the water he uses? yes, yes he does, but he helps his mom pay the bill to balance things out.

penny has the personality of fluttershy from mlp:fim and she's probably her favorite pony too. the show didn't exist when she was growing up, but since jas chooses to watch it during their schoolwork break time, she couldn't help but get invested. she secretly watches it at home and finds comfort knowing that fluttershy, another young adult, is doing just fine without changing her personality.

haley always needs to have something in her mouth. gum, lollipops, other hard candies... it's been a habit for the longest time and no matter how hard she tries to break it, per emily's request, she can't. the moment her gum runs dry or lollipop stick has been crushed to oblivion, she's replacing it.

while on the topic of haley, she uses pet names/terms of endearment for everyone, doesn't matter who you are. i'm talking, babe, bubs, sugar/sugarbug, you name it. if you're pissing her off, she'll often replace nice things with something like idiot, dickhead, and fuckass, the final two words being picked up from Abby.

sam is a really big cuddle bunny and when he and abby are taking up space in sebastian's room while he works, the two of them are probably cuddled up on the couch. if she's not carding her hands through his hair, she's braiding it. if she's not painting his nails, they're playing dumb finger games like chopsticks (which often end in sebastian yelling at them to stop yelling at each other). and! and!! if they're watching a scary movie, they're the type to end up holding each other in fear and start fighting over it, shoving each other to the other end of sebastian's couch. did i mention how much i love platonic intimacy??? oh, yeah. i did. in the last post. LOL--

sebastian's not big on touchy stuff and only lets abby do it because they've been friends since basically birth, but eventually let's sam in. it's often limited to letting him fall asleep on his shoulder, poke at him teasingly or, on occasion, hug him. if we go the sambastian route, sam definitely wiggles his way into sebastian's heart through touch. sebastian doesn't realize how far it's gotten until he sees sam and abby doing similar things and goes "oh... fuck-- we do that"

elaborating on my previous point about ass trio mom gossip, when caroline's too busy to join (again, if going the sambastian route), robin and jodi definitely start gossiping about their sons being 'close'. they don't particularly have a concept of not sharing their children's business as 'best friends tell each other everything' but it's still really cute because they're supportive moms.

on the hot topic of gossip, haley is worse than caroline and the moms. she will shamelessly eavesdrop, ask highly specific questions, and ambiguously talk to multiple parties about the same issue to get all perspectives. it's extremely manipulative, but it always ends up in her having the best advice. she's not an asshole though, she won't share any sensitive or personal information and pretend she doesn't know if it's brought up by another party. she's nosey, she's catty, but she has morals.

haley's gaydar goes crazy. she knows half the valley's queer and for most people, she clocked them before she even knew she was queer. it ended up being a 'well if everyone's queer, am i queer?' moment for her.

emily and abigail are two sides of the same coin, one is just more spiritual/religious than the other. a rarepair but i do think they could be friends.

another rare pair but i really do like sebastian and emily as friends. emily is very soft, very encouraging, and i think them hanging out would bring sebastian out of his shell a bit. she's also touchy like sam but in the 'oh i'm SO excited, i need to hug you RIGHT NOW' kind of way. like when meeting up to hang out or after finishing a sewing project together.

elaborating on the last point. sebastian is NOT good at sewing. he can do it! but he's not good at it. so that's probably how he and emily became friends in the first place.

okay i've rambled on for quite enough once again. i try to keep the headcanons i post a little ambiguous so they can go either way (unless explicitly stated) but sometimes i gotta be gay and throw in gay things, okay? i'm also a multishipper and rarepair enjoyer so those might sneak into these kinds of posts too. cause why not! might even throw in some things i don't 100% fuck with but understand (like poly ass trio) just for the hell of it. cause fuck it! we ball! thinking about my favorite characters is F U N :3

[audiblehush]

Listen, I’m on the “I’ll believe it when I see it” train with all these inconsistent S3 rumors because 1) LOL the fucking Sun, people, really?! and 2) “Well, the friend of my friend said… and they’re really reliable! Trust me!” 🙄

But even if it all ends up being true: I’ve already seen a handful of great posts talking about no, it’s NOT actually harming Colin’s character, thanks, and would make a lot of sense from what we know about where he’s at mentally so far - I’ll try not to rehash stuff they’ve already argued really well… and probably fail once i get going 😬

But I would also like to throw out that canonically… Book!Colin ALSO had experience prior to his relationship with Penelope?? Not to rakeish levels, but yeah, he had sexual encounters with women… That he then specifically mentions as meaning NOTHING once he compares it to what he has with Penelope because with her there is actual LOVE built over YEARS of INTIMACY.

And since Show!Colin is markedly younger than his book counterpart, it would make sense that this is something he is exploring, whether the initial choice is through coercion from his brother(s), or because he is curious, or… whatever he reason is?? It doesn’t matter??

He’s YOUNG. Being young means being curious about sex! It often means learning over time the difference between mere physicality vs intimacy. Learning about sex can be messy, confusing, wonderful, terrible, mediocre, not what you thought it’d be, etc etc etc.

Regardless of if we’re taking about Penelope OR Colin: Context is everything and WE. DON’T. HAVE. ANY. YET.

Penelope has her own coping mechanism for what she’s dealing with on her own throughout the show with LW; why is Colin any different, whether that’s drinking, tea, sex, etc? He’s clearly exploring different aspects of himself and finding what appeals or doesn’t appeal to him. And that’s normal!!

The IRONY of people claiming they’re furious at Colin treating women like sex toys… when that’s exactly how some people view Colin for Penelope. He is more than a prop for her! Their whole story is that they choose each other after years of self discovery and recognition of each others true selves… ALL of their past experiences included.

Even if the rumored second instance is true… 1) it would clearly be used as a way to prove that he’s miserable and NEEDS love and Pen and intimacy and 2) characters make mistakes... often ones they learn from. Pen has made her fair share of poor choices, too. Colin has and WILL make mistakes because that is what interesting, developing characters do, yet y’all act like he is unforgivable for being given his own plot scenes. He is NOT just there to have sex with Penelope!! He is a character outside of his romance with his own struggles to grapple with!

Also, please be real - this was SO NORMAL for men during this era, especially at his age! Why are MODERN DAY AUDIENCES acting so fucking scandalized?? One or two instances doesn’t even make him a real rake, ESPECIALLY if it’s being framed as him realizing it isn’t what he ultimately wants! Why are you even watching this show if something like this is so offensive to you?!

If all this ends up being accurate (which again, I doubt), I will admit I’ll probably be picky about how it’s handled… but I’ve always felt that way about this pairing in the short time I’ve been in the fandom.

But I NEED people to chill the fuck out until the season actually airs. You’re lambasting something you HAVEN’T EVEN SEEN YET.

[the-leegend-99]

There's a reason this site sucks and is so profoundly hateable sometimes.

The reason is that since it's the nerd site (beaten out only by Reddit bc its r/topic function allows people to geek out to the max in one specific subject and build forums), where people dedicate essay-length blog posts to contrast (or compound) each other's interpretation of your favorite fictional characters through the most minute lore analysis possible, going "um actually" with all the casualness allowed by such a free reblog feature. And where is it used most of all? Why, to explain away absurdly mediocre or outright bad stuff like the Star Wars Prequels into being "Secretly Good™️" because let's face it, the alienation of living and working into capitalist society has stunted most of us (mostly us Westerners who get to enjoy the full breadth of consumerism) into needing to preserve their childhood security blankets. Of course, sometimes it's not that. Sometimes it's media analysis that wants to have a point and is actually done with more of a grain of salts. But most times, it is that. And sometimes it's cute, most times it doesn't involve the usual BS of manchild fannish behavior as Reddit does (probably bc there's a lot less cishet men).

But then some people here will apply that same mentality and behavior of politics.

And no, you just can't "um actually" your way of rightly being called a genocide and fascism enabler for supporting Kamala Harris and Tim Walz. Applying character arcs and lore to reality is brainrot. Yes, friend, I know that their hands are tied by the system. They made the choice to try and become top dog in it, nobody was expecting them not to comply in its basest crimes against humanity. But then you twist yourselves into hoops trying to rationalize the crumbs they throw at us to keep us content and not threaten their power, or better yet the system of exploitation they profit from, into actual progress. You try to rationalize them into being "Secretly Good™️" when they are the fullest representation of the banality of evil.

Sure, in doing so, you show more argumentative capabilities than Taylor Swift fans, but let's face it, it's not much of a compliment. All those Swifties, Beehives, Lil Nas X or Charli xcx fans who haven't taken their favorite celeb/artist to task for supporting the genocide, they cheer for these genocidal criminals because they've got far less awareness, and superficial diversity appeals to them. I'm not gonna go into who's more starved for crumbs from the master's table between them and you because it's not useful to this dissection. The actual difference is that they've formed a parasocial relationship with the *person*, with the celebrity, while you've formed a parasocial relationship with the *story*.

And you have to hammer the story into making sense, into being good, don't you? Because deep down, you're more aware. Deep down, you know it's wrong, you know that what's happening is wrong, bur you don't want to bring yourself to believe they've been stringing you along, asking you to be an accomplice. You want to explain your way out of letting this realization settle in, because if it does, then you are an accomplice.

Well you are, until you start doing something about it in the real world. Until you join protests, until you join working-class, anti-capitalist, anti-Zionist organizations fighting to overturn this system and build a better one instead.

And sure, that's a big jump, out of the realm of "permissibility", of "respectability", and it's scary. But maturity is having the courage to do the things that scare you the most, because you've analyzed them and realized that they're the ones that bring about the most material good for you and everybody. And everybody can reach that maturity. You, too, can be brave.

[batrogers]

Civilized Or Not

So there’s some common Zelda fanon I wanna talk about, relating to civilization tropes I think some of y’all haven’t really thought about in detail before, and that’s Hyrule (Zelda 1 &2 Link), Wild (BOTW mostly), and Ravio (LbW).

I’m using the Linked Universe names, because that’s where most of it comes up, because these things happen most often where you can contrast the boys with each other. This is often done, quick and dirty, by people assigning “roles” to each without much thought. Ravio’s unfortunately tends to be extremely pervasive outside LU spaces, too.

But, in brief, there is a trend for people to craft these characters in a framework of innocent vs savagery vs trickery that can have some really unfortunate implications I’m not sure many are even aware of. Hopefully I can explain better where these ideas come from, why they’re so easy and appealing, and why we should try to avoid repeating them for more than just the sake of “easy” but also to stop repeating some really nasty historical tropes.

I would start from what’s probably the simplest one to address: the tendency towards a “feral” personification of Wild. This tends to come from two places: Wild’s amnesia, and the collapse of society around him and his lost place in it.

Now, brain damage is complicated. You can lose a range of things to any given injury because of the way information is encoded differently and in different places. You can lose memory and/or skills and/or coordination and/or balance, etc, because it all depends on what got damaged. But in-game a lot of stuff suggests that Link retains things like speech, reading/writing, coordination, and martial skills. None of the people who knew Link prior to his injury suggest he seems changed in any way not attributed to stress and anxiety...

And, more importantly, real people suffer memory loss just like that in the real world. Treating him like he’s become “feral” due to memory loss is cruel to actual people living with brain damage today, and if you go there you should have a good reason for it.

Social collapse is a wide-spread theme in basically every Zelda game. The threat that the Big Bad poses is almost always the destruction of society as it exists: Malladus literally vanishes the infrastructure of New Hyrule in Spirit Tracks; the Twilight turns people into spirits living lives they don’t realize are questionably real in Twilight Princess; Veran freezes the passage of time to force people to work forever in Oracle of Ages. King Daphnes and Ganondorf under the sea vie over the fate of the world above in Wind Waker: keep what’s been made, or start all over again?

In modern culture, people tell a lot of stories about the fragility of civilization and what happens in its absence. You get the range from Lord of the Flies, in which children wrecked on an island attempt (and fail) to recreate civilization on their own, Kipling’s “The Jungle Book” in which Mowgli is treated as reckless and innocent, and a much more obscure piece from the 18th century “Paul et Virginie” (and likely many more I don’t know offhand.) Essentially all of them play with the question of how do people become civilized, and what happens when they do? In Lord of the Flies, the children were civilized and failed to maintain it; in the Jungle Book, the boy wasn’t civilized and innocently interacts with it. In Paul et Virginie, the children were (relatively) uncivilized on the (French colonized) Mauritius, raised by their mothers but when the girl was sent away, she becomes civilized and dies tragically to preserve it.

The two Links most removed from civilization are Hyrule and Wild. Wild “lost” civilization, losing both his memories of it and the structure of it. Making him feral, without manners, and without a place to belong is that kind of Lord of the Flies savagery mixed with Mowgli’s innocent playfulness: there isn’t a structure to adhere to, so he’s a savage. Whereas Hyrule is more like the Paul eg Virginie side: innocent of civilization, he remains pure and sweet and kind, unable to conceive of big concepts like evil or money or so on. Neither position permits them to interact with the civilization that is right there in front of them! Wild can buy a house; he has people who know and care for him. He has social connections and social rights. The world exists, but the fandom does not seem to want him to interact with it in favour of remaining “wild.” In Zelda 2 – a game explicitly set within a decade of Zelda 1 – there are whole towns with trade and a castle and massive structures with on-going life in them... but very few fans seem to ever reach into that story or relate it back to the first. Hyrule, the character, does not exist within Hyrule, the country.

Strangely, Wind Waker does not fall prey to this, I think because the structures are presented as fait accompli: Link wakes up with his grandmother and his sister, he has a defined home, and a society in which you spend the entire game forced to engage with. Zelda 1 & 2 were not sophisticated enough to waste resources on going as in depth in social terms (although such interactions absolutely exist in Zelda 2!) and BOTW leaves such interactions as optional: you can survive the game with minimal social contact... but it’s a choice to play with it that way, not the default. The ways in which this edges onto the noble savage trope, in which “uncivilized” tribes are either innocent or brutish (rather than complex social systems in their own right) is fairly obvious.

There is one other character in Zelda who gets treated to the question of whether he is an innocent, free of civilization and all its rigour... or something else. Ravio, coming from the devastated world of Lorule, can often wind up slotted into the scared, innocent child trope and unfortunately that’s the better position people frequently take. The worse one evokes the Merchant of Venice: the deceitful, Jewish merchant who values money over people’s lives.

Lorule (and Nintedo’s approach towards their humanoid Zelda villains in general) is near-eastern-coded in many ways, down to the fact that Yuga’s outfit is the spitting image of Ottoman dress. Yuga being a depraved bisexual (a common historical trope about Muslim men towards Christian men and boys), and Hilda being deceitful and conspiring against everyone she was once allied to are a backdrop to the ways in which Ravio is a greedy coward. He’s not an evil character in the game; the mechanic of penalizing death without being too severe is interesting and works well! But that doesn’t take away the stereotype, just like it’s not okay Nabooru is pretty explicitly predatory towards child Link in Ocarina of Time, too.

Arab and Jewish stereotypes often converge, because both people's originate from the same region, and both are hostile "Others" to Christian Europe and Nintendo doesn’t have a great track record of their near-Eastern coding in Zelda. It crosses the whole gamut from harem and amazon tropes with the Gerudo to breath-takingly anti-semitic or anti-black (Ganondorf being green, eg. non-human, in various incarnations), all packaged neatly in the ideal of medieval fantasy Europe. The scale would be impressive if it wasn’t so damn awful, but we can at least stop repeating it in our fanworks.

Wild doesn’t have to be feral to be a playful little shit; Hyrule doesn’t have to be pure and innocent to be kind. Ravio doesn’t need to be innocent or scheming, and he shouldn’t place money over Link’s well-being (If you chose to respawn at home, he is consistently only ever concerned for Link! Once you buy the items outright, he promises he'll still be there to take care of you.)

Do better. It’s more interesting that way, and I want to see that variety grow!

[If any of y'all would like me to dig up better sources on any point, I can do so but I didn't want to bog this post down further. I have largely left the anti-arab stuff alone because it's not the biggest issue with Ravio's fanon presence, which is the focus here.]

[bokettochild]

Hello Apple! I’m working on a puzzle, how would the LU boys do w a puzzle? Would they actually do it or would they set it on fire (I’m looking at u Wild!😑😂)

Ooh! Puzzles!

I think at the very least, Legend is the sort of person who you hand a puzzle and he will be diligently working on it still six hours later (I'm thinking this is probably a 1,000+ piece one, my fav!). He's very happy, although his spine is decidedly not (lol). Puzzles are the most familiar thing this guy can be working on other than fighting, and are much more relaxing. Happy space for him, bunny enrichment. He starts puzzles by trying to work on the edges, but usually ends up getting sidetracked with recognizable items or pieces that clearly go together. Takes great delight in piecing together small chunks he's already completed into a bigger chunk, but he refuses to look at the box in order to do so (he likes the challenge of figuring it out himself). I think he's very careful when moving portions so they won't break too. Tends to hum or sing as he works, although it's sort of distorted by curling up like he does over the puzzle.

I feel like Warriors enjoys them too. Less so all by himself, but give him a puzzle buddy and he's happy to put together all the little pieces into something bigger. It's mentally stimulating while also not too strenuous. He's either humming or chatting the whole while, and he probably would love a long conversation with his puzzle partner while they're working. He's also the sort to start with the border, but he'd actually finish before going elsewhere. He sorts the pieces by similar color/texture as he goes, which definitely makes things easier for whomever he's working with, which is his intent. there's nothing more satisfying for him than being able to help his partner find the exact piece they need and than watching their face light up.

Four is the sort of person you would expect to enjoy puzzles, but in reality, it's a nightmare trying to work with four different voices wanting to do different things. Vio gets irritated sometimes with how long it takes and how many times he has to look for certain pieces. He'd rather be doing other stuff. Red doesn't particularly enjoy big puzzles, but he's also the sort to sort pieces for his brothers. He likes making piles of the pieces for Green and Blue and then just going off elsewhere. Blue actually really enjoys puzzles, because they small details and the satisfaction of seeing them come together make his perfectionist brain happy (he will lose his mind if there is a single piece missing at the end though). Green just likes them, more casually than anything. He'll do them with Blue, but not on his own.

Hyrule finds them sort of boring. He, like Green, will help for a short while, but he doesn't get the appeal of putting together small pieces of cardboard into a big picture. He's not even likely to do it as a bonding thing, and gets bored sort of quickly.

Wind enjoys puzzles in the short term. He'll work on smaller ones (500-) in spurts or pop in and out to help, but the bigger ones just make him want to give up after a while. it's not because he doesn't want to help, it's just he has too much energy and not enough of an attention span to sit still putting a puzzle together. He's happy to help on and off though if anyone else doing the puzzle will let him. Puts together the recognizable or large portions first, but spends a lot of time looking at the box to see where everything goes.

For Time, count him out. His patience cannot with these things. There's too many fiddly pieces and he's only got one eye to look at them all with. Like heck he's going to stare at them for hours on end just to make a picture!

Sky will help if he likes what the puzzle depicts, but he's more there for the company, and gets easily distracted. He's the one who ends up holding a puzzle piece for forever, just chatting with someone else until Legend realizes that he's got the very piece the vet has been searching for, and thus gets smacked for it. He does best with borders, since it's easier (sort of) to find the pieces and there's only so many ways that they can fit together. If he starts the puzzle with you though, he'll try and stick with you till the end, just because he hates leaving things unfinished, even if he really didn't help a lot.

Twilight has to be in the mood. He's not keen on them most of the time, but animal puzzles are a good distraction sometimes, and if he's doing it with kids then he is all over it. He likes helping others do it more than actually doing it himself, and he's definitely one of the ones who prefers smaller puzzles with only a few hundred pieces.

I think Wild is the sort that says he likes puzzles, but most of his puzzle doing time is spent staring at the pieces and trying not to pull his hair out while trying to find the right ones. He tries so hard to get the pieces to fit together, but his brain isn't wired for this sort of puzzle-solving. He likes the time spent with others, or says he does, but he really just drives the people around him crazy when he tries to help. Flora and Legend both have banned him from helping them with puzzles (Flora also greatly enjoys puzzles, her feet dance under the table when she works on them and she smiles a lot more while working on them).

[mixelation]

reborn au plot.... stuff. has plasticity spoilers. also canon characters die!

i said this recently, but i don't have much in the way of an overarching story after tori's, like, 17. part of this is just that i haven't made some major decisions about the premise (like what orochimaru is up to) and part of it is that...... what problems would even challenge these characters. like we have a bunch of weird interpersonal shenanigans but like obviously one appeal of this au is giving tori opportunities for Feats.

so i decided on a Feat.

i think as an ongoing looming threat, i might have some petty proxy war stuff going on. no one wants to reignite a multi-nation shinobi war, but everyone is scrambling to grab things for themselves, especially since konoha just like.... stole from iwa??? ame burned down half of kusa? oto-nin are just? in the wind???? someone probably hires orochimaru. people are out trying to snatch jinchuriki left and right.

so i was thinking thusly: one of the bigger nations captures fuu for the seven tails. ame sends an akatsuki pair which includes tori. somehow, the situation goes completely to shit. multiple nations are involved. the seven tails is released, killing fuu. everyone wants this weapon and they don't care if they had to kill a young girl to get it.

akatsuki's solution is that they should simply control all weapons. tori knows this will fall apart. she also knows that, even if she wrestles the raging seven-tails into a container and gets around the multiple nation's people ALSO vying to capture it for themselves, and she takes it back to konoha, this also solves nothing. and so she thinks: if no one can resist the temptation of a weapon, then i will remove the weapon.

this is the part that's a pretty big plasticity spoiler, but also a few people guessed it so i don't mind sharing. basically, the shinigami doesn't like tori because he can't have her. she's a weird, foreign thing that shouldn't be there. functionally, she can't die. she can be irreparably maimed, so she still has a healthy fear of most life-and-death situations, but she technically can't die. (she's unsure if this still applies in this universe in the earlier parts, but we'll let her figure it out eventually.)

the side-effect of this is that she has more bullshitty leeway with summoning the shinigami than other people. it can't take her soul so it will take things around her more indiscriminately, so she's not going to use it if her allies are around. but if she's fed up and doesn't care if everyone dies? fuck it, we're going to kill the tailed beast itself.

i want how this to be accomplished to be kind of metal and/or gross. you know that scene in plasticity where tori is simultaneously herself AND the shinigami and she's confused? like that but they're eating the seven-tails.

tori comes to later and the whole battlefield is dead, from the shinobi to the plants and wildlife. whatever other akatsuki was with her is either some probationary schmuck, a canon character who got separated, or hidan-but-he's-not-revived-yet (i'm leaning towards this last one). at first i was like "how does she explain she killed a tailed beast" to other people but THEN i decided

tori realizes she's done something she should not have been able to do. she's just created another weapon people will want to use. so she gets up and goes home, and she lies.

the seven tails killed everyone and ran off. yes, even the forest. even the little bugs in the trees. the soil is irradiated. i guess it was pissed off. how did i live? aren't i a barrier specialist..........?

and then of course everyone goes out looking for the tailed beast. like, you can't just have a wild bijuu running around!! but they can't find it. it's nowhere. it will never be found because it no longer exists.

probably at some point she'll tell someone, most likely itachi and/or deidara. hidan might confront her about it. but i just love the idea of her getting a major feat and then immediately denying it.

also she may or may not decide to repeat the experiment

[piglet26]

Top Five Reylo Scenes

Before I start I do want to add why Reylo means so much to me. Recently I went through a really deep depression and part of what pulled me out of it was Reylo. I was able to write essays and do analysis about this OTP. Rewatching the films and focusing on theirs scenes helped get my mind off of some pretty deep stuff. I was also able to receive love and connection through the Reylo community. It's meant a lot to me! Also, I know that Tumblr is very supportive to anyone going through a tough time and directing people to self help lines. If you are going through a time that is really dark or challenging I Love You in Reylo.

Now my top three scenes is tough cause I love them all, but if I had to focus on an order to the game I'd say........

5 " You Need a Teacher"

“There’s a history in Star Wars of the attraction between the light and dark…”

Truth be told I'm surprised this scenes ranked as high as it did with me because I do not like that she beat him. The more I thought about it I realized why I did want to rank it. There is something raw and dirty about them here. The look of sheer amazement he gives her after that lightsaber flew to her was everything. The force theme beginning to play. Then when she lit the lightsaber and he was like "oh, you wanna duel? ok, let's duel then." The moment they found the force together with their faces beautifully lit up. It really is great.

There is nothing violent really about their fight, like I don't fear for their lives. Resembling the scene where Kylo Ren said could “take whatever he wants” and “Don’t be afraid, I feel it too” while looking at her lips. The chemistry took me by complete surprise and I shifted in my seat uncertainly watching this the first time. Surely I shouldn’t like a murderer and a villain with Rey, but I couldn’t help it. This very chemistry, though probably amounting to less than ten minutes of actual interaction between each other, leaves the audience with a hungry desire for more.

Reylo and Anidala could be mirrors of each other with Anakin falling to the Dark Side because of his selfish love for Padme and Kylo coming back to the Light because of his selfless love for Rey.

When Kylo is with Rey, he is calmer, and calculating. For Kylo, the seduction is to the Light. However, when Rey first searches out the Force with her feelings, she immediately ends up in the Dark Side, and is unafraid to take what she wants from it. In battle, she is furious, screaming and bent on destruction. As I mentioned above, Anidala and Reylo could be the Force’s attempts at balancing itself. Where Anidala was destined to fail, Reylo is destined to prevail and finally balance the Force.

4 "You'll turn........I'll help you"

“The Abduction,” the song in TFA when the “bridal carry” happens, has a very similar ascending line of notes to a recurring theme in Tchaikovsky’s Romeo and Juliet overture.

I love everything about this. The infamous elevator scene. Reylo once again dominates the screen in The Last Jedi, easily rendering Finn’s growing romance with Rose bland and tedious in comparison. Rian Johnson is a Reylo stan so I stan him. This is the first time Rey and Kylo are physically side by side since she tried to kill him in the forest on Star killer Base. It's the most sexually charged body language! They spiffed up for one another. She’s changed her clothes, put on makeup and decided to leave her hair down. His hair is freshly washed with a spritz.

“Ben” She’s using his real name now and like in every scene with her now he's calm. He hates his name, but when she says it he hears her. She's appealing to his true nature, or, what she believes it to be. It's possessive as well. He is HER Ben. The way he tried not to have a reaction to her until she said his name. He's trying to stay blank and not give away what he intends to do, but none the less has a reaction to her.

Rian Johnson basically confirmed that Kylo / Ben wanted to kiss Rey in the elevator scene. It’s canon so I am prepared to fight. Not to mention, Johnson tells us that Adam Driver, as Kylo / Ben, seriously considered kissing Rey in this scene. He is, indeed, staring at her lips in the elevator with the most intense eye contact.

Reylo speaks to me, and many others, on a spiritual level. Like many stories of both maiden and monster, Reylo shows us what it means to be a heroine. A heroine reaches her hand out to monsters and says: you deserve love and compassion, no matter the mistakes you’ve made. We're in a movement where women are tired of "fixing" men and I'm here for it. I honestly think that's why so many woman found it difficult that Reylo is not soft and sweet.

3 ........Ben?"

Adam Driver says Kylo Ren can’t help but harbor admiration for Daisy Ridley’s Rey in the Last Jedi. “I think there’s something familiar there, as well as something to be feared, or something… that he (Kylo) can’t quite place.”

Let me go ahead and say that I'm going to cheat.... I'm including the novelization in this because that mixed with novel is what gives me life. TROS brought such mixed Reylo emotions. We got great stuff! In small doses *eye roll* In the novel. She was glad to see him. Glad to be with him in this moment. It was the greatest gift she could have given him. His heart was full as Rey reached for his face, let her fingers linger against his cheek. And then, wonder of wonders, she leaned forward and kissed him.

The way Rey sits in wonder...... never mind she was borderline dead..... Ben is there, really there and she's just staring in wonder. Ben is looking at her in painful awe and relief. They are both almost child-like in their affection. The way Rey hesitates, after years alone, it takes her a moment to work up the courage for her first kiss. Ben just lets her take her time. The way he waits patiently for her to work up the courage and then the moment the kiss, he pulls her to him like she is the air he breathes for his first kiss. Oh! The smiles. Seriously?! Ben and Rey are happy! There was fireworks, champagne and pussy power! Rey’s hand. Ben gave his very life essence to Rey because his love is that absolute.

And let’s not forget the novelization of TLJ had this quote “They will never have to be alone again”.

Now this is where things get messy as hell. Adam was on the set of Tatooine..... but as they cut that ending. Daisy stated regarding the ending “the crew was shaken in a way I had not seen before. and I thought, ‘my god if this is people’s immediate reaction when the scene isn’t even ready, imagine what it will be like to see it in the movies, with the John Williams soundtrack and all that." When Ben faded into the force...... no one felt anything for a moment then there was just confusion and disappointment. You cannot nor will you ever have me believing that this janky ending was the real deal.

2 "Join Me.......... Please"

“He (Kylo) sensed his and Rey’s destinies were intertwined, but how?......"

The Throne Room Proposal! Kylo premeditated in the purest Sith way regarding the murdering of his Master for his bae. Then he gives Rey a furious speech on killing the past in a bid to win her over and fulfill his dark Queen fantasy. “You come from nothing, you’re nothing—but not to me,” Kylo tells Rey, in one of the most beautifully twisted declarations of love ever uttered in a family blockbuster, before quietly pleading with her to join him like he’s the most desperately lonely person in the universe. The duo’s visions of their future together—Rey sees Kylo turning to the Light, and Kylo witnesses Rey joining him in the Dark. However, upon Snoke’s death, the bond still stands. Kylo offers Rey a place at his side and his hand in marriage, but it is the proposal of an awkward boy, grasping desperately at a relationship he has only begun to understand.

And you can see it in her face, that she’s torn, there is a part of her that wants to take his hand, not to rule the galaxy, that’s not her ambition, but to simply stay with someone who truly understands her as well. But it’s the ‘please’ Adam Driver showed that Julliard education with that one word. Both actors just brough it. You can see how far they've come and yet still so far away from each other.

1 "You're Not Alone.......Neither are You"

“When Rey feels rejected by Luke Skywalker, who also sees parallels between the power in her and the abilities of his estranged nephew, the old Jedi master inadvertently pushes the two towards each other.”

You knew it was coming. In TLJ, Kylo is at his most sympathetic and tempting; Rey at her most understanding. Both are outcasts because of their power, they are both lonely, whispering to each other comfortingly “you’re not alone” and “neither are you.” Kylo sees more in Rey than she does within herself. He also challenges her as an equal. Ben ultimately encourages her to not only expand her mind, but in embrace her womanhood. It is no wonder that Rey goes to him. After experiencing Luke and his failings as a master and failing to find the answer's she's been looking for....... Rey ends up relating to Kylo. Kylo, for once, has put the whole of misery and life lessons into something productive.

When we find them alone in a dark hut, slowly lean towards each other, and very hesitantly touch hands in a scene fraught with romantic tension. Notably, the Force music plays during the scene, signaling their relationship’s importance. A tear crawls down Rey’s face as the two connect and understand each other on a level so deep that it is reminiscent of sex, and causes Luke Skywalker to pull the ultimate Dad move and blow up the hut.

As Rey and Kylo develop their bond we see the force attempting to balance itself. Yin and Yang....... the imagery littered throughout the sequel trilogy is drawn heavily from those belief systems. We see continuous parallel shots with Rey and Ben to represent this duality. Both are presented in contrasting surroundings that represent the duality of the masculine and the feminine. In many shots half of their figure is bathed in light and the other half is bathed in the darkness.

This connection is as spiritual as it is romantic. As Jason Fry explained, romance is merely the analog we have in the living force for this deep spiritual bond.

[thechillsquid]

Blind Eyes- Fiddlesticks

Fiddleford McGucket is an absolute vibing lad in this au, and like that’s kinda the main difference between him and canon. Rather than get consumed by his paranoia and fear, he’s been forced to face it head on to help someone he cares about.

And like, mans got the weirdest fucking support system out of this situation, like he ends up with not 1. but 2. conmen bfs. Which is ironic in the sense that the people most adapt at telling lies and hiding who they really are to not only the rest of the world but themselves are the ones that come to be Fidds biggest sources of truth. Like absolutely wild. Espically when Bill fucking terrified him for so long before Fidds decided that he was done being used by people.

Then there’s Stan, like at first, Fidds could not figure the guy out and I’d imagine it would have been hella frustrating for both of them trying to work on this portal together. But they’re also just inherently lonely people and it makes sense that eventually they’d figure it’s better to be lonely together than at each others throats.

I think that’s probably what shifted the relationship with Bill now that I think of it. Because while Stan and Fidds were still figuring each other out and this new dynamic, Bill was more able to pick away at both of their insecurities and vulnerabilities. But as the two men got closer and became genuine friends, Bill’s words kinda went to the back burner.

Like, if Fidds had to choose one liars words over the other, everytime he’d choose Stan’s. Even after the 30 years and the time to get used to each other, Stan is a major source of support Fidds can go to.

Bill may have changed during the time building the portal, but it doesn’t mean the triangle knows how to comfort someone. Demon boi may know the right things to say to poke about at someone’s ego or manipulate them to his cause, but he’s struggling with genuineness. The summer spent with the kids actually does a lot for Bill in that regard, cause faced with these two curious yet fragile and growing beings, it’s like a slap to the face. And Bill needed that, cause sure, he may have been around when Soos and Wendy entered the picture, and he may have had fun teaching them some questionable things like how to make a pipebomb or how to hide a body, he never really saw them as more than ‘those kids that show up sometimes.’

The twins being there 24/7 means he’s got to face a lot more things about himself than he realizes. And Fidds gets to watch this all go down.

Speaking of which, I’ve been having fun coming up with different nicknames for McGucket. Espically figuring who uses what name for him.

Stan- Fiddlestick, fiddleshit (used when the kids aren’t around), fiddlefuck (also used when the kids aren’t around), Fidds, Banjo

Bill- Specs, Glasses, Fiddleford (yeah the weirdo uses his full name), Fidds

The kids- Grunkle McGucket, Fidds, Grunkle Fidds (they tried asking him if he went by Ford at all and unknowingly nearly caused three grown idiots to have a break down in the kitchen), Mabel also probably rhymes shit or comes up with different stuff on the fly depending on the situation

About everyone else- McGucket (that’s what most people call him), Old Man McGucket (mostly used when differentiating/clarifying between Fiddleford and Tate), Fiddleford (Gideon mostly does this, Fidds can’t stand the brat and has helped Stan on some of his stupid revenge plots just for this reason), The Shack’s lunatic (in the early days when Fidds was still very unstable and working with Stan initially, lots of people that subsquentially started visiting the shack for the mad scientist appeal thought Fidds was crazy; most people don’t use this nickname anymore cause he’s cleaned up his act though sometimes the teenagers will whisper about it), Bill’s boyfriend (self explanatory), Stan’s boyfriend (While their relationship is more aligned with a queerplatonic relationship, neither mind this), McBucket (he got his head stuck in a bucket once while in town, the nickname haunts him), Fiddlefreak (used in the early days, sometimes the teenagers use it when he’s been seen doing weird shit), etc.

He’s just a silly guy doing silly shit, and has a causal continual record

[lovecolibri]

Am I a loser for fearing that this will be like BT 1.0 in that it is dragged out and remains stale and chemistry-less and harmful to Buck's character (for being with a not good person and not caring about said person's bad deeds) and the twist will be that it doesn't end 😭 Don't hate me for being negative...I was not negative until today, seeing that gremlin in the promotions and Tim showing favoritism to anti-Buddies yet again on FB.

And it's so funny that all my concern stems from social media activity and nothing about what I'm seeing on the show itself. Because the show has shown he is a non-entity - giving him and Buck no development, HIM no development, no evolution, no appeal, since last season. Yet maybe the writing and producing IS just that bad now.

Sorry to be a bit of a pessimist. I just feel like the vibe shifted dramatically over the past day and I'm in my feelings, I guess.

First of all, you're not a loser! There is a long history of TV shows NOT following through on things for fans of a popular fandom ship, including this one, back ins season 4, leading to that godawful BT 1.0 mess in the first place!

There is a lot of reasons this gets compared to the OG BT, because the show seems to be giving them no development and he's so clearly WRONG for Buck and seems to enjoy talking down to him and watching him deflate a little each time, and also it makes Buck look kinda shitty for dating someone who purposefully hurt, and delighted in hurting people Buck loves. I have said multiple times I wasn't ever worried about tay kay as a LI in s4 because she called him "needy" in that nasty voice on the heels of the audience seeing how absolutely shit his parents were and where all those issues came from, so I was sure that was the narrative telling us she wasn't going to work out. Only to get slapped in the face with an entire fucking season of Buck looking miserable with her, which was never addressed, him trying to talk about their issues and the firefam lecturing HIM about HIS failings instead of ever being allowed to talk about how they felt about her given their past (you can't tell me back in s4 Athena would EVER willingly let that woman in her and Bobby's home, much less feed her), and then watch her nearly get Chim and Hen killed and STILL get a fucking "amicable" breakup of the "oh no one was really to blame, it just didn't work out" variety. So like. Yeah, sometimes the writing is just That Bad 🤷🏻‍♀️

What I will say about all of that though, is we now have information we didn't back in s4. Information like, we weren't seeing things and there WAS a set up planned, and discussed with Oliver (at least, likely Ryan too since the shooting was Like That and what the fuck other bi realization was Buck gonna have, or gay realization was Eddie gonna have after his breakup with Ana was Like That), but the network forced the changes. Tim fucked off to go smash other dolls together (and lost his mind a little bit over on LS, probably because he leveraged that shit into getting to do whatever he wanted, plus the whole RL effect), and the story got changed and, as Tim pointed out, it made the show markedly worse. I'm not putting all my faith and trust in a network, but I will say ABC knows what kind of accolades, awards, and hype this kind of story will bring them and that is something I DO trust.

8x01 might be fluke like the handful of watchable episodes in s5-6, but it truly felt like the Buck we know and love was back, the focus was on the core four and on the emergencies, there was *heart* in the emergency, we got dispatch properly involved, and even the Athena stuff took a turn for a more rescue-focused adventure than the Con-Air prison transport plane mishap I was expecting. The bees sounded ridiculous and like they could be one emergency, like freeway shark my beloved, or *maybe* hold a whole episode, but I was NOT expecting much for a disaster opening and was fully prepared for s5 levels of zoo animals promotion vs actual 3 episodes of creeper being creepy cop storyline. But they actually...kinda pulled it off?? It's no tsunami or earthquake by a LONG shot, and I'm still reserving judgment until the arc is over (I enjoyed the cruise ship disaster but it needed more core four on sight helping with rescues which make it drag a little being so separate from everything else), but it felt like a season 2 or 3 episode at heart!

All this to say, *EYE*, notorious salt gremlin and hater (because trying for low expectations is what works for me!), am feeling more hopeful about the show as a whole than I have in awhile. And I'm going to hold your hand so gently when I give this advice, you can take it or not (for some people, needing to know everything is what works for them, so you do you!), but do not listen to that middle-aged white man and what he does on facebook. Or anywhere. Do not listen to that man! He is a shit-stirrer, and he is a liar! They all are in interviews! Him and Oliver both said "hardly any time skip" and then they did the exact same 3 month time skip they have ALWAYS done between the spring season ending and the fall premier! He lies! He interacts with shit he probably doesn't even read, just promotes his show! He does not care about upsetting us because people shouting over each other about the show just reads to him, and the people above him to let him do things, as the show having enough impact to be talked about! I personally have good feelings because he likes to get his way and ABC gave him something in 4 episodes he'd been trying to do since s4. And they originally green-lit it being another character so it feels like there were plans for both and timing just got switched.

DO NOT LET THAT MAN STEAL YOUR JOY!

I'm not going to tell you that of course it's all going to work out and be perfect and everything we wanted, but I WILL say, we all saw how fucking miserable Oliver was in s5 and 6, how checked out and disengaged he was (he was SO CLOSE and they TOOK IT from him! Fuck FOX forever!), and we saw how he was/is in interviews with or about that man, vs how happy and excited he was/is when talking about Ryan/Eddie/Buddie right now, how much he's engaging and sharing, and WHAT he is sharing. We saw the shift from filming episodes 5-6 to the back half of s7 for both him and Ryan. It's very loud, and while some kinda similar vibes have come through before, we have knowledge now we didn't before about why we kept getting those vibes and then having them pulled back. We know WHO was standing in the way and it wasn't Tim and it sure as fuck wasn't Oliver or Ryan, and that doesn't appear to be an issue anymore. 🤷🏻‍♀️

I hope my rambling incoherence was helpful, Nonnie!

[dangermousie]

Ok, now that I am almost done with the amazing Lighter and Princess, between that and Derailment, I have realized that Go Ahead wasn’t a fluke and there can be more than one modern cdrama that appeals to me.

So I am looking for suggestions. If you ever want to see me word vomit about some modern cdrama, here is your chance.

A few no gos (once you see the list, you will probably realize why I find so few moderns I like; even if we extend to like versus love, there are barely any modern cdramas on the list.)

Anyway, no go:

1. Procedurals - dislike them from any country.

2. Any drama where ML or FL are a cop, a member of the military, national space industry, a prosecutor or any other kind of lawyer, or some other form of patriotic endeavor. The amount of jingoism and propaganda is going to be unbearable whatever the topic of the drama.

3. I hate e-sports, those are out.

4. Unless it’s really outside the mold, dramas set entirely in high school both will lack romance and are likely too young for me (there are exceptions such as Consummation, but that’s unusual.)

5. I hate fluff. Everyone for example loved Love Is Sweet and I felt like I was tied to a chair and someone was shoving cotton candy down my throat for a week straight no matter how I struggled. I didn’t even bother checking out that Yang Zi and Xu Kai drama or the YZ and XZ one.

6. I don’t think anyone will recommend me those anyway, but just in case - dramas about electrification of rural villages and similar stuff are no go. I got enough of that during my childhood.

So anyway, now that the long list of caveats is over, any recs?

Moderns I loved: Go Ahead, Derailment, Lighter and Princess

Moderns I liked: Consummation, Reset, New Face, Love Me If You Dare, Hidden Love (tho it got too plotless for me by the end), Silent Separation, Because of Love (mainly because of first half), Gold Panning (not sure if that counts as modern since it’s set in 1970s tho.)