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llumetrii · 1 month

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Soft Spot | Miguel x Reader

Pairing: Miguel O'Hara x Spider-Woman!Reader

Summary: Miguel fixes your dimensional travel watch.

Word count: 1800

A/N: This is the most random writing piece lol but I do want to write more stuff that kind of progresses this story without making it a whole fic. Like each part can be read on its own but it's still connected. Basically just very low effort because I just want to write the scenes I want without having to do filler :)

The busy atmosphere in the hallways of the Spider Society slowly dwindled as you carried on toward your destination. It was always quiet near the top of the building—where Miguel's lab was located. Most people stayed away from the general area, opting to socialize in the other sectors where the training rooms or the cafeteria was. But you had a problem that needed fixing, and only Miguel could do it.

The interface of your dimensional travel watch had been glitching for the past two days. Every time you navigated to message someone or select a dimension to travel to, the pixels would annoyingly spasm. You had messaged Miguel about the problem, and he arranged to have you meet him in his lab today so he could fix it as soon as possible. Luckily, the device hadn’t been broken enough to send you to the wrong dimensions when portal traveling, but that didn’t mean you weren’t highly paranoid that it would.

So, here you were, on your way to Miguel's lab. The clean, tiled hallway was empty and quiet by the time you arrived at the large sliding door to the lab.

As soon as you stepped up to the door, a familiar, golden figure blipped into existence in front of you. The mini holographic woman hovering in the air fixed her heart shaped glasses on her nose as she peered down at you. "Y/N." She greeted with a smile. "I'll let the boss know you're here."

You barely had time to give her a polite smile in return before she disappeared. A few seconds later, the door in front of you slid open with a soft hiss.

You stepped into the dim room full of half-built tech and glass cases of materials from other dimensions. A low, electronic hum filled your ears as you followed the path that led to the much larger room that Miguel worked in. The golden glow of his numerous screens rimmed his tall, muscular form as he turned to face you atop his platform. He watched you step onto it.

"Hey." You said to break the silence. Your voice echoed a bit within the spacious room. "Thanks for taking the time to fix my watch."

He looked down at you. "Of course I would fix it. Can’t risk using a broken device that deals with dimensional travel." He responded. His voice sounded more quiet than it usually was, less firm.

Now that you were closer, you could see how he looked at you, the usual furrow in his brow relaxed and the stern set of his mouth having loosened. He looked…softer, gentle. An expression you didn’t see on his face often when he looked at others.

He’s definitely softer around you. One of your friends had said not long ago. You had just shook your head and laughed at the time. It didn’t make sense anyway. It’s not like you were that close with him—not like he was with Peter B. Parker. You just did your job like anyone else, catching anomalies on missions and helping to train new spider-people if needed. But your friends had pointed out that he listened to you more than anyone else, that his full attention seemed to set on you like you had the most important things to say, even if you were just making a joke about a Green Goblin variant looking like he swiped a cheap mask from Spirit Halloween.

You weren’t sure why he would act differently around you of all people, but you did know that you worked surprisingly well with him when the two of you ended up on the same missions. You listened and worked with his instruction unlike some other spider people that jumped into the fray with their own plan in mind.

So maybe that was why he apparently took a liking to you as your friends claimed. You lended an ear to him, so he was just more inclined to do the same for you.

He held out a hand, the bright red palm of his suit facing upward in a silent request for your watch. You unclasped your watch from your wrist and set it in his palm, watching as he stepped to his chair at his desk and sat down.

"This shouldn't take long." He said as he pulled open some hidden drawers and retrieved a couple tools that looked unfamiliar to you. His world was certainly more advanced than yours.

You watched him quietly work. His eyes narrowed in concentration, his eyebrows pushing low as he opened up your watch to tinker with the tiny components inside. He even had Lyla pull up some screens of the code so he could have an eye on every working detail within the watch.

Seeing him work in such focus, hunched over your watch on his desk, made a smile creep onto your lips. He was clearly in his element, the evidence of such skill littered about in the shadows of his lab.

You had overheard a while back that he helped engineer technology for his city, Nueva York, over the years. But you knew he didn't have much time to work on such things while he kept watch on the multiverse. He barely had any time to himself for that matter.

He tapped on the screens, scrolling through the numerous lines of code and reading information. "Just gonna run some tests and it should be fixed." He said without looking up at you.

You nodded. He had fixed your watch much quicker than you had anticipated. Though you shouldn’t have been surprised. He had created a device that enabled travel between dimensions for goodness sake, a device that had been compacted to the size of a watch, the very thing he was fixing. "All right, thank you." You murmured.

As soon as the words left your mouth, a pain like a bolt of lightning slashed through your whole body. Colors shot across your vision and gravity left your senses for a split second before it came wheeling back like a punch to your gut.

You stumbled and gasped, blinking hard through the lingering spots in your vision and finding Miguel suddenly in front of you. His hands quickly steadied you at your elbows, the warm grip keeping you grounded, and his face took on the most shock and concern you've ever seen on him. It almost alarmed you much more than you already were.

"You okay?" He asked. His gaze snapped down to your hands without waiting for your answer, and something in the sight of them made him spit a curse. He whirled away from you to reach his desk and snatch an object up in his hand, quickly returning to you.

He took your hand in his—a little roughly—and slipped on a 'day-pass' wristband, one typically given to people who didn't have watches. To keep them from glitching in a dimension that wasn't theirs.

You realized that was exactly what had happened to you.

Your lungs deflated from the breath that had lodged in your throat. "I've never glitched before." You muttered, thinking back to the sensation that had raced over your arms and down your spine. It had felt like your skin was pulling apart, and you grimaced at the phantom feeling your mind conjured up.

Miguel was still holding onto you, giving your forearms a slight squeeze. You looked up at him to meet his gaze of frowning concern. "You okay now?" He asked again.

"Yeah, I'm fine—now." You studied the wristband on your wrist and Miguel's hands fell away from you. "I completely forgot that taking off my watch might do that."

"I meant to give you the wristband earlier." Miguel admitted, releasing a tense sigh. He stepped back and reached for his chair, carefully lowering himself back down like he was prepared to spring to his feet if you happened to glitch again. "I apologize."

You clasped your hand over the wristband on your wrist, feeling the smooth exterior in the curve of your palm. "It's all right. Though it's definitely not something I'd want to feel again." You chuckled weakly.

"Yeah." He said as he looked at you. His eyes trailed down your form and crawled back up in a way that made you feel like a small speck under a microscope. You weren't sure what he was thinking in that moment, but your eyes flickered away, unable to hold up under his scrutinizing gaze.

"Yeah, it's not fun." He added in a more controlled tone as he turned away from you to focus back on your watch.

He resumed the tests he was running while you stood quietly nearby. You glanced down at your wristband, feeling curious. "How do these things work anyway? Like, how do they keep us from glitching?"

"The watches?" He looked up at you. "Well, they read the molecular tone of the dimension, and then apply a temporary overlay to the molecular structure of your body so the dimension doesn't read your signature as alien and try to expel it."

You squinted slightly as your brain lagged behind in the explanation, but it luckily caught up. "Okay.”

He continued, resuming work on your watch as he spoke. "That's why the dimensions are labeled with different numbers. They're just the molecular tone level. A foreign body in another dimension is more likely to glitch if its original tone level has a greater difference from the tone of the dimension they're standing in."

"So that's why I glitched pretty fast." You contemplated out loud. "Because my earth number is a lot different than yours."

"Yes, it's dependant on the difference in tone." He clarified. He started closing down the holo screens that he had been using to fix your watch, and he set his tools aside. "All right, your watch is good now." He turned in his chair to hold out the device.

"Thank you." You took the watch from his hand, feeling his eyes on you as you pulled off the wristband and placed the watch on your wrist. You tapped on the screen to see the familiar golden interface pop up, now free of glitches. Your lips curved in soft relief. No more worrying about getting stuck in another dimension.

Miguel stood from his chair, his height dwarfing yours as always. "You can message me if there are any other problems." He said.

"I will. Thank you again." You smiled up at him.

His face softened once again as he looked down at you, and his lips twitched up at one corner in return.

Warmth fluttered in your chest at the rare sight, and your smile widened. That same warmth in your chest lingered even after you left his lab with your fixed watch. Maybe your friends were right. Maybe Miguel did have a little soft spot for you.

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skxllz · 10 months

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Jealous Ian and Mickey??

say no more

“ 𝐰𝐡𝐚𝐭 𝐭𝐡𝐞 𝐟𝐮𝐜𝐤 𝐝𝐢𝐝 𝐲𝐨𝐮 𝐬𝐚𝐲? ”

warnings; mickey being mickey. physical violence (typical shameless shit). ian with rings + getting arrested hehe. blood mention. I think that's it??

date posted; 12.9.23

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usually, ian wasn't the type to get jealous. he had his moments in the past with mick’, with that fucker that had talked shit on ‘im at the bar. and maybe that angie girl... but that was a while ago. maybe even with svetlana, but of course that couldn't be helped. and maybe that one time when they first met you...

okay, maybe ian did get jealous. but that was besides the fact. he's never felt uncontrollable rage before when it's come to anyone other than mickey. the time mickey and svetlana married? he wasn't just heartbroken; he felt the need to actually kill terry and tell svetlana to fuck off in front of everyone, even though technically the circumstances weren't her fault. with you, he's never felt that — not since you started dating him and mickey.

it's funny really, for both of them. it was the moment ian realized he actually was in love with you — same for mickey. only, mick’ didn't realize until after the fact.

it started off with an actual date night between you three. ian told you that him and mickey planned one a while ago but it never sought through because some bitch named sammy got him arrested. you didn't know who the sammy chick was, and ian didn't explain who she was, but you mentally vowed that night to stick it to her. that's why you took them both out a week later, to some fancy restaurant on the west side.

mickey complained about a few things on the way there; the fact that he had to wear a tux, the way it fit him, and that the west side was the last damn place he wanted to be. he claimed it was where the ‘ rich bitches with those stupid nose bandaids ’ live and he wanted no part of that parade. you reassured him though that those noses of theirs would end up bleeding if they gave him the slightest problem.

to say the least, you gave him a boner and a good convincing.

after you arrived at the destination, you had watched while entering the restaurant as the two males gawked at the scenery of the place. it made ian question you just how you were going to afford everything —in which you laughed and just replied with “ don't worry, i’ ”— and mickey mutter under his breath just how much the golden posts by the doorway would go for on ebay. you swatted him on the shoulder since you heard ‘im.

you guys’ little trio was escorted generously to a nice window booth at the back of the restaurant, giving a nice view of the back patio where a fountain and little glowy fairy lights were displayed; giving off a familiar, comfortable feel. and, although you felt as ease, you could mickey still did not by the way he was tugging at different ends of his suit and scooting around in his seat.

“ mick- y’okay? ” ian asked, giving a puzzled questionable expression. the red head had been reading over the drinks menu when he noticed his boyfriend acting out of place.

“ this place gives me the fucking quivers... ” mickey muttered, once again shifting. “ I feel like ‘m bein’ stared at. ”

ian snorted at that. usually mickey didn't let shit get to him - especially people, at that. if there a problem, he'd sort it out himself, so why was he acting off now. “ why's that bothering you? ”

you were now looking at mickey as well, expecting him to answer as you raised your brows curiously. you too wanted to know why he was acting differently.

“ because, ” he sighed in frustration, only then leaning across to table to harshly whisper to Ian, while sparing you a slight glance. “ because I rather not fuckin’ ruin this night for y/n, okay? jesus christ. ”

ian's lips formed an o shape in realization. you were more sensitive than they were, so he could understand why mickey felt that way — didn't want to embarrass you or anything. if that happened, who knows how long of a grudge you'd hold.

mickey sat himself back just as a waiter approached. he was tucking in his finely pressed, button down shirt into his apron, not necessarily paying attention to his surroundings as he dropped a pen from his pocket. y/n realized — and, the good samaritan he was, he scooted out from the booth to crouch down and pick it up.

“ uh- here, ” he stood, pushing his hand out towards the waiter. “ you dropped this. ”

“ oh, ” the waiter extended a hand to take his writing tool back. and, as he did so, lifted his head, “ thank you- y/n? ”

“ blake? ” y/n asked, surprise on his face. “ holy shit. ”

that right there is when the first wave of jealousy struck in the night. the look of realization on both of their faces made Ian and mickey exchange glances — and, although ian felt a twist in his stomach, he wasn't exactly indifferent about the reunion just yet. mickey was, though. he looked sour.

and he was right to. throughout the remainder of the hours there, their waiter, blake, would always give you a smile that was always more than just a smile. he'd stop by more often than meant to, as well. asking for refills when it wasn't necessary, stopping by seconds later thinking he forgot a plate when in reality there was none to take. it pissed your boyfriends off - mickey especially.

the brunette had to withhold standing up and violating the guy where he stands. in mickey's mind, he wishes, wishes, that his stare alone could make this blake motherfucker burst into flames. it'd make his year. probably ian's too, because mick’ knew for a fact that his ginger companion was ready to blow the minute blake stopped by to give you the check.

ian's fingers were death-gripping his fork and his jaw was set. eyes pointed towards the table... and you were oblivious to it - cause you were too busy smiling at him.

“ say- ” blake spoke as he handed off the little black booklet to you, “ since it's been awhile, I was just wondering, would you like to hang out sometime? ”

mickey's head snapped up then. “ the fuck? ” he finally broke for the night. he's had enough. “ no- no, he won't like to fucking hang out sometime, ” mickey mocked, looking absolutely fed up. “ are you fucking nuts? you got some cotton in your damn brain- low iq? ”

the look on blake's face was priceless. his eyes were wide, jaw was dropped open. the hand that had stretched out to take the check back, paused midair. even you were looking at mickey like he was bat shit insane.

which, he probably was. but honestly, what do you expect with dating a milkovich?

“ you need to fucking scram before I pop your head off’a your body like a fucking cork. ” mick’ spat finally - and that was the straw that left the drink empty. you heard enough, scooting closer to mickey to calm him down.

“ mick- ”

“ who the hell are you talking to? ” blake's response made you whip your head around in his direction, eyes as wide as golf balls. was this kid crazy?

mickey looked at ian, who was already looking at him, ready to murder someone, before steering his eyes back onto the blonde male. “ I think I'm fuckin’ talkin’ to you- now y/n, sweetheart, move so I can kill this fucking rat. ”

by now, everyone around was staring. low, hushed voices whispering to one another, other waiters and waitresses watching the scene go down with saucer-bound eyes. a few folks had their phones out, recording, while others were on the phone with police.

“ I'm not moving. ” you sternly spoke, looking mickey in the eye so he knew you meant business. “ you promised you wouldn't make a scene tonight yet here you are, doing exactly that. ”

arms dramatically launched out of gesture to the blonde waiter, “ he was clearly hitting on you! ” mickey emphasized, making sure to get in through your head that you were being blind. you were. “ he wants in your fucking pants! ”

“ he does not want in my pants! ”

“ yes he fucking does! ”

“ stop swearing at me! ”

“ oh fuck off, get a grip! ”

you both were too busy arguing to notice that ian had gotten up from the table and approached blake. it wasn't until you heard gasps around you and a loud “ fuck! ” come from said blonde, followed by a thud, did you and mickey raise your heads.

ian was shaking off his hand with a blank mask of anger while blake lied on the floor, clutching his nose. blood gushed out through the cracks of his fingers, the red liquid flowing down and hitting the dark flooring of the restaurant.

people around looked frightened; staring at ian in horror, as if he was a monster. it was dramatic really.

a few of blake's coworkers rushed to his aid while ian walked back over to you both. his fist was raw and red, and his knuckles were slightly split open, but it wasn't too bad besides that.

“ holy shit... ” mickey breathed out, eyeing blake's bloody face from over your shoulder as he was stood to his feet. he was wobbly, wincing, trying not to shout as someone bumped him. it looked as if ian broke his nose. “ holy shit. ”

“ ian! ” you hissed, “ what the fuck! ”

ian shrugged, “ he got what was coming to him. he shouldn't hit on what isn't his. ”

you blinked lazily. shoulders slumping, breathing coming out in realization. “ but... I'm yours? ”

mickey scoffed and slipped his arm around your shoulders. “ are you insane? of course your ours, y/n. I wouldn't bite someone's fucking dick off for you if you weren't. ”

ian nodded towards mickey, “ what he said. I wouldn't just punch anyone. the dick deserved it. ”

you were silent for a moment, processing the emotions you felt. even though the gossip around you was annoying, you weren't necessarily mad at your boyfriends. moreso, you were just annoyed because the rest of the date was ruined. sure, you had dinner, but you wanted to do much more.

of course though, you couldn't, because the cops ran through the entrance seconds later.

“ he's over there! ” you saw the hostess point towards your red haired companion. ian swore under his breath, only to turn on his heel and book it in the opposite direction.

“ run, i’! ” you scream, looking worried.

“ fucking run like hell, ian! ” mickey looked worried too, surprisingly. I mean, it was his boyfriend, but usually he wouldn't let his emotions get the best of him cause of his pride. but here we are.

the night ended off with ian getting put into cuffs and walked out to the cop car. You and mickey both promised to bail him out somehow, and that you'd explain everything to his siblings.

“ oh- hey, y/n? ” ian called, just as the officer was shoving him into the vehicle.

“ yeah? ” you call back.

“ I love you! ”

your heart damn near skipped a beat. chest fell as you lost breath, a smile of joy spreading across your face. with happiness now in your heart, you lifted your hand, waving him goodbye.

that's when mickey suddenly pulled you by the arm, ripping a gasp from you, and kissed your temple.

“ I love you too, weasel. ”

#ask skullz #ian gallagher x reader #mickey and ian #ian x mickey #ian gallagher #mickey x ian #mickey milkovich x reader #mickey milkovich #shameless us #shameless us x reader #male reader

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factual-fantasy · 2 months

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Forgive me but what is your WH au specifically about? And what are the other neighbors like in that AU?

I feel like I'm not the best at explaining things.. but I'll do my best <XD

Now just a heads up, this post is the RAMBLE OF ALL RAMBLES. I go into some detail for all the neighbors backstory and try to explain what my AU is, prepare yourself- <XD.....

You see, whenever I get into any kind of fandom, I kind'a make this "base" au that is basically just the main series but everything is viewed through my interpretations-

Uhhh for example- Octonauts.

My main "octonauts AU" is just the show filtered through all my interpretations and headcannons.

I haven't swapped the characters or anything or changed anyone's back stories really. But in my AU the Octopod is a different size than in canon because of the headcannons I have for it. Peso has pink feet, and orange beak and some blond feathers in my AU because I headcannon him to be a Royal penguin. Calico Jack has a the fur patterns of an actual calico because I headcannon him to be a rare male calico, etc etc,

My Welcome home AU is the same. I took the main Welcome Home series and all I knew about it, dumped all my headcannons and interpretations onto it and the result is my "welcome home AU". I call it an AU because I think its different enough from cannon to be named as such. <:D

hhhhh I hope that made senseee DDDDX>

NOW, what is my AU about? To start, the world that the puppets are in is a very real world to them. It is separate from our world, but its a real place and the neighbors are real living things. There is no welcome home show or website with hidden links and secrets, there's no fourth wall breaking.. their world is real to them. And they all live in it like normal people.

Other than that, the AU is mostly built on the different backstories for the characters. I'll list them all here-

First, Wally's house is a living entity. And he is completely unaware of this- Home's intentions with Wally are unknown.. atm what Home will do is watch Wally while he sleeps. This results in Wally feeling intense anxiety and waking up. Wally goes about his life thinking that he just has weird sleeping problems..

The things I mostly changed about Barnaby was his appearance. I made him look more like a beagle and gave him different fur patterns. He's kind'a like the fanon interpretation of sans. This big fun loving guy that seems to take nothing seriously.. but it turns out that he's really observant and is always looking out for his neighbors. If someone's missing or isn't acting like themselves, Barnaby is the first to notice. He is the main one looking out for Wally and was there to help him when he had his big breakdown..

Now Julie is kind'a wild. She grew up in the woods with her sisters as this big horrible beast that scared away anyone that saw her.. now when she was little, she would creep close to the neighborhood, despite her sisters warnings.. and would just.. watch.. The people she observed at the time were Poppy, Wally and Barnaby mostly. She wasn't sure why, but she just loved everything about these people. The little mermaid style, she loved the way they walked, they way they talked, how they dressed and what they ate, she loved and was fascinated by all of it.

As a rainbow monster, she had the ability to drastically alter her appearance if she tried hard enough. And so using the neighbors as refences, she did just that. She suppressed her multiple eyes and formed just two big eyes. She copied Poppy's eyelashes and grew 6 of her own. She suppressed her claws and made cute little hands like Wally. The only neighbor she ever saw barefoot was Barnaby, so feet paws she created! Her mane was overgrown and wild.. so she took time to alter it to flow straighter and downward.

Some of the last few big transformations she was trying to nail was her legs, tail and horns. She altered her legs to be the same shape as everyone else's, but this meant she needed to practice walking.. She figured that once she had mastered walking she could work on reducing her horns and making her tail shorter.

Unfortunately though.. while she stalking Poppy from the bushes and trying to copy how she walked... she tripped and yelped louder than she meant too.

Poppy heard a child yelp and came looking. Julie panicked, her body wasn't normal enough yet! She still needed to fix her tail and horns! Julie tried to scramble away but she got tangled up in the black berries vines nearby and couldn't escape. With Poppy coming closer and closer, she knew she was doomed. All those months of hard work trying to look like a normal girl was about to go to waste. Poppy would see this ugly monster and scream. Her dreams of being a normal neighbor were crushed.. Julie just curled up in a ball and started to cry...

To her surprise, Poppy didn't scream and run. "Oh dear, oh dear! Are you alright little one? Oh no- here let me help you," Poppy got her untangled and helped her out of the bushes. She brought her home and patched up the poor girls wounds. Also gave her some clean clothes while she was at it..

She still looked like a monster, and Poppy knew she was some kind of beast.. but all Poppy truly saw was a sweet little girl that was all alone and needed a home.. She took Julie under her wing and ended up raising her somewhat, she was probably around.... 14-18-ish?? When Poppy found her? After a few years living with Poppy she ended up moving out into her own home and finally lived out her dream of being a normal neighbor.. yeah.. normal...

Now Frank is kept somewhat the same.. ish- but a big thing I wrote for him is his and Julies friendship. Their friendship started out as a spongebob/squidward sort of deal. XD Frank was more annoyed by her than anything.. But at some point Julie got sick and didn't leave hew house for several days.. Frank would never admit it, but he was worried. The other neighbors respected Julies wishes and stayed away, but Frank was having none of that. He brought soup and medicine to her house and was ready to break the door down if he had to.

..well it turns out he almost kind'a had to- he knocked on the door and called out. He heard a crash from inside and Julie crying.. so Frank got inside and found blood sprinkled on the floor and walls with Julie locked in the backroom crying..

It turns out that when Julie gets sick or weak, she has a really hard time maintaining her "normal" form and reverts back to a monster.. She had been a monster for several days and was kind of having a mental breakdown over it. She desperately wanted to look normal and see her friends again. She thought she could force her way back to looking normal, starting by getting rid of these nasty claws.

She tried to trim her nail with scissors but with her clumsy monster hands she cut too close and cut her finger pretty good. She started to cry out of frustration.. but that's when she heard the knock at the door- now she was crying out of panic and tried to scramble away. But it was too late.

Frank ended up seeing her true monstrous form.. she was afraid that her dream life with her friends was over... but surprisingly enough, Frank accepted her the way she was. He said as far as he's concerned, no matter what she looks like. She is still Julie. And Julie is a beautiful young lady and a wonderful friend. He patched up her hand, cleaned all the blood from the floors and took care of Julie until she had recovered. Frank respected Julie by keeping her true form a secret from the other neighbors, as long as Julie promised that she wouldn't keep the truth from everyone forever..

This whole event has changed their friendship forever. Frank is now a true friend of Julies that she can tell anything to. Because Frank knows the real her and chooses to be her friend anyways. And Frank sees Julie as a true friend of his because now he really understands her more than he ever did..

Eddie's story is a little hard to explain.. he's supposed to be a human from another world. Is it our world? Was Home the one that did this? I haven't figured out all the details yet... but I do know that Eddie is supposed to be very forgetful and clumsy. So its very odd that he always delivers the mail on time 100% of the time and has never forgotten a package before.. its almost like Eddie the mailman and the Eddie off duty are.. different.. somehow.. he doesn't really remember his childhood and has a lot of hallucination and night terror type problems.. Eddie's kind of an odd ball. <:/

Sally is intended to be a real star that crashed down nearby the neighborhood for similar reasons to Julie. She was fascinated by the neighborhood and wanted to be a part of it! She ended up staying with Poppy for a few years before moving out into her own house just like Julie did. Working on her personality has been tough- but I have ideas for her biology though-

She can wear any clothes she wants year round because she isn't effected by the blistering sun or the freezing snow. If she puts on wet clothes they will dry completely within minutes. I haven't decided what happens if she jumps into a pool.. her character still needs a little work <XD

Now Howdy is.. still kind'a blank. I have ideas for his biology and different patterns he has on his skin.. I have ideas that he is super active in the summer and a real husk in the winter.. ideas for his friendships with Barnaby.. but nothing super specific yet.. <:(

Poppy is unfortunately the same. Beyond her motherly relationship with Julie and Sally, I have few ideas in mind.. <:(((

WOW this post was insanely long. I kind'a got lost there <XDD I hope this answers your question though! <:D ...

#my response #welcome home #wally darling #barnaby b beagle #jullie joyful #frank frankly #poppy partridge #howdy pillar #sally starlet #eddie dear #tw mentions of blood #tw mentions of injury

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bluemoonscape · 18 days

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Hear me out: Sua and Luka parallels.

In Ruler of My Heart, they're most directly compared and contrasted in this frame including both the real world and Mizi's perception. Here, they both look angelic, something other than human, greater than human due to their purity. They're framed by the moon, something only to be seen when shined on by another.

Both are treated in a manner that strikes the viewer as distinctly different from the other kids. They're all treated as less than human in different ways, but Sua and Luka are the ones specifically treated as dolls. Dolls to be played with, dolls to be moved limb by limb and joint by joint as its superior wishes. They're made to look perfect. They're made to look clean, so clean they look inhuman.

They're perfect narrative foils. Nigeh owns several pet humans who all have the same black hair, white bonnets and fluffy shirts. All girls, all a carbon copy of one another. Perhaps they're sisters, even? And if they're all sisters, there's no possible way they could have been born naturally.

This connects to the widely accepted theory of Luka being made in a lab, artificially rather than organically. They were quite possibly both born unnaturally and were raised to be just as unnatural. Both of them seem rather blank in Anakt Garden. Luka is very solemn and unanimated; the most alive he ever looks in Anakt Garden is at the scene of Hyunwoo's death after Luka presumably killed him. He may exist, but he is not alive. In a metaphorical sense, Luka's life is taken from him every day. His heart is literally under Heperu's constant control, to be stopped and started at will. He is a blank slate for Heperu to use for his own glory. The main change we see in him from his years in Anakt Garden to his time in Alien Stage is how he presents himself. In Anakt Garden, he's fairly meek and stoic. In Alien Stage, he's projecting the idol image the world wants to see from him, the one Heperu has conditioned him to display with nothing short of perfection. He is no more alive in Alien Stage than Anakt Garden simply because he's putting on an act. If anything, this lack of authenticity further deadens him.

Sua, though? Despite Sua's upbringing, she is alive when she and Mizi My Clematis together. She's quite possibly more alive than she's ever been. Just like Luka, she's been dressed in white, made to look like a doll, a blank slate, and yet she is anything but, and she proves it by quietly sacrificing herself for Mizi and (as another post put it) an insurance on Mizi's love. Sua could've ended up exactly like Luka. She could have been made to be the villain, the face of Alien Stage, the lifeless marionette. She could have been Luka, but she isn't. Why?

This scene. This scene is why.

I always took the pink tendrils reaching through the glass between them as a metaphor for Mizi's life and love pouring into Sua, putting life into her. Mizi is so vibrant, so alive, and she loves Sua, of all people. Lifeless, blank Sua, or so she thought. But Mizi saw the life in her. She saw her and she saw someone worth loving. Worth worshiping.

Sua was made alive the moment she saw Mizi. This is the moment her life began.

But then, why couldn't Hyuna's effect on Luka breathe life into him, too? Why couldn't Luka's arc diverge due to this love like Sua?

The thing is, Hyuna did make him feel alive. Just like Mizi, she was so full of life that it was impossible for him not to feel even a hint of something in her presence. Maybe she made him feel real, just for once in his life. Just for once.

But he warped Hyuna's love into something it wasn't.

He warped her love into something Hyuna had no intention of giving to anyone: Her life. Just once had to last, so he tried his hardest to hold onto her with a tight fist. When Hyunwoo threatened to come between Hyuna and Luka and take her life away from Luka, Luka, in some way, shape, or form, dealt with the threat. As I said, the most alive he ever looked in Anakt Garden was in the aftermath of Hyunwoo's death, and I believe this is because he thought he'd secured Hyuna's life for himself. Now my life is yours, and your life is mine.

It could've happened to Sua too, under different circumstances. Mizisua could've been just as twisted and toxic as Hyuluka. She could've fallen into the same mindset as Luka: Your life is mine.

She didn't. Instead, she had the awareness that Mizi wanted to give Sua her life, and she said no. With her death, she put Mizi's life back in her hands where it belonged and made her, as much as Mizi fought against it, live for herself. The difference in the way Sua sings Ruler of My Heart in her cover really highlights this. Opposite to Luka's cool, condescending control over the lyrics and the subject of the song, every word Sua sings is from her heart. Mizi is the ruler of her heart, and she does want to give everything to her out of pure, unconditional love.

Sua's love saved her. It elevated her not to something inhuman and unnatural (untouched by feeling) but to humanity.

Luka's love took whatever humanity he had left of him.

Sua is the moon under the sun's glow, and Luka is left in the dark.

#alien stage #alnst #alnst analysis #alnst sua #alnst luka #alnst mizi #alnst hyuna #alien stage luka #alien stage mizi #alien stage hyuna #alien stage sua #mizisua #hyuluka #i talk about ivantill so much i thought i better talk about mizisua and hyuluka for once LMAO #and sua is my girl #blue's essays #my post

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real-fire-emblem-takes · 8 months

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hi to chrom hater anon i'm a professional chrom enjoyer

if you get deranged enough about awakening i think chrom is a very well done character :) he's ignorant but well meaning which meshes in interesting ways. he's not overtly prejudiced to the plegians he knows personally but still *generally* prejudiced because of his upbringing.

additionally in discussions of the ylisse-plegia war he tends to focus on how ylisse came away from it because that state of ylisse is what shaped his formative childhood years (seen particularly in his feelings about emmeryn's early years as exalt). this is UNDERSTANDABLE but still an extremely DEEPLY FLAWED and naive stance when doing politics on a larger scale, which chrom is incredibly ill-prepared for. it's a very childish view of a large scale conflict.

chrom's propensity for violence is a trait that actually deeply fascinates me. he has intense admiration for emmeryn's desire for peace yet he has a very short temper in tense situations (seen in basically all of chrom's interactions with gangrel), and he tends to lash out easily at anyone he views as an enemy. he admires peace but sees no other means to achieve it than violence. isn't that interesting. the implications here. like, he's the inheritor of the falchion, he's the only son in his family, in all likelihood it was expected that HE would take the throne and continue his father's war, but he was so young when the exalt passed that the crown went to emmeryn instead.

it really seems like emmeryn intentionally kept her siblings away from politics, which results in BOTH of them being naive in vastly different ways, with the expectation that she would always shoulder the burden of the crown yet left all the bigger a void when she died.

mind, intentionally being raised to behave this way isn't an excuse either. it's ultimately still something chrom, as an adult, SHOULD examine critically. this is, in fact, a character flaw, and i think its great.

you can then of course do nice little compare and contrast at the shitty dads, i.e. chrom's dad vs validar. robin's first act as an awakened god is murdering validar. robin became the monster everyone saw them as, the one their father thinks they were born to be. it's a neat lil nature vs nurture comparison if you really get into the depths of grima-ology (hi grima ✌️ mutuals).

to dig more into points the chrom hater anon makes.

"chrom is transphobic for killing excellus" do you hear yourself. excellus was an enemy commander. chrom has no personal grievances against the commanders other than they are part of the army with the known intent to raze ylisse.

SAME WITH ROBIN BURNING DOWN THE BOATS. THEY ARE AT WAR. IF ROBIN DIDNT DO THAT THEY'D ALL GET KILLED. they would have to fight the valm forces ON FOOT and BE KILLED VIOLENTLY because they are vastly outnumbered. it would be weird if he WASN'T at least happy about this.

he could stand to be regretful about the massive loss of human life but honestly hashtag robin warcrimes W.

"chrom makes sure to only recruit white ylisseans" i think this is just dev colorism actually. like you know how robin's dad (who is evil) is brown, but robin (who is good) is white? and how that makes no sense and robin should logically also be brown? i dont think chrom would've turned down if like, mustafa joined him. it is simply that intsys was still in their racism era (which is, tbh, only really ended with engage, like, cmon, look at literally all of FE, this isn't a chrom flaw, it's a FE being racist flaw.)

same with the sexism things actually FE is just homophobic and sexist a lot so all the characters are also by extension. this is called doylist analysis

Chrom tells Aversa "One person's life means nothing in the shadow of millions" Chrom is a hypocrite i hope this helps. additionally what aversa is doing is "help the dark god literally causing the apocalypse rn" whereas the sacrifice/save robin choice is "doom people in some hypothetical far off future" which is FAR less personal than "all of humanity RIGHT NOW".

TLDR: the real chrom enjoyers know about his character flaws and love him anyway because it's nice flavor to chew on

also never insult my beautiful daughter lucina ever again. she is deeply compelling even if she is narratively underutilized. anyone who calls themself a chrom fan and hates lucina is a faker and will not survive the winter.

also learn the difference between flaws of the story's writing and flaws of the character otherwise everybody in awakening is sexist.

anon you should read chrom/grima fanfiction unironically we fucking love tearing this dude to shreds for his flaws. this has all been a ploy to say that. chrom is naive and selfish and hypocritical and i love him very much he is my wif e :)

#fe #fire emblem #chrom fe #chrom fire emblem #i am no longer neutral on chrom #fe13 #fe awakening #fire emblem awakening #what am i witnessing #fave takes <3

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cassiusfen · 11 months

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This isn't my art, (it's made by @ TheHearthFox over on Twitter) but I wanted to make a long post about why this work in particular speaks to me so goddamn much. I think such a massive part of the queer experience -- and also the furry experience -- is about the abstract. This can be seen in so many different aspects of furry "culture," from the concept of fursonas to kink and and other fetish content. You and I will never know what it's like to be a werewolf and transform under the full moon into the form of a big hulking furry beast. However, us furries create art and other works about the idea of it anyway. We never will be able to be our fursonas -- our often idealized and "perfect" versions of ourselves -- and part of that really hurts. It hurts so bad honestly, to the point where I can't quite put it into words. In terms of queer culture, I will never know what it is like to be a cis woman, and that also messes with me a lot. Yet, I'm still trans, my identity can change, I can perceive myself as whatever I damn well please. Identity allows you to shape yourself and the world around you in your own image, even if not everyone can see its beauty.

We have ways to get at least somewhat close to how we feel in our abstraction. VRChat allows you to make an avatar of what ever you want, whether it's your fursona or just an ideal version of you. Hell, it doesn't even have to be you, it could be anyone or anything really. We have a whole industry based around creating big ass costumes that allow people to at least look something like their desired character. But it's not enough. It's never enough. I ain't religious, but sometimes I feel like I've bitten the apple, been kicked out of the garden, and now I'm left to fend for myself with an identity that my physicality will never match. When I made my fursona using an avatar base in vrchat and configured it to match my real world body scales and looked down, I honestly started crying. I take the headset off, and I'm still me. Everyone takes the headset or fursuit off and they're still the body they were given, not what they would choose. Our reality is objective, and there's no way to really change that. We can act like animal people online all day, but the moment that screen shuts off, the moment we walk away, that warm, fuzzy feeling (hehe) fades.

To think abstract is to think beyond what you can normally sense. You will never get to brush the knots out of your fur in the morning, or play with your antennae while anxious (I see you bug people). We can still have those ideas, however. I know I'm on the third goddamn paragraph and I'm just now talking about the artwork I linked but this is an important concept to me. Usually, when I think of the abstract, it feels unreal, "fuzzy" so to speak. However, in HearthFox's piece, the objective reality appears out of focus and pixelated. It feels like even if we are unable to fully embrace the abstract, we can still embrace what we can of it, and bring some sort of color to a world that doesn't feel like it is made for us. The colors being outside of the lines could suggest that our abstract perception is maybe just "painted on" to the world around us, but is that a bad thing? Is it bad to take things in from the world around you, but still look at it all in your own unique way? I think not. This also isn't only about therian identity, or furry identity, or even queer identity -- it's also about neurodivergence. You are never in the wrong for thinking about the world in a way that is viewed as "non-standard" by the rest of the world. If you see yourself as a wolf, bee, fox, bear, raccoon, a fucking plane, it's not a bad thing. We can still identify however we want, and this modern way of looking at identity is the best way for us to embrace the abstract.

Go wild, go fucking stupid. Love yourself, if you're a fox, be a fox, there are ways you can feel that way, even if it's not all of the time. We can fight, we can love, we can still find ways to elation, even if sometimes existence itself feels wrong to you. This work is but one side of abstract thinking. Look at the color the fox has compared to the objective. Look how the fur drapes, how it runs down the body, or how the snout expresses emotion. Sometimes it feels melancholic, but you cannot tell me that trying your absolute damnedest to live your identity doesn't at least bring some color to your otherwise dreary and unfocused world.

Stay safe, love yourself no matter what.

#furry #aptophilia #therian

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chirpsythismorning · 3 months

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WSQK Update

The Twitter account for WSQK Radio has reached 100(ish) songs! And while it's currently unknown whether or not this account is in any shape or form associated with Stranger Things, I still want to give a breakdown about it as well as some reasons why this account intrigues me so much, because there are actually quite a few.

For some context about when and how this started, it might be helpful to know that the first (un)official leak regarding the existence of the WSQK filming location occurred on January 18th, the day prior to WSQK making their first post.

That same Friday when WSQK made their first post, fans also got official 'Week 2' BTS from Ross, which more openly acknowledged the existence of the radio station location in comparison to his previous posts for s5.

What then followed was a rocky start in terms of this Twitter account’s approach at making posts. Initially, they only made posts consisting of lyrics, followed by another post with a short clip of the song those previous lyrics came from.

After less than a week of the account being sporadically active, they became very consistent and continued their roll-out of lyrics + video, and then adding in + dialogue, every single day. There are a few outliers, with them not making a post on March 14th and March 20th, but the first time they had a big break in between posts was from March 22nd-March 24th, notably with their March 21st's post being related to Will's birthday:

After the March 21st post, and with their return on the 25th, they officially switched it up from posting every day, to every other day, and more recently with a consistency of every 2-3ish days.

But still, over 5 months later (roughly 156 days), they remain active.

When it comes to the type of posts this account interacts with, they stick to strictly liking and sometimes retweeting/replying vaguely to posts regarding the WSQK location, along with liking the posts of anyone that replies to their posts.

After some time though, I noticed they began posting songs that they already posted before, just with different lyrics and lines from the show along with them. This actually makes sense given that they are acting as a radio station, where songs are known for playing and replaying numerous times.

Which brings me to the most interesting aspect about WSQK, which is that while a good chunk of the songs posted have featured on the show at some point, there are also a decent amount that have not.

Here is a playlist of the songs for reference:

Here are some songs specifically that pique my interest. Some I will elaborate on, while others I might just share and let you figure out for yourself why I think they're worth mentioning.

This song was originally the third song they posted, though it was removed about a week later. Hard to tell why exactly they removed it. Maybe since it was still early on. they mixed something up and decided to get rid of it? Regardless, lyrically there could be some significance to this song choice.

Since we've obviously heard Kate featured on the show already, I don't think it would be too hard for a fan to include this. Though, it being added this early on is an interesting choice to me. Lyrically a song like many on this playlist that I think have a specific meaning which could fit quite well with a potential storyline in s5. It is also one of quite a few songs that have been posted at least twice.

While this song did feature in s3 and s4, this song is one of many that are unlisted for the show. It doesn't feature on any official soundtrack or playlist and so you'd have to already know it to recognize it or go out of your way to search it for yourself. And the meaning is also ummmm... yeah.

I actually got barely any results when looking into this song and its lyrics. Though I did discover that it is most known for featuring in an episode of Miami Vice in 1986.

I could only share 10 songs here, so if you want to look at more or even all of them, I highly recommend taking a look, even if it's only out of mere curiosity. I do plan on going through and confirming all the songs one by one again because I probably mixed up or missed one or two (or more). Scrolling down a Twitter account until their first tweet is not exactly fun, but this should be accurate for the most part!

Something else I want to mention is that @erikiara80, who also keeps an eye on the account, noticed a while ago that they have always followed 11 people, some fans and some connected to the show. There was one time they unfollowed some accounts and then instantly followed some others, keeping them at 11 follows, which means the number could be an intentional choice.

A while ago, it hit me that, if this is a hypothetical radio station, wouldn't they also take requests? So Erika helped me with that by requesting two for them to post, getting this reply:

And they did in fact eventually post those two songs requested... I'll let you guess which ones :)

Basically, I felt the need to bring this whole ordeal back to the conversation now, not because I am convinced that it is run by someone connected to the show, but because the eeriness around it persists.

Keeping something going on this long would not only require someone to be very consistent, but to also have the willpower to not go over the top interacting with fans (which I don't think most fans have the self control to not take advantage of). This account doesn't seem to have any bias towards anything. In fact they remain completely impartial, sticking to their script. They seem fine with remaining in the shadows with fans assuming they are insignificant or otherwise, all while keeping the act going almost a half a year later.

With s5 getting no promotion outside of Ross's (sometimes) weekly BTS photo-dumps, this season's roll-out has been almost non-existent. Usually we would get phone numbers to call and obsess over, even 1-2 years out from release, and yet nothing.

I find this approach interesting because it does honestly resemble something I could picture the show doing to hype up s5. If the radio station is going to be a prominent location, then it offers up a really creative way to interact with fans as a way to promote the show.

Them humbly leaving hints about the final season through songs via a ‘radio station’, could parallel similarly to easter egg like approaches they've presented in the past. Only this time (the last time) it would have existed and built up for months with most not knowing about it, offering up a sleuth different songs fans could dig into if it was ever revealed to be promotion for s5.

With their being whispers that we could get something revealed in regards to s5 very soon, and with this playlist finally reaching 100 songs, I thought I would celebrate and remind ya'll it still exists in case you need an excuse to overanalyze something new.

#byler #stranger things #stranger things 5 #wsqk #st music #st5 promotion #st5 predictions #can you guess which two songs i requested?#and no i did not request smalltown boy

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sleepingdeath-light · 1 year

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myers’ girl ; 18

requested by ; anonymous (kinktober entry)

word count ; 1048

content ; sexually explicit content, public sex, vaginal sex, wall sex, rough sex, choking, possessive sex

fandom ; halloween / slashers

pairing ; michael myers (any) x cis female reader

read also on ; ao3

minors and ageless blogs will be blocked

Being known as ‘Michael Myer’s girl’ brought with it a great many unique experiences, both good and bad. Good, like people going to great lengths to avoid you on the street which meant that you had more than your fair share of personal space to do with whatever you wish. Bad, like the cashiers in the local shops refusing to look at you or otherwise acknowledge you as you buy what you need, making things much more uncomfortable than they ever ought to be. Good, like feeling safe no matter where you went or who you were with because the only killer in town was your boyfriend and nobody wanted to piss of the infamous ‘Shape of Haddonfield’. Bad, like people leaving all sorts of defamatory and insulting graffiti all over the five-times-repainted walls of your home: ‘whore’, ‘traitor’, ‘cunt’, and, of course, ‘Myers’ Girl’ (usually misspelled in a slightly different way each time it was written).

Just calling your experience a mixed bag would be the understatement of the century.

But so long as you had your Michael by your side you found yourself (mostly) unbothered by the behaviour of your previously chipper and chatty friends and neighbours. He was all you really needed, after all… even if sometimes he thought you needed to be convinced of that yourself, which lead to some of the most enjoyable but mortifying moments in your relationship.

Moments like this.

—————

Your position was precarious to say the very least and had you been able to form a coherent thought you might have just complained about it: the palms of your hands were pressed flat against the spray painted, white panelled front wall of your house, the decorative wood rough and damp beneath your skin as you tried hopelessly to try and brace yourself against the slippery, splintered surface; your legs were spread as widely as they could go with Michael’s heavy boots placed on the inner side of each foot to keep them in place, the tattered remains of your knife slashed underwear and jeans just barely hanging on around your knees, exposing everything from your thighs to your midsection to the cool autumn air (and anyone who might walk past your home); one of his large, calloused hands was wrapped around your throat, thumb rhythmically caressing over one side whilst the rest of his fingers periodically tightened and relaxed, giving you just enough room to breathe whilst making it abundantly clear what he could do if he got the impulse; his cock, thick and long and hot, was pounding into your dripping pussy from behind, hips slamming so hard against your ass that had it not been for his harsh grip on your body you’d have surely gone flying whilst he filled and stretched you to the brink over and over again.

It was mortifying, humiliating, degrading, to be fucked so primally against your own home, the only thing separating you from the rest of your neighbourhood being some tall bushes and that feeble fence you really ought to replace. One neighbour going on a midday stroll away from being caught with your pants around your ankles and a dick stuffed inside of you whilst you drooled and whimpered like a bitch in heat — if they could even see you with Michael’s imposing figure looming over you, that is.

Not that that would make your reputation any worse, being ‘Myers’ Girl’ had already murdered your social life more than any act of public lewdness ever could, but it was more about the principle.

Then again you were much too distracted to bother thinking of anything beyond his hands on your body or his length stretching your cunt beyond what you thought possible. Too caught up in the feeling of that large hand wrapped around your throat as it tightened, and relaxed, and tightened, and relaxed, a warning so deliberate that even your pleasure-fogged mind couldn’t miss it. Too preoccupied with the wet slap of his skin colliding with your own as he pumped that thick shaft into your pussy with so much roughness and speed that you felt less like a partner and more like a glorified cock sleeve. Too engrossed with way his other hand groped at your chest and waist, keeping you in place and exploring what belongs to him at the same time whilst only making your mind fog worse and worse as you started to mount your peak. Too far gone to think as you lost yourself to the sound of his voice, rough and scratchy and quiet from lack of use, as he panted and grunted under that mask of his, the well-worn latex just barely brushing against your ear with each and every thrust.

It was too much and yet precisely what you needed, with every movement and sound pushing you closer and closer to the edge until, finally, something snapped and you were sent spiralling into a climax so intense that you’d have surely collapsed to the floor had it not been for Michael’s strong grip on your body. Coming so hard that your vision whited out and your senses were so overwhelmed that all you could do was call out for him, too far gone to notice or care how loud you were being as he continued to fuck you through your climax.

Not even altering his roughness as he went, not caring to make it easier on you as you started to straddle the line between overwhelming pleasure and overstimulating pain and your moans and whimpers turned into sobs and gasps. Only slightly loosening his grip on your neck to let you breathe better when you started to pant and wheeze for air. Only barely slowing down when you started to tremble and quake beneath him, giving you just enough change to stop you from being in too much pain without compromising on his own wants too much — but he didn’t stop, not for more than a second at a time, anyway.

This was about showing you who you belonged to, after all, and Michael Myers wouldn’t be content until the only thing you could say was his name — and until you were screaming it so loudly that even your farthest neighbours knew how proud you were to be his girl.

#sleepingdeath #minors dni #minors fuck off #minors don’t touch #ageless blogs dni #ageless blogs will be blocked #female reader #female reader smut #slasher smut #slasher x reader #smut #halloween x reader #halloween smut #michael myers x reader #michael myers smut

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thenukacolachallenge · 1 year

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In defense of the One Piece Live Action Adaptation’s stylistic choices: A Cosmetologist’s Perspective

Hello! My name is Dia, and I’ve been a licensed cosmetologist since 2015(almost a decade now!). For those unaware of what exactly that entails, cosmetology is traditionally defined as ‘the professional skill or practice of beautifying the face, hair, and skin’. For me specifically, I have worked in the fields of hairstyling/haircutting/hair coloring, skincare, nail care, and makeup application(both traditional makeup and FX makeup) in my eight years of being licensed to work in these industries.

The reason I’m making this post today is to talk about the Netflix adaptation of the hit manga/anime One Piece, and specifically to address a lot of complaints I’ve seen about the wardrobe, makeup, and hair choices of the main cast thus far. I’ve seen quite a bit in the way of complaints, and a lot of it seems to be, to put it as politely as I can, not based in reality of how makeup, hair, and acting in general works, and I’d like to address some of it to possibly explain why certain choices were made, to maybe help people come to a better understanding of the why and how of these sorts of decisions.

I’d like to also, before I dive in, note that I am not in any way, shape, or form affiliated with this production! These are merely my personal thoughts and speculation as someone with some experience in this field. None of this is set in stone unless I provide evidence from the cast and crew to back my claims up. As well, I’d like to point out that I have next to no experience working on film sets(I have worked on VERY small productions in the past, for things that go up on sites like Youtube and not Netflix lmao), but I am married to a person who has a degree in film and has worked on live production sets before, and I did defer to them for a lot of the knowledge that I lack with live action production specifically.

I’d also like to point out that while I’m not mad at anyone who has the critiques I cover in this post, I may come across as a bit exasperated. I promise this isn’t me being angry at anyone, but more of just.... I’ve seen the same critiques over and over again, and to me, a lot of the choices seem fairly obvious as to why they were made, and some of the critiques come across as extremely silly to me. This is of course due to my own background related to these sorts of things. I promise I mean no offense or disrespect to anyone saying these things! I just want to make this to be able to help others understand why production may have made the choices they did.

Now, under the cut, I’ll be discussing some common complaints I’ve heard with regards to this production, and provide some potential explanation as to why these changes were made. On to the post! It is quite hefty, so please bear with me.

First and foremost, the most common complaint I’ve seen thus far is some variation of the phrase “I’ve seen cosplayers that look more accurate to the characters than this show does,” and I’d like to address this one first, as I think it’s the one that probably frustrates me the most. It specifically frustrates me because comparing cosplayers to actors feels like an apples to oranges situation. The two groups are designed to do entirely different things! Cosplayers do typically look more like the characters they portray than a live action actor will, and that’s a very common occurrence, but there’s a reason for that: the two groups are not doing the same thing.

Both cosplayers and actors put a huge amount of time and effort into their work, and I love cosplay personally. However, cosplayers are typically in their outfits for 8-10 hour days at most for a weekend, doing things like photoshoots where they have to pose, walking around conventions, and maybe filming a small amount of video(Not to say that this takes no effort! Please do not take this as such, I have helped friends with cosplays and I fully understand and appreciate the level of dedication and hard work that goes into it!). Actors, on the other hand, are in hair and makeup on set for 10-12 hours a day(if not longer) for weeks to months on end, and have to be fully in character while filming, as well as(specifically for a show like One Piece) doing things like stunt work, being submerged in water, and being on boats with lots of wind and ocean spray. There are certain things you simply cannot do, hair/makeup/costume-wise as an actor that you can as a cosplayer, so I really don’t think this comparison in specific is being very fair to the actors and the crew who are in charge of makeup, hair, and wardrobe in this case.

I’ll be getting into a lot more specifics below, but I will be deferring to my main point here very often, which is this: The safety and comfort of the actors is far more important than 1-to-1 accuracy in the way cosplayers can do, especially for minor changes in appearance.

Now that I’ve addressed that specifically, I’d like to move onto some common complaints I’ve heard for each specific main cast member, and my opinion on these complaints, as well as listing potential reasons as to why these things may have been changed!

We’ll start with everyone’s favorite funky little pirate king, Monkey D. Luffy:

For Luffy, the number one complaint I’ve seen is the live action’s choice in shoes. in the manga/anime, Luffy wears and fights in flip-flops, but this was changed in the live action. This was changed for a very simple reason, and Emily Rudd, the actor that portrays Nami, actually addressed this on Instagram while being asked by a fan:

Simply put, trying to do the kind of stunt work that Luffy has to do is not safe in a shoe like a flip flop. This is something that falls very completely under my original point of the comfort and safety of the actors being more important than 100% accuracy. It would be entirely too easy for Iñaki or someone he’s in a scene with to get hurt if he weren’t wearing the proper footwear. Fairly simple explanation there!

This is really the only gripe with Luffy costume-wise I could find, to be honest! I have seen a few people saying that he doesn’t have his signature undereye scar, but he does, although it’s not as visible as it is in the original work:

They kept him fairly true to the spirit of his original character, and although I don’t know why they chose to give him this specific potato shoe footwear, it is what they went with, and the main takeaway is that it was for safety reasons.

Onto our favorite wayward booze-loving swordsman, Roronoa Zoro:

Similarly to Luffy, I’ve only seen one main complaint regarding Zoro, and it involves his use of swords. In the anime/manga, Zoro has pioneered a specific fighting style called “Santoryu”, known in English as “Three Sword Style”: one sword in each hand, and a third in his mouth.

I’ve seen several people wondering where his third sword(the one that goes in the mouth) is from the trailers, and I was initially wondering this as well, since in most of his action scenes that have been revealed so far, he seems to only be holding either one sword or two. However, there was a brief clip(I’m talking, like, maybe one second) of him utilizing his three-swords style in the teaser trailer released in mid-June:

Now, as to potential reasons as to why this seems to be the only clip of him thus far using all three of his swords:

1. Again, this could be for the safety of the cast. Obviously being a cartoon character, Zoro wouldn’t have to worry about potential damage to his jaws and teeth, but Mackenyu, Zoro’s actor, is a real person who does have to worry about such things, especially as an actor who relies on(among other things) his facial expressions to earn a living. Carrying something like a sword, even a prop sword, in your mouth for long periods of time cannot be good for the health of your jaw and teeth, and I could understand if they chose not to film him with a sword in his mouth very often for this reason alone. 2. It could also be he uses all three swords less often so he can still deliver lines while fighting. In an SBS(”Shitsumon o Boshū Suru”, when translated means “I’m Taking Questions”, essentially an AMA for mangaka to answer questions their readers may have), Eiichiro Oda, the author of One Piece, once answered a question about how Zoro was able to talk with a sword in his mouth with quite a funny answer:

Sadly, in real life, Mackenyu cannot speak through his heart as Zoro does, so it’s possible that some of the scenes have been changed for ease of dialogue. 3. It’s also entirely possible that he uses his three-sword style as often as he does in the anime and manga, and the small amount of what we’ve seen in the trailers isn’t necessarily the full picture. I imagine this is something we’ll have to wait for the full series to drop to find out definitively one way or another!

Now, onto our lovely citrus-fruit-loving navigator, Nami!

I have seen two main complaints with Nami’s looks, and I’ll start with her hair, as it’s the more common one I’ve been seeing. I have seen a large number of people saying that her hair looks like(and I am slightly paraphrasing here) “a bad cosplay wig”, and honestly? I think this is just not true, and either comes from unrealistic expectations or just plain being mean-spirited.

First and foremost, this is very obviously human hair:

Now, I don’t know what kind of bad cosplays y’all have been seeing, but the ones I’ve seen start with synthetic hair wigs, not human hair ones(This is not to say synthetic wigs are inherently bad for cosplay! Simply that they are much harder to work with, though they are cheaper than human hair wigs). As well, I know for a fact Emily Rudd got her hair done similarly to this, to the point where I wasn’t actually sure that this WAS a wig at first(this picture comes directly from her Instagram account):

This is very obviously almost the exact same haircut as the wig chosen for Nami, save with more layers, and even the color choices are similar. To say that this wig looks like a “bad cosplay” is honestly just flat-out wrong in my professional opinion, and moreover, it’s quite rude. In addition, to me at least, it really looks like the wig was styled to resemble anime-esque hair, which is actually quite common among cosplayers. If anything, I have the same complaint on Nami’s wig that I also have with Sanji’s(which I’ll definitely be touching on later): it’s not thick enough. Both Nami and Sanji’s wigs just seem like they could use more hair attached to the cap in general, but especially for Nami’s, I really don’t think it’s as bad as people are saying.

I think this “bad cosplay wig” complaint specifically is mainly coming from people who only see the tail end of cosplay productions, which tends to be photos that are often times edited to look a certain way, which can often include doctoring the hair. There’s nothing wrong with a cosplayer editing their photos, for the record, but it can absolutely give unrealistic expectations to those who aren’t familiar with this practice, and I personally think this may be where these comments are coming from. Obviously you cannot photoshop every frame of a live action production, at least not without a lot of time and effort on the behalf of the post-production team, and I highly doubt Netflix would have greenlit something like that for such a small detail. It’s simply not realistic.

As well, I do find it quite interesting that I have seen far less complaints about the wigs of characters such as Zoro or Sanji(played by Taz Skylar(as stated previously, I have seen complaints about Sanji’s wig and I will be speaking on that later)) than I have about Nami’s. I’m not saying it’s outwardly misogynistic, but it does make one consider such things.

The only other complaint I’ve seen directed towards Nami’s live action look(and truth be told, I’ve seen this one far less than the comments on the hair) is the discrepancy between Emily Rudd’s eye color and Nami’s. As you can see from the above photos, Emily Rudd does not have brown eyes, which are the color of Nami’s eyes:

Now, I didn’t actually see this complaint until after the first full trailer dropped on July 21st. Specifically, I saw someone saying that it seemed strange that Steven John Ward, who portrays Dracule Mihawk in the series, is wearing colored contacts to better resemble his character, while Emily is not.

Now, there could be a lot of potential reasons for this, including that Emily may simply be not wearing colored contacts because they irritate her eyes(going back to my original point of the comfort and safety of the cast). But more importantly, I think, is that Mihawk’s unique eyes are directly related to his character, specifically through his epithet: Hawkeye. This is a seemingly important enough part of his character, to the point where it’s directly mentioned in his title. Nami has no such distinctions with her eye color, so I really don’t think it’s as important, and at the end of the day, it takes nothing away from her character to have a different eye color. So, while I don’t know the particular reason she doesn’t have brown contacts, I also don’t think it’s nearly as important for that detail to be as canonically correct as it is for Mihawk. To me, this particular comparison is another apples to oranges situation.

Onto our beloved liar, God Usopp himself:

Of course, the number one talking point I’ve seen about the live action Usopp is that Jacob Romero Gibson, Usopp’s actor, is missing his trademark long nose.

As One Piece fans know, one of Usopp’s characteristic traits is his tendency to lie. His name, Usopp, comes from a portmanteau of the Japanese word “uso”, which means lie, and Aesop, the famous Greek storyteller and the namesake for Aesop’s Fables. Because of his propensity towards tall tales, Usopp’s anime and manga character designs also added a reference to another character who’s known for lying, Pinocchio, whose nose grows when he lies. Thus, Usopp in his cartoon form has a long nose!

Considering how many gags in the story involve Usopp’s nose, a lot of fans were surprised to see that aspect of him not carried over into the live action. After the drop of the official trailer, seeing that the character Arlong had his signature sawshark-esque long nose in prosthetic form, there was even more confusion about this choice.

(As an aside, Arlong’s costuming choices will not be discussed in this post, as it’s long enough with just the main cast, but believe me, I do have Opinions on it lmao)

Now, as to why the show chose to not give Jacob a prosthetic long nose to better match Usopp’s appearance, I don’t know the specifics. I can only speculate, and really, the only things I could feasibly come up with are the following:

1. It’s entirely possible that for whatever reason, Jacob is unable to wear a prosthetic nose. This could be due to several things, including allergies to either the prosthetic material itself or the adhesive used to attach it, or the makeup required to blend the prosthetic into his skin. If this is the case, then it of course goes back to my main point here that the comfort of the cast takes precedence over accuracy to the source material. 2. The only other explanation that really makes sense to me is that they did in fact attempt the nose in costume fitting, and either the absurdity of it was just either too distracting to audiences/the crew/Netflix execs/possibly even Oda himself, or it could have potentially been a problem during stunt work. Usopp primarily fights with a slingshot, and I have no experience with slingshots so this is just me taking a stab in the dark, but it’s possible that the extra length on the nose could have possibly messed with the actor’s depth perception while attempting to act out Usopp’s fight scenes.

Overall, I genuinely don’t know why they decided to axe Usopp’s long nose. But at the end of the day, I know that for me specifically, this is a minor detail, and not something I see as a genuine problem, nor will it ruin the immersion for me. That being said, I can definitely understand the criticisms here. I’m hoping that a lot of these changes will eventually be answered, perhaps in some behind-the-scenes footage that comes out after the show’s release.

The only other comment on Usopp’s costuming that I’ve seen is much more easily explainable, and I also haven’t seen nearly as much in the way of commenting on it: Usopp’s hair is not in dreads in the anime and manga, and instead is kept natural, especially before the timeskip.

As we can see in the above picture, Usopp seems to keep his hair fairly natural, whereas Jacob, Usopp’s actor, sports dreads in his portrayal of Usopp, as seen in the above photo.

Luckily, I haven’t seen very many comments on this, and I think that’s a good thing, since the explanation seems fairly simple to me. Usopp in canon is based off of (mostly unused in this day and age, for good reason: a lot of the design is highly based off racist blackface caricatures) old-school anime portrayals of Black/African people. As well, in an SBS, a fan asked where the Straw Hats would be based out of if One Piece was set in the real world:

As stated above, Usopp would come from Africa! As well, if I recall correctly, Oda had a hand in casting the live action adaptation, which all points to the undeniable proof that Usopp is and has always been intended to read as Black/African in some form.

The reason I bring this all up specifically, is because of the way African hair grows. Obviously not all Black/African people are a monolith, and even among curly haired people there are different curl tightness and growth patterns, but for a large portion of people of African descent, their hair would not grow similarly to the way Usopp’s is portrayed in his cartoon form. His hair is indeed curly, but it grows down, similar to most wavy or straight hair types. This is especially evident in his post-timeskip hair growth:

Usopp’s hair, which was once above his shoulders before the two year time skip, now extends down past his shoulders. This is not necessarily inaccurate to Black/African hair types, as, since stated previously, different curl patterns and tightness exist, and even with super tight curl patterns, if grown out long enough, the hair will eventually grow down, due to the weight of the hair strands. But for a lot of Black/African hair types, the natural hair tends to grow outwards, instead of downwards(or at the very least it grows outwards before it begins to grow downwards). This type of hair is typically referred to as afro-textured hair, and is the namesake for the afro, a hairstyle wherein someone with afro-textured hair combs out their natural hair growth in the shape it naturally grows.

Now, I’m not familiar with Jacob Romero Gibson’s work prior to One Piece, and I have never seen his hair without his dreads, therefore I can’t say with 100% certainty how his hair grows naturally. However, he does have an Instagram account, and on this account he has photos of himself. I looked through his account, and although he doesn’t seem to have any photos of himself without his dreads(indeed, they seem to be his signature hairstyle) as an adult, he does have a few photos of himself from his childhood. I don’t personally feel comfortable linking his baby photos to this post, so I’m not going to do so here. However, they are visible there, and from what I can see from those photos, he does indeed have afro-textured hair. This may not be 100% accurate to how his hair grows now as an adult, as lots of things can change hair growth types and curl patterns, including things such as hormones, medications, stress levels etc. In my professional opinion, I feel fairly confident in saying that Jacob most likely has afto-textured hair, and therefore his natural hair likely wouldn’t fully grow in the exact same way that Usopp’s does.

Overall, I only bring all of this up to say that if Jacob did have his hair in a natural, non-protective style in his portrayal of Usopp, I feel that the same people who are complaining about the dreads now would likely complain that his natural hair doesn’t match Usopp’s exactly. Either way, Usopp’s hair is not a huge characteristic that defines who he is as a character(especially not in the way that his nose is), and therefore I don’t think that him having dreads in the live action takes away from the character in any way.

Finally, we’ll discuss the Straw Hat crew’s first-rate cook who attacks through kicks, Black Leg Sanji:

Sanji has the unfortunate position of being the character who’s had the most changes to his design from his cartoon to the live action, and there’s a lot of criticism that’s been lobbed his way. Some of it I think is fair, but there’s also quite a bit that I think is honestly quite silly. So without further ado, I’ll go through the four main critiques I’ve seen, and my opinions of each.

Let’s start with the one I’ve heard the most often, and the one that’s easily my least favorite to hear about at this point: the missing eyebrow swirl. Maybe it’s just because Sanji is personally my favorite on the crew and I’m just paying the most attention to him, but my god, the way some people are going on about the eyebrow, you’d think the showrunners made the decision to axe his signature curly eyebrow specifically to spite the Sanji fangirls. I think a lot of the complaining about the lack of eyebrow swirl would simply be changed to complaining about how bad the eyebrow swirl would look if they’d tried to keep it, and I’ll explain why below.

Like many of the costuming changes made to the live action adaptation, I don’t know the exact reasoning as to why they decided to get rid of the eyebrow swirl. As someone who has worked as a makeup artist, however, I do have a theory as to why they got rid of it, and my theory is fairly simple: it is just not really very possible to create a realistic-looking eyebrow swirl that reads well on a film camera.

Yes, the makeup team could have very easily drawn on a swirl with a brow pencil or some pomade and called it a day. However, it would have been fairly obvious that it was in fact drawn on, especially on a film shoot. I’ve seen a lot of people complaining about the missing swirl point to both cosplayers and stage actors as “proof” that it could be done, but again, this is an apples to oranges situation. Stage makeup(like that used for stage actors), photoshoot makeup(like what cosplayers would employ), and live action film makeup are three entirely different types of makeup application, and while they each have their own merits, that doesn’t inherently mean they translate into other mediums, and this is something that you have to learn fairly early on as a makeup artist if you want to continue getting work. If you are doing makeup professionally, you have to keep a lot of things in mind, one of the biggest things being how your work will read on camera, specifically the camera your canvas will be in front of. You have to keep in mind things like flash photography, shine versus matte, whether or not post-production editing will be involved, and the like. A fairly popular example of this is makeup influencer James Charles’ old meet-and-greet photo, which has become a meme since surfacing. Charles was used to only doing makeup and being photographed a certain way, leading to him using a setting powder that didn’t lend well to flash photography, and made him look like he was wearing makeup that was far too pale for his skin tone, when in reality it was just a makeup product that didn’t work for the kind of camera it was in front of:

Another example is basically the entire Cosmo Queens video series done for Cosmopolitan magazine’s youtube page, and I’ll use Kandy Muse’s video as a specific example, since she uses her natural brows in addition to her makeup. This series focused on the makeup of drag queens, and it’s very obvious when watching these videos that there’s a huge discrepancy between makeup meant for the stage and makeup meant for other avenues. Drag queens typically are live performers, and there is a common saying among drag artists, which is to “paint(apply makeup) for the back of the house(so that even those in the back row can see your makeup)”. On stage, Kandy Muse’s makeup is quite stunning, but it’s very clear that it’s not fully meant for the editorial style that Cosmo uses during these videos:

Even from a distance, you can very clearly see where Kandy’s real eyebrows sit versus her makeup. And while this is obviously an extreme example, it’s even more obvious when zoomed in, which film cameras have to do often in order to capture the expressions of their actors:

In a similar vein, film cameras, which are typically designed to catch a lot of definition and lend better to a more realistic look, likely would not be very kind to a drawn on part of an eyebrow. Without any hair growing there naturally to make the eyebrow makeup look more realistic, it would be very obvious that it was makeup, and would likely be more distracting to audiences(especially first-timers to the series; it’s important to keep in mind that Netflix would want to cater to those people as well as long-time One Piece fans) than omitting it entirely would. In addition, we have to take into account the actor, Taz Skylar, and his natural hair growth and the direction of his brows.

As is visible from the photo, Taz Skylar’s natural brow grows downwards at the end, whereas Sanji the fictional character’s brow grows upwards into his swirl at the end. In order to match the character 1-to-1 and change his own natural features, Taz would have to either shave/pluck/wax the entire outer half of his brow(which for an actor would be extremely inconvenient for other projects and would be an absolute pain to grow back out), or he would have to sit longer in the makeup chair to have his brow covered by FX makeup, which takes extra time and effort and could throw off the timing of the entire shoot. In addition, neither of these potential fixes would necessarily make the obviously-drawn-on swirl look good and read well on film. Add on the facts that Taz’s character is fully submerged in water in at least one scene, if not more, and has several fight scenes, and it’s not even a guarantee that the makeup swirl would even last throughout the shoot.

I’ve also seen people say that they could have added the swirl in post, but I think that’s it’s very unrealistic for Netflix to greenlight that for a minor detail such as a singular visible eyebrow.

While I am very sad that they weren’t able to translate Sanji’s signature brow to the live action adaptation, I think a lot of the complaints regarding him not having it and insistence that the production should have included it are entirely overblown, and are mainly being made by people who don’t have a lot of knowledge of what goes into film makeup versus other types of makeup. And while Sanji’s brows are fairly important to his character, this fact doesn’t actually come into the story until far after the timeskip, and we don’t even know if the live action will get another season outside of this one. I really hope this can help explain why they may have made the decision to nix the brow swirl for people who are still concerned about it, since from what I’ve seen, it seems to be the number one point of contention when it comes to live-action Sanji.

Next, I’d like to speak a bit about Sanji’s hair. Now, I have some complaints of my own about the wig used on Taz, but most of the criticism I’ve seen regarding the wig actually revolves around why it doesn’t cover his eye completely, as Sanji’s hair does. This is something that seems fairly obvious to me: Taz has to do a lot of stunt work, and he needs to be able to see! This is a potential safety issue more than anything else, and therefore goes back to my main original point. As well, there’s no real way to make the hair not move without completely overloading it with product, which, again, would be very obvious on a film camera, and likely wouldn’t read nearly as well as people think.

As for me, my personal critiques around the wig are just how sparse it is. Sanji has a lot more hair than is in the wig, and I really think a wig that had a little more hair attached to the base would have looked better. As well, I don’t know if the styling of the wig works for me personally.

I was actually really hoping that the live action adaptation would take cues on Sanji’s hair from the character who Sanji was modeled after. A lot of people still to this day think that Sanji’s appearance is based off Leonardo DiCaprio, specifically his role as Jack Dawson from the hit movie Titanic or his role as Romeo from Romeo and Juliet, but Oda has actually explained in an SBS that this isn’t the case:

Sanji’s looks and his “vibes” are based off of Steve Buscemi’s character Mr. Pink in Reservoir Dogs, and personally I would have loved to see his live-action hair more closely resemble that, but sadly, it wasn’t meant to be.

Another critique of live action Sanji is that he hasn’t been depicted with his trademark cigarette, and I kind of knew that this would happen from the moment I found out about the live action adaptation. This is not the fault of Tomorrow Studios(the production company), or even Netflix at large, but instead this is largely based off backlash from anti-smoking lobbies.

(As a former smoker myself, I have a lot of opinions on the ridiculousness of anti-smoking groups going after smoking in fictional scenarios like films and shows, but that’s a gripe for a whole other post lol)

Netflix notably caught a lot of flack for the depiction of commonplace cigarette smoking in other series, such as Stranger Things, even though the series takes place in the 1980′s, where smoking was incredibly commonplace. The major backlash even got to the point where you can actively see the drop in depictions of smoking between each season. I am hoping they at least give Taz one scene with Sanji’s iconic cigarette, but I’m not holding my breath on this one. I doubt Netflix wants to deal with that backlash again.

Finally, the last big complaint with Sanji’s wardrobe I’ve seen is his signature suit, specifically regarding the fitting of it. Sanji’s suits in the anime/manga tend to be fairly fitted in nature, while the live action once Taz wears, while still having a slightly tapered fit, is a bit baggier than what Sanji typically wears.

This is a fairly straightforward change, in my opinion: if the suit was as form-fitting as Sanji’s are, Taz(and his potential stunt double(I don’t know if he did all of his own stunt work or not)) simply would not be able to move the way Sanji does! This is an issue of cartoon versus reality: Oda is able to depict his characters doing whatever they want in whatever clothing they want. However, real life is sadly not as accommodating, and because of that, Taz’s suit has to be a bit less form-fitting so he can still do all of Sanji’s signature footwork. Going back to my original point, the sacrifice of the fitted suit had to be made so the production could actually work.

I tried to touch on all the biggest differences I’ve seen people talk about, and I hope this was helpful to anyone who may have been curious as to why some of these changes were made. Please let me know if I missed anything big or if you have any additional questions/need me to explain anything further, I love what I do and I love being able to have insight like this. Thank you so much if you’ve read this far, and please reblog if you found this post helpful or informative <3

#one piece #one piece live action #one piece live action adaptation #opla #tomorrow studios #dia drabbles #a rare case of nonfiction in my writing tag lol

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agendabymooner · 1 year

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it’s time to go ! max v. x ofc (hearth sister!ofc)

“sometimes giving up is the strong thing.”

summary: sylvie edson ford hearth swore not to think about what had happened back in 2012, but max verstappen has a different plan with his absent childhood friend. OR lando norris has a bad habit of sharing things that he isn’t permitted to share— like her phone number.

content warning: written and text messages applied, frenemies to lovers (ish), hurt/comfort? or angst, use of explicit language, model!student!ofc (sylvie), mentions of anxiety, consciousness, childhood friendships

note: i had to listen to a lot of ts songs. thank you all for the 82 followers!!! i’m so glad you guys are enjoying the content i make. i honestly had been making them because i keep them in my notes but never wrote full narratives of them. if they are written down, they’re normally not published— aka they’re in my wattpad draft. so… i hope you guys enjoy this xx

masterlist

Everybody swore that the two would get together eventually. Too bad it didn’t work like that.

Christmas was what Sylvie considered the best time of the year. She loved the way Christmas lifted the spirits of everyone, no matter how difficult the year had been for them. She loved being one of the children who would chase each other down the halls while parents gathered around and talked about the last season. She loved being around people that knew her well.

The thing was, however, no one knew her anymore. Not as well as they used to.

For a supermodel-on-the-rise, she sure felt conscious about the amount of eyes that watched her as she stepped foot inside the ballroom of the estate. The tulles of her red skirt should have given her more space to breathe, but she felt her body hyperventilating as she nearly dove headfirst into the mini bar.

Looking down on her newly manicured nails had been a habit of hers that night. She pretended to admire the polished nails while she waited for the bartender to mix her strawberry daiquiri, not wanting to look up and meet anyone’s eyes.

The teenagers and the ones who recently left that phase wondered how… How did she change that much?

Her physique certainly matured more than anyone could expect. Her slightly rounded cheeks were replaced by the sharp jawline that could possibly kill. Her eyes that avoided any form of communication were foxy and just as sharp as her jaw. Her nose was just as sharp, as well. If you were to ask Lando, she didn’t have to wear heels to out-height him. Her body and face were no longer recognizable. She was ready to be a fan favourite and a well-paid supermodel.

Funnily enough, she prioritized racing first before she did her child modeling classes. How she managed to transition from one thing to another in the span of three years, nobody could answer. She was a jack of all trades, said by her mother, just like her siblings. She was one of the many sisters who had more options to pursue instead of just sticking to racing. So for her to continue with modeling and fashion… yeah, she already knew how to operate before she was even hired by an agency. At least now she didn’t have to struggle with finding work. She didn’t have to worry about getting hired by a team.

Her career now was clearly something that she couldn’t act on, though. She was always told to walk, don’t pay attention to what everyone’s talking about and get a move on.

But this party wasn’t a runway. The judging eyes didn’t want to pay attention to the details of the clothes, but rather, the figure who wore the dress herself.

“You’re a bit tense, lovie,” Tilly was a blessing in disguise, shaped in the form of a woman who carried a 20 weeks worth of a precious gift in her womb. She must’ve picked up on Sylvie’s discomfort that she decided to strut towards her sister’s direction as quickly as a pregnant woman could. “You could have stayed at home, as I said.”

“I’ve got to say hi to them at some point,” Sylvie murmured to her sister. “Especially Lando. That bloke wouldn’t let it go if I decided to avoid him, too.”

“Well, they should be around here,” Tilly quipped as she rubbed her stomach. Seeing the movement in her peripheral vision, Sylvie spontaneously reached out and got a feel of the bump. She tried to ease her mind by doing the most peaceful thing. “They’re not looking at you for the wrong reasons, Sylv. I promise.”

“If they are, then they’re going to have to face Maman and I’s wrath,” Tilly cheekily smiled. Tilly looked past Sylvie’s shoulder as she said, “Look. Here are the boys.”

Sylvie was glad that her glass was empty and already resting at the counter, otherwise she would have made a scene if she had dropped it after being attacked by a bear hug.

“Fucking Lando,” she swore beneath her breath, trying to pull him off as she turned feeling restrained. He wouldn’t let go. She would have sworn once more, preferably aloud this time, had it been for the other boys that stood excitedly with him. She couldn’t even look at them properly due to the hold that Lando had on her.

“I told you I was going to kidnap you,” Lando let out an evil laugh before waving enthusiastically at Tilly, “Thanks, Tils! I’ll return her to you later!”

“Good, you better,” Tilly called out.

Her poor feet would be dead by the end of the night and Sylvie knew that she was fucked if she didn’t do anything about it. It wasn’t like she could stop Lando from dragging her down to wherever he’s taking her to just so she could slip out of her Valentino. She couldn’t seem to stop him especially when they both passed by familiar faces. Especially one that she didn’t want to see.

Fucking Max Verstappen. She thought that God was laughing at her that night.

She couldn’t even look at him by the time that they formed some sort of circle around the lounge room.

The telly was on, but it had been playing nothing but the screen of the karaoke waiting to show its texts and tunes. None of them paid that much attention to it, especially her.

The boys seemed like they were craving for companionship of a woman as they surrounded her with curiosity and excitement. They tried to get her attention while she was still speaking to another person. She felt like she was what Fergie was talking about in Fergalicious.

She still couldn’t look him in the eyes, situating herself between Charles Leclerc— her favourite enemy in the track and George Russell— the boy that she once called “everyone’s crush”— to avoid sharing a conversation with Max. She made sure she sat next to the two, not looking at the Dutchman as she continued to catch up with Lando and the other people she was acquainted with.

Most of them knew who she was, of course. She had been friends with most of them for years, finding themselves in the same track as they trained. She competed with them, offering nothing to the boys but fun and friendly competition. She saw things differently from everyone else. No matter how much she wished to be an F1 driver, she didn’t push past her limits— not even when her father told her to.

She was dubbed “the Wild Mustang” at the age of 10 after she realized that she was able to reach the pedal and brake of her mother’s vehicle.

The boys had never seen someone do a donut in their own parking lot before. Let alone a 10-year-old girl—thank god for her Uncle Gilles for teaching her how to do that on TV. Despite their amazement and enthusiasm, Sylvie was no longer allowed to be in the vehicle on her own after she was caught doing another donut while the other kids watched and cheered. Sylvie clearly made everyone’s time because of her wildness and risky attitude. Oh, and her blunt mouth.

So for her to sit silently as she nodded to whatever it was that her acquaintances were talking about? It wasn’t her.

Ever since she left the academy, at the age of 14, she didn’t look back. She didn’t look back at her own friends, either. Lando was the only one persistent enough to barge inside her room only for him to find out that she was packing to go to university.

Extremely early advancement program, she said. She went to university and while she was there, Lando made sure that she’d call him at least once in a while. Otherwise the security would have a problem fighting with a 4 foot something boy who only wanted to see his friend.

Nobody truly saw her behaviour change besides from her family… and Lando. She seemed more reserved when she’s out and about, much to Lando’s dismay. He really hated it when he was the only one who would bring the energy into the room. As if she lacked the power. Lando was convinced that he annoyed her because of the lack of retorts she had passed to him.

He didn’t stop talking to her. He abruptly confronted her about her behaviour instead of trying to skirt his way around it. He was more than relieved that she wasn’t annoyed by his presence, yet he was curious to know what had her acting like this. She had been like that since she left the academy. Her silence could be interpreted as sourness and hatred.

Regardless, they saw each other every other six months whether it’s during the race weekend or an event hosted by a family. But she never went to any of his racing tournaments.

She had attended certain Formula One race weekends throughout the absence of her racing career. People only caught a glimpse of her whenever she went, wondering how fast she’d disappeared even when she visited each garage.

Her attitude remained the same to her family, though. That’s why Tilly and her sisters wondered how people could see Sylvie as an introvert or a bitch. She made fun of Tilly back when Toto was still a stranger to the family. She spoke to whichever Mercedes staff had brought her to the grandstand or hospitality. She was… still her.

She refused to speak to people her age— that weren’t her sisters, of course. Especially those who were familiar with the tracks and familiar with who she was. She never looked at them. She didn’t feel comfortable being in this room. Lando was just pushing her to speak as much as she could since his attention was everywhere. He was friends with everyone in the circle and that meant that she, too, had to speak.

Still, she couldn’t seem to reply to Max. She’d only have a passing comment if he asked something to her. He was clearly trying to get her attention, but her eyes were trained anywhere else but his own pair.

“I want some more Coke,” Lando complained, “you should have gotten more, Alex.”

“Eh? Why me? Why don’t you get up?” Alex Albon replied with a scoff, “You’re the one who’s drinking it.”

She took this as an opportunity to dip out for a moment as she said, “I’ll grab ‘em.”

“Thanks Mustang,” Lando’s boyish grin appeared on his face as she stood up from the carpet. Her skirt slightly wrinkled from sitting on the floor for too long, but her feet were thankful that the low heels that she wore were taken off. “You are the best.”

“Only when you need something, espèce de salaud paresseux.” you lazy bastard. Charles snorted, clearly understanding what she just called Lando as she walked down the hallway to find the little man cave that she once explored. The room was dark, the only thing that brightened was the mini fridge with cans of Coke in them.

She didn’t know why she tiptoed towards it, kneeling down to its level as her fingers touched the cold metal. She didn’t even realize she couldn’t carry that many cans. Lando, on a good day, would drink a dozen of the mini cans and Sylvie learned that you might as well get them all now before he bitches about running out of drink.

“D’you need help?”

“Oh, Jesus Christ!” She hit her head when she tried looking up to see who just spoke. But she didn’t need to look. She already knew who decided to corner her. In a dark room.

“Shit, shit, sorry schat,” Max swore as he reached out, “are you okay?”

“Yeah,” she replied with a hiss, “lost a fucking brain or two but I suppose I am.”

The last time that they spoke was at the paddock during the 2014 Silverstone race. That was when he shoulder checked her unintentionally, leaving her to bark at him in annoyance before stomping off. They didn’t even see each other’s faces.

“Here, do you need help?” He asked genuinely, gesturing with his empty hands as he offered some sort of support.

She didn’t bother hesitating, just shoving the cold cans of pop in his arms while she turned to grab more. She busied herself with the fridge before she groaned after hearing him clear his throat.

“So uh… How have you been, Sylvie?”

“Delightful,” she responded drily.

“How was your first and second term?”

“Busy.”

“How are you doing with the…modeling stuff then?” Oh he really wouldn’t leave without getting words out of her mouth.

“Great,” she muttered. He still wouldn’t catch onto the disinterest in her tone. Was he really this oblivious or did he lose a brain cell or two for the past few years?

“You look—“ he cleared his throat once more, feeling his face flush pink as he remembered the last picture that he saw of her. The holiday collection of Victoria’s Secret Pink. “You looked very beautiful at them.”

She paused, wondering what the fuck was he doing in the man cave with her. What was the reason for his intervention? Did he corner her just to compliment her latest project?

“Thank you,” she sighed before grabbing the last of the cans, kicking the fridge closed as she walked past him.

“I want to catch up with you,” he voiced out as they walked down the hallway. It remained empty, the ballroom was obviously occupied by loud music and loud guests and hosts. The lounge room, despite it being a few feet away, remained loud as well as the boys sung their hearts out. Poorly.

His voice echoed in the hallway, leaving her to pause and turn around. She remained standing there as he finally jogged towards her. They were both still cradling cans of pop as if those were their children.

“It’s just…” Max trailed off, wanting to scratch his head but couldn’t. “You stopped talking to all of us after you left. At least all of us but Lando.”

She wanted to scoff. She wanted to laugh at his face. There was no way he’d have this much audacity to assume that she’d even dare talk to him. Not after all of that fiasco.

“Some of us were wondering,” he rocked back and forth on his feet. “Especially with where you went after all of that. I was going to apologize to you.”

“Hm,” she hummed disinterestedly. She was itching to go back to the lounge room.

“For doing that,” Max spoke meekly.

She was infuriated for the first time in four years. She had never been angry about this. She downplayed her anger and acted as if she had only quit the academy when she was already on her way to become the first female F1 driver. She pretended that he didn’t exist, because God only knew what she could do at the thought of him.

Back in 2014, when she learned that he was a reserved driver, she begged her sister for something so silly. To fire Max. She didn’t really mean that. She only wanted to say his name with disdain to let it out of her system. But then she returned to her routine of being silent and keeping some shit to herself, not wanting to slag him off any further as an ounce of guilt filled her mind.

Then he said some shit like this. He wouldn’t even tell her what he did. She had never been so angry since now.

But she could only offer nothing but a cold tone. “For doing what?” She asked coolly, looking at him in the eyes as she challenged him.

Her coldness left him stammering, “F-for the uh…” then he was silent.

Watching his mouth clamp shut, she laughed humourlessly before shaking her head in disbelief. “If you’re going to apologize, you have to recognize what you’ve done first. Oh, Verstappen,” she tutted, “you are so silly.”

Walking back to the lounge room, she left him behind in the hallway. Maybe after today, she could cry herself to sleep this time. She hasn't been able to cry ever since she left. Maybe after letting that out, she’d be able to rest a little bit better.

Everyone thought that, after growing up with each other, they’d end up as something else that’ll last forever. But if anyone had seen this confrontation, they’d express how wrong they were. Because the first glimpse of her long lost lover turned into something like hate. It wasn’t the same as it was before 2012.

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