#and also when did this happen wow

[dailydoseoffanfics]

pressure spoilers btw quick heads up

is there like human sebastian solace x reader fics out there i already found some in this website and a03 but ngl i want more of it (but i understand why there's a lack of it 💀 there's barely any information of his human years other than he was accused of murdering 9 people lmao) (and yes i know he's canonically married to zerum but I DON'T GIVE A SHITE 🗣🗣🗣🗣🗣🔥🔥🔥🔥🔥 /silly)

[leek-e]

Here is a drawing of one of my favourite changes in choreography in the Australian deh production :)

During Good For You, after Alana and Jared have their little solos, Alana comes to the front of the stage and crouches down with her hands over her head, completely still. At the same time, Jared goes upstage and paces back and forth very quickly - every time he has to turn around he makes stilted and frustrated gestures as if he doesn’t know what to do with himself. I was very excited by this, as it is so unlike the broadway version of this scene where they stand symmetrically on opposite sides of the stage. Instead, Alana and Jared’s reaction to their feelings are clearly contrasted against each other. It seemed so natural too; while they move in formation for a lot of gfy, here it was like they had to take a break from the song because of how overwhelmed they were! Which only made it easier to empathise with them. The whole song was spectacular of course but this particular decision I think was very successful. I have always been intrigued by the contrast between Alana and Jared and it was really brought to the forefront in this moment.

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20's Fantasy High: Junior Year episode 20 (finale)

[moeblob]

You know, when I kept getting asked "so you didn't ever have severe pains before now?" in the hospital and I kept replying "I have a high pain tolerance" I meant it. However, there is only so much pain my tiny 4'9" body can hold... (aka I am sweating and in agony bc I'm getting told to use LESS severe pain meds so I don't rely on them too much and it is AWFUL)

[sharknark]

⬇️rant about a really good hengren (reverse renheng) fic i read. link at the bottom give it a whirl

i've never read a fic so well-catered to my tastes before in my life and the best part is that i was so caught off guard by how good it was cuz the tags and summary had me like "right this is some omegaverse-esque, rawr XD mating shit"

but from the very first paragraph i realized it wasn't just ao3-typical possessive mating shit it was (dare i say) IN CHARACTER possessive mating shit. underappreciated dan feng lore is the two hearts shit, duty expects him to smother his own empathy and perform cruelty obediently (and that being in his dragon form literally numbs his empathy towards mortals) but then it's flipped around and he's criticized for being too heartless

there aren't a great many english fics that take advantage of the 'numbed empathy' thing, so this fic using that to explore the toxic codependency that drove dan feng to making yingxing immortal in the first place is so!

dan feng's dragon heart prioritizing it's own indulgence and power, his human heart screaming against it for empathy and restraint, but both hearts united in this possessive adoration of yingxing... dan feng is possessive to the point of harming his partner, forcing them to take his affection, inherently contradictive to the protective impulse to see the other unhurt.

dan feng makes yingxing immortal in a really sketchy operation, despite knowing that yingxing is literally defined by his pride in being a short-life. he wants yingxing to be with him so badly that he does the one thing that would hurt yingxing the most, too blinded by possession, this sickly overbearing affection, to empathetically respect yingxing's death.

yingxing lived cramming every second he could into his craft and his goals precisely because he has so much less time than all the immortal species around him, but when he's forced into immortality, his hands are scarred and ruined past the point of ever crafting again. he suddenly has so much time, all this time he would've cherished as a mortal, but is totally useless to him now that his purpose for living and passion is gone.

so there being a scene in this fic where dan feng is moping "yingxing doesn't wanna fuck because he's glued to his workshop", being followed up with a scene of dan heng fucking blade while kissing his scarred hand and crying that he's "so sorry", yeah no shit asshole, his dragon heart got what it wanted, blade has all the time in the world to fuck and nothing competing for his now limitless attention and no one's happy about it.

as arrogant about being a short-life as yingxing was, it really is compensation for the discrimination he faced for it. other immortals looked down on him, so having dan feng, THE top dog, be so deeply enamored with him stirred his own toxic codependent urges. he was so desperate to have dan feng's eternal regard that he's willing to die for him (as in the sedition), his death being the force cementing his place in dan feng's heart forever.

so the fic having yingxing ruminate on this, that he had hoped for dan feng to love him even centuries after he inevitably died, only for the fic to end with:

yeah yingxing... you left an impression... he made you immortal.... everyone's upset by this

(that's what makes dan heng forgetting blade was ever yingxing to begin with all the more painful because, you went and turned him immortal and when it backfired horrifically you went on and fucking forgot, bitch i'd be pissed to the point of centuries long bloody pursuit of vengeance too.)

here's the fic go read it and leave kudos and a comment, technically porn but i got so invested in the character study that part barely registered. also yeah if you hadn't realized already super dead-dove:

blah blah "renheng is toxic" sorry that's why i like it

[softness-and-shattering]

So I put on this netflix show, in their tradition of being extremely obvious with names its called Mech Cadets, and its an alien-mecha human-pilot fight-the-giant-bug-aliens story. My first complaint is that the alien mechas are called Robo's. Wow exciting /sarcasm. Anyway thats totally forgiven because 1 the story actually makes choices and puts the characters through consequences instead of like hinting at oh it something bad gonna happen psych we dont have the guts for that. Its a kid/teen show so its not super dark but it follows through and goes the places it needs to.

2, and maybe most importantly, I gotta talk about the disability rep. There's four teens chosen by the alien mechs to be their drift-compatible pilots (I think im using that correctly? Im not super informed on the genre but I know some), and we see straight away that one of the guys has a prosthetic leg from the thigh down, and uses it as an example to tell the main protagonist, hey none of us are perfect we dont have to be perfect we just need to be human. The next episode the mechas are given human-designed weapons to fight with, and the disabled kid gets these flippy sticks I cant quite work out. One of them gets a staff, the other gets this glove for punching, story moves on. Then a bug-alien-antagonist gets into the teens dorm and while fighting it, the alien dismembers the guys prosthetic. He immediately grabs his crutches and goes to town on it with his crutches, and balancing on them to kick with his one good foot*. Then they disconnect the rest of the prosthetic and use its sharp edge to kill the alien. And then he just moves around on his crutches with no comment and Ill cut myself off there so I dont spoil the whole thing.

Except, a couple episodes later, Im watching him in the mech fighting and moving around, and I realise that his giant fuck-off monster attacking weapons ARE A PAIR OF CRUTCHES. Theyre his fucking WEAPONS. Thats cool as fuck!

[supermusicallee]

NO other show in existence understands sister dynamics better than fleabag. especially from the perspective of older sisters i believe. having the same character yell "...you're fine! you'll always be fine. you'll always be interesting, with your quirky cafe and your dead best friend. you just make me feel like i've failed," AND "the only person i'd run through an airport for is you" !!!!!!!!! it's insane and it's exactly how i feel

[lock-my-feelings-in-a-jar]

Russ Ballard producing Daltrey's album

1975 Interview

Russ Ballard has something special. Call it professionalism, the sure touch, luck, talent, a mixture of the lot if you like, but everything he's involved in seems to turn out pretty good, even when it's something completely new to him, like record producing.

When he was fourteen, he wrote his first song and sold it to The Shadows after having had the sense to demo it after their style. Having mastered the guitar and scored quite a bit of acclaim for his playing, he turned to keyboards and now nobody hearing him play would think he hadn't been brought up on them. Argent reached the height of their success when he was with them, he gave Colin Blunstone a monster hit with I Don't Believe In Miracles and now Ride A Rock Horse is enjoying considerable favour. Its producer? Russ Ballard! The man, wearing his customary shades, exudes an air of quiet confidence. He can afford to. He's well respected as a musician and as a writer and he's now in a position many people could envy. After all, a singer of Daltrey's calibre doesn't call up just anybody and say "How about producing my album?"! What is really surprising is that Roger should ignore all the established record producers in favour of Russ, who has only ever produced one album before in his life and that was the solo one he made after leaving Argent.

How did his new role come about? "Well, I worked with Daltrey on his first album, played a little drums and piano on it, but I didn't produce that one, just put in some ideas. He must have liked them because when he was planning his second, he just asked me if I wanted to do it." Russ explained. In an issue of Beat dated April 1966, Daltrey himself described his voice in pretty disparaging terms. "I don't have a good voice, no-one needs to tell me that. I'm a screamer with a group and I'm happy. I'm not worried about my voice, though, it is developing and I can notice the change." He also added "I'd get a real kick if I could have a proper girl vocal group backing." It's taken nine years, but now he's achieved what he hoped for, a voice which no-one can deny is pretty exceptional, and backing singers led by Marsha Hunt, care of Russ Ballard! "I was involved with everything." said Russ. "Going through songs with him, deciding what musicians should be used, who would be good for this and who for that." For a reluctant producer, who admits that "I'm not really into production, even though it's a creative thing, I'd rather be an artist." Russ had some pretty definite ideas as to his treatment of the album. "I deliberately kept his voice well up because in so many recordings I've heard of Roger, he's been immersed in sound. He's got such a powerful and such a good voice which contains many aspects that people haven't heard before. What I set out to do on the album was to expose all those voices for the first time. I don't think it is a good thing for a producer to put his own standpoint on an album, the most important thing is to project the artist." Russ thinks that Daltrey's film work has given a lot more confidence and he also found getting to know him has radically changed the concept he had of The Who. "Many people would imagine Daltrey as an ego tripper, but he's not in the slightest. Before I got to know him well, I was under the impression that The Who were Pete Townshend's baby. But speaking to Roger, listening to his ideas, I think that a hell of a lot of his ideas must have always gone into The Who, a lot more than people think."

It was originally Roger's idea to record an album of his early influences. Then he changed rock horses in mid-stream. "By then we'd already recorded Walking The Dog and that Beachboys sounding song, so we were lumbered with them." The second idea was to project the different sides of Daltrey's voice in a collection of mixed rockers and ballads, including three songs of Russ's, Come And Get Your Love, Proud and Near To Surrender. "We didn't actually discuss the point but I felt he wanted to make a heavier album than the one we'd originally planned. Yet not totally heavy, but a record which would compliment the heavier stuff with lighter stuff. Right from the very first session when he sang the first song I could see his voice was so much better, I feel it's improved tremendously since the early Who days even though I think he had a good voice in 1964."

The next thing to decide on was the overall sound and the arrangements. Ex-Shadows drummer Tony Meehan was the man who worked on these. "I decided to make the sound quite sparse,-" explained Russ, "- rather than over-producing it. Some people just don't know where to stop. I decided that if a song called for piano and nothing else, that's what I was going to do." (Hence Phillip Goodhand Tait's beautiful slow rocker Oceans Away with the composer on piano.) "The most important thing in an arrangement is the song. If it's a good one you should be able to sing it with no backing at all and it should still sound great. If it's not, no matter how many extras you add it won't work." Russ reckons that having been in bands himself definitely helped him as a producer, enabling him to put himself in the artist's shoes. Yet he doesn't think he'd like to produce his own next album entirely alone. "When I was in Argent I found being produced by somebody else was very frustrating because I could tell people were veering away from the original ideas I'd had for my songs. That's why I decided to produce my first solo album, which turned out a bit of a mixture because I had a backlog of work to get out of my system. My next album will be slightly deeper, not so light-hearted. I hope to be co-producing it with Muff Winwood, whom I really admire because he's got such a good ear and can really make a musical point."

At the moment, Russ is doing very well with songs of his which are being covered by other artists. One called Heartbreak, has recently been recorded by Olivia Newton-John and yet another is currently being recorded in L.A. by Stevie Wonder's band. Russ has got a new band together consisting of the ex-drummer from Curly, Alan Wickett, bass player Tony Lester and guitarist Alan Skates- "He really does!" joked Russ. He's got three weeks booked in E.M.I. Studios to get the album done. As for his producing career, it looks like Ride A Rock Horse may be his swansong. What if Roger asks him to produce his third album? "Well… if I want to do what I want to do, that is, sing, play, write and record, I just won't have time to produce anybody." said Russ. There's nothing like getting out when you're on top!

[jichanxo]

playing LJ and idk what’s in the japanese water but Yagami is INSUFFERABLE!!!

He’s so fucking annoying his only argument is “muhhh sawa sensei” when Kuwana, Reiko or Ehara say the horrible things their kids endured like SHUT UP!!!! Reiko and Ehara’s children killed themselves bc they were bullied, I understand and support them fully for getting revenge, especially since the justice system is shitty when it comes to such cases

Did you feel the same or am I tripping?

putting this under the cut

sorry i know you sent this days ago and maybe your opinion has changed since then but i'll answer the best i can? (also i hope i don't accidentally spoil anything ahahah)

this take is not uncommon (and i felt the same at some point, though i've since changed my mind) so no, you're not tripping lmao. despite changing my mind, the fact that people say this pretty regularly probably means the writers didn't execute the idea as well as they could have. i would say that it feels clumsy and almost like a joke (cue sawa-sensei counter) to the point that it detracts from the point they're trying to make. i think some people will disagree with me on this -- rather than the writers, it's the players who aren't fully understanding what's being said to them in the text -- but regardless of whose "fault" that is, yes it's a Known Thing

(funnily enough, during my first playthrough, my sister mentioned seeing a meme about "sawa sensei" getting repeated a lot, and by the time the 2nd/3rd time hit we were like OH MY GOD THE MEME WAS REAL. which is a funny memory to me. lmao)

i think the thing that's getting lost here is that the "sawa sensei" argument is not meant to discredit how kuwana, reiko and ehara feel about the injustice. this part is not in question. yagami's stance on doing illegal shit is also not relevant to this conversation (and i'm not sure i could provide a compelling argument on this front anyway, aside from that he's very anti-murder, lol. clearly he does illegal shit himself so he's not against doing illegal shit based on principle alone. depends on circumstances probably)

sawa gets brought up because she clearly did not deserve to die. almost everyone agrees that sawa was a good person. kuwana puts her on a pedestal for confronting him about kusumoto being bullied, idealises her and muses that she would've understood him for what he's doing (killing people. and this is clearly a stretch). reiko says that sawa was the only person who visited kusumoto in hospital without an ulterior motive, which is one of the best testaments of character that she could give, really, imo. ehara probably holds a negative opinion of sawa for her false testimony about there being no evidence of bullying -- but this was clearly done under pressure of the people around her, and ehara's opinion is the exception to the rule.

so, sawa is a good person. so what? who cares? what's the point of bringing her up?

the point of what kuwana is doing is that he sees it as a way of righting the wrongs that the justice system leaves unaddressed. he needs to believe that what he is doing is right, because it gives him purpose and distracts him from his guilt.

sawa's death contradicts this. even if he and reiko didn't kill her themselves, it's proof that their extreme actions have negative consequences. they can say that the system is wrong, look what this monster did to my son, etc etc. but what they are doing also harms innocent people. the justice/revenge/whatever they pursue is at the cost of other innocent people. sawa herself represents the unforeseen cost of kuwana's self-imposed mission to kill bullies. they can justify themselves all they want, but sawa's death is a reality they can't talk around. they acknowledge she was a good person, but she died because of their actions. is this a worthwhile cost? yagami doesn't think so.

and the thing is, kuwana and reiko can be persuaded.

at least, that's kuwana's opinion about reiko

and later he says this about himself.

these screenshots are pulled from a youtube video w/ english dub so take it with a grain of salt, but you get what i'm trying to say here.

i think the repetition is the point. they agree sawa was a good person. they can be persuaded away from their current stance (that murder is an acceptable response). by repeating himself, yagami is using the argument that's most personal to them, mostly likely to convince them. repetition is not a bug, it's a feature. whether or not this was conveyed well by the writers is another argument altogether, but yagami's point itself is sound.

truthfully, i think LJ could have benefitted by leaning into what makes this case personally compelling to yagami. if you're not paying attention, the "but sawa sensei" argument can feel pretty flat, but putting emphasis on yagami's experiences would help it feel more rich and justified aside from "innocent people dying is bad" (even though that is a sound argument on its own). he does mention emi, i believe it's only once, so it's not like they don't do it at all, but i would like more. the impact of emi and of JE specifically is that yagami doesn't like to leave things unaddressed when he can do more, and that's clearly a motivating factor here. he won't leave kuwana alone for as long as there is 1. something yagami can do about it and 2. kuwana still intends to keep killing

think about the fact that yagami's parents were killed by someone seeing vigilante revenge, both a deeply personal tragedy, and a life defining event that set him on the path he walks now. leaning more into that would have helped, or at least been interesting, in my opinion. obviously it's not 100% the same since yagami's father was the lawyer and not the accused, but the key parts (vigilante justice + collateral damage) is there. of course yagami is trying to change kuwana's mind. not only does yagami understand kuwana's pain wrt the pain of inaction (yagami's regrets about emi) but he's experienced the aftermath of collateral damage, himself.

of course, yagami's personal experiences are only relevant to us, as viewers. sawa is still the best argument to convince kuwana and reiko (and i can easily imagine reiko brushing yagami off if he talked about his backstory LMAO), so that's what we get. sawa is what matters to them, so sawa is what he will keep reminding them of. that's why the sawa argument is what it is.

we can get into discussions about the inevitable failure of the legal system and what that means for "real justice", but we would never come to a consensus. instead, i think it's better to look at how kuwana and reiko are impacted on a personal level by their actions: neither of them have moved on, even after seeking their justice. they remain stuck in the past. their actions grant them no closure, and robs them of a future (reiko as a politician and mother, kuwana as a humble handyman: but as far as we know, a pretty damn good one considering how well he was able to leverage his connections to avoid being caught this whole time... at least in my opinion)

when kuwana argues, he asks how they should seek justice if legal avenues don't grant it to them. he asks, "what about the reiko kusumotos and akihiko eharas of the world?" he is right to point this out.

when yagami argues, he asks how revenge can be justified if innocents will suffer (and die) for it, even unintentionally. he asks, "what about the yoko sawas of the world?" he is also right to point this out.

there is no easy solution. they both have a point. that's what the story is ultimately about. kaito says it straight up at the end of the game:

well, that's my take. admittedly i'm not as well versed on LJ as some people are, so i could be remembering and paraphrasing some things wrong. i've seen people who really like LJ's writing, and others who straight up hate it LMAO, so yknow, your mileage may vary. hopefully this will at least help you understand the other perspective

if you want to hear another take on the sawa sensei argument, i'll put this here. i drew on it quite a bit while writing this, so yknow, credit where credit is due.

[catofoldstones]

I'm sorry but the post breaking down the Arya-Jeyne-North angle makes no sense. The Boltons are claiming Winterfell through the marriage to Arya aka Jeyne who is considered the Lady of Winterfell by her own birthright. They're not trying to claim Winterfell was given to them by the crown or no longer belongs to the Starks. Ramsay didn't even want to get married at Winterfell when Roose made the call to move the wedding location from Barrowton. He's claiming himself Lord of Winterfell the same way he claimed himself Lord of Hornwood through the forced marriage to Lady Donella and even Lady Dustin says him keeping his title is dependent on how he treats his wife. He needs the marriages to claim those titles, not the other way around. At no point in Dance is Jeyne ever considered Lady Bolton, she's always called Lady Arya. That's like arguing Sansa's marriage to Tyrion means the claim to Winterfell comes from Tyrion, not Sansa.

You can argue that Jeyne and Ramsay's marriage is invalid because both got married under false pretenses as the bride was pretending to be someone else, but that wouldn't negate Arya's position as Lady of Winterfell if she intends to claim the title. I think it's intentional on GRRM's part to make the question of Stark succession jumbled enough that all five of them can technically stake their claim whether through birth order, sex, legitimized degrees, might makes right and the power behind them, or simply having the claim bestowed on them before the others make themselves known.

Buckle up, it’s a long one.

I am going to go on a limb here and presume you didn’t read the whole post, did you? I literally said it a million and one times that Arya’s claim comes from her being a Stark. That is the entire point of my post.

The north believing that Jeyne is Arya (“Lady Aryq”) doesn’t make Arya Jeyne or the Lady of Winterfell by proxy. Y’all are literally running around in circles here, nothing makes sense. At one point you are claiming that Ramsay is claiming his authority through Arya because she already is the lady of Winterfell and on the other hand you’re saying that bringing Arya to the north and marrying her to Ramsay made her the Lady of Winterfell in the eyes of the Northern Lords and the readers. Make it make sense. Anyway, Lady is a title granted to all noblewomen of higher houses, a lot like how Miss/Mister worked in the 1800s to now (sort of). Arya would be Lady Arya of House Stark regardless of whether she is the heir to House Stark or not. The Lady Stark or the Lady of Winterfell will only be Catelyn Stark as it is a social position granted to the wife of the head of the House. If she had a sister-in-law, say Benjen didn’t go to the nights watch and got married, that woman would also be Lady Stark (or Lady her-maiden-name) but she would not be the Lady of Winterfell, are you getting me? The people here could be referring to Arya as ‘Lady’ because she’s a highborn girl and comes from the most noble house of the north. That makes her one of the people with the highest social standing; which I feel warrants the use of the word Lady, not to be confused with the feudal position.

I know you’re trying to play the whole Arya is the last of Starks and that is why she is the Lady of Winterfell and that is from where the Boltons are legitimising their claim to the north. But Arya is not the last of the Starks. She still has an older sister (that they know is alive when they decided on the marriage) and two brothers whose claim is superior to hers no matter how you argue. On top of that, the girl that is actually married to Ramsay is not even Arya. Arya is in Braavos training with the faceless men. Regardless, never once throughout the books, is she called the head of house stark or lady stark or the lady of Winterfell and have that be given as a reason as to why the North should fight for her. She is ‘Ned’s precious little girl’ and that is enough. Literally pulled Lady of Winterfell out of your ass.

“They’re not trying to claim the north was given to them by the crown or no longer belonging to the starks” is an insane statement to make when the royal decree is literally the only leg they have to stand on, and that they are now the unequivocal lords of Winterfell is literally exactly what they’re claiming. Bruh. Bobby B winning the crown by conquest is still valid but the Baratheons being distant cousins of the Targaryens helped. The Boltons need Stark blood to strengthen their claim not create a claim from a non-existent one, which is why they married “Arya” and which is also exactly why just any girl, and not Arya herself, worked. It is all for show.

Okay, scratch all of that. Let me make it simple. The Bolton’s claim to the north literally comes from being granted the north by royal decree. Marrying “Arya Stark” just gives the loyal northerners less reason to fight against Bolton rulership. So the Bolton derive their authority by literally being given the North by the crown after killing Robb Stark and hope to retain that claim in front of the northern lords by seemingly marrying “Arya Stark”. The former is legally and politically important. The latter is socially important. If the North wasn’t actually granted to the Boltons, Ramsay marrying Arya wouldn’t have done jack to their claim, sorry. Which leads me to the latter, having a political marriage between the Boltons and the Starks reduces the chances of a revolt by the “more loyal” northern lords. “Even Lady Dustin says him keeping his title depends on how he treats his wife”. Yes, so as to not anger the northern lords. If his claim was from the ladyship of his wife, then it wouldn’t have depended on how he treated her. Eg. Lady Hornwood. How are you proving my own point here.

Ramsay doesn’t derive his authority from his wife who is the Lady of Winterfell. He doesn’t even derive it from his wife. He married a “Stark” because it merely quells the rumbling of a revolt and makes the Boltons more palpatable as Wardens of the North. Moreover, if they were deriving the claim from Arya then Ramsay would be the Lord of Winterfell but he’s not, Roose is. If the Boltons really wanted to lay a claim to the north by marrying Arya, then they would have torn apart heaven and earth to find the real one and married the her, and that too to Roose, not Ramsay. But they can’t, because she inherently doesn’t hold that power. This also doesn’t mean that she is less of a Stark so don’t think I am trying to say that.

Do you think if hypothetically Lord Manderly married his son to Arya, would that automatically make him the liege lord of the north? Does marrying Lysa to Jon Arryn make Jon Arryn’s father the ruling lord of the Riverlands? Does it even make Jon the ruling lord of the riverlands? Even if Hoster and Edmure were dead, neither Jon Arryn nor his father would have no claim to the Riverlands. Where is this logic even coming from? It’s clearly not in universe. Your argument about Lady Hornwood holds no water because there was no royal decree that proclaimed him as the Lord of Hornwood. If there was, he wouldn’t need to marry Lady Hornwood herself, even any of her daughters to appease her subjects because her subjects are not noble houses with armies of their own. Hornwood is not the entirety of the North. The North is half the continent and therefore holds much more political sway. Hornwood is a small House. How are you even drawing parallels here? The Boltons won’t just hand wave away the royal fucking decree for no good reason especially when they stabbed and betrayed their own King for it. What made you even think of this???

Lastly, this is not GRRM trying to muddle the Stark succession. This is GRRM trying to show the reader that sometimes people with less social standing and power are abused simply because those higher than them can get away with it. He means to say that this is something that will not happen to someone from a bigger House. This was to highlight the inherently lopsided, power-imbalanced, oppressive system that is cruel to those it deems weak.

[mellotronmkll]

God I cannot believe that man is 60 years old

[magpiesketchins]

Just a lil post to say I've been a little quiet about it but I am still working on TANW! I really appreciate all of the tags and replies and posts encouraging me with it! It's really motivating to me!

I've taken a big leap recently into making art my full time job so I haven't had as much time for non-job art.

A little preview 🤝

[after-nine-at-the-oasis]

EVAN BUCK BUCKLEY IS BISEXUAL!!!!!!!

WHOOOOOOOOOOO 🥳🥳🥳🥳🥳🥳🎊🎊🎊🎊🎊🎉🎉🎉🎂🎂🎂🥺🥺🥺😭😭😭😭😭❤️❤️🥰🥰🥰🥰!!!!

[mxdotpng]

the progression of events in this arc is so so good and great and i love how you can just clearly see where and how each characters thoughts begin and progress throughout each chapter as it goes on. while steven was probably set in stone about his view on how to handle the situation i earnestly believe zed and zapp set out to disobey steven's request. and then they make it very easy to understand leo's point of view and why hes doing what he is - its why they show us that flashback and don't tell anyone else, and why he speaks very little after zapp threatens him - and then immediately cuts to klaus, who knows absolutely nothing about the situation currently but he can figure it out just by looking at whats in front of him. and because klaus is so unflinching when it comes to upholding what he believes is morally right he does so without anyone needing to tell him whats going on. he sees this percieved 'monster' protecting someone else and immediately goes to protect it, too. and even though a lot of them disagreed with each other at the beginning there is still the scene afterwards where they all come together to try and catch each other when they begin falling. i think nightow should pay me for what its done to my mental health

[sleep-nurse]

never read the omori manga you gotta show sum of the worst panels (pleaes)

sorry this took me a hot while to think about because there's just so much fucking unbelievable bullshit ranging from ''why does aubrey have 6 toes in this panel'' to ''this does Not Make Any Sense'' but enjoy

if you've seen/played the game you will understand more why they're horrible but i'm going to rant in the tags for each one of them (obviously there are way more but this post would be tremendously long)

[seaofreverie]

I knew about the post concert depression but no one told me about the post concert constant feeling of AAAAAAAAAHHH that lasts days and makes everything much more bearable and beautiful and some sort of ethereal type of hope is restored into the world, or maybe it's just the "seeing your favourite band after first thinking that it would never happen and later spending many months waiting for it all the while fearing that it wouldn't happen after all because of circumstances outside my control or feeling like it was too beautiful and wonderful to be true so ofc it wouldn't come true" part of it all