#and also that way people are less likely to bring it up again

[rwbyuser24]

I think that I'm somewhat late. But I'm responding now because I used to be shy in responding. But hey! Better late than never.

I will start saying, well, isn't what the Wiki presents of her, truth?

"Even then, his flaws are folded in to his (alleged) positive traits; he is not afraid, extremely loyal, and has genuinely good intentions, despite the fact that the show has now proven that Ironwood’s flaws greatly outweigh these."

Let's consider that Ironwood have been for most of the part of show a hero. I guess that can influence. That and, isn't it truth what the wiki says about Ironwood? And even when his flaws end up outweighing his good traits, that was at the end of his life.

"These writers love Robyn, and have explored and extrapolated on her character to marvellous degree. Yet, at no singular point have any of these flaws ever been written quite as strongly as the wiki implies they are, nor have I seen much evidence of them myself in the show."

Well, I can think some works of fiction where Robyn shows negative traits. There was a rewrite by The-tired-bisexual-agenda who seems to be queer too. Anyway, the point is that since are fans, they probably are biased too. And about not seeing evidence of those traits in the show... Well, let's see about it!

"Her brashness is blamed for the outcome, but in reality, this outcome could have been avoided together if Clover had not chosen to follow his orders and bring in an innocent man. "

Well, Clover didn't initiate the fight. Clover said peacefully to Qrow that he was under arrest. And even Qrow said that they should wait till they arrive to Atlas to talk with Ironwood. Robyn initiated a fight in the manta. The problem isn't initiate the fight, the problem is the place. Is a closed space flying in the air. What if something end up happening and the ship falls? And even when it wasn't her fault, the fight end up resulting in the liberation of Tyrian. Again, she should have assumed that bad things were a risk. She could have wait till arriving to Atlas to talk to Ironwood or initiate the fight there instead of do that in a dangerous place.

"Also, she didn’t crash the Manta! That was all Tyrian!"

The article didn't say that she crashed the manta, it says that the fight initiated by her lead to that outcome.

"Yet, the people who enjoy her and the Happy Huntresses often perceive those same flaws to a significantly lesser extent, or even see those flaws as actually being boons of her character; for instance, reading her alleged arrogance as passion."

Again, also the fans are biased. About the arrogance, it's for celebrating her victory before time for example. She was so sure of her victory that she made a party, even Weiss and Ren point out how strange that was. There is also her saying: "Looks like he underestimated me. Again."

Like if she was such a great threat.

"I have a suspicion it’s to do with her character at large; she’s a bold socialist politician who believes in equality and fairness for all, who refuses to stand for incompetence and obedience towards evil causes."

Is she a socialist though? I mean, she believes in equality but I doubt she ever declared socialists ideals. I'm not sure either that the CRWBY is socialist, so I doubt that they wanted to present a socialist in such good focus.

"Likely, I’d rephrase a lot of it to be less damaging to her character; she isn’t hostile, she holds people accountable."

Except that she was willing to steal from the military truck even BEFORE losing the elections and Ironwood supposedly trying to kill her: "I think you've misjudged the situation. One way or another, these supplies are going to get where they're supposed to go - Mantle."

And again, initiating a fight in the wrong place.

"She isn’t quick to jump to conflict, she is familiar with how Atlas responds to anti-authority with violence. "

That still doesn't mean that she isn't quick to jump to conflict. And how exactly was Atlas dealing to anti-authority with violence in the past? I mean, Atlas let opposition appear in both Atlas (Jacques) and Mantle (Robyn). All the people that were arrested were people responsible for crimes: Stealing a manta, throwing a brick to a military ship, initiating riots. It just now that Ironwood was arresting people who oppose him.

"She isn’t arrogant, she believes in the power of the people as being the right thing to fight for."

Again, party and overestimating her capacities.

"not a fan of Robyn

not a fan of a new female character

not a fan of a new female character in a position of power

not a fan of a character with socialist/communist/antifa ideals

all of the above and then some???"

I guess that the first one. I mean, assume that someone doesn't like female characters due to the dislike to ONE female character... And again, when it was said that she is socialist/communist? And Antifa... maybe? I mean, Atlas was never fascist.

Well, that would be all!

what is going on with all the bias on robyn hill’s wiki page, anyway? - an aside

As someone who uses the RWBY wiki with some degree of frequency - often because I’m looking for art references, or Semblance and weapon names - I’m used to… some amount of bias in the articles for different characters? Like, let’s be real, it’s not a perfect wiki! Community-maintained stuff isn’t easy to all keep on the same track! But, generally, it gives the facts well enough and doesn’t do too bad a job keeping all the balls in the air when it comes to new information from all four corners of this franchise.

Well, until you open the article for Robyn Hill, and realise it’s an absolute disaster. Like, really; the impartial voice just plain doesn’t exist for her, and almost all of her wiki is written in such a way that she reads as being an absolutely insufferable, hostile, hard-to-like character. Even if you aren’t a fan of Robyn personally, you have to admit that if you hadn’t seen the show yourself, you might very well come away from her article presuming she’s a major antagonist of Volumes 7 and 8.

Like, for instance, let’s take a look at the first paragraph of her Personality section:

Robyn has a direct and confident personality, having no trouble being confrontational with Atlas personnel, including the Ace Operatives. Robyn also seems to suffer from overconfidence and arrogance, shown in her encounters with Ruby and celebrating her election victory before it was verified. She is aggressive and hostile in nature, quickly jumping to conflict without thinking through consequences. However, she is also shown to be reasonable when the situation calls for it.

And, for good measure, here’s another paragraph from the same section:

In “With Friends Like These” Robyn displayed a rather impulsive side of her personality, when upon hearing that James Ironwood’s plan to abandon Mantle and arrest those against him, she started a fight between herself, Clover Ebi, and Qrow Branwen onboard a Manta with Tyrian Callows in custody. Despite the fact, there was no order or her arrest. Her brashness led to Tyrian breaking free and crashing the Manta as well as her becoming unconscious.

(Taken from Robyn’s RWBY Wiki page. Bolding is mine.)

Seguir leyendo

[onceonafullmoon]

Mirror

Rin x GN!Reader

Comfort Angst, experiences of anxiety attacks, Reader and Rin are both kind of obsessive lmao, some threats of violence but nothing happens, established relationship and also merry christmas though this fic has nothing to do with that!!

“Speak for yourself. I’m perfectly logical.” He eventually retorts. You actually laugh at that, though it definitely sounds weak and shaky even to your own ears. “…stupid.” You say with a fond smile. “At least I can be honest with myself.”

It’s a sunny day as you watch your boyfriend on the field, his figure distant as you sit in the stands, watching him practice. The birds are chirping, a few fluffy clouds decorate the sky and the temperature is mild if not a bit warm… it’s a beautiful day. 

And you’re pissed off.

Not at him, almost never at him despite his oftentimes abrasive and harsh demeanor. But then again, you’ve always been exceptionally lenient when it comes to Rin.

No, the reason you’re pissed off isn’t because of Rin, rather it’s because of your own issues, your own stewing jealousy when a particularly pretty girl happened to confess her feelings to your handsome boyfriend in the form of a note in his locker.

Obviously, he rejected her, in that blunt way of his, but even then you couldn’t help but notice how he took the time to make sure he rejected her in person, still respecting her feelings despite the fact that he didn’t return them.

And it really shouldn’t bother you… but you’ve always been, unhinged, to say the least.

It’s hard to explain exactly, but, when it comes to the people in your life, when it comes to hobbies you have, anything that you’re passionate about, you tend to get absorbed in those things in a rather unhealthy way.

Like that time you dropped all your plans to cheer up your best friend when she was only mildly upset, or that time you watched a series and then made it your entire personality for a month straight… you’ve always been a tad obsessive.

And when it comes to you, it feels more juvenile to feel this way. 

It’s hard to explain, but you’ve always been more emotionally honest than Rin, and for that reason you feel like you come off as more needy. 

Or maybe that means you’re more emotionally mature.

Or not.

You don’t know, you hate going in circles like this, pacing around in your own mind. Sometimes you wonder if you were more like Rin and ignored your feelings it would be less annoying. But you suppose that self awareness is one of your strengths.

Although, you have to admit, self awareness is also a curse when you have to deal with your own negative emotions rather than having a philosophical discussion, which brings you back to your conflicting feelings.

You don’t like being jealous, no one does, but you feel especially icky about the types of thoughts it brings. You don’t like the fact that your first thought towards this girl was so negative, you don’t like the fact that you feel like a worse person because of that and you don’t like the fact that a very primal part of you wants to march over onto that field and kiss your boyfriend senseless for no reason other than to see his swollen lips afterwards.

Normally, you’d have no problem talking about your feelings with Rin, as emotionally closed off and brash as he is, but something about this makes you feel like you want to stick your head into a hole in the ground, much like an ostrich. Or, to put it plainly, you’re a mess and you’re losing your mind trying not to implode with all your emotions.

Imploding can wait though, you’ll dissect this when you get home, right now you’ll throw on a smile and talk to your boyfriend who you are most certainly not creating scenarios of sneaking off with this pretty girl with her stupid pretty smile and her dumbass cute hairstyle–

Right.

No imploding.

You sigh and shake your head, looking back at the field, watching as Rin begins to wrap up his practice and take that as your cue to make your way over to him after you hop off of your seat in the risers. 

As you near him you can make out his features more distinctly, the sharp curve of his jaw, the length of his under lashes, the pretty teal of his eyes… he’s stupidly handsome as always, and it makes you feel even more ticked off, though you do your best to suppress those thoughts.

“Hey, you.” You say with a smile, picking up his water bottle from the bench and tossing it his way as if practiced, and he catches it with ease, popping the cap off to take a drink, his eyes meeting yours.

To this day, you can’t tell if you hate making eye contact with him or if you adore it.

“...Hey.” He answers after swallowing, his gaze darting across your form.

You’re not entirely sure what he’s searching for, but you hope he doesn’t notice anything different in your demeanor. 

“I’d say you did good out there but I’d be lying if I implied I knew what I was looking for.” You say, in your usual slightly self-deprecating demeanor.

He scoffs, his eyes rolling slightly. “You don’t need to know anything, it’s me.”

Cocky bastard.

“That’s annoyingly cool of you to say.” You say with a small laugh. “I need to learn some one liners like that from you.”

“I wouldn’t bother trying.” He retorts, pushing his hair back in a move that nearly makes you choke on your saliva from how annoyingly good he looks before speaking again. “...how was your day?”

“Fine.” You answer almost too quickly, before pausing to elaborate.

“Just a regular day I mean, nothing extraordinary happened, unless you count the amount of times that I watched someone trip over that crack on the sidewalk.”

Rin furrows his brow. “What crack?”

“You haven’t seen it? It’s like right outside the window in homeroom, like right by the tree.”

“...is that what you’ve been paying attention to? Not the goddamn teacher?”

“Only sometimes! Besides, I’ve seen like five people almost eat shit, it’s entertaining in it’s own right.”

“You’re hopeless, this is the reason–”

You sigh. “Look, my grades are fine, I’m fine, let’s just move on instead of turning this into another stupid “see this is why you should focus more” speeches.”

He tilts his head at you, squinting like you’ve grown two heads, and you feel both annoyed and weirdly vulnerable under his analytical gaze. 

“What?” You ask, almost defensively.

“You…” He says with a small frown. “What’s wrong with you?”

You laugh, though it sounds more like a scoff, and this time it’s more out of a sense of disbelief. “Wow, okay, rude. Do you want my therapist’s notes or something, jackass?”

Immediately after the words leave your mouth you feel yourself regretting them. They’re juvenile, stupid and childish and you can feel your face grow warm. 

Great, you can’t even pretend right, what good are you?

His eyes narrow. “Maybe I do, maybe that’ll help me understand why you’re acting like–”

“Like a bitch?” You interrupt.

Oh gods. What are you doing? What is this?

He blinks at you, as if taken aback by your suggestion. “What the hell are you talking about?”

You close your mouth, feeling everything bubble up again inside you, the jealousy, the insecurities, the annoyance, the embarrassment, all of it is swirling inside you and suddenly it just feels like you’re choking on the weight of all of it, like it’s stuck in your throat.

It’s silent for a while, his hard gaze boring into you while you stand there, feeling like a complete idiot, chewing on your tongue while you try to find the will to speak. 

He sighs then, breaking the silence between the two of you before speaking again. “...talk to me.”

And you do. You do want to talk to him, whether it’s to brush him off, or to open up, anything would be fine, you just want to speak. But you can’t. 

There are too many thoughts, too many things piling up, but you just need to speak, just speak, speak–

He furrows his brow at the continued silence. “...if you have a problem, tell me, but if you’re just going to be childish and give me the silent treatment then this conversation is over.”

Childish? You’re not childish, you just can’t talk, it’s not your fault– 

Is it?

Is it your fault? 

Gods who are you kidding, of course it’s your fault, you can’t even fucking talk how pathetic is that? No wonder he’s looking at other girls you can barely even hold a goddamn conversation, not to mention, she’s so pretty and you’re not– maybe if you could just write some words down– but fucking hell you’re so childish, he’s right, you’re not ready for a relationship– all you have to do is say something– he must fucking hate you–

It’s only when you have to take a breath that you remember where you are, and Rin is staring at you with a look you haven’t seen before. 

Shocked maybe? 

But you don’t think you’ve done anything shocking, until you feel a warm tear roll down your face.

Ah shoot. You’re actually a moron, you’re crying. In front of him.

Come on, raise your hand, wipe away your tears, you’re fine. 

Move your fucking hand.

Move.

Just do something. Don’t just stand there.

You take a breath, wiping away your tears with your hand.

Good. Now speak.

“...” You part your lips shakily to speak. “I–”

A sob escapes your lips and you slap your hand over your mouth and turn away from him, letting the tears just stream down your face.

“Shit.” Rin says softly from behind you, and you distantly think that if you were watching from an outsider's perspective that this would be hilarious.

Okay, stop, calm down, breathe. You’re fine.

You let out another muffled sob as your breathing runs ragged.

Okay, no, you’re not fine.

“(Name).” Rin says, in a tone so soft you’re almost taken by surprise, and you can feel his presence behind you, closer than before.

He places his hand on your shoulder and gently turns you back to face him, and you notice through watery eyes that his water bottle is back on the bench. You’re not sure why you notice that, but you think it's because you can’t stand to make eye contact right now.

“Listen to me.” He murmurs, his voice soft yet firm. “Breathe slowly, in and out, okay?”

Right. You can do that. In and out.

It takes a few breaths, but eventually you manage to get to the point where your breathing is less rapid, and it’s then that you muster the courage to look him in the eyes again.

It’s a small relief to you that you don’t see any judgment in his eyes, just concern.

“...what’s wrong (Name)?”

It takes you a bit to respond, but you’re finally able to speak after you pull your hand from your mouth, looking at his water bottle again.

“...I’m… ashamed.” You say quietly, and the admission feels like you’re being stabbed in the gut.

“Ashamed?” Rin asks, furrowing his brow again. “Why are you ashamed?”

You don’t even want to begin to explain yourself, but you figure you might as well just get it over with. 

“... that girl, she confessed to you. I was jealous– I am jealous, and I feel stupid, because it’s embarrassing and I feel immature.”

He looks at you for a moment, really looks at you and then scoffs. 

“You’re…” He pauses and then looks at you, seemingly thinking better of his words before speaking again with a sigh. “...you’re too harsh on yourself.”

You simply shake your head. “No, it’s dumb, and I was mean to you and I was mean to that girl in my head and I shouldn’t have–”

“Then what about me?” He asks sharply.

“What?” You respond, looking back at him again, confusion taking over.

“I–” He starts before huffing out a breath, his cheeks turning pink as he looks away. “You think I’m any better? At least you have the decency to be ashamed.”

You blink, the quiet settling around you.

Well, thinking on it now, it’s not like you’re the only one who’s like that, you’re no stranger to how Rin methodically practices his skills everyday, the way his eyes narrow into a glare when he sees his brother on screen, how he scoffs at your best friend when she hugs you in greeting… he’s just as bad as you, isn’t he?

Obsessive.

Jealous.

“…we’re so silly, aren’t we?” You ask, breaking the silence between the two of you. “So intense all the time, so needlessly absorbed, too emotional… You’re everything I despise about myself, but I don’t hate you. Aren’t we so strange?”

Rin looks at you finally, a complicated look on his face, flickering through emotions.

“Speak for yourself. I’m perfectly logical.” He eventually retorts.

You actually laugh at that, though it definitely sounds weak and shaky even to your own ears.

“…stupid.” You say with a fond smile. “At least I can be honest with myself.”

You look at him for a moment.

“I like to think I’m good with words, at least when I’m not crying, but there’s so much I want to tell you that I can’t say in the way I want to… what on earth can I say to you?”

Rin looks at you, eyes boring into yours, but you can’t seem to find yourself to be intimidated this time. “Dumbass, you don’t need to say anything.”

You look at him, at his stupidly sweet soul that he tries to hide with harsh words, and let out a soft huff, uncharacteristically frustrated.

“…sometimes I want to hurt you, because you make me feel so much. I could rip you apart.”

Rin’s eyes widen, as if surprised by your words, and briefly you fear that you might have overstepped, before his eyes harden into a steely gaze.

“Idiot… you think you’re the only one who feels that way?”

You blink at his words, not expecting his response, much less how surprisingly honest it is. 

It’s… This is new.

You expect him to recoil from your words, from your emotions, from you. You expect him to leave. But his response, his understanding, it makes you so… emotional.

You take in a shaky breath, tearing up again.

His reaction to that is instantaneous, his eyes widening in shock, a flicker of regret in his gaze. A beat of silence lapses between you two before he speaks, his tone regretful.

“(Name)… I didn’t mean—”

“No.” You say immediately, though your voice is still shaky as you blink harshly.

“Don’t apologize. And don’t take it back.” You speak, your voice cracking. “I’m not scared. You get me, I get you… we’re a mess, but I’ll never find someone like you, and I don’t want to.”

You take a breath to steady yourself, before speaking again. 

“I’m gonna say something, and you don’t have to say it back.” You say, before speaking again, your voice soft but firm. “...I love you.”

You’re not sure what possessed you to say it, those words that have been lurking in you for so long, and you for a moment, seeing his startled face, you wonder if you might have scared him off, if you were moving too fast, or maybe–

“Dumbass.” He says with a soft scoff before cupping your face and pulling you into a kiss.

It’s always so tongue heavy with Rin, and you’ve had to coax him in the past to appreciate a sweet, chaste kiss every once in a while, but you find this time you don’t mind this time as he desperately presses his lips against yours.

It’s his own way of saying it back to you.

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 5

(Overview | Ep1+2 | Ep3 | Ep4)

Airenyah is back, bringing you even more rambles about Style Sattawat Chayakorn than ever before. This meta series might just end up becoming my magnum opus.

Alright, here we go. So, in episode 3 we saw Style starting to develop positive feelings for Fadel. He tries to bond with Fadel, tries to engage him in amiable conversations, and also starts to get suspicious of as well as curious about Fadel and his life and develops an interest in learning more about this man and all he's made up of, an interest that is entirely separately from Kant's mission and the deal with the car.

In episode 4 this trend continues and we follow Style as these positive feelings slowly develop into actual, genuine romantic feelings. Style goes from simply just liking Fadel to like liking Fadel.

Now in episode 5 we get to watch Style slowly, yet rapidly fall in love with Fadel as he grapples with the fact that the man he's falling in love with regularly kills people.

And ohhhh boy, what a ride it is. I've written over 12k words for this meta and yet I still feel like there are so many aspects that I still didn't manage to get into or that I only barely scratched the surface of. Not to mention that there are some scenes (especially the first sauna scene) where I feel like every time I watch it, every time I replay the scene I'm getting something else out of it. I swear, the amount of times I've written and rewritten whole sections... No, truly, at this point I feel like I hate more or less everything that I wrote. I apologize in advance for the mess you are about to read. And let me tell you, no matter how detailed you think this meta is? It in no way reflects all my thoughts and feelings that I have about this episode and about my boy Style Sattawat.

Either way, enjoy!

Pronoun Situation: Just assume Fadel and Style use the rude guu/mueng pronouns with each other unless I explicitly state otherwise.

To recap: Style has started to develop genuine feelings for Fadel and is over the moon that Fadel actually agreed to be his boyfriend. His joy is soon punched out of him as he learns of Fadel's real profession. Style unexpectedly meets Fadel at the gym and runs off in a panic, unable to deal with the situation and absolutely terrified.

No. 1: Sauna The Sequel

Let me just say straight away that I'm gonna be looking at this scene running on the assumption that this is happening on the same day as when Style ran away from Fadel at the work-out bench last episode, because Fadel says: "You seem strange today." If the scene from last episode had happened on a different day, I think he would have said "recently" or "these days" or something along those lines instead. Anyway, let's start.

They're at the gym and apparently they both like going to the sauna after a good work-out, because just like in episode 2 they have their next run-in in the sauna after parting at the weightlifting bench. This time it's Style, though, who arrives at the sauna first and he sits there, still in distress, but already a lot calmer than he was at the work-out bench.

When I first watched this scene I was thinking to myself how fun it was to watch Style be very scared of Fadel after we got multiple explicit references of Style decidedly not being scared of Fadel. Now on second look, though, I don't think he's actually as scared as I had first thought. In their last scene together, the scene by the work-out bench, yeah, Style was absolutely terrified and fighting for his life. But instead of a ruthless killer, Style experienced kindness and care, experienced Fadel being a sweet boyfriend. Unable to reconcile these two conflicting perspectives on Fadel, Style made an escape. Now he's sitting in the sauna contemplating everything, trying to figure out how to deal with and/or get out of this mess. Fadel enters the sauna and while Style still looks a little surprised and startled, it doesn't put him into a panic again. As has been pointed out by @secriden and I have also already discussed in my ep4 meta, in episode 4 Style went to the gym during day time, likely in order to avoid Fadel who explicitly mentioned in episode 2 that he prefers to go to the gym at night. But then Fadel shows up anyway and Style, who hadn't been expecting that and as a result hadn't been mentally prepared for a run-in with Fadel, panics completely. Now, however, sitting in the sauna he is well aware that Fadel is around. This might also be a reason as to why Style's heart isn't stopping the way it did back at the work-out bench.

Fadel sits down next to Style and Style moves away, putting more distance between them. What's funny, though, is that despite Style's apparent discomfort at touching Fadel or being anywhere close to him, he still keeps his hand near Fadel, touching him anyway.

[pls scroll back up to the title pic if you wanna see it, i've reached image limit 😭😭😭]

Now we could call that unclean acting, because if Style really is that uncomfortable with the thought of being close to or touching Fadel aka a Known Killer, then he should be making sure to keep each and every single body part away from Fadel, including his hands. Meaning, he should really be yanking that hand away from Fadel. Or what we could do instead, what's even more fun actually, is that we could interpret this as Style not actually being that uncomfortable with the thought of touching Fadel despite his rational mind telling him he should be. His rational mind might be telling him that he should keep his distance from Fadel if he wants to stay alive, but his hand betrays him, exposes his true desire of wanting Fadel anyway. Style is conflicted, but he is not disgusted by Fadel and now after Fadel has been nothing but a sweet boyfriend to him and Style has calmed down a bit from his earlier panic, he also no longer feels as threatened by Fadel's presence and his touch.

Style is still extremely nervous, though, because the knowledge of Fadel killing people is still at the forefront of his mind, but Fadel's presence and Fadel himself don't terrify him as much anymore. This emotional change also shows in his voice: Earlier at the work-out bench he was hesitating to answer every time Fadel said something to him only to hurriedly blurt out his replies a moment later. Now in the sauna, while Style still hesitates and blurts out his answers, they're not as rushed anymore and he's also more talkative again, engages in the conversation more than he did earlier. What's more, at the work-out bench Style barely dared to look at Fadel and when he did look at him, he only threw quick glances at him before turning his eyes away again. In the sauna Style starts out avoiding eye contact with Fadel at first, but as soon as Fadel opens the conversation, Style can (mostly) look him in the eye again.

Fadel calls out Style's uncharacteristic behavior and Style quickly comes up with excuses. Unlike back at the work-out bench, where his voice was full of panic and terror, he now sounds more appeasing, in an attempt to calm Fadel's worries and suspicions. There is a lot of awkwardness when Style claims "I’m fine. I’m just not used to this", there's even a sort of urgency to it like please believe me, please believe me, please stop asking. Fadel stares at him skeptically, so Style elaborates: "It’s usually me running after you, but now you’re with me."

By the way, since I know so many people are liking the Thai language tidbits, this line here:

It’s usually me running after you, but now you’re with me.

More literally is:

Usually I'm after you, but now you're after me. ปกติกูก็ตามมึงแล้วมึงตามกูบ้างแล้วอ่ะ [bpòk-gà-dtì - guu - gôr - dtaam - mueng - láew - mueng - dtaam - guu - bâang - láew - àh] usually - I - follow - you - and - you - follow - I/me - some - already - [particle]

Style actually manages to find his sincerity for this specific lie, but Fadel is already onto him and asks if Style has suddenly changed his mind after all. Style looks away awkwardly, but also lost in thought a little as he thinks about how this is exactly what happened after he found out the truth. It's not like he can just say this, though. Imagine that. Sorry, I don't want you as my boyfriend after all because I don't feel comfortable dating someone who could potentially murder me. And as I mentioned in my ep4 meta, I do think Style is lowkey terrified that Fadel will kill him if Style breaks up with him right after Fadel finally started opening up to him which he knows was a big step for Fadel. But then Fadel says "I don’t mind [breaking up], you know? I don’t like you that much. I’ll get over it." Style looks away, sighs and gets lost in thought. It's a messy situation to be in, even if Fadel won't immediately be killing him over a break-up after all.

When Style fails to answer Fadel stands up in order to leave. This brings life back to Style and he hurriedly holds Fadel back, asking him to wait with the most puppy eyes:

Yeah, I just had to spend one of the only 30 images per post on the puppy eyes, I mean just look at him!!

Anyway, Style looks at Fadel with puppy eyes, and there is so much uncertainty and hesitation and doubt in them. There is also fear, but to me it doesn't look like he's afraid of Fadel specifically, it looks more like he's anxious and worried about the whole situation in general. It looks like Style wants something, but hasn't quite figured out what exactly it is that he wants. He is feeling many emotions at once, has many conflicting feelings at once. When Fadel asks Style if he's sure, I'm struggling so hard to pinpoint/name the many different emotions that Style is feeling in that moment. All I can think of looking at Style's face is: help.

The boy is overwhelmed. He wants to be far away from Fadel, but he also doesn't want him to leave, wants to dump him, but he can't and also kind of maybe deep down perhaps doesn't even really want to, has something on his mind that desperately wants out, but that he must keep inside under any circumstance.

Fadel asks Style if he's intimidated by him and I just wish the English subs had kept the word "scared" just like the Thai lines kept the word กลัว [gluua], because it's such a nice callback to episode 4 where Style enters the greenhouse, yelling "You think I'm scared of you?" (or "But I ain't scared of you!", as the English subs put it). Now Style is getting thrown that question right back at himself. Style has proven time and time again that he isn't scared of Fadel, but this time when he says "I'm not scared of you" it's a lie. Fadel skeptically raises an eyebrow at him. Style comes up with another excuse. "I just can’t believe my persistence actually worked." It definitely is an excuse, but I think that Style is telling the truth here, that he really is surprised that he managed to actually get Fadel to open up to him. I think he truly wasn't expecting it. Now there is also little bit of amusement as he finishes the sentence. As much as he does not want to be around a killer, it doesn't change the fact that he really did enjoy getting on Fadel's nerves. But that little smile fades very quickly as he looks at Fadel in anxious anticipation. And Fadel? Fadel goes with it and throws him a challenge. Style's persistence didn't work. They're on trial. Style still has to put more effort in. Style raises his eyebrows at Fadel like Bitch what did you just say to me????

Fadel did it. He's awakened Style's competitive side. Style completely forgets any qualms he initially had about getting close to Fadel and starts getting handsy with him. But Fadel interrupts Style's seduction and asks to go to Style's garage. However, Style hasn't forgotten about Fadel's secret job enough to happily welcome him home, so he declines. He's definitely horny now, though, and suggests staying in the sauna instead to do the deed and get it over with. As I said in my ep4 meta, Style only gets handsy with Fadel when he's genuinely trying to get into Fadel's pants or under his towel. This is why I think that despite Style's initial apprehensions surrounding Fadel and his secret job, Style absolutely would have hooked-up with Fadel right there and then if Fadel had let him. But Fadel doesn't, he insists on going to the garage instead. Fadel's secret job is fully back on Style's mind again. Style sits back again, sighing as he tenses up again a little. He's clearly not as uncomfortable and nervous around Fadel anymore as he was at the beginning of the scene, but he certainly doesn't feel great about letting a killer into his home. He throws Fadel a look, and I do think Style is a little scared again, but I feel like Style is less scared of Fadel himself and more scared about what might happen if he lets a hitman in, scared not just of what might happen to himself but scared of potentially also putting his dad in danger or giving away any information that could be useful to Fadel in the future in case Fadel does decide to murder him if Style gets too annoying or if Fadel finds out all the secrets Style's been keeping.

Now, guys, let me tell you I spent a whole day writing and thinking about this scene and honestly, I struggled sooo so much. Even as I've finished writing this part I'm still not happy at all with what I put down. There is just so much going on inside of Style and it turned out to be extremely difficult to name and to pinpoint every single emotion because I felt like any time I replayed a shot I was seeing a new aspect and there were so many times where I was feeling an emotion but I just couldn't find the right word to describe it no matter how much I clicked my way through different words and synonyms on Google. But maybe that's kind of the point. Style is feeling many different things, a lot of the emotions that are also contradicting each other, his rational mind is fighting against his heart and it's all so overwhelming in a way you can't really put into words.

No. 2: Date Night

They're on their little go-kart date and Style is having so much fun that he's completely forgotten to be uncomfortable around Fadel, laughing the brightest laughter as he zooms around the track with Fadel. Ever since Style found out that Fadel kills people professionally, Fadel has never once made him feel threatened and unsafe in his actions apart from what was in Style's head at the time. Fadel isn't a ruthless murderer, not to him, not towards Style, and it has Style relax again, has him laugh without any apprehensions. Style is finally able to let go of his worries again and to simply just enjoy the time with his new boyfriend.

A little language note here, this:

It’s just a fluke.

More literally is:

You beat me just this one time. ชนะกูแค่ครั้งเดียวเนี่ย [chá-ná - guu - kaê - kráng - diiao - nîia] beat, defeat - I/me - just, only - time - only, sole - [particle]

Style has let down his defenses so much that he immediately engages in a personal conversation when Fadel starts asking questions and shares without any hesitations. Both we, the audience, as well as Fadel learn that Style lost his mother. This makes me especially happy, because I wrote this in my ep3 meta about the conversation when Fadel drags Style into the storage room:

I do think there's some truth to it when Style says "I have my own problems. You’re not the only one" but whatever problems in life Style currently has (especially if there's anything connected to loss and grief), these problem's really aren't at the forefront of his mind right now.

I had a feeling these lines would come back and that they might be connected to loss, since that's the theme of the support group and at the time of writing I even contemplated the fact there might even be something in Style's past. I almost added a little sentence or two about how if Style also lost someone it has probably been long enough since then that now he's able to be unserious at a group meeting for grief without thinking about it even for a second.

Style brags about winning a competition and Fadel says he knows. The pleased smile is wiped off of Style's face as he suddenly remembers Fadel's real job. Style is starting to feel a little threatened again, a little scared. When he asks "How'd you know that?" it's almost an attack. Fadel shouldn't know this. Why does he know this? Did he do some snooping around? Why would Fadel need to snoop around? Is Style the next target? Does Fadel have a reason to kill him? But Fadel explains he saw it online. Yeah, okay. That makes sense in this day and age. Style lets it go but is still on guard. He doesn't quite trust Fadel.

Fadel continues asking questions. "You said you liked me from the moment you saw me. What did you like about me?" But the thing is, that was a lie. Style did not, in fact, like Fadel from the first time they met. He needs to come up with a believable reason. "I liked the feeling of chasing after you." I do think he genuinely did have fun chasing Fadel, bugging him, which is why he manages to say it with enough sincerity for Fadel to believe it. Style can't fool me, though, because while his words aren't exactly performative like other times when he's being insincere (as discussed in my ep4 meta), his demeanor is still a bit too "loud" for me to fully believe it. Just that one sentence, though, because I absolutely do believe him when he says he likes to win. We literally just saw his behavior when he won their race. Or back in the sauna when he immediately tried to seduce Fadel after Fadel reminded him that they were on trial. Besides, Style likes attention and I'm sure coming out first place in a competition gives him plenty of attention. And as he says, it gives him adrenaline so he's also just having plain fun with it. Fadel is amused and asks "So you only hit on me for the thrill of it?" Style feels called out, because he did hit on Fadel for ulterior motives. Style can't exactly admit that, though, so he quickly deflects: "It's not like that. I like how you look, too." Style then lists more reasons why he's interested in Fadel and I think that what he says next is 100% true: "I like that you’re so different from me. It’s an opportunity to learn, and it’s an experience, you know?" I think this is something he started appreciating about Fadel at the latest over the course of episode 3 where he started to get more interested about Fadel and his lore.

One thing I want to point out: There is less space between them by the end of the scene than there was by the end of the scene. They got closer throughout the scene, not just in the literal sense as in closer with their bodies but also figuratively they got closer in their relationship. It's as Style said: they can get to know each other when they are boyfriends. And getting to know each other is exactly what they're doing here, and they will get to know each other even more as the episode progresses.

Style might be a competitive guy, but the thing is, so is Fadel. Which we, of course, are already well aware of. After all, we did just watch these two have stand-offs with neither of them willing to back down for 4 episodes straight gay. But Fadel lets him know anyway: "The game isn’t over. A guy like me doesn’t know how to accept defeat." It's a threat, but not a dangerous one, no, it's more of a flirty challenge. At the same time, Fadel is being 100% serious when he warns that he won't accept defeat. It's like he's saying No matter how hard you try to fully win me over, I'll never open up to you completely. They'll come back to this topic again later in the episode, when Fadel tells Style he's at 80%.

Fadel drives off and Style watches him pensively. I think by now he's really lost his (immediate) fear about Fadel working as a hitman. I find his expression in this shot here especially interesting:

He look sad more than anything. He was already starting to like Fadel in the previous episode (here are the receipts), but now that he's starting to spend more time with Fadel where Fadel is not just constantly pushing him away and putting him down but is actively engaging with him and they're having serious conversations, now Style is really starting to like him. But unfortunately the situation had to get super messed up and there doesn't seem a way to get out of it that doesn't end in hurt or pain. And unfortunately, he can't exactly talk about his problems with his new boyfriend either. But the show must go on. Life must go on. Because life never stops. So Style gets on his feet, hypes himself up a little, and gets into his go-kart to follow Fadel.

No. 3: Choices Were Made

Where earlier in the sauna Style tensed up at the thought of taking Fadel to his place, after their happy little go-kart date all those fears and worries that Style had had initially went right out of the window. Fadel has been nothing but nice and sweet to him and Style has by now realized he's got nothing to be afraid of. Fadel is not a danger to him specifically (yet?).

Fadel starts asking more questions and we, together with Fadel learn more about Style's relationship with his dad. We also learn that Style likes to choose his own partners himself. This is in line with what I said in my ep3 meta:

For Style, sex isn't just sex and I think as impulsive as he can be he still makes very deliberate decisions about who he actually sleeps with.

Now I'm thinking this extends to who he actually dates, too. Style wants to make the choice of who he is with himself. Which is kinda ironic, considering he himself didn't actually choose Fadel. Unless you count Style's choice to agree to Kant's deal. But Fadel has no idea about any of this. So he walks up to Style, hugs him and asks "And you chose me?" Ah, well, no. Not exactly. Style doesn't answer Fadel's question but instead goes "You wanna do it here?"

Honestly, even though Style's question was probably a convenient way of getting out of having to answer Fadel's question, I think Style's had this question on his mind from the second he felt Fadel's arms around him. After all Fadel did suggest going to the garage instead when Style tried to seduce him in the sauna and I'm sure Style had a flashback to that when Fadel went and hugged him.

Pronoun side note: Fadel changes from the rude guu pronoun to the polite phom pronoun in their little role play when he says "My car broke down." They don't use any pronouns for the rest of their exchange.

Now this is the first time they're having sex as official boyfriends and while in a way the scene is similar to the scene in the storage room, it's also very different. Just like in the storage room, Fadel is the one to initiate the kissing and Fadel is the one taking off Style's shirt (or at least one layer of it, that we see). While the tempo in the storage room was fast and rushed, Fadel now takes his time and everything he does is much more deliberate. Fadel is now actively enjoying what he is doing, lets himself enjoy it. And just like in the storage room, Style lets Fadel control the situation while he waits to see where this is going (it leads to role play, apparently). And yet, Style isn't passive the way he was in the storage room, no, this time they are on a much more equal level. This time it's much more of a mutual conversation. We see this in their little role play where Style actively engages (a dialogue requires two people or else it'd be a monologue) and the way Style also initiates a kiss instead of letting Fadel do all the work himself. Style is no longer a passive part in this. He actively teases Fadel from the start by not properly kissing him back right away and also actively seeks out Fadel's vicinity and physical touch. We see it in the way he actively nuzzle's into Fadel's shoulder:

They are both enjoying this, and they are also actively letting themselves enjoy it. Together.

The lighting is also starting to change: in the storage room, everything was blue and cold. In the greenhouse, there is less light in the scene in general, and while the light that is there is still blue, the darkness gives off a feeling of protection. They can confess to their mutual budding feelings in the safety of the shadows, hidden away where no one can see them. Now in the garage, there is still so much blue going on in addition to bright white lights from inside the shelves. They are still surrounded by the cold, but they themselves are bathed in yellow and red light.

They are slowly making progress, slowly coming out of the cold, distant lighting, slowly stepping into the warmth. However, they still have a way to go.

No. 4: Sharing Is Caring

Side note, since I was just talking about the lighting: I can't help but notice how the cold white light that was inside the shelves earlier is now much less prominent right next to Fadel. Instead we get yellow and red car parts. Fadel is sitting right by the warmth (the warmth that Style was giving him in this scene, perhaps?).

Where in the go-kart date scene Fadel was the one asking all the personal questions, here in the garage it's now Style's turn. And Style finally asks about the scar and I'm glad we're starting to talk about it because I've been dying to know. Fadel says it was an accident and Style wants to know the details. Fadel says it's an occupational hazard, which, gee thanks I could have guessed as much. And I'm sure so could Style. Fadel in addition also asks why Style would want to know that and Style says "I want to know more about you." Style was already starting to care last episode, but back then what he cared about was mostly Fadel's actions and how they affected him himself and his feelings. We could even go as far back as episode 3 and say that Style was starting to get curious about Fadel and his story all the way back then, even. This time it's different, though. This time it's not that he wants to know just to satisfy his curiosity about this strange, closed-off man or because he doesn't like "being kept in the dark". This time it's not that he cares because of how Fadel and his words/actions directly affect Style himself. No, this time he genuinely wants to get to know Fadel better. He cares because he is starting to worry about him. This time it's not all about Style himself, but this time it's all about Fadel instead.

Style is starting to care, is starting to care so much about Fadel himself now. But unlike Style, Fadel doesn't voluntarily give up information about himself, which Style notes and then asks more questions: "Why do you go [to the Rise Up group]?" Fadel doesn't say a word and Style doesn't pressure him any further. He stays quiet, watches Fadel, and patiently waits for him to come to a decision. A full 10 seconds later Fadel does share: "I lost my parents." Style stares at him in shock. He hadn't been expecting that. But this is something he can relate to, even if he lost just one parent and not both of them. Style offers Fadel a metaphorical shoulder to cry on, creates a safe space for Fadel in which he invites him to share more details. Once again Style doesn't pressure Fadel, he just looks at Fadel encouragingly but leaves the choice to share entirely up to him. This time it takes Fadel 13 seconds to respond, but respond he does: "My parents were murdered."

Fun fact, Style is actually fully aware that Fadel's parents were murdered by gunshot specifically because Fadel explicitly tells him:

พ่อแม่กูโดนยิงตายเนี่ย [pôr-mâe - guu - dohn ying dtaai - niîa] parents - I/my - be shot to death - [particle]

When Style hears this he realizes two things:

Fadel has fucked up trauma.

This is a conversation he probably shouldn't have started, a topic he probably shouldn't have brought up.

The conversation took an unexpected dark turn and Style doesn't want to pressure Fadel any further, so he is quick to change the topic to something more bright. "You had any lovers before?" Love can't be too heavy of a topic, right? Right?? But we saw the flashbacks of Fadel dancing with someone in episode 3. And we heard Keen make a reference to someone important in Fadel's life who suddenly disappeared. Speaking of...

Remember how in my ep3 meta I was wondering if Style had heard that specific comment since we weren't shown the exact point of Style walking in on them? I guess now have confirmation that Style did not in fact hear that comment. Unless of course Style asked that specific question to subtly try and find out more backstory on that too (Oh god, Style, how I am begging you keep asking! I too need to know!!). Although, the way he was rushing to change the topic to something happier didn't seem like he was thinking too hard about his question. But then again, he did also tilt his head a little when Fadel said no, he doesn't have an ex, and I can't tell if Style tilts his head because he really has no idea and simply just doesn't believe that a guy like Fadel has never dated anyone or if he tilts his head because he knows Fadel is lying. Aghhh, gdi, I'm still none the wiser.

Anyway, so Fadel says no (bro. my dude. who was that man in the flashback, then 🤨) and explains "My life isn’t exactly easy. I don’t want to drag anyone along with me."

Actually, for the second sentence he really says:

And besides, I also don't want to cause trouble to anyone. แล้วอีกอย่างกูไม่อยากทำให้ใครเดือดร้อนด้วย [láew - ìig yàang - guu - mâi - yâak - tam hâi - krai - dèuuat rón - dûuay] and - one more thing - i - not - want - to cause - anyone - be in trouble - also

Style blinks. He cracks just the tiniest and briefest smile.

(In case you don't see it, here have a slowed down version of just the grin. Check the corner of his mouth: )

Hah. Got him. "Is owning a burger joint so difficult that you can’t date?"

I wasn't sure before if Style knew what he was doing when he asked the ex-lover question, but with this question now he definitely knows exactly what he's doing. Fadel comes up with a reply, but his word choice is still sus, so Style asks a follow-up question. Personally, I think that Style started asking question in the hopes of Fadel accidentally spilling the truth himself. Because if that happened, then that would be at least one secret off Style's back. He wouldn't have to pretend to Not Know and it would probably also lessen his anxieties about Fadel's occupation because at least he would also be able to openly talk about it and his fears with him. I think at this point Style has fully realized that Fadel isn't killing him any time soon, that his own life isn't in immediate danger just because he hangs out with Fadel and does things that boyfriends do with him. He is back to being as fearless as he was before The Reveal.

So Style asks a follow-up question, hoping that maybe Fadel will slip-up even more. But Fadel comes up with a bullshit story and Style just listens to it, nodding like yeah sure whatever you say baby. It quickly becomes clear to him that he won't be getting the truth out of Fadel's mouth for now. I feel like I haven't seen enough of the story yet to really confirm this for myself, but I wonder if during this conversation Style also realizes (or at least starts to suspect) that deep down Fadel isn't actually too fond of his killer job. Because when Style says "Maybe you just need to find something else to do. Do something that allows you to love without risking your loved ones." it just sounds too much like what he's ACTUALLY saying is:

Well, if you don't like being a "burger joint owner" (assassin), if being a "burger joint owner" (assassin) is making your life THAT difficult and depressing, then why don't you just quit being a "burger joint owner" (assassin) and find a new job that makes you happier and your life easier? Perhaps even a job where you don't have to worry about me your loved ones being safe?

After this deep talk where Fadel finally opens up to him about personal things, Style's panic has vanished completely. Instead, it has all been replaced with worry, worry about Fadel and his well-being specifically. And Style is also well aware of this development as we'll see later in the episode when Style tells Kant "I'm beginning to worry about him now." Style is still scared for his own life, but now it's not because he's terrified about Fadel killing him but more so because he doesn't want to become collateral damage if (when) he stays in a relationship with Fadel. I think this is another subtext of when Style says "Do something that allows you to love without risking your loved ones". He's not just making it about Fadel and his loved ones but he's also specifically referring to his own safety, too. Do something that allows you to be with me specifically where I don't have to worry about my own safety and potential death.

Style smiles innocently and cutely at Fadel (and I cry bc that exact smile is Dunk's inner Daonuea coming out) but before the conversation can go any further or they can get any cuter, Kant interrupts. Fadel is irritated and Kant's unexpected visit is an inconvenience to Style too, but Kant has some pressing matters to discuss, so they walk off to discuss them in private.

No. 5: Conflicted

Kant is in panic because Bison seems to be going ballistic on Kant's old hook-up with murder being a potential outcome. This has Style very concerned. He doesn't really care about Kant's old hook-up but he is very worried about his best friend. As much as Style likes helping people and as loyal of a friend he is, he really doesn't wanna help if helping Kant means Kant's potential death. Kant tries to talk Style into helping anyway, but Style is done: "I had nothing to do with this. You dragged me along." Style is very much not cool with having been involved in this without his consent. And now he's got another problem that makes the whole situation even more tricky for him:

By the way, I have a bad feeling about Fadel. He scares me. But I like his rough romantic side.

And at this point I really need to share Style's actual words:

And another thing, I don't know how I feel about Fadel. แล้วอีกอย่างนะกูรู้สึกยังไงกับไอ้ฟาเดลก็ไม่รู้ว่ะ [láew - ìig yàang - ná - guu - rúu-sèuk - yang-ngai - gàp - âi - Fadel - gôr - mâi - rúu - wâ] and - one more thing - [particle] - I - feel - how - with - [rude prefix] - Fadel - not - know - [particle]

He makes me feel scared. มันทำให้กูรู้สึกกลัว [man - tam hâi - guu - rúu-sèuk - gluua] he - to cause - I - feel - scared, fear

But I like his rough romantic side. แต่กูชอบมุมโรแมนติกเถื่อนๆของมันเว้ย [dtàe - guu - chôp - mum - roh-maen-dtìk - tèuuan tèuuan - kŏng man - wóiie] but - I - like - angle - romantic - rough - (of) his - [particle]

I put all of Style's lines mostly for completion, but really the language note is mostly about the very first line. Style doesn't say he has a bad feeling about Fadel, no, he says he feels conflicted about Fadel. Because on the one hand he's scared and on the other hand he really also likes him. When Style says Fadel makes him feel scared, I don't quite believe him, because apart from the sauna and that one short moment at the go-kart track absolutely nothing in his behavior has screamed I am scared, on the contrary. I think this is his rational mind telling him that logically he should be scared because Fadel fucking kills people fighting against his heart that is slowly getting to know the Fadel that's behind those thick high walls and that realizes that Fadel isn't that bad of a person after all. What's more, ever since they started dating, none of Fadel's actions or behaviors have put Style into immediate danger. In fact, Fadel has been nothing but a sweet, hot boyfriend to him. Style doesn't know how to feel about Fadel, because he's getting conflicting messages and can't figure out whether he should best follow his mind or his heart.

But Kant currently doesn't have time for Style's love life. Someone else's life is potentially at stake. So Kant responds: "This ain’t no time to confess your weird feelings." Or what he actually says is:

This is not the time to confess your love. ไม่ใช่เวลามาสารภาพรักไงล่ะ [mâi châi - weh-la - ma - săa-rá-pâap - rák - ngai - lâ] not - time - come - confess - love - [particle] - [particle]

I just wanted to note that Kant says nothing about "weird": Kant is not being judgy about Style's feelings specifically, he's only judgy about Style's sense of timing. Okay, carry on.

Anyway, Kant suggests asking Fadel for help.

No. 6: Boyfriend Card

Fadel, predictably, is not happy about this turn of events. But Style is now helping his friend after all, and so he pulls the boyfriend card: "You’re my boyfriend, you know? If you like me at all, you have to help my friend." It works. Fadel agrees to help. Kant calls him "Brother-in-Law". Style is very hyped at Kant's sass and praises him. Fadel chats with Bison on the phone and learns enough info for Kant to know exactly where Bison is at. Kant runs off. Style watches him leave wide-eyed, then turns to Fadel and excitedly goes "Wow. I hope you’re not the jealous type like your brother is." Fadel tells him "If you mean well, then you have nothing to worry about." But then he also speaks out a warning:

But if you’re just leading me on, or trying to get something out of me, you’re in for some serious bruises.

Dare I say this is foreshadowing for when Fadel finds out about the real reason why Style was hitting on him? And I have a feeling Style gets that memo too. Uncharacteristically, he stays quiet.

Pronoun side note: Kant uses the polite phom/khun pronouns for Fadel while Fadel uses the rude guu/mueng pronouns for Kant and I think that's hilarious, actually.

No. 7: Falling

Kant updates Style on the James situation but Style stays optimistic. Kant really doesn't share this view and reminds him that Bison is a hitman. Style gets stressed and also a bit irritated at Kant and shoots a reminder back: "I was sleeping with his brother last night all because you asked me to, didn’t I?" (he says, as if Kant ordered him to hook up with Fadel in the garage 🤭) Style hates that he is in this mess when he never even asked to be in this mess in the first place.

Kant says he doesn't want anyone else risking their lives (bro. maybe you should have thought of that before you got your bestie involved or at least asked him for his consent, don't you think 🤨) and that he has to get this job done. Style looks downwards, troubled and in thought. He sits down and it's time for another confession:

Come to think of it. How would I even get through this? I compromised my whole body, and if we’re being honest, I’ve already compromised half of my heart, too. I’m beginning to worry about him now.

This has Kant alarmed. "Don’t fall in love with him at all costs." But it's already too late. Style is already falling, and he's falling fast. And deep down he knows it, too.

Style points out that Kant isn't exactly doing any better either. Kant sighs and says he wants to end things quickly and then foretells what their happy ending is going to be: "Once those two get arrested, we walk free."

But Style stares gloomily into the air and gives a near invisible head shake, almost as if he disagrees with Kant's words, as if to say But that's not what MY happy ending looks like.

Then he stands up swearing and says: "Hope it ends before either one of us kicks the bucket. I shouldn’t have put my heart on the line for this." He wants to get out of that mess asap and preferably alive (and with his heart fully intact). Kant has another mission for him.

No. 8: Can I Have This Dance

Yeah no I don't have anything to say about this scene except: this is a boy in love.

And also, not to brag but @titkos--sideblog and I called the butt grab(s) before the show had even started airing, including the exact episode number (episode 4 counts too because we did get the one wide shot in the greenhouse with Fadel's hands on Style's ass!!):

Okay, no, I lied. Now that I'm done awww-ing about how fucking cute this whole scene is, I do have something to say after all:

Once again, there is not a single ounce of fear anywhere to be found in Style, no matter how stressed he gets whenever Kant brings up that Fadel and Bison are hitmen. On the contrary, Style is completely at ease. He's shamelessly teasing Fadel, shamelessly flirting with him, and also being silly without a second thought. I was actually talking to @secriden in our DMs and I just wanted to share something she said to me because she really hit the nail on the head:

[Style] makes it clear that he wants Fadel to participate and frames his case as being about his need for an "F" for his "S" so the 'embarrassing cheesiness' is all on Style's behest. When he makes Fadel dance with him, he reminds Fadel that he's already seen a far more embarrassing dance and found it incredibly hot and then starts being overthetop and ridiculous so that even if Fadel starts dancing with him its not going to be more embarrassing and silly than what Style is doing.

I absolutely agree. This whole scene is Style trying his best to get Fadel out of his shell, to get Fadel to loosen up a little. We've already seen Style attempting to do this in episode 2 when he shows up in Fadel's kitchen with an order and pretends to be a commentator on a cooking competition or in episode 3 at the heavy metal bar when he invites Fadel to dance with him, to scream and to basically let loose with him. Except back then Fadel stubbornly refused to engage. Where Style failed in episode 3, he now as Fadel's official boyfriend succeeds. This time around Fadel does dance with Style, albeit tentatively, and even ends up having a little bit of fun.

No. 9: Percentages

They're sitting at the table watching Kant and Bison be cute and Style makes a comment about how they look good together. Fadel informs him that even if he tolerates Kant now, he still doesn't trust him and Style squints his eyes a little at him in a way that I can't find the proper words to describe.

It's almost inquisitive. Style knows full well that Kant absolutely has ulterior motives, more ulterior motives even than Style himself has. Style knows full well that Fadel absolutely has legitimate reasons to distrust Kant, knows exactly that Fadel's bad feeling about Kant is entirely on point. The way Style squints at him looks as though he's curious about why Fadel doesn't trust Kant. What is Kant doing, what in Kant's behavior is giving it away that Kant's not exactly trustworthy?

Fadel elaborates that a guy like him doesn’t go trusting someone 100%. Style looks almost a little guilty when he looks down at table for a moment as he goes "Oh?" Then he asks "Not even me?" and it's just a little bit too "loud" again to be entirely genuine. Style knows exactly that he doesn't really deserve Fadel's full trust because he, too, is hiding secrets from Fadel. And I think he tries to play it off and deflect from it in an Whaaat, you don't even fully trust ME, your very own BOYFRIEND? When CLEARLY as your boyfriend I am entitled to 100% of your trust? sort of way. But Fadel didn't come to play around. He retaliates with "You’re at 80% at best." Which, by the way, in Thai goes something like:

Someone like you? Only gets 80. อย่างมึงนะได้แค่80 [yàang - mueng - ná - dâai - kâe - bpàet sìp] like - you - [particle] - receive - only - 80

Style throws him a look that again I find really hard to describe:

He looks a bit judgmental that Fadel really dared to be this harsh to his very own boyfriend, but at the same time he knows that Fadel is absolutely spot on with that judgment. And I think he is also kind of disappointed, because he does very much want those full 100%.

More serious now, Fadel continues: "I feel like you’re hiding something from me in the rest 20%". From the tone of Style's voice when he says "What are you talking about?" I feel like this isn't at all about him deflecting Fadel's completely spot on statement but more about Style complaining that Fadel won't play along properly. Style is frustrated, but almost in a pouty way. When he asks "What do I have to do to gain your complete trust?" I think it's still part of the little game that he's started, but now there is a sort of urgency to his voice that exposes him. Style needs an answer to this question, because it's important for him to get those 100%. Style really wants Fadel to be able to fully trust him. Style might still be keeping secrets from Fadel but nevertheless he wants to do everything he can to "be worthy of Fadel's trust" (words stolen from @secriden's meta), despite the lies he has to keep up for now. What's more, Style went all in the moment he and Fadel became official and the "all in" includes trust as well. It's either all or nothing for Style.

Fadel doesn't answer immediately. Similarly to their deep talk in the garage, Style patiently waits for Fadel to speak rather than to press him for an answer. And 7 seconds later Fadel drops: "It'll never happen."

So far this conversation has been mostly lighthearted but at this point the mood suddenly changes. Fadel announces there will never be a day where he'll fully trust Style and Style sighs, a little dejected.

No matter how hard Style tries, there will never be a day where he'll be able to make up for all the secrets he's been keeping and for all the lies he has to tell, all the lies he's already told, and all the lies he'll be forced to tell in the future. Because let's be real, at this point? Style is keeping up the charades mostly for the sake of Kant (and maybe a little bit for the sake of his own safety). As many people have already pointed out, Style is the type of person where what you see is what you get. And I think Style struggles with the fact that he can't be fully honest with Fadel. And he knows it's going to hurt both of them when Fadel finds out that he was right in not fully trusting Style. And there is nothing he can do about it, no matter how much he tries to be as open and transparent with Fadel as possible to soften the blow.

Fadel elaborates and as Style listens to Fadel's explanation, the good mood that was there on Style's face earlier is replaced by a very serious expression.

I think he's probably wondering where Fadel got this outlook on life from. By now Style has learned that Fadel has gone through quite some shit in his time. I think he realizes that there's a chance that Fadel's distrust in people is connected to another "My parents were shot" story or that it could also be connected to Fadel's scar. This interpretation gets pretty much confirmed at the end of the episode, when Style tells Fadel that he'll be his 100% one day and goes to kiss Fadel's scar immediately after, as if to say I know whatever scarred you took away your ability to trust people but I'll be the one to do you right.

The conversation is taking a heavy turn, but the bar is no place to discuss such topics, so Style dismisses Fadel's words and changes the topic like he did back at the garage. He invites Fadel to come on stage and sing. Fadel refuses. Style reminds him that there is absolutely nothing to be embarrassed about since there's only drunk people here, but Fadel still doesn't want to. Style pulls him on stage anyway and whipped boyfriend that he is, Fadel follows him after all and engages in the social interaction.

But then Kant gets a phone call and suddenly has to run. I absolutely cannot tell if Style is fully aware of what Kant is planning to do or not. In their last one on one scene, Kant announced that he had a plan, but didn't exactly elaborate on it, just told Style to make sure Fadel stayed by his side the entire time. Of course Kant might have told him off-screen, but there is also a chance that Style only knows as much as the audience knows. Either way, Style doesn't feel great about it. When Style asks if he should come too, his voice might just be the most serious and worried we've ever heard it throughout the series so far. But Kant refuses and runs off by himself. Fadel walks over to Bison to make a comment to him while Style stands behind them, looking worried. When he sits at the table with Fadel and Bison later waiting for Kant he is uncharacteristically quiet and still, except for that one time where he tries to get Bison to stay a little longer. But when that doesn't work he just sits there and stares at Bison wordlessly. Even Style's aura is suddenly very quiet.

Pronoun side note: When they met in episode 2, Style and Bison where using the polite khun/phom with each other. In this scene all three of them were using only the rude guu/mueng pronouns when talking to each other.

No. 10: Look They've Made It Onto A Bed

Okay, so this is gonna mess with my usual formatting of going chronologically, but please bear with me as I take a look at the actual sex before I get into the dialogue.

Everything about this is warm, so warm and soft with the red/yellow/orange tones and they've finally made it onto a bed. I've seen posts joking about getting them a bed for the sake of their backs, but I think it was a very deliberate choice that up until now they were never anywhere near a bed. Your bed is one of the most intimate places you have, it's where you sleep and are at your most vulnerable to outside danger. Up until now, Fadel and Style couldn't be on a bed yet, their relationship wasn't ready for that yet. And I think it's so significant that the first time they are sleeping with each other on an actual bed happens after Style knows the truth about Fadel. It's such a stark contrast to the beginning of the episode where Style asked to hook up in a public sauna and get it over with because he was just so very uncomfortable about bringing Fadel home. But now at the end of the episode Fadel is right here in Style's bed. Style knows the truth, knows Fadel kills people and he still brought him into his home, his own room, his very own bed. Style knows the truth and yet Style has fully let Fadel into his life. (Like, 100% you could say...)

This scene also parallels the storage room hook-up, but now the places are switched. In fact, this scene is the complete opposite of everything that happened in the storage room. Let's take a look.

As many people pointed out after episode 3, Fadel was more or less worshiping Style's body back then. Now it's Style's turn to worship Fadel's body. Back in the storage room, everything was rushed because Fadel was running on anger and sexual frustration. Style now in turn moves very slowly and everything he does, he does very deliberately and with intention. There is so much tenderness and care in every single one of Style's touches. Where the storage room sex was first and foremost led by anger, mutual annoyance, and physical attraction, instead it is now led by love and the emotional bond that they've started to build up over the episode. Actually, @secriden has written a beautiful post comparing these two scenes with each other.

If you remember, @clemelntine noted what we can learn about Style's and Fadel's desires in their respective fantasies. In my ep3 and my ep4 meta I added on to this thought and discussed at length how in Style's fantasy he barely stopped searching for eye contact and how the emotional component was very important to Style and how he was getting next to no eye contact in the storage room scene (where emotionally they weren't on the same page at all) and how he was slowly getting more of it in the greenhouse (where they were finally starting to come together emotionally). Now in Style's bed? Style finally gets what he desires. Fadel barely stops looking at him, hardly ever takes his eyes off of him. He even lifts his head to watch Style as he moves to kiss Fadel's scar or to kiss his upper body a little later on.

Of course, for Fadel specifically part of that is also because he is still on guard around Style, can't fully let go yet, can't fully trust Style yet (more on the topic of trust in a bit). Which is why it's so beautiful that when Fadel does take his eyes off of Style it's when he finally lets himself fall into it a little. Fadel may break eye contact, but it's not because he's avoiding Style's eyes and closing himself off again, no, it's because Fadel is finally starting to let go a little, is giving up just a little bit of control to Style, letting him do as he pleases the way Style has let Fadel do as he pleased back in the storage room.

I also find it interesting that there is no background music at all throughout the entire scene (that is from the moment Style takes his shirt off right at the beginning before the dialogue even starts) because it makes the scene feel even more intimate and raw, almost as if we, the audience, shouldn't even be here. In the storage room, in the woods, and in the garage, every single time there was music playing while they were going at it. This here in the bedroom is the most intimate sex they've had so far, and it is stripped bare of any background music (remember the word "bare", it will come back later). There are no distractions, that is no music to hide behind, it's just them and their feelings on full display. Here in Style's own room, Style is laying himself bare for Fadel completely and this is underlined by the lack of music. The music won't come back until the end to lead us into the end credits, and when the music does come back, it's none other than Style's, I mean Dunk's OST song for the show.

No. 11: Bare Bodies and Open Hearts

Now that we've looked at the sex itself, let's take examine the dialogue and the context in which the sex scene is happening in.

The double date night is over and I'm assuming Kant probably texted Style telling him he was all good, because considering how concerned we left Style last time we saw him, I think he would have had his mind somewhere else most of the time during this scene rather than focusing entirely on Fadel if he didn't know his best friend was safe. Anyway. I'm just gonna run with that this is what happened and that's why Style is all relaxed and without worries again.

Actually, before I get into anything else I wanna talk about these specific lines because both the English translation as well as the original Thai lines have me insane for different reasons:

F: Like I said, no one can truly lay themselves bare for someone. [...] S: Will you lay yourself bare for me?

Let's start with what has me insane about the Thai lines first. But first a little recap: In my ep3 meta and my ep4 meta I mentioned the word เปิดใจ [bpèrt jai]. If you're new here or simply just forgot, this is a word that means something like "open up to something/someone" or "giving something a chance". This word consists of the words "(to) open" (เปิด [bpèrt]) and "heart, mind" (ใจ [jai]), so literally translated it makes "to open one's heart".

Now, Style was using this word in episode 3 after Fadel presented him with a burger when he asked "Are you finally folding?" (literally: "You've opened your heart to me now, right?"). If we remember, the burger was the first time Fadel reached out to Style first and did something nice for him (unless we count Fadel dropping off the car at Style's garage in ep1, although that only came about as a consequence of the crash, or there was also that time Fadel ambushed Style in the locker room, but he didn't exactly have nice intentions about it). Anyway, that was the first time Fadel was properly connecting with Style in a friendly way and of his own accord, a significant moment.

In episode 4 we get this word again during the "be my boyfriend" conversation when Style says "I’m 100% in. It’s your turn to let me in a little bit" (literally: "I've opened my heart to you 100% already. Only you remain. How much will you open your heart to me?") Again, this is a significant moment, because right after those lines is when Fadel finally agrees to be Style's boyfriend.

And in both scenes I just really really liked the image of Fadel, who has closed off his heart so deeply and securely behind thick high walls, being asked to open up the way to his heart.

Right now you're probably assuming that in Thai they're using the word เปิดใจ [bpèrt jai] again. No. Actually, they are not. But!! They are using the word เปิด [bpèrt] and I think it works enough for a callback to that imagery and specifically to those lines from the "be my boyfriend" scene:

F: Like I said, we aren't 100% open with others. อย่างที่กูบอกอ่ะ คนเราไม่เปิดกับคนอื่น 100% หรอก [yàang - tîi - guu - bòk - àh • kon rao - mâi - bpèrt - gàp - kon èun - rói bper-sen -ròk] way - that - I - say - [particle] • people, we - not - open - with - others - 100% - [particle] [...] S: Can you open up for me? มึงเปิดให้กู้ได้มั้ยล่ะ [mueng - bpèrt - hâi - guu - dâai - mái - lâ] you - open - for - I/me - be able to - ? - [particle]

And it just makes me a little bit insane for multiple reasons: first of all, we continue with that imagery, that theme of Fadel opening up to Style. And second of all, there's also been a running theme about percentages. The theme of opening up and the theme of percentages are tightly connected:

It starts in the "be my boyfriend" scene where Style tells Fadel "I've opened my heart to you 100% already." All the doors to Style's heart are wide open for Fadel to enter as he pleases. But at the time Fadel's heart is still closed to Style. So Style tells him that it's Fadel's turn now and asks him: "How much will you open your heart to me?" How many doors to his heart will Fadel open for Style? What is the percentage of his heart that Fadel is willing to grant Style access to?

And then earlier in the scene at the bar Fadel says "Someone like you only gets 80%". Somehow this feels kind of like an answer to Style's question of "How much will you open your heart to me?" And yes, the conversation at the bar is about trust and not their hearts, but Style made it about their relationship when he asked "Not even me? (Not even your boyfriend?)" and Fadel also brings up love later when he says "No matter how much you love someone". The heart is also involved in a relationship. And what kind of relationship is it when your heart isn't fully in it or you don't fully trust your partner? And I think this is also part of the reason why it's so important for Style to reach those 100%. He wants both of them to put 100% of their hearts and 100% of their trust in this relationship. He wants this to be an equal relationship.

And here and now in the bedroom Style asks again: "Can you open up to me?" But Fadel can't just yet. Because Fadel doesn't believe he can. So Style declares: "One day, I’ll be your 100%." One day he will show Fadel that it is possible for him to trust someone completely. One day he will have 100% of Fadel's trust. One day he will have 100% of Fadel's heart. And he will get there. Because he is persistent. And because Fadel already has 100% of Style's heart and Style's trust. It's only fair for Style to get 100% in return.

So. This is the reason why the Thai lines make me feel insane. Now on to the English translation which adds additional imagery, which as a whole makes me feel even more insane.

Let me just start out with a reminder that at the bowling alley Fadel vehemently refused to wear the stupid shirt and then announced that he was taking it off as soon as they were done when he did agree to wear it after all. And now let me just point out that Fadel is still wearing that very same stupid shirt in during this scene in Style's bedroom. In fact, it's Style who loses the shirt first. Anyway.

In English Fadel says "No one can truly lay themselves bare for someone." But Style already has. For Fadel's whole entire line we linger on a shot of Style's bare body:

Fadel says "No one can truly lay themselves bare for someone" to Style who is literally bare before him. Style is living proof of the contrary of Fadel's beliefs. They continue their conversation and then Style asks "Will you lay yourself bare for me?" to Fadel, who is still fully clothed and very much not bare. And again, their conversation continues until Style declares "One day, I’ll be your 100%." And right after that Style pulls up Fadel's shirt. And how much does he pull it up?

That's right. He lays bare roughly 80% of Fadel's upper body (if we don't count the back of the shirt that didn't go up bc Joong is lying on it). He lays bare those 80% that Fadel told Style that he had. A little later Style pulls up the shirt even more for better access to the nipples but Fadel never fully loses his shirt the way Style has (who literally starts out the scene by immediately taking his shirt off, baring himself to Fadel first thing with no inhibitions). Until the end of the episode Fadel never loses the shirt 100% because he is not yet ready for that, not yet ready to lay himself bare for Style. Not yet ready for Style to uncover 100% of him. And Style respects that, no matter how much he might have complained at the bar. He never tries to remove more of the shirt than those 80% that he was granted.

Sorry. I need a moment.

Okay, now that we have this imagery and those themes out of the way, let's go through the scene the way I usually do. So this episode we started their story with Style feeling very uncomfortable at the thought of bringing Fadel, a Known Killer, to his home and we end the episode with Fadel right there in Style's room, in Style's bed. Style and Fadel have spent the entire episode sharing personal things and getting to know each other better and also on a bit of a deeper level and now that they're in private away from the others, Style opens up about something that has been on his mind all episode: "It feels so weird every time I’m with you. Sometimes you make me feel so scared, and sometimes you make me feel so safe."

Style is very much not scared of Fadel in this moment. In fact, most of his behavior and his actions surrounding Fadel this episode weren't the behavior and the actions of a scared man, especially when he was interacting with Fadel directly (apart from the very first scene in the sauna when the initial shock hadn't worn off yet). I think Style is still thinking of his mind vs. heart conflict when he says "sometimes you make me feel scared and sometimes you make me feel safe", but deep down he has already decided.

But Fadel doesn't know any of this. Fadel has no idea of the internal battle that Style has been fighting all episode, trying to reconcile the image of the ruthless killer with the man he's falling in love with. So Fadel tells him that it would be good for Style to be a little scared of him and repeats his point from back at the bar about (in)complete trust. And then he speaks out a warning: "The real me might be scarier than you think." But Style isn't scared. Because Style already knows that. Style already knows the truth.

However, Style mostly knows it in theory. He did get to see some of Fadel's real him in action when he took on 3 men by himself and also got to experience some of Fadel's violence on his own body. But the thing is, no matter how much he isn't scared of Fadel despite Knowing the Truth in theory, now matter how lowkey (highkey) hot he found Fadel take out three whole men, actually witnessing Fadel actively kill someone in practice might still be traumatizing no matter how much he thinks he is mentally prepared for it, so I do think Fadel kinda has a point with his warning. But I'm not sure Style has thought this far ahead already. I think in this episode he was mostly preoccupied with worrying about his own life, his own safety and with coming to terms that he was falling in love with a murderer in the first place.

Throughout the entire episode Fadel has never really given Style a reason to be scared of him. Instead, Fadel has spent quality time with Style, has engaged in conversation more than ever before, has asked him personal questions about his life and has even shared a little bit about his own life, which wasn't much but it was a start. They've had serious talks, sexy talks, fun talks, they were silly together and laughed together and they sat on the floor and shared pain together. Fadel didn't even get murderous over a potential break-up in the very beginning when Style was still nervous around him. Style spent the entire episode falling in love with Fadel, despite knowing about his occupation. "Can you open up for me? / Will you lay yourself bare for me?" Style responds to Fadel's warning. It's encouragement in several ways. It's encouragement for Fadel to try to learn that he can in fact trust someone (Style) 100%, that he can in fact be fully open with someone (Style). And it's encouragement for Fadel to tell Style his secret. Style needs Fadel to open up, to admit the truth himself first. Style needs it, so that they can openly talk about it without having to dance around the subject and talk in metaphors. He needs it so that there will be one less thing that he is lying about, so that he'll be one step closer to being able to be 100% honest with Fadel. And it has to be Fadel specifically who says it first so that Style can just run with it, because if Fadel finds out that Style was already in the know then both Kant and his mission as well as the 80% trust that Fadel has granted Style are on the line.

"I promise that no matter who you are, I’ll still like you." And there it is. Style's decision. His mind and his heart were fighting a battle and his heart won. Rationally he knows Fadel is dangerous and that he should stay away from him if he values his own life, but the heart wants what the heart wants. And even though it's not exactly like he can just say I know what you are and I fell in love anyway, I want to be with you despite it all, he still tries to get the message across.

Fadel doesn't believe his promise, though. "Words are cheap. I’ll do that when you’re ready. You can judge, then." Again, I think Fadel has a point. Fadel's response works whether Fadel is aware that Style knows or not. Because yes, Style may say he'll like Fadel no matter his occupation, but Style still hasn't seen the killer in action. Fadel's words mean Decide whether you still like me or not only when you find out my real occupation before you promise anything as much as they mean Decide whether you still like me or not once you've actually seen me murder someone in front of you before you promise anything. Style has already made a decision about the former, but he is yet to make a decision about the latter.

But in reality he has already made a choice and he is set on it: "One day, I’ll be your 100%." He wants Fadel's full trust and he wants Fadel's full heart. He will show Fadel that he will stay by his side and that Fadel's trust in him will be worth it. He will show Fadel that the mortifying ordeal of Being Known™ is not as scary as it seems. He means it when he says he'll like Fadel no matter what. Because now he already cares and worries about him much more deeply than he could ever have anticipated. Assassin be damned. He can get over it. And also, Fadel being dangerous is really fucking hot. "I just hope you don’t get any new scars."

I've already made a post about it, but I just want to point out: Fadel's scar is positioned right above his heart. I do very much wonder if the scar is related to the guy Fadel danced with in the flashback. Is he the reason why Fadel doesn't trust anyone 100%? Did whatever happened with that guy not just metaphorically leave a scar on Fadel's heart but also physically? Either way, we know how it's going to end:

Style's love is going to heal Fadel's scarred heart.

[m3vl0vesu]

~

A/N: Soooo hi. I’m alive!! Anyway this is a oneshot(?) about…idrk but you’ve lost most of your memories and Nayvee was your hero name/what people used to call you. I started writing it at exactly 9pm on the 26th of december. Also reading back on my old writing, people liked that? Anyways, enjoy!! Tw angst and mentions of scars, mentions of abuse, nothing to gritty :) Gender neutral reader and racially ambiguous ;) oh and don't copy plwase

Every window was slightly open, just enough to make the whole apartment cold. There was even a cold mist from under the door, hitting the sides of your arms. It stung. So cold you could almost see your cats slow breaths, well it was really a random stray but with so little to call yours why not hang on to a silly kitty?

The only bit of warmth was the cigarette in your hand, the small thing filled up your lungs. Made your heart beat with guilt and longing, it felt so good. Good but so bad. It was the only light in your life, the burning cigarette butt and the flame used to light it. It was a pathetic life, but it was yours. A person behind the screen, fixing other people's problems and slip ups, an eraser that’s what you were. Erasing people's lives just as people erased yours. Every impact, every solution, every person saved and every person killed because of you, gone. Like it was completely nothing, like every scar on your back and every scar on your arms were worth nothing. A body full of stories but stories that shall sadly never be heard. It was almost peaceful, it’s not like you really wanted to remember anyway, but the option would’ve been nice. 

It hurts your head. It always hurts, filled with constant screams and pleads of help. Words of anger and authority, that one you did remember. You remembered all of it, down to the slurred praise and constant cussing. A voice that had been whispering to you since you were all but an embryo, a voice that you watched fade. Here it became rougher with every puff, every packet seemed to be gone within days. 

No wonder, now you understand. All that begging and crying just to wound up enjoying the same cruel substances.

Your peaceful tappink of keys was sadly interrupted. It was almost routinely, the pixels on your laptop would display 23:25 and you would hear it. The squeaking of the window in the kitchen, and then a heavy thud followed after. It would bring in a large gush of wind, and the rotten smell of gotham roads, made it all the better to have a cigarette in between your lips. Soon you’d hear a man, the man. The man with the heavy kevlar suit and the cape. Oh you hated that cape, the way it sounded when it dragged across your kitchen tiles made you want to scratch your eyes out. Every footstep closer towards you felt like a warning, like a threat. His whole presence towards you was a threat, one step out of line, one sentence dubbed too insane and you're done. Everything stripped away as quick as your memory was.

“Well you're as punctual as ever, aren’t you Bruce?” It felt wrong, just uttering his name like you knew him.

Maybe Nayvee knew him, but you? This fucked up version of you? No recollection of this man, not even of his public persona. You only knew the Dark Knight, and not the one that saved babies from some underground crime, no. You knew the one that would stand over a suffering body and not give them the pleasure of death, he taunted you waiting for it. Waiting for the ticking bomb to finally explode. It felt like he was just visiting to find a reason to get rid of you. It was always the guessing game with this man. Then again he was the only one of your so-called friends to visit. 

“...” and it was nothing from him. Just brooding silence and the occasional huff and sigh. He was different today, less tense. His fists were less clenched and his shoulders less tense, it wasn’t a scowl or a watchful eye-not that you could see his eyes- on his face but it was just a neutral expression. Or more of a neutral feeling, that cowl sure did its job.

“Good day today, B? No crime I’m guessing or-”

“There’s always crime in Gotham.” Well no shit. He knew what you meant, or maybe he didn’t. Maybe his armour is just as thick as his skull, at least there was a response this time. “Also don’t call me Bruce.”

“...right, sorry. B, can I call you B? I’ll call you, B.” Right. Another line, another step back. It felt like you were always so far from this man in front of you. It was like torture, the constant silence and the constant interrogation. The past was gone, so why is he trying, almost desperately, to get you to remember something? There was nothing, nothing to do but to turn right to the blinding screen and puff out smoke from your blackened lungs. Lonely. You’d have to be so desperate to expect anything but silence from Gotham’s Ghost. Brucie Wayne was a complete opposite from this shell of a man below you. Yes below, for some reason he’s kneeling on his knees, looking up at the mental mess you were. Smudged day old makeup and hair that not even the greatest hairstylist could fix, and he’s looking at it. There’s something in his eyes, something that you’ve seen before. Is it anger? Is it guilt, longingness, or is it disgust?

Probably the latter.

“God…” What? God what? Why does his voice sound like that, why was he even here? There is nothing in this apartment of worth, and definitely not to him. He had no need for money, he’s the richest fool in New Jersey. There’s no evidence of whatever you committed or any incriminating documents, he’s already checked. Not even a gun in this useless place. So ‘God’ what? “You’ve never looked so much like your Father.” 

Even though it was cruel, it was true. The heavy purple-ish eyebags digging into your skin, the empty eyes full of nothing but the reflection of work. The cigarette being the only other things that your attention is on and the empty beer bottles behind the sofa. It was like watching a scene from forty-something years ago. The runaway child becoming the very thing they hated, a tale as old as time. A tale that is only seen in fragments, very violent fragments.

.

.

.

“Shut up.” He can’t just say that. That’s not something-someone he should know. And it’s evident on his face, the way he immediately goes back to that infuriating mask. Don’t shut up, say more. Tell me more, please. “Please.” Stop making me feel like this.

“I…I am sorry.” 

“For what, Bruce just-” no, desperation was a big no no. Sadness? No. You were over it, it didn’t matter anymore. “You know what? A drink is good, I’m gonna get a drink. Do you want a drink? I’ll get you a drink.” it was the rambling, made you seem insane. But so what? So what if it was rude not to wait for an answer, there was no one to beat the manners, into you was there? As you got out of the chair it felt like your body was going to give out. It was all too much, what was too much?

Nothing.

The nothingness, no laughter, no embracing, no happy glimpses, no it was just nothing. One step towards him felt like a step towards an edge. In both situations gravity was not on your side. The black bat displayed across his chest blurred, as did everything around you. The headache was no longer there, just warm hands and a heartbeat. A racing heartbeat.

You hope it isn’t yours. Hope the warmth is deaths hand embracing you, or hell getting prepared for it’s newest guest.

[epickiya722]

Okay, to jump off this post!

I seen some people going around saying that Jin is still the reincarnation of Sukuna's twin and Wasuke isn't, but he's the reincarnation of Sukuna, but honestly?

I still don't think that's even the case.

To be honest, I don't think Jin really is the twin's reincarnation at all.

I say that because in JJK, twins... identical twins share a soul, they are two halves of the same whole. Sukuna states that he ate his own twin and that their souls are the same. In one translation, he even says it's likely that Kenjaku had a baby with said reincarnation.

Likely means possible, but there is a chance of not being the case. Even if there is a small one.

Folks, Sukuna is allowed to be wrong.

With the extra of saying "to be precise, it wasn't Jin, it was Wasuke that shared the same soul" I would say it means that yes, Wasuke was the twin Sukuna consumed.

Again, identical twins share the same soul. They're two halves of the same whole. Wasuke just so happen to have been the other half.

It makes sense though!

Sukuna ate his twin to survive. He dies. Much later in life, Wasuke is born. When he dies, what happened? Sukuna is awaken.

It's exactly what happened with Maki and Mai. When Mai died, Maki becomes fully at her peak. It's because they were two halves of that same whole.

In a way, Wasuke is the reincarnation of Sukuna because he shared that same soul. Not a completely different one, just a half of that same soul.

Heck, bringing back up Mai and Maki, they act similar. Both the Zenin twins were snarky, rough around the edges, however, Mai was the more "mean girl" of the two compared to Maki who showed tough love in a caring way.

Wasuke and Sukuna were also similar in behavior. They're both were grumpy, a bit proud (Wasuke just less so) that it's hard for them to admit how they may truly feel (or in Sukuna's case, his refusal to be human). However, Sukuna is the "mean" one while Wasuke is the one who means well for the people he cares about.

There's also the "bad omen" thing with twins in JJK.

Sukuna was seen as a calamity. Wasuke, himself had some bad luck in life. His son was possibly killed by Kenjaku who he tried to warn him about. He didn't have many friends himself and believed that he died alone.

Both somehow repelled people. The only people to not leave their side was Uraume and Yuji, both who conveniently are associated with snow.

In the case of Jin, I really do think he was just some guy.

"But what about Kenjaku---" I highly doubt Kenjaku really targeted Jin for the possibility of him being a reincarnation. How would they even know? Jin did not look that similar to Sukuna. However, what I can see is Kenjaku figuring it out that Wasuke was the reincarnation along the way and figured the next best thing was to hook up with his son to have a baby. To be honest, I don't think it would have mattered to Kenjaku because regardless they still had intentions of making Yuji's vessel/cage. Whether it be Wasuke or Jin, Sukuna's soul would have still been mixed in there.

[starpros-sunshine]

I genuinely think the reason I have like. Zero mental illness really is just that I have stopped taking myself seriously aeons ago. Atp if I fuck something up in an embarrassing way I just make a dumb joke about it and then pretend it never happened and if anyone brings it up I just make a dumb joke about it and shrug it off because let's be real we can't be sure anything else is and if I'm the only real thing out there then what do I care for the opinions of some figments of my subconscious and if they all are actually real then it's no use beating myself up over past fuckuperies. The real way to be at least somehwat well adjusted is to just stop caring about all of that.

[carlottastudios]

Every day I get closer to making an unhinged behemoth of a post listing all of the things about Kaeya and his possible connections to mythology & stuff that I notice but NOBODY ELSE SEEMS TO BRING UP IN THEIR THEORIES

(edit: OMG I reached the tag limit I'm so sorry)

[sonknuxadow]

i hate that the sonic movies get more advertising and attention from the general public than other sonic media does for a number of reasons but one thing that is particularly annoying to me right now is that because of this when a new sonic game or comic or cartoon or literally anything else that im actually excited for happens nobody seems to notice or care that it exists but now that the big new sonic thing (sonic 3) is something that im not really looking forward to at all im constantly being asked and told about it.. like come onnnnn

[telesodalite]

I need to be weirder about the scavengers and cannibalism...

[finalexpenses]

Please feel free to disregard this if you're uncomfortable with this topic continuining, I just wanted to throw in my 2 cents somewhere, I hope it doesn't bother you.

I think my biggest issue with the "drama" is how they're... ironically, dramatizing it. I'm not defending the hate Zeal got, especially the death-threats and everything, thats weird, wacky, and entirely uncalled for especially considering the topic of this drama is a literal fictional fish character. But it feels like they focused on that outside of the other weird stuff coming from them.

It's an official server, supposed to be for everyone that likes the game. If it was actually uncomfortable matters, like NSFW or such, then absolutely yes, I agree they should be banned. But why does self-shipping make them uncomfortable, when Zerum/Sebastian is allowed? Why does normal, everyday dresses make them uncomfortable? It feels weird to ban normal topics for what's supposed to be a hub for the community.

Obviously the hate was expected but no less uncalled for, but I think the devs behavior made it worse. I find it weird and petty that Zerum likes her character so much that they find it fit to ban innocent art in the official server. People will say she and Zeal are free to do what they want, and I'll agree that they have that right as the server owners, but they can't be annoyed that people misinterpret or get annoyed with what they say.

Sorry for the long rant, I was gonna say more but I don't wanna bother you anymore than I have already. You're free to disagree or disregard everything I say, I've just been thinking of this a little bit.

NO LITERALLY like. "all ship art" is banned in the server but if its zerum/sebastian it gets pinned? and why do drawings of seb in feminine clothing make you so uncomfortable that youve banned it. thats weird idk idk. like if its suggestive yeah i understand banning it bc its a big server and there are definitely minors in there but like. any feminine clothing at all? not even a flowy shirt? whats up with that

and thh zerum seemed to enjoy people being (even just minorly) upset at the fact that shes "canonically" married to sebastian (yea i know its actually canon but idgaf) and it just feels like shes instigating on purpose TBH. (screenshot taken from twt)

like i said i understand being possessive of a character you selfship with and not wanting to share but acting like this w it is a little much T_T just block filter and move on its not that big of a deal...

[boy-armageddon]

YES my username on yt is a blood bros reference :33 i need to go to crimes world again i know in my heart and soul that i love her but i seldom show her attention .. i need to care her more ..

HOOFRAY!!!! also pretty please do!!!!!!! for me!!!!!!!!!!!!!

[diaryofellen]

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[roseverdict]

wrote the Horrors. think i've got it out of my system. will probably post at some point when i have the brain power to manage tags and whatnot. not using the Creepazoid's actual name because unlike SOME PEOPLE i have respect for where and when folks choose to give their names, but i will not lie it is very much the Horrors given a quick coat of teetle paint and fiddled with to make sense within the teetleverse

[waywardsalt]

very freeing to actually own up (to myself) abt post-ph being an au. now i can make a little list of the little ways it deviates from leading to st

[tardis--dreams]

Gotta talk to the department boss tomorrow because i asked for opportunities to increase my work hours. I regret it already but i can't back out now so this is gonna be fun (: