#and also like thousands other characters

[raaorqtpbpdy]

Hey I’m rewatching Warehouse 13 and it’s actually good??? I originally watched it when I was like 12, so I figured it would be one of those things where upon rewatching it I would realize it sucked but still get nostalgia from it, but that is not the case.

Sure the effects are lowkey shitty because it was 2009, but the writing?? Especially for the female characters?? They all have depth, internal conflict, unique character traits, individual strengths and weaknesses, it’s amazing!

I also love the world building. Half of it is based in real history and half of it is fully made up but all of it is fun and engaging and I enjoy it immensely.

[arovalentines]

time to make your choice only you can be the one

[magiefish]

This might just be a *me* thing, but I do find it kind of fascinating that almost every Feminist Greek Myth Retelling seems compelled to flatten Helen into a two-dimensional basic-bitch with no guilt or remorse for her actions despite the fact that self-loathing for her own beauty, a feeling of a lack of agency in the face of Aphrodite's whims and a complicated affection for and loyalty to both the Greeks and the Trojans are all major characteristics of hers in both The Odyssey and The Iliad. I'm sure this has nothing to do with the dynamics of modern feminism and patriarchy whatsoever.

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[sonknuxadow]

sorry not to be negative or anything i think a lot of the jokes about maria dying are funny but am i the only one who thinks that its taking it a liiiittle too far to flood the comments of the live action actors posts with stuff about how shes gonna get shot or you cant wait to see her die (and yes this is actually happening im not making up a guy to get mad at)

[starry-eyer]

i still cannot believe that people consider having lovers outside of a political marriage as cheating

a lot can be discussed about how raging misogyny and the patriarchy in westeros has led to unequal standards for women to uphold and suffer from

as highborn women are not allowed the same sexual freedom that highborn men get to experience, and even if these women do have relationships outside of their marriages, they are usually scorned and shunned by society for daring to practice sexual autonomy

it’s unfair, i am very aware of this fact

(that’s why i’ll never understand team green stans)

but george has never ever condemned his characters for finding and experiencing love outside of doing their duty.

never.

we’re not unfeeling machines that lack emotions. we’re humans who are, more often than not, led by our hearts. and grrm does a phenomenal job when creating characters, as they truly feel human.

so yeah, it’s a bit disappointing that people dumb down what is clearly a very complex situation to “cheating” (btw george himself calls rhaegar and elias relationship complex and he’s never implied that they loved each other in a romantic sense).

to reiterate, i am well aware that highborn women and men are held to different standards, however, if you have a problem with characters working through, around, and sometimes failing to overcome the social structures that cause their suffering, then you must have a major issue with george’s exploration of the human heart in conflict with itself.

george’s characters aren’t robots and that’s what makes them interesting. they do things for very human reasons. they’re biased. they’re traumatized. they’re conflicted. but they’re still reaching for a better tomorrow and they’re still trying to find happiness.

so i’ll never consider rhaegar and lyannas relationship as cheating, or something unsightly that should be scorned. for they simply dared to find and grasp love in a society that would rather shackle them to unhappy marriages, which is very commendable.

oh… and do you know what george does criticize?

political marriages lol

he makes it clear that selling women off as broodmares and forcing men into marriages they don’t want is a recipe for disaster.

of course the eventual fallouts of these relationships is super interesting to read about, but you should never ever support the systems in place and the societies that benefit from pushing people/characters into these incredibly unhealthy relationships

so while i find it interesting to read about characters navigating these relationships, i’ll always be the first person to condemn these societies for forcing this fate onto them. i’ll also always be the first person to root for characters who do their best to find happiness outside of their political/arranged marriage

sorry that i don’t condemn a character for finding love outside of a loveless marriage

instead of getting angry at rhaegar and lyanna and being very nonsensical in the main tags about it, how about you turn that anger onto the patriarchy, which is rooted in every single institution and family in westeros, the patriarchy that refuses to allow women to have the same amount of sexual autonomy as men?

(this is why i despise team green :))

[july-19th-club]

giggling and kicking my feet and prancing into my armchair to watch this annoying guy do embarrassing things on my tv show with his hot friend . and also Tim is there

[sulky-cabbage]

Eve: "Regarding the lyrics, this time its about portraying the conflicts and feelings of the characters in Jujutsu kaisen. This kind of feeling inside me, made me choose the characters one by one and thus write the lyrics. I don't dare to say where or who..."

Also Eve:

Alternative translations: 1 2 3 4

The lyrics hit different after ch 271. I kinda want this to be the op for s4 ngl

[boatboys]

actually on the topic of old drawings; the first-ever drawings I did of Rich, Liam, and Sol turned up on my deep-dive of old discord messages and I was compelled to redraw/compare!

Rich very much predates the worldbuilding of the Michigan Fleet universe, as one of Key/rollerskatinglizard's oldest OCs, and was originally just a normal amount of un-tweaked big and buff dude, although I also sucked at drawing people with body mass back when I drew these lol. It does make me laugh that the huge crooked nose and sad, downturned eyes have been a constant from sketch one!

Liam predates the Michigan Fleet as well and was originally mine! He..... hasn't changed much actually haha. Although his size/prettiness/temper being a genetic modification is new, from the first lengthy discussion of mods where fourhands and hastings both got established (although not by those names). It looks like I coined the mod name "Babydoll", which I do NOT remember doing.

Sol was the most Group Effort of these three, looking back at the messages: Key invented a salty little gorgeous asshole with modded hearing for a snatch of interaction in a wildly different context than his new introduction; roach was the one who suggested the elf ears and iridescent hair to go along with it, I was the one who suggested he was from New York and threw several large pinches of "a big tsundere about Rich" into the mix, and a lot of the much later patrician worldbuilding was roach.

[songforten]

so many people completely miss the point of the doctor's character arc in series 8 it's nuts. it's not about him being a "darker" or more morally ambiguous version of the character. the doctor has ALWAYS been morally ambiguous; that is a consistent character trait across all regenerations. it's about him feeling crushed under the pressure of an expectation of him to be a "hero", and the culmination of this arc is him saying onscreen "i am Literally Just a Guy and you should treat me as such"

[originalartblog]

Hello!!

Would you mind if someone wrote a fic using the tiny-[insert character] idea?

I was brainrotting hard over an AU where everyone has a tiny version of themselves, who acts like a child with no adult like restrictions (an unleashed inner child, you could say)

Oh for that you don't even have to give me credit/mention me unless you really want to, I didn't come up with the original idea of tiny-fying your faves, that's rather common and comes in many flavours!

If you're directly using my lore and stuff, like actively using my ideas, yeah I would like and prefer to be mentioned (and notified, as I've said before!), but if you got your own original spin that happens to resemble and/or was sparked by me or some other fan's ideas, that's an entirely different topic

[nach0]

Where do you go now, in your life after eternity?

What happens when you finish your life sentence?

[eggmacguffin]

.

[bsotted]

ok well. unfortunate news: sometimes ur niche is so niche u've already niched the niche. this is exactly the same as the feeling of hitting the end of ur ship tag in ao3 🥲

*edit: sorry i accidentally named like every character ever in the tags so ppl are Seeing this post who dont have the benefit of so much as a single crumb of context. if i accidentally namedropped ur blorbo its bc of this post:

anyway. i was excited for recs bc i also enjoy this genre of fictional character. unfortunately as above the niche is niched, it turns out. at least for me, content enjoyer georg, who has apparently already seen or read everything anyone else has already seen or read except for a small handful of specific media properties that i do not wish to see or read for various personal reasons and also not literally everything ever... just the same things as everyone else has already seen and read... u get the idea. ok thnks 👍🏻

[retributory]

when you think about it clive and flora are actually perfect narrative foils on complete accident. like what's up with that. professor layton and the completely imagined literary devices

[arolesbianism]

I wish So Bad that I could confidently recommend lob corp and library of ruina to people because they're both genuinely rly good games and I also need ppl I know to understand the insanity that is project moon but like godddd they are a fucking Investment. Both in time and in brainpower. I generally think ppl exaggerate how hard lob corp is but it's certainly not easy and when it does get hard it gets HARD. Also it literally requires at least one day 1 reset (basically a new game+) to fully beat the game and at this point I've done at least 10. And for lor I'm not nearly as far in and I'm just scratching the surface of the real game but it's a beast of its own. Also 100+ hours and also hard as hell. Like this game does not fuck around with its difficulty spikes it will make you use your brain and it will give you a damn headache in the process. It's also one of my favorite card combat games I've ever played with mechanics that just so beautifully complement each other to create a dynamic and interesting battle system that gives it a completely different vibe and feeling than any other deck builder games I've played to the point where it almost feels wrong to me to categorize them together. But also I am not even slightly joking abt the headache thing every time I play this damn game I close it with a horrible headache and have to take a multi day break. I think everyone should experience this with me <3