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winterwhisperz-blog · 2 days ago

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Ignore how this is my first hc in like…awhile

IM A LIL RUSTY PLS HAVE MERCY

So hi <33 it’s nearing Valentine’s Day which means “omg what would the ts lis do for Valentine’s Day??”

These are far from perfect but I hope you enjoy !! :D

Valentine’s Day In Eridia

Warnings: Rustyyy, a lil suggestive in some of them but nothing too bad, Ais is mentioned to be a lil depressed,and Probably ooc !!

Notes: Gn reader, fluff!

Mhin

Starting with my favorite hshshshs

Mhin isn’t one that usually celebrates things—they don’t see the point. They’re living in an apocalyptic world they need to survive not waste time on chocolates and the stress of making the perfect evening.

But then there’s you…and they end up doing a lot of ‘unnecessary’ things for you even subconsciously.

Despite their grumblings, they do end up finding out how to celebrate.

STAR GAZING !!!! Duh !!

Simple and sweet, just putting aside time for you two to be close and gaze at the night sky.

Butbutbut !! I had an idea !! That may be just utterly silly but I’ll try to make it coherent.

Imagine this okay !

Mhin goes to visit you, shoulders hunched as they try to avoid getting pushed around by the massive crowd. The music is loud, boisterous, too much.

And you realize that when you find them trying to withhold murderous rage in a dark corner.

You had wanted to try out dancing, but you know the crowd in the Wet Wick is going to make that impossible to enjoy. For either just Mhin or both of you if you also don’t like crowds.

So you go to your favorite spot instead. the place you usually watch stars at.

And idk ?? I always pictured that happening on a freaking roof because I personally want to hang out on a roof but you can imagine something different if you want.

The music can still be heard from below, but it’s far more muffled and bearable.

SO !!! okay if this is cringey spare me please LOOK AWAY !

Hem hem…dancing on the roof !!

The music is loud enough for it to not be awkward hshsh-and the moon is out, the stars are clearer than you’ve ever seen them

And it may be silly but it’s the good type of silly okay. The 3 am sleepover type goofy.

You’re having pointless fun. Dancing in a world that’s dying more each day. You’re both cursed beyond a known cure. But you, and surprisingly even Mhin, forget that for a night.

OKAY THAT WAS SUPER LONG MY BAD

Can you tell who my favorite is

Leander

the absolute OPPOSITE of Mhin

He goes ALL out. This is not everyone’s holiday anymore. This is YOUR holiday. His and yours. This day is about only YOU two now.

You open your door and his stupid face is already there with arms holding a mountain of presents.

“Omg how did you afford all this??”

HES RICH !!! STUPID RICH BOY

The presents range from chocolates to a new wardrobe. Especially couple outfits. Especially VALENTINES DAY SPECIFIC couple outfits.

If you’re not comfy with that tho he’d be okay with that too. “As long as people know ur mine it’s fine with me ☺️” *smacks him*

After presents he wants to carry you downstairs. (If ur taller than him you can carry him downstairs. Actually if ur smaller you should still do it. Leander scarf.)

The bloodhounds withhold their dread for the day ahead because he is DOWN SO BAD

Heart shaped breakfast

Pink drinks (don’t drink them)

Love poems

KISSES !

When it’s evening the bloodhounds bust out the violins and candlelight. (When someone goes out of key Leander smiles at them like: 🙂” and they get pulled from the stage.)

Then to finish it all off, he shows off his magic by conjuring a trail of rose petals that lead upstairs.

You wake up the next morning and Leander is like “): you still love me right? Even tho it’s not Valentine’s Day anymore right?”

Ais

Ooooo this is tricky

Ais is very emotion-driven, but he’s not great at expressing those emotions.

He may try to do something classy for you (by Ocudeus’s command because I love that vision)

But it’s obvious he’s uncomfortable and unsure, so you have to tell him you’ll figure out how to celebrate (if you even want to) this day your own way and not what is socially expected.

He mainly just wants you. He wants time with you, to feel you, to hear you and most importantly, relax with you.

You quiet his mind, and so all he really wants is your presence.

Mainly all you do is cuddle, eat together, have a romantic sparing match 🥰✨ and maybe even take a nice bath together.

He loves having his hair washed by you—maybe he even forgets to do it sometimes due to those unseen battles you know he has—and ahh frick I forgot we have cursed hands.

Maybe you wash his hair with your toes idk.

Or wear like those !! Rubber gloves !!

Point is

It’s way more natural with you guys. A domestic routine that you slip so easily into.

It’s a day without any stress, and focused solely on the two of you taking care of each other.

And of course, you don’t forget to get Valentine’s Day treats for all the soulless <33 (especially for Princess because duh)

Kuras

Another toughie!

I can’t decide if he has a hard time because he busies himself with work or since he’s had so many relationships since he’s immortal he knows to set aside that time

To make it easier for me let’s just say he busies himself.

He’s extremely hard on himself so I can picture him thinking he’s undeserving of even celebrating in the first place. (If we’re ignoring him making a cake for Mhin shshsh)

And maybe his heart is just tired.

He’s had lovers, he’s watched them go, and with you? You’re different to him somehow.

He doesn’t know if he should indulge in these feelings. If he can handle the heartbreak again.

Luckily you know Kuras well enough by now to see the guilt and doubt before it digs itself too deep.

With help from Ais, Mhin, and Leander (he inserted himself but also he’s a peacemaker between Ais and Mhin lmaohshs) you manage to convince Kuras to leave the clinic in those there’s hands and just focus on you two.

I like to think Kuras starts out more somber. He’s quiet. Only a small twitch to his brow warns of any building anxieties.

To set the scene more I kinda picture him like ?? As a calmer Julian Devorak in this situation ahshshs just in the way he’s like ‘do I deserve this?’

At one point you take his hands, “Kuras, Talk to me.”

He tries to deny it, to hide it gently and inconspicuously. But you know him. And the Angel can no longer hide his fear from you.

You take him somewhere quiet, where you can sit down and just enjoy each other’s company. Maybe you watch the sunset and like ?? You remind him that you aren’t going anywhere. Not now.

He spends more time just kinda cupping your cheeks, memorizing your face with caresses and soft touches.

When you get home, he wishes to memorize the rest of you too. If you have to become a memory one day, he wants it to be one that consumes him.

Vere

Thought this was gonna be tricky because vere is my ENEMY when it comes to these but !! I actually have a few ideas !!

Doesn’t see the point in sappy old VALENTINE’S DAY

What? You expect him ? A GOD a DEITY to lower himself to a pointless little human tradition?

“You can celebrate me everyday 🙄 why wait ?”

But you know it’s really just because he’s uncomfortable with the idea.

Similar to Ais, he’s more of ‘actions instead of emotions’ and this is a sign of commitment! And he’s still very unsure how to proceed with that sincerely.

And maybe even the day hits some sore spots—if the theory he had a past lover is correct —

He’s just scared. And hiding it by being snarky.

So just give him time to adjust. He does come around. Especially when you don’t start with anything too deep.

You write him small notes. Nothing too sappy but loving. Maybe you add a few puns you know he’ll laugh at.

But then…*evil laugh* after he’s been used to this, and is more comfortable in the relationship—

He spoils you soooo bad

Maybe he even goes overboard with it lmaoshshs.

He turns it into a whole week of just celebrating you. (Not as loudly as Leander, though. He wants to keep it secret so ya know—the Senobium doesn’t ruin it)

Spa day but inside, he wants to see you with any part of his clothes on. He’s far more touchy—he rubs his face on you like a cat HSHSH

And just a looot of time in bed. Doesn’t even need to be sexual, he just wants you close. His treasure. His his his his.

Im becoming a vere girlie and I’m so unwell

OKAY WE’VE REACHED THE END WOOO !!

I hope you enjoyed <33 if this was cringey….🥺 pls don’t murder me I’ll give you ten dollars

#touchstarved game #touchstarved x reader #touchstarved headcanons #touchstarved fanfic #touchstarved #touchstarved mhin #touchstarved vere #Touchstarved Kuras #Touchstarved Leander #Touchstarved Ais #mhin #Ais #vere #Kuras #Leander

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sir-fenris · 11 hours ago

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AAAAAAAAA 🥹 I've lived for the day that I would be getting commentaries too. I can die happy. Thank you <33

Sorry for taking so long to answer. I read it before going to sleep and I giggled so much my cheeks hurt, but I was too tired to answer cohesively. And today I was busy pretty much the whole time :'(

But I was able to write this down while preparing and eating my dinner :D

(My responses organization is kinda messy, don't mind it please XD)

It is real and it is happening, I'm glad Cyrus's yearning was clear and that it seemed a strong start :) I went back and forth with SO MANY begginings, I think I wrote and deleted more than 10 completely different starting paragraphs XD.

I might put the rp on the masterpost soon! I wanted to ask you if I could, first. And find a way to organize it in a way I feel is nice to read.

And well... about the gloves, who knows? :) is it because he can use his magic with any skin contact? What I can say is that all handlers do have gloves with technology, but usually, they're are fingerless gloves. Wilson's hands and arms are fully covered.

(I already changed your emoji <3)

Yes, protection barriers makes him nauseous when he goes in, because it's designed exatcly to keep his magic contained in the tent in case he uses it unauthorized, so it gives him a bad feeling. Once Wilson gives him authorization, the barriers are set down. When the authorization is revoked, they come back up. That's one of the many reasons why Wilson has to communicate when he's about to turn the nullification back of the collar.

A lot of safety measures 😃

Well... I wouldn't say he's allowed to actually refuse food. Wilson just sometimes is "merciful" and allows him to take his breakfast after his comedown is done, because usually Cyrus feels sick before getting to work. (If Cyrus... makes a mess, yk, Wilson will have to report and take care of the situation, and that's too troublesome)

And I'm not one for underestimating trope either, but I guess in LW whump it's interesting because adds to the familiar dehumanization and because the LW is actually very powerful and that gets proven.

"ohhh :( he makes me sad I'm definitely gonna read the comfort ask"

My comfort is also whumpy, because I don't wanna spoil Cyrus too much yet, he's still on the whump arc... but I hope you find the hurt/comfort good enough XD.

":( he knelt fast then. man..."

He dropped down on his knees :') Wilson doesn't let him kneel down slowly.

And Wilson whispered the "behave". Rhe others around don't need to hear the weapon being reminded to behave, just know that it will.

About the other gifted. I'll show the sketches of the gloves soon, but you'll see that it does need a metal manipulator, or else it has to be cut off and re-made on his hand every time. It's 100% closed. So that's why they use other gifted to do it.

(Usually metalokinetics are used around for stuff like that, menial tasks. They only go to battlefield if they are strong enough to destroy enemy's weapons and machines.)

"yeah I know </3 man this is a bunch of info I know cause I've already been exposed to bits of this story but for future newcomers this is probably necessary clarification"

That was the hardest part :') I wanted anyone who didn't knew any context to be able to understand the first chapter (though that's really really hard without a beta/proof reader) and the people who did have context to enjoy it anyway, even though it's pretty much a retelling of the drabble a lot of you already read. I was afraid of giving too little information and making it hard to understand, and of giving too much information and making it too dense.

60% of the chaotic editing was because of this. And 50% of the typos is because I kept changing sentences and missing to change a word or to (like making a sentence about one of his hands, then decide it should be both hands, but forget to put one of the words in plural)

Speaking of that, I need to do a typo checking on the chapter asap... already caught 2 yesterday.

"ugh he's so well trained"

His handler is proud to hear that.

I'LL GIVE YOU ALL THE GRASS EVER SWEET LOVELY BOY </3

Own, that's adorable. He'll have grass in recovery, lots of it, don't worry.

(The bar is very low when touching grass is almost an ultimate reward...)

aaaaaaaaa? wilson my beloved he's so cold

"Wilson" and "beloved" in the same sentence is........ something I was not expecting ever. Huh.

ooooooo :D I remember wondering why the art of him showed him with blue lines in his collar when he was a threat level red!!! fascinating :3

😊 when the nullification is on, it stays blue. When he's being shocked, it flashes yellow, and when his magic is free, it turns red. :D safety measures, too.

About the withering description, thank you! I really think it might be too abstract or dense to some people, especially those who don't have any context, but there's really not much I could do. From Cyrus's view, he's not seeing what the magic is actually doing, and this needed to be included on the first chapter.

But I'll try to slide in some description from Wilson's view of his powers in a canon chapter to make it clearer, perhaps make a separate post showing his vision vs what's actually happening, if I can.

And yeah! On the drabble I was really thinking about that song. But on canon, it became more like a curious fact, because I made it so it's from another language. It doesn't have a set lyrics, though the translation would be something akin to the hurt incantation. No one knows what Cyrus's murmuring means, not even him, it's gibberish to them all.

Yeaaah! I'm happy you saw that "Sweet Creature" follows the same line that "Magic Euphoria" drabble. It's pretty much that drabble, but from his perspective, plus a bit more at the beginning and end. This chapter is the truly canon, since when I did the drabble I didn't have the characters in mind, but Cyrus really does say "yes, sir" because his conditioning runs deep. He doesn't say "okay" ever.

(But Wilson is also an unreliable narrator, so you can consider the drabble him remembering Cyrus's words to be more disobedient than it actually was, since he spoke quietly)

(Poor baby, being shocked not even knowing why, loosing his warmth, being remembered as disrespectful even when he wasn't...)

Metallokinetic whumpee is not well :(

"oooo so he has gloves on when not working got it got it. leather! I assume it's to avoid skin to skin contact? or his hands are the most effective conduit and the higher-ups don't want him touching anything with his hands?"

I like the way you're going :)

(Both Cyrus and Wilson have gloves, but Cyrud's is restrictive)

About the den (his cabin) and mattress.... eh, don't get too happy. Remember, unreliable narrator. And this ask is very important.

(Oh, you reminded me that I wanted to put the images of his cabin and capsule on the chapter, thanks, I'll do that later)

"oooo is his collar nullifying it? or the gloves? capsule??? I think it's the collar"

All of the above. Plus the glasses too. Safety measures :)

the euphoria narration thing is. so fucking good man. but why'd he get shocked?? this isn't in the wilson pov chapter 😔

First, thank you <3

Second, it's not defined, it could have been a lot of different things. But my favorite option is that he started singing without realizing it.

"someone please give him a blanket istg. I know this is a different kind of cold but can he have a blanket :("

He can only earn blanket privileges when he's at the central base. In caimpaings there are no blanket privileges.

If he's very very good, tho, he might earn one night with a blanket.

!!! sneaky :0

🥰 He would look down ashamed at your words. He really didn't mean to be... he just wanted to relieve some of the painful uneasiness.

also love that. “his handler always sees everything.” !!! love love love that love the sheer amount of fear and expecting danger

YEAAA, that's the emotions I wanted to show. Especially since Cyrus is blinded so often. He rarely knows when Wilson is looking, to what he pays attention, what is his expression. It's kinda like the Panopticon Prison. You never know when you're being watched, so you stay on edge the whole time.

Wilson is a smart handler :)

HE'S NOT EVEN ALLOWED TO MOVE WITHOUT PERMISSION??? I mean I expected that but damn. also gloves again. is it a military thing or is this the skin contact thing

He's not allowed to move in the ways Wilson doesn't approve. What moves does Wilson approve? Only Wilson knows.

Cyrus discovers when he's shocked for doing the ones on the "no" list.

And the gloves, ah the gloves. Who knows?

Wilson knows, he's the one that changed their designs too.

pfft I love those moments of like. passive caring about everyday stuff in whump. they're funny but then they're not funny

Yeah, I really like doing that :D

Cyrus doesn't want to go through an hour of Wilson getting his anger out in his hair, leaving him with a sore scalp and holding back tears. His hair is full of broken strands because of it already.

HEY DON'T CALL HIM SNEAKY I DID IT FONDLY >:(

I let out a really genuine laugh 🤣

ough.. he's so scared poor baby

Of Wilson? Always.

D: man I don't even know what to say this is just rlly fuckin good. guilt my beloved

Oh well, thank you <3

huh??? how come he didn't get physically close to any of it

His comedown has really fun hallucinations :)

Auditory, visual, gustatory, tactile, proprioceptive and interoceptive ones. Not all together or at the same comedown, it varies.

WOW!!! love the logic and treating cyrus like so much of an object wilson can just talk out loud while he's there.

man. I love cyrus. I love wilson. I have so many feelings about them both... I rlly love handler whumpers those are so neat I love cold whumpers that are professional. wilson has such a presence in this chapter. cyrus is so cute I wanna wrap him in blankets...

I loved how this was like. stractured with the euphoria and comedown and everything. I also love how despite everything cyrus is still so caring towards others it's so. ough </3

Really, thank you for this <333 I'm really pleasently surprise to see people saying stuff like "doing the fenris thing" for the commentaries. It really makes me happy, like... YEAH? Please do! With me and with others. It's so cool to read these. Even tired, even busy, I just wanted to keep coming here to read yours and others comments.

So thank you <3 really enjoyed reading this, and I really like the way you think :)

Sweet Creature

Content: magical living weapon, dehumanization, "it" briefly used as pronoun, dangerous whumpee, magical euphoria, shock collar, sensory (visual) deprivation, manhandling, military whump, implied institutionalized whump, magical slavery, heavily implied mass murder, hallucinations.

(chapter 1) | next chapter ->

(Curse of Withering masterpost)

Cyrus wishes to at least have a look around while outside. It would only be a military camp, soldiers walking around, tents set up, maybe some horses on one side. Not a very pleasant nor interesting view.

But at least he would be seeing the sky, and the grass, and people.

He's not. He's seeing pure black from behind his nullification glasses, being guided by an unrelenting hand on his neck, just above his heavy collar. Not even allowed to feel skin, only the tough material of a glove.

Around Cyrus, talk dies down, and muttering comes to life, as he's used to. It never stops making him feel ashamed.

Also not allowed to curl up or hide in any way, he's just dragged forward to keep walking.

A strong sensation of nausea hits him when they enter his designed post tent of this campaign. It feels like the protection barriers put around the tents are getting stronger each campaign.

Being on an empty stomach doesn't help, either. Regret fills him from refusing breakfast, but he's sure his stomach wouldn't have kept it down anyway.

"... This is it? The rumors made it look spine-chilling, not... this." A voice from his right side says, a bit far back. Further into the tent, then. Cyrus doesn't recognize the voice, but the words are familiar.

The gloved hand on his neck squeezes, and he stops after a second of trying to figure out if it was out of frustration or a command to stand still.

No scolding comes, so it must have been a command. Or both.

"Wait until you see it destroying a whole military camp while laughing like a maniac," Mr. Wilson says. That voice he does recognizes in the very core of his being. And by the coldness of it, his handler is audibly used to that question as well.

Cyrus doesn't have time to feel ashamed of the words before a pressure on his neck commands him to kneel down. Even with the knee pads, a mercy not chosen by his handler, the impact hurts a bit.

"Behave." Is what reaches his ear before the leather gloves are unfastened from his wrists.

Magic wraps around the metal gloves that were beneath the leather ones and bend it open. Cyrus didn't even hear the metallokinetic's handler telling them to do that. Maybe this gifted doesn't have a handler, he knows there's some free Gifted that serve the military willingly.

Unlike Cyrus.

He obediently waits with unmoving hands until his handler applies pressure on his head in another silent command. No one speaks as the nullification glasses are unlocked from his bowed head, nor when his half-necrotic fingertips find the floor beneath him.

It's not grass, it's rocks. He suppresses a disappointed sigh.

Cyrus knows better than to look around or shift from his position, but he's still able to see a bit of the tent's inside. The metallokinetic does in fact have a handler, and a black eye. He can't see anyone else, they're all behind him for safety.

That black eye must hurt, there's probably more bruises under the clothing, it never stops at just one.

Cyrus shouldn't care that the gifted was hurt. But he did. They deserve someone to care.

Mr. Wilson blocks his vision of the gifted by crouching down. The direct, practical delineation of where the enemy camp is sinks into his mind easily as his handler speaks. It's easy to map in his head exactly where he needs to focus on.

"You have permission to use your power, Wither." An uncomfortable eagerness blooms in him at the words.

"Yes, sir," Cyrus whispers and his collar beeps, its blue lights turning red as magic comes to life under his skin once again.

𝚃𝚑𝚎𝚛𝚎 𝚢𝚘𝚞 𝚊𝚛𝚎, 𝚜𝚠𝚎𝚎𝚝 𝚌𝚛𝚎𝚊𝚝𝚞𝚛𝚎.

Pain doesn't even register in the sea of feelings building up in his body. The rocks puncturing the palms of his hands aren't nearly enough to ground him, not after years of the magic slowly numbing his nerves.

The tent disappears and all he can see is colors erupting from the blackness, like thousands of little roots travelling through the grass. Ignoring the surrounding life had become easier over the years, and the withering knew to travel until it's closer to the delineated area than to him before branching to reach all soldiers of the other side.

It took less than a minute for him to spiral into euphoria this time.

Faintly, he knew his lips were moving, in that same eerie murmur of always, singing words he couldn't understand, but also couldn't forget. An incantation that breaks the laws of nature. A chant that was never created... only repeated. The echo of something that always existed.

And so he repeats. From the words, waves of withering magic follows the colorful branches and pushes it forward.

His hands crack and dug further into the ground, and he repeats the chant again. Again, again, again...

𝙰𝚐𝚊𝚒𝚗.

Cyrus could see, or in a way feel, the life bursting out of the enemy's camp. It was hard to separate what was greenery and what was people, but it didn't matter in the end.

Wither magic fills the entire enemy camp with thousands of black ramifications that only he sees the colors of. Growing, rotting, decaying.

Every cell in his body beams with giddy energy.

A warm mist swirls on his arms pleasantly. Something similar started filling his eyes, and Cyrus's head was pure delight. His chest shudders with a bubbly feeling as a smile grows on his face.

And then everything goes black. The cold, painful reality crashes down on him, harshly taking all the cheerfulness away and leaving behind an itch, a hysteric uneasiness. A faint beeping of his collar tells him he's done today, it had turned blue again.

Cyrus didn't even know he had made a noise until the collar beeps again with a warning electrical shock. With a flinch, he goes dead quiet. An argument was happening over his head.

Cyrus wants to keep using his magic, why can't he? It's so warm and happy-

"It was fucking smiling, it is fine to keep on! What is the point of having a weapon that can't be used?!" A man behind him almost yells. Not the same one from before, a slightly more familiar one. It might be the general, but without seeing it's hard to be sure.

Yes, Cyrus was fine to keep going, he was! It's been less than a minute with the nullification glasses back on, but he misses the colorful cheerfulness already, his body is taut with the need to move, to do something, anything.

But Mr. Wilson is right there, so he stays obediently still.

"I'm not telling it to launch an attack again! The magic would consume it's head and-" Mr. Wilson pauses, and Cyrus recognizes his temper rising. It's an effort not to flinch. "Ugh, you have no idea how bad it gets. Wither. Up, we're leaving."

"Mmn?" The order takes a second to click. "Oh... yes, sir..." To speak was hard, his tongue didn't move the okay he wanted it to. Cyrus could hear the ecstatic smile on his own voice, and he almost winces at it, but without knowing why. To smile was good, wasn't it?

Should he even be speaking, actually? Wilson doesn't usually like him speaking. Did he say "Sir" as he was supposed to? He doesn't think so... but no shock comes. Perhaps he did. It's hard to remember.

The floor seemed to spin beneath Cyrus when he stood up.

A gloved grip squeezes his arm and Cyrus knows to stay completely still, despite the dizziness. Magic envelops his hands as the metal gloves are bent to fit them again. He still couldn't hear the metallokinetic's handler telling them to do it, maybe it had been a silent command.

He feels the leather gloves being fastened on his wrists, too, before Mr. Wilson grabs him by the upper nape and guides him out. The sound of many boots around them tells him the escort team is here already.

On the way back, there's no longer any murmuring. Even blinded, he knows everyone is just staring. There's only the sound of heavy steps and the wind slowly bringing the smell of death into the camp.

The heavy metal door shuts with the escort team outside, and the only steps that echo inside the container are his and Mr. Wilson.

Blindly, he's pushed to sit inside his resting capsule. Oh, that's right, he's at a campaign, his den isn't here... the sad longing only lasts a second.

The thin mattress is cold, and the restraints are too tight. Cyrus hates the cold, but it feels so weird, he can't help but giggle. It sounds off, but he can't pinpoint why.

"Quiet," Mr. Wilson scolds sternly, fastening his legs securely inside the capsule. Cyrus flinches and tenses from the upcoming shock that doesn't arrive.

What a silly thing, to flinch from something that didn't even happen. He suppresses another fit of giggles.

The pressure building up behind his eyes and neck is getting harder to ignore. His fingers twitch with the need to use his magic again, but the nullification doesn't let him.

The pressure gets worse.

𝚂𝚒𝚗𝚐 𝚏𝚘𝚛 𝚞𝚜, 𝚜𝚠𝚎𝚎𝚝 𝚌𝚛𝚎𝚊𝚝𝚞𝚛𝚎.

Now the shock comes, and Cyrus's flinch is not so funny this time. It wasn't just a warning shock, but he doesn't know why he has been punished. Mr. Wilson doesn't clarify it, either. He's scared of not knowing.

The twitches are getting worse. He wants to move. The cold is starting to creep in again, and he wants the warmth back.

His hands move slowly under the temporarily loose restrictions, trying to relieve some of the painful nervous energy without grabbing Mr. Wilson's attention.

It doesn't work. His handler always sees everything.

"Did I say you could move, Wither?" Cyrus freezes from the gelid tone. His shoulders go up chastened just before a gloved hand fists his hair harshly. That'll form a knot later... he wants to wash up and detangle his hair already, before it gets too bad.

From how harsh Mr. Wilson's grip is, he doesn't think he'll be allowed that so soon.

"Stop trying to be sneaky, that's the only warning you'll be given." Cold and firm as always. Frightening as always.

"Yes, sir," Cyrus answers quietly. It's weird how he still feels afraid and sad even when he's feeling giggly and euphoric.

Euphoric. Didn't that word mean something important? The headache is getting worse.

Mr. Wilson's grip only grows even more painful. There's more to be said, but Cyrus's head is not working well. He doesn't want to talk, he wants to move.

What weapons want doesn't matter.

He tries again. "I'm... I won't be sneaky again. I'm sorry, Mr. Wilson," he tries. The hand leaves his hair without any further words.

The need to move only gets worse in the silent. He knows Mr. Wilson knows. Cyrus's body is so tense it hurts.

He needs to use his magic, he needs to. It hurts, it's bad, he wants the giddy energy back, and not this nervous, restless cold creeping in. Everything is still pitch black, and the restraints are too heavy, and he wants his magic free again-

So you can kill more people with it?

No. What? No, no, no-

Your handler stopped you before the euphoria truly took place. Where is your gratitude, you vile thing? Why must others die just so you can smile?

That's not what he wants, he just... he just wants the colors back, the happy feeling of-

Of killing.

The memories of colored forms change. Those were people.

People you killed.

"Are you crashing already?" Comes the distant, cold voice. It takes long seconds for Cyrus to recognize it's Mr. Wilson's.

Crashing. Yes. Yes, he's crashing, and he's still on war camp, so he doesn't even get his white den-

Images strafe his mind. People died. People were killed. By him. And he was just smiling. He giggled to people losing their lives. Not only soldiers, there were medics, and servants, and-

A cold, sharp thing runs his arm and he flinched away, swallowing hard. He tastes blood. He knows it's not his.

Vile thing. You're a plague on earth that should be eradicated.

Cyrus's back presses against the capsule mattress, and he can barely separate what is real touch and what isn't. Sharp goosebumps run up his arm, his hands are being held, there's a pressure on his chest and a numbness on his left leg.

"It's euphoric state was pretty fast this time, it was a good timing to retrieve it," Mr. Wilson's out loud thinking reaches his ear along with a faint noise of screams that mustn't be true.

They're true, you're just hearing them too late.

"Today will be easy, then."

Cyrus couldn't disagree more with his handler.

Want to see Mr. Wilson's pov? This is the drabble this series began as. You can consider it a loose version of this chapter, but in Mr. Wilson's view.

Taglist: @whump-till-ya-jump @floral-comet-whump @paingoes @bonbonbobomb @inhurtandincomfort @half-duck @scoundrelwithboba

#Limbo Posts #Curse of Withering #god I can barely keep my eyes open #I'm so tired #saving this

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otome-dissection · 2 months ago

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Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

#txt #pjsk #project sekai #mizuki akiyama #akiyama mizuki #ena5 #ena shinonome #shinonome ena #25 ji nightcord de #niigo #n25 #mizuena #i'll tag it for the shippers too bc why not they'll enjoy this #closing my eyes and hitting post because on one hand i want to keep editing this because it's a mess but if i spend another minute on this #I Will explode #physically i have moved on mentally i am still staring at that damn card on my monitor while the music swells and mizuki is wailing out #that damn image has like actually rearranged my brain chemistry it's not even funny #i'm so fucking weak for this specific character dynamic/relationship yeah it might be cliche yeah i'm lame whatever #but like. FUCKKKK THEY DID IT SO WELL. THIS IS ACTUALLY INSANE. they put so much care into mizuki as a character it's crazy #oh mizuki. i hope you find peace and happiness.#i hope you look around you and the people you've surrounded yourself with one day and realize that you've found safety #anyways yeah sorry this is incomprehensible nonsense also sorry if the pronouns were confusing i hc she/they for mizuki #y'know partway through writing this i half considered turning this around into a fic but like. nahhhhh. tumblr text word vomit it is #sorry about the *checks* 1.4K word text ramble. but thanks for reading if you got here B))

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thormanick · 11 months ago

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All the Kavetham/Haikaveh ideas I don't have capacity to currently write, a very detailed list:

(Which I am humbly placing here before you. Be warned: this post is an incredibly long one!)

1. Fatui!Kaveh AU, where the night before the meeting happens between Kaveh and Alhaitham at the tavern, Kaveh gets a deal from Fatui representatives to work on a huge project in Snezhnaya. Kaveh is sceptical about it, but decides to accept the offer during the dialogue with Alhaitham (seeing himself as a burden, Kaveh decides that he will cause more trouble to Alhaitham than the Fatui, thus he decides to accept their offer even if it seems too good to be true). He tells Alhaitham about his decision to leave for Snezhnaya, and so the two relatively amicably/peacefully part their ways (not without Alhaitham testing Kaveh's reasoning a bit, but Kaveh's resolve remains strong).

And so, Kaveh leaves for Snezhnaya, where he gets to work on several huge projects for the next several years under Sandrone. Most of them are related to construction, engineering and reverse-engineering of Khaenri'ahn and Khaenri'ah-inspired technology, and he gets barely any time to work on his personal projects (he's overworked and exhausted and doesn't get much time and opportunity to be creative; however, the payments are good and he's on his way to getting out of debt, which is practically the sole reason driving him forward. The projects get progressively more complicated and, in a way, unhinged - engineering military equipment is alright, but working with the remains of Khaenri'ahn technology, dead gods and such proves to be... mentally taxing. Everything happens very gradually though, so Kaveh does not immediately notice the true scale of where the Fatui are ready to go to achieve certain goals). Kaveh doesn't really like the work environment of the Fatui, but he does his best (the Harbingers creep him out whenever he gets to see them on a rare official occasion (he might specifically dislike Pantalone because the Harbinger keeps picking at him for his debt, given a chance), but Sandrone's a decent boss who is somewhat encouraging and invested in his work and personal projects. She might be especially interested in Mehrak's existence and operation). Overall, everything goes quite smoothly for Kaveh, even if he doesn't feel quite at home in Snezhnaya and is aware of how dangerous the Fatui can be. He does not consider himself to be paranoid, but the other shoe has to drop at some point - and that happens when the new Acting Grand Sage of Sumeru gets to visit Snezhnaya on a diplomatic mission (aka: Kaveh reconnects with Alhaitham & Co for the first time in what feels like forever). The situation gets complicated when Kaveh realizes that Sandrone encourages the reestablishment of his connection with Alhaitham specifically - and she never encourages an action if she doesn't directly contribute from it.

Feelings, emotions and shenanigans ensue.

TLDR: Kaveh's doing his best despite being restricted in his ways of work, prevented from realizing most of his creative projects and slowly but surely building emotional walls around himself because Fatui and Snezhnaya; Sandrone being a kind of decent boss with sorta good work ethic but horrendous morals who is not exactly a good influence on Kaveh's idealistic tendencies and guilt complex; Fatui being contextually horrifying but kinda normal coworkers if you don't look at them too close; Alhaitham trying his best as a political figure (Nahida help him) while also trying to get Kaveh to return home with him (because he misses him); the main conflict revolving around Kaveh and his life choices with Sandrone and Alhaitham being kind of foils to each other (with Sandrone gradually destroying Kaveh's idealistic morals and playing on his guilt to get the most out of his potential as an innovator, and with Alhaitham actively trying to resolve Kaveh's guilt and show him that, despite their arguments, Kaveh's idealism still has place in the world and can co-exist with other philosophies). There might or might not be some macguffin-esque Deshret relic that both Akademia and Fatui hunt for that eventually brings the whole crew back to Sumeru. Kaveh might or might not get a chance to meet a fragment of Deshret's spirit within the mentioned relic. But there definitely will be a happy end for everyone here (Deshret will make sure of it).

2. Calamity!AU. The new Cataclysm comes, enveloping all Seven Nations, and so Sumeru does its best to survive. The cities are ruined, and the people gather together in random places to survive. Alhaitham gets to live within one of the settlements, established by the Akademiya. While trying to survive the first wave of the new Calamity, he is also looking for Kaveh; after an argument between the two the architect left for an expedition to the Desert, right before the new Calamity began. Unfortunately, the news comes that his group should have been around Tunigi Hollow - one of the spots in Sumeru where the first wave of the new Calamity hit the hardest. There is no concrete information on whether Kaveh's group survived or not. Alhaitham, not loosing hope, does his best to find any information on Kaveh's whereabouts, but due to Sumeru becoming extremely dangerous to traverse and disjointed as a result of the new Calamity, the search stretches out for almost a decade.

One day Alhaitham helps a caravan, traversing the forests to get to one of the settlements, to fight off the monsters. Unexpectedly, Kaveh turns out to be one of the members of the caravan. Their reunion is almost cut short by the caravan's need to keep going, but Alhaitham convinces Kaveh to join him instead. The two return to the new Sumeru city settlement, where Alhaitham lives and works under the watch of Akademiya and Lord Kusanali. It appears that during his years of travels around the destroyed Sumeru Kaveh learned new ways of architectural construction that would be more efficient against the monsters, born by the Calamity. He also seems to behave quite differently, hardened by the experiences of the past years. Alhaitham proposes for Kaveh to stay with him in the city, and Kaveh accepts. The feelings, new routines, dealings with the changed versions of each other and attempts to find new pace of life in the new world ensue.

TLDR: The world might be ending and impossible to live in, but even so each new day is brighter when the person one loves is by their side.

3. Another Cataclysm!AU, where Kaveh and Alhaitham get assigned separate missions in the grander scheme of things created to prevent the coming of a new Calamity. The plan succeeds and the world remains safe, but not without heavy losses: amongst many others, Kaveh does not survive while carrying out his mission.

Decades pass as Alhaitham goes through his grieving process. Eventually, one evening on the anniversary of the Calamity's prevention, Alhaitham wanders to a place he and Kaveh used to visit together. A Ley Line disruption occurs, and he gets to see a glimpse of Kaveh through it. They have a conversation; the Ley Line apparition (a memory of Kaveh) is convinced that Alhaitham is from the future, and so they talk a lot about the Calamity, whether it was prevented, and about each other's futures. Alhaitham can't bring himself to tell Kaveh that he does not survive the Calamity, but he does tell Kaveh that his architectural legacy lives on. Kaveh commends Alhaitham on his achievements (though not an acting grand sage for a very long time, Alhaitham kept playing an important role throughout Sumeru's history, helping to keep it safe).

Eventually, their time runs out. Ley Line disorder starts gradually disappearing. Alhaitham urges Kaveh to be careful and stay safe, knowing that the Calamity (on Kaveh's side) is yet to come. Kaveh laughs and tells him that on his side, Alhaitham just told him the same words after they finished the debriefing session, related to the Calamity. He says that he was feeling very nervous, but that seeing future-Alhaitham made him convinced that they are on the right path.

And so, the Ley Line disorder disappears. Alhaitham spends some more time at the spot before returning home. Despite painful memories having been brought up, his heart feels a bit lighter.

TLDR: closure comes unexpectedly, takes many forms and does not erase the pain in an instant, but, nevertheless, it heals.

4. AU! where Kaveh and Alhaitham are both magical birds that can transform into humans (and half-humans).

They live together in the depths of Sumeru forest - a domain of a long lost God of Wisdom. Kaveh's feathers are rumoured to bring blessings, while Alhaitham's feathers, on the contrary, are said to bring bad luck or even curses. Humans, living at the edge of magical forest, kinda worship them, but also prefer not to interact with them, primarily because Alhaitham is not happy when others trespass on his lands, and because searching for Kaveh is extremely hard (he's often off working on his projects deep within the forest), and the magical forest is very dangerous on its own. So, the humans build their cities outside of the Sumeru forest, and Alhaitham and Kaveh peacefully live together in the depths of it.

Despite Kaveh and Alhaitham living together for a long time, their opinions on humanity are diametrically opposed: Alhaitham barely tolerates humans, finding them to be reckless, meddling, cowardly and deceitful; Kaveh, on the contrary, finds humans to be creative, inspiring, free and beautiful in their own way. Throughout the years, Kaveh manages to build somewhat of an amicable relationship with the humans, living at the edge of the forest: he learns more about their traditions and arts, while the humans receive his guidance and blessings in various matters of living, craftsmanship and arts. Eventually, Kaveh's knowledge and magical powers catch the eye of Lord Sangemah Bay, who resides in and governs one of the bigger settlements at the forest's border. She makes a deal with Kaveh that, despite providing him with valuable (in his eyes) experience of working with humans on some of his grandest architectural projects, costs him a lot - meaning he has to give away lots of his blessed feathers, which makes his remaining magic much weaker (and generally undermines his health for a bit). Alhaitham is not a huge fan of such approach (in his eyes, Kaveh is wasting his powers and time for nothing, endangering himself), and so a conflict between him and Kaveh breaks. As a result, Kaveh flees their home, secluding himself while he's focusing on other projects he finds curious. Kaveh keeps working with humans, and though Alhaitham certainly keeps an eye on Kaveh's wellbeing, he does not make it easy for humans to reach him. So what if there are new random magical seals, obstacles, almost-traps and riddles appearing here and there when people try to get to Kaveh? It's a magical forest, things happen! (Kaveh knows that Alhaitham does this on purpose, and Alhaitham knows that Kaveh knows, and it leads to them indirectly, and then directly bickering and arguing. The magical forest quite possibly grows very tired of them. Their friends Tighnari and Cyno certainly do, but alas.)

The new equilibrium, found by Alhaitham and Kaveh, is challenged once more when Kaveh leaves to the Lord Sangemah Bay's city to direct yet another one of his grand projects. They do not see each other for a long while. Despite all the challenges, Kaveh's relationship with Dori gradually grows stronger - the two value their partnership - and Kaveh ends up making friends amongst humans. However, not everyone is happy about Lord Sangema Bay's growing friendship with the "deity of blessings" personified. As some people come to despise her for her wealth, influence and ever growing power, so do they come to despise the bird of paradise.

When the project is complete, the time for celebration comes. Kaveh gets to attend a feast by Dori's side as a guest of honour, and is invited to stay the night in her palace before returning to the forest. Kaveh agrees: he's been spending all his days and nights at the building site, and resting a night before returning home would be nice. As the night goes on, however, Kaveh begins to feel weary and unwell - the new type of wine he was served did him no good. He excuses himself early for the night and, as soon as he gets to his bed, he's out cold.

After an undetermined amount of time (in what appears to be the middle of the night), Kaveh wakes up because of immense pain in his back.

As he gradually comes to his senses, he has a horrible realization: one of his wings was cut off when he was asleep. Alerting the guards and Dori yields no results: the intruder escaped, presumably with Kaveh's wing, and there are no traces of them left. While Kaveh gets immediately attended to, he goes in shock and, eventually, loses consciousness.

When the messengers form the city arrive to the forest, Alhaitham receives them reluctantly at first, but as soon as he hears of what happened, he rushes to the city. He ends up taking Kaveh back to the forest, hoping that its healing magic will help restore his wing. However, nothing seems to work: neither spells, nor the powers of nature, not even Tighnari's medicine. Though the wound is slowly healing, Kaveh remains unconscious for days. To get more information on what happened, Alhaitham returns to the city to question Dori together with Cyno (who's also to continue the investigation within the city once Alhaitham returns home), while Tighnari stays with Kaveh.

Though the questioning concludes that Dori knows nothing and is willing to assist in the search of the perpetrator, Cyno concludes that she was not thorough enough in ensuring Kaveh's safety and overall security of the celebration in general, revealing that Dori recklessly cut corners here and there. Furious, Alhaitham leaves Dori his cursed feather, giving her an ultimatum: she has to find the perpetrator and give them to Alhaitham to deal the final punishment. Until then, her city is doomed to slowly crumble into decay and oblivion. Dori accepts the deal.

Alhaitham returns to the forest to look after Kaveh, while Cyno remains in the city to continue the search. When Alhaitham comes back, Kaveh is finally awake. However, he remains extremely closed-off, practically a shadow of himself. The recovery process is slow and challenging, but Alhaitham does his best to support Kaveh in all ways that matter. Kaveh struggles with healing: the loss of a wing affected not only his body, but also his mental state and magic. He cannot transform, he can barely use any of his magical skills, and he cannot fly anymore, which hurts him most of all. It takes a while for Kaveh to get on his feet (quite literally), even longer to finally leave his room. He also feels guilty for being in Alhaitham's care, because he remembers all of the Alhaitham warnings about the humans he didn't listen to, and so lots of internal conflict ensues.

Meanwhile Alhaitham does all he can to try and navigate the situation. He looks after Kaveh's healing process; brings back his blueprints and equipment from Kaveh's place so that he has enough to work with if he wishes; he also (to the best of his ability) remodels their home to make it more accessible to Kaveh. Given that their natural method of moving around their house was flying (whether in form of birds of half-humans), Alhaitham now implements more adjustments for walking or climbing. (When Kaveh feels good enough to leave his room, he's amazed by what Alhaitham managed to achieve. He also helps fix some of the constructions, given he's the one with the experience in architecture.) Alhaitham and Kaveh grow closer, slowly unpacking and mending their relationship, turning it into something new and beautiful.

At the same time, Alhaitham continues to watch the forest borders - to make sure that no intruders interrupt Kaveh's recovery and their peaceful life together. One day he notices an interesting sight: a small, but beautiful shrine appeared right by the forest. He decides to investigate; upon approaching the shrine, he meets Nilou (whom he saw in the palace when he visited Dori). She explains to him that, after he and Kaveh left the city, a group of people decided to organize a shrine, dedicated to Kaveh, to pray for his recovery. Nilou explains that in their eyes it's the least they can offer for all the help that their city received in the past and as amends for the pain they have caused. Alhaitham warns her not to get any closer to the forest, but the action of people leaves a lasting impression on him.

Meanwhile, Cyno's investigation progresses. Cyno writes to Alhaitham that together with Dori they managed to find and capture the perpetrator. Questioning reveals no useful information, but Cyno suspects that there might be more to the attack on Kaveh than they anticipated. To uphold his end of the deal Alhaitham goes to the city to deliver the punishment to the attacker and to undo the curse he put on Dori's city. Before he leaves, Kaveh, scared of what might happen to Alhaitham, sews into his cloak a blessed feather for protection (because Alhaitham wouldn't accept it outright). While Alhaitham is away, Kaveh begins working on a new project: a mechanical wing.

When Alhaitham gets to the city, he is led to the cell where the attacker is being held. Cyno and Dori are by his side for the final questioning. The man - a mere mortal (with strange red-ish eyes), one of Dori's citizens - keeps talking in circles, making less and less sense with each new word. Alhaitham lets Cyno and Dori go before rendering the punishment. When the curse (one of Alhaitham's darkest yet) is finally prepared, suddenly, the tables are turned. The perpetrator attacks Alhaitham, but his movements seem unnatural, almost like those of a puppet. Alhaitham realizes, that the man is being controlled by someone with prowess for strong, incredibly dark magic that seems similar to that of the Desert. The strange puppet manages to overpower Alhaitham in a fight, but cannot harm him (due to the protection from Kaveh's feather). The perpetrator manages to escape, taking with him Alhaitham's cursed feather (they seemed to be pleased to receive it. Alhaitham fears to think what they will use it for).

Dori and Cyno pick up the investigation, with Cyno going straight to the Desert. Dori begins reinforcing the city (her people discover that Alhaithams curse (now lifted) awakened Miasma deep under the ground. The Miasma begins to slowly spread, seemingly in the direction of the Sumeru Forest). Cyno sends back a message, confirming that strong and dark magic seems to be gathering within the Desert, possibly for the purpose of destroying the magical forest.

Alhaitham manages to get back to Kaveh and tell him of what happened in the city. In order to be able to protect the forest together with Alhaitham, Kaveh doubles down on his efforts to create a mechanical working wing. Everything works, besides the golden feathers - they need to be blessed in order to allow the mechanism to work as intended, but Kaveh does not have enough power for it. Alhaitham takes a risk and brings the feathers to the shrine, created by Nilou and other humans, so that they could bless them for Kaveh. (They are short of one feather eventually, and Alhaitham gives Kaveh one of his own, his first blessed feather, to complete the wing.)

TLDR: Kaveh works on restoring his wing and faith in himself and humanity; Alhaitham learns that humanity is not always evil. Dori and Cyno discover that the escaped perpetrator (caugh controlled by Dottore caugh) used Kaveh to get to Alhaitham to gain his cursed feather for completing some sort of ancient ritual to unseal the forbidden knowledge magic deep within the Desert in roder to unleash it on the magical forest, slumbering God of Wisdom and human cities. Kaveh learns to curse his feathers (while opposing Dottore in a final fight), and Alhaitham learns to bless his. Humans and Sumeru Forest continue to coexist peacefully. Alhaitham and Kaveh live together happily ever after.

5. Pacific Rim!AU, where Kaveh and Alhaitham used to be pilots of a Jaeger, but during one of their battles they suffered too much damage. In order to save Alhaitham and what remains of their Jaeger, Kaveh takes most of the damage by severing already unstable connection between Alhaitham and Jaeger's system. Both barely survive the encounter, but meanwhile Alhaitham manages to recover fast, the damage Kaveh has taken leaves him in a critical condition, eventually resulting in him being unable to ever pilot a Jaeger ever again (and putting many new restraints on his usual daily life).

As soon as Kaveh comes to his senses, the two have a huge fight about Kaveh's rash decision, and eventually break off their friendship. They don't see each other for a long, long time.

As the time goes on, Kaveh learns how to live with the changes that his body sustained with the help of his service dog Mehrak. Eventually he takes on a job at one of the Jaeger construction facilities (together with his friend Tighnari), studying Kaiju and creating new Jaeger modifications - though no Kaiju has been seen in the past several years, the world is still afraid of their return.

When the suspicion of the new Kaiju appearance arises, new pilot recruits and ex-pilots are summoned to the facility. There, Kaveh meets Alhaitham for the first time in years. After their fallout, Alahitham resigned from piloting Jaegers, yet now he had no choice but to return to train new recruits (and possibly resume his role of a Jaeger pilot). Now once again the two have to work together as a part of a team in face of approaching danger, trying to resolve their past conflicts and overcome their fears and insecurities along the way (when deep down they simply want to keep each other safe).

TLDR: Kaveh & service animal Mehrak is a neat concept I'd love to see more of, just as a concept in general. I think this one could be an interesting story idea centered mostly around Kaveh's day to day life. Additionally, Alhaitham who used to be only drift compatible with Kaveh but now suddenly discovers he's drift compatible with Cyno. I need more Cyno & Alhaitham camaraderie I think it would do them lots of good (at least in this specific AU setting lol).

6. Oxenfree!AU where Kaveh and Alhaitham are two ex-best friends turned reluctant coworkers (photo-journalist and journalist respectively) working on writing a piece about the disappearances of a group of teenagers that happened at the Edwards Island several years prior (timeline somewhere between the first and the second games). The radio shenanigans ensue, making the two face their past, possible futures and, most importantly, their present. (In Oxenfree tuning into certain radio sequences can temporarily mess up time-space shenanigans, just fyi).

TLDR: I just think that this setting could facilitate some character exploration that would be very fun.

7. Modern MermanKaveh!AU, post-fallout, where it's a little bit more about haunting Alhaitham (and the narrative), than being a merman. Due to an unfortunate set of circumstances, Kaveh drowns one day, trying to save someone from the water. Due to an unfortunate set of circumstances, he doesn't really die, being stuck in between (existence and death, normal life and the necessity to live in water). Kaveh manages, for quite a while even!

But of course Alhaitham has to come back and turn his world upside down once again.

TLDR: can you tell Alhaitham's quote about drowning stuck with me huh (and I made it literal lol). On a serious note... Idk, vibes??? I want to see the "stuck in the middle" Kaveh, whatever that entails. Some existential explorations. And the development of his relationship with Alhaitham, of course. // Kaveh is a merman unable to fully live the life he used to have, and Alhaitham doesn't know that he survived (for a while), alternatively "let me help to save you from metaphorical and literal drowning" Alhaitham and "I learned to live like this, this is what my norm now looks like" Kaveh.

8. Another Modern MermanKaveh!AU/DrownedGhostKaveh!AU, because I apparently have no self-control (I feel like I should also clarify that whenever I mention a mermaid, I think of them more as of ghosts of drowned people and less as mermaids-mermaids, the half-human half-marine creature ones). This idea was initially prepared for chili/zhongchi but it's been sooooooooooooooooooo long and I still haven't done anything substantial for it so I'm borrowing it from myself for myself and tweaking it for kavetham because I figured it could fit them. So here it goes,

Alhaitham is a scientist/marine biologist that moves from the city to a much smaller port town, getting himself a place in a local partially repurposed lighthouse. Kaveh is a merman, who has been dead for a long while and who's been living within local waters ever since he drowned. Alhaitham leads a very isolated life, going through a rather rough patch emotionally (maybe a badly ended past relationship and relocation from an established group of friends to a remote place brought up past negative emotions related to loss that were bottled up for a while. who knows, not me). Anyways, Alhaitham's not doing too well, but seaside walks help him unwind, even if for a short periods of time. During one of such walks, he finds an old pendant washed ashore. He picks up his find, hoping to do some research on it outside of his work time (because research is his fun-time).

He expects this to be a brief excursion into local history. He does not expect to become haunted by the ghost of a man to whom this pendant belonged to way back when.

Kaveh, in turn, is extremely excited to finally, finally be able to get out of the sea to the surface. He intends to stay ashore as long as possible and, well, if he just so gets to amuse himself by haunting a grumpy marine biologist that refuses to believe in merpeople, ghosts of drowned and other supernatural occurences - who's he to say no?

TLDR: this AU can go two ways (in my eyes): the happy ending way and probably more gothic-horror-story-esque ending. So, Alahitham is cursed to be haunted by Kaveh: for a while he's the only one who can see him, with Kaveh being something akin to a ghost. However, the longer Kaveh haunts Alhaitham, the more human he becomes (others can see him, he cannot phase through walls anymore, etc.). The curse in itself goes something like this: the cursed thing, after being picked up/taken in, cannot be thrown away and will always come back. The ghost, tied to the haunted thing, shall haunt whoever picks the cursed thing (the thing should be tied to the ghost, but may not necessarily belong to them) and drain their life energy. The ghost can become free and human again if the haunting goes long enough and they kill the human who picked the cursed object in the end during a very specific time that doesn't occur too often (proverbial blue moon, idk). If they don't kill the human and decide to let them go, then the ghost will seize to exist and the human will regain their strength. (An alternative option to the ghost dying for a less angsty au: the ghost voluntarily takes back the cursed object and returns to the place where they died, but then they will never be able to haunt anyone ever again. The effect of the curse on the haunted remain, but much weaker).

In this case, let's say Kaveh and Alhaitham stay by each other's side from half a year to a year, idk. They grow closer, eventually becoming friends and maybe more (the usual kavetham shenanigans Kaveh falls first but Alhaitham falls harder). Alhaitham's mental state gradually improves, yet overall he becomes weaker because of the curse (to the point that it becomes a serious concern), which Kaveh blames himself for. The appointed time approaches (both Kaveh and Alhaitham are in on the details of the curse), and Kaveh, seeing it as an opportunity to set Alhaitham free, manages to separate himself from Alhaitham. Kaveh is ready to return to the sea/merge with it (ah yes the classic Little Mermaid influence does anybody feel it lol). However, Alhaitham sees through his plan and arrives just in time to stop him. They have a confrontation. Eventually, they manage to lift the curse (as you can see I have not figured out exactly how this can happen but! it definitely can!) with Kaveh becoming human again and Alhaitham regaining his health. The two continue to live together happily ever after.

The other scenario is practically the same, but it's more ghothic? and abstract (and probably more suitable for the og pairing it was made for, but i'll throw it in anyways). I have not engaged with gothic literature much and thus don't have much experience in how it works/how to write it, but the idea is that Kaveh is more of a projection of Alhaitham's grief than a ghost fo a drowned person (in other words, he's definitely a ghost, but his presence is also much more symbolical). The story follows quite similar beats, except the setting of the curse is a bit different: it's more of a "kill first or be killed" thingy with a deadline. Kaveh earnestly tries to drown Alhaitham at first through various means, but the more time they spend together, the more Kaveh sees of Alhaitham's life and pain and feels sympathetic for him. Despite the curse, Kaveh tires to help Alhaitham in various ways; and it works! Alhaitham gradually begins to feel better; the two grow closer to each other (more in a platonic way).

So now the precedent is that though Alhaitham's overall doing better, the curse still preys on him, hindering his life in various ways that become more and more serious/dangerous (the curse's deadline approaches, and it tries to survive the best way it can through Kaveh's influence on Alhaitham). Eventually, Kaveh lets Alhaitham go, merging with the sea (once again, yes, it was partially inspired by the Little Mermaid). Alhaitham realizes what happened and tries to look for Kaveh, but it is in vain.

Eventually, life goes on.

Bonus Elden Ring AU (because guess who suddenly went on a lore video watching spree): Kaveh is a craftsman and one of the inhabitants of Castle Morne who managed to escape before it was overrun by Misbegotten. He's a follower of St. Trina and Miquella (he doesn't follow Miquella at first, but slowly he comes to suspect that the two are one and the same). After escaping from Castle Morne, he finds his way to Jarburg, where he is welcomed to stay and be the new Potentate.

Alhaitham is from a distant branch of Carian royal family and a scholar at the Academy of Raya Lucaria. Quite possibly explored an area of studies similar to Sellen's. Eventually he separates himself from both Academy and his family, becoming a wandering scholar.

The two meet somewhere nearby Jarburg when Kaveh gets ambushed by the same people who were trying to get to Alhaitham. The two fight them off. Kaveh, trying to help injured Alhaitham, leads him to Jarburg. The two continue living together there ever since (not without hiccups, but they're doing their best).

TLDR: this one is short and very simple because I just started diving into the Elden Ring's lore, but I just. Really wanted to make some AU for them. I also desperately wanted it to be peaceful and happy one despite it being a seeming impossibility for anything dark souls/elden ring related, but one can dream. If I were to make this one darker I'd probably expand on the duality of their two characters here, and how Alhaitham probably used to conjure spells on humans (with gaining knowledge being his sole life purpose for a long time) and has challenges with comprehending the world outside of a framework of pure logic, and how Kaveh gets an increasing tendency of escaping to the dream world/wherever Miquella is in order to alleviate his mental turmoil (maybe he witnessed too much during his escape from the Castle), and how the two have opposing perspectives on the idea of worshipping gods, and- like, there's a lot that can be done. But I also just really really really want them to simply be happy together in a jar village, leading a peaceful life.

That's it for now! Thank you for reading all of this, I can't commend your patience enough if you got to the end of this list!!!✨🎉✨

Maybe in the future I will unpack some of these aus. who knows.

#if you made it till the end you're officially a hero #sorry for so many words lol #genshin impact #afinna explores teyvat #genshin impact kaveh #genshin impact alhaitham #kavetham #haikaveh #alhaitham x kaveh #genshin impact writing #genshin impact writing ideas #magical birds au my beloved (can you tell lol)#maybe one day #one day i might write it #i was sure i'd never write the inquisitioner x witch kavetham AU but guess what #istg the first chapter should be ready sometime this year. probably. i hope. i dream of it...#pacific rim au is also something i just cradle gently in my hands. weird apocalyptic-esque setting but make it more a piece of life thing #in order to better unpack the relationships between people and various internal turmoils #and the fatui au!!! i want fatui to be weird menacing coworkers that end up being weirdly decent!!! sometimes!!!#idk i just think kaveh and sandrone could be a great work duo #and just the interactions with others could be sooooo much fun #anyways hope these ideas are. decent #also lowkey i need more dori-kaveh-alhaitham shenanigans #like alhaitham is canonically banned from seeing dori as far as i remember [well. blacklisted from the market or something similar]#granted it's probably bc he's with the Akademiya but like. Are We Sure [glances at Kaveh's debt]#anyways i just think there can be some exploration done here lol #also a hot take probably but. we need more 'Dori the Scary Businesswoman that Seems Inhumane But is Actually Wise'#like I want her to push others to their limits for mutual/personal gain BUT doing so knowing exactly when to stop and not cross the line #she is The Monkey's Paw for people who come to her. anyways i just find her interesting #yay that's it thanks for reading all of it have a great day byeeeeeeeeeeeee!

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mrs-starkgaryen · 1 day ago

Text

The weekly essay that no one asks for but Maggie seems to enjoy and I certainly do-

So to mo further ado-

1. “Yeah,” Jace says. “You got to be in Episode 5,000 of Grey’s Anatomy.” Baela gives him a reproachful glare. “What?” he asks, clueless.

A) you make him an ass 😂

B) but I also made this reference so I forgive him

2. “Just a little one, please,” you tell Baela. A moment later, she plops a skinny slice of cake onto your plate. “Thanks, Becca! Wait, no, I mean Baela. Sorry.”

A) ho ho, that's awkward

B) skinny cake- damn Hollywood is already affecting her, bless

3. She laughs, still wielding a knife covered in white frosting. “Who’s Becca?”

A) put the knife down Baela, babes

B) for Jace's sake

C) I hope this is foreshadowing- Becca goes full Michael Myers when she finds out something scandalous (just my sleep deprived brain)

4. “Excellent!” he says, wearing that same smile. His eyes, very blue, never change; they are alert yet vacuous, like the fatal error screen on a Windows computer.

A) it feels like his eyes are stuck, like the only thing that can move in a plastic face like a scream for help, if you get me

B) I was gonna say you can't change the eyes but I realised you can. There goes my 'eyes are windows to the soul' shit and how it will show how Sunshine will still always have the same soul (hopefully) deep down

5. “Fantastic.” He’s still smiling. You kind of wish he would stop. “You want to be an actress, I assume?”

A) ah creepy

B) he's getting that money money, ofc he's smiling

6. “Of course!” you exclaim too enthusiastically; your voice cracks. You undo the tie down by your waist and the fabric across your chest and belly goes slack. Your tan TOMS wedges are scattered on the linoleum floor that’s supposed to look like wood. The sundress you wore to the appointment, patterned with large sunlit palm leaves, is folded on a chair. Your eyeshadow matches: matte green Thorns by Anastasia Beverly Hills, sparkly gold Whisper by Natasha Denona.

A) she's so sweet, she will crack later with how Hollywood is gonna eat her up

B) slack as in she will collapse with the pressure of pretending

C) even the floor is fake, pretending to be something it's not 😭

D) she will have to take her cover (dress) of LA dreams off when the actual nitty gritty of fame comes to her

E) I'll come back to the eyeshadow.. they're getting darker...

7. As Dr. Cunningham opens your gown and begins the exam, you stare at a framed print of Venice Beach on the wall, and you pretend you are there under the hot glaring daylight instead of here in a frigidly air-conditioned office being prodded and manipulated, measured not to be admired or understood but only to be improved upon.

A) poetry, especially the last two lines

B) Hollywood is not the [framed] picture-perfect idea she has, she is still looking up at it even when times are tough but will it be enough?

C) being manipulated and measured is totally what the fans will do to her, omg

8. He loses his train of thought, interrupted by a commotion out in the lobby. Through the closed exam room door, you can hear people arguing and then something being spilled—the jar of pens on the receptionist’s desk? the glass bowl of mints?—and heavy sprinting footsteps. Dr. Cunningham pulls his hands away and you snatch your gown shut just as the door bursts open, and Aegon stands there breathing heavily from the exertion, hair in disarray, white Nike Killshots with a red slash of a Swoosh, dark jeans, salmon-colored t-shirt that’s too big for him, tan sport coat jacket yanked off of his shoulders. His attacker, the elderly receptionist, has chased him to the doorway.

A) I had hope and I had prayed and Aegon came to save the day (poetry ooh)

B) he came running- perfect 👌

C) I wonder if she'll return the favour one day...

9. He straightens his jacket. His eyes, that dark and turbulent blue, are fixed on your face as you hastily retie your gown so it stays shut. “Hi. What the fuck are you doing?”

A) least he says hello

B) what a babe

C) also not looking downwards? Gentleman

D) I hope he brings it up later "I really wanted to see what you had underneath" *bites fist*

10. And immediately, you are ready to leave. “Okay.”

A) Aegon is gonna eat her up

B) but me too, anything for Aegon

11. Dr. Cunningham and the receptionist leave too, muttering to each other and casting you appalled glares. When you are alone, you throw off the gown and put on your bra, wedges, and sundress…and as you are smoothing the creases from the soft cotton patterned with palm leaves, you smile to yourself, kind pink heat swirling in your cheeks.

A) don't look at her like that, it's not like she invited him for the boob viewing 😭

B) oh girly is in LOVE

12. Dr. Cunningham’s office is on a busy street in Beverly Hills; you can hear car horns, pedestrians shouting into their cellphones, toy dogs yapping, Shape Of You chiming from a passing Mercedes.

A) nothing to do with the story but that song makes my eye twitch lmao

13. “Chinatown,” he says, opening the passenger’s door of his Sebring. “And from now on, you listen when I tell you to do something, just like you said you would.”

A) "yes daddy"

14. But Aegon doesn’t smile; he only stares at you blankly. “What?”

A) and shit hit the fan

B) he has some sort of condition where he's forgetting things slowly and it's gonna decline so fast isn't it

C) that's why he wants out quickly before he's remembered for it!

D) I can just see actor Aegon forgetting lines and his family wanted him to take it easy 😭

E) my baby and sunshine thinks he doesn't remember cuz he doesn't caree

15. And he looks at you as if his skull is as clear as the transluscent blue-tinged water of the fish tank, all the lights on but nobody home, and for a split second you almost feel as if you don’t recognize him, as if he is a stranger wearing Aegon’s windswept blonde hair and ill-fitting clothes and the crow’s feet around his eyes. Then Aegon repossesses himself and he is flippant, casual. “Oh yeah, right. Totally. I remember now.”

A) my shaylaaaa

B) Maggie you're cruel

16. “Uh…1994, I think.”

A) he doesn't care or he can't remember that well

B) I'm gonna look for other clues in the other chapters

17. “She’s a dog,” you say. You read the description silently to yourself as the tea and wonton soups are brought to the table: Loyal and honest, you work well with others. Generous yet stubborn and often selfish. Look to the horse or tiger. Watch out for dragons.

A) alright sunshine, you haven't met her yet (jokes)

B) ho ho ho- Becca is gonna be selfish? Interesting how that'll play out

C) oooh, Dragons. good connection Mags

18. You wear an ocean blue sundress and cool metallic shades on your eyelids: Shellshock by Urban Decay, Strike by Natasha Denona. You open the door.

A) cooler colours for something bad brewing?

B) silver and blue eyeshadow.. blue meaning loneliness... both aegon and sunshine are lonely.. speculation..

19. Mario is running through what appears to be some sort of underground maze, foggy and strewn with gold coins. The greenish haze must be toxic. Mario’s Power Meter is slowly ticking down; each time Mario snags a coin, it is partially restored.

A) Mario is Aegon isn't he?

B) the maze represents his mental condition: foggy and unclear

C) or it could be describing Hollywood- a confusing and toxic place but the coins (fame and riches) make it worth it? Hence why the power bar rejuvenates a little, but it won't her going forever?

D) also Becca is Waluigi lmao

20. Then Aegon notices you, and for a moment he seems shaken—not in a good way—and for some reason you feel like you’ve made some horrible mistake.

A) oooh girllll

B) both of his bitches in the same room

C) That wasn't supposed to happen

21. “No, you’re fine,” Aegon replies, but he’s still distracted. Mario suffocates in the maze and drops over dead. Aegon turns off the game. He clears his throat. “Uh, this is Becca.”

A) Mario is dead, nice. Bye Aegon

B) or it means her collapse in being in Hollywood

22. “Oh, brr!” Becca says, pretending to shiver, and you laugh.

A) wait no Becca is kind of cute

B) this will be interesting if we like Becca

23. “You’ll have to come to the wedding!” Becca says cheerfully.

A) stop she's sweet

24. “Yeah, all of Aegon’s clients are invited. Aren’t they, babe?” Becca glances at him, and then her eyes catch there and they stare at each other, Aegon slumped in his chair with his arms crossed over his chest, Becca standing next to you, and there are several slow awkward seconds of silence. Aegon gets a piece of Juicy Fruit gum from a pack on his desk and shoves it into his mouth. Becca looks at you and then back to Aegon, who is pretending to organize the clutter on his desk. You notice for the first time that there is a ceramic bowl of Honeycrisp apples there.

A) interesting.... she noticed something in his look... did she catch on?

B) does she know he got rid of his other clients but her?

C) you know it's bad when he starts cleaning 😂

25. “And I guess they’re growing on me.”

A) stopp

B) I love it, she's growing on him too (already has)

26. The Flower District is on the other side of Chinatown in Downtown Los Angeles. It’s the largest wholesale flower market in the country, six blocks of vendors selling every plant imaginable, from ordinary daisies and tulips to bamboo shoots, ferns, herbs, cactuses, succulents, baby trees, house plants like monstera and ivy. The aroma is overwhelming; when you breathe deeply, you imagine prismatic blossoms bursting up through the alveoli of your lungs, roses and irises and calla lilies and orchids. Aegon weaves through the aisles and frowns at the magnificent flowers, none of them right for some reason. You are endlessly pausing to sniff petals and gingerly graze your fingerprints over leaves. Aegon has to backtrack to find you when you stop to watch a demonstration of a Venus flytrap being fed.

A) the newness of LA is lost to him whereas she still is experiencing it

B) ah the Venus flytrap- Hollywoooooood

27. You inhale the faint floral scent that emanates from the yellow petals. “I’m going to put them in a vase on the kitchen counter and buy them flower food so they live as long as possible. And I’m going to talk to them, because that’s supposed to be good for plants.”

A) so the plants are gonna die, aren't they Mags?

B) you're preparing us for worse stuff

C) she's gonna be busy with something or distracted and the plants die

D) she's gonna say the same to Aegon when he's dying on his bed 😭

28. Aegon watches you, thoughtful, maybe a little sad. “I like you the way you are, sunshine.”

A) stop Aegons gonna break my heart (but not as bad as later ey)

B) he's the only one who seems to appreciate her cuz there ain't no sunshine when she's gone 🎵🎶 they both need sunshine

29. “And I don’t want you to change. It’s horrible to watch someone disappear.” He devours the rest of his waffle cone. “You know…I think helping you get to where you’re going, and making sure it’s done the right way…that will be the last good thing I ever do here.”

A) oh he will know about someone disappearing 😭

B) last good thing he will do here or ever??? Is he on a mission to die peacefully??

30. “Can I help you with something? I know the shoot is tomorrow, I’m really excited. I was about to get ready for bed so I can go to sleep early and be well-rested. There’s not a problem with the music video, is there? Please don’t say it’s cancelled or that I’m fired or something.”

A) she's so sweet

B) LA will take advantage of that

C) I hope she stands up for herself soon. This world sucks.

31. “It was in your file that they sent over,” Dan says, perhaps a bit guardedly, and before you can ask anything else you stumble upon the scene, and your stomach drops. The actress—me, you think, that’s not some other woman, that’s me—will be lying in a vast empty bathtub, soaked hair, dripping skin, black lingerie, writhing and whimpering as she mourns the loss of her lover.

A) sus.. why is her address in the file? That doesn't sound right.

B) ew gross scene- no need and WHY DIDNT THIS CHANGE GO THROUGH AEGON, THE MANAGER FIRST??

32. “Yes, thank you, that’s the term I was looking for.” Does Aegon know about this? He has to, right?

A) he doesn't babe

B) he's gonna lose his shit and pop an eyeball and be mistaken for Aemond in his anger 😠

C) if I don't get there first

Love your work as usual, and I keep noticing you pointing out dogs in this chapter. I'm watching you

A Curse [Chapter 3: Flower District]

Series summary: You are an aspiring actress. Aegon is a washed-up and disenchanted agent…at least until he sees something special in you. But within paradisical seaside Los Angeles you find terrible dangers and temptations, secrets and lies. Maybe Aegon’s right; maybe the City of Angels really is a curse.

Chapter warnings: Language, mentions of sexual content (18+ readers only), age-gap relationship, entertainment industry misogyny, some body dissatisfaction/dysmorphia, medical stuff, a creepy dude, a special surprise is found in Aegon's office!!!

Word count: 6.2k

💜 All my writing can be found HERE! 💜

Tagging: @lauraneedstochill @mrs-starkgaryen @chattylurker @neithriddle @ecstaticactus, more in comments! 🥰

🏝️ Let me know if you’d like to be added to the taglist 🏝️

You sleep in late and wake to the sound of excited voices out in the kitchen. When you follow them, you find Baela using a pink Click ‘n Flame utility lighter to ignite the candles on a sloppily but lovingly homemade cake, Pillsbury Funfetti according to the blue box left upturned on the countertop, lumpy white icing dotted with multicolored sprinkles. Jace must be responsible. You panic, thinking that you have forgotten a birthday, but no: you quickly recall that Baela is a Sagittarius and Jace is—somewhat improbably—a Capricorn.

“What are we celebrating?” you ask.

Baela looks up from the cake, the candlelight luminescence radiant on her face. She is beaming, she is glowing, she is definitely meant to be an actress. She shines too brightly to belong anywhere but among the stars. “I got the part.”

“Which part?”

“The one in the new Yorgos Lanthimos movie!”

“No way!” you shout, and you rush over to hug her; but already there is a sinking feeling that you are dimly aware of through the rush, and when the revelry is over you will lie in bed alone with these thoughts, treasonous yet true: When will it be my turn? Why can’t this happen to me? “That’s so exciting! I’m so happy for you!”

“It’s about the French Revolution,” Baela says when you pull away, still grinning hugely. “I’m getting third billing, my name will be on the promo posters! I’m flying to Paris for filming next month!”

“Wow.” Your smile is frozen on your face. “Wow, wow, wow, I can’t believe it. This is so awesome!”

Then Baela realizes how it must feel for you, and she is sympathetic, rubbing your shoulder as her expression twists into something soft and bashful. “But hey, your luck is turning around too!”

“Yeah,” Jace says. “You got to be in Episode 5,000 of Grey’s Anatomy.” Baela gives him a reproachful glare. “What?” he asks, clueless.

“No, it’s totally cool,” you insist. “I’m really, really thrilled for you, Baela. You have to take a million pictures in Paris so I can see all the architecture and desserts and hot French dudes!”

Jace snorts. “Are French dudes even hot?” He sounds skeptical.

“You can be my date to the premiere,” Baela tells you. Jace gapes at her, incredulous. “We can pose together on the red carpet and you can do some networking! Maybe Yorgos will even like you and cast you in his next project!”

But something about the way she says it makes the prospect sound ludicrous, fantastical, fictional. Baela’s breakthrough is reality, yours is unicorns and mermaids and the Loch Ness Monster. “You are so wonderful, but you should take Jace.”

“Yeah, you should take Jace,” Jace says.

Baela pulls a knife out of the bamboo block on the kitchen counter. Her parents bought it, like they bought almost everything else in the apartment; they believe in her, lots of people do. “Do you want some cake? When’s your appointment?” The appointment you didn’t cancel, contrary to Aegon’s explicit instructions. Technically, you never agreed to, so you haven’t lied to him. That makes you feel better. Baela glances at the calendar and reads the time written there in red ink. “Oh good, not until noon. You definitely have time for cake!”

“Babe, you gotta blow out your candles first,” Jace says. Baela closes her eyes, becomes still and serene, extinguishes the tiny golden flickers of light with one delicate puff. Then she begins cutting the Funfetti cake. You get three forks from the silverware drawer. Jace hands you a plate from the cabinet as he complains about having to go to class today: Music Aesthetics, Analysis, and Philosophy.

“Just a little one, please,” you tell Baela. A moment later, she plops a skinny slice of cake onto your plate. “Thanks, Becca! Wait, no, I mean Baela. Sorry.”

She laughs, still wielding a knife covered in white frosting. “Who’s Becca?”

“Aegon’s fiancée.”

“Oh, your agent’s future wife? The agent that you are definitely not into at all?”

“Yeah, that one, you got it.” You give her a wink and take a bite of cake: frosting so sweet it hurts your teeth, tiny kaleidoscopic flecks of candy like gold in a stream.

~~~~~~~~~~

“So, which one are you liking the feel of?” Dr. Cunningham asks, smiling in a way that is effervescent and yet impersonal, vaguely impatient, a real estate agent type of charisma. He must be in his mid-fifties, and yet his face is nearly entirely purged of wrinkles, smooth and shiny and evenly tanned. His teeth are too perfect to not be veneers. People keep suggesting those to you too; you need more time to wrap your mind around the idea of having your canines and incisors shaved down to helpless nubs.

“Um…” You go down the line again, squeezing all three samples that are arranged on the stainless steel utility table that Dr. Cunningham wheeled over to you. “I walked in wanting the gummy bear implants, and I think I feel the same way now.”

“Excellent!” he says, wearing that same smile. His eyes, very blue, never change; they are alert yet vacuous, like the fatal error screen on a Windows computer.

“And they’re safer, aren’t they? The gummy bear ones?”

“Statistically, yes,” Dr. Cunningham agrees, somewhat briskly, as if he is eager to change the subject. “But I wouldn’t worry about that. I hardly ever see ruptures in any of my patients.”

Hardly ever, not never. “That’s good!” you say spiritedly, like a star pupil.

“As I mentioned earlier, they are a bit more expensive than the other options, but we have several financing options available.”

“My parents are paying, so no worries there.”

“Fantastic.” He’s still smiling. You kind of wish he would stop. “You want to be an actress, I assume?”

“I do, yeah! How’d you know?”

He chuckles as he rolls the small metal table away. “That’s what all the girls are doing out here, right? And if it’s not acting, it’s singing, or modelling, or…what do you call that, when you make money on TikTok or wherever?”

“Being an influencer.”

“Right,” Dr. Cunningham says. “Well, I wish you the very best of luck.” It’s chivalrous but hollow, an echo of the encouragement he’s given to thousands of women just like you, except probably more beautiful and more talented and actually getting some of the parts they audition for.

I got a part, you think, and your mood lifts a bit. Aegon finally found me one. And he believes I’ll get more.

“Is it okay if I take a look?” the ever-smiling Dr. Cunningham says, and your heart begins to pound beneath the gown you’re wearing, scratchy white polyester-blend fabric that opens in the front. But this is all standard procedure, and you knew to expect an exam, and you should not feel like you’re lining up for the firing squad.

“Of course!” you exclaim too enthusiastically; your voice cracks. You undo the tie down by your waist and the fabric across your chest and belly goes slack. Your tan TOMS wedges are scattered on the linoleum floor that’s supposed to look like wood. The sundress you wore to the appointment, patterned with large sunlit palm leaves, is folded on a chair. Your eyeshadow matches: matte green Thorns by Anastasia Beverly Hills, sparkly gold Whisper by Natasha Denona.

As Dr. Cunningham opens your gown and begins the exam, you stare at a framed print of Venice Beach on the wall, and you pretend you are there under the hot glaring daylight instead of here in a frigidly air-conditioned office being prodded and manipulated, measured not to be admired or understood but only to be improved upon.

Dr. Cunningham is saying: “Just so you’re aware, due to how firm a gummy bear implant is, we typically have to make a slightly larger incision in order to insert it. Saline and traditional silicone implants, being more flexible, can be squeezed in through a smaller opening, for example using a transaxillary incision in the underarm. But they’re also more prone to wrinkling and rippling, and they must be replaced more frequently, so that pliability comes at a cost. I think gummy bear implants are a very good choice for you.”

“And…where exactly would the incision be?” Your heartbeat is still thunderous; you can hear the scorching red blood flow throbbing in your ears. Dr. Cunningham either doesn’t notice or doesn’t mention it.

“We’d go in right here,” he says, skimming his gloved fingers just beneath your left breast, your raw heart just two inches away. Goosebumps prickle on your arms. “It’s what we call an inframammary incision, and it gives us more room to work with to ensure the implant is placed properly, and…”

He loses his train of thought, interrupted by a commotion out in the lobby. Through the closed exam room door, you can hear people arguing and then something being spilled—the jar of pens on the receptionist’s desk? the glass bowl of mints?—and heavy sprinting footsteps. Dr. Cunningham pulls his hands away and you snatch your gown shut just as the door bursts open, and Aegon stands there breathing heavily from the exertion, hair in disarray, white Nike Killshots with a red slash of a Swoosh, dark jeans, salmon-colored t-shirt that’s too big for him, tan sport coat jacket yanked off of his shoulders. His attacker, the elderly receptionist, has chased him to the doorway.

“What the hell is wrong with you?!” she’s shrieking. She smacks him with a massive leather purse. “You can’t just go barging in on patients! What are you, some kind of druggie? We don’t keep any opioids in this office!”

Dr. Cunningham yells: “Will you call the police, Barbara?!”

“No wait, I know him,” you say, and both Dr. Cunningham and the receptionist stare hostilely at you. You ignore them and look at Aegon instead, stunned. “Hi.”

He straightens his jacket. His eyes, that dark and turbulent blue, are fixed on your face as you hastily retie your gown so it stays shut. “Hi. What the fuck are you doing?”

“It’s just a consultation.”

“For a surgery you’re not going to have?”

You shake your head in disbelief. “How did you know I was here?”

“I just had this feeling you weren’t going to cancel,” Aegon says. “So I went to your apartment and you weren’t home, but your roommate told me where you were and gave me the address that you wrote on the calendar.”

“Oh.”

“She’s very nice. Your roommate, I mean.”

“Yeah, Baela’s cool.”

“She offered me a piece of Funfetti cake.”

“Did you take it?”

“No. I was in a hurry to get here.”

“Right.” You remain seated on the edge of the exam table with your hands clasped together in your lap. The receptionist and Dr. Cunningham’s bewildered gazes fly between you and the intruder.

Aegon sighs and nods towards the hallway that leads out to the lobby and the front door of the office. “Come on,” he says gently. “Get dressed. Let’s go.”

“I can’t,” you reply.

“Why not?”

You don’t answer; your eyes dart to the print of Venice Beach on the wall and stay there as they begin to water. Aegon crosses the room—the receptionist and Dr. Cunningham shuffle around the cramped space to keep away from him—and stops when he is standing right in front of you, his hands in the pockets of his rumpled tan jacket.

“Why not?” Aegon asks again, very softly now.

You look at him. Your voice is a quivering whisper. “I don’t want to have to give this up.” The city, the potential, the dream.

“Hey,” Aegon murmurs, leaning in close. You can smell the ocean and sunlight and Juicy Fruit gum. Strands of blonde hair, ripped from the sheen of gel, shag over his forehead. “You’re bright as hell just the way you are. You don’t need surgery to be an actress. I wouldn’t lie to you.”

And immediately, you are ready to leave. “Okay.”

“Okay?”

“Yeah.” You wriggle down off of the exam table, check your gown to make sure you’re still covered, and turn to Dr. Cunningham. “I guess I’m not interested anymore.”

“Please never set foot in my office again,” he says.

“No problem,” Aegon snaps. And then to you: “I’ll meet you outside. We’ll get lunch.”

“Sure,” you reply, still a little dazed.

Aegon hurries out of the exam room before the police are summoned. Dr. Cunningham and the receptionist leave too, muttering to each other and casting you appalled glares. When you are alone, you throw off the gown and put on your bra, wedges, and sundress…and as you are smoothing the creases from the soft cotton patterned with palm leaves, you smile to yourself, kind pink heat swirling in your cheeks.

Aegon is in the parking lot and leaning against his white Chrysler Sebring convertible. He has put on his black aviator sunglasses to blot out the intense afternoon sun. Dr. Cunningham’s office is on a busy street in Beverly Hills; you can hear car horns, pedestrians shouting into their cellphones, toy dogs yapping, Shape Of You chiming from a passing Mercedes. Across the street is a series of shops in a row, Starbucks and Neiman Marcus and Gucci. Aegon says, pointing to your 2003 Honda Accord: “I’ll drive you back to get your car later.”

“Okay. Where are we going?”

“Chinatown,” he says, opening the passenger’s door of his Sebring. “And from now on, you listen when I tell you to do something, just like you said you would.”

“I’ll be your best client ever,” you promise, climbing into the car. The top is down, the wind blowing in from the Pacific Ocean to the west.

“I’m here for a reason. It’s not to be ignored. I can be your advocate, but you have to be honest with me.”

“I completely understand. I won’t mislead you again.”

“The Grey’s Anatomy people really liked you, by the way.”

The hope unfurls across your face like dawn over the earth. “Really?”

Aegon gives you a teasing, crooked grin. “Don’t pretend you’re shocked.” He shuts the car door, jogs over to the driver’s side, drives east through thick midday traffic.

At the same restaurant you went to the day you met, seated beside the same large fish tank, you and Aegon place the same orders: moo goo gai pan, boneless spare ribs. The waitress, Lanying, asks Aegon about how his siblings are doing before she speeds off to tend to her other customers.

Aegon watches the malevolent ember-colored oscars for a while, then taps his paper Chinese zodiac calendar, rimmed in red and gold. “Which one are you?”

You laugh, thinking he’s joking. “You already know.”

But Aegon doesn’t smile; he only stares at you blankly. “What?”

“I told you about my zodiac sign. The first time we had lunch here.”

And he looks at you as if his skull is as clear as the transluscent blue-tinged water of the fish tank, all the lights on but nobody home, and for a split second you almost feel as if you don’t recognize him, as if he is a stranger wearing Aegon’s windswept blonde hair and ill-fitting clothes and the crow’s feet around his eyes. Then Aegon repossesses himself and he is flippant, casual. “Oh yeah, right. Totally. I remember now.”

But you have the sense that he doesn’t. You try to hide how much this wounds you. It must not have been memorable. It must not have meant anything to him. “I’m a dragon!” you say brightly, and hold up your hands as if they are claws, opening and closing your hooked fingers.

Now he does smile, a little preoccupied, a little forced. “Of course you are.”

You scan the calendar. “What year was Becca born?”

“Uh…1994, I think.”

“She’s a dog,” you say. You read the description silently to yourself as the tea and wonton soups are brought to the table: Loyal and honest, you work well with others. Generous yet stubborn and often selfish. Look to the horse or tiger. Watch out for dragons.

~~~~~~~~~~

You arrive at Aegon’s office twenty minutes early, mostly because you miss him. It’s Wednesday, June 25th, and you park your Honda on the narrow sloping street and step out into 80-degree sunlight, ambient dog barking, powerlines crossing overhead. A lady walking her chihuahua waves at you and adjusts her sunglasses. Window air conditioning units whir. The trees, ginkgos and pink trumpets and Victorian boxes and palms, are still in the bright breezeless afternoon. The skyline of Downtown is a mirage on the horizon. From the barber shop across the street, you can hear a radio playing Bailamos by Enrique Iglesias.

When you clop into the lobby in your TOMS wedges, you see that Aegon’s door is closed. At his desk, Brandon is on the landline phone and jotting notes down in his planner, his flower pen scribbling rapidly across pink paper. When he spots you, he covers the phone speaker with his hand. “Hey girl!”

“Sorry, I know I’m early. Is he busy with another client?”

“No, go on in!” Brandon reaches down to dig around in the minifridge and sets a Perrier on the ledge of his desk. You take it, thank him, and go to Aegon’s door. You are puzzled to hear people talking on the other side, muffled indistinct voices. You wear an ocean blue sundress and cool metallic shades on your eyelids: Shellshock by Urban Decay, Strike by Natasha Denona. You open the door.

Aegon has his Nike Killshots up on his untidy desk and is playing the Nintendo 64. Mario is running through what appears to be some sort of underground maze, foggy and strewn with gold coins. The greenish haze must be toxic. Mario’s Power Meter is slowly ticking down; each time Mario snags a coin, it is partially restored. Aegon is watching the screen as he talks to a woman whose back is turned to you: tall, willowy, long dark hair. They don’t realize you’re here.

Aegon is saying as he clicks the transluscent orange Nintendo 64 controller: “That’s great, babe.”

“And the charity thing is on July 19th. I got a custom suit from Tom Ford, it’s powder blue, all you have to do is show up to the fitting.”

He sighs euphorically. “You’re the best.”

She giggles. “I know.”

Then Aegon notices you, and for a moment he seems shaken—not in a good way—and for some reason you feel like you’ve made some horrible mistake. The woman spins around to see what he’s looking at. She is stunning and ethereal and wearing a plain sack dress that hangs perfectly on her, a young Cher, and she smiles at you, kind and dazzling.

“Hi!” you say. “I’m so sorry, I didn’t mean to interrupt. I’m a little early, I mixed up my appointment time because I’m an idiot.”

“No, you’re fine,” Aegon replies, but he’s still distracted. Mario suffocates in the maze and drops over dead. Aegon turns off the game. He clears his throat. “Uh, this is Becca.”

You shake her hand when she offers it. Gold bangle bracelets jangle on her wrist. “It’s so nice to meet you, Becca!”

“And you must be the new client!” she says warmly. “The one from…where was it, Michigan?”

“Minnesota,” you reply.

“Oh, brr!” Becca says, pretending to shiver, and you laugh.

“Yeah, I’m really happy to be here. And you’re getting married soon, I hear!”

Becca beams, clapping her hands together. “Yes! I’m so excited but so stressed. The planning is endless.”

“Are you going to do it here in the city somewhere?”

“Aegon didn’t tell you?” Becca is perhaps a tad disappointed. “It’s a destination wedding.”

Aegon says from his desk, somewhat recovered: “Turk…something.”

“Turkey?” you say doubtfully. An interesting choice.

“Turks and Caicos,” Becca clarifies.

“No way! My sister just got engaged there, she said it was gorgeous.”

Aegon asks you from his desk: “Have you ever been?”

“I wish. Not yet, maybe one day.”

“You’ll have to come to the wedding!” Becca says cheerfully.

“Me?!” It’s ridiculous; you’re a nobody, you barely know her, you have a crush on her future husband.

“Yeah, all of Aegon’s clients are invited. Aren’t they, babe?” Becca glances at him, and then her eyes catch there and they stare at each other, Aegon slumped in his chair with his arms crossed over his chest, Becca standing next to you, and there are several slow awkward seconds of silence. Aegon gets a piece of Juicy Fruit gum from a pack on his desk and shoves it into his mouth. Becca looks at you and then back to Aegon, who is pretending to organize the clutter on his desk. You notice for the first time that there is a ceramic bowl of Honeycrisp apples there.

“I thought you didn’t like those,” you say to alleviate the tension that you don’t understand.

“Well, Brando eats them,” Aegon explains.

“That makes sense.”

“And I guess they’re growing on me.”

“They’re really good for you,” you say. “Helps to balance out all the boneless spare ribs.”

Now Becca is studying you, and instead of being warm she is now cold and rigid and perplexed. After a while she asks stiffly: “What are you two up to today?”

“We’re going to the Flower District,” Aegon tells her as he rolls his gum wrapper into a ball between his palms. “I’ll be done in a few hours, I just have to get some current pics of her to send to people. So we’re going to do a quick impromptu photoshoot.”

Becca nods, still scrutinizing you. You open your Perrier and start gulping it so you have an excuse not to talk.

“What’s for dinner tonight?” Aegon asks Becca, and she perks up a bit.

“Beef bourguignon. It’s a new recipe, I’m really excited to try it.”

Aegon pretends to drool. “Amazing. I can’t wait.”

“I’ll talk to you later,” Becca says, and goes to leave.

“It was so nice to meet you!” you call after her.

Becca replies curtly without stopping: “Yup. You too.” You hear the two-inch heels of her gold sandals tapping on the scuffed wood floor and then the rough opening and closing of the front door of the half-duplex.

“What just happened?” you ask Aegon.

“Nothing,” he says, standing from his desk. His shoes match his shirt, a green plaid Ralph Lauren button-up that isn’t tucked into his jeans. His hair is slicked back and shiny with gel.

“I’m sorry, did I…did I do something wrong…?”

He sighs. “No.”

You toy anxiously with your Perrier bottle. You don’t want Aegon to fire you; you don’t want to lose him. He’s the only person who understands. “You should have told me we were going to be taking pictures. I would have done my hair and worn normal eyeshadow.”

He smiles. “I wanted you to look like you.” Then he heads off to his Chrysler Sebring, and you follow him.

The Flower District is on the other side of Chinatown in Downtown Los Angeles. It’s the largest wholesale flower market in the country, six blocks of vendors selling every plant imaginable, from ordinary daisies and tulips to bamboo shoots, ferns, herbs, cactuses, succulents, baby trees, house plants like monstera and ivy. The aroma is overwhelming; when you breathe deeply, you imagine prismatic blossoms bursting up through the alveoli of your lungs, roses and irises and calla lilies and orchids. Aegon weaves through the aisles and frowns at the magnificent flowers, none of them right for some reason. You are endlessly pausing to sniff petals and gingerly graze your fingerprints over leaves. Aegon has to backtrack to find you when you stop to watch a demonstration of a Venus flytrap being fed.

“Here we go!” Aegon announces triumphantly when at last he is satisfied, and he lifts the large bouquet from a plastic bucket for you to see: massive sunflowers, water dripping off the cut stems. “They’re sunny, just like you. You like them?”

“I love them,” you say, taking the bouquet and beaming. Aegon pays in cash.

Outside under the harsh cloudless sunlight, he poses you in front of one of the flower shops, pedestrians walking behind you and a rainbow myriad of blooms out of focus. He uses his phone to take a series of photos, some up-close and some full-body shots, and you had assumed it would be awkward but it’s not, Aegon is making jokes and you are laughing and trying weird angles and spinning around so the skirt of your sundress swishes despite the lack of a breeze.

“Cool, got some good ones,” Aegon says, scanning through his phone. “We’re done.”

“What should I do with these?” you ask about the sunflowers. “Do you want them back?”

“Why would I want them back?”

“I don’t know. You paid for them, it feels weird for me to keep them.”

“They’re yours. Enjoy.”

You inhale the faint floral scent that emanates from the yellow petals. “I’m going to put them in a vase on the kitchen counter and buy them flower food so they live as long as possible. And I’m going to talk to them, because that’s supposed to be good for plants.”

Aegon chuckles. “You are ridiculous.” He slides his phone into the pocket of his jeans and sees an ice cream vendor up the street, then gestures for you to come with him. The ice cream is allegedly homemade and only comes in five flavors. Aegon orders for you both. “Hi, one vanilla and one strawberry.”

The vendor scoops the ice cream into two waffle cones. Again, as he always does, Aegon pays in cash. You locate an available bench and you and Aegon sit together with the sunflower bouquet lying between you, watching the pedestrians stroll by with their friends and partners and children and dogs.

“Tastes better when you make it,” Aegon says, licking melting strawberry ice cream from his waffle cone. “I might have another job for you.”

“Really?! Yay!”

“It’s a little unorthodox, but you said you’d take anything.”

“I definitely will.”

“It’s a music video for Maroon 5,” Aegon cautions. “It’s honestly pretty uninspiring and stupid, but it’s work. It’s another last-minute thing, at first the girlfriend of one of the band dudes was supposed to be in the video but I guess now they’re fighting all the time and the guy doesn’t like the idea of having a permanent reminder of her if they break up, which seems likely.’”

“I want to do it,” you say immediately. “When?”

“They’re planning to film the first week in July at a mansion in Beverly Hills. They already have a male actor cast. And you don’t even have to kiss him or anything, you get to argue with him in the first scene and then the rest of it is mostly you just moping around the mansion in designer outfits. Again, it’s super unoriginal. Boy and girl have a miscommunication and split, boy regrets it afterwards, they both secretly and photogenically yearn for each other. It’s very Edward leaving Bella in New Moon.”

“Sounds fantastic! Do I get to meet Maroon 5?”

Aegon is disappointed. “Are you a fan?”

“Well…not really.” You both laugh. “But I feel like it’s always cool to meet celebrities in real life.”

“Yes, you get to meet them.”

You cheer. “You are the most talented agent ever!” You take a lick of your ice cream; it’s almost gone now. You look over at Aegon, serious now. “You’re the only person who doesn’t think I’m absolutely insane for trying to do this.”

He crunches his waffle cone with his teeth. “Your roommate’s an actress, right? She must get it.”

You shrug. “Baela is confident, and magnetic, and she wants to be famous. She’s very obviously meant to be in this industry, and agents and directors respond to her. But I’m not like that. Most people don’t notice me. And that’s okay, I don’t really want to be famous. I just want to be able to be a working actor and get to stay here. If I’m not making significant progress by the end of the year, I have to choose between going back to Minnesota or being disowned and impoverished.”

Aegon watches you, thoughtful, maybe a little sad. “I like you the way you are, sunshine.”

You smile shyly at him. “Thanks. I like you too.”

“And I don’t want you to change. It’s horrible to watch someone disappear.” He devours the rest of his waffle cone. “You know…I think helping you get to where you’re going, and making sure it’s done the right way…that will be the last good thing I ever do here.”

“You don’t have to retire.”

He shakes his head. “Circumstances change. Priorities change.”

“Do you want kids?” If Becca is in her thirties, perhaps now is the time to start planning for that.

“No,” Aegon says, flinching. “Definitely no kids. You’re anti-horse, I’m anti-kid.”

“Then what’s the rush to leave L.A.?”

“It’s the right time.”

“Not for me.” You grin. “I just got here. You can’t abandon me yet.”

“I’ll make sure you’re taken care of before I go. I’ll get someone I trust to sign you.”

“But I don’t want another agent.”

“The music video director asked to meet you before filming,” Aegon says, deflecting. “It’ll be quick, just ten or fifteen minutes. We’ll swing by his office on the way back to Elysian Park.”

“Okay,” you agree. You take a makeup compact out of your Patricia Nash purse and use the mirror to make sure you don’t have any ice cream on your nose or chin.

“I haven’t worked with him before,” Aegon says. “But I’ve heard very good things and obviously I’ll be there at the shoot.”

You snap your compact shut. “I’m ready. Let’s go.”

In a spacious, glass-walled office in Downtown, the director introduces himself as Dan Sacco. He is tall and broad through the shoulders and extremely welcoming, offering you drinks and snacks and asking about your hometown as Aegon stands in the corner of the room, his hands in his pockets and his eyes watchful. Two jobs in two weeks; Aegon is a miracle worker.

When you get home to your apartment, it’s empty. Baela and Jace must have gone out somewhere for dinner. You put the sunflowers in a vase and then scroll through Instagram. Aegon has posted a new story: a photo of you standing with your bouquet and smiling, not sexy or alluring or arrogant but simply happy, and he must be very knowledgeable about filters because you think you look great.

Future Hollywood Walk of Fame star recipient, Aegon has added as a caption. If you want to book her, you know where to find me. He finished with a sunflower emoji. You press the heart button in the bottom right corner of the screen to like the story. Your own heart is racing now in the best way possible, feverish and loud, intoxicated, needful, seams ready to rupture.

You look up Becca’s Instagram, but her account is private. You send her a follow request. She doesn’t accept it.

~~~~~~~~~~

The night before the shoot, there is a knock at your door. It’s 8:30 p.m., a strange hour, not early enough for Amazon deliveries or a visit from one of Jace’s eccentric PhD program friends, not late enough for a drunk tenant to have mistaken your apartment for their own. When you open the door, you are at first so shocked you can’t place him. Then you remember where you know the hulking man in the tan suit from. It’s Dan, the director of the music video.

“Oh my God, hi!” you welcome him. You have just gotten home from Cold Stone Creamery and are still in your drab grey uniform. You always drive to and from work now, per Aegon’s insistence. You promised you’d listen, and you’re trying your best. Jace is in Baela’s bedroom banging on his Yamaha keyboard. From the velvet orange couch in the living room where she is watching The Vampire Diaries, Baela peeks curiously over at where your visitor fills up the doorway.

Dan seems pleased by your enthusiasm. “Hello again.”

“Can I help you with something? I know the shoot is tomorrow, I’m really excited. I was about to get ready for bed so I can go to sleep early and be well-rested. There’s not a problem with the music video, is there? Please don’t say it’s cancelled or that I’m fired or something.”

Dan chuckles, a deep slow rumble. “No, nothing like that. I just wanted to give you a heads up that we added a scene to the script.” He holds up a thin packet of papers held together by a single staple. “I’m not allowed to leave it in an unsecured location, so I have to take it with me when I go. But I thought you should be aware so you’re prepared when you show up to set.”

“Aw, that’s so thoughtful of you!” You take the packet and flip through it, skimming for an unfamiliar scene. “Did you get my address from Aegon? Or Brandon, his receptionist?”

“It was in your file that they sent over,” Dan says, perhaps a bit guardedly, and before you can ask anything else you stumble upon the scene, and your stomach drops. The actress—me, you think, that’s not some other woman, that’s me—will be lying in a vast empty bathtub, soaked hair, dripping skin, black lingerie, writhing and whimpering as she mourns the loss of her lover.

“Um…the bathtub scene?” you squeak.

“It’s going to be so cinematic,” Dan says, his large hands painting a picture with dramatic gestures. “Sunlight streaming in through a window, your skin glowing, you’ve drained the tub but you’re too heartbroken to get up so you’re just sprawled there, still drenched from the bathwater. Obviously it would make more sense if you were naked, but…we can’t do that in a music video.” He laughs. “But the aesthetic will be divine, like sexy mourning widow. And we’ll get all kinds of shots, you crying, you angry, you pining, you flirting and beckoning the camera closer, and we can get creative, you can just kind of crawl around all over the tub and we’ll see what you come up with.”

You gaze at the script until all the words vanish, imaging a room full of men watching you roll around in underwear, black lace wet and clinging to your skin, no secrets, nowhere to disappear. I can’t do that. But you can’t say no. “Is there going to be a woman on set to…you know, to…like…supervise, or, or something…?”

“You mean an intimacy coordinator?”

“Yes, thank you, that’s the term I was looking for.” Does Aegon know about this? He has to, right?

“Well, it’s not a sex scene,” Dan says rationally. “It’s not even a kissing scene. So we would never pay to have an intimacy coordinator around for this, it’s completely unnecessary.”

“Oh.” I can’t do that. I can’t do that. You feel nauseous; you feel dizzy, like you might stagger if you try to move.

“Look, if you’re uncomfortable, that’s totally cool,” Dan says. “I get it, a job like this isn’t for everyone. I have a list of backups I can call, and I can find somebody else—”

“No!” you cry out, then give the script back to Dan and manage a smile. “No, sorry, I was just a little confused, but I understand now. Thank you for letting me know about the new scene, and I can absolutely handle it.”

“Great.” He grins proudly. “I knew I could count on you. See you tomorrow.”

“See ya.”

Dan lumbers down the hallway, and you close the door when he’s out of sight. Baela asks from the couch: “What do they want you to do?”

You swallow noisily. “Roll around essentially naked in a bathtub.”

Baela nods; she doesn’t seem alarmed. Is this normal? Are you unreasonable? “Bikini?”

“Lingerie.”

“Want to know a trick?” she says. “After you shave, run a Stridex pad over your skin. I have a container of them in the bathroom cabinet, use as many as you want. It’ll burn at first, but it kills any bacteria and prevent razor burn. No bumps or ingrown hairs!”

“Thanks,” you reply weakly.

Baela squints at you. “Are you okay?”

“Yeah.” A lie.

“It’s not that bad,” she says reassuringly. “I know it seems like the end of the world, but once you do a nude scene or a sex scene once, the nerves go away and it’s just another day at work. You’ll get through it. You’ll do an incredible job.”

I don’t want to give up the dream. I don’t want to leave Los Angeles. I don’t want to leave Aegon.

“You’re probably right,” you tell Baela, and you pretend to be fine so she won’t worry, or pity you, or be further convinced that you don’t belong here.

You shower, shave, scrub your skin with stinging Stridex pads, and long after you were supposed to be asleep you’re still staring up at your bedroom ceiling, a deep blue shadowscape with no stars.

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