#and also hates conflict

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[aceadoxography]

fic idea where aaron gets knocked around at a game and gets amnesia. when people are allowed to see him andrew is the first one inside and the nurse is like "oh, this must be the twin brother." and aaron blinks up at andrew and smiles, no resentment or hurt or shame in his eyes, expression open and trusting because he hears 'twin brother' and thinks 'of course we love each other.'

andrew doesn't know what to do with a brother who doesn't hate him.

[chilly-lily]

whoever popularized the “amity wants hunter dead” fanon is literally my worst enemy. like look at this. they’re buddies. imagine being wrong about Everything

and the fact that amity is second to the airship before they realize that hunter wasn’t actually taken.. she does not hate that boy!! they are friends!!!

[utilitycaster]

edit: thanks @wardensantoineandevka for sending me the post I reference below but couldn't find at the time, it's this one and I will also be reblogging it separately because you should all read it.

while I'm thinking about Downfall I really have been thinking extensively about the ongoing discussion of fandoms and particularly centering/prioritizing white queerness and more generally one's own experiences (and I cannot find one of the best posts about it, which is not by me) because, as I've said before, but notably about Circle of Needle and Thread and Downfall, Brennan is somehow known as The Communist DM and also at every opportunity his messages of class-based oppression get pushed aside by fandoms. In D20, the message frequently gets flattened into Capitalism Is The BBEG (to the point that D20 has somewhat depressingly caved to it) but in doing so generally erases the human element - the discussion becomes dominated by the terminally online anticapitalist types who really do want to treat capitalism as the BBEG that, once killed, everything will be fixed, rather than part of a complex system to be dismantled in a manner that preserves the most human lives. In Candela Obscura: Circle of Needle and Thread, Sean's story explicitly about losing everything to the wealthy and powerful was shoved aside by fans cranky that his character wasn't made explicitly queer and in love with Marion. In Downfall, Aeor's exploitation was acknowledged by fans but its imperialism conveniently forgotten in order to focus on those powerful within the system who hated the gods, not the poor of the city nor those on the surface, without protection, being used as nothing more than a source of cheap labor.

And the thing is: I obviously do not think that the world is lacking in empathy nor opportunity for straight cis white men, but the fact that people cannot take Brennan and his experiences as someone of a lower class - the most tame palatable version of that too, as in addition to being a straight cis white man he is educated, a native English speaker, sober, and housed his entire life - without needing to twist it into something closer to their (often middle-class) experiences or existing worldview is depressing and telling, and it has not improved. This was an issue with Campaign 2 (the post I cannot find touched on how Fjord and Veth's stories were cast aside or only engaged with using heavy headcanoning to make them more like the viewer because they were not explicitly textually queer, despite being explicitly racialized and about class) and it's gone metastatic in Campaign 3, and it really needs to stop.

I am hoping, still, that Campaign 3 serves as the endpoint of this sort of selfishness, and its fans will have some sort of realization (or, more likely if less good for the world, will leave this fandom to terrorize another) but I will say if this continues in C4 I will personally be calling it out in the moment - no more vagueing, if you say you're nauseated by someone bringing up their personal experiences with colonialism that happen conflict with your feelings about your blorbos you're getting nailed to the wall by name then and there and what happens to you is your business.

[woman-respecter]

“israel is the reason jewish people are getting hatecrimed” wrong! Two Thousand Years of Antisemitism.

[foursaints]

also i think harry potter is a more interesting character when you allow james to be extremely morally grey. imo this is more reflective of canon: he was a bully. he was blindly privileged. he harassed lily and treated it like a joke. and no matter what, he's still a man who wanted to marry "the brightest witch of her age" and saw absolutely nothing wrong with making her his jobless prospectless pregnant housewife at 19 years old! that's entitlement!

like in doing this, james technically carried on centuries of misogynist conservative pureblood tradition (marrying women off to be teenaged childbrides) without another thought. this is the environment in which he was raised. and he told himself it was ok and progressive because he, like, wasn't racist to her for being muggleborn and genuinely loved her as a person, or whatever. but that's the bare minimum! and it shows that he had no qualms with participating in pureblood culture & tradition when it suited him, because he literally materially did. a better james potter would never have been comfortable with letting her take on that role.

and the series themes are more resonant when harry's parents aren't both just, like, nebulously ontologically good. it's really poignant when harry spends his entire life being taught to idolize a man who was, in actuality, kind of a piece of shit— and grapples with this as he grows up, ultimately choosing to be different. the lesson is that both good (and cruelty) can come from anyone, regardless of birth circumstances or house placement, because goodness is a choice.

[mblue-art]

this man. ..

(inspo) (og meme)

[raspberryjellybrains]

I really enjoy the contrast between the attitude towards killing in PJO and MCGA. Percy doesn't like killing and only does it when he has to, while feeling very tortured that he is quite good at violence despite wanting to avoid it. then Magnus shows up and his first resort is killing and he is so so bad at it. his sword is swinging him for god's sake, this boy is so cringefail at fighting and it is his first instinct, which goes entirely unquestioned. really a beautiful, beautiful contrast.

[dragqueenstarscream]

potential idea for a tfone starop fic bc i haven't seen much of those around:

i love the idea of a post tfone story where optimus and megatron are in a military stalemate, and things are looking ugly. optimus can't reason with megatron, but he also doesn't wanna launch an offensive which could lead to mass casualties, autobot or decepticon. he has no idea where to go from here.

cue a surprise visit from the last person optimus expected. as it turns out, starscream is still pissed that megatron humiliated him in front of the entire high guard, not to mention bearing the brunt of megatron's anger when things go sideways. starscream believes in the strength of one bot over another, and by that logic, there's really only one bot who's strong enough to put megatron in his place. (not to mention, orion forced d16 to spare him during the fight, and he hasn't forgotten that.)

optimus isn't sure what to think, but starscream gives him vital information, info optimus can use to launch a sabotage that could disrupt the decepticons with minimal casualties. optimus goes for it, and to his surprise, it works. starscream wasn't lying after all.

thus begins a slow burn as starscream and optimus continue to have their clandestine meetings, with starscream being optimus' newest double agent, and optimus trying to figure out what starscream's true motive is behind everything. of course, starscream tells optimus that he wants control of the high guard again, but optimus knows that there's another reason behind it. and starscream isn't about to tell him what it is anytime soon.

[mswyrr]

if loving them is wrong i don’t want to be right

if being right means being without them i'd rather live a wrong doing life

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[summerhighlandfalls]

Uzushio Iruka in an AU where the village never fell

[nenoname]

[oaksapling]

Almond

[suntails]

⚔️🐬

[thesupernaturalhouse]

Alright, so. According to some people. Millie can't be upset about a baby because she doesn't want one, nooo she has to be a cheater!

That's fucking ridiculous.

Theres so many reasons for her not to want one. her job for one, the risks of pregnancy, the lack of medical care in hell, her and moxxie not talking about, Her and moxxie not planning for or on it, Money issues which have been mentioned MULTIPLE times btw, blitz spends all the company money on stupid stuff hes NOT a very good boss, Anxiety over raising a kid, fea rof the pain youd experience during birth, not feeling ready for one, maybe she'd rather have one in the future. the women is only 26.

or maybe she doesnt want one at all!! women can just not want to have a kid i mean it is NOT that hard to understand