#and also after hell he has trouble conceptualizing passing time; a lace-trimmed handkerchief is time made palpable

[bookshelfdreams]

Agree with what you said about Charles! Though I would not say he is trying to still be a part of the living world, per se; but he is still mourning the life he never had. It's about his longing to grow up, I think, about how badly he wishes to be an out-of-touch boomer, instead of an eternal teenager. His disguise is actually a little bit older than he would have been, had he lived. He would be 51 in 2024, but the disguise looks more mid-to-late 50s. Which is interesting - he clearly is also extremely worried about turning into his father. I don't think there were a lot of positive adult male role models in his life; if his father is the only image of male adulthood he has, why does he long for it so?

It is about growth, I think. When he thinks about adulthood, what he actually longs for is healing. Growing up would have meant growing out of his horrible childhood, out of his trauma. I can just imagine him longing for the day he would finally be old enough to leave everything behind, how adulthood might have seemed like the promise of rescue. He would, in his mind, just have to make it to his 18th birthday to finally be safe.

Of course that never happened. And Charles never granted himself the opportunity to heal. After all, ghosts are eternally unchanging, forever stuck as echoes of the person they were when they died, and if he starts dredging things up - what would come out? What darkness lies at the bottom of his soul, what made him so wretched his own father couldn't love him? Better to leave all that buried. Better not risk showing the horrible secrets to anyone, certainly not Edwin.

He's stuck, he feels stuck, but how he longs for the life he never had. How he longs to be a man, approaching retirement - and how it is child's play, still. How he cannot imagine himself as an actual adult, all he has the image of adulthood he formed as a child. How he believes himself incapable of healing, so he keeps himself closed off and never allows anyone a glimpse behind the facade he has built.

So I'm watching the show yet again (usually I struggle watching shows, I don't know how I've managed to watch it twice already and still want to watch it a third time), and here are some things that I've noticed in episode 1, after the read more because it got longer than expected.

Charles calls himself the brawn and the protector of the two, but it's Edwin who goes all serious and says "I would not let that happen" when Charles asks what they'd do if Death came for them. I'm sure/concerned that he'd try to fight her if she ever came to take them...

Edwin knits!! When they are wearing their disgusses to get the demon out of Crystal he knitts while Charles reads the newspaper. Granted, you can only see him doing for a short moment, so I don't know if he's doing it properly, but I like to think he is. I have many thoughts about this, but it would take over the whole post. I'm still willing to make a whole post for it if anyone is interested but yeah. Bottom line is, Edwin can knitt!

The tone of voice that Crystal uses when she first wakes up in the Agency and in her walk with Charles is really different to the tone she uses the rest of the season. In hindsight, it's pretty obvious that is her mean girl tone, but still, I just think it's a nice detail.

Edwin takes Crystal's coffee cup when she takes the mail? We've just stablished he's not going to drink it, so is he just being petty? Is he going to throw it away or hide it just to be a nuisance? Is he investigating what she got? This boy, I swear...

I know people have pointed out all the Clue boards in the closet, but there's also a ouija board there? Hilarious. Maybe some ghosts prefer communicating with that instead of speaking? Or Charles got it because he thought it was funny and then never got rid of it?

I like that the thing that convinces Edwin to take the Becky Aspen case is Charles asking if he's going to let a little girl die. But more importantly, the title card right after that says "three flights". I've had this question for a bit, but what do they do during those flights? Do the boys spend those just standing in the hallway next to Crystal's seat? Do they sit in the cockpit? Do they hide in the bathroom until someone comes to use it? Do they hope for empty seats they can use? I don't know, every possible version of their trip is so funny to me. I know ghosts don't get tired like alive people, but the idea of them just standing awkwardly off to the side for more than 10 hours is hilarious.

No big detail here, I just love Crystal's purple coat thing she wears in this episode. Never really noticed that it has like flowers embroidered at the bottom, and the color of the whole thing is so nice.

"Maybe he's our fucking demon now." Crystal I love you, that is one of the funniest lines in the episode. I also really like that she gets to be angry and scared. Even if later Jenny talks her down from the worst it, it's not her anger that she points out, it's the fact that people are just like that and how the boys act is nothing personal. Her anger is not directly attacked (except by Edwin, but that's just him being petty), because she gets to be angry about all that's happening to her.

The flashback to Edwin's life at St. Hilarion's changes the video aspect (is that the proper term for that? It makes the screen square like in older films is what I mean.) Also he card for that flasback specifies "Edwardian England" even while having the date at the bottom. I don't know, it made me chuckle that they felt the need to clarify the era even while having the date there. They don't put "modern day England" for Crystal's flashback.

With the way the cat reacted to the sardine, I'm willing to bet he would have told Edwin everything without the binding spell if Edwin had a few more fish for him.

When they're talking behind the shop and Crystal says she gets angry, Charles looks down and takes a bit to respond. I think this is the first time he relates to her. The first time he can call that pull twards her something more than mere attraction. He has this very vulnerable look when she says it and then immediately shows her his parents and tells her something he's never told anyone before? This boy saw his anger in someone else and thought maybe it's fine for him to be angry too.

Is it a trick of the light in the scene where she meets Niko, or does Crystal have a septum piercing?

"If you're sticking around, you gotta let us in." Charles, I love you, but you are the last person who should be saying this. Specially after that sad look he gets when Crystal says it must be hard not being able to talk or hug his parents. You just agreed to what she said, as if that were the truth of why you check on them, what do you mean "you gotta let us in"? (I do get that they haven't known each other for long so he's not going to open up about all his trauma, but precisely because of that, it's wild for him to expect her to do it.)

I never noticed Charles quickly returning the mirror to normal when Edwin comes. I'd noticed the audio cue for the mirror changing back, but I never noticed Charles moving to do it and he looks so panicked about it.

Considering how Edwin is about touch, the fact that he lets Crystal take his hand when she tells the that the case matters is huge.

Why are they planning down at the shop when they have Crystal's room all to themselves? Besides the ambiance, of course. I think Jenny's reaction is completely justified.

Esther leaves her turntable on when she goes to the post office. Is it for Monty? The atmosphere? Did she just forget?

Not a new discovery, just a reminder of something I really like. There's this very specific editing thing (like the quick cuts between the instruments and then the opened lock, I don't know what to call it) that they do pretty much every time Charles picks a lock / opens a door, and it makes me very happy each time. The sound they use for it is perfection.

Edwin's attention to detail is insane. The fact that he can recall one cupboard is further forward than it was in the plans is really impressive.

Charles sounds so done when he throws the magic backpack. "Put her in the bag-of-tricks backpack." Man, I can hear the eye roll in that sentence. Good to know Edwin isn't the only bitchy one in this relationship.

And that's it for episode 1. I think I might do this for the others as well as I watch them. It was really fun to do, and it forces me to pay attention to the details, so I think it's worthwhile.