#and all those other hbo max shows

[daisydogox]

NETFLIX SHOULD KILL THEMSELVES

i got my twitter suspended for saying this so i figured i’d shoot my shot here

[wakeywakeyjakey]

The Batman characters I always write and view with DID (aka the “DID baddies”) are Batman, Two Face, and Scarecrow—and I LOVE that they each present with such wiiiiildy different interactions with their headmates + experiences within their headspaces.

The way I see it, Bruce and Batman coexist easily. They have the same mission so they work alongside each other and view the other as having an extremely valuable role to play in their life/are aware that they can’t function without each other. What’s cool is that they have completely different approaches to their collective goal, but ultimately they trust the other and both get where they want to be (from a big picture perspective).

Harv and Harvey coexist grudgingly and work against each other in a lot of ways (it’s a WIP) BUT they have a system (haha) for how to navigate daily life so that they both feel equally represented in their decisions. While “trust” might be too strong a word to use, they definitely both see the other as capable of living their collective life even if/when they don’t agree with the other’s decisions—and so they mostly don’t stand in each other’s way.

Jonathan and Scarecrow DO NOT COEXIST! Jonathan views Scarecrow as a liability actively ruining their life and thus works to keep Scarecrow away from the front entirely. Scarecrow views Jonathan as weak and unwilling/unable to do what needs to be done to keep them both alive. The one area of overlap is their research (and criminal endeavors) so it’s the one space they’re willing to coexist, but outside of their heists they’re almost exclusively at each other’s throats and would rather the other not have access to their life/body/decisions.

It adds so many layers to their characters and entirely fleshes out the “personas” when you come at it from the lens of DID as opposed to just viewing it as a costume they take off at the end of the night imo!

[but-thats-its-own-story]

They did it. Somehow they actually did it.

[musical-chick-13]

Okay, no, sorry, I’m still mad about this. “Be critical of the media you consume and examine why you react to it in the way that you do, support marginalized and stigmatized identities.” Yeah, until it’s about mental illness.

A woman (or even man, if he’s deemed over-emotional) makes music about suffering from mental illness and people just go, “What are they complaining about, that’s so immature, hashtag wangst.” (And then, sometimes, inexplicably, if the mentally ill woman gets better and writes happier music, they then talk about how artistically bankrupt she is now and that she should go back to hating herself.) People LOVE cis white pRoBLeMaTiC (straight) fictional men until they are realistically mentally ill, in which case they’re “whiny” and “insufferable” and deserve to die violently, apparently (or, if fandom is merciful, they’re ignored). (And then they celebrate when they DO inevitably get killed off.) “Do your duty and watch [thing I, mc13, personally find insufferable] For The (white) Gays because it has Gays.” Sure, will you watch c4 Pure, the ONLY show specifically about OCD, then? (No, the answer is no, it’s always no.)

I can’t get anyone to watch Doom Patrol. I couldn’t get people (in general-I did convince a few irl friends thank GOD) to watch Crazy Ex-Girlfriend. One of the most popular and acclaimed shows right now has a character with schizophrenia who was turned into the Big Bad Villain for no fucking reason. One of the most commonly-cited examples of Iconic™ queer media involves a mentally ill man being broken over and over and over again before The Ship™ can reasonably happen. DW introduced a major character who was at one point suffering from mental illness in her past, AND THEN ALL MENTION OF THIS WAS COMPLETELY DROPPED IN THE FUTURE, WITH NO BEARING ON ANYTHING TO THE POINT WHERE I FORGOT IT EVEN EXISTED??!?!? R*tched was a thing that existed despite the Sad Sympathetic Backstory treatment being IN DIRECT CONTRADICTION OF WHAT PURPOSE THIS CHARACTER SERVED IN One Flew Over the Cuckoo’s Nest. THEY GAVE. A SAD WOOBIE VILLAIN TREATMENT. TO THE /LITERAL PERSONIFICATION/ OF ABLEISM. THAT IS HER FUNCTION. TO EXIST AS A SYMBOL OF ALL THE WAYS SOCIETY OPPRESSES THE DISABLED AND MENTALLY ILL.

I am!!! Literally!!!!! The only one!!!!!!!!! Complaining about these things!!!!!!!!!!!!!!!! THE ONLY ONE!!!!!!!!!!!!!!!!!!!! No one else has said ANYTHING!!!!!!!!!!!!!!!!!!!!!!!!!!!! No one is talking about it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I’m so tired!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[thenightling]

For those keeping score here are all the TV shows based on the work of Neil Gaiman from the last ten years. Lucifer - Loosely based on the version of Lucifer who quits ruling Hell and opens a piano bar, from The Sandman comics by Neil Gaiman. Originally aired on Fox and then moved to Netflix for seasons 4 through 6. Neil Gaiman also got to play God in a bonus episode for season 3. The full series can be watched on Netflix. And is available on DVD. The plot deals with Lucifer, the ruler of Hell, up and quitting and moving to Earth where he opens a night club called Lux and takes up playing piano. In the TV series he befriends (and eventually falls in love with) a woman homicide detective named Chloe Decker.

_______________________ American Gods - Based on the novel by Neil Gaiman. Aired on Starz. The plot deals with a man called Shadow Moon who gets dragged into the strange world of Old and New Gods vying for power.

________________ Anansi Boys - Originally written by Neil Gaiman as a spin-off of American Gods, the TV series version was filmed for Amazon Prime and is currently in post-production (Not yet released.) The plot deals with the sons of Anansi, the African trickster Spider-God.

__________________ Good Omens - Showrun by Neil Gaiman and based on the novel by Neil Gaiman and Terry Pratchett. Also Neil Gaiman has a small cameo in the first season. Available now on Amazon Prime. Seasons 1 and 2 are complete. Season 3 has not yet started filming and will very likely be the final season. Season 1 is currently available on DVD. The plot deals with two "differently competent" entities, an Angel and a Demon, who have come to love life on Earth and each other. And now must work together to prevent the apocalypse.

______________________________ The Sandman - First episode was co-written by Neil Gaiman, based on the stories and original characters created by Neil Gaiman with a few borrowed DC comics characters. Currently on Netflix. Season 2 is in production now. Neil Gaiman also voiced a ghostly bird in the bonus episode segment Dream of a Thousand Cats. Season 1 will be available on DVD and Blu Ray at the end of this month. The plot deals with Morpheus, the King of Dreams, who accidentally gets summoned and captured by occultists who had been trying to capture The Grim Reaper. After over a hundred and six years in captivity Morpheus finally escapes and has to track down his tools which had been taken from him when he was captured. He also comes to realize he had made many terrible mistakes in the past and struggles to set those wrongs right.

_________________________________________ The Dead Boy Detectives - First official spin-off of The Sandman. The Dead Boy Detectives were originally planned as an HBO Max series (now just Max) but moved to Netflix after the success of the first season of The Sandman. Based on characters who first appeared in Neil Gaiman's The Sandman: Season of Mists, Neil Gaiman is involved in the production. The plot is a pair of ghost teenagers decide to become detectives and are really bad at it. These two characters made a previous appearance in Doom Patrol on Max (Formerly HBO Max) but had been played by different actors.

[gentlebeardsbarngrill]

Samba Baking Class Notes

Okay sorry all, I should have waited to post the full note list but I got excited so yeah, here's everything I was able to note down while trying to make the pie. Please correct me if I'm wrong and you all heard something different! The Main news:

He's not done posting BTS! He's done posting BTS Screencaps (grabs? I was confused by the terminology, basically "scenes")! Apparently it's illegal to post those (and Samba had these on his phone and edited them together) so he'll still post BTS but it wont be stuff taken by his phone. He is worried about being sued by max. We've all offered to crowd fund his legal fees.

BTS Stuff:

Roach was only supposed to be on the show for 6 episodes-- and there was more to the "sewed his own arm up" scene. Apparently Taika liked where he was going with it and told him to go ahead, so Stede asked him. "What happened".

Roach said he was in a huge battle with someone and his brother and him were both there, and his arm got cut off, and there was his brothers arm, that also got cut off, and so he sewed his brothers arm back on to himself

2. There was a scene that wasn't used regarding the money jar -

Stede says lets get the money jar, everyone contributes it:

Oluwande puts down a few coins, Wee John puts something in and says he stole this off a corpse , Roach made money doing tattoos down at the dock, Black pete says "id rather not say how I earned this" Buttons puts down a shell and just says "the sea".

Stede then says:

Now it’s time to visualize our dream ship— Roach Says: Our dream ship has fully stocked kitchen, Wee John Says: He has a room Pete says: Lucius is alive on our dream ship, Everyone goes awwww

Then Samba mentioned why Buttons had to be tied to a rope because he’d just go drown in the sea.

He also said that Buttons: “Is probably out there, a big seagull, just humping the ocean, living his best life"

3. When they were auditioning for the Gentleman Pirate, they also auditioned Paul Bettany!

4. Also -- Calico Jack could have been played by Michael Fassbender! Samba thinks Michael Fassbender would have been horrifying as Calico Jack, we'd be more scared than anything.

"Will Arnett killed it-- he was perfect, he's a douche" (Affectionately)

5. Also: Vico does nothing but Twerk between scenes (mostly with Madeleine).

6: Regarding Tangy/Zangy Scene:

The kids: (Taika's kids were not present for that angle). The kids were supposed to ask: "Are you two boyfriends?" (That's why you hear it briefly in the video because that's the stage person giving them some lines.

His Quotes:

Unprompted: "IS SAMBA AN ASS MAN"

"WHY ARE YOU ASKING STOP IT"

"Sorry, I was distracted thinking of Rhys' calves (Abs?)

"The gentleman pirate I presume" -- he said SO many times

"I heard there was an Aurora Borealis, apparently there were so many OFMD fans it made the sky gay" (I'm paraphrasing)

"Con can only be contacted by (crow?)"

"Don't light your kitchen on fire, I've done that before"

Fan quotes: "#PeachesTonight"

Several fans wore mud masks and showed it to Samba (in honor of him!)

Other thing to note: "Hbo execs said ofmd was too expensive" So that's interesting, I guess that part was true?

[queerly-autistic]

I've seen a lot of OFMD fans pointing at other fan campaigns recently, especially the failed campaign to save Anne with an E, and getting disheartened by what they see, and I think something that's missing in those discussions (particularly after the weirdly negative slant at the end of that Guardian article) is that not all fan campaigns are the same.

The campaigns to save shows that started out on Netflix (Warrior Nun, Sense8, Anne with an E, Shadow and Bone, etc.) are very different to what we are facing with OFMD, because Netflix is much more protective of its IP - and yes, they even hold the IP of shows that they've cancelled tightly to their chests and very rarely let them go. Some have been able to make the jump to different platforms, but not many, and it's actually pretty hard to do so (“For most shows, shopping away from Netflix is reportedly very difficult when Netflix owns the underlying IP”).

Because of this, fans of shows cancelled by Netflix are often campaigning directly for Netflix to reverse that decision, rather than campaigning to get it picked up elsewhere. Warrior Nun (I saw people panicking at the length of effort and the numbers they had to put in before they got their success) and Sense8 were both granted final films by Netflix to wrap up their stories after long-running successful fan campaigns - they were not saved by a different platform, and likely couldn't have been because of Netflix's strict grip on its IP. So comparing ourselves to fan campaigns for shows cancelled by Netflix isn't accurate or fair to us or to those other campaigns.

It's also worth pointing out that Anne with an E was a joint venture between Netflix and CBC, and that relationship appears to have fallen apart, which may have been a factor in its cancellation (see more at this tweet). This is also likely a contributing factor as to why, despite the campaign to save it being huge, it didn't get the reprieve from Netflix that other shows have received. That is baggage that OFMD simply doesn't have.

OFMD is in a very different position to many of the shows that were cancelled by Netflix and then went on to have fan campaigns around them, in that we have confirmation from HBO Max that they are happy for it to be shopped around. HBO Max is not holding a firm grip on the IP the way that Netflix does. We are able to try to find OFMD a new home. And that's a very different sort of campaign and trajectory than trying to convince the platform that cancelled us to reverse/amend their decision (I'd also argue it's slightly easier - nothing is certain, nothing is easy, but I think we have a better chance being allowed to look for someone else to pick us up rather than relying on the company that cancelled us to show us mercy).

Yes, some fan campaigns have had many more petition signatures than us (don't sniff at 80,000 signatures in two weeks, that's huge and fast), but that is only one part of the story. Petition signatures alone won't be the thing that clinches it. There are fan campaigns with hundreds of thousands of signatures that have failed, but there are also fan campaigns with way less signatures than us that have seen their show saved. There's so many elements at play, and every single one is unique. It's very tempting to play 'like for like' with these sorts of campaigns, but it's simply not a truthful reflection of the situation.

Every show is different. Every fan campaign is different.

We have every reason to be hopeful, and every reason to keep fighting. OFMD's numbers are good, it's already incredibly marketable to other streamers, and then ON TOP of that the fan reaction has been loud enough for a lot of people to take notice.

Yes, we're in a dip right now because that's what happens - every campaign has peaks and troughs because nothing sustains at the same level forever, and, again, it's only been just over two weeks and look at what we've done - but the impact we had, and the noise we made, happened at exactly the right time and kept happening for long enough to make an impression. A lot of things will be happening behind the scenes right now that we don't know about, and there's so many factors at play that we have no control over. It's a long game.

So don't look at other fan campaigns and be disheartened by what you see. Because what you see on the surface is nowhere near close to the full picture.

Even if we don't get our S3, lets celebrate the fact that we have made a huge impression, kicked up a huge stink, and been the thorn in the side of some people who absolutely fucking needed a couple of thorns in their side. And I think that's the best legacy that our rebellious little gay pirate show could possibly have.

[the-frosty-mac]

In case any of my non-Doctor Who friends on here ever want to watch it (please please please) here is my Google Doc containing a watchlist of Doctor Who from the 2005 revival onwards, including all three televised spinoffs so far (all optional, but I would recommend at least watching Torchwood if you’re cool with adult content, and Sarah Jane Adventures if you’re fine with a kids show) in a decent order to understand the wider Whoniverse story.

In the United States, everything from 2005-2022 can currently be found on HBO Max (I refuse to use the new name) and everything from then on is on Disney+. Obviously, there are other legally dubious means of watching if you don’t want to support either corporation (cough cough) but for legal reasons, those are the official ways to watch the shows

[perseidlion]

This is why streaming is dying.

I'm Canadian, and I used to watch Star Trek on Crave. Crave saved us for awhile from the fracturing of the streaming landscape because it stayed as an umbrella service for quite some time. I used to get Star Trek, HBO, WB shows, Starz, Sony stuff...basically Hulu + HBO + Paramount. That was actually worth it because for the same monthy fee I could get House of the Dragon, Star Trek and more.

But that wasn't going to last forever. When Paramount+ launched in Canada, Star Trek got taken off Crave. I'm a huge Star Trek fan but even I couldn't justify a FIFTH streaming service just for Trek.

So I waited until Discovery was finished. And then I binged it and season 4 of Lower Decks. And then I cancelled. I won't get it again until S3 of Strange New Worlds and Season 4 of Lower Decks are finished, then I'll binge and cancel again.

There is literally nothing else on P+ I want to watch. I looked, because if there was something I'd cancel Netflix for a bit. But it's all movies I've seen and don't want to rewatch, shows I already have access to on other streamers, or things I have no interest in.

When the networks were working together to put lots of tasty treats under one streamer, it was absolutely worth it. I'd pay $20 a month for Crave if HBO kept making good shows (instead of cancelling them, RIP Our Flag Means Death) and if P+ had lots of Trek (and...didn't keep cancelling those shows like they did Lower Decks and Discovery.) Between that and Trek that would mean I always had a show releasing on the platform that I wanted to watch.

As long as there isn't a steady diet of things that appeal to me, I WILL keep subscribing, binging, and cancelling. Churn is the reason these networks aren't profitable. But there is literally no incentive for me to NOT do that when the things I want to watch are scattered across 5-6 different streamers, each charging $15+ a month.

In trying to get their slice of the pie, the networks have guaranteed there isn't enough food on their buffet to keep people coming back for more.

It creates a vicious cycle. This fracturing means there's not enough budget to support the flagship shows/franchises. Then, they get cancelled and/or budget reduced. So they take away or vastly reduce the thing I want to watch the most.

PLUS none of the networks are nurturing the cult hits/franchises of the future. Shows that have the potential to be the reason I subscribe are being cut off at the knees after virtually no promotion.

I watch every new show like Dead Boy Detectives knowing there is a very high likelihood that this will be the only season I'll get to watch. So much potential is left on the table. If there were four or more shows like Dead Boy Detectives and Kaos getting ongoing commitments from Netflix I wouldn't even consider cancelling my subscription. Instead, I know that any show that isn't an immediate cultural moment is probably getting the axe, or getting two seasons, max. Especially if it's SF&F. Especially if it's queer.

We live in the world where even the critically-acclaimed and franchise-based House of the Dragon is getting truncated episode runs and reduced support.

Regardless of how you feel about how Game of Thrones ended, that franchise is a cultural juggernaut. House of the Dragon is legitimately good and packed with talent. The rough patches of Season 2 can be easily traced back to reduced budgets/cut episode run at the last minute that forced the production team to scramble and adapt.

Honestly. Is there anyone actually committing to their series other than FX, AMC, and Amazon with Rings of Power? Although RoP can also be considered a sunk cost fallacy since Amazon invested a SHIT TON into the IP and the series, so they need it to work. They also have a wobbly track record supporting other shows. (I will never forgive them for cancelling A Leage of Their Own.)

FX and AMC are the only networks that feel like they're actually supporting their content. And what do you get for that? Shogun, one of the best shows in recent memory. The show absolutely swept awards season (and rightfully so) and is now setting itself up to be a tentpole show in the mold of such classics of the historical fiction genre like Deadwood, The Tudors, and Rome.

Interview With the Vampire, is an AMC show which has a very active and passionate fandom eager for more of it and Anne Rice's Immortal Universe. This is a rare example of a new franchise (albeit based on an existing, well-know IP) is really finding its feet and its audience. The audience for it is not of the size of something like House of the Dragon, but AMC is feeding the audience it does have unapologetically, with queer camp horror full of messy, toxic relationships.

Then there's What We Do in the Shadows, which seems to be ending on its own terms this year. FX is a Disney subsidary which somehow manages to commit to the series it creates, which proves it can still be done.

I do hope that FX and AMC continues to support their weird and wonderful shows, and I hope they keep getting rewarded for it with high ratings and awards so that the rest of the networks will smarten up.

If we hadn't just come out of a golden age of streaming where every network was producing excellent TV, all of this heavy cancellation and fragmentation wouldn't be quite so devastating.

Entertainment seems like it's constantly in a feast or famine churn. Right now, we're careening toward famine, which is full of one-season shows, overextended franchises, flagship shows being cut/restrained and a whole lot of cheap dreck.

It's the reality TV heyday all over again and I hate it.

[batsarebetterthanpeople]

I saw some people talking shit about the interview with the writer where they said the whole crew was a polycule on the basis that they did not confirm a polycule beyond a reasonable doubt. When you say shit like that I want to remind you that Jes Tom is in the writers room, and not in filming or editing. They might not get the memo on changes made later in the process and they are involved in pitching and executing ideas, they know what the characters would do better than anyone except maybe David Jenkins because they decide what the characters do.

So if a writer is saying "we want there to be an all encompassing polycule" and an actor (Vico Ortiz) is saying "we filmed a scene where three characters implied to be in a relationship were quickly putting on their clothes after having sex" but we the audience didn't get to see either of those things than maybe it's not the fault of the writer's room that we didnt get it but some other force

Like... Perhaps... The studio not wanting to show it on their network and telling the editors to take that shit out.

Basically, the point: it gets rather annoying when people knit picking looking for a reason to be a hater after Izzys death call the lack of explicit polyamory a betrayal or worse yet say that the writer is on something and dragging us along when the writer in question is literally one of us (nonbinary) and we're so clearly on the same side. The writers like us and they like the show and they want to give us the polycule and, as with most shows, it's the capitalist's fault we didn't get that. Please direct your rage in the appropriate direction. I will be treating Jim/Olu/Archie/Zheng as well as Fang/Lucius/Pete like it's canon and I will be tweeting the foursome art at the nearest HBO max exec so they get the picture. I encourage everyone to do the same.

[jaskierx]

look, i've been an ardent defender of taika in the past, but i really do feel like he might've just decided to be done with the show, and that's why it was canceled. he's shown a complete lack of enthusiasm about it since s2 aired, and honestly he strikes me as someone who gets bored with projects very easily. there was way too much support from hbo max (merch, ad campaigns, those fucking profile icons) to make me believe otherwise. and from david's post, it doesn't sound like he'll be shopping around the show to other streamers, which is only further evidence that it was an internal decision rather than a network one.

anon i mean this with the utmost sincerity - back the fuck off

you don't know him. you don't know him from adam. you can't tell anything at all about a famous person from how they act in bts content or on social media. how do you know he gets bored with projects very easily? he works on loads of stuff, do you really think he bails the first time anything gets boring? do you think he'd have been successful in the industry if that was true?

he literally got ed's tattoos. he wears kraken jewellery. he said the role made him fall in love with acting again. he was working with his friends. s2 was filmed in his home country.

david jenkins has confirmed that taika was on board for s3.

maybe the 'complete lack of enthusiasm' was because he gets criticised for every fucking thing he says so he decided not to bother

[buffyfan145]

Don't know how I didn't know this till today but A24 and "The Iron Claw" director Sean Durkin made a Zine that features so much about the real family and how they made the movie but also they have posters in each one of Zac, Harris, and Jeremy done in the style of posters that Kevin, David, and Kerry actually did for WCCW!!! 😀 They look so cool and similar to the ones my Dad saved as he's got a whole bunch of those old wrestling magazines he saved from back then. Sharing a few Tweets of the posters.

Also wanted to let those who watched the movie there's also an episode of "Dark Side of the Ring" that was all about the Von Erich's and it was first time Kevin opened up about it. I finally was able to watch and it went into so much detail and things that were left out or slightly changed in the movie. Also I've seen Kevin's sons Marshall and Ross wrestling lately on AEW/ROH but in this doc they were getting their start and realized how much his sons resemble his brothers, especially Marshall with David and Ross with Kerry (more so Ross clean shaven as he's got a beard lately). Which again I'm hoping AEW signs them soon and since they'll be back in Texas next month.

Also curious if Zac, Harris, Jeremy, and Stanley are going to show up on AEW too instead of WWE as I saw A24 signed a new deal with WBD so their movies will go to Max/HBO for streaming/TV and they own the networks AEW airs on and MJF played Lance (as did a few other AEW wrestlers as others in a few scenes too). So if they show up on a wrestling show it'd be there especially if they sign Marshall and Ross. 😏

[overqchiever]

for those of you who say izzy's redemption arc came out of nowhere, maybe you just weren't paying enough attention this past year to realize that it was always going to happen. if you look past your bias, you will notice david jenkins has always been pretty open about loving izzy's character, to the point he has told us to rewatch season 1 solely to pay more attention to izzy and his motives.

if you need to claim that the writers are catering to izzy fans' wishes, when most of the fandom hated him after season 1 to the point of calling his fans abuse apologists (among other things) and sending them death threats, maybe you need to sit with yourself and realize you just don't like this show and the message it tries to get across. it's a show that points out how everyone is worthy of love and acceptance, even when they've done awful things in the past (sound familiar?). what matters is the growth that comes afterwards.

one point i agree with is that izzy's character arc is rushed, but for different reasons. we all know that hbo max cut down on the show's budget and doesn't pay their writers properly, which is the whole reason why they reduced the cast and the episodes to 8 instead of 10. this season has been affected in more ways than one, it's not just izzy's arc. episode 7 is proof of that.

you don't have to like izzy, but it's stupid to claim he's irredeemable when every single character is a pirate and they've done terrible things to get to where they are. you don't need to keep on being stuck on episode 10 of season 1 and ignore everything that's happened since.

i guess what i'm trying to say is that all we ask is that you are minimally respectful to us, fans, and especially to the cast and writers, because without them ofmd wouldn't exist.

[vireserein]

HEY, YOU!

🦖 HOLY COW LOOK AN AWESOME DINOSAUR?

No??

AAAAHHHH 📢📢📢

Okay, that looks like it hooked you.

You're cool. You probably really like fantastic writing, unique artstyle, fantasy biology, characters with depth, and creative concepts that make you scream and shout. Maybe you like Pikmin, Subnautica, Hitchhiker's Guide to the Galaxy, Renfield, Hannibal, hell even Lethal Company (if you're like me). Maybe you like Star Trek or other SciFi shows (if you're somebody I want to try being one day, except I lack the time and dedication). I can't spoil anything, but if that kind of design or writing appeals to you,

YOU NEED TO WATCH SCAVENGERS REIGN.

I am the girl who can't get into many things. I am the girl who falls out of many more, as soon as they stop gripping at my attention. This show has me on the edge of my seat, screaming and crying and furiously typing and deleting drafts of unaddressed e-mails begging for MORE.

• Art Style & Animation: 10/10, focusing on all of the little gesticulative details that make these characters and creatures feel real.

• Voice Acting: 11/10! Need I say more? Whoever wrote these scripts did AMAZINGLY, and those who voiced them did even better.

• Creature Design: 10/10. All of them are unique and bizarre, with just enough hinting towards evolutionary cohesion to make me want a biological encyclopedia, and maybe three more.

• Sound Design: 10/10. This is your Subnautica. This is your Zelda. This is your Completely Unique From The Aforementioned While Still Making Me Want To Chew Through A Giant Sequoia With Excitement. Also, the sheer amount of detail is riveting.

• Character Writing: 10/10. I am gripped by every single one and I want 80,000 fanfics and I bet my only hand that half of them are going to be you guys simping for Kamen or Sam or literally everyone else oh my gosh. Brilliant representation of an ASD-coded character (and some narcissists with depth!) as well as very intriguing LGBT and heterosexual relationships (romantic and platonic! When was the last time we saw a girl and a guy act normal around each other?) with heartgripping writing and artistic cinematography.

• Literally everything else: 10/10

Streaming on HBO Max (or do they just call it Max now???)

Pleaaaase please please reblog this if you know someone who will like it! Please reblog this if you like it! Please let the world know about this masterpiece.

[featherlesswings]

Just to let y’all know, HBO/MAX is participating in a marketing tactic that Netflix, Prime Video, and other streaming platforms have been using lately to get attention and subscribers before intentionally dropping queer shows. I can’t find the video I watched about it on YouTube, but it’s the same thing Fox, WB (now CW,) and UPN did in the ‘90s. At the time, the way to get decent ratings for fledgling networks was to make lots of content geared towards the Black community. Then when they had high enough ratings, phase those out and make shows geared towards the audience they really wanted, which was white people. So the new version of that is to put LGBTQ+ shows on streaming services, which generates free advertisement by people talking about it on the internet, whether favorably or negatively, then dropping them due to “unfortunate circumstances” and making stuff for cis het viewers instead. It’s all marketing, none of it is personal, or for love of the art, or anything. It’s such disgusting bullshit and I hate it here.

[gentlebeardsbarngrill]

Daily OFMD Renewal Tasks - Updated 01/31/2024

Hey all! These were starting to get a bit big for the Recap, so I'll link here instead. I'll keep this updated every day so feel free to reference back here and I'll link to this inside the Recaps.

==Things to remember==

Keep it positive! We are wooing them!

Only address one platform at a time!

Make it personal! Tell them why you want to be on that platform (inclusivity, diversity, other shows that are similar, etc)

“It’s okay to reuse some content with new tags but try to space the posts out a couple hours so they dont stack up on top of each other in hashtag very obviously.” -Jac

==Today's Hashtags==

#AdoptOurCrew

#SaveOFMD

#FinishOurStories

==Platforms to Reach Out to==

Netflix

AmazonPrime

AppleTV

If you reach out on the social medias, you can cater to individual mission statements per platform.

Cheat Sheet Below provided by @aproperpirate on Twitter

If you wanna talk about the shows creativity, feel free to reference Ra Vincent's site, he was the Production Designer for OFMD. Great inspiration and pictures to use to show off to the networks.

It's also helpful for Amazon to show them the international reach

== Vote on the Queerties! ==

You can vote once a day!

Best TV Comedy

Best TV Performance

== US Social Media For Each Platform ==

Instagram:

Netflix @netflix

PrimeVideo @primevideo

Apple TV @appletv

Threads:

Netflix @netflix

PrimeVideo @primevideo

Twitter:

Netflix @netflix

PrimeVideo @PrimeVideo

Apple TV @AppleTV

Facebook:

Netflix @netflix

PrimeVideo @PrimeVideo

Apple TV @AppleTV

==Daily Helpful Tasks:==

1. Push That Petition

2. Fill out Feedback forms:

Make sure to request Our Flag Means Death on all the platforms, and indicate why you like the show (if that's an option) and keep it positive. Source: @Lcmwriter100 on Twitter

Netflix

AppleTV - looking for an example letter? Check out @saltpepperbeard’s post

AmazonPrime

For Amazon Prime - Courtesy of @yougotofast over on twitter.

Existing Prime subscribers, you can access a Suggestions/Feedback form on the Prime Video app in the Settings > Help & Feedback section. The form is automatically tied to your Prime account, not sure if that makes any difference compared to anonymous feedback.

3. Platform/Article Engagement

HBOMax

If you still have HBO Max, please still go ahead and stream Our Flag Means Death, it keeps up engagement and numbers.

Search Our Flag Means Death on Netflix

If you have Netflix, after your search, stream the first title that comes up for a few minutes.

Article Engagement - Source: @candiedsilkmoth on twitter

@itsmfgames Has been kind enough to be keeping up a running list of Articles about the campaigns -- so if you have the time and want to go catch up on some articles, please checkout the guide below and visit this google doc for the list!

4. Make Calls

Contact Netflix and say why you love OFMD

You can call them at (844) 505-2993 as well and let them know about a hoard of pirates looking for a new home. You're welcome to try their toll free number as well (888) 638-3549

5. Daily Link Clicks to keep up engagement

Our Flag Means Death Wikipedia Page

Google Search for Our Flag Means Death

Google UK Search for Our Flag Means Death

Our Flag Means Death IMDB

Current @renewasacrew Daily Links:

Tumblr

Twitter

Instagram

For Industry specific help see @TheCozyPirate on Twitter as well. I will try to include any pertinent information in the Daily Recap or here, but if you have twitter they're a great resource

== RADIO! ==

Some awesome new suggestions from @AdoptACrew Check out the thread here. Link to the NPR suggestion site: Here

=== Staying a Polite Menace to Max ===

For those of you who are still up for it-- We are still contacting Max and Commenting on their posts. Thank you @asgardian--angels for the reminder! I'll update this section with more details tomorrow once we have some more.

Current focus with Max is less requesting Renewal and more to Expressing Disappointment about them cancelling marginalised Stories (OFMD, Rap Sh!t, etc), specifically to give them bad PR.

We're still letting Casey Bloys and David Zaslav know no peace.

As usual please be polite, we're not letting max off the hook, but Monday there will be a news article coming out regarding this (Source: Jac (@TheCozyPirate) on Twitter))

==Media Resources (Pics, Gifs, Vids)==

Gifs, Pics, and Videos to use: show clips to use Src: @havethisonelife

Our lovely @kiwistede made some great custom gifs you can use to tweet and message the platforms with. Check out their tumblr here

== Stats ==

Some Cool Stats you can use:

==Infographics==

Some folks like infographics instead of text so here's some stuff for you! Courtesy of @edandstede on Twitter

I have a limited amount of pictures I can put on one post so here is a google drive with more: Google Drive

==Other ideas for engagement:==

Courtesy of @sandwrite2 on Twitter