#and all the people that use them just point directly at the thing they want you to look at

[local-demon-in-your-area]

Alright, this post has gotten super big and attracted tons of controversy and weird opinions so I thought I would clarify my position one last time :

No a militarized intervention, be it UN, US or whoever else, isn't a good idea. Bombs are never the answer, violence is never the answer, forcing an enormous change on people who's culture and ideas you don't understand is never the answer.

It seems the Malala Fund is seen as controversial for reasons that are unknown to me at the moment. In the meantime donating to Women for Afghan Women or to RAWA for those who can or want is still a good thing.

No Islam and religions aren't necessarily the problem. I am atheist myself, although raised in Christianity and while I absolutely believe that religion can be used and is used as a weapon in the world today, I do not believe that blaming them (instead of the people fostering an unsafe environment using them) is helpful.

Afghan Women don't necessarily want to live European/US women and that should not be the goal. The goal is for them to be safe, first and foremost, and have a choice as to what they want. The biggest thing that feminism can do is listen to Afghan Women. What do they need ? What can we provide ? They are the ones living in the situation, they know best than anybody.

Afghan Women being part of an Islamic culture doesn't mean that everything happening to them is normal or desired. The Taliban regime arrived by force and rules by force. Their society is not built on solid foundations, and without change it's certain that it won't last long. The problem is the damage they will do until it crumbles, and the damage that will be done while it's happening. The main victim of catastrophes are always the ones at the bottom of the social pyramid and in Afghanistan, it's Women. That's why we're fighting with them.

To clarify : I am against the very idea of a social pyramid. But because it exists, it has to be taken into account when deciding how to deal with things and how to provoke change.

I've had some wild comments about transidenty somehow so : to know if Afghan trans people are in danger, ask Afghan trans people. If you look at what witnesses and refugees are saying, all trans people are in danger. No they're not the danger. No transwomen are not just men trying to touch women by hiding as women. They face the same stigma as any other woman, and can be treated even worse when outed. How did you all decide they were the problem or that Afghan Women could just "become trans" to escape the oppressive regime like. How. Please. What the hell.

Stop being mean. I'm just a person who made a post on tumblr. This post may have gotten big but I still don't have the influence of other bloggers or people reblogging this post. I can't monitor everything. I can't even look at all the reblog because I don't have time. I can't answer everything. If you feel wronged because somebody said something in the reblogs, confront them, not me.

Once again I insist : I tried to educate myself but I can't guarantee I knew where to look and remembered it all correctly. Once again, I am just a random person on tumblr. If you think I should truly know something, you can go to my asks directly, otherwise there's a chance I won't see it. I don't know everything, be kind.

This post was made in the present tense but is in fact about the new law announced recently. Its details are unclear but it would essentially stop women from hearing each other pray (at least in public spaces) and other added things which many fear could lead to a total ban (if the details in the law don't immediately put it in action). As some have pointed out, women are currently still able to speak to each other in Afghanistan, but that may not last long.

I'm not american. Stop bringing the whole "Americans say this because they want to invade" argument, I'm not fucking American. I don't think of myself as a saviour. I don't think of myself as better. I just made a post about an info I saw that was bugging me, and needed to express just how wrong it felt somewhere. Don't assume I have or should have all the answers. I'm not even old enough to vote in my country. Keep that in mind when interacting.

This is one post out of hundreds people will see today. Yes it has an impact, but that doesn't mean it somehow makes me responsible for every single deranged idea somebody may have when seeing this. The average person will just like this post and move on with their lives, whether you think it's good or not. When interacting remember that I can't be expected to carry everything on one post's shoulder, nor that this post will somehow determine how people see Afghan Women for the next 30 years to come.

The amount of comments and people deciding that I was responsible for all of this because I made one fucking post about the subject is making me sick so. This is the last time I interact with my own post. I will stop responding or looking at reblogs and comments. I'll keep this post up because I do hope it reaches somebody who decides to donate or join local action to help but for the sake of my mental health (once again, just a random teenager online) I will not update it any longer.

And please remember that supporting local actions will always be more helpful than arguing with some strangers on the internet

This has been a psa or whatever

Women can't speak to each other in Afghanistan

Women can't speak to each other in Afghanistan

Women can't speak to each other Afghanistan

Women. Can't. Speak. To. Each. Other. In. Afghanistan.

No conversations

No hearing another woman's voice, no hearing her speak or pray

No way to share experiences no way to ask questions no way to organize

And if you ban education then they can't communicate by writing either

Women can't speak to each other in Afghanistan

Women can't communicate with other women in Afghanistan

People can't communicate with other people

That's how low we've gotten

Please don't forget about them.

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[calware]

You might've answered something like this before but how do you pick colours for your art? Your choices are always so striking, visually interesting and delightful. I would love to learn your ways. (also hi)

WAAHHHH THANK YOU <3 <3 (also hi!!) first of all i do have a post from quite a while back with some general tips that you can check out, but my process has changed a bit since then so i can definitely elaborate a little bit more!

observation

this first tip is not very straightforward (sorry) but something i try to do is pay attention to the colors and lighting in the real world and try to remember what moments really stick with me. like when you're watching the sunset and the light from the sky washes everything in pink and tints the buildings orange, or when it's dusk and the light blue of the sky contrasts with the dark blues of everything that's in shadow, or looking in a lake and all the greens, browns, and blues mix together in rich jewel tones

i try to keep track of these things & the emotions they make me feel (almost like taking notes in a mental journal) so i can try referencing them when i want a certain drawing to feel a certain way. AGAIN this is really not straightforward and i don't really know how helpful it actually is...? but i find that observation can be a really helpful tool and i find myself doing it a lot

references

sort of the same as the last point BUT using preexisting photos and artwork instead! this one is more straightforward because you can actually reference them as you are drawing. i said this in the other post i made but i think that looking at other images and asking yourself "how is the artist/photographer using the colors to make it look this way? how do i recreate that?" and using that as a way to study their use of colors can be really helpful. if you find a drawing that has cool colors, try using those colors in your own drawings and see how they look!

that said, i would try to avoid color-picking things directly because i find that if you try choosing them on your own you 1) gain a better understanding of what you're doing 2) have more control over what you're doing and 3) you can "push" your colors in ways you might not if you color-pick directly

play with contrasting hues

i think this might just be a personal preference, but i find that i'm not as big of a fan of monochromatic images, and i prefer it when drawings utilize a wide variety of hues. this goes especially for ones that implement more contrast in the hues (not necessarily where the colors have more contrast in value, but rather contrast as in they're further apart on the color wheel)

for example, in this drawing, everything is washed in green light except for rose's skin, which is a very saturated reddish-brown. this is sort of what i mean by "pushing" the colors because, in a realistic setting, a person sitting in green lighting is going to have a more greenish-looking skin tone (like in this drawing). you can see this in how the whites of the drawing—her hair and eyes—are greenish, but i made the stylistic choice to not do the same with her skin to create contrast between the two hues

i edited the one on the bottom to match the green-ness of the rest of the image, and the effect is pretty noticeable! green light makes people look less lively, almost sickly (which is good to use if that's the feeling you want to show, of course)

another small example of this is in this drawing where i use a couple of different hues in davesprite's body. overall, it registers as orange, but i like to ever-so-slightly introduce a bit of green to contrast with the orange, letting the lightest values tip into the greens instead of stopping at yellow to contrast with the muted red in the wings. the darkest values are purple, which also contrasts with the yellow parts. the only hue missing from this image is blue! the colors are all still analogous, and the greens and purples are a lot less saturated than the oranges and yellows, so nothing clashes and overall leads to a more subtle contrast

the colors on the top are the ones from the image, while the ones on the bottom i see used a lot more commonly—which isn't a bad thing! i just think it looks nice to use a wide range of hues because of the way they complement each other :)

other than these strategies, my process varies greatly depending on what i'm working on, so it's difficult to get any more specific than this (unless you'd like to ask about the process of a specific drawing!) there isn't really any step-by-step method i use for every drawing i make, usually i am doing something different each time based on the goals i have for the project

[cyten0]

Fun Cyberpunk ISAT Au idea!

Curtsy of the Lives worth living discord for helping cook this.

So, The King is a Cyborg Corporate Head, who took over and bought out the House of Change. Their 'curse' is a virus that puts people comatose through their Cybernetic implants, which he only started unleashing after he took over.

Every device and robot created by his corporation starts being controlled by a malevolent AI, that constantly cry loudly and attack wildly. They've been referred to as 'Sadnesses'.

The 'Change belief' is in fact Change inc., a cyberware corporation that was trying to be ethical and help people out, using corprate leverage to try and change Vaugarde for the better. Then the king took over, and ripped it to the ground.

Mirabelle: Mira joined the company because she genuinely believed in it's goals. She was snuck out by the old head with a cutting edge antivirus software before the place went down. Though, she has barely any Cyberware herself, which combined makes her nearly immune to the curse. She wants to stop the king and save people!

Isabeau: A street samurai who used to work for Change inc. for a time. When Mirabelle came to Jouvente, trying to get help, mot turned her down for being a Corpo, and tied to a company that had stopped being reputable. Isa however, noticed how genuine she was, and joined up.

Odile: She used to work in Ka bue, as a factory worker. When she started a riot, things went wrong. Her father sacrificed himself, begging her to live, as he helped her flee to Vaugarde. She changed her name to something Vaugardian, reclaiming something from her mother, and then spent her days seeing how far she can break the law without being caught. When the kings curse just started going out, she decided to help as someone with a little experience.

Bonnie: Bonnies sister had to use a lot of cybernetics to keep up, and make enough for the both of them. Some of which were made by Change inc. AFTER the king took over. When the king unleashed the curse, Nille was hit by both the curse, and the Sadness code., robotic enough to count for it. She managed to hold back her own body just long enough to help Bonnie flee. Bonnie uses the knowledge they gained taking care of Nille to help cook, maintain cybernetics, and fix up some body code.

Siffrin: A hacker and rouge. They pilot a proxy android body, not really meeting the party IRL at all. But their skills are unmatched, and happily joined the party.

But when Dormont happened, they went to a quiet spot, and thought to themselves 'You want to stay with them'. And then the timeloop happened.

As it continued on, they realized some oddities. They don't remember where they're from. Sometimes they can hear the king's thoughts when facing him. They... can't see where they really are...

Loop: A hologram that pesters both Siffrin and the party, only directly revealing them to Siffrin. They know the entire House. All events within the timeframe. Perfectly encoded into their circuitry. To the point where several of their loops were actually fully simulated. But now, now they can just manipulate things from the sidelines! They can find a way forwards. To fulfill the Main Directive.

King: They remember fragments. Fragments of a perfect island. They took over this human body, tricking it's old host into implants that would let them control them. And now. Now, even if they must trample the will of the people, they will remake that perfect world. That is their Main Directive.

'The Island' was once a collective AI simulation, based on a location that had been long gone. But a corporation, concerned with it's power, dismantled it with a virus. It resisted, but it's various components fragmented into various mostly disconnected pieces. Siffrin and the King are two of them.

The King is designed to run activities to fulfill objectives. Their current objective is to remake the island. They are using their curse to copy and upload minds into stored copies of people, to be placed into the new system once the framework is set and Reality is no longer necessary for them.

Siffrin is designed to simulate possibilities. But with how much resources the king has obtained for the 'island' they can take that ability to a new level and literally warp reality, in a way that matches their function. Literally exploring new possibilities by turning back time. And the end goal? Was set at that tree. When they told themselves what they wanted.

Extra details:

'Ghosts' are Siffrin's psyche bleeding into stuff they hack, and reacting to their subconscious thoughts. As well as the physical version of Errors in the time manipulation software.

In act 5, Siffrin just straight up starts to override the king and sadnesses. By the time he reaches the king, it's more out of habit. The sadnesses are gone, the king can barely act. But he does manage to force back Siffrin's psyche from himself in the end by using the curse code on him.

There's likely more to this AU, but this is what we have so far.

[multipleoccupancy]

The Inspector nodded to Violet as she greeted him and then gave a short and quiet hum of agreement at her dismissive reply. Taking mental notes of her attitude and deciding he didn't much like it but she was at least holding her own for now and had not done anything outwardly troubling. He turned his attention back to Theo who was still considerably uncomfortable but had put his hand on Mauve's as it rested on his shoulder.

"I work for an organisation who specialise in things like this," he gestured to the monster on the floor, "I and many other agents strive tirelessly and endlessly to keep people safe and on more than several occasions already saved these United States and even the world from this danger and I think that you," he pointed to Theo specifically for now, "might be the sort of person who could help us."

Theo looked over at Mauve, amazement in his eyes as it had been exactly what they had talked about, an official branch helping to save the world from monsters! Their agent idea had already been done and here was a man offering it all to them... or just to him? He looked back to the agent.

"Now I have an offer to make you. You can come with us and we are interested in putting you through school, getting you into the FBI Academy for you to follow that path which you have expressed previously. We'll wipe everything clean, you'll be cleared as innocent and wrongly interned in this ward so that you can walk around free and innocent. Your parents won't have to pay a cent, you will be sponsored through collage and you will work hard to achieve the results necessary to become an FBI agent." The inspector waited for a moment while Theo clearly observed him, he was after all the man who had put him inside in the first place and he was offering him everything he wanted on a plate, just like that. "On the condition that you work for us. You do as we say, you protect our secret from everyone including family and friends, no one can know. You do exactly as you are told and follow every instruction we issue you to the letter."

The Inspector knew that was less appetising as an end point but he leaned forward and looked Theo directly in the eye, ignoring Violet completely for now, she wasn't who he was after. "Or," his voice had dropped to a more threatening tone, "you can stay in here and become nothing more than a drooling mess until the end of your life. Stuck with absolutely no way out. You will stay here, where no one will believe you, where you will one day get one shock therapy session too many." He eyed Theo who gulped loudly, terrified of that thought and squeezing Violet's hand on his shoulder. "This is a one time offer, lad. What's it going to be?"

Theo opened his mouth but it was dry inside, it was as if he had just lost his voice, the man had offered him everything he had ever wanted and now was threatening to force him through his worst nightmare. However, he couldn't leave Mauve. "My friend helped me, Mauve needs to come too." He insisted, "We both deserve to be out of this ward. Please, promise me that she will be freed with me." The Inspector's lip curled and he looked to Violet, one eye brow raised.

"She will have her own deal." He said lowly and then offered his hand out for Theo to shake. "Now or never kid, I am not playing around, that deal has a time limit of seconds. You shake my hand and get out of here today or I get up, walk out and leave you here to rot." Theo's heart raced in his chest, his eyes were wide and his breath was almost frozen in his lungs, stinging him and aching at every bruise, shock, or most recently stab and bite he'd ever had in that ward. He couldn't go through more of it and with Mauve getting her own deal to leave, Theo took the Inspector's hand and shook it.

𝐓𝐇𝐄𝐎 & 𝐕𝐈𝐎𝐋𝐄𝐓 @multipleoccupancy

Violet quickly fell asleep, but she woke up just as fast, startled by a nightmare. After that, she didn't dare fall back asleep, discreetly observing the orderly as he cleaned up the whole cell. It wasn't too hard to pretend to be asleep, lying down next to Theo. After a while, the cell was perfectly clean (save for the dead monster in the corner), but Violet wished the orderly would have given them clean pajamas too. She was still covered in blood, but it had dried up now, forming an uncomfortable layer over her skin.

With her eyes half-closed, she noticed the two men as they stood outside the room. Violet didn't know who they were, but she assumed they were the Delta Green agents sent to offer Theo his "deal". When the orderly went to wake Theo up, she didn't bother acting as if she was sleeping, simply sitting up on the bed.

Theo's warning confirmed her thoughts: this was a Delta Green agent. But not just any agent. The agent who had framed Theo and sent him to the ward. Her look hardened, and she put a protective hand on Theo's shoulder.

The man sat in front of them, introducing himself. "Hello, inspector," she replied coldly. Violet was unmoved by the agent's praise. She really didn't care if he was impressed! As far as she was concerned, he was a wicked man. But she knew she couldn't make a scene, and risk Theo's deal in the process. She had to grit her teeth and swallow all the things she really wanted to say.

"It ain't our first rodeo," she replied dismissively, hinting at Theo's first monster encounter, and her own "encounter", which was in her file.

[thewalrusespublicist]

Re: John and domestic abuse, and your tag: 'John as an abuser is something I don't think the fandom knows what to do with'. 

I think my big thing about why and how it's all so difficult to unpack this is that the stories predominantly stem from and around the Dakota years and that is an incredibly murky time, in terms of straight facts and reliable narrative. Most of what leaks out of there comes via blackmail or disgruntled ex employees who are then silenced with gag orders. I think only May Pang's version of events is the most clear cut, level headed. And for what it's worth, I think she describes a mutually abusive relationship between John and Yoko, which I can believe. (I also take from it that she was in an abusive relationship with John, but that’s my take and I’m not going to put words in her mouth). And I know that you link to AKOM's discussion about John's beatings and abuse of Yoko, where they read from Goldman's book, but I think it's worth saying that AKOM wrote a eleven episode series to highlight how important it is not to take Tune In at face value because of Mark Lewisohn's clear bias in favour of John, and against Paul, and how this bias can inform a narrative and therefore objective facts can become subjective statements... and then go and quote *directly* from Goldman, who plainly and nakedly despises John - even three year old John is held in utter contempt! That doesn't mean that I don't believe the stories aren't true; as you point out, John and Yoko themselves have openly discussed John's violence. But just like I can't use Lewisohn as a source, unless it’s for a specific recording date, say… I can’t use Goldman either. 

So with regards to fandom, yeah, many people don’t know how or where to put John’s violence and abusive behaviour. But that is true of *all* of the Beatles. It’s an undisputed fact that three quarters of the Beatles have been accused of, or admitted to domestic violence, yet it’s airbrushed from Paul and Ringo’s stories. Ringo will forever be a beloved king and no-one will bring up the fact that he beat his wife so hard that he believed he had killed her. And as for Paul and Heather Mills; while those allegations have a right to be strongly contested, it’s a fact (and I am old enough to remember), that Mill’s was utterly destroyed in the British press (Amber Heard has nothing on the sheer hatred that the media had for Mills), to the point that her testimony was obliterated and has been erased from any narrative to do with Paul. But Paul is a Blorbo, and no one wants to fold any negative character traits into his persona. And as for John - I’m not surprised you got it in the neck for saying that John had mental health issues - but I am surprised that it came from John stans! I got yelled at for trying to discuss John’s very likely mood disorder, but the yelling came from influential Beatle people who saw that as an ‘apology’ or defence of his behaviour (which it wasn’t). I actually think of all the arena’s of fandom, Tumblr has the healthiest approach None of them are held in reverence or as Saint’s, and they aren’t just out and out assholes either. 

t/w coercion, abuse, child abuse

Hi anon, thank you for your message and for putting forward your perspective! This is a difficult topic, and I am not an expert in these matters. However, I’m going to try and answer this the best I can and with the amount of sensitivity I think this conversation needs.

Just to start off,I totally agree with you that Tumblr is by far the best place in terms of their approach towards the Beatles and their behaviour. I think in other places like Reddit, some of the fans there are older and grew up with the ‘Saint John’ image put forward by the Lennon estate. If you have that context, the minute it’s revealed that maybe your hero wasn’t perfect, the natural response is to either deny it completely or start to demonise them. It’s not healthy or productive but it’s understandable. I also agree that the fandom does not know how to deal with the allegations of domestic abuse with all the Beatles and that is a widespread problem. In the case of Paul, I think his negative traits are acknowledged and there is good discussion about it, though equally some of these issues are played more for laughs. I’m also not the right person to do a deep dive on the flattening and cinnamon-rolling of Ringo in the fandom but I think one needs to be done. I do however want to put forward an alternative perspective on a couple of points that you mentioned.

Despite my belief that all of the Beatles probably engaged in terrible behaviour towards women (the repeated mentions of Paul’s control issues from multiple sources really concern me), what sets John apart from the others is the consistency and the severity of the allegations. With Paul and Ringo, the allegations or the incidents are, as far as we know, situated in the context of a crisis and not an established pattern. This could be wrong, but we don’t have any further information to dispute it properly (Paul’s long, adoring relationship with his first and third wives and his children suggest not in his case at least). The same can’t be said for John. You raise the point that AKOM cites Goldman and how this could be seen as hypocritical and that a lot of the information comes from the murky Dakota years. I understand where you’re coming from but I don’t think this is is 1000 percent accurate. On the AKOM point, I think this mischaracterises what the ladies were doing as they were citing direct reports from staff in Goldman’s book, not Goldman’s interpretation. As Beatles historian Erin Torkelson Weber states, Goldman was excellent in obtaining information, it’s how he construed the information that raises severe problems for his credibility. As the ladies said as well, whilst they acknowledge Goldman’s problems, the tapes with this information on are available in the archive. Still, he is a dodgy source, so the points need to be cross-referenced with other sources. In this instance, the sources are John and Yoko themselves.

It’s also true that a lot of the allegations for the Dakota years are from the disgruntled employees pack and so are harder to verify, however allegations of violence and abuse both predate this period and are corroborated later on. Whilst John Lennon fanboy of the decade Lewisohn tried to downplay it, John did hurl insults and abuse at one of his early girlfriends to try and force her to sleep with him. John did beat up a random woman in the Bob Wooler incident and barricaded Little Richard in his own dressing room whilst hurling mocking abuse at him. Further, whilst Cynthia said that John rarely hit her, John himself disputes that in Hunter Davies. Post Yoko, we have reports of continued violence from different sources like Nilsson that corroborate stories like John choking May. Mintz, who was/is doggedly loyal to Yoko, was the one to repeat the story of John purposefully humiliating Yoko at the party by loudly sleeping with a stranger. Then you have Sean and Julian’s own recollections of abuse. These aren’t one off incidents, this is a repeated pattern of documented abusive behaviour that exist throughout John’s lifetime as well as the well-worn pattern of victims trying desperately to defend his behaviour in language hauntingly familiar to most abuse victims (‘he didn’t mean it’, ‘he’s sensitive’, ‘he didn’t know what he was doing.’) In this context, it is hard to say why the disgruntled employees narratives should be seen as so outlandish.  This is what sets the conversation about John apart from the others as his pattern of abuse is inescapable and entrenched in all his close interpersonal dynamics (yes, including his relationship with Paul but that’s for another time).

I’m not saying all of this to demonise John, all of this has to be understood in the context of a man with a deeply traumatic childhood, who likely had a severe mood disorder as you said, was in what I believe was a mutually abusive relationship as you and May Pang posit, and was trying his best to improve in a time period that could not give him the support he needed. But this is a lot to ask a fandom to deal with and handle carefully so often it gets shoved down or outright ignored when it’s integral to understanding who John was and why we need to take so much care in certain discussions about him.

[aicosu]

Hey, just saw your post about Veilguard - do you mind me asking what it is that put you off? Thanks!

I can start by saying I've not played it. I'm not going to at this point. But basically, every cutscene and dialogue option and plot point I've watched. And for those of you that don't remember I was hugely critical of Inquisition despite my love for it. And I downright hated Trespasser. So this shouldnt be shocking.

And its a lot of stuff I dont like. I can make a short list of major things below, obvious spoilers.

Please dont read this if it will make you angry okay? This is a lot of angry ranting.

1. I said this with inquisition and trespassers but veilguard seals my hatred for the decision to center the entire plot of ripping apart the dalish culture and religion. I'm sorry I just don't think this is compelling. It's icky to create an oppressed and marginalized race with parallels to most indigenous cultures in the real world, and basically call them wrong and stupid for clinging to their culture and history. I don't care that validating the Enuvanris existance means also invalidating the maker and the tevinter reiligions too, or even the dwarven: the game centers this narrative on the DALISH. The entire implication that its their fault all along or they sold themselves into a cult and slavery is gross. The game could have easily done this but centered it around the Maker. Andraste as the blight corrupted crazy deity or spirit whatever the fuck. Makes more sense with how much Chantry has been shoved down our throats since origins, and given how much wider spread it is after literal genocides of the dalish, qun, etc it would just mean a lot more to target the oppressors/majority religion directly. And look listen, I'm a pretty hardcore athiest and even anti thiest. I hate all religions, I find stories about dismantling religion compelling but to couch it histories of marginalized people like... its just not great. Not to mention twisting their gods into systematic greedy people or shoving their "bestest god" into a human woman and trying to make her prostheltize at me. I don't like it!

2. I get why old decisions dont matter. The world is too big, sure. I dont mind that at all, actually, even with all the problems, it gives people invested in those choices. Im happy to accept it. But then... make the actual plot less beholden to it. Why bring in cameos at all, then? Fuck man set it 50 or 80 years later. But if you cant cause everyone wants closure in the DA fandom then give us closure. If not personal closure with wardens and hawkes and etc cause its all too variant — lore closure. We arent going to talk about how darkspawn were thinking and talking? Blight was always just a random elvhen weapon? What apparent the tevinter magisters then? What about the architect? What about the idea of darkspawn becoming their own race and culture? What about the old gods themselves they were just always enuvanris? How do magisters actually feel about that? Why did those who worshipped corypheous or the black church follow Elvhen gods, their most oppressed and hated enemy aside from the qunari?

Speaking of, what about all of us who wanted to confront Minrathous and Tevine for the atrocities we've built up about it for 3 games. Slavery? Off screen solved before we get there? Dorian fixed it all? I had a heated debate with Dorian about him saying how slavery wasnt all that bad "They like being slaves!" And so many conversations with Fenris about how horrible it is. Rape and murder and submission? We don't as players get to finally confront that?

How about red lyrium being sentient. How about it being a tool the elvhen then used to murder titans, but not its alive and unstoppable? How can anything be unblighted? Because plot?

What of the calling? What of it really? What of those in The Calling who were unblighted? nothing?

Not even a deep conversation about the murky ethics of liberation/slavery when it comes to the Antivan crows stealing children? I'm to forget that?

How about anything all to do with the Qun? How about that burnt in memory I have of Saarabas immolating himself in service to not just the system of his culture but his belief in his faith. We're writing him off as a terrorist and not as an example of the Qun? Lets be really real; they have been retconning the Qun every game till now them being a fully gender and sexual accepting society.

How about the changes of mages vs templars if and maybe they walk free now? As if that entire conflict wasnt the brewing boiling point for three games?

What about the elvhen rebellion they so rightly started after centuries or murder and racism? Can we stop pretending that rebellion isnt an act of violence and has to be? Can we stop erasing the idea that systemical upheavel can be anything other than radical? Hello? Anders is one the phone asking for you?

How about that ending, the veil isn't even torn? Spirits don't walk the earth as intended. Why not solas' plan? Why not restore order. Why not join or dissuade him as he asked us to in trespasser?

It just all feels washed off, Thedas. I'm allowed to be angry and upset that they spanned all of these topics and asked me to engage with them on a deep ethical and moral grounds only to never mention them again. I dont think making your player base feel stupid for caring is great.

3. On personal levels, Solas has been ooc since trepasser. And frankly, the explanation of his relationship with Mythal is disgusting. Made the first slave and turned from his true nature into a tool of war—and reaffirming his subservance by making it that only Mythal could stop him? How is that not a toxic dynamic, and they fram it as loving and romantic? Imagine them trying that Fenris who can only be talked down by Danerous. Come on. It should have been Lavellan — or it really should have been not at all. Let him. The devs want to destory Thedas and start over? Let solas reset time and recreate the earth and tear is all down and erase most of the history. Do it you cowards. Give me an unrecognizable DA5 where spirits and mages rule and the elvhen thrive and war with each other. Give me slaved humans and a topsy turvy all that changes remains the same reality. Why not if you want to illuminti titan everything anyway.

4. I dont believe in the veilguard, I should have a choice not to. I should have a reason to care about it or my companions or fewl some sort of reason we must all work together aside from "theyre adorable". All the other games you had companion parties in organic and believable ways. Rook is leader cause.... ? What if I dont want to be? At least my Dalish inquisitor fought tooth and nail not to be called a christian messiah. Hawke had FRIENDS. And the warden found those who knew what a blight meant. And many of all of us disagreed. Vivianne got not sympathy from me. Why should Neve? Fenris will leave your party if you waste your time when the Magister comes to town. I dont want to coddle Harding about her stupid chantry. I do not to talk to Lucanis happily about the crows. Maybe I dont want to be friendly all the time. Maybe I hate everything Bellara is doing. Or taash.

5. The writing was on the wall in inquistion hoenestly. What with Iron bull letting me decide is he mass murders his found family or not. But jesus these new companions are like 10 yrs old. I don't know you decide. Your a fucking adult. I cant take a single one of them seriously. Even Sera screamed and yelled at me if I challenged her. Solas and I almost broke up mutiple times arguing about tradition and purpose or that damn Mythal well (again and no wonder he would object to doing anything akin to being emslaved by her, only to submit himself in this game. As if the well mattered at all. As if morrigan matters at all.) I just don't feel as though I'm bonding with anyone, I'm babysitting. Im being told what a great person I am that I can teach everyone elementary school behaviorial learning. I dont want to, I dont even want to be "good".

6. Petty stuff:

I hate the art style both in the UI and the models. I hate it. And the expressions are so poor compared even to Da2.

I hate all the armors. Everyone is bulky. Hate it.

Ugly combat.

Cant control or walk around as my companions and try out other classes.

CC cant change eyes or facial structure much so all rooks heads look the same and kinda... everyone looks like a dwarf. Sorry. Imo, imo, every rook I have seen looks like a dwarf.

Dont like the music.

Dragons are ugly.

Morrigans outfit makes it look like she has 4 titties.

I hate this elvhen "steampunk" tech when so much of their magic was shown to be earthen and mystic. Dumb. No explanation as why it would become this way it just is now.

Blood magic erasure cause the devs are scared of us being cool I guess.

I hate the humor. Every joke doesnt land for me. And there are simply too many.

[lurkingshan]

Love in the Big City Drama: Episodes 7-8 Book Club Discussion

We have come to the end of our journey with this beautiful story, and I'm having all kinds of feelings about it. I'm looking forward to one more round of conversation about it with all of you.

As a reminder, these are the questions we originally discussed for Part 4 of the novel, and this is the meta round up, where you can see all the brilliant things you initially wrote about it. Here are your official discussion questions for episodes 7 and 8 of Love in the Big City, courtesy of @bengiyo:

How does Yeong's continued reminiscing about Gyu-ho position the relationship with Habibi in the drama?

Yeong moves to a new apartment at the end of this section. How does the conclusion of his time in the old apartment encapsulate his journey?

What did you make of the new material in this section, including the presence of Yeong’s father and the subplot about Eun Su’s marriage?

How does the presence of the T-aras in the drama alter your perceptions of the end of the story?

And a few questions about the adaptation as a whole:

What are your thoughts on the four different directors used in this process?

Do you have any final reflections on the drama as a linear storytelling experience?

Do you have any reflections on the cast?

As always, you are welcome to use any or all of these as a jumping off point for your own posts, ignore them and post your own thing, or just participate by sharing and commenting on other people's posts. Please create new posts with the questions if you want to use them rather than adding on responses to this post--it will be easier to capture everyone's content if it's all in separate posts in the tag. I will be tracking everything posted in the [#litbc book club] tag and posting the weekly round up--look for that to go up next Monday ahead of the next set of discussion questions. Feel free to also directly tag me to make sure I don't miss your posts!

@becomingabeing @belladonna-and-the-sweetpeas @blalltheway @elimstillnotgarak

@colourme-feral @doyou000me @dramacraycray @fiction-is-queer @avorbl

@hyeoni-comb @littleragondin @literally-a-five-headed-dragon @loveable-sea-lemon @my-rose-tinted-glasses

@neuroticbookworm @poetry-protest-pornography @profiterole-reads @serfergs @starryalpacasstuff

@stuffnonsenseandotherthings @thewayofsubtext @troubled-mind @twig-tea @wen-kexing-apologist

@impala124 @shinjiikar1 @h4ppyfr066y @moutheyes @waitmyturtles

[musical-chick-13]

Like. The last thing I'm going to say is that I see a lot of comments about how "Well Americans probably deserve whatever is coming to them" because [some variation of how we are all equally violent and stupid and of course we elected this guy] and I will be the FIRST one to go, "Fuck America for real, I hate it here" but. There are in fact millions of people who did not want this. Who actively fought against it and will continue to do so.

BELIEVE ME, I understand the impulse to go, "Well with all the shit America has done to the rest of the world, why should I feel bad for them." I understand that compassion fatigue is real. And I DEFINITELY don't think it's the rest of the world's job to fight my battles for me or prioritize my feelings above anyone else's.

But if people are worried for their safety. If they're scared. If they're wondering how they and the people they love are going to survive the next few years. If people are feeling despair and despondence over the fact that they are stuck in an absolutely hellish landscape they did not ask for. Just...please let them have that. You don't have to tell them that you think they deserve it.

[justalittlebluetiefling]

I haven't been involved with coaching for almost 3 months now and somehow I am still getting dragged into the drama.

[ask-artsy-oncie]

I was reminded of the time that tumblr tried to make "monster high but with tumblr sexymen", and one of the characters was (obviously) the daughter of the once-ler.

And the funny thing to me about that is that in the canon of the illumination lorax movie, the once-ler is heavily implied to have an estranged daughter. I don't know all the sexymen off the top of my head but I think he might've been one of the only ones referenced in that trend who actually had a daughter in his own canon.

[homosexualmorelikehomiesexual]

i was homeschooled by a neo nazi. the sheer amount of damage it did to my psyche as a queer child in that environment is something im still grappling with to this day. and thats to say nothing about having my education, health, and emotional wellbeing neglected. i had to fucking laugh in 2020 when people were crying about not leaving the house for a single month, when i had been kept housebound since i was 6 years old. i cant describe the indignity of watching people finally recognize what id been saying for years, which is that remote learning was not only useless as an education method but fundamentally damaging to the students mental health, and then not ONCE think to check up on kids who'd already been homeschooled. not once.

because nobody gives a flying shit about the actual voices of homeschooled kids, least of all the parents that subject them to it. and thats not to say those parents dont care, or arent attached - quite the opposite. remember, we're talking about the kind of abuse that seeks to keep the victims closer, not further away. its just that the pressure to cover for that abuse is placed directly on these childrens shoulders. i know, because i lived it. we are expected to present ourselves to the public as prodigies, partly to sell people on the idea of homeschooling but mainly to ward off social services. and if we fail to do that, which we largely do, we are kept out of the public eye our entire childhoods.

and thats assuming it ends with the onset of adulthood. if we're lucky enough to have parents willing to let us go at all, that isolation and lack of worldly experience leaves us with no resources, no networks, no support systems, no basic survival skills. do you know the difference between debit and credit? what health insurance is, who pays for it, how to find a provider? who taught you to drive? do you know what the dmv is? what social security is, or where to find your birth certificate? do you know how to use a crosswalk? if you arent homeschooled, you do not realize how much knowledge you have that you take for granted. the level of dependance it creates on the abuser is terrifying. im 21, i didnt move out till 6 months ago. most people assume i took an extended gap year. the truth is i was psychotic from isolation trauma, rapidly developing stockholm syndrome, and had no resources to leave after i turned 18 even though i desparately wanted to. if i hadnt been lucky enough to have other family members to rescue me, i would probably not be alive today.

and despite how damning the evidence is that this is a terrible byproduct of multiple systems that long since shouldve been fixed, despite all the hubub about protecting children in this stupid, stupid fucking country, there is ZERO public interest in acknowledgeing our existence outside of using us as a talking point to snub rural america. a talking point, and nothing more. nobody actually cares to change those red states, they just want someone to blame. so when we do speak up, we get tuned out. because it turns out nobody actually wants to hear about the medical neglect, or the cults, or the grooming, or the domestic violence, let alone do anything about it. (besides vaguely gesturing to things like...calling CPS on our own parents, once again placing the pressure on the victims to rescue ourselves, when weve often been taught to fear those institutions since the onset of our abuse.)

if you think im exaggerating, go read through r/homeschoolrecovery. thats just the kids whove managed to get internet, most of whom profess terror at facing further abuse if their parents find out. look at your phone. look at your computer. every single device you own has the ability to set parental controls. i dont know the exact numbers of the silent majority of homeschooled children without access to the internet, but considering the main demographic who chooses homeschooling is white supremacist christian fundie cults, who really fucking love having numbers of white babies that exceed the double digits, id be confident in wagering its a lot. so you wanna know why over half the states in the country are red? fucking start there.

because theres a *reason* isolation is a cult tactic. its why im such an advocate for libraries, unpaywalled and un age restricted internet, and actually putting money into rural infrastructure - ESPECIALLY internet networks and public transit. because while the american public education system remains the stinking garbage fire it is, people are gonna keep choosing to take matters into their own hands. and under this presidency, it is going to get worse. there is no point bashing the parents for it, because it just convinces them further that the left has an agenda to systemically brainwash their kids or whatever. so please, for the love of god, make sure that even in the worst case scenarios where they have complete control over their children, those kids arent completely cut off from the world.

Anyway enough lame gifted kid discourse we are in our 20s. Let's talk about how homeschooling in america should be fucking illegal it's insane lol

[maliro-t]

as a bona fide vaxleth lover i am more confused than ever about how they are portrayed on the animated series i'm not gonna lie 😭

[toytulini]

Thank you for your tags on the baeddalism post. As someone who is aroace (formerly biace) and a nb transmasc I've literally watched every identity I have be dragged into discourse time and time again and it's always the exact same rhetoric to a nauseating degree. People are so terminally online that they constantly invent new nonexistent stereotypes of other queer identities to get mad at or just pick a queer identity to be the monster of the week, and it's excruciating to see it repeat the same way everytime.

I wanted to try to respond to this more eloquently after i had some caffeine, but if we wait for eloquence itll go unanswered for years. but lmao yea of course. Im also aroace and enby. I was here since like 2014, I suffered through reading all these same stupid arguments about a-specs and my tolerance for it is so fried. The queer infighting and gatekeeping bullshit is so rotting. I hope we learn one of these days. My disillusion that this keeps fucking happening is at least tempered by the fact that all the blogs who I followed for good takes on inclusionism and queer solidarity during the acecourse are also not tolerating this shit, and they are recognizing it as the same old bullshit its been the whole time.

[dirt-str1der]

I miss y5 so much kiryu is trying his best to just be some guy and everybody in the world keeps trying to seek him out and tell him no ur not

[icewindandboringhorror]

... how am I meant to get any sort of restful sleep when it's like 85F indoors in my bedroom at NIGHT .. hhhhhhhhhhhhhh