#and again making it worse for EVERYONE

[mattberry]

that "'vote for Biden or all the evil things happening to Black and brown people will happen to people that matter'" post going around is so fucking stupid because it's like yes non-white people are already suffering from the current system.....so you want to make it even worse by splitting the vote and ending up under a drumpf regime again

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[sunnymainecoon]

How many people witnessed softie food addict horror who needed something in his mouth or he would actively kill and turn to cannibalism 🧍‍♀️ or was that just me.... anyways honestly it was silly.. he'd maybe get along with cook horror... I just like fanon crossovers guys*sadge

Anyways canon horror is also silly(really silly. What an asshole, man)(no seriously he's actually such an asshole.. I might love him for that but-) I don't think he would get along with the others(loser)

[anxiousapplepie]

If all cooks competed against eachother which one would make the best food?

HA! In my humble opinion, if all the cooks were competing to find out who'd make the best food, I think Bonnie would win and smoke the other cooks out of the kitchen after everything is said and done However. If Cook!Siffrin was praying "please taste the best please taste the best PLEASE TASTE THE BEST" over his ingredients the other cooks won't stand a chance in hell of winning anything except pity and amusement

[ganondoodle]

just to get this out again though

zelda lore is dead to me and i have never hated the sonau (zonai) more than now, shoved literally into everything, all the way into skyward sword, if that is even canon still

i hate this stupid ass book (masterworks 2.0) before its even out, if that is whats on no more than 4 pages (-take it with a grain of salt, just repeating what i have seen- hylia made the stupid magic pebbles and gave them the sonau, they lived since skyward sword at least, possible triforce and skyward sword retcon, totk gan being the literal first gan(?) and rauru being the literal first king of hyrule(???) and also the gerudo having been their own established COUNTRY, thus making raurus goal to take them over too even WORSE together with how ganondorf is meant to be seen, AND it possibly meaning that totks past was actually that far back to the literal beginiing of the timeline even though it looks 1to1 like botw even which SUCKS on more ways than one- (edit: ALSO NONE of botw seemed to lead up to anything like that, totk was supposed to a DLC and it shows and yet they do this with its lore????the fuck are they smokin?? botw was a neat like soft reboot that leads to like, a new kind of zelda without changing the past, then they do THIS literally brute force it back to the literal start?? as if totk couldnt get more seperate from botw) ) what else are they gonna fuck with on the lot of other pages, i cant WAIT to find out!

they can shove their weird sonau obsession elsewhere, didnt think my hatred for totk could get even worse, id have happily locked it away and out of my memory as possible at some point but i guess you cant escape it anywhere bc they are literally everywhere apparently weehooo!

(my franchise now)

[kinokoshoujoart]

scribbles based on my Another Wonderful Life file where i discovered Rock and Nami showing up together at Vesta’s farmhouse late at night on multiple occasions to cause various types of chaos and disturbance and havoc until Marlin and Vesta’s bedtime (which they both announce in unison to kick everyone out) this included

Rock levitating and attempting to rizz up vesta

Nami making a beeline for Celia’s room where she stands around making very subtle remarks (celia isn’t even in her room)

Marlin Enduring

haunting crime scene photos of the shenanigans:

[thepersonperson]

Backstory theory for Sukuna? I wanted to say Kenjaku and Tengen too but let's just stick with Sukuna for the sake of your sanity

(Written as of JJK 262 using TCB scans and raws. Click images for captions/citations. I want to see how poorly or well this ages.)

I already kind of went into how I think Sukuna’s birth occured answering this ask, and we know for a fact he was born as an unwanted little wretch. But that's not really a full backstory. I was a conjoined twin truther before the reveal so I'm definitely deranged confident enough to propose something.

What is Sukuna's deal anyways?

When I say Sukuna and Gojo are twin flames, I'm referring to how their internal logic and their narrative framing are very similar. For this reason, I believe how they respond to trauma is also similar.

Much of early JJK is a different reread knowing Gojo's specific trauma. His use of the childish Boku as his personal pronoun, his obsession with sweets, having Infinity on all the time, his avoidant attachment style, and his fierce desire to ensure teens enjoy their youth...all these little trauma-induced quirks hidden in plain sight, sometimes as humor, are now depressing reminders of what Gojo went through. You also start to see how paranoid he is about another Toji incident with how he treats Miguel and Hanami...

Sukuna's backstory has probably been set up in the exact same way. It's likely that most of Sukuna's actions and attitude are influenced by some unrevealed/hinted at trauma. Since he and Gojo are twin flames, I'll try to piece it together using Gojo as the blueprint.

Sukuna's Way of Speaking

In the same way Gojo's manner of speaking is unusual for his age, Sukuna speaks really weird even compared to other incarnated sorcerers. If you're not aware, Japanese pronouns do not carry gender, but they do indicate how the speaker views themself and the person they're talking to. (This wiki summary table is quite helpful for this sort of thing.)

Sukuna's personal pronoun is 俺 (Ore) which is very informal, rough, and masculine. And he uses お前 (Omae) as the you pronoun for others which is either a casual thing amongst peers or indicates the speaker's higher status. (It's probably the later given how arrogant Sukuna is.) These are also the same pronouns Yuji uses for himself and others. But because of his personality, we can infer that Yuji uses Ore because he's a sporty boy from the countryside and Omae because he's friendly and views everyone as equals. Same pronouns, but completely different characterizations that get lost in translation.

Sukuna also uses 貴様 (Kisama) as the you pronoun for Gojo. Historically, this was a formal way to show respect and then it evolved into an ironic hostile insult sort of thing, much more rude than Omae. Since Sukuna is 1,000 years old, uses Omae for Yuji, who he hates, we can reasonably assume him using Kisama for Gojo is the formal version. (This would be another very funny instance of Gojo thinking Sukuna hates him but he’s actually trying to be nice.)

All of Sukuna's pronoun usage combined with his personality suggests a very tough and rude individual, which he is. However that rough speaking style is exactly why his frequent use of flowery language, double entendre, clever wordplay, art references, and puns is bizarre.

The weird way in which Sukuna uses words is most known by how he speaks to Megumi during their fight at the detention center. (I'm paraphrasing all this person's translation work for this.)

Sukuna uses the phrase "misetemiro" which is commonly translated as "show me/show me what you’ve got". The caveat here is that the "mi" of "misetemiro" can be written as 見 or 魅. When using 見, translating as "show me" is most accurate. When using 魅? The better translation is "bewitch me/enchant me/charm me/fascinate me".

Sukuna, of course, uses 魅, which means he's saying "enchant me" when he uses "misetemiro". It should be noted that this exact phrasing is used for Mahoraga before it cuts off Gojo's arm. (This is apparently what what Sukuna finds to be enchanting. Violence against Gojo Satoru.)

The thing is, Megumi heard Sukuna say "misetemiro", so he likely assumed the common meaning "show me". This is either a case unintentional misunderstanding or Sukuna making his true feelings dubious. That in of itself is the best example of the double-meaning wordplay Sukuna gets up to.

Sukuna seems to be really fond of puns in particular (very old man of him). He calls Yuji 小僧 (kozō) which can be translated as brat, but it also means young/novice monk.

He also uses extremely outdated words. (An example of which was provided by this user.)

You have all of these conflicting speaking mannerisms balled up into one character. It's as if a gangster/ruffian majored in Literature Arts. And that’s precisely why I think he was of low status at birth.

Sukuna's Upbringing

We all know Gojo's Limitless Cursed Technique (CT) is a literal and metaphorical barrier between him and other people. His technique is his isolation. And how it developed informs us directly of how his interpersonal relationships changed with it.

Back when Gojo only had Blue and Infinity had to be manual, it meant that he had downtimes where he was vulnerable. That physical vulnerability doubled as emotional vulnerability and Gojo was able to form a close relationship with Geto and befriend Shoko. After he awakened, Infinity could be on nonstop. Gojo became untouchable to everyone at all times and it destroyed his relationships.

In the same way Gojo's CT compliments his changes from child to adult, I believe Sukuna's CT does the same.

As we all know by now, Sukuna's Shrine or 御厨子 (mizushi) could be referring to a Buddhist shrine used for storage or a imperial palace kitchen. I think it’s both at the same time. To me Sukuna's CT indicates he initially cooked for the emperor and then became an object of worship at a shrine. But I have some additional caveats to this theory.

We know that Sukuna learns by mimicking others. It wouldn’t be a stretch to say he picked up on formalities while being near nobility if he was of low birth. But how did a lowborn like Sukuna get near nobility in the first place?

So historical Japan had a social caste system called Ritsuryō (you can read more about its application in the Heian Era here). The upper class was called Ryōmin (good citizens) and the lower class was called Senmin (low citizens). Amongst the lower class there are the following subcastes:

Ryōko (dedicated to the imperial family or guards of imperial tombs)

Kanko (dedicated to public ministries)

Kenin (servants of high-ranking families)

Kunuhi (slaves of the court)

Shinuhi (slaves of families)

I think Sukuna was a Kunuhi or court slave during his time as an imperial cook. That would give him access to the higher art forms directly or by listening in while also explaining why his speech appears to be a mesh of two completely different backgrounds. (If he were of noble birth, his personal pronoun would likely be Watashi, Waga, or even Ware-Ware like most snobby upper class characters in Japanese media.)

Another trait of the slave class is their forbiddance from having a registered family name. Both Sukuna and Uraume use full names as a show of respect. The fact they only use single names for each other suggests that they have no family names at all and fall under this low class category.

The other thing to note about this caste system is that class mobility in both directions was possible. To what extent I'm not sure (there’s not a lot of in depth literature in English), but this would allow for Sukuna to rise from a lowborn status and fall back to it as the Disgraced One.

In summary:

Sukuna is born and branded an undesirable. (Some of his tattoos match up with markings for both criminals and outcasts. Particularly the single band around the wrist labeled Hinin, a term that translates to non-human used for the lowest social class.)

Sukuna is taken into slavery where his talents start to show. (Durable, 4 limbs, and quick learning make for great labor exploitation.)

Sukuna, as a slave, eventually finds himself working in the kitchen for the emperor where he meets Uraume, who is there under similar circumstances. (Heian nobles were fascinated by commoner life and sometimes took peasants into the palace for entertainment/exploitation. Please read this entire thread on Heian commoner life it’s very good.)

They rise through the ranks together because of hypercompetence.

Eventually Sukuna becomes so strong that he becomes an involuntary saint/warrior monk. (Heian nobles mobilized monks for rituals and maintaining power.)

The court nobles start a smear campaign out of fear of his power and lowly upbringing, which causes Sukuna to have his Joker moment and start eating people. (Based on the mythological Sukuna stories.)

Sukuna's Theoretical Coping Mechanisms

After Gojo endured the fallout from Toji and Geto, he developed coping mechanisms to deal with it. They're all quite unhealthy to be frank—Gojo is very stuck in the past and seems to be in a near-constant state of trying to relive it, but better.

Those traits were all initially introduced as gags. It all made Gojo appear like a very strange, childish, and questionable adult. In retrospect it's all tragic. So with that in mind, I want to examine some of Sukuna's traits that could be a manifestation of past trauma.

It goes without saying that being a slave is traumatic. And the coping mechanisms developed to deal with that level of dehumanization don't go away if someone escapes it.

Sukuna's extreme aversion to being told what to do and self-centeredness reminds me of the ex-slave character, Izutsumi from Dungeon Meshi. She starts out as a slave paraded around as a circus freak after being experimented on before she's sold to a wealthy clan and forced to be a retainer. A curse is placed on her to keep her from escaping in the form of a tattoo around her neck. When she finally frees herself, she is very cat-like in her selfishness, poorly socialized, and abrasive. (Also she is canonically aroace!)

If you noticed, her personality sounds like a description of Sukuna's, so I'm left thinking he has some variation of that backstory (kind of like a combination of Toji and Geto's). It would fit with him being an unwanted child, explain his bizarre manner of speech, and give him a pretty good reason to be the way that he is.

In the same way Gojo used Hanami to relive his trauma but control the outcome, I think Sukuna uses Binding Vows relive and conquer his enslavement. The vows he constantly makes and breaks with himself are a show of control over thing that hurt him.

When binding vows are first introduced, it's by Sukuna and with chains. In the anime the chains constrict Sukuna until they destroy him.

This imagery is rather oppressive in nature. Similar to a prisoner's chains or a slave's chains. (And it's quite common for prisoners to be used for slave labor too.)

I've previously discussed how I view Kenjaku as someone who exists through nonconsent and causes others to relive their trauma. Gojo's sealing illustrates how this kind of manipulation works. And since Gojo's twin flame is Sukuna, I believe Kenjaku did something similar to him.

We've already established how much Sukuna hates taking orders from people and how much he wants to fight Gojo. Everything he has done for the past 6 months was for Gojo. And guess who stops him from obtaining what he desires? Kenjaku through a binding vow.

Sukuna also calls Yuji an 檻 (ori) which can be translated as cage. The type of "cage" ori can refer to is either one for animals or for criminals. Kenjaku pretty much created Yuji to contain Sukuna in this manner.

So we have 2 forms of restriction encroach on Sukuna's boundaries in a way that would be reminiscent of slavery. If Sukuna and Uraume are former slaves, their treatment of Kenjaku and each other makes sense.

With Uraume, Sukuna is gentle and reassuring. He faces towards them when speaking and will initiate conversations, going out of his way to praise their work. This seems a bit out of character given how harshly Sukuna treats others, even those he respects.

Uraume is constantly apologizing to Sukuna in a way that suggests in the past they were punished severely for the slightest mess up. Given their relationship and how little Sukuna cares when they're not perfect, I don't think Sukuna was the one to make Uraume feel this way. If they're ex-slaves, this constant groveling would read as trauma response, and Sukuna's reassurance would be him showing consideration for someone who went through something similar.

With Kenjaku, Sukuna never makes eye contact, often has his back turned, and only responds when spoken to. Uraume is constantly pissed at Kenjaku's presence and tries to keep the two separate as much as possible.

Whatever binding vow Kenjaku has wrapped Sukuna in is clearly upsetting to the both of them. I imagine those were the tools used to subjugate people within the Jujutsu hierarchy. Wait I don't need speculate on that point, Yuta already did this for me when he was forced to execute Yuji via a binding vow with the higher ups.

And you know who else might have suffered the exact same way? Uro.

And boy is Uro strikingly similar to Sukuna, enough for Yuta to notice. She had no name, was groomed into being a weapon by nobles, discarded after being used, and is now someone who toys with sorcerers as she tries to become her own person while scorning bonds/love.

And if you recall, Sukuna obliterated the Fujiwara Subjugation Clan and Uro isn't really mad at him for that.

Not just Uro, but Ryu is similar to Sukuna as well in his hunger and seeing others as meals to satisfy him.

These parallels seem deliberate and may hint of how Sukuna was treated in the past and what his true motivations are. Uro seeing the incarnation as a chance at a second life as her own person is probably how Sukuna feels. But you know. Both of them are beholden to Kenjaku so that “freedom” came with a steep price.

What separates Uro and Ryu from Sukuna is that they acknowledge exactly why they're here. They reflect on their old lives and take action to address their problems. Sukuna seems to be in some kind of state of denial.

I have no doubt Sukuna is serious when his ideals don't go beyond himself. What's troubling is how unaware of why he feels this way. He won't even acknowledge his hunger for an equal which is obvious to everyone else. He also doesn't seem to know why he incarnated, dodging Kashimo’s question on it entirely. It reminds me of Gojo, who despite being blatantly motivated by Geto and Toji, never shows it except in fleeting instances. And those instances are either internal or deliberately vague to whoever is hearing it.

I think this is because acknowledging he experienced weakness at one point in his life is admitting that he can be put in a position like that again. That can be a scary thing to confront. Gojo doesn't deal with the fact he can be made vulnerable and does everything in his power to prevent it while pretending nothing is wrong. Sukuna is doing the same thing when speaks of the past as briefly as possible and crushes anyone who might have power over him.

Uro herself kind of puts that motivating trauma in the back of her mind until Yuta's Fujiwara heritage and ideas trigger her. Not wanting to recall your life as a nameless slave and having it incidentally brought up by the phrase "live for others" kind of sounds like the beef Sukuna has with Yuji.

And imagine if Uro was trapped in Yuta’s body, where this lucky individual, born free, decides to become a Cog of his own volition. She would probably never stop hating him. (I think Sukuna is mad Yuji chose the life he escaped.)

This would also fit well with his initial view of heriarchies. As long as he's the strongest, he doesn't have to worry about becoming a slave again.

And in a way, this is also him showing concern for Gojo. You’re this strong and letting these fudgers push you around? Kill them.

I also think that's why this Yuji quote is going to age poorly.

I don't think Sukuna ever had the chance to live normally. This would also make this exchange really interesting.

Sukuna suggesting he has suffered more than Yuji fascinates me. Of all the things that could possibly be worse than what Yuji went through, I think existing as a slave and being subject to discrimination since childhood would make for a pretty compelling case.

Rejecting Love as Cope

I’ve been on about how Sukuna hates on love as a cope in other posts. I think the former slave angle gives a little more weight to this idea, his poor social skills, and general aversion to other people.

Love is a type of tethering to another person. Sometimes it results in marriage, a legal contract that binds you to another with a myriad of social expectations. If Sukuna is a former slave, his aversion to that sort of thing is only natural. Relationships of anykind are a bond that comes with restrictions.

I keep bringing up Yorozu because analyzing the ways in which she upsets Sukuna is useful for understanding him. Sukuna is most dead-eyed when marriage comes up and he sees losing as the same thing as death. The common problem here is Yorozu’s desire to control Sukuna’s life.

If you know anything about ex-slaves, it’s that they would rather die than go back to that.

Sukuna being the strongest means that no one can ever hold that kind of power over him again. And like Gojo, he believes human connections and love are a point of weakness that need to be discarded to obtain absolute strength. If Gojo is using that excuse to run away from others, Sukuna is using it too.

Despite rejecting all forms of love for the sake of self-preservation, Sukuna expresses cravings for it in very roundabout ways. Usually with how he mocks it.

Another puntastic bit of foreshadowing with Sukuna and Yuji’s binding vow, Enchain also doubles as a discussion about love.

Here's a link to the full poem and context of it.

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Kind of sounds like how Sukuna ruins Yuji’s life.)

Sukuna canonically reads literature about love and he will use that knowledge to torment people. That’s pretty interesting for someone who hates it. There’s also the underlying theme of exploitation and discardment in this poem that reflects how Jujutsu Society treats sorcerers. And in both cases, the strength to survive and love can’t be had.

Sukuna calls Kashimo greedy for wanting both. But much much earlier Sukuna warns Yuji that there are consequences for being greedy.

I really wonder why he believes that.

Jujutsu Society and Labor Exploitation

The other interesting thing about Izutsumi is how aimless she is after learning the modifications to her body are irreversible despite obtaining freedom. She simply doesn’t know what to do with this. And that makes sense. Grand ambitions take a backseat when all you know is surviving. Her development involves slowly learning how build relationships with others that aren’t exploitative and coping with the permanent changes to her body. And it only comes about because the people she finds herself with are other social weirdos who give her the space and time to change.

That’s what seems to be the problem with Sukuna. He doesn’t have a space within sorcerer or non-sorcerer society where he’ll be accepted and won’t be exploited. But I don’t need to tell you that, Nanami will.

He’s miserable as a sorcerer or not. Might as well pick the one he is good at.

Later he recounts exactly what made him come back.

And if you noticed, his listlessness after escaping Jujutsu and “I always thought that having a 'purpose in life' had nothing to do with me” is very similar to Sukuna’s boredom and “I'd never though about it. ...Ideals. Desires that go beyond oneself”.

It’s weird that Nanami and Sukuna have similar realizations about their place in society while arriving at completely different ways to deal with it. I think that’s intentional.

From an interview with Gege:

"If there was one thing worth mentioning, it's that no one has the ultimate truth. The “good guys” and the “bad guys”. Some seek to kill the hero out of pure selfishness, but others are led to this decision by logical reasoning. If no one is really right, then no one is wrong either. Each character is guided by their own ethics."

I've interpreted this quote as the author telling me to consider the characters as having similar motivations, but completely different methodologies and logic driving their actions. With that in mind, I have concluded the following:

Every single character that’s kind of insane has recognized the same problem. Japanese work culture sucks. It grinds you to dust, leaves you with no freetime, and even corrodes your identity under the guise of collectivism. “The nail that sticks out gets hammered down.” is the go-to Japanese proverb to justify conformity to this suffering. Uro calls it out exactly.

Toji and Maki are beaten into place, used as scapegoats, and isolated by their families for being born wrong and staining the Zenin reputation by existing. Toji decided the solution was killing sorcerers and leaving Jujutsu society. Maki decided the solution was killing her family (she did nothing wrong) and building a better Jujutsu society with allies.

Geto, Nanami, and Gojo all broke from overwork that isolated them and never allowed them to grieve. Geto decided the solution was killing non-sorcerers and leaving Jujutsu society. Nanami decided the solution was leaving Jujutsu society and doing non-sorcerer work. Gojo decided the solution was reforming Jujutsu society and eventually killing the higher ups (based).

So despite all these different solutions, some of which are indefensible, I understand exactly why they became that way. They’re dealing with labor exploitations and dehumanization without the theoretical framework to be productive about it. (Gojo is the closest person to discovering what a union is.)

Geto snapped from a single traumatic event coupled with the knowledge that his labor would be exploited until he joined the mountain of sorcerers’ corpses. Though he was introduced as a mass murdering lunatic, there were always hints of how badly he wanted sorcerers to be free of exploitation. (Karl Marx could’ve saved him.)

Sukuna experiencing the most egregious form of labor exploitation, slavery would fit into these themes nicely I think. It's the ultimate form of dehumanization—becoming a literal commodity for people to sell, trade, and break. (And him deciding to be this wild about it would be understandable to me at least because I truly believe in the John Brown solution for slaveowners.)

Sukuna is fond of Megumi, Maki, Gojo, and Jogo. Megumi was sold by his father to a clan, the Zenins tried to make Maki subservient for being female, Gojo was bossed around and run ragged by the higher ups, and Jogo was puppetted around by Kenjaku. All of these characters are powerful individuals that for one reason or another were shafted by societal constraints that had them exploited by others weaker than them. Since Sukuna likes people similar to him, it's not a stretch to assume he’s recognizing their hurt as his own.

And just like Geto, instead of abolishing the hierarchy that subjugated him, Sukuna has chosen to sit atop it to escape. But unlike Geto, Sukuna doesn't dream of a world where he enforces it. (The guy clearly hates having responsibilities and doesn't want to be a ruler. He just wants to do what he wants whenever he wants. You know, having freedom.)

Sukuna existed within a society where it was acceptable to own people if you were strong enough. The fact he treats Uraume, a voluntary servant, so well and refuses to keep slaves speaks volumes. Sukuna may live for himself but he clearly has some form of ethics about it.

Wait, what about Megumi’s subjugation?

Well, sometimes people are hypocrites. Nanami, Mr. Would’ve Loved Unions and outspoken labor critic, is content with pushing all the work onto Gojo, who has suffered in the exact same way he has.

Maybe it’s resentment for his Gojo’s birth making curses stronger and therefore harder to deal with. Maybe he sees Gojo as everything wrong with Jujutsu and is lashing out. The point is, I don’t know why Nanami made the exception to his rules for Gojo and that’s why I’m clueless on where Megumi fits into this theory.

I’m not sure if Sukuna intends to keep Megumi as a puppet forever. For the sake of his own entertainment, he’ll probably release him after ingesting his final finger if Yuji can’t separate them first. And in a very twisted way, his treatment of Megumi could also be seen as a cruel training regiment. Sukuna thinks suffering and isolation brings strength. That’s how he’s justifying whatever happened to him.

But on the other hand, maybe he won’t. Because now Megumi has the blueprint for surpassing him. Defeat means being a slave again and Sukuna can’t have that.

[blighted-lights]

having to restrain myself from making a ridiculously long meta analysis of mtmte ravage and why there was so much potential lost for him + why narritvely his character works but the narrative doesn't work for his character. i have no idea how if word any of it but. i am so so tempted.

ravage does what the narrative needs him to do very well! but in order to do that, it fucks up some important key points of his characterization. plot points are picked up and then dropped, his abilities are forgotten about frequently, and he's passively treated as an animal despite the original emphasis that ravage isn't a pet. he's such a weird character in mtmte. wish i could word what i wanna say about him in a way that i like.

[tumblingxelian]

Fox Miraculous - Reimagined:

This is inspired by the fact its "illusions" cannot be seen by cameras. Rather than this being a weakness, its a reflection of the fact most users do not understand the fox.

Name: Trixx Animal: Vulpes Era: Caveasphaera Domain: Mirage and Manifestation Kindred: Horse (Action & Migration) & Butterfly (Transmission & transformation)

Mirage: The Fox is often mistaken for creating illusions, but this is not so, in truth it creates what can be described as hallucinations within a certain range, altering the perspective of those within it to match the imagined perceptions of the user.

Manifestation: The power to manifest one's innermost thoughts, an image, ideas, or more via the Fox can also be applied on others. Just as the Turtles Shield can encase the user or a foe, so two an the Fox manifest a mirage based on the perceptions of someone other than the Holder.

Some Mages Thousands of Years ago: ... and this one lets the handler place hallucinations in someone else's mind, or even externalize their targets thoughts, manifesting them as a sort of shared mirage. Useful for trickery and interrogation.

Trixx, who just got here: Yeah that sounds about right.

(Maybe) Lila/Alya thousands of years later: So what you’re saying is I can use this to make people see the world as I do. That I am essentially eroding the barrier between my perception of the world and theirs, imposing my thoughts, feelings and visions upon the target. Which could allow me to steadily warp and erode their sense of self and view of the world until its either the same as mine, or simply whatever I sculpted them into. Essentially allowing me to steadily overwrite an entire personality and perception of reality? With all it costs me being the risk of my own slower erosion of self as all those around me join together in a panopticon like hivemind?

Trixx & Some Mages Thousands of Years ago:

Note: One can try and reshape people over time, but one cannot always predict the results. So it could go really, really badly.

[majosullivan]

*slams their hands on the table with increasing strength* Blitz and Millie episode. Blitz and Millie episode. Blitz and Millie episode. Blitz and Millie episode. BLITZ AND BILLIE EPISODE. BLITZ AND MILLIE EPISODE. BLITZ AND MILLIE-

*joins you slapping the table at increasing strength and speed* BLITZ AND MILLIE EPISODE, BLITZ AND MILLIE EPISODE, BLITZ AND MILLIE EPISODE, BLITZ AND MILLIE EPISODE, BLITZ AND MILLIE EPISODE, BLITZ AND MILLIE EPISODE, BLITZ AND MILLIE EPISODE-

Ghostfuckers is going to go so damn hard. Judging from the trailer, we’re getting Blitz and Millie being shitty ghost hunters, a flashback to when Blitz and Millie first met, Millie joining the ‘appearing in Blitz’s hallucination that rips into all his worst fears and insecurities’, Blitz possibly being possessed AND Millie having to fight possessed Blitz? October is going to be WILD

[superbat-lmao]

Bruce is off world and Cass snaps.

She cuts the feed to the cave, traps each of them in a separate holding cell, and truth serums them.

She is sick and tired of them lying to each other, lying to themselves.

Once and for all, she wants them to just talk to each other.

Jason is the easiest one to start talking, he’s been the only one talking about anything close to honest the whole time. Sure, usually it’s yelling about it on a rooftop but now it’s yelling about it in the cave. He fights talking about the good memories because they hurt more than the bad ones.

Damian has the fewest grievances. He hasn’t been around long enough to have years worth of issues, and most of it stems from the same problem.

Dick and Tim are actually the biggest problems.

Tim has the most to talk about. He’s angry with all of them. Jason and Damian are the most obvious, but he has just as many grievances with Dick if not more. They have all hurt him, not accepted him, rejected him. He isolates rather than talking to any of them about this because every time he objects to how he’s treated it’s like he’s breaking the family. He should be thankful Jason’s back at all or that Damian isn’t trying to kill him. If he says anything it sends them both into spirals that makes them avoid the family and then it’s his fault, so he leaves as much as he can.

Dick is the most brutal. They all look up to him, even if they don’t want to admit it. He proved it could be done. And every single one of them got a Bruce that already used him as a practice run of having kids. He is expected to handle it, to leash his anger, to be more open than Bruce. And he does it, but the level to which it’s a performance? Only Cass and Bruce have a real inkling to how much he’s acting. Jason saw more of it than he should have before he died, but even he wasn’t actually prepared for Dick’s honest thoughts on all of them.

Jason: Dick never wanted me here, Tim picked up the mantle as though nothing had changed, and Damian is the most judgmental and least experienced. I no longer have the innocence I did as Robin because the world has proven that morality doesn’t protect you. I cannot give up my ideologies for emotional vulnerability with people who do not care, it got me killed once and it’ll kill me again.

Damian: I was told my worth here was based on my sole existence. To have to unlearn my upbringing while surrounded by others that challenge my worth and place in this family is a level of vulnerability I will do anything to avoid.

Tim: Jason tried to kill me, Damian tried to kill me, and Dick doesn’t care. Every single thing I have accomplished has been in spite of my supposed brothers, who have only distrusted or hurt me. If I point this out, it is my fault for driving them away no matter how much they hurt me.

Dick: Jason died, Tim asked me to be Robin, took it for himself, Jason tried to kill Tim and Bruce, and Damian lashes out at every available opportunity and somehow this is my fucking problem. I did not sign up to be a parent or even a brother. I am not responsible for their decisions. I agreed to be responsible for teammates and missions, not the emotional vulnerability of a family I never asked for. I handle myself and they should be capable of dealing with their own problems without dragging me into them. They aren’t. I was an only child and had the responsibility of being a parent thrust on me when I never agreed to it. I have my own life and my own problems that take a back burner to anything else in this godforsaken family. I moved away and am still fucking here.

But even talking to each other like this can’t solve everything. Because for as upset as they are with each other, it’s Bruce that they’re actually upset with.

[angelnumber27]

I dont think some people understand how truly awful and hellish withdrawals from some psych medications are.

[silo1013]

salvaged from the office fire in 1998

[ganondoodle]

i know i have talked about this many times in detail by now, but the whole "shiekah tech just vanished" totk interview reveal will grind my gears anytime i think about the franchise for i dont know how much time to come

its such a lie to your face i just cant help but feel insulted, bc no, its NOT all gone and vanished, you kept the few parts convenient to keep and got rid of all that could have even vaguely distracted from the new shiny sonau stuff, at least be honest and just say you didnt think about it needing any sort of reason, say you dont care, say there were writing or staffing troubles, say you had other priorities, say you didnt think people cared about continuity (lol) even between two games taking place in the same world no 10 years apart, say you just wanted to generate money but even more, idk, id much rather have them be honest about it than lie like that bc this way it makes it feel like they think im stupid, like id just gobble up and be happy with anything they say to get me to shut up and keep spending money

(╯‵□′)╯︵┻━┻

[elizakai]

alright sorry for the momentary seriousness again you guys…i’m going to be brief right now but my blood is boiling at this point.

you know who you are, could you kindly stop making up narratives abt me? Stop drawing made up conclusions, stop ‘spreading awareness’ of something that is not even true. You’ve built this false narrative and you are actively harassing me over it. This is harassment and it’s been going on for a while now.

This is a topic i'm not even comfortable speaking on and yet you’re spreading bs that is pushing me to the brink.

This is increasingly obsessive and borderline stalker behavior.

Being so, so genuine, please cut it out.

my friends are getting anon asks about this shit. i have no idea where else you’re saying these things.

If you have that much of a concern be an adult and dm me.

jesus christ.