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#and adding effects to artworks to get just the right feeling has always been my favorite part of drawing
plagueislost · 2 years
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cream + sugar
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strawbbella · 2 years
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Helloo~ I was bored in class one day so I thought "why not do an art study of the artists I like" except it incredibly scuffed and I really just looked at a bunch of art on their page and i tried my best to replicate one of em
So these are the 2 'studies' i did that day
1st:
My ver:
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(Art by @izuke-the-zombie )
ref pic:
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What I noticed first while sketching is ofc the super gorgeous cute style. Though not long into the sketching phase noticed her lines are quite sharp and pronouced, for most of her works she keeps her sketch lines making it seem more mmm hazy is the right word? Or effortless, but with every sharp line a rounded(?) line contrasts it, giving it that signature fluffiness. I absolutely adore how well this all mixes together, i dunno just sonethin bout her lines bro
I love the expression, really gives off absolutely love sick, I didn't capture the eyes quite well (I blame my chonk pen because all good artists blames their materials/j) Macaque looks more scared than breath taken and I put the eyes too far apart. I basically deprived the eyes of its soul lmao note for next time I do a study.
Ok this part has not much to do with the ref pic but her art in general and that includes her writing. I adore the cute HCs and little stories/AUs she would post, just so much creativity and its always so comforting to read as theyre so wholesome and cute. Im so sure one of my first posts here were a drawing of one of her HCs LIKE SRSLY SO CREATIVE. I was also surprised as I saw in some artworks she's able to draw structures and environments that draws your into the scene, its fits the universe so well, just adding to that little wonderment of awe. Shes amazing at coloring too, real soft, but still makes the characters pop, i'd say more but my brain is short-circuiting from all this analyzing. Shes just all round incredibly talented and creative honestly. Her style is exactly what i wanted to have as a kid and what im striving to have now. So cuteee
So far 11/10 art style, love the chibiness, cuteness, expressions, the pure and pastel feel and colors, and details. Just love her in general<3 check out her page lol
2nd:
My ver:
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(Art by @clatteringbats )
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Ok so immediately off the bat I knew I was gonna have some trouble here since I've been drawing chibis from the very start.
Just from observing her art I alr saw it has a lot of movement in em, lots of dynamic poses, and LOTS of embraces, really just pouring with that fluff/angst energy. At first I tried the anime body guidelines and boom instant error. Though not all that noticable the heads have sum chonk in em, especially the cheeks, giving that cute factor despite not being a chibi style. Im all for it. The lines are very soft, not a lot of sharp edges and if there are theyre placed in a very subtle way. The expressions are wonderful: from a subtle hopeless smile from an overwhelming roar of grief and anger, she's mastered the the art of slight details that give these effects their magic. Her lines are sketchy but not messy (does that make sense) they clump together neatly, giving the illustration clarity.
AND OMG HAVE YOU SEEN HER ANIMATICS? THE MOVEMENT, THE PACING, THE SMOOTHNESS, THE INTERACTIONS, THE EMOTIONS, THE EVERYTHING. THEYRE SO AAAA ITS LIKE A PROFESSIONAL STORYBOARD FOR A TV SHOW.
The way she uses color too— just o h m y g o d .
Her colors are so bright and clear, so nicely blended together, so bold, but not in the way that burns your eyes, she keeps them neutral in a way, that envokes that sense of harmony; like a sunset. (I legit have one of her colored artworks as my wallpaper) I have lots more to observe, but so far this is all I have to say. The skill of overflowing
Anways, back to the task at hand. I made the heads bigger than i shoulda , cause well chibi artist ehe. Again, I blame my chonk pencil. I didn't get the embrace quite right, but Ion think I could level with the queen of LITERALLY DRAWING TEARJERKING HUGS LIKE? I tried with the hands, I swear. I knew they were a little small but only now am I realizing its that way cause I made the heads too big. I wanna try drawing more in her style as its really just full of movement and flowiness, I wanna try mastering the way she draws perspectives too. I noticed for perspective shots theres this grid for the sky and ground (which is genius) will try that out when I actually pick up digital art again.
Check out her page, theres lots to see shes amazing 11/10 artstyle<3
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chevvy-yates · 8 months
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[NC_RES]_17112045-NCA arki_portraits_010_DA_KB_WA.file ///core:_arki.file\\\
⚠️ READ: Please do not repost/reupload any of my art here or to any other platform, or I will be forced to do anything to get it annihilated.
Akki/Arki belongs to @nervouswizardcycle. ♥️
First picture is the cover artwork for:
///CH01_THE_GOLDEN_DEMON_OF_KABUKI.file\\\ from Cyberpunk 2078 – Pandemonium
Additional info behind the cut:
Tbh I always didn't like the existing menpo masks of the game as they look weird to me and not 'classic yokai/oni mask' enough. The more happy I was about the 'Yokai International' mod by manavortex. Once I saw them on nexus I knew that this is the point where I could finally vp the starting artwork picture for the story.
There's lot's of textures and brushes added as I knew right from the start (through another vp project I haven't posted yet) that the ingame given effects won't satisfy me so I had to add them in post process.
I've done stuff like that years ago (mostly for work) but have always been too lazy to do it right from the start in vp (plus I was learning how to use my ingame tools first). And tbh I will only do it where I think it is neccessary as it eats a lot of time until my annoying perfectionism is 'okay' with the result.
Spent three evenings/nights (after work) on both pics. Second was faster done as of the existing layers/settings from the first, just tweaking the effects a bit differently. The second pic is only an addition for the normal vp post as I didn't use it for the chapter pdf.
The golden mask is recolorered as it appeared red in the original picture due to me having a red light spawned for a more dangerous feeling. Hair that clipped through the mask needed to be retouched by redrawing it and then it was just basically playing around with effects.
Here's the (already color tweaked with Lightroom) non-effects pics, so you get an idea of what has been added and what has been there already.
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I took only two pics – nothing more as it was exactly the poses I wanted to have. I lightened up the 'maw' part of the mask to give a feel of a real maw at first but when you look closer you see Arki's beard and bottom lip. The second pic doesn't focus so much on this as mentioned it got not used as keyvisual for the chapter.
'The Golden Demon' refers more to his golden coat and the golden gloved claw, rather than a golden mask. Yet for the key visual I wanted the mask to appear golden as we do not see his coat and the mask was more important in my opinion.
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jamiesfootball · 6 months
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i literally broke out the pen and paper (made a list and checked it twice) trying to find numbers for the ask game you hadn't been sent yet!
as many or as little as you feel like answering!
4, 17, 19, 30, 35, 56, 74
💚💚💚
Thank you thank you! Sorry for the delay, but I had to set these aside so that I could give them the proper time and focus they deserve!
4. what is the plot bunny you’ve been carrying for the longest? optional bonus question: do you ever wonder why you haven’t written it yet and experience deep existential dread?
It's got to be my original work space thing A Robot Named Future. Specifically there is A Scene in it that I first came up with back in...2014? It's loosely based off the robot interrogation scene in the Will Smith movie I, Robot. Except in my book it doesn't involve a robot, its actually about [redacted].
Then later the robot shows up.
It doesn't fill me with existential dread though- it fills me with excitement. Of all the original works I have spinning around in my brain, this one is 1 out of 2 that are the predominant ones I spin around and I've written a few scenes. One of my goals for this year is to actually sit down and outline both of these stories. I'm quite looking forward to it.
17. what is your favorite line you’ve ever written?
Oooooooof. Uh. Honestly I feel I bang on about this line too much, but of the published stuff it's still:
He wondered if maybe he wasn't Sisyphus but the goddamn boulder that kept pushing everyone down the hill.
Bonus runner up because it always makes me laugh is this entire exchange:
“Hold on, now, Rocky didn’t go around tying dicks together, bruv.” “That we know of,” Moe retorted. "Yeah, I haven't seen any of the new ones," said Colin. “Creed was dope,” said Declan. “Michael B. Jordan pulled a plane in that one.” Jan scoffed. “You mean his stuntman pulled it.” “I don’t like Rocky,” Richard added, though no one had asked. “Guys, we do not have time to argue,” Sam implored. He worried the spool between his hands, turning it about like a puzzle. “We have to be on the pitch soon.” “Sam’s right. We’ve got to make a decision,” Isaac said authoritatively. “What do we think? And it has to be unanimous, it can’t just be a few of us out there with strings tied to our willies.”
19. what are some books or authors that influenced your style the most?
Ooooh, there's more than a few. Different authors taught me different things.
First, I think I would be remiss if I didn't mention all the art history courses I've taken in the past. Poetry may have given me the vocabulary to describe a scene, but writing about artwork I think is where I learned how to paint an image of a scene. Where to put the highlights and shadows, what objects get brought into focus. One of my old art teachers would remind us that 'all lines are not equally important', and when I'm describing, say, a room or a setting, I try to keep that thought in mind. I don't need to describe everything, I just need to emphasize the important and leave the obvious vague (another one from an art teacher.)
I have to give a special shout out to Terry Pratchett, specifically in regards to how he brings focal depth into consideration when writing very emotionally wrought scenes. It is the instinct of most writers to push inwards when describing horrible things, to focus on the effect they have on the individual. But after being blistered by T-Prat time and time again, I saw a post that pointed out how at some of his most emotional scenes he actually pulls backwards, leaving the audience to bare witness and fill in the blanks with a purposefully distanced grief we couldn't possible understand. This definitely shaped how I approach emotional scenes; I try to be intentional and weigh where that depth of focus should land.
Not to bang on this gong forever, but I have a deep and abiding love for Kurt Vonnegut. His prose style is so interesting to me in a sort of 'you can write things however you want, actually' sort of way. He'll be halfway through showing you a deep examination on the human psyche and then he'll leap into omniscience to make a joke about how aliens would find this part of the human experience very stupid and needlessly complicated.
So it goes.
30. most inspirational quote you’ve ever read or heard that’s still important to you.
Not sure if it counts as inspirational, but there are two quotes from completely different series that sort of twined together in live on in my head:
One is from Discworld, where the dwarves have a saying: All things strive.
The other is from the manga Saiyuki: Even a one-inch worm has a half-inch soul.
35. tell us about a character who’s very different than you who you love a whole lot
A lot of characters are very different from me. In terms of characters, I would be Higgins. So any character who you would say is not at all like Higgins is very different from me.
Though in the spirit of answering I'll say Keeley. When I was watching Ted Lasso casually, there would just be times when I would blurt out 'I love her.' She's so wildly endearing to me.
56. five years from now, where do you see yourself as a writer?
Hopefully at a point where I am still writing and where some of the longer things I'm working on have been finished!
74. are you a planner, pantser, or planster?
All of them. Whichever the story calls for.
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bonny-kookoo · 4 years
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Good Girl [J.JK x Reader]🔞🌼
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Pairing: Jungkook x Reader
Genre: Smut, Fluff, a lil angst
Warnings: dom/sub dynamics, dom!jungkook, sub!Reader, size kink, oral (f & m rec.), mild dd/lg themes, praise kink, cumplay, reader is a virgin, jungkook is lowkey a hoe, a lil heartbreak, Taehyung makes an appearance, long haired jungkook, mentions of harrassment, jungkook punches a guy, strength kink
Jeon Jungkook was known to have a specific type when it came to his partners; tall, gorgeous, dominant and older. It's not like he's a true blood baby boy; he's just too lazy to put any effort into his flings. When a new girl answers to his ad online searching for a roommate for his apartment to share rent and space however, he didn't quite expect such an innocent being to turn up at his doorstep with a box full of pastel colored belongings, ready to move in. And what he definitely didn't expect was his growing interest in her and the feeling of having her under him, all submissive and ready to be ruined.
Good Girl || Sweet Girl || Smart Girl || Brave Girl || Pretty Girl || Charming Girl || Enticing Girl || Bad Girl || ???
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A wink was all he got from the woman who'd occupied his bed together with him last night as she walked out his bedroom door, seemingly knowing how to get out of his apartment. Jungkook ran his hand through his still sweaty hair, groaning after stretching his arms above his head, his mood seemingly sunkissed. He just finished an almost three hour sex-session after all; all without him providing any actual effort. His dick had seemed to be enough for her anyways, her face when she rode him happy, although he could really care less.
Reaching for his laptop near his bed, he didn't bother to put on any clothes for now, just wanting to check if he'd gotten any new E-Mails or messages, clicking through the casual nudes that constantly seemed to slip into his postbox. He cocked his head to the side however when he noticed that a website has notified him of an answer to his ad online; he'd put it up some time ago now after Taehyung, his former roommate, had to move out simply because Jungkook himself couldn't survive the older one's sleep shedule. Tae seemed to never sleep, waking the younger one up on a daily (and nightly) basis. He really tried to get along with him, both of them sharing a deep friendship, but god no, as a roommate he couldn't stand that guy. His rent however was something he struggled as well, so as much as he really wanted to live alone, he couldn't. He clicked the message on the website, his interest peaked.
"Hello. Is this AD still up to date? My name is Y/N, and I'm searching for a place because I'm starting to work close by soon, and its too expensive to take the bus for hours on end every day.. so uh, I don't know? I'm really good at cooking, and I promise I'll be so quiet and organized you won't even notice I'm there! I work at a restaurant nearby as a waitress- I mean, I'm going to, haha. Ugh, I hope you're okay sharing your apartment with a girl as well, I for my part don't have a problem with that! So, I guess, I'll wait for your reply?
Have a nice day!"
He scoffed a little, hovering over the delete button, but instead, he clicked her profile icon, opening the details. Her profile picture showed a white big dog, being hugged by what he assumed was her. He couldn't see her face however, half of her face above her nose cropped out to fit the entire dog instead. He could spot her clothes however; a top and skirt, flat shoes and sheer tights with white spots on them. His brows furrowed, how old was she? Her profile said she was about a year younger than him, every post she'd made up to this date about pet stuff, clothes who all seemed to follow a pastel-color scheme, and artwork you seemed to be selling. You were basically the definition of cute.
Fan-fucking-tastic. Hopefully you wouldn't be too upset when he denied your request, but somehow he thought it over. You said you could cook and you did seem like an organized person. Knowing what kind of effect he could have on people, he could probably scare the shit out of you and keep you around without really having to interact much; and rent was also due this month, so the sooner he found a roommate the better. "Fuck it." He said, and began to type his reply.
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When his doorbell rang, he almost burned his hand with the hot water he currently used to make himself a cup of ramen, cursing loudly. Who the fuck wasn't home again so he had to take their package in? One day the old lady across the hall would find a dead rat or something in front of her door, he swore to himself. Ripping the door open with so much force he could feel a bit of wind gushing by, his eyes widened when he saw a similar face in front of him- well, a little below actually. He remembered your lips instantly for some awkward reason, having tried to maybe paint a picture of what you looked like entirely over the last few days. He would've never expected something like this however- you looked like a literal doll in his opinion, your eyes wide open and mouth a little parted, shiny lipgloss making him swallow. Wait, did he really forget that you said you wanted to move in today?!
"I uh.. I'm- I'm Y/N, we- I- the ad..?" You said, your voice sounding nothing like the woman he usually was around. He smirked a little, moving so you could step inside, food now definitely forgotten on the kitchen counter. He really should've at least cleaned up a little he thought. Whatever.
"Yeah, figured. There you go, thats your room. The keys and shit are on the matress, make sure you don't loose 'em." He simply said, before leaving you alone in your new home to settle down.
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"What I'm trying to say is, Y/N, you and I, this could really be something!" Taehyung slurred into your ear, loud enough for Jungkook to hear. For some reason it pissed him off to no ends how close the older one seemed to be, constantly hitting on you like he was a starving man, even know half of town knew very well that he wasn't. He could see why; you were innocent, and Tae known to fool around a lot. You were a challenge, something new for him, and he would lie if he said that he wasn't interested as well. Oh he was; but he also had at least some manners left inside of him, contrary to popular belief not only thinking with his dick. Taehyung however was only out for fun, making Jungkook question if he should really let this continue.
He decided no.
"Alright you fucking whore, it's bedtime isn't it? I'll call you a cab." Taehyung groaned at the younger one's words, nodded his head however before looking at you with a smirk.
"Ah, what a shame. But if you wanna have some fun you know my number!" He said, as if he didn't just offer you sex. You blushed at this, not answering, making Jungkook watch you a bit. You really were something else. "Jungkookie, you're so nicee... If I was gay I would definitely suck your dick-" The younger in question made a disgusted yet amused face, putting a hand over the blue haired one's mouth.
"Yeah yeah, you pay me back though you fucker." He said, before going into the kitchen to make the call. Taehyung, being left alone with you again started with his questioning, as he had done the entire night.
"So, Y/N.." He said, dragging out the last syllable of your name playfully, making you shuffle around where you were sitting a bit. He certainly was a pretty attractive guy, but he also seemed to be very straightforward- something you always had struggled with, being more on the shy side. You looked at him, silently urging him to continue before taking a sip of your own beer- cherry flavored, simply because the regular was too bitter in your opinion. "What kind of toys do you use, heh?" He questioned, and you coughed suddenly. Taehyung laughed loudly at that, cooing when you calmed down slowly.
"Taehyung, stop harassing my roommate you fucking idiot. I need her to pay half of the rent-" He said, before sitting down next to you, raising one of his eyebrows at you. "And she also makes some killer lasagna. Kinda wanna keep that." He said, before laughing a bit. Even though Jungkook seemed to be pretty intimidating to you, he was actually a pretty good guy to have around. You both barely ever fought, and overall you could almost see yourself falling for him too- he had the looks after all. But his habit of bringing people over just to satisfy himself was something that made you keep some distance between you both. He wasn't someone to settle down- let alone with someone like you. You were pretty much the exact opposite of what he seemed to like.
Sending Tae home was easier than you both thought. Not being able to go to bed you both decided to watch some late night shows while casually talking- something that wasn't uncommon between you two. Just when you seemed to have gotten comfortable again, Jungkook couldn't help but tease you again.
"So, what Toys do you use, heh?" He said, laughing with his head thrown back afterwards at your red face. This would certainly never get old in his opinion. Just as he was about to apologize and tell you you didn't have to answer, your voice was heard, however.
"None." You said, and his eyes widened at that. "What? Do I look like I do these things to you?" You asked, and he cocked his head to the side a bit, scanning you obviously. He shrugged, and you began to pout, moving to wrap your pastel pink blanket around yourself. "I don't even know how to buy one. That stuff is just.. don't know. Gross." You said, and Jungkook turned on the couch, body facing you now, his interest sparked.
"Gross? So you never had sex before?" He said, and you went silent. Were you serious right now? You were an angel in his eyes, body proportions almost perfect, hell, even your slight imperfections were adorable in his eyes. Up until now he had been sure that you at least have had your fair share of experience, but a virgin? His world was suddenly turned upside down. "Well.. that's something I didn't expect." He said, making you raise your eyebrows at him. "You're hot. Thats why. Oh well." He said, missing the way your eyes widened at that. "I'm gonna go to bed now. Goodnight." He simply said, and you answered with a short 'goodnight' as well- still a bit surprised by his statement. Jungkook thought.. you were attractive?
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He'd somehow gotten used to you, how you would leave your pastel pink but admittedly really soft blanket in a pile on one edge of the couch in the living room, how you sometimes left your toothbrush in the sink when you'd been in a hurry, or how you would hum to a song, not knowing he could hear you very clearly. Maybe he really did go soft after living with you for a while. He still didn't know himself why he got so upset with Taehyung the day prior; was he really being selfish? He was protecting you, nothing more. Taehyung was everything but a gentle lover, jungkook just knew he'd break you for sure, not to mention that you already stated how much you despised one night stands, which were practically Taehyungs speciality. He was just looking after you, nothing more.
The more he thought about it however, the more problematic the entire plan became.
But even now, while the young woman whose name he had already forgotten was giving it her all sucking his dick, all that seemed to swim around in his head were the events of the previous evening; how innocent and embarrassed you looked at him when you told him you'd never bought, let alone use a toy before. Surely you'd be someone to enjoy a good vibrator he thought, maybe as a gag he could buy you one? Oh how enchanting you'd look, spread out on his mattress while he would edge you over and over until you'd be crying, begging for his mercy. He would praise you for taking it so well, for being so good for him and only him, and he just knew you would blush. Instead of rushing to his own satisfaction, he would go slow, agonizingly slow, just to see how far he could push you. He would feast on you like a predator on his prey, pull you close so you had no chance of escaping him, he would trace every curve of your skin, gently, as if to make up for the bruises and Mark's he would surely leave all over you to feed his inner need to claim you, even though he would never let anyone see you like this while he was alive and breathing anyways. He just knew you would fit perfectly underneath him, his body covering you and shielding you away from the world around. Would you be able to take all of him? He probably would have to stretch you real good before even thinking about pushing his dick inside you, yet he just knows you would somehow make him proud and take it all, and he would continue his praises, telling you what a good girl you are.
He almost laughed at the situation, he really was in deep, wasn't he? Frustrated and confused he started to picture someone else entirely kneeled between his legs on the floor, how you'd bat your eyelashes at him like the fucking angel you were instead of the girl currently there, and that thought alone gave him the final push to shoot his load down the strangers throat, who moaned obscenely at the feeling. Usually he would be aroused, ready for more, but the sound of someone who wasn't his little roommate ripped him out of his daydream. This couldn't go on like that. Sending the lady out without many words, he decided that he just needed to fuck you, and all would be good again. He was just curious. Nothing else. He just needed to satiate his hunger and he could go back to normal.
How would he be able to do this without ending up hurting you? No matter how big his hunger for you was, he also considered you somewhat of a friend. He remembered when you came home crying one time after a bad day at work, and how he wanted to hold you, shielding you from any harm, making you feel safe. Because that's what he, and only he could do in his opinion. No matter what, he'd protect you, as weird as that sounded. Shit.
He really had a crush on you.
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Unknowing to him you always held your hands over your ears whenever he brought home a different girl, not being able to listen to his moans mixed with someone else's. You were slowly beginning to regret moving in, already starting to think about maybe searching for a different apartment. But the rent was cheap, your room big, and his company relaxing when he wasn't busy being buried in someone he couldn't even remember after a day or two. Somehow tears were leaking out of your eyes, and you took your hands down from the sides of your head to wipe them away, careful to be as silent as possible as to not alert him that you were awake, well aware of the shower turning on. You did notice however how his sessions became shorter and shorter, always seeming to end sudden instead of usual. But the more you thought of it, the more angry at yourself for falling for this manwhore you became. You really should hate him- but you couldn't.
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Tonight was definetely the prime example of why you didn't go into clubs. The sheer amount of people around you, the smell of sweat and cheap cologne and perfume all around made you feel like a headache was inevitable. Why were you here again? Oh yes. You followed Taehyungs advice and 'tried to make friends' instad of looming around your apartment all day. But right now you just really wished you stayed home instead of going here.
Sure, you liked your coworkers, and they seemed nice and everything, but if you were being honest, they're definition of fun was entirely not yours. You began to feel cramped up in the large club, making you desperately pull your phone out of your pocket, texting Jungkook in hopes he could save you from this god forsaken torment they called a club.
  Minutes later, after Jungkook oh so gentlemanly told you to pick you up, you stood in front of that said location, waiting for his cheap but admittedly nice car to pull up. Sadly, someone else seemed to be way more intent on bringing you home- a young man your age, attractive, yes, but also heavily intoxicated. He had already eyed you up inside the building you noticed, yet hadn't made a move towards you. Now however, he seemed more determined than ever.
"Lets go home baby, I swear you won't regret-" He started, but you moved away from him, clenching onto your little handbag in order to at least keep your belongings safe if he tried anything else. Suddenly both your figures were drowned in the warm light of Jungkook's car lights- you immediately recognized them simply by the fact that one was brighter than the other, something you always told him, yet he always waved you off, telling you that both were doing just fine, even though his left light was clearly almost dead. Typical him, you thought. Yet right now, you couldn't be happier to see him.
He however, did not seem happy at all. His face was serious, his wavy hair hanging a little over his eyes, steps fast and strong enough that you could hear his black boots almost crush the slight gravel of the parking lot. "Fuck off sunnyboy and go back inside." He simply yelled out, having already seen how uncomfortable you were with the stranger so close to you. Jungkook wasn't someone to blindly punch someone, that said however, he couldn't contain himself once he saw the guy reaching out for your arm, your figure instinctively scrambling to get behind Jungkooks way larger body. He didn't even notice his fist connecting with the strangers face, simply leading you by the small of your back inside his car, driving home without any more words.
You were not to be touched by someone so dirty like this young man who didn't even knew his own limits it seemed.
Yet you were completely confused now. Maybe, if you were now the reason he got into physical fights, you should make a decision.
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The next morning, sitting down at the kitchen table, you watched Jungkook filling your bowl with cereal as well- lucky charms for you, and chocolate chips for him. It became somewhat of a routine since you both woke up roughly around the same time, sharing breakfast was common. The best moment in your opinion to pop the bomb.
"I'm moving out." You said softly, fiddling with your fingers in your lap, leg nervously bouncing up and down. Why did this feel like you were breaking up with him? You both would've ended up going separate ways sooner or later anyways- so he would probably just nod, ask when, and that would be it. He was someone who didn't bother much. But the second you said it, he turned around completely shocked, suddenly very much awake.
"Why? Did I do something?" He asked, sounding genuinely offended for some reason you couldn't come up with. In his mind, scenario over scenario started to play, as if he wanted to search for something he may have said or done to make you so upset that you didn't want to live with him anymore. He knew he shouldn't be so upset over it, since you and him were merely roommates, friends who shared an apartment, nothing more, but he never really expected you to come up with it so sudden. Or maybe you had a boyfriend? What if it was Taehyung, and you just didn't tell him? He would rip that fucker's stupid blue hair out, he knew-
"No. I- not reall-" You sighed, setting your elbows on the kitchen table before letting your head fall into your hands. "Actually yes, you did." You started, looking at him, but unable to hold eye contact with the now completely confused curly haired boy in front of you. "You.. uh.. I cant sleep. Your, 'guests', the walls aren't really soundproof and like, I really- and just.. ugh this is so awkward, please don't make me say it-" You said, groaning the rest of your sentence before stubbornly shoving your back against the chair, throwing your legs back and forth viciously, reminding Jungkook of a kid who was close to throwing a tantrum. Even though this was definitely not the time to think about you laid out over his leg, his hand hitting your perfectly shaped butt until it was red just to punish you for being such a brat, exactly this picture began to form in the back of his head. He hated himself somehow, really. But somehow instead of accepting your decision, he moved to stand at the table, hands on top of it, eyes searching yours.
"Say it Y/N. You know I hate when I have to pull thing out your throat sweetheart." He didn't intend on using the nickname, but somehow he threw his hesitation out the window. If you really were fooling around with someone, someone who wasn't him he wanted to know- and even if you didn't share that information with him, you would move out anyways, so why hold back anymore? You shook your head at him, avoiding his gaze, and he clicked his tongue, patience slowly thinning out. "Spit it out." He said again, but he still got no reaction. His hand seemed to move without his consent when he suddenly found his fingers on your chin, moving your head to force your attention towards him. "Speak the fuck up, I swear to god." He said, voice dropping down lower, and somehow you seemed as if bewitched.
Maybe it was the way he stood there, how he still held your chin, or how intensely he looked at you, but words dropped out of your mouth as if you drank harry potters truth potion. "I cant stand that you let these girls touch you, that they can get you so easily and you just look past me a- and I really tried you know, because Taehyung said you liked mature girls more so I tried to do that, but he lied to me, you don't notice me at all, you're so mean you-" He shut your mouth with his mouth, trying to process the information he just received, yet it seemed like it was too much at once. You were.. jealous? And what kind of stupid advice was Taehyung giving away, that fucker? It was true that he liked his women to be confident and mature, but that was just so they knew what they were doing, and he didn't need to put so much effort into something he could get so easily.
"So you were jealous?" He said, a small smirk creeping up on him, cooing at you internally when you shook your head, face red. "If you wanted me to fuck you, you could've just asked. Geez." He said, but instead of being relieved, your shoulders sagged down. "What?" He asked, and you mumbled to him.
"Because I don't want just that one time stuff you do." Jungkook looked at you, eyes softening at your somehow-confession. He just put together the pieces in his head, and it did make sense. You were practically attached to him wherever he took you, always seemingly glowing whenever his attention was on you. He was as much as a dense head than you were, and he couldn't help but pull out a chair and sitting down, patting his legs as an invitation.
"Good, because I don't want that either. And I don't share either." He said, and looked at you gently, but with a deep darkness behind his eyes. "Trust me baby, you can sit down now and I promise you'll be the only one to have me- or you can move out and go on with your life." He almost laughed at the way it suddenly clicked in your head on what he was offering, suddenly jumping up and sitting on his thighs, legs on either side of his body. He looked down at you, a divine picture coming to life. His hands were placed on the exposed skin under your skirt, slowly sliding over the soft skin until his fingers felt the seam of your tights- those goddamn things he'd wanted to rip off of you so badly these past days. "You can touch me, you know?" He said lowly, and you noticed how awkward you must've looked for a second, seated on his lap with your hands in front of you, unsure where to put them. Just to ground yourself, your fingers began to play with his shirt, and he had to swallow the laugh that wanted to break free. "You don't have to do this, you know? I'm fine with waiting-" He began, but you immediately shook your head, however, at loss for words. He smiled again, dangerously so you noticed. His head dipped down, finally touching your skin on your neck with his lips, leaving open mouthed kisses under your earlobe down to the crook, hands moving over your clothes already mapping out your body in his mind, one hand pulling down one side of your soft fleece jacket you wore, pulling down your shirt as well, so he could softly nip at your shoulder, making you gasp oh so cutely at his actions. His hands didn't stop however, moving over your chest, kneading both of your breasts softly, as if he would hurt you if he used too much strength- which was probably the case. He already loved how bis his hands looked running over your body, how your hands held his shirt in fists, eyes closed, yet not because of fear; you looked serene to him, face showing him the soft pleasure you felt. He suddenly moved you a little, making you straddle one of his leg, core pushed against his thigh. "Let's start slow, yeah?" He asked, whispering words into your ear, lips never parting from you. He slowly began to move your hips, urging you to simply follow what you thought felt best to you. "Use me baby. Get off on my thigh." You whined at that, slowly starting to move more and more boldly, and he decided that he was officially a goner. Even if you didn't want him after whatever may be happening, he knew he could never go back. The way you squeezed your eyes shut every now and then, moving back and forth yet always a bit helpless, showing how inexperienced you were. He could feel the wet patch forming on his jeans, his hands moving you a bit faster, before you let your head fall onto his shoulder, making him chuckle. "What is it baby? Do you need help, hm?" He said, a bit mockingly even, and you nodded into his shoulder. "Tell me what you need then. What do you want, princess?" He said, running his hands over your back, feeling your bodyheat through your clothes.
"wanna get the same.. as the others.." You mumbled, unsure what you were even asking for. Jungkook however simply smiled, suddenly lifting you up, hands under your behind carrying you to his room, before finally letting you fall onto his mattress, laughing when your body jumped a little, making you squeak so cutely. He smiled, crawling over you, his fantasy finally coming to life- you looked so lost under him, so utterly defenseless he could swear he could feel something primal awake inside him- and that was not his dick, which already strained against his jeans, impatient.
"Ah but Baby.." He began, taking off your soft jacket before his hands traced your bare arms until he moved them under your shirt, feeling your skin underneath his fingers. "You're my special girl.." He began to lift your shirt up, helping you out of it before he got rid of your skirt as well, chuckling at your cute lacey underwear, which was so typically you. So innocent, yet so arousing, how you squirmed underneath him in nothing but those pastel colored undergarments. "And special girls get special treatments.." His words were low, soft spoken yet with a rough edge to his tone, a natural feature of his voice that you've come to love. You couldn't even begin to paint out a picture of what he was talking about- sure, you have seen your fair share of adult films, you weren't a kid after all- but up until this moment, up until you met Jungkook, you've never really thought about what you could like when it came to these things. Even in your thoughts you felt shy saying any profanities out loud, how could you expect to know about kinks? "But only if you can behave for me, but you can do that right?" He said, unhooking your bra behind your back with ease and interrupting your inner talk with yourself. "You'll be my good girl, yeah?" He said, and you just viciously nodded, already growing frustrated, and oh how he loved it. This was how he had pictured you. If he had known before that this was what it felt like to have control over someone, he would've never done anything else if he was honest; but then again, you really were a special girl to him. The way you suddenly mewled when his hand cupped your heat, giving you a little pressure just to tease you even further almost caught him off guard. God have mercy on his soul, you were so sensitive to him, and it dawned on him again that he was making you this way. He was the first to- and he would make sure he'd be the only one as well. All those noises tumbling out of between your lips were only his to hear. His breathing peaked up at the view he had, how you began to impatiently rut into his hand, needy for more than he was giving you. He leaned back, finally getting rid of his own clothes as well to your satisfaction, lazily throwing his opened flannel as well as his white shirt somewhere on the floor in his room, and you couldn't help but stare. Truth be told, you didn't really know what to expect of him if you were honest, his constant gym visits giving you the impression that he had to be extremely fit, yet his habit of consuming more than two cups of ramen easily spoke differently. He was, in your eyes, the perfect in-between- he definetely was fit, his abs visible to your eyes, yet he didn't look like those over-achievers you sometimes saw walking around the same gym whenever you met him there to go home together. The way his muscles flexed at every move when he loomed over you again made you want to touch him, yet your shy side forbade you. He chuckled again. "You can touch what's yours all you want, you know?" He said, before he began to place his hand back onto your chest, his breath hot on your collarbone where he placed his kisses again, already hooked on your taste. His other, tattooed hand found its way back to your core, feeling the dampness there with amusement. You were more than what he'd imagined. Slowly he got rid of that barrier however, leaving your tights on for his own pleasure and maybe also for the aesthetic of it, his digits circling around your sensitive bud, making you squeal again, putting your hands over your mouth to keep your voice down. He clicked his tongue at this, moving them to lay right under the small of your back. "Be good and keep them there, yeah?" He said, and you looked away.
"But its- thats emb-" You couldn't even finish the beginning of your rant before he went back to his task at hand, sitting back before moving your legs to spread obscenely over his thighs simply to catch a glimpse of your glistening center, before he placed his body over yours again, hand now roughly circling in delicious eights around your clit, making you gasp out.
"Nothing you do is embarrassing, you hear me. If anything its fucking hot how you can be so fucking adorable even with my hand between your legs, doll." He said, before dipping a finger into you, making you move a bit at the foreign feeling. "Gotta stretch you out babygirl.." He said lowly, careful not to get too fast. His second finger joined in, and he could feel how tight you were around them, already clenching a bit as well, making his mouth water, but also growing a bit of worry in the back of his mind. Usually he was quite cocky about his overly average qualities down in his pants, but now he was genuinely concerned to hurt you with it. This was definitely a first for him. "Baby you're so small.. I don't think you can take it.." He said, a bit of a teasing undertone to his words as well. "See? You're already squeezing my fingers so hard princess, how could my dick ever fit inside huh?" He said, contrary to his otherwise rough nature keeping his movements gentle and slow enough for you to adjust without causing much pain. He could see the slight discomfort in your eyes, yet you suddenly shook your head, voice whiny.
"Uh-uh.." You mumbled, and he laughed a bit at that. "can take it.." You said bratty as ever, feeding his ego to no ends. "Wanna have it- you.. you gon' give it right? 'm good.." You said, having troubles keeping your hands under your back just like he told you to, grabbing the sheets underneath you instead to have something to keep yourself grounded.
Jungkook couldn't stop smiling. You didn't even know what you were asking for, yet you seemed so drowned in trust with him, that you simply gave him the right to do anything he wanted with you. "You sure?" He said, and smiled at the way you nodded again with your eyes closed. He moved away after that, shedding his pants before he walked over to his bedside table, fishing out a condom, before moving back to you, your eyes now on him, or more than that, on his very apparent bulge his boxers failed to conceal. Maybe you really did ask for more than you could take. Quite literally. Sensing your growing uneasiness he simply discarded his underwear, cock finally springing free, slapping soundlessly against his abdomen before he sat between your legs again. You made grabby hands for the foil package in his hands, somehow wanting to slip it onto him, yet he shook his head amused. "Nuh-uh baby. I'm afraid if you touch me right now I'll just embarrass myself and come straight away." He said, and you giggled at that. The sound of it brought him back at ease, his little joke having helped to calm you down at least a little bit. He knew this was a big thing, especially for someone like you- and it made him feel even a bit pressured if he was honest. He was slow when he dipped his head inside, your body instinctively trying to move away a bit, but you forced yourself to stay still, eyes now pressed close. Moving around a bit he kept one hand around the base of himself, the other steadying himself next to your shoulder, kissing you on your lips for the first time since you both started, surprising you enough to not notice how he somehow began to glide into you with the help of your arousal and the lubricant of the condom around him. He groaned, the first actual noise he'd made you could tie to his pleasure, and your breathing picked up once you noticed how full you felt. Gasping several times he suddenly started to laugh, making you giggle as well, even though you didn't knew what was so funny in that situation. "God- ugh.. your- fuck you're tight.." He pressed out, fighting hard against his hips' own mind yelling at him to move, to wreck you, to utterly ruin you. But he couldn't allow himself to do that- reassuring himself that he would have time for that at a later date. He slowly started to move around after he calmed down enough, keeping his speed down to keep it gentle for you. "I- fuck.." He started, having to talk to stretch his patience out, and to also ease your mild pain a little bit. "Let's- ugh.. Let's go on a date tomorrow, yeah? I.. god-" He said, and you nodded, moaning in your delicate pitch he oh so loved. "Gonna be all romantic and shit- fuck- gonna treat you like- for Mcdonald's or some shit." He said, making you both laugh between gasps of pleasure, your hands suddenly frantically moving around the sheets, legs shaking as he began to speed up his pace. You didn't knew what an orgasm would feel like, or how you knew you would have one, but you gasped, chocking on unshed tears in frustration as you noticed that you couldn't tumble over that delicious edge, and Jungkook noticed, cooing at you. "Ah, my baby can't come without her little clit being touched?" He said, kissing the side of your neck, biting the skin teasingly before sucking a hickey on your collarbone, his hands now grabbing yours, fingers intertwining with his, before moving them around his neck, sensing how you wanted to be closer to him, even though that hardly seemed possible. "Come for me baby, you can do it." He said, kissing your shoulder as if to make up for his mark he'd left, his hand now reaching between your bodies, only needing to put a bit of pressure on your little nub to send you flying. You moaned out loud, uncaring on how you sounded, clinging onto him for dear life, his own release making him groan out as well.
He could feel your body trembling, your breathing still fast. He waited for a moment or two for himself to soften up so he could pull out gently- your still slightly clenching hole almost pushing his dick out of yourself. You whined at the empty feeling, and he hushed you gently, moving around so he was sitting up against his headboard, your body on his lap, head on his shoulder. His hand moved back and forth over your spine, the other keeping your body steadily against him. "You did so, so good baby." He gently whispered between your breaths still coming out a little faster than they should. "To be honest I actually was kind of worried you wouldn't be able to take it. I'm impressed princess." He said, making you giggle. You still weren't quite back yet, still bathing in your own afterglow, and he simply waited for you to calm down- slowly becoming aware of your surroundings again.
"Hey, Jungkookie.." You started with that nickname Taehyung always teased him with, yet you would get away with it anytime on his watch. He simply moved his head to look at you, even if you weren't at him. "Did you.. like, mean it? Are we.. a couple now, or?" You started a bit too softly, yet you didn't have to be scared of his answer to that.
He took a deep breath, before yawning a bit. "If you want us to be. I know I want to." He started, brushing some hair away from your eyes. You looked at him, big eyes so innocent like he didn't just fuck you into his mattress literally minutes ago.
"I want to!" You immediately said, making him chuckle and place a kiss on your nose, receiving a giggle at that, before you tensed up. He raised his eyebrows at that, before you looked at him surprised. "My legs are all- tingly.. Jungkook did you break me- HEY don't laugh!" You said, but he couldn't help himself.
He threw his head back, laughing his admittedly cute open laugh, before wrapping his arms around your body. "God I love you." He simply said, making you smile.
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"Hey Jungkookie?" You said after a bit.
"Yeah Princess?" He answered.
"That McDonald's date still stands, right?" You said with a small voice, making him snort.
"Anything you want princess. Anything you want."
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Taglist:
@mrcleanheichou @sugasbratz @sassysaxsolo @bananagukkie @wh3resangel @urmomgee
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yurimother · 5 years
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Interview: Shilin Huang, Creator of Amongst Us and Carciphona
Shilin Huang ( @okolnir​​ )is a Canadian freelance artist and comic creator, known for her long-running series Carciphona. She has a Bachelor of Music in Performance from the University of Western Ontario. Carciphona is a long-form fantasy story set in a world where demon-magic is forbidden. The series follows a young sorceress named Veloce, and the mythical assassin assigned to kill her, Blackbird.
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Shilin’s newest book, Amongst Us, based on the webcomic of the same name, is an alternate universe comic that reimagines Veloce and Blackbird as musicians and girlfriends in the modern world. You can support the physical release for Amongst Us book 1 on Kickstarter today.
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The first book of Amongst Us is coming soon. How do you feel about the release?
Eager and relieved!! I had worked for so long to make the web format viable for print format, as well doing all the extra drawings that were necessary--like covers--that I had to keep under wraps, it felt great to know that that part is finally done and I can release my child into the wild. I was very worried too before the launch of the Kickstarter, because though I am the one who made this story, I am not quite a slice-of-life type of person myself, and it was hard for me to see value in this mundane, not-plot-driven kind of story as a printed book. But I was very lucky to have that worry dispelled!
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What drew you towards creating comics and artwork? Was it a dream of yours?
I’ve been drawing since before elementary school because I enjoyed it, and somewhere along the way, I wanted to create my own characters, and then I wanted stories for them. It was always just me doing what I felt like doing, more so than something that I aspired towards achieving consciously. If I had to analyze the allure myself, maybe it was because people and the world are so interesting, I’ve always loved thinking about their nature and circumstances, and art/storytelling was the best way for me to explore and share those thoughts.
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Could you briefly walk us through your creative process for making a page of Carciphona or an episode of Amongst Us?
Carciphona is a long, plot-driven story, and so the scale of preparation required before the page eclipses the actual drawing of the page itself. [A] small moment has some larger impact in the plot, character development, and accuracy of world-building. So I usually spend about half a year or more writing out an entire volume, read it over many times over the course of the years, before I do the same thing with sketching the entire volume on the computer, rearranging pages and panels and entire scenes for best delivery, before I finally commit to drawing out each page in detail on the computer. 
Where Carciphona is like an elaborate set course where I chop up and measure ingredients and time their cooking with a careful game plan so everything can be served as they should, Amongst Us is more like an omelette that I’m making to taste. There is still planning and writing ahead of time, but each episode is much more self-contained, and I do more of the planning of the episode within the episode itself, adding and taking away details as I see fit before I feel like it reads naturally enough for me to fine line, colour, and paint.
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You talk about being a self-taught artist, how did you learn to create artwork? What are some of your favorite educational resources?
While I did come across many tutorials, they were mostly short ones here and there made by my peers, so I don’t have any favourites in my mind that I can share ): . I learned by just looking at the art of my peers at the time and drawing a lot myself, thinking about what I could learn from each time I see something great, and what I could try next time to make the next drawing look better to me. When I had just started drawing digitally, the internet was quite new, drawing tablets expensive and uncommon, with no social media to share art or find resources. Over time, I did try to learn more properly by doing studies and seeking out professional tutorials, but I found that I hated it and decided that I’d rather learn and make mistakes at my own pace and be happy than to commit to effective and efficient learning and make myself dislike drawing.
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Amongst Us is, of course, an Alternate Universe comic featuring characters from Carciphona. What inspired you to put your characters into a GL slice of life work?
Back in 2006, when I started drawing Carciphona, I had no plans of this frenemies dynamic for the two main characters, Blackbird and Veloce, and when the thought had occurred to me as I continue to tweak the story, canon GL relationships were still rare and rarely accepted. I was even told on many occasions by readers that they hope the two do not end up with some couples dynamic, or they will no longer be interested in the story. Ultimately, Carciphona was a fantasy story about an entire world, and I wasn’t going to risk the story’s reception over a small detail like whether or not Blackbird and Veloce sleep together, so I just played with the ideas of their relationship on the side, in paintings of many different AUs. Eventually, all that did was make me become so attached to the idea that I decided to say, screw it, I need someplace where they could be together, and I’m drawing an AU for real.
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Where do you draw inspiration from for your work? Both Amongst Us and Carciphona.
I love a lot of things, feelings, aesthetics, and I eat up all of that and take it back out in the form of my stories. The inspiration is everywhere, from beautiful imagery I witness in pictures and in real life, to [the] lives of people that I hear about or experience firsthand, to the ethics and structures of professions from mechanics to medicine… In feelings, knowledge, and perspective, there’s an infinite amount of things that makes me think, and that thinking is what creates AU and Carciphona, whether or not that line of inspiration can be clearly drawn back to the root of the thought.
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What are some of your biggest challenges or fears creating Amongst Us? Was there any realization or advice that helped you overcome those difficulties?
My biggest fear is always in relatability because it’s a difference between me and the reader that I do not and cannot have a solution for because it involves another person. In such a relatable genre as slice of life/comedy/romance, where the readers have more experience and therefore more varied but stronger expectations of a version of life that is relatable to them, I know that even if somehow I become a master writer, I still would not be able [to] say whether I could story that others would get or would be interested in, especially because I am aware I am an oddball when it comes to how I think, how I live, and what I value. What helped me the most was simply seeing that there were readers who did enjoy the stories for what it was, and reminding myself that I’m telling the stories to find those who might enjoy it, not to avoid those who might not. It’s a different perspective, rather than a solution, so the worry constantly resurfaces, but I hope it becomes easier over time as I am proven wrong more often!
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Amongst Us readers have gotten to see Veloce and Blackbird as an established couple, and now we are witnessing flashbacks to how they first met. Where do you hope to take the series in the future?
I intend to tell both of these timelines concurrently, so as the couple timeline ended at episode 20, I intend to end the flashback at around episode 40, and then switch again at episode 60, and so on. While this kills the momentum for each arc, I made AU so that I can have the cake and eat it too--I want both their back story and a happy ending at the same time without having to wait 10-20 years for it, like I do with Carciphona’s plot haha!
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What is one dream or aspiration you would like to accomplish? Even if it is unrealistic.
My only dream right now is just to finish both Carciphona and AU before my time’s up! Funny how unrealistic is specified, it made me realize that I rarely consider unrealistic dreams/aspirations as worth thinking about as they are unlikely to happen when there are so many other things I want to do that are actually possible. Most of my unrealistic dreams actually revolve around music, a profession I had left behind with an aching heart. I dream to play a concerto with an orchestra someday, or even learn to conduct, but for now, drawing my dreams out feels enjoyable and fulfilling enough a compromise!
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What advice do you have for people wanting to create artwork and comics?
The true challenge these days I feel like is rarely in the work itself; there are so many readily available free resources that anyone who is capable of working hard and thinking critically will sooner or later be able to master skills they acquire to some degree. What is truly challenging is finding, and then accepting, what paths work for you. Someone might find great joy in working in a studio with a group on something big, while someone else might only enjoy drawing what they feel. Both, in this current climate, will be compelled to adhere to the standards of drawing what others want to see in order to gain recognition and financial stability, one will thrive, one will not. 
I think the most important thing to keep in mind is understanding what you want out of drawing/creating, and why. Understanding yourself is often not as straight-forward as it may seem, everyone has different circumstances that subtly motivates them to sometimes misdirect energy and misinterpret what it is they truly want. Some people need to be understood, some people want an excuse to execute, and some people want fame, money, recognition, validation. Whatever it is, and all valid, understanding and accepting your own motivations to create can tremendously help you find the path forward that is suitable for you, not anyone else, even if it might mean following an impractical path that no one else recommends.
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Finally, after the release of the first Amongst Us book, what is next for you? Anything special your fans can look forward to?
My game plan through the decades has always been to just keep going. I did choose long-form projects such as the comics that I draw, and the best thing I can do is to just keep it up and reach those exciting points of the story that I’ve always worked towards, no matter how uneventful that may make my work routine sound. However, I do have a little side thing with a(nother) recurring theme that I’ve been doing here and there for fun whenever I had time, people who keep up with my social media art posts may have noticed. If I ever accumulate enough material, maybe there will be some bonus snacks for my readers on the horizon!
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Read Carciphona and Amongst Us online now and be sure to support the physical release on Amongst Us book 1 on Kickstarter today. Also, be sure to follow Shilin on Twitter @Okolnir.
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fruit-sy · 4 years
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Into the light
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Speedpaint on YT~ https://youtu.be/KRPQ6MOmVy4
I…. FINISHED IT AHDKAK 
Oh man, I think I went a little too crazy with the effects, but overall, I think I did a pretty decent job at capturing the image (although not fully) I had in my head. 
Anyways, on to my art notes! (If you guys know me through my IG, you know I tend to talk A LOT on this segment, so just a heads up!) 
This artwork was inspired by the gorgeous OSTs “Into the light” and “My burden is light”. 
Into the light has to be one of the most… Feeling provoking music I have ever heard. It’s not too complicated in tune, (Though, I can imagine the work that must’ve been put into making it sound like this) but it’s very rich in atmosphere, and I suppose it serves it’s purpose to put the players in the right mood. 
It sounds… Nostalgic, yet far away. The otherworldly tune remind me of vast space. It’s something that feels foreign, and unknown. But you can feel the underlying beauty and wonder of it all. It drags out your curiosity to explore the vast unkown. 
Though you’re curious, can you actually bring yourself to explore it? 
When Niko wakes up from their dreams, and we see beautiful scenes with bright warm colors, it’s kind of a stark change when we wake back up in this dark dying world, which ripped Niko away from their own one. 
I kind of feel disconnected with world. And I can imagine myself being uncertain if I was in their place. 
Niko decides to ease themself by talking to the player, reminiscing about their home and wonder at how different everything is here. 
It’s obvious they feel uncertain. 
But, I feel like having the player there lessens the uncertainty. It’s nice to have someone they can relate to… uh, somewhat. To talk to about how otherworldly and foreign this world is, and their feelings of home with someone who’s always there with them. Literally. 
I suppose, it feels like no one else in this world can understand what Niko is feeling. 
An illustration popped into my head. 
Niko kneels on the ground, as they look up to talk to ‘god’. Everything is dark, and the world’s residents surround Niko, as they stare a their light of of hope in their little hands… or paws. 
It looks like some kind of religious ritual, now that I think about it lol. 
Niko holds the sun in their hands. Though it’s just a little too big to fit snugly, they dealt with it. It shines the world around them, but not enough. 
…. 
Whoo, that was long. It’s about to get even longer tho!
I wanted to try some composition/perspective advice I saw on Youtube and IG. And, I wanted to also use the things I’ve learnt from my artist reference : Achooshi (Check em out on IG seriously-). 
I was kinda stuck on the lineart for a bit of time. Though, at that time I still had my gripes with the composition I picked.  
I kinda dropped it, and only got back to it after I… felt like it lol. 
I was kind of winging the coloring, but I had some cloudy ideas. 
As someone pointed out, the characters behind Niko was a little distracting, and yeah, I totally agree ahskaksc 
But I felt strongly about having the peeps there, bc of the initial idea that I had. So, I thought about tweaking with the colors to keep Niko as the main focus. 
Originally, I was gonna leave it after coloring Niko and the peeps, with a black/dark blue background. But then I thought about my reference artist, and thought “Y'know what? Achooshi would’ve tooootally put a background here. So you know what? I’ll push to having a background!! … somewhat." 
The grass and wheat stuff was another addition I added near the end. 
I was kinda uncertain, because I never draw grass/plants, ever. But, thanks to the knowledge from Achooshi and Ross draws, I decided to be time and resource efficient by using textured brushes and making things more organic with the flat pen. 
After going crazy with the effects and lighting, I felt like it was enough, and stopped it before I accidentally over polish it. 
All in all, it was pretty fun! 
I might do little quick sketches and brainstorm more illustration ideas on more Oneshot osts (I’m looking at you, eleventh hour 👁👄👁)
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I'm feeling very Roman kinnie tonight so I guess the prince gets some headcanons!
He loves talking. Loves it. He has to share everything and anything with whoever's around him at any given time.
So if he stops talking when someone's talking to him, you know he likes them.
He's gets really affectionate when Thomas is in love (a popular headcanon Ik but it's popular for a good reason)
He's especially really physically affectionate
He'll cling on to the nearest side and just talk about how great the world is and how great they are
The first time this happened Virgil was his unsuspecting target
That went about as well as you'd think it would
The clingy thing also applies when he gets sick
Which is actually a rarity
Like Roman is tied with Janus for strongest immune system (Janus has to hang around Remus all day, he's gotten used to the germs)
He likes talking to Logan about playwrights and poets
He doesn't know that Logan utterly despises poetry because he doesn't understand the weird ass metaphors they use and reads it to exclusively talk to Roman about
In fact they all do things they hate to please the prince
Patton will help with his artwork when he can - even though Patton can't draw for shit
He often asks Virgil for help sewing despite the fact that the only thing Virgil's ever sewn was his jacket and even that took so long to get right
Janus he'll ask to help him write even though Janus is legally half blind and can barely see the words on screens at full brightness, much less words scrawled across paper so quickly it's almost unintelligible
Remus never gets stuck with one of these terrible jobs since Roman refuses to go within ten feet of his twin
The others hate their jobs but they do them anyways cuz Roman will get pissy
Speaking of Remus, I once saw a post that said Roman and Remus probably talk to each other in their mind and that's why Roman has the weirdest ideas out of seemingly nowhere and I loved it
Adding on to that, Roman has really odd taste in a lot of things specifically because he picked it up from Remus
One of his favorite musicals (though he'd really never admit it) is Rocky Horror Picture Show
On bad days he'll catch himself wishing it was just him and Logan and Patton again and that just upsets him more
Not because he doesn't wish he was back when they didn't have to worry about the Dark Sides but because he remembers he was a real dickhead to literally everyone (even his old friends and especially Thomas)
The Imagination can be physically affected by him
The weather changes to fit his mood - stormy for when he's upset, freezing cold and blizzards when he's mad, clear and sunny for when he's happy (though the sky hasn't been that sunny or clear in a while)
And the landscape changes to fit his physical health
If he's sick the grassy landscapes turn into huge stormy seas
If he's been physically injured there will be a large ravine where the injury is on his body
Generally speaking there's always at least one pit somewhere on the Imagination because this dude can not stop getting hurt
And hopping off of that he's a fucking klutz
My dude literally runs into things every single day because he refuses to pay attention
Logan chastises him for this every time it happens and Roman has to remind the nerdy hypocrite every single time that he does the exact same thing
(my siblings are playing Christmas music so) Roman doesn't like Christmas much anymore. Their last Christmas video was the last time it was just the four of them being somewhat happy and he hates reminiscing about it
He does like the aesthetic and decorating still though, but actually "celebrating" it makes him sad
In regards to the weird taste thing from earlier, he has a mixture of everyone's music taste
1. Because he loves music; and
2. His room is dead center of everyone else's and he can always hear when a side is blaring their music
He can't cook to save his goddamn life but that does not stop him from trying
He once burned the kitchen in the Mindscape attempting to make brownies
He has literally the shittiest sleep schedule of the Sides and yes that includes Virgil
He can never get his mind to shut the hell up long enough to sleep and his room's effects don't help at all
And if that isn't the problem he's in the middle of writing something
He'll look up from his computer and realize that it's 4:30 AM and that Logan is probably awake
Like always, I'll add on to this when I think of more stuff but feel free to add on to it yourself!
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idreamofplaid · 4 years
Text
It Begins
Square Filled: Tongue Fucking for @spnkinkbingo & Singing Christmas Songs for @spnchristmasbingo
Characters: Sam x Olivia (OFC); Jensen and John mentioned
Rating: Explicit
Tags: Oral (female receiving)
Summary: Olivia is new to the marketing firm owned by John Winchester, and is surprised to be assigned to an important ad campaign for a high profile client. She feels like she’s in over her head with the work, but she’s in even deeper with the boss’ son, Sam.
Word Count:3781
A/N: This is Part 1 of a Series called Surrender to the Truth. It’s an AU mash up of RPF and SPN characters. I’m also playing with time. Imagine Season 8 Sam and Jensen a year or so into the future.
It was beta’d by the wonderful @fangirlxwritesx67. Thanks Viv for your patience with all my questions, your enthusiasm for this project, your thorough reading that really made me think about what I was doing, and the series title. 
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Why were Mondays always like this? Olivia found it hard to decide what to wear after a weekend of being relaxed in pajamas and denim. Traffic was predictably the worst, even more so because of the holidays, and if there was any day she was going to forget and leave her coffee on the kitchen counter; it was Monday.
She made it to work on time with only a couple of minutes to spare. This was only her second week on the job at the city’s most up and coming marketing firm and being late was not the way to make a good impression on her new boss. John Winchester was a man with exacting standards and high expectations.
Her first stop was the coffee pot in the breakroom. There was no way her creativity was going to start flowing without caffeine. Cup in hand, Olivia made her way to her office. It was a respectable office, larger than the little more than a closet sized space she’d had in her last office. This one even had a small window. These things might seem insignificant, but Olivia had worked hard for them, and to her they were badges of success.
Olivia had barely had two sips of her vanilla creamer laced coffee when she had a visitor in her office, the kind of visitor who doesn’t knock: Sam Winchester. She hadn’t been here long, but she had been filled in on Sam. He was practically legendary among the women of the office, and some of the men. She took another sip of her coffee to hide the fact that her mouth had fallen open. This guy lived up to the hype. 
He was wearing a white dress shirt, minus the jacket, and the way his shoulders and chest filled out that shirt was nothing short of sinful. His tie formed a perfect Windsor knot at his throat, and the face above that tie was Greek god handsome. He was a Greek god with dimples.
As he walked across the room, his every move exuded power and privilege, without the arrogance. Holy fuck. Could a man be more attractive?
 He put a folder down on the edge of Olivia’s desk. Work. Right. He expected her brain to focus on what his family was paying her for.
She sat down to take a look at what was so important Sam Winchester himself had delivered it.  When he spoke, his voice was just as delicious as the rest of him.
 “New account. Dad wants you to take it.” He sat down smoothly on the edge of her desk to watch her look through the file like he owned the place, which he basically did. She finished looking through the file then looked up at Sam, more confused than ever. She was the new kid here. Why would they give her something this high profile, as in Hollywood high profile?
It wasn’t her most impressive moment or the most professional thing she’d ever said, but she blurted out, “Why me?”
Sam rested his hand on his thigh. The way his long fingers spread out over it wasn’t helping her concentrate or wrap her head around this situation. “Because you’re from Texas. Gives you insight into the culture, the vibe, the feel of it.” He stood and adjusted his tie, drawing your attention to his hands again. “This Ackles guy is a personal friend of my dad’s, so make it good.” As he left, he looked back over his shoulder. “Besides, everyone likes beer; you’ll come up with something.”
She said to the empty room, after he closed the door behind him, “No, actually I don’t.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
For a couple of minutes after Sam left, all she could do was stare at the nicely framed but generic artwork on her wall. The Winchesters were trusting her with a huge account for some reason, and she was scared completely out of her mind that she was going to screw it up and ruin her future with this company, along with her career in advertising. Why did it have to be beer? Finally, she opened the file and spread the pictures of the brewery and the photos of its famous owner across her desk. 
She picked up one of the glossy pictures of Jensen Ackles in all his male model perfection and took a good look at it. He was just as gorgeous as Sam, but his look was distinctly different.  His eyes were a clear green, and they held a deep intensity. Those eyes were captivating in a photograph. What would they be like in person? She allowed herself to indulge in that fantasy for a few seconds then shook her head to break the spell. She needed some Bailey’s in her coffee. Excellent idea. She was already walking a perilous line at this new job, so why the hell not?
Olivia swiveled her chair and opened the cabinet behind her, reaching into the back to grab the bottle of liquor where she’d stashed it. She poured a generous amount into her cup, hoping it would calm her nerves. With that in mind, she turned on some music. The soothing notes of an instrumental version of “White Christmas” floated from the speakers. 
She closed her eyes and let the taste of the coffee and the Irish cream sit on her tongue. This had been one of her favorite Christmas songs when she was growing up. It always took her to a fantasy wonderland, a place where life was ideal and Christmas cottages had perfectly trimmed trees with beautiful presents piled beneath them, fireplaces alive with glowing fires, stockings hung on the mantel, and snowflakes falling gently outside. Living in Texas, snow had been a magical and rarely seen event.
That long cherished holiday dream filled her mind and calmed her. She started singing along with the music. ...just like the ones I used to know.  After a stanza or so, she opened her eyes to focus once again on the pictures of the brewery in front of her. A snowy Christmas was her fantasy, but she had a job to do; that was her reality.
By the end of the day when Sam came back to check on her progress, Olivia had practically nothing to show him. It would do no good to try and stall or hide just how little she had managed to accomplish. He was her supervisor on this project, and he was here to see how much progress she’d made. 
He flipped through the work she’d done that day. His expression was unreadable, but his words were clear enough. “The Taste of Texas? Not exactly original is it?” He paused and cut his eyes over to her, then dropped them back to the papers he was holding. “The drawings aren’t bad though. We can probably use some of these hill country sketches. Maybe a logo design.” He closed the file and tossed it back on her desk.
 “Do you know what you need?” Her silence said she didn’t. “Inspiration.”
She put her hand on the folder lying on her desk, the one that represented her failed day of work. “Where do I get that exactly?” She was unable to keep a hint of exasperation out of her voice.
He flashed her those unbelievable dimples and winked. “Follow me.” Sam took her to his office. It was easily four times the size of hers with an entire wall of windows that revealed a breathtaking view of the city, the lights from the skyline competing with the white lights on the tastefully decorated Christmas tree that adorned his office. It was opulent and sleek, a space befitting the heir to the growing empire. 
She allowed herself to indulge in the breathtaking view of the skyline for a few seconds before commenting, “It’s an incredible view, but I don’t see anything about a family business in Texas out there.”
“Your inspiration isn’t out there; it’s in here.” His voice drew her eyes away from the magnificent view. Sam walked to his mini fridge and pulled out a six pack. He held it up. “A little Cosmic Cowboy from Family Business Beer Company. How can you create an impactful and memorable campaign without sampling the product?”
Sam twisted the top off a bottle and handed it to her. She took a sip of it. Unfortunately, she wasn’t one of those people who could describe the taste of beer. It was cold. It was beer. That was all she had. She was not a connoisseur. How was she ever going to do this ad campaign? She didn’t even like beer.
Sam had been watching her reaction carefully. Olivia didn’t have a poker face, though she’d tried to hide her reaction. It didn’t slip by him that she wasn’t comfortable with this beer thing. 
“Not your favorite then?” He took a drink from his bottle. “Taste it again.”
He was the boss’ son, effectively her boss right now, and this was her job; but she got the feeling she would have done whatever he asked even if that hadn’t been the case. She took another sip, and Sam coached her through it. “Think about what you’re drinking; savor it. Just like wine, beer has notes; and they’re all different.”
She took one more drink. “What am I supposed to be tasting?” She’d never been good with wine either, but once someone explained there was blackberry or oak or whatever in it; she could pick up on that. She needed Sam to tell her what she should be tasting.
“Do you taste how it’s substantial but still light?” She took another sip and nodded. “It’s the grapefruit and pineapple that make it light; the pine in it gives it a little something more.” When he said it, she could taste it. She could taste it all.
Sam’s office had a fireplace, not like the one in her fantasy Christmas cottage, but when he picked up a remote and clicked it bringing the flames to life, it was cozy nevertheless. Sam took off his tie and tossed it on one of the upholstered chairs in front of the fire. He unbuttoned the top of his shirt and rolled up the sleeves. Absentmindedly, Olivia took another sip of her beer while she watched him. 
Sam sat down on the plush rug in front of the fireplace, his back leaning against the leather sofa, legs stretched out in front of him. He put what was left of the six pack of beer down beside him and patted the floor on his other side, inviting her to join him. Olivia lowered herself next to him. She was thankful her pencil skirt wasn’t so tight that it didn’t allow some freedom of movement, and she tried not to stare at the way the firelight danced over his golden skin. He caught her looking at his strong forearms, exposed below the rolled white cuffs of his shirt. Sam smiled, a flirty and suggestive sort of smile. He finished the last of his beer, and popped open another.
Olivia was slower to finish hers, but she was beginning to warm up to the taste. Perhaps it was something you had to acquire, or maybe the company you were in made all the difference. Beer might be okay after all. 
He asked, “What do you think of it now?”
“I can taste everything you said.” The crackle of the fire, the lights from the Christmas tree, and the skyline in the background created a perfect storm of romantic atmosphere. Olivia noticed how Sam’s eyes were a beautiful honeyed brown, dappled with green and gold. His lips looked incredibly soft in contrast to the hard line of his jaw. He caught her starting again, this time at his mouth. 
He took her empty bottle and slotted it back into the cardboard square where it had originally been and put what was left of his beer in the empty square beside it. Sam turned back to her and leaned in closer. He took her face into his hand and looked into her eyes for a long second or two before he lowered his mouth to hers. 
The way he kissed was like nothing she’d ever experienced before. His tongue was sure but gentle as it circled hers. He had complete control of her through what his mouth was doing. A wet spot was forming in her panties, her body responding to him. At the same time his hand was cradling her face while his fingers moved slowly back and forth through her hair, massaging her scalp and melting her under his touch. He could do anything to her. She was eager for it.
He broke the kiss, and now he was holding both sides of her head in his enormous hands. His lips were still just inches from hers. She could feel his breath when he asked, “What do you taste now?”
This man could make her breathless. He was either meant for her, or he was excellent at reading her actions and responses. His attention was completely on her, waiting for her response. 
 “I...can still taste the beer, but the way you taste makes it better.” It wasn’t eloquent. For someone who worked with words to pull the maximum effect from them, he could make her forget how to use them properly. 
Sam kissed her again, hands roaming down her back and stopped just above her waist. “You know what else might really inspire you?”
Olivia pressed her body so tightly against his she could feel the muscles in his chest and stomach through his shirt. It made her wetter. “I have some ideas.” 
He took off her jacket and let it fall to the floor. “Then let’s get those creative...juices flowing.” The blouse she was wearing was form fitting. Sam’s gaze traveled over her breasts before his eyes locked onto hers.
 A spark traveled between them. Lust? Need? Want? Whatever it was, the sexual tension hung in the air for a moment before their lips crashed together. 
Sam lowered her to the floor while he pulled her shirt up. He broke the kiss to tear it  over her head and throw it out of the way. Now it was his turn. She took a fistful of his shirt and pulled it out of his pants, then did the same on the other side. He propped himself over her on his hands while she unbuttoned his shirt and took it off. She ran her hand across his chest and over his shoulder. What he’d been hiding beneath that expensive shirt was impressive.  
Sam smiled down at her. “You like?”
“Very much,” she answered while he took off her bra and lowered his head to take one of her nipples in his mouth. He teased it with his tongue until she was arching her back and raising her hips off the floor. 
Sam sucked hard on the nipple in his mouth before pulling off it. “Do you want more?” Her eyes closed and her lips parted, a small moan escaping from them. 
He unzipped her skirt and dragged it down her legs, then turned his attention to her lace covered mound. Sam rubbed his fingers over her panty covered core. “Already so wet.” He pushed her panties aside and swiped his fingers through her folds. Then he lifted his fingers to his mouth and sucked her juices from them. His eyes bore into hers. “Tastes so good.”
He tore her panties from her body to gain access to what he wanted; she heard the sound of silk and lace ripping. Sam’s hand felt huge on her thighs as he pushed them wide apart. He held them there, and his tongue found her clit. He sucked it the same way he’d worked at her nipple. 
She was raising and lowering her hips beneath him, fucking nothing and needing to be filled until Sam swirled his tongue all the way down her slit to her opening and thrust it inside. She wasn’t empty anymore, and it felt incredible. He moved his tongue in and out of her, fucking her on it until she was writhing and grabbing fistfuls of his hair. 
She wanted to scream but was still aware enough to know they were in the office building. So, with some effort, she held it in. But when he added the pad of his thumb circling over her clit while he continued to thrust into her with his tongue, she started to whimper and moan. Her thighs were shaking when she came on his face. He licked and stroked her through her orgasm until she went still beneath him.
Sam didn’t move for a few seconds, then he raised himself up so he could see her reaction to what he’d done to her, how it had affected her. Olivia smiled up at him, and Sam returned the smile while he unbuckled, unzipped, and pushed his pants and underwear down over his hips. If she’d thought what was under his shirt was stunning, what was under his pants was better. His cock was absolutely magnificent. It stood against his stomach long and thick, resting on his well defined abs. Sam caught her looking at him yet again, and his smile got bigger. “I’m not finished with you yet.”
Sam lowered himself from his kneeling position until he was sitting on the floor. He pushed his pants farther down his legs to get them out of the way. He extended a hand to her, and she took it. He settled her on his lap. Olivia wrapped her legs around him. He looked at her with those beautiful eyes that combined colors in so many ways that seemed to change from moment to moment. “Do you want to go through with this? It’s not too late to say no.”
She squeezed her thighs into his sides. She was imagining the feel of his cock stretching her open. From the looks of him, it was going to be a tight fit. “I absolutely want to go through with this.” 
That was all he needed to hear. He took a condom from the wallet in the pants pooling around his ankles and rolled it down over his length. Sam put his hands on each side of her waist and lifted her up, lining her up over the tip of his cock.
When he started to lower her down onto his shaft, she rolled her head forward. Her hair brushed over his shoulder as he continued to slowly ease her down onto his length, giving her time to adjust to his size. Once he was fully seated inside her, he began to roll his hips. Oliva imitated his movements, rolling her hips with the same rhythm. 
She raised her head because she wanted to see into Sam’s eyes while he thrust up into her. There was something in the depths of them that she couldn’t quite define, something she wanted to figure out, something she wanted to understand and know better. He covered her mouth and kissed her with an intensity she could feel through her entire body.
His tongue was circling hers, tasting her, when she came again. Olivia clenched around him and her body spasmed in waves as her orgasm crested and blended into another. Sam kissed her all the way through it. She went limp in his arms, and he kept moving. 
She could feel his hands on her and the warmth of the flame from the fire on her skin. She could feel the way his cock throbbed, still buried deep inside her, and she could taste him. He pulled away from her mouth and buried his face in her neck when he came.  
“Olivia.” He said her name once, just the one word, and it struck her to the core. Olivia regretted that she couldn’t feel his hot release painting her insides. It felt like some part of him was being held back from her, and she wanted it all. 
Whatever magic she’d felt hearing the sound of her name on his lips dissipated with the reality of Sam pulling himself from her body and carefully removing the condom. He pulled his pants back up before walking over to his desk to dispose of it in the wastebasket there. Olivia imagined it wouldn’t be the first time the cleaning service found one of those in his trash. 
What was she doing? She just screwed the boss’ son in his office. She was a total cliche. Her mind told her she should feel like a slut, but she didn’t. She refused to be ashamed of what she’d done. The sex had been mind blowing; her body had never responded to any man that way. Sam had stirred something in her physically, but it had gone beyond that. It was something she would examine later and try to define, but now all she could think of was escaping the overwhelming thoughts and feelings consuming her. Hastily, she grabbed her clothes and was in the process of putting them back on when Sam returned. 
He took her hand and charmed her with his boyish dimples and his eyes that had turned a soft gray like the color of a sky lit by a silvery moon. Still, it was his words that got to her the most. “Hey, don’t be in such a hurry to leave; you’re going to make me feel cheap.” He was flirting with her. Guys like him moved smoothly through situations like this as though they were born to it, and in a way they were. Still, part of her hoped he was being at least a little sincere.
Sam hadn’t let go of her hand. “Stay with me. We can watch the fire, enjoy the lights on the Christmas tree.” This was a fling, right? It was a one night stand with the irresistible guy at work. “Plan our trip to Texas.” What did he just say? “A six pack is just an introduction to the business. What you need is to see the brewery.” 
Sam sat down on the sofa, and Olivia sank down beside him. She lowered her guard a little and let some of the bliss she was feeling wash over her. The ambience created by the light from the tree and the fire enhanced her mood; both the light and her mood seemed somehow softer now.
“We can take the company jet. Ring in the new year in Austin.” Listening to him, Olivia had a most happy thought. Maybe this wasn’t a one night thing after all. 
Everything: @gambitwinchester @princessmisery666 @onethirstyunicorn @peridottea91 @logical-princey @emilyshurley @beenlovingromansincedayoneish @fangirlxwritesx67 @waywardbaby @atc74 @shaniquacynthia @mariekoukie6661 @tumbler-tidbits @67-chevy-baby @fandom-princess-forevermore @terrarium-jpeg @emoryhemsworth @crashdevlin @heycasbutt @jules-1999 @mrsdeannafuckingwinchester @cosicas-cuquis @sammyimpala-67 @queenoftheunderdark @dean-winchesters-bacon @mrs-meghan-winchester @timelordy-fangirl2 @sweetness47 @hobby27 @awesomesusiebstuff @kickingitwithkirk @becs-bunker @sandlee44 @supernaturalgrandma @lonewolf471 @sea040561 @dawnie1988 @volleyballer519 @outcastedangel @kdfrqqg @lizette50 @daisymoder72 @sorenmarie87 @winchesterxfamilybusiness @deansotherotherblog
Sam/Jared: @girl-next-door-writes @stunudo @feelmyroarrrr @sammit-janet​ @idabbleincrazy​ @evansrogerskitten​ @focusonspn​ @autumninavonlea​ @spnxbsessed​ @durinsbride​ @deansyahtzee​ @waywardnerd67​ @fullmooner​ @julesthequirky​
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ickle-ronniekins · 4 years
Text
fools in love
request from nonnie!!! “pls could you write a story about fred being real sad bc he hasn’t seen the reader in a long time since she’s a year younger and still in school and he’s super busy with the store and he has these huge plans for them and he’s just having a rough day and then he finally gets to see her after a long time??? thank you!!”
pairing: fred x reader
word count: 1.6k
A/N: a little shorter, but i hope you like what i’ve done with the prompt :D i’m notorious for writing a lot and making stories very, very long but i wanted to try and write something that was only one or two scenes and end it with a big grand gesture so i hope this leaves you all smiling!!
tag list: @mintlibri @seppys-return-to-madness @how-do-life-does @fopdoodledane @fredd-weasley @iprobablyshipit91 @semmelsemi @cottageoflove @laneygthememequeen @snakesonaplane-7 @lupinsx @keoghans @helloallthethingsilove @bobduncanlover @dreamer821 @the-hufflepuff-of-221b @62442-am @wtfweasleyy | message me if you’d like to be added lovelies
“Promise, it’ll go by so quickly, darling! I’ll see you soon.”
Fred felt stupid enough with all of these new customers looking as though they were positively in love with him, as he willingly and very quickly turned each and every one of them down, earning him eye rolls, a bombardment of questions and swift glances at his left ring finger to see if they could get any answers out of him for why he’d been rejecting them, exactly. He didn’t need to be reminded that he’d made a promise he wasn’t able to keep. He didn’t feel much like talking. He didn’t feel much like doing anything at all. He felt positively dreadful.
Surely, it couldn’t have been months since he’d last seen you, could it? But alas, it could. Surviving on letters alone and not much else, you’d planned on visiting him one long weekend at the beginning of your final term at Hogwarts. But when Professor Snape had caught you in the Owlery late one evening after hours, sending yet another letter to Fred, he’d placed you in detention for not only one weekend, but four. A whole bloody month. Hogwarts without Fred was seemingly miserable.
Fred, feeling more on edge than before, had plans for that weekend you’d meant to visit. Not just any plans, like showing you his and George’s new artwork for the shop, their new apartment just above it, their inventions that they’d just designed and were getting ready to market and sell after placing on the last finishing touches. It was the first time he’d be seeing you in months—more like years, it felt like. He’d wanted it to be special.
George dropped a very large box of Extendable Ears on the shop desk, took one out, and held it up to the bare spot where his missing ear should be. He grinned at Fred and said, “What’ve you said, mate? I can’t ear you!” He found himself rather funny, rightfully so, and earned himself a laugh from Fred, who was grateful for the few mere seconds of thoughts not surrounding how much he bloody missed you.
George, before closing up the shop for the evening and heading upstairs to make them both dinner, clapped his brother on the back and told him, “Just a few more weeks, Freddie. Don’t look so glum.”
Fred didn’t sleep that night. Maybe an hour or two. Which didn’t help in the morning when the sunshine brought in more customers than he could’ve imagined; the desolate, colorless street of Diagon Alley was swarmed with people visiting from all over. He barely had any time to collect himself and discuss the day’s endeavors with George—each of them were pulled in separate directions with hungry customers itching to get their hands on any and all Weasley products, even those that hadn’t hit shelves yet. Fred grinned cheekily at his twin from across their very busy store. Suppose his day could be looking up.
A few hours into it, and he reckoned he shouldn’t have spoken so soon. Not only had he nearly fallen off of a ladder reaching for something on the highest shelf (his wand was upstairs in his bedroom; not a great place for it) and caught himself on the front desk at the very last minute, earning a sharp pain in his ankle, he’d also needed to stop a few individuals from sneaking out without paying for their items, only to then be followed around by a girl who wouldn’t leave him alone and a very angry bloke who did nothing but complain and yell about how his pygmy puff wasn’t changing colors throughout the day (it wasn’t supposed too).
When the shop was finally empty and he had a chance to sit and actually feel the pain radiating from his feet up through his legs, he pulled at his hair and yanked off his tie; he was absolutely bloody exhausted and was not at all looking forward to the fact that he and George still needed to restock the shelves before the weekend’s end. Luckily, though, he’d been able to slip away and grab his wand.. should make things a bit easier.
George emerged from the storage closet wearing a very cheeky grin, and it only seemed to deepen when Fred frowned. “What’re you so chipper about?” he asked, unbuttoning his vest and throwing it haphazardly over the countertop.
“Bad day, Freddie?”
“Bloody hell,” Fred replied, letting his head fall into his hands. He frowned again, about to explode, but rethought his choice of words, “Not bad, per se, just—long. But I reckon that comes with the business eh?”
George just smiled as he slowly took some Weather in a Bottle products, Decoy Detonators, Basic Blaze Boxes and began to gingerly place them on some shelves.
“Seriously, mate,” Fred began, peering quizzically at his twin who looked as though he was trying very hard to suppress a big secret, “what’s up with you? Something happen you need to tell me about?”
“No, nothing,” George replied, and a larger grin lifted his cheeks, “I just reckon your day could still turn around, is all.”
Fred scoffed. “Yeah, right. Always have loved that enthusiasm of yours, Georgie.” George shrugged his shoulders, his smile only deepening yet again, when he suggested to Fred to head back to the supply closet to grab more of the newer items to place on display at the front of the store to attract more hungry crowds. Begrudgingly he went, not very keen on the sharp pain in his feet now extending all the way into his back. Merlin, he just wanted to lay down.
He took his wand out of his pocket, ready to Accio the nonsense out of all of these items, when something nearly scared the living daylights right out of him. A yelp escaped his lips. He jumped on the spot, whirled around quickly, and discovered a small light in the corner had been flicked on.
“You know,” you began, and crossed your arms in delight, “you’re quite a sight for sore eyes after a long day.”
A very large grin plastered itself across his face; suddenly, all pain in his body seemed to subside at the sight of you. Butterflies were engulfing him. He was positively bewildered at the sight of you. He felt like a right fool for screaming in his own shop, but couldn’t help but grin like mad. Without even thinking properly, he ran across the crowded space to you, lifted you up off of the table you’d been sitting on and spun you around, encasing you in a bone crushing hug you were bound to feel the effects of later.
“What’re you doing here?” he asked breathlessly as disbelief flooded his body.
You slapped him playfully. “You’re not the only one who can pull off the greatest of surprises, Fred Weasley.” You draped your arms across his shoulders and inched a little closer. He felt his insides twist in the best of ways; were you really here? “Reckon I could give you a run for your money.”
“You mean to tell me you’ve actually escaped the wrath of Severus Snape?”
You rolled your eyes casually. “Thank Merlin for McGonagall. Told me not to worry. Has Snape doing other sorts of business, so I doubt he even noticed. Right load of bollocks that was, wasn’t it?” He laughed haughtily at your jokes and his hands tightened around your abdomen.
“Got to hand it to you—you’ve certainly shocked me, that’s for sure.”
“Color you impressed?” you winked.
Kissing you for the first time in Merlin only knows how long nearly set his soul on fire; the steady pounding of his heart seemed to increase the second your lips touched his, the touch he’d been dying to feel, imagining over and over again in all the time you’d been apart. When you tried to pull away to tease him again, he pulled you back, noting that he wasn’t quite yet finished with you, and you both stayed there, your hands in his bright red hair and his gripping your whole body tightly, for several long minutes, or maybe even days.
“You, my love,” he started, tugging gently on your hair, “have no bloody idea just how much I’ve missed you.”
“Nah, I definitely know,” you replied cheekily, flipping your hair, earning a smirk and a wink from him. Then you softened and said breathlessly, “I’ve missed you, too. School’s just dreadful without you.”
He felt a pang in his chest. It had always been difficult being a year apart, especially now with them owning the shop and you still attending Hogwarts. You’d seen one another nearly every single day for six years, even before you got together. It was strange having that all shift dramatically. “I’ll just have to make it up to you then.”
“Oh yeah? Like how?”
“Got a few surprises up my sleeve.”
“Oh really?” you asked, placing a hand to your hip and grinning like mad. “You didn’t even know I was coming! How could you already have something planned?” You wiggled your eyebrows at him and continued, “Think you’re going to out-surprise me? Think again, Weasley.”
You pressed your lips gently to his again; the feeling of your eyelashes softly brushing his cheeks sent him into a tizzy. He held you delicately in his hands, as if he were afraid you were going to break, or slip right through his fingers. He opened his eyes, just for a moment, to make sure that yours were still closed. When he saw that they were, he closed his again and gently, very gently ran his hand over the very tiny box he had hidden away in his pocket, holding what would seemingly replace the gold band you had on your left ring finger that’d been there since you were little. He felt the edges of the box against his fingers.. the box that had been there ever since he purchased it a few months ago. Another surge of raging fire raced through his bones; he was sure it was from both you running your hands absentmindedly down his chest, and also the thought of what the weekend would bring. Guess his plans hadn’t been ruined after all.
When you parted and you brought your hands to his cheeks, gently running your hands across his stubble, his smile just deepened at the happiness radiating off of you. He could hardly wait to out-surprise you. “We’ll just see about that, darling.”
reblogs & feedback are always appreciated! thanks darlings for always reading and requesting x
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doomedandstoned · 3 years
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King Buffalo Provide Respite For Pandemic-Weary Listeners on ‘The Burden of Restlessness’
~By Billy Goate~
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Artwork by Zdzisław Beksiński
I confess, I came a little late to the KING BUFFALO party. I mean, I’ve known about them from their very first record on and have even picked songs to play on The Doomed & Stoned Show that's I've found particularly enjoyable. Regulars to the program know I’ve always been more a doomer than a stoner, though obviously relishing music from both worlds. Only recently had I given myself the opportunity of really baking in their music. It probably has something to do with the summer psychedelic kick I’m on lately, that and I’ve been getting a lot more sunshine, walking more, learning how to enjoy being human again.
Not only did I give the band's latest LP, 'The Burden of Restlessness' (2021) a solid listen, I've been spinning it non-stop! The title grabbed me right away, because I could very much identify with the uncertainty and fear of 2020 lockdowns, which eventually gave way to boredom and stoic despair. Depending on who you ask, it's their third studio album and it's got its hooks in me for damn sure.
Sonically, the sound is fresh and vital, every note captured prestinely by frontman/guitarist at Rochester's Main Street Armory between December and January. I don't know if he's a sound engineer on the side or what, but I really am impressed by how present the instruments sound, without excessive reverberation. After Sean finished recording and mixing, the tapes were sent to Grammy-nominated producer Bernard Matthews for mastering on the other side of the continent in Portland, Oregon.
Let's go through King Buffalo's release track-by-track, because I think there's plenty to talk about here.
1. Burning
The Burden of Restlessness by King Buffalo
I feel it falling apart Too many blisters and scars Are we the wick or the flame, are they just one in the same? Was it just doomed from the start?
The record opens with “Burning” and in those first dozen seconds of churning downtuned noise, we’re unsure what kind of song it’s going to be. An assertive riff-motif starts to dance to the accompaniment of a motor-like rhythm. The singing is as depressive as we’re bound to encounter from King Buffalo, with lyrics that express regret about “another year lost in the wasteland” and that feeling of falling apart while time stands still.
The members of King Buffalo have been on a steadily rising trajectory in recent years, so the sudden closures of concert halls and canceled tours wasn't just a bummer for a lot of professional musicians; it had immediate career implications, along with the obvious problem of no job = no money. It’s one thing to weather through a crisis when you know what the end game is, and at this time last year most of us still didn’t know what the hell was going to happen. We thought everything would open up and return to normal, then the summer of 2020 exploded all around us with social unrest. The album’s title speaks to the creative frustrations of being not only uncertain of when your band is next going to tour, but what to do in the meanwhile. For creative people, there’s a burden to create -- sometimes just to keep yourself from going mad with frustration.
2. Hebetation
The Burden of Restlessness by King Buffalo
I don’t know which way to run One thousand different ways but I can’t seem to live with one So I’m stuck where I’ve begun Another languid day, can’t seem to break away
“Hebetation” was one of the singles that emerged before the album was independently released toward the start of summer. It is the song I relate to the most, too. Vibrant Helmetesque riffmaking sets the song a sail, with a bit of a nod to Sabbath as well. The math-like interplay between drums, bass, and guitar have a vaguely krautrock aura about it, though the volume and tone is pure metal. Like the opening track, the words are frank and honest, addressing the weight of unfulfilled dreams, the jadedness that comes with disappointment, and suicidal thoughts that come floating into mind when it seems nothing's working out as planned. “Nothing’s changed at 35. Still every night I dream a million different ways for me to die.”
3. Locusts
The Burden of Restlessness by King Buffalo
Stifling the sun with wicked hands Everything undone with vicious plans
“Locusts,” as the name implies, is replete with bouncing guitar rhythm, with picking that seems to dart about like that swarm of grasshoppers that used to sweep through my poor pitiful East Texas garden mid-summer and shred everything in sight. Around the 3:30 mark, we’re treated to an extended high-end grinder of a B-section, with sweeping psychedelic gestures ala Kim Thayil -- and hearkening back to the melodic motif of another great song: “Sun Shivers.” When the A section returns, the rhythm is more deliberate, less dashing about in math or progressive fashion. The song ends with what could well end up an extended drone jam on just the right night as King Buffalo continues to roll through the U.S.
4. Silverfish
The Burden of Restlessness by King Buffalo
I stare at the cracks in the wall And melt into nothing A silverfish slithering away, from everything
“Silverfish” got a music video, which was a wise choice as the song is quite accessible and relatable, too (even if it did get a few people wondering if King Buffalo was having their own “The Sword Moment” stylistically). The main motif is a two-note broken interval from high note to low in an almost an ‘80s-style nod to the advent of computer generated music (to my ears it sounds like the guitar may either be taking on the action or playing in sync with the synthesizer).
Never fear, the heavy is soon here. When I heard those first crashing tripled-down chords, I let out an inner hellllll yeah to that shit. The quirky little melody from the start comes back, this time on guitar in a way that really works to convince you that it was a good artistic choice from the get-go.
Lyrically, it's another wistful line of expression: “I stare at the cracks in the wall, I think I’m unravelling...I think I’m losing my grip on everything, I’m drifting away.” This is also one of the few songs on the record with a strong melodic chorus. It comes towards the end, which works quite effectively in climaxing the song.
(BTW, anyone else freaked out by silverfish as much as me?)
5. Grifter
The Burden of Restlessness by King Buffalo
I make my way over the dunes Desolate and dry The remnants of empires past Too stubborn to die
“Grifter” returns to the everyman accessibility of “Burning” and “Hebetation,” with a notably despondent tenor to each line of the song. The calm singing over rhythmic verses so characteristic of King Buffalo’s writing gives way to a brutal grind sans chorus. Sometimes you don’t have words and you just have to work it all out with your axe or piano or whatever's your jam. There didn’t need to be a big, bloated angry chorus on top of it all. We feel that most adequately from the riffmaking itself, which plays out like slow burning frustration that intensifies with every round of the dirge.
6. The Knocks
The Burden of Restlessness by King Buffalo
Everyday I wake up on the floor Another useless day like every other that’s come before I can feel it creeping more and more Don’t think I wanna wake no more, don’t think I wanna live no more
“The Knocks” features the same keyboard playing as before, so now I’m sure it's either Sean or bassist Dan Reynolds on synth -- though the playing here is much more ornamental, at times adding an exclamation point to the sentiment of the lyrics. It might be a little much if overplayed, but here it’s dispensed judiciously. We have a bass, drums, and synth break where a chorus would normally be, followed by another shred sesh that’s feeling like Helmet or Prong love. A beautiful mid-range guitar melody intervenes, then things start to feel a distinctively robotic pattern announces itself around the 3:20 mark, joined in short order by the rest of the instruments. This leads to a melodious guitar sequence, with the dexterous kind of finger work that the one dude at shows likes so much when he pretends to shred next to the stage.
7. Loam
The Burden of Restlessness by King Buffalo
I’m shedding the burden of restlessness To rise from the loam of the nothingness
“Loam” hearkens back to my favorite King Buffalo album, ‘Longing To Be The Mountain’ (2018). A broken octave rhythmic pattern is plucked with drums and bass being all cool, saying just the right thing at the right time. Atop it, the jaded, sedated crooning of Sean McVay, which as both a musical and cultural Doomer I find appealing. A mean guitar lick lashes out like a whip atop bass and drums around 3 minutes, then tears into another voiceless psychedelic improvisation. It's a beautiful instrumental metal section with a hard rock appeal. The song returns to its opening vibe in an almost Toolesque fashion, then opts for more catharsis-giving mosh time and another plaintively sung extended note melody.
The verses give us a hint of hope, as Sean declares: "I’m shedding the burden of restlessness / To rise from the loam of the nothingness." I'm curious to hear the two other albums the band plans on releasing in 2021 (yes, you read that right!) and how they will pair or contrast with this one.
King Buffalo's The Burden of Restlessness holds a special place in my music library and its songs are a frequent highlight of my daily playlist. I suspect it will be a record you, too, will keep close at hand as the plague rages on. A balm for the weary soul.
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nimmy22 · 3 years
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A Mistake: Chapter 4
Cara missed her first two classes, having been knocked out into the late morning hours, courtesy of her dad. No parents were rushing to wake her up, no breakfast waiting for her, no offer for a ride to school. She woke up with a gash on her head, an abdomen that was an artwork of black and blue. The cause of it all was a dealer who had no stock to sell. His suppliers suddenly cut all contact leaving her parents without their fix.
Last night her dad came home seconds from exploding. He almost broke down the door as he struggled to open it in his drunken stupor, nose flaring and teeth grinding into dust even before his eyes locked on her. While these beatings were nothing new to Cara, she will admit that his hand was extra heavy yesterday, evidenced by the deeper shades on her skin. Her mother didn't even have to add anything into the mix, satisfied by her husband's handiwork.
Cara just couldn't wait to leave, but money was a dilemma. She tried her best to get the odd job here and there, whatever she could find, really. Things were even more difficult since her parent recently took to stealing her hard-earned money, ransacking her bedroom for anything worth selling. Not even the mattress stuffing or the soles of her shoes were a safe place.
Adding to her troubles was the potential loss of a job. She could no longer babysit Sherry and hasn't been contacted by the Birkins. Still, perhaps it wasn't such a bad thing. After all, these people were beyond dangerous, and she would do just about anything to never meet that man again. It still broke her heart to be cut away from such a sweet little girl, the separation was sudden, and god knows how hard that must've hit Sherry, losing one of the few people she trusted.
As expected, both her parents were gone. They were likely fishing for another dealer, and if they did not find what they were looking for, she knew what will be waiting for her tonight. It was better to stay away from home for now, and it didn't matter where.
While the other bruises were easier to hide, the limp in her walk was too obvious. She had just finished formulating a story by the time she made it to her third class, auto-mechanics. Usually, people ate up her stories without a problem, curbing their questions as their concern lacked genuinely. The real issue was Claire. She'll spit the story right out without even tasting it.
Claire was already waiting in their usual spot. Despite the pain, Cara tried her best to be as subtle as possible but attempting the once flawless movement of her legs took a considerable amount of control.
"Hey, you," Claire cracked a smile as soon as she spotted her friend. "Missed you at lunch. Actually, missed you for like half the day. Where've you been off to? Could've invited me too."
" Stayed up too long watching reruns and then ended up sleeping in. I scared my mom this morning when I came out of my room. She thought I was a burglar." Cara giggled over her lies, struggling to fight the grimace as she took a seat. Thankfully, Claire didn't seem to notice, leaning back in her chair to put up her red hair into a high ponytail. Care relaxed inwardly, feeling safe from the questions.... for now.
Half an hour later, Claire slid beneath the car donated to the school while Cara sat next to her on the floor leaning against the door. Cara was glad. This way, she could finally slouch over and breathe, gladly keeping the weight off her bad leg. The radio played a series of pointless advertisements adding nothing valuable to the background noise. Mr. Crawford liked the radio host, but Cara thought he simply lived to promote Michael Warren or was paid handsomely to do so. Sure, the mayor had done much for the city. Still, she found all this prosperity odd, especially under such a short period of time. Something smelled fishy.
"This shit can't be fixed," Claire grumbled, sliding out from below the hunk of metal, tossing the greasy gloves next to her on the floor. The car was so weathered the paint came off in large chips as she peeled whatever was left of it on the door.
"Something Claire Redfield can't fix? Well, that's a surprise." Cara giggled, raising an eyebrow.
"I can't fix what's not there. Half the parts are missing. The idiot who donated the car must've stolen it, took whatever was worth shit, and donated the rest to get rid of the evidence."
"Looks like you've been hanging around the station too long. What, are you going to start an investigation now?"
"If I wanted that bike upgrade, then I obviously need money, and you know I don't like asking my brother for money. But what I don't mind asking for is a job around the station. Pretty much everyone knows me by now. It's like a foot in the door. I'll just annoy them until it's official."
"Once they hire you as a janitor, don't forget about me. Then we can break into the records room where they keep all those juicy storybooks."
"Okay, that's a fun idea. But here's another idea! How about we not get my brother fired along with us. Plus, you forget where we live. Nothing major happens around here."
"That's where you're wrong," Cara whispered before mentally slapping herself. She tensed, begging higher entities that Claire heard nothing.
"What do you mean?" Claire perked up, reminding her of a puppy who heard the sound of the treat bag opening.
"Oh, nothing," Cara tried to play it off, not want her friend to dig deeper. If there was one thing she learned last Friday, it was to keep her mouth effectively shut. She was already screwing herself over and placing a friend in danger. Her pulse began racing with the prospect that she already said too much.
"Cara," Claire crawled towards her friend, a threat in he voice. "You heard something or...saw something? You can tell me, I'm your friend. Chris and I will always be there for you."
"I know. You remind me of that every day. It's not a big deal. I'm just worried about the level of stupidity in this town. I've heard about the three seniors who got caught breaking into Kendo's gun shop last night. He had them lined up on their knees with their hands behind their head by the time the cops came. The whole street watched them."
"Ugh, I've never seen someone do something as stupid in my life. Had to hear all about it from Chris. In fact, that's all he talked about last night and this morning. Don't get in the wrong crowds, bluh bluh. Guns are bad bluh bluh." As claire grumbled through her rant, Cara knew she had successfully steered the boat to safety.
"Well, it's nice to have a brother. I wouldn't mind a lecture or two."
"Oh honey, I can help with that," Claire cocked her head to the side with a gleam in her eyes.
"No, yours are excluded."
"Oh, ha ha, you'll be begging for it one day. Now be a good girl and be on the watch out. I'm taking a nap." Claire said, sliding back below the car before getting into a comfortable position. "Oh, and give me a foot massage while you're at it,"
"It'll cost you."
"Wait till I hear back about a job, and then we'll talk,"
They stayed like that, Claire breathing softly while Cara listened absentmindedly at the radio. Her thoughts were yet again plagued by the events of last Friday. It was suffocating having to mentally recover from something so scarring and no one around her knowing a thing. She had no one to talk to. The words of the host were starting to become much more appealing than her thoughts.
"Michael Warren did so much for Raccoon decades before he was mayor, but with him in power, we're doing so much better, growing faster than ever before. We all gotta thank him for that, you know? Everyone was skeptical about big pharma moving in, but he made a good partnership with them, and the jobs came raining down. Have you seen the homeless folk on the streets? No, cause they all got help, been offered good jobs, their lives are turned for the better. Y'all look at the jails. They are pretty much empty. Nobody needs to turn to stealing for a living when good-paying work is right in front of them." The host trailed on, with Cara barely listening to the shameless paid promotion. The supposed decrease in crime seems a bit far-fetched to Cara. Maybe the robbers, murders, fraudsters, and rapists just moved their activity to the next town over for whatever reason, much like her dad and his dealings? But if there were so many work opportunities, why couldn't someone come 'help' her parents? Uproot them out of the dark pit they dug?
"Hey, you coming?"
"What?" Cara snapped back to reality, realizing Claire was already on her feet, stretching her back.
"The assembly?"
"Oh...?" Cara frowned, forcing a straight face as she pulled her aching body up.
"I guess I can't blame you. You did miss half the day. Come on, I want to get a seat in the very back, makes for a speedy getaway." Claire was already out the door, staring back at her friend with her hands on her hips, impatiently tapping her foot.
"You go ahead and reserve me a seat. I just need to go to the washroom." Cara said, hoping to walk to the gym at a slower, less painful pace.
"Fine, but don't be too long," Claire said before jogging away.
Taking her sweet time, Cara turned a 5-minute walk to the gym into 10 minutes, but even then, that was still an exhausting mission. Soon she was seated next to Claire with the rest of the students as they waited for the presenter.
The gym was in a state of chaos. Everyone talked over the other. But this was not a surprising thing considering it was the last period of the day and the events of last night.
When Cara looked over the stage, she was surprised, seeing a banner with the Racoon police department STARS name on it. Great, it was another talk with the cops, most likely about drugs and whatnot.
"Hey, maybe your brother is here,"
"Chris? He would've told me,"
A throat clearing next to the speaker's podium failed to get the attention of the kids. It was followed by a very authoritative "Attention,"
Cara never experienced so much power put into a single word, but it was loaded, and it succeeded in forcing everyone to smack their lips shut.
For a few seconds, she was staring but unable to focus, her muscles tensed, ready to make a break for it. She held her breath, slid down her seat, covered her face with a curtain of hair, and for added measure, she put her head down. She hoped to stay hidden in the crowds of students.
It was Albert Wesker at the podium, hands resting on the edges. His eyes didn't have to scan the crowds for long, finding her easily. Her attempt to hid was adorable but in vain. He could track down men in another country given extraordinarily little info, and the foolish little thing thought she could hide in a measly crowd of 1200 hormone-riddled teens.
"I am Captain Albert Wesker of STARS, and five days ago, there had been an unfortunate, unfortunate accident. Maxwell Robford was barely five years older than many of you. Driving while drunk, he ended up wrapped around a tree and was incinerated along with his car. That road wasn't popular, and it would take days for someone to stumble across the wreck and give us a call. We could only recover a pile of ashes and bones to return to his family. Our hearts go to them. I'm here on behalf of STARS to urge you to stop drinking and driving because the next incident may not only result in us digging out your corpses but those of others. The morgue is no place for people so...young. That's all from me, and now my partner will add a few more words." Wesker stepped away from the podium, nodding as the other uniformed officer took over. The next speaker struggled to calm the students, who all at once started talking about the accident.
"That’s so terrible. I feel so bad for his family," Claire said, leaning her head back.
"Yeah..." Cara answered absentmindedly, unable to take away her eyes from the crooked officer. She was angry that he could come to her school and pretend to be an officer of the law concerned for the futures of the kids in the room. If anything, she could bet all the money she had that the kid died because of a foul. Maybe, Wesker himself arranged the scene before it was supposedly...discovered. Perhaps that poor kid saw something he shouldn't have and paid the price. And maybe she'll also end up in an unfortunate accident sooner or later. The thought of that sent the bile straight up. She rocked herself, mind reeling with the possibility.
"I'm going to the washroom," Cara said quietly, her voice unusually thick as she could not push the lump down. Raising from her seat, she rushed out of the gym, feeling the world closing in on her. She was barely aware of Claire calling out to her and the man on the stage who followed her with his eyes.
Completely bypassing the washroom, Cara burst through the school's back doors before throwing her back against the garbage bins, sliding to the floor. The stench didn't register as her brain tricked her into thinking she could smell burning flesh. Thinking about what the kid must have felt while burning up, she shut her eyes tightly, unable to handle such imagery. She didn't try to control her sobs, letting them overpower her without caring about who was watching.
Someone was watching, and they were amused.
"You know, it's rude to walk out while a speaker is presenting. We take the time out of our boorish days to speak to a bunch of idiots who won't hang onto a single word we say. A complete and utter waste of time." Wesker spoke, walking around the garbage can to look down at Cara. The silence came sharply as she noticed his presence. It was hard to believe the girl cowering in the corner was the same person who risked her life to protect his little Sherry.
"Did you kill him?" Cara whispered, her puffy eyes finding his.
"Who?" standing in front of her, Wesker squatted down to her level.
"You know who I am talking about."
"Still in the mood for asking questions? Do you think he will be more alive having that knowledge?" Wesker reached over with a gloved hand to push the hair away from her face, enjoying the complete mess she was. The girl was like this because of him, and he loved having that power. He didn't have to do a thing to get to her. Merely show up.
" I didn't say anything to anyone, I swear. Please just leave me alone." Her voice was octaves higher, uncaring when it fragmented at the end. Even if someone heard her, she doubted they would help. The decorated officer can make up a story more likely believable than a word out of her mouth. She was alone and wholly regretted leaving the gym. Cornering herself, she practically led him to her.
"Our encounters will only end once I say so. Now, answer this. Why were you limping?" Wesker watched as she flinched when his hand came to rest on her injured leg. He found this development displeasing. Someone trespassed on his right to be the only one to hurt her, to use her, to kill her. And correction was in order.
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THE WASTELAND - Prologue
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IT’S HEEEEEERE! For real, you guys, I canNOT express just how excited I am to share this story with you! What started as a prompt from @wellhellotragic in APRIL 2019 has grown into this, my story for @cssns 2020! Specialist of thanks to @shireness-says​, who helps me talk out my ideas even though they make no sense to her, the ladies in the discord for sprinting with me in the hour I get to myself at the end of the day, and especially to @spartanguard ​ for her INCREDIBLE artwork! I’m so excited to see what else she comes up with as more of the story gets posted!! 
Now, onto the exciting part... 
Some triggers: this story is rated TEEN, mostly for violence. It takes place during wartime, and some of the characters go through some violence and torture. If you need more information about this, please just message me! 
SUMMARY:  In a world that has been saturated in war for as long as anyone can remember, Emma Swan has rebuilt her life as far away from the chaos as possible, opening her own maternity hospital after spending too many years in makeshift battlefield aid stations. But one night, a bloodied and battered soldier finds her hospital trying to get away from an enemy with a penchant for torture and a personal vendetta against him. With the help of Emma’s childhood friend Prince David and a motley collection of humans and magic-wielders, the quest to save Killian Jones’ life from the poison used by the enemy takes them to places even beyond the known world.
Posted on AO3
“There has always been a war,” Prince David’s father always told him. In a way, he’s right. For as long as anyone can remember, as long as written history goes back, there has been the war, though what began as a magic versus non-magic fight has shifted into a power-hungry battle between two leaders — no matter who the leaders are. 
Centuries passed, generation gave way to generation, but the war has remained. New technologies have come and gone: horses gave way to trains, only to be replaced by cars and tanks; weapons have come and gone. 
But the War has remained. A few leaders have come along to try and stop the two sides from fighting, but none were strong enough to really stop the war, turning to the temptation of corruption before too long. Even the current King of the Gale, King George, started his rule as a kind and understanding ruler, but all it took to change that was the death of his wife, the King turning to dark magic in hopes of getting her back and only finding anger and corruption. 
The only thing that has spanned the ages is the War. 
The War, and the Wasteland. The two cities have grown, smaller hubs popping up where people have congregated, but the Wasteland remains, a large expanse of land that runs across the middle of the world where nothing will grow, where no people have congregated, barren of even animal life. And this has become the center for the War, home to makeshift barracks and trenches and destruction. 
Prince David dreams of a day when the world is a better place, somewhere that he’s not terrified to raise an heir, somewhere where there is more to live for than corruption and violence. But that day hasn’t come, not yet. 
-- -- -- -- 
According to some legends, there has never been a time when the Nephilim and the humans were not at war, but he’s too much of a cynic to believe that. Some part of him has to believe that there was a time, no matter how long ago, when the world was not drowning in war and hatred and destruction — because, if that’s true, then he can still believe that it’s possible for there to be a time after the war. That’s why he decided to fight for the Prince instead of the King; King George lives for war, for fighting, but his son, Prince David, helps men like Killian be sure that there is still good in the world, even when it seems impossible to find. 
Though, recently, this good has become harder and harder for him to find, and though he chose to fight for the Prince, he certainly didn’t choose to be captured by the enemy, tortured in hopes of revealing the Prince’s location. 
The rain pours down around him, pounding against his aching skin. It's cold, just shy of too cold, and Killian thinks that, maybe, if he could think straight, see straight, focus on anything beyond the sharp thrum of pain rolling through his body, it might even feel good. 
But nothing can feel good here, when everything around him is so terrible. His world is broken, his home is broken, his soul is broken, his skin is broken. In multiple places. Scars run up and down his arms, his shoulders, his torso. Gunshots, knife wounds, weirdly-healing scars from magic-users and weres and fae blades — and maybe even a few self-inflicted from his lowest moments. 
Not to mention his hand. The wound on his arm from the enemy Nephilim soldiers, the almost-unbelievably large were-shifter and the silent but sadistic fire-wielding sprite that helped torture him, was part of the worst pain he had ever felt. There was nothing he could do about the wound on his chest, the gash so close to his heart he feared they would pierce it, but the wound to his arm was another story. He’s seen a wound like that before, knows exactly the damage it would have across his body if the poison was left to spread, so he did the only thing he could think of to save himself, both from the poison and the chains that bound him and removed the rest of the limb with his own dagger. 
He raises his eyes from the ground, needing to focus on something other than the throbbing pain blurring the edges of his vision, some sort of goal that he can dedicate what is left of his quickly depleting energy to. And that's when he sees it, so bright and clear in the darkness of the stormy night that he's sure he's imagining it. But he heads towards it anyway, the bright red cross of salvation like a beacon of hope in front of him. 
By the grace of one of the higher powers — he honestly could care less about which one — no atheists in foxholes, one of his superiors used to tell them — the door to the building  is open, though the lights are low, only enough to light up the single aisle that runs between the beds that line the walls. There are only a few bodies in the beds — humans and fae of all kinds — and they all seem to be asleep, a fact that his entry to the hospital does not seem to have any effect on. But none of this changes the fact that he has no idea where he is, and — more importantly — whether he has made it out of enemy territory, which changes around these parts quicker than the tides. Somewhere in the back of his mind, in a voice that sounds startlingly like his brother's, he wonders if there is still any such thing as safe territory anymore. He has enough common sense left to drag himself through the aisle between the rows of bed and through a set of double doors, and into what looks like an office off to his left, before finally crumbling on the floor, thankful for the warmth of his new shelter before he finally — finally, every bone in his body screams — succumbs to the pain and passes out. 
 TAGS: @kmomof4​ @thisonesatellite​  @teamhook​ @darkcolinodonorgasm​ @cocohook38​ @ultraluckycatnd​ @facesiousbutton82​ @hollyethecurious​ @stahlop​ @tiguanasummertree  @angellifedeath​ @pepperpottss​ @mariakov81​ @scientificapricot​ @teamhook​ @kday426​ @xarandomdreamx​ @ohmightydevviepuu​ @xhookswenchx​ @nikkiemms​ @carpedzem​ @superchocovian​ @resident-of-storybrooke​ -- want to be added or removed? let me know! 
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tigerkirby215 · 4 years
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I’m a particular fan of wasting my time so I decided to rate all the Half-Feats for no real reason
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(Artwork from the Acquisitions Incorporated 5th Edition sourcebook, because I can’t just use artwork from Tasha’s Cauldron of Everything.)
If you have been around my blog for any lengthy period of time you will know two things about me.
I often fall into flights of fancy mostly under the guise of attempting to branch out with this blog, even though the real reason is that I wish to publicize any and all work I do for this hobby.
I really like half-feats.
And who could blame me (at least for the second point.) It’s always exciting when you can get a feat, and half-feats allow you to round out a stat of your choice while still allowing you to diversify your character with unique abilities to make them your own. Feats are always strong and even the most basic half-feat still provides you with unique traits to differentiate yourself from the standard adventurer. But it can be hard to choose when they are all so diverse which is why I’m making this list for myself and anyone who may find it useful.
I would also like to thank LudicSavant from the Giant in the Playground forums for their organized list of Half-Feats. It has made the creation of this list far easier and I frequently reference it when making builds.
WHAT IS A HALF-FEAT?
For the sake of understanding (because the last time I used the term “half-feat” on Reddit a lot of people got confused) I will define a half-feat here: A half-feat is any feat that gives half of an ability score improvement (+1 to a given stat) along with its regular features. They are obviously good choices for any player with an uneven stat, as they can make that stat even (for the increase in ability modifier) while also gaining an additional bonus.
HOW IS THIS LIST ORGANIZED
This post is split into 6 sections, one for each stat. (Strength, Dexterity, Constitution, Intelligence, Wisdom, Charisma.) The feats are organized in alphabetical order. Basically I’m lifting the formatting from LudicSavant.
Each feat will be shown as follows:
FEAT NAME
Description
Summary
Rating
Feats that can be applied to varied ability scores will be mentioned multiple times, however unless the feat changes based on the ability score chosen the entry will simply be shown as a redirect to where it was summarized earlier.
And I guess it also has to be said: This list is just my opinion and is in no way an objective ranking of the half-feats that currently exist in D&D 5th Edition. Feel free to make your own decisions when designing your character: this post is merely meant to share my opinion and provide a reference resource for people making characters.
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(Artwork still from the Acquisitions Incorporated 5th Edition sourcebook. Damn this book has some nice artwork.)
STRENGTH
Athlete
Grants you the ability to stand up from prone faster, climb more easily, and jump further.
You’d think with the amount of builds I’ve included this feat in I’d have more positive things to say about it. But no: this feat is trash. Climbing is rare and jumping is pretty much never used in D&D. Even if it was there are low level spells (Spider Climb / Jump) that allow you to do what this feat does.
The only really useful addition to this feat is the faster speed to get up from the prone position. Being prone sucks and it can heavily restrict your movement when it happens. Putting yourself prone is also helpful in a ranged build to give enemies disadvantage to hit you from range. (You can technically knock yourself prone after attacking to make it harder to hit you.) But this strategy loses effectiveness quickly and it isn’t worth taking a feat to combat the rare possibility of being knocked off your feet.
Ultimately if you genuinely see any of the features of the Athlete feat as being useful chances are that either your DM forces way too much jumping / climbing, really likes knocking people over, or you really like knocking yourself prone.
2/10
Crusher
Grants extra utility to bludgeoning weapons, allowing you to move foes into more favorable positions.
RIP in piss Monks am I right lads? To be fair there aren’t any Finesse Bludgeoning Weapons with the only exception being the Sling. But regardless: this feat has two features along with its Ability Score Improvement:
The pushing ability is situational at best. Displacement abilities in 5th edition rarely have a significant impact. You may push an enemy off a cliff on occasion but unless your DM makes a significant effort to present these opportunities to you it won’t come up often. There is some niche use for this feat to work as a poor man’s Mobile feat, as you can push a foe back 5 feet before running away without needing to disengage.
But perhaps the biggest problem with the displacement ability of Crusher is that Shield Master does everything it does almost objectively better, all while providing additional benefits to Dexterity saving throws. Shield Master isn’t a half-feat, granted. But one could get one of the better +1 feats to STR / CON along with Shield Master.
The effect on a crit is incredibly potent. Giving all allies advantage to hit a foe will lead to more damage being dealt and an even higher chance to crit. However relying on crits usually isn’t a smart idea, and crits are already deadly enough without a feat to boost them.
7/10
Dragon Fear
DRAGONBORN EXCLUSIVE FEAT
Allows you to roar with your Breath Weapon ability, frightening nearby enemies.
This feat singlehandedly makes Dragonborn viable. I’m not even joking: being able to replace your CON based, low damage Burning Hands-lite with essentially the Fear spell which comes back on a Short Rest and is based on Charisma is insanely useful for any Charisma character. The most obvious use is for the Charisma casters: Bards and Sorcerers can get an extreme amount of value from this feature. But other Charisma classes like Paladins, Swashbuckler Rogues, and any other class that requires Charisma can use it well. Warlocks get a little less use out of it than most since their abilities already come back on a Short Rest but it’s still nice to have in your pocket.
It’s less useful for non-Charisma classes but it can’t be flawless. But it removes the problem of choosing between a subpar AoE damage ability or just attacking with your weapons / spells, and instead gives you a utility ability to give yourself space. It doesn’t scale well late when most enemies resist fears, but neither did your breath weapon. Especially with the Dragonborn subraces from Explorer’s Guide to Wildemount this feat is extremely good.
I mean, you could just play a Leonin and get the fear without investing in a feat, especially since Tasha’s lets you move ability scores around. But Dragonborn have more fun roleplay and other abilities that the Leonin lack.
10/10
Dragon Hide
DRAGONBORN EXCLUSIVE FEAT
Your AC is equal to 13 + DEX and your unarmed strikes do a d4 + STR damage.
The Mage Armor feat / the worse Tavern Brawler feat. What confuses me about this feat is how at-odds it is with itself. On one hand your AC is still based on DEX but on the other hand your natural weapon is based on STR?
Let’s just ignore the Unarmed Strike damage because let’s be real here: you can just pick up a dagger instead of slashing people with your dragon claws. Is Mage Armor really worth losing half of a feat? If you have nothing better maybe, but this list alone shows that there are better options. There are some very specific niche scenarios where Unarmored Defense is more valuable than actual armor but those scenarios are usually campaign-specific or a choice done more for roleplay, and you could just as easily accomplish the roleplay by taking the Magic Initiate feat to get Mage Armor along with two useful cantrips.
Honestly this should’ve just been added as a base feature for the Dragonborn, and most DMs I know give this feat to Dragonborn at level 1. (Minus the half feat ASI.) Lizardfolk have innate AC, crafting skills, and a healing bite; Dragonborn should get innate AC, damage resistance, and a crappy breath weapon that can be upgraded by the Dragon Fear feat.
3/10
Heavily Armored
Gain proficiency with heavy armor.
The vast majority of classes that are expected to wear Heavy Armor have Heavy Armor Proficiency. In fact the only Martial class that doesn’t have Heavy Armor proficiency (minus Barbarians and Monks who can’t wear Heavy Armor) is the Ranger, so this feat is good if you want to play a Ranger like a Paladin. Huhn. Ironic that I am playing a Horizon Walker Ranger like a Paladin in one of the campaigns I’m in.
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(Artwork by Bo “chenbowow” Chen. Made for Riot Games.)
Like, you can grab this feat for Clerics and Druids I guess, but why would you? Medium Armor is on-par with Heavy Armor, and 14 DEX is far more useful than the 15 STR required to wear Platemail.
The only other two (well technically three) subclasses I can think of which could grab this feat are the Hexblade Warlock and the two Martial Bards. (College of Swords / College of Valor.) For Hexblade... why do you need Strength? You can swing your sword with Charisma. Bard however... I guess if you want to play a Strength Bard it’s an option?
But yeah: the only time I ever used this feat was to play a Ranger like a Paladin. And saying “I used this feat to play one of the worst classes in the game like a better class” isn’t exactly an accomplishment.
1/10
Heavy Armor Master
While wearing heavy armor, bludgeoning, piercing, and slashing damage that you take from nonmagical weapons is reduced by 3.
The word that kills this feat is “nonmagical.” I can tell you as a fact having had a Fighter use this feat in a level 1 - 5 campaign that it is TORTURE for any DM. “Oh boy I finally hit the 20 AC Fighter annnnd I did 5 total damage, even though I rolled max damage.”
But this feat literally becomes useless past level 8 or so when enemies start getting magical weapons. There are a few enemies that still technically do nonmagical damage at high levels, but even then this feat isn’t going to save you from foes that are normally doing upwards of 15 damage per swing. It adds up yes, but it’ll rarely add up in my personal experience.
Take this feat on a Variant Human at level 1 if you’re doing a level 3 one shot, just to be an asshole.
2/10
Lightly Armored
Gain proficiency with light armor.
?????
Mage Armor exists. The only classes in the game that don’t get proficiency with at least Light Armor are Sorcerer and Wizard. You can afford to lose a spell slot for Mage Armor. Seriously.
1/10
Moderately Armored
Gain proficiency with medium armor.
The best of the “armored” feats because (hot take time) Medium Armor is the best armor in the game. It requires the least investment which makes it the most easily accessible armor in the game. If you have a 13 in DEX I’d highly recommend grabbing this feat. If your DEX is at a 16 (+3) or higher I’d honestly maybe just recommend Light Armor / Mage Armor instead?
8/10
Orcish Fury
HALF-ORC EXCLUSIVE FEAT
Get the ability to choose to roll an additional damage die once per short rest. Additionally, you can use your Reaction to make a weapon attack after being knocked down to 1 HP via your racial trait once per short rest.
Anyone find it amusing that this feat is only available to Half-Orcs but not full Orcs? Anyways: having the ability to essentially crit on-demand is nice. Having the reactionary attack after being knocked to 1 HP is situational, but still alright. I think if I was playing a Half-Orc and I needed to round out either my Strength or my Constitution (more likely my CON since there are far better feats for STR) I wouldn’t be upset taking this. Is it worth playing a Half-Orc just for this feat? Not by a long shot lol.
6/10
Piercer
When you deal damage with a piercing weapon you can reroll one of the damage die on one attack per turn. When you crit you can roll an additional damage die.
Savage Attacker as a half feat, proving that Savage Attacker is a bad feat lol. I’m actually going to talk more about this feat when I go into the Dexterity section which makes this the first feat where I’ll actually rank it lower for a specific Ability Score.
3/10 (if using STR)
Resilient (STR)
Gain proficiency with Strength saving throws.
Strength saves are common and pretty bad, but not as bad as Wisdom or Dexterity. What’s more is that most classes that will be forced to make Strength saves have proficiency in Strength saving throws already. If you have an uneven Strength score this isn’t the worst way to round it out, but I’d sooner get a stronger feat for another ability.
3/10
Revenant Blade
Essentially Dual-Wielder for the Double-Bladed Scimitar.
A very specific feat to the Eberron setting, and even though I use Eberron content frequently in my builds I’ll be honest: I know very little about the setting. The DBS honestly just seems worse than uh... wielding two scimitars? 3d4 damage is about on-par with 2d6. This feat is something you take more for roleplay than actual practicality with your character, though I have played with people (outside of Eberron lol) using a double-bladed scimitar and it seems like a cool weapon. Dual Wielder is also a good feat and it seems you can use the DBS without grabbing the Dual Wielding Fighting Style.
5/10
Skill Expert
Learn a skill and gain expertise in a skill.
A very good skill to round out any build. Expertise can actually shape your character quite a lot, as it allows you to be good at things even if your Ability Scores are bad. A good go-to feat to round off any uneven Ability Score if you have nothing better imo.
7/10
Slasher
Slashing weapons lower the speed of the target hit by 10. On a crit the target has disadvantage on all attack rolls until the start of your next turn.
Easily the worst of the weapon damage type feats, which is a shame because I like slashing weapons. The slowdown effect is rarely useful: the only class which I really think can use the slowdown effect well is hit-and-run Rogues, but Slashing weapons are heavily restricted from Rogues for some reason. The crit effect is nice but you shouldn’t be banking on crits, even as a Champion Fighter. This feat at least has a niche if you plan to play a Whip Rogue but that’s about it.
3/10
Squat Nimbleness
Increase your movement speed by 5, gain proficiency with Athletics or Acrobatics, and gain Advantage to escape grapples.
It is actually goddamn hilarious how good this feat is. +5 movement is already nice (especially if you’re playing one of the later-added small races [or a Homebrew race] that has 30 feet of movement) but you also get a free skill proficiency in either of the two most commonly used skills in the game, and to top it off to my knowledge this feat is the only way to gain a bonus to escaping grapples. (Outside of like, the Freedom of Movement spell.)
Take this! Good lord take this! If you have an uneven ability score and are small don’t even hesitate!
10/10
Tavern Brawler
Gain a d4 unarmed strike and proficiency with improvised weapons. After striking a creature with an unarmed strike or improvised weapon on your turn you can grapple them as a bonus action.
This feat will either be the best or worst feat you take depending on your DM. If your DM lives up to the Dead Rising promise of “anything is a weapon” and lets you pick up a stick off the ground and use it as an improvised weapon: congratulations your Wizard now has an infinite supply of short swords!
The grapple after making an improvised or unarmed strike is... interesting. I’ve expressed my distaste for grappling in the past but on its own at lower levels its not the worst option. The main problem is really just that the Grappler feat is bad, but if you want to keep an enemy from running then grabbing them isn’t the worst option!
5/10
Weapon Master
Gain proficiency with 3 weapons.
Just take a single level in Fighter. Honestly upgrading your weapon’s damage die isn’t worth losing the ASI. Even in the most extreme example of upgrading a dagger (d4) to a rapier (d8) you’re only getting +4 damage potential max.
The only application I really think is worth it for this feat is Rogues, because for some stupid reason Rogues don’t get proficiency with either Scimitars or (more importantly) Whips. So if for whatever reason you want to play a Reach Weapon Whip Rogue but still get Stroke of Luck from the 20th level of Rogue then I guess Weapon Master has some use? But you could just as easily grab the Mobile feat to reap similar benefits without being forced to use a d4 weapon.
1/10
DEXTERITY
Athlete
See above.
Elven Accuracy
ELF / HALF-ELF EXCLUSIVE FEAT.
Roll 3 d20s instead of 2 when you have advantage and are attacking with DEX or a spell.
Otherwise known as “why Elf Samurai is secretly overpowered.” If you have a reliable way to get Advantage this feat is absolutely nutty. If not well... It’s still a nice way to round out an uneven Ability Score, and it works with spell attack rolls too which gives it plenty of versatility!
Basically if there’s any semi-consistent chance that you’re going to get advantage I’d take this feat. If not? There are better half feats out there. Really a shame this doesn’t work with STR attacks but I guess they didn’t want Elf Barbarians to be the most overpowered shit in the game.
8/10
Fade Away
GNOME EXCLUSIVE FEAT
Use your reaction to become invisible after taking damage. You remain invisible until the end of your next turn unless you perform an aggressive action.
Invisibility is never a bad thing. This feat gives you what is essentially a stronger version of the Shield spell once per Short Rest since (rules as written) enemies can’t target you if they can’t see you. Now of course a lot of this depends on your DM (how many enemies with Blindsense are around, and if enemies will swing where you just were because metagaming) but this feat is almost exclusively why you should play a Gnome as opposed to something else.
This feat plus Squat Nimbleness is honestly worth losing an ASI for. Fade Away, Squat Nimbleness, and Moderately Armored combined can be three very good feats for a Gnome spellcaster who already has a high casting stat.
9/10
Gunner
Crossbow Expert for guns.
Crossbow Expert for guns. The only part of this feat that affects non-firearms is the lack of disadvantage in melee range which I mean... if you’re not planning to use crossbows it might be useful? But I’d sooner take Piercer, Elven Accuracy, or another more useful feat.
GUN/10 3/10
Lightly Armored
See above.
Piercer
When you deal damage with a piercing weapon you can reroll one of the damage die on one attack per turn. When you crit you can roll an additional damage die.
The first and probably only feat where increasing one Ability Score is far more useful than the other! Let’s start with the obvious: Savage Attacker doesn’t work with ranged weapons, but since all ranged weapons (minus the Sling) do Piercing damage this feat affects them! For most ranged weapons this isn’t that big of a deal but if you’re using one of the ranged weapons with a bigger damage die (Longbow / Heavy Crossbow) it’s still nice to have, especially if you have multiple attacks and will henceforth have a higher chance of rolling low for damage.
The triple damage effect on a crit is also very nice for a ranged weapon, and lets you live out that sharpshooter fantasy. But again banking on crits is unreliable. Overall this feat is a very nice way to increase an uneven Dexterity score and get some benefits for your ranged weapons. It’s not something I’d go out of my way to get but it does feel very good to grab.
7/10 (if using DEX)
Moderately Armored
See above. Slightly better when increasing DEX because DEX is more universally useful than STR.
Resilient (DEX)
Gain proficiency with Dexterity saving throws.
Dexterity saving throws are some of the most common saving throws in 5e. Being able to halve the damage of a Fireball is always worth it.
9/10
Revenant Blade
See above.
Second Chance
HALFLING EXCLUSIVE FEAT
Force an enemy that’s attacking you to reroll their attack once per combat.
This feat interests me because (to my knowledge) it’s the only feat that replenishes when you “roll initiative at the start of combat.” But regardless: being able to force an enemy to reroll a hit on you is really nice, but mind you that there is the chance to turn a regular hit into a crit.
If your class already has reactions this really isn’t worth it. But if you’re playing something like a Fighter this can be a nice way to shrug off a hit or two over the course of the day. A good way to round out your stats and give yourself some safety, but not something I’d go out of the way to get.
7/10
Squat Nimbleness
See above.
Skill Expert
See above.
Slasher
See above.
Weapon Master
See above.
CONSTITUTION
Aberrant Dragonmark
Get one Sorcerer cantrip and one level 1 Sorcerer spell. Constitution is your spellcasting modifier for these spells. Additional effects when you cast your level 1 spell.
Veterans of this blog will know how much I love Aberrant Dragonmark. If you’re taking Magic Initiate to have a ranged attack then Aberrant Dragonmark is pretty much just universally better than Magic Initiate. The only real flaw with this feat is that you can only take from the Sorcerer list... oh and that it’s very Eberron specific. It’s unlikely that you’ll be allowed this feat, but I would recommend it for just about anyone who needs a ranged backup. Constitution becomes a lot more exciting when it’s used for more than just health.
8/10
Chef
Allies heal more during short rests. Prepare treats allies can use to gain Temporary hitpoints as a Bonus Action.
Song of Rest? Never heard of her! A fairly mediocre feat on its own, though admittedly fun for roleplay. The treats are actually not that bad to give allies a tiny bit of bulk. The definitely-not-Song of Rest feature is also good in its own right.
It’s a nice way to round out your Constitution or Wisdom if it’s uneven, and is very fun for roleplay. But it’s not the most impressive in terms of utility.
6/10
Crusher
See above.
Dragon Fear
See above.
Dragon Hide
See above.
Durable
Add double your Constitution modifier to rolled hit die while Short Resting.
I mean, it’s nice? But the only real use I see for this is for a Barbarian. It can definitely allow you save up on your hit die but unless you have a 13 in CON (14 with this feat) I wouldn’t recommend it. I’d much rather not take the damage in the first place: an ounce of prevention beats a cure!
5/10
Dwarven Fortitude
DWARF EXCLUSIVE FEAT
When you take the Dodge action you can heal with a hit die.
Otherwise known as “Dwarf Monks are super legit for no good reason.” It’s a very interesting feat that allows you to tank in interesting ways, and it’s particularly good if you know your DM doesn’t let you frequently short rest. It can be nice to heal in a pinch, but much like with Durable I’d rather negate the damage than heal with hit die.
And if your DM allows frequent short rests? This feat is objectively worse than Durable, since it doesn’t really matter when you heal with hit die.
5/10
Infernal Constitution
TIEFLING EXCLUSIVE FEAT
Resist Cold and Poison damage, and gain Advantage on saving throws against Poisons.
You already resist Fire damage, which is extremely common. This feat adds two more common damage types to that list, and also helps you against a common debuff. This is just a very good way to give your character more bulk! Of course if you aren’t fighting a lot of poisonous or cold enemies this feat won’t be too practical, but in a standard campaign with varied foes this will quickly carry its weight!
7/10
Orcish Fury
See above.
Resilient (CON)
Gain proficiency with Constitution saving throws.
Constitution saves are extremely common, most notably for Concentration checks. Other people have done the math that Resilient scales better than War Caster to help with Concentration checks. This feat is a must-have for spellcasters, and very good all-around.
10/10
Second Chance
See above.
Skill Expert
See above.
Tavern Brawler
See above.
INTELLIGENCE
Elven Accuracy
See above.
Fade Away
See above.
Fey Teleportation
HIGH ELF EXCLUSIVE FEAT
Learn Sylvan. Cast Misty Step once per Short Rest.
Otherwise known as LITERALLY THE ONLY REASON TO PLAY A HIGH ELF. Holy shit if you’re playing a High Elf take this feat! A free language is nice and all but Misty Step is one of the most useful utility spells in the game, and you have near-constant access to it!
10/10
Fey Touched
Learn Misty Step and one additional first level spell from the Enchantment or Divination schools. You can cast both of these spells once without using a spell slot.
Misty Step is one of the strongest spells in the game: if your class doesn’t normally get it I’d definitely recommend Fey Touched just to get Misty Step. Being able to grab strong first level Enchantment and Divination spells like Hex, Hunter’s Mark, Bless, Heroism, and Detect Magic are also very useful.
9/10
Flames of Phlegethos
Reroll 1s when dealing Fire damage. Surround yourself in Fire when casting a Fire damage spell.
Otherwise known as “Elemental Adept lite.” Only really useful if you’re planning to consistently be in close range, but very fun and flavorful if you are casting fire up close.
I honestly wish this feat wasn’t Tiefling exclusive because it’s cool as shit but so situational: I’d love to see a version of this feat that’s damage type exclusive and race exclusive. Hm maybe that’ll be a Homebrew project of mine.
7/10
Keen Mind
Know some information you should probably already know.
Otherwise known as “hey mister DM I forgot to buy a compass or a watch in town, and I’m too stupid to take notes.” This is the feat for bad players, and most DMs will ignore it even if you do take it.
1/10
Linguist
Learn 3 languages. Write cyphers.
The languages are honestly useless: Comprehend Languages is a first level spell, and Tongues is a third level spell. The cyphers are a lot more interesting, but they’re admittedly extremely situational outside of specific campaigns. It also really sucks that your feat can be undone with the Comprehend Languages spell, which can be cast as a ritual.
4/10
Observant
+5 to Passive Perception / Investigation. You can read creatures’ lips if you understand the language they’re speaking.
The ability to read creatures’ lips is honestly really interesting for espionage, but let’s be real: you picked up this feat for the increase to Passive Perception. Honestly if you don’t want to be ambushed just take the Alert feat.
7/10
Resilient (INT)
Gain proficiency with Intelligence saving throws.
Intelligence saves are rare. Devastating when they occur, yes. But I’d sooner take Observant, Linguist, or one of the Tasha’s feats over Resilient.
5/10
Shadow Touched
Learn the Invisibility spell and one additional first level spell from the Necromancy or Illusion schools. You can cast both of these spells once without using a spell slot.
Invisibility is less universally useful than Misty Step, and Necromancy / Illusion spells are weaker than Divination / Enchantment spells. (At least if we’re talking first level.) There are some nice ones like Disguise Self and Inflict Wounds but generally speaking mobility is more useful in my humble opinion.
7/10
Skill Expert
See above.
Telekinetic
Learn the Mage Hand cantrip. If you know it already, increase its range by 30 feet. You can make the Mage Hand invisible. Additionally, you may shove a creature 5 feet towards or away from you as a Bonus Action on your turn.
Mage Hand is one of the best cantrips in the game and being able to make it invisible was a subclass feature restricted to just Arcane Trickster Rogues previously. Having an invisible grabbing arm is insanely useful, and extending it to 60 feet is even better.
And that isn’t even the best part! Being able to shove people around isn’t necessarily the most overpowered thing but it still gives you a way to use your Bonus Action every turn! If you play on a tabletop you can use this feat to push enemies back into AoE damage abilities or pull allies away from danger! In Theater of the Mind however this feat isn’t as strong and I wouldn’t recommend using the shove too much as its liable to annoy your DM.
8/10
Telepathic
You can speak telepathically to a creature within 60 feet of you. They have to understand the language, and don’t gain the ability to respond telepathically. Additionally, you learn the Detect Thoughts spell, and can cast it once per Long Rest without using a spell slot.
Detect Thoughts isn’t that great of a spell, though granted this is just my personal experience. That being said having telepathy is extremely useful, and this is speaking from experience!
I will say right now: take this feat if you are a Druid. Unless your DM is a real stickler for the rules this will let you speak to people while Wildshaped! This opens up a whole world of possibilities for your Druid! I unironically consider this feat mandatory for a Druid, and fairly useful for any other character who wants to speak quietly and stealthily. And you know: doesn’t have access to Message.
8/10 - Mandatory for a Druid
WISDOM
Chef
See above.
Elven Accuracy
See above.
Fey Touched
See above.
Observant
See above.
Resilient (WIS)
Gain proficiency with Wisdom saving throws.
Wisdom saves are very common, but most Wisdom classes already get Wisdom saving throw proficiency. If you have an uneven Wisdom score it can be worth it to get the proficiency, but Wisdom saving throws are arguably the most common saving throw to be proficient with.
7/10
Shadow Touched
See above.
Skill Expert
See above.
Telekinetic
See above.
Telepathic
See above.
CHARISMA
Actor
Gain advantage when pretending to be someone else, and become capable of mimicking someone’s voice after listening to them.
A very good feat if you plan to do any infiltration or other political intrigue stuff. With the Disguise Self spell this feat can be used by just about anyone, but the real value comes for Changelings. Having Disguise Self as a racial trait means the “be better at fooling people” feat is insanely useful. Inversely this feat isn’t as useful for Kenku since you can already mimic voices more-or-less perfectly.
This feat is inherently situational but it’s beyond useful for the campaigns where it can be used. And again: it’s near-mandatory for a Changeling or a Warlock with the Mask of Many Faces invocation (or anyone who takes Eldritch Adept for Mask of Many Faces.)
7/10 - Mandatory for Changelings
Dragon Fear
See above.
Dragon Hide
See above. (How the hell this feat increases Charisma I have no idea.)
Elven Accuracy
See above.
Fey Teleportation
See above.
Fey Touched
See above.
Flames of Phlegethos
See above.
Resilient (CHA)
Gain proficiency in Charisma saving throws.
Charisma saving throws are extremely rare, and more often than not they’re more of the “don’t get to play the game” variety and less “die super bad and become a living vegetable” like Intelligence saving throws. Even if looking to round out uneven ability scores feats like Skill Expert and Telepathic are better.
3/10
Second Chance
See above.
Shadow Touched
See above.
Skill Expert
See above.
Telekinetic
See above.
Telepathic
See above.
HELPFUL CHART OR SOMETHING
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oosteven-universe · 3 years
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Shadowman #4
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Shadowman #4 Valiant Entertainment 2021 Written by Cullen Bunn Illustrated by Jon Davis-Hunt Coloured by Jordie Bellaire Lettered by Clayton Cowles    What’s your darkest secret worth?     Danger is a drug and it’s deep in the veins of mankind. Shadowman’s on a quest to find the source of his hallucinations and Jack has less control than he once thought.     The worst has happened…Deadside has arrived!    This is such an extraordinary series.  Jack has always been much more suited to the darker side of storytelling and what Cullen is doing with that is plainly put bloody mindbogglingly brilliant.  This issue has so many interesting revelations and has such a strong impact on the reader.  All too quietly this series is probably one of the most absolutely interesting and stunning displays of storytelling that we are seeing in comics today.  In my humble opinion and with the sheer volume of books that I review this is among the top five books being published right now.  It is no exaggeration either in how well I believe this is being told.  Everything that Jack learns about in this issue and how he learns it is a prime example of a master storyteller at work and how natural all the information flows makes this feel like we’re experiencing this in a “real time” kind of way.    I am in love with the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the narration, the dialogue, the character interaction as well as how they act and react to the situations and circumstances which they encounter make the characters feel more and more like real people.  The pacing is excellent and as it takes us through the pages revealing the story we get this sense that we are a part of the book.    How we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen is magnificently presented.  How the layers open up different avenues, some of which work with the main story others that don’t, and in these avenues we see this amazing depth, dimension and complexity being added to the story.  At one point when Jack comes to a realisation it’s that lightbulb moment for the reader as well and it’s beautifully done.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is impeccably achieved.    The interiors here are some of the best I've seen in a while.  The exquisite linework is clean, crisp and sharp and how we see the varying weights and techniques being utilised to create this level & quality of detailed work that we see throughout the book is truly astonishing.  The attention to detail isn’t just in the characters but in how we see the backgrounds as well.  How they enhance and expand the moments, light up the readers’ imagination and creativity is beguiling.  How they work within the composition of the panels to bring out the depth perception, sense of scale and the overall sense of size and scope to the book is masterfully rendered.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show the eye of someone who understands colour, how it works and how to maximise the effects that it has. ​    This is the best book you aren’t reading right now and that definitely has to change.  Never before has Shadowman been this interesting, this powerful and portrayed with such human qualities to him.  The writing is truly extraordinary and the characterisation is smart and powerful, all the while they are brought to life through this absolutely stunning interior artwork.
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recentanimenews · 3 years
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INTERVIEW: JUJUTSU KAISEN's Music Staff on Billie Eilish’s Influence on the Soundtrack and More
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  Did the JUJUTSU KAISEN finale feel like a full-body experience to you? There's still one thing I can't get out of my head: the soundtrack. Last month, I got the opportunity to interview four members of JUJUTSU KAISEN's music staff about their experiences working on the series. Below, Music Producer Yoshiki Kobayashi and composers Hiroaki Tsutsumi, Yoshimasa Terui, and Alisa Okehazama share their creative processes, musical influences, favorite scenes, and more. If you're a fan of JUJUTSU KAISEN, you definitely don't want to miss out on this!
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    This was a rare case where three different composers were in charge of the background music, but could you tell us a bit about how that happened? How did you three go about producing the soundtrack?
  Kobayashi: When we had our meeting with Gege Akutami-sensei, he suggested we go with a stylish, Billie Eilish direction. Then director Sung Hoo Park added on that he wanted some hip hop and rock, so I entrusted the work to Tsutsumi-san, Terui-san, and Okehazama-san, who I knew could create unique songs that fit the anime.
  Tsutsumi-san is great with rock. He also has extensive experience with additional background music, so I figured Tsutsumi-san would be the center of the team this time. For a while now I’ve thought that Terui-san’s distinctive rhythms, melodies, and riffs are very unique and so is the way he creates them. He’s great with stylish songs. Then Okehazama-san knows how to work a synthesizer well, and her melodies are extremely pretty, so I asked her to join thinking she’d be perfect for the emotional tracks.
  There were some co-written songs, but most were composed separately by one of those three. I always made sure everyone could listen to each other’s demos, so we could share the same direction for the show’s music and make sure we didn’t lose track of it.
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    Tsutsumi: The songs were divvied up between the three of us based on the characters, tone, and music requested.
  A few songs were assigned when the composer raised their hand for it, but Kobayashi-san, the music producer, had the final say on the division, and we each broadened our imagination as we made our demos.
  We all received inspiration from each other as we worked on the composition.
  Terui: I heard that both the original author, Akutami-sensei, and director Park had a strong focus on the music and they also wanted to use a broad range of genres for the background music, so producer Kobayashi reached out to three of us to realize those requests.
  We decided who would be in charge of producing each song during our meetings with Kobayashi-san, and then we basically each worked on our own.
  I wasn’t in charge of the theme music this time, but I was able to produce a few songs that I co-wrote with Tsutsumi-san and Okehazama-san.
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    JUJUTSU KAISEN is a unique title with cursed spirits and jujutsu sorcerers. How did it feel to work on a show that would let you thematically address “dark fantasy” in a soundtrack?
  Kobayashi: It’s set in Tokyo, and the addition of curses makes it seem more Japanese, but since I had worked with director Park before on The God of High School, I felt that it needed more of a western music feel than a Japanese dark fantasy feel. I felt like I had to respond to the stylishness of the footage that the director sought, and not let ourselves get dragged down trying to make it more Japanese.
  Tsutsumi: Rock-style songs are my roots, and I felt like the setting matched the hard musical expression of that well, so it was very rewarding.
  Terui: Many of the projects I’ve been involved with so far have basically been more about looking at the darker side of things than going in an open, positive direction, so I was looking forward to seeing how I could bring out my experience in new ways with this soundtrack.
  Okehazama: This was my first time creating music for a dark fantasy, so I was a little anxious, but I was much more excited about it.
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    What kind of research did you do when you were assigned to the soundtrack? If you did any work to deepen your understanding of the title, we’d love to hear about it. If you were reading the original manga before working on the soundtrack, then what kind of inspiration did you take from the source material while composing the music?
  Kobayashi: I’ve read every chapter in Shonen Jump since it first started running. It was my job to further my understanding of the title and convey that to the composers, so I participated in the scenario meetings so I could soak in what the director was thinking about, what the themes of each episode were meant to be, and what points they were debating over. Thanks to that I was able to pick on some minor details and proposed adding one more song at the very last minute to the director.
  Tsutsumi: I had known about the title before, but the first time I really read through it was after I was assigned to the music. I organized the content of the title in my own way and laid out my own notes on how to convert that to musical expression before our first music meeting.
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    Terui: Reading through the original goes without saying, but I also researched what kind of music Akutami-sensei likes and I watched director Park’s past works.
  "This is right at the heart of the current shonen manga," was the impression I got from the original. I love manga myself, and I found some inspiration in the homages to various other manga scattered throughout.
  Okehazama: I began reading the original title after I was chosen to work on the music. I received inspiration from the story and the characters of course, but I also settled on the tone of the music based on the touches in the manga’s artwork.
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    Itadori watches lots of movies to hone his skill with cursed energy, but were there any movie soundtracks or composers the music team drew inspiration from?
  Kobayashi: It was only partial influence, but I imagined the songs coming in cool like they do in Spawn and Black Panther.
  Tsutsumi: A TOHO Producer, Matsutani-san, had introduced me to the soundtrack for a movie called Us released in 2019, and I was inspired by its approach to sound.
  Terui: This was my first experience with background music, so it wasn’t so much a specific movie’s soundtrack, but I listened to a broad variety of music from movies with a similar direction to broaden my perspective. Outside of soundtracks, I also felt that something which bridged the abstract hip hop of shing02 and DJ shadow with the more recent trap hip hop style would get people hooked, so I referenced those (though ultimately the songs I ended up in charge of were mostly in a rock-style).
  Okehazama: I didn’t use a particular title as reference, but I did proactively listen to hip hop and EDM music to gain a variety of ideas.
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    In Episode 2, there's a scene with Gojo and Itadori at a cremation center with a traditional flute and quiet electric guitar as background music. Not only was it an entirely anime-original scene, but it also shows a ritual that is not commonly portrayed in Japanese media. How did you work with the staff to create the sound to this scene, and what considerations did you take in showing the ritual of kotsuage (a traditional Japanese funeral cremation)?
  Tsutsumi: I performed a song with the harmonics of a kantele (a string instrument from Finland) as the main motif in order to express Itadori’s maudlin state of emotion. I felt that the transparent, empty, and dignified air of that tone would support such a quiet scene without intruding on it.
  We actually used a low whistle for the flute tones. When producing the music for JUJUTSU KAISEN we never recorded any Japanese instruments since the concept was to express that Japanese style with Western Instruments.
  I used the electric guitar to express his inner strength and his resolve for the future that goes with his sadness. (I actually didn’t make this song specifically for the kotsuage scene, but I do believe it fit the mood of the scene and expressed Itadori’s emotions.)
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    The artist Che Lingo helped provide the lyrics for the fight between Todo and Fushiguro in episode eight. Can you talk about how you found Che Lingo to help write the lyrics for the song and how it was written for the scene?
  Kobayashi: Director Park put in an order requesting a rap, so I was introduced to him by Youki Yamamoto-san who I had worked with on Dr. STONE before and who was currently in London. When I heard his rap I thought it was cool and knew I wanted to ask him for it.
  I told him the general tone of the music (and the details of the scene) beforehand, so Che came to the recording with a general idea in mind. We couldn’t go to London where he was recording due to the pandemic, so I decided to direct it online.
  Tsutsumi: We were introduced to him by a composer living in England, Youki Yamamoto-san. We used the internet to connect London and Japan in order to do the recording. Each composer told Che Lingo where we would be inserting the rap, and what theme we wanted from the lyrics, and then we composed the lyrics and recorded the rap all on the same day as the recording.
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    When Gojo fights Jogo in episode seven, we’re treated to heavy rock music. Later in the episode, after Itadori and Gojo enter Jogo’s domain expansion, we still hear cool rock music even though there isn’t as much fighting happening. Do you feel unifying the music to a genre like that throughout an episode is an effective way to convey a message to viewers?
  Kobayashi: We don’t actually worry about unifying the genre of music in an episode. The reason for that is because there are developments within each episode, and I believe using the music that fits each development is how you should maintain the overall balance of the episode. It just so happened to work out that way in episode seven, but for example, I don’t think it would have been strange for the song for Hollow Purple from episode twenty to kick in with Gojo. Then it would have shifted from rock to EDM. Either way, it would have helped leave that impression of Gojo’s overwhelming strength, so I think following the nature of the show rather than a genre of music helps leads to better unification.
  Tsutsumi: Episode seven was the episode that impressed Gojo’s overwhelming strength upon us. I felt the music was effective in emphasizing that strength.
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    The music that plays when Todo questions each character changes between heavy-metal (during Fushiguro and Todo’s fight), house (when Itadori meets Todo), and even easy-going acoustic guitars (during Todo’s nostalgic high school scene). I found this musical storytelling in Todo’s scenes really charming. What kinds of things do you pay particular attention to in order to convey a character’s personality?
  Kobayashi: On my end, I made sure each character was assigned to a specific composer. For example, Itadori and Todo were both assigned to Tsutsumi-san. Nanami and Fushiguro were assigned to Terui-san, while Kugisaki and Gojo were assigned to Okehazama-san, and they each composed for their characters. Because of that, we produced music that drew out their personalities and naturally ended up with a mix of genres.
  Tsutsumi: I really cherish the sense and feel that I get when I first picture that character, such as the tempo or the sound of an instrument that springs naturally to me.
  For example, when I pictured Todo, the first thing that came to mind was a chorus like a war cry, and taiko or other drum beats, and I felt that mid-tempo matched his unabashed nature, so those were the hints I worked from.
  Terui: I feel like I get a lot of hints about the sound I should produce not just from the character’s appearance, but also as I consider their backbone and ideology. Once I’ve listed out as many words that come to mind, I then use my creativity to turn that into sound.
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    One of the most provocative story arcs is Itadori’s dealings with Mahito and Junpei Yoshino. At the end of episode thirteen, there's a really moving insert song titled “Stand in the Darkness” playing as Itadori monologues about “never losing again.” Was there anything specific about that storyline, or about JUJUTSU KAISEN in general, that inspired this song?
  Kobayashi: The director put in a strong request here. It was the end of the first cour too, so he wanted the end of the cour to feel like a final episode and he told us he wanted to add in a song with male vocals. The order he gave us was for a ballad, so I really agonized over that, but I think we produced a wonderful song thanks to Steve Memmlo’s participation.
  In the actual anime, the vocals only play for a short thirty seconds. For the first half, we used the instrumentals without the vocals, but that’s because Tsutsumi-san and I discussed it and proposed to the director that we make the first half instrumental-only since Itadori’s emotions haven’t reached that point yet in the first half.
  On the soundtrack, you’ll be able to listen to the version with the full vocals that we recorded.
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    How have you felt regarding JUJUTSU KAISEN’s reception post-debut? Do you think fans are digging the mix of music genres represented?
  Kobayashi: Everyone’s had their own unique interpretation, and frankly I feel that’s a job well done. Being able to enjoy your own interpretation of it means there’s more chances for people to enjoy it than a fixed impression would provide. It’s not a negative thing for people who grew up in different environments listening to different music to have different interpretations. I think such diversity is really great.
  Tsutsumi: The charm of the original is spreading to so many more people through the anime, and I hope they’re enjoying it from the bottom of their hearts. I do think JUJUTSU KAISEN offers a very unique soundtrack. Even though we held true to the fundamentals of expressing emotions, we all worked together looking for new ways to combine instruments and express things as we created the songs, so I hope people can pick up on that foundational power.
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    Terui: I think even more people are enjoying the show thanks to the synergy of the original work’s undamaged appeal and the appealing elements of animation like the motion and the performance of all the voice actors.
  I’d be delighted if the music is also adding to that.
  As for the mix of genres, honestly while part of me thinks some people might hesitate at that, I’m convinced this active approach produced wonderful results.
  Okehazama: When I was creating the music I was very worried about whether people would enjoy it. However, after the reactions to the music from so many people through social media after it started airing, all of it positive, I think fans have come to love it too.
  I’m very grateful to all the fans who sent me messages.
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    Having come this far since episode one, are there any personal favorite episodes or scenes you have worked on?
  Kobayashi: Episode 16, Panda vs. Mechamaru. Che Lingo’s rap is just cool, and the story’s great, and I loved that episode in the manga too.
  Tsutsumi: Gojo and Jogo’s battle in Episode 7. After Gojo proves he’s the strongest in JUJUTSU KAISEN, it makes it very easy for viewers to understand the setting and the power balance between the characters of episodes before and after, so I think that’s a key scene.
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    Terui: I have several scenes I love, but what comes to mind right now is the scene where Hanami awakens to the joy of battle in episode nineteen.
  The animation there is incredibly beautiful, and the music was used wonderfully. I felt my mind getting hooked on MiMi-san’s performance with the hammered dulcimer (a percussion-stringed instrument) in that scene.
  Okehazama: There are lots of scenes I loved, but I really loved "Jujutsu Koshien" in episode twenty-one. It’s one of my favorite scenes where we get to see the main characters act like high schoolers, which we hardly see on their typical missions.
  There were also new additions original to the anime, and I found myself laughing.
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    Anything else you would like to say to worldwide fans of JUJUTSU KAISEN?
  Kobayashi: I take pride in my role here. I know there are lots of JUJUTSU KAISEN fans throughout the world, there’s only so much I can do, but I hope my ideas and efforts have helped boost the title and make it even more enjoyable.
  Tsutsumi: I may be one of the staff members producing JUJUTSU KAISEN, but as an honest fan as well, I love this title and I always want to make it something wonderful. Let’s all share our excitement for JUJUTSU KAISEN!
  Terui: I know it’s hard to encounter new things here when Japan is an island nation that doesn’t speak English, but Japan is filled with amazing anime, comics, music, and underground scenes in addition to big titles like JUJUTSU KAISEN, so if you got hooked on this, then I hope you’ll keep going and sample other works as well. You might encounter something wonderful.
  Okehazama: To everyone watching JUJUTSU KAISEN, thank you very much. I’m very happy to have people watching worldwide in addition to Japan. JUJUTSU KAISEN has many serious scenes, but the characters are cool and appealing, and the wild action of the battles is impressive to watch. I hope you enjoy watching it all the way to the end.
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    Did the JUJUTSU KAISEN finale rock your soul? Did it make your heart drop like a base? Let us know in the comments below!
  Special thanks to Kobayashi, Tsutsumi, Terui, and Okehazama for their time and the JUJUTSU KAISEN team for their amazing work.
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      Blake P. is a weekly columnist for Crunchyroll Features. His twitter is @_dispossessed. His bylines include Fanbyte, VRV, Unwinnable, and more. He would like to see Mahito do the worm.
  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!
By: Blake Planty
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